Dog Man

With a day off school for weather, I had a chance to watch Dog Man on Fandango at Home (Vudu). Dog Man was a movie that I was avoiding at the theaters because it just did not look like something that would intrigue me. The trailers did nothing for the film in my opinion and, even after some positive reviews, I did not care to watch it.

So when I rented Dog Man, I was not especially anxious to see it.

I have to say, this was a movie that I found much more enjoyable than I ever expected it to be.

The film kicked off with the origin of Dog Man, and set up his rivalry with the evil cat, Petey (Pete Davidson). With pressure from Chief (Lil Rel Howery) and the Mayor (Cheri Oteri), Dog Man was chasing Petey, and every time Dog Man would catch him, Petey would escape from the Cat Prison. Everything changed when Petey decided to clone himself.

The script of this movie was pretty good, as it told the story of what was going on, but also reveled in a ton of meta filmmaking. There were tons of jokes about the movie, the style, the animation, and about the tropes that were actually quite funny. They were jokes that worked much better in context than they did during the trailers, which always seemed to be painfully unfunny.

The look of the animation was original and creative. I thought this looked really good and kept my focus on the screen.

I am sure that the target audience for this movie, of which I am not one, would find this incredibly entertaining. I would go as far as to say that I was entertained as well. This had some jokes for me as an adult mixed in with the jokes for the youth. They worked well together.

It is very sweet, maybe even too sweet at times.

I am happy that I was able to watch Dog Man. It was much better than I thought it would be. I would highly recommend it to any families out there looking for some funny family fare that everyone will enjoy.

3.6 stars

Oscar Winners

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

2025 Oscar Live-action and Animated Shorts

I was able to see the five Academy Award nominated Live-action shorts and the five animated shorts today at Cinemark. I look forward to this every year, getting the chance to see these well deserving films. I was under a time constraint today thanks to the WWE Elimination Chamber, but it was able to fit nicely in.

Live-Action Shorts.

I am going to list these in order of my favorite. I will also give you which one I think will win the Oscar. Spoiler, my favorite animation short is not the one that I am predicting will win the Academy Award.

#5. The Man Who Could Not Remain Silent. From Croatia. Honestly, this was my least favorite of the films I saw today. It felt like it was doing something special, but it just seemed to end and I did not like the conclusion of the film.

#4. Anuja. India. I liked this short. The actress playing Anuja does a great job with the talented young girl, but the ending of this one was left fairly uncertain and I wanted more closure.

#3. I’m Not a Robot. Netherlands/Belgium. This sci-fi short was very clever. Started off with some good humor, but developed into an obsession. I did not know that the CAPTCHA could identify robots in other ways. This was an enjoyable short.

#2. The Last Ranger. South Africa. A remarkably powerful short film detailing poachers targeting rhino horns. There are some really emotional moments in this short and the performance by Liyabona Mroqoza is riveting. I just about put this at number one, but…

#1. A Lien. USA. Man this was a tough short to watch. A young couple and their daughter heads down to have the husband’s green card meeting and ICE is there. The emotion, the fear, the anger and frustration jumps off the screen in this short.

A Lien gets my pick as the winner for the Academy Award for Best Live-Action Short.

Animated Shorts

I did enjoy the Live-Action shorts overall more than the Animated ones, but these were all pretty decent too.

#5. Wander to Wonder. Netherlands/Belgium/France. This was such a bizarre short. Wander to Wonder was a kiddie show at one point but things have become really dark. It was truly disturbing and weird.

#4. Beautiful Men. Netherlands/Belgium/France. Three brothers who were hoping to get a hair transplant surgery, have to face their problems and their insecurities. I thought this was a good short with some solid characteristic development.

#3. Magic Candies. Japan. This one felt like it was just too long. There was a scene in this film, where the young boy had some magic candy and it led to a nice moment with his father. That should have been the end, but then the short continued on. It just went too long for me. The first fifteen minutes or so were really great.

#2. Yuck!. France. This is the sweetest of the animated films as the whole thing was based around a first kiss. This was a nice animated short.

#1. In the Shadow of the Cypress. Iran. This was my favorite animated short. I loved the animation and I thought this story was the deepest. There was a lot of emotion. The father, daughter and a whale. I loved this whole thing.

However, my pick to win the Oscar is Magic Candies. I just have a feeling this is what the Academy will do. I hope In the Shadow of the Cypress wins, but I do not think it will.

Last Breath

During this year’s Genre-ary, I watched 30 documentaries. One of them was a documentary called Last Breath, and it told the story of a deep sea diver Chris Lemons who, after an accident, was stranded underwater. Real footage from the actual event made that documentary thrilling.

But, as I was preparing to watch that doc, I realized that I had seen a trailer that had Woody Harrelson in it telling the same story. Sure enough, there was a new movie coming out with the same title, based on the true story.

According to IMDB, Last Breath was “A heart-pounding film that follows seasoned deep-sea divers as they battle the raging elements to rescue their crew mate trapped hundreds of feet below the ocean’s surface. Based on a true story, LAST BREATH is an electrifying story about teamwork, resilience, and a race against time to do the impossible.

Chris Lemons (Finn Cole), Duncan Allock (Woody Harrelson), and Dave Yuasa (Simu Liu) were sent on a mission to repair a pipeline off the coast of Scotland. A terrible storm messed with the ship above the water, causing problems for the divers beneath the water. Chris’s lifeline broke, leaving him stuck in the cold, dark water.

The race against time, equipment and weather created amazing tension and anxiety. I did know the outcome of the story because I had seen the documentary, but I was still fully engaged in the story. I did wish that I hadn’t seen the documentary as I was watching the movie.

Woody Harrelson and Simu Liu had amazing performances as did all of the other actors in the film. Some of the other top performances in the film included Cliff Curtis, MyAnna Buring, Mark Bonnar, Bobby Rainsbury, and, of course, Finn Cole.

The sound editing of the film was sensational too. The shots of the ship in the storm sounded unbelievably great. The effects were tremendous and really worked well.

This is a very solid film with great performances, especially from Harrelson, and amazing technical artistry. Watch this film and then watch the Netflix documentary and you will be amazed with this sotry.

4 stars

Oscar Picks from EYG

Here are my official Academy Award picks for the Sunday night awards. I am not seeing the short films until tomorrow so I will be skipping that pick as of now.

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

I’ll pick the other two tomorrow after I see the live action and animated shorts.

Oscar Nominees

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

Elevation (2024)

I came across this movie on MAX and, while it was listed as a 2025 film, everywhere else had it as a 2024 release. Had I know that, I could have saved this for the June Swoon, but I do think I have plenty of films available for that. I decided to list this under the “classics” instead of 2025 for that reason.

Anthony Mackie played Will, who lived with his son Hunter (Danny Boyd, Jr.) in the Rocky Mountains. Humanity has been destroyed by these creatures that suddenly just popped up from out of nowhere. Fortunately, the creatures could not go past 8,000 feet elevation.

Hunter was sick and needed certain materials that could only be found in the hospital, which meant Will had to go down the mountain to try and find more. He was accompanied by two women, Nina (Morena Baccarin) and Katie (Maddie Hasson).

I really like Anthony Mackie. He is a star and you can see how he commands the screen in a film like this. Sadly, I do not think the film matches up to the strength of Mackie’s screen presence.

The writing is, at best, passable. The story depends way too much on exposition which can become repetitive and dull. The story is full of contrivances and coincidences that really damages the plot.

Nina and Katie started out really hating one another. There was clearly conflicts between the two women, but that conflict disappeared in what seemed no time, without any true resolution. The relationship between them felt forced and had no basis in reality. I know that the film has giant sci-fi monsters running around, which is why the central relationships have to have a dose of realism if the film is to work. These three characters are lacking in that area.

This felt like a poor man’s The Last of Us, mixed with a little bit of A Quiet Place. It was just not at a level of either of those franchises. Anthony Mackie is great and he is doing everything he could to elevate this script, but there is only so much he can do.

The Monkey

Horror/comedy movies can be difficult to do. At some times, the tones between the two genres do not mix well and may feel all over the place. However, when they work, you get some highly entertaining moments, and that is what I feel the latest film from writer/director Osgood Perkins (director of Longlegs) accomplished.

The story tells of a winder-up, toy grinder monkey that wound up in the closet of the father of twins Hal and Bill (both played by Christian Convery). It does not take long for the twins to realize that when the monkey’s key in its back is wound, someone near them dies in a shocking and quite gruesome way.

After a close tragedy, the twins decided to drop the monkey down a well to get rid of it forever. Little did they know that this would not be the end of the monkey.

Many years later, the monkey returned to the lives of the now estranged brothers and continued to amass chaos in it wake.

I enjoyed this movie a great deal. I heard some critics claim that the tone was too scattered, but I found the tone to work extremely well. It felt somewhat campy, but I thought that worked for the film.

The design of the monkey was creepy, in particular with the smile that would cross its face just before it started drumming. I thought the creepiness factor was just the right amount to keep this unsettling. I would not call the film scary, necessarily, but the kills of the film absolutely turned in some gory moments. Gore is usually not my favorite type of horror, but it felt like it worked so well with the humorous tone that the gore did not bother me.

Theo James, who played the adult versions of the twins, and Christian Convery did amazing jobs playing the two different characters. They played them with their own original styles that I was not sure they were actually the same actor or if it were just an actor that resembled each other really well.

It was also awesome to see Tatiana Maslany appear as the twins’ mother, Lois. She did not have a long role, but her scenes were very impactful and helped create a feel for this character. Elijah Wood had a brief cameo in the film in a role that really could have been expanded more.

The more ridiculous it became, the more I embraced the silliness and repelled at the kills. I really found this to work well together. Sure the story itself may not have been as deep as one might expect, but that worked within the context of the film too. Maybe I would have wanted a little more depth to the characters, specifically, why Hal and Billy were never close as children. I understand the anger directed as adults, but why did the twins never have the type of relationship one would expect?

Either way, I was entertained by The Monkey and I thought the performances were all really strong, the film was a hoot, and the kills would be appreciated by any horror aficionado. The Monkey was originally based on a short story by horror master Stephen King.

4.2 stars

Captain America: Brave New World

The fourth film in the Captain America franchise debuted this weekend from Marvel Studios. It has been a film that has had its struggles dating back to Covid, multiple reshoots and delays. Finally, it has arrived in theaters. As with other struggles, this film has had some middling reviews from critics. All of this made me a little nervous about the movie. I am pleased to say that I enjoyed this a great deal.

Sam Wilson (Anthony Mackie) was still facing challenges of assuming the mantel of Captain America, but the new president of the United States, Thaddeus Ross (Harrison Ford) reached out to Sam with an olive branch and an offer to reform the Avengers.

Ross, who had done plenty of horrible things over the years, was trying to turn over a new leaf. However, an unexpected assassination attempt changed everything for the new POTUS.

Sam was completely confused when one of the attempted assassins turned out to be his friend and invitee Isaiah Bradley (Carl Lumbly), one of the original soldiers who was given the Super Soldier Serum and then experimented on by the government for years. Sam believed in Isaiah’s innocence and it created a chasm between Sam and the admnistration.

This film works well as a sequel to the Disney + series Falcon and the Winter Soldier and also, oddly enough, the Incredible Hulk. There are elements in the film that tied it to The Eternals as well.

Anthony Mackie is tremendous as the lead in this film. He showed that he was an excellent choice to take over the role of Captain America. He is charming and does a really great job with the dramatic moments as well. Harrison Ford, who took over the role of Thunderbolt Ross from the late William Hurt, looked to be having a ton of fun as President Ross who eventually turned into the Red Hulk. Harrison Ford is always exceptional, and he and Mackie have great chemistry. They are the standout of the movie.

You can tell at times that this film has been stitched together from reshoots, but it does a decent job of blending them together. With as many reshoots that this film had, it is amazing that this film is as coherent as it is. The film is a political thriller, but I would have liked even more of that.

The inclusion of Giancarlo Esposito as Sidewinder had been added later. Esposito was great and cool, but he was not in the film very much. I hope that he has more to come down the road in the MCU because the little bit we get of Sidewinder in Brave New World is wonderful.

I loved Tim Blake Nelson returning as Samuel Sterns from the Incredible Hulk. He is another character that could have had more screen time. I loved the look of this character.

No spoilers here, but there is a cameo in this movie that I absolutely loved!

I thought the action scenes were really solid. The aerial action with Sam and Joaquin (Danny Ramirez) was a lot of fun as was the eventual Sam and Red Hulk showdown that we have seen in the trailers.

There are some moments where the film is a little messy, but none of that bothered me. I understood with all of the challenges this movie faced that it may not have been the most polished of films. Some of the first act exposition may have been too much, but there was a lot of material that the film had to provide to those who may not have watched the corresponding films/series.

In the end, Anthony Mackie and Harrison Ford were great together and they carried this film. It may not be the best of the Captain America franchise, but, to me, it is a welcome addition.

4.3 stars

Your Friendly Neighborhood Spider-Man S1 E6, E7, E8

Spoilers

“Duel with the Devil”

“Scorpion Rising”

“Tangled Web”

The next three episodes of Your Friendly Neighborhood Spider-Man dropped on Disney + today and, boy, they were epic. I really liked how the three episodes worked together a story seeing Spider-Man get his butt kicked a couple of different times.

Daredevil showed up… and voiced by Charlie Cox. Spidey and DD fought, with Daredevil showing the inexperienced Spider-Man what a real fighter was like.

Then the arrival of Scorpion led to Spidey getting beaten so bad that he was nearly killed.

Lonny kept his downward spiral towards Tombstone going as he imbedded himself into the 110 Street gang even more. Pearl discovered his involvement and things went poorly.

There were some great scenes with Nico and Harry as they begin to show some signs of a connection. The whole Nico drag racing scene was a lot of fun and teased the powers that Nico have.

Otto Octavius is arrested… by Iron Man? We get a hint at his future with the octopus arms working separately from Ock.

Having Norman Osborn do the “Great Responsibility” line and switch it around to make it “Great Responsibility – Great Respect” fits the character well. It is a really awesome, unexpected turn.

And we are just about to have the actual Spider-Man suit, as we got a giant tease at the very end of episode 8.

There are just two more episodes remaining in season one and Your Friendly Neighborhood Spider-Man has been an excellent Spider-Man animated show. It is well written and blended together well.

One of Them Days

I was never a fan of the trailers for the movie One of Them Days, and I swear it was shown before every movie I watched for months. Because of that, I have ignored this movie for several weeks. However, I have heard positive word of mouth about the film so I figured I would fit it into the schedule. A lot of times when I set up a film like this, I come back loving the movie. Sadly, that is not the case for this one.

Of course, I did not hate this. I would say that it was passable.

According to IMDB, “When best friends and roommates Dreux and Alyssa discover Alyssa’s boyfriend has blown their rent money, the duo finds themselves going to extremes in a race against the clock to avoid eviction and keep their friendship intact.

While I did not love much of anything in the film, my favorite part was easily the performance of Keke Palmer. Her performance as Dreux was full of charm and humor. She pulled off the main protagonist of this film wonderfully well. She was absolutely a star on the screen. I was not as much of a fan of the performance of SZA, but she definitely had chemistry with Palmer. I was not a huge fan of the character that SZA was playing. I feel as if I have seen this type of character before.

The story was too compressed into this time frame and I think it is tough to buy everything happening in this single day. Still, several of the individual scenes were funny and well set up. And i guess the idea that this is “one of them days” is part of the concept.

Keke Palmer and, to a lesser extent, SZA is the reason to watch this movie. Their chemistry and charm carries the film through for me.

3 stars

Companion

Companion is a sci-fi/thriller that flew under the radar. I knew very little about it before it was released in the theaters. I do not recall seeing any trailers for the film. I had heard some positive word of mouth about the film, but I still knew very little when I walked into the theater this morning to see it.

If you can go into this movie with as little knowledge as you can, please do so. Companion was an outstanding film that was a ton of fun and very creative and imaginative.

In the vein of going into this movie as free as you can, I am not giving any spoilers, nor am I going to give a synopsis, as this is one of those films where it is very difficult to give a synopsis without giving away some major plot points.

Starring Sophie Thatcher (Heretic, Yellowjackets) played Iris and Jack Quaid (The Boys) played Josh, a couple who was heading for a weekend with friends at a remote cabin. Both Thatcher and Quaid do a sensational job in this film as our main characters. They had a great chemistry and worked very well together to create a story that kept the audience on the edge of their seats the entire time.

The film was both exciting and funny, blending both together very effectively. The writing was so good in both structure and dialogue. You had feelings for these character, including the secondary characters played by Lukas Gage, Megan Suri, Harvey Guillen, and Rupert Friend.

You may never have heard of this movie, but it is absolutely worth your time. It is a blast and provides such a exceptional experience.

4.2 stars

Your Friendly Neighborhood Spider-Man S1 E3, E4, E5

Spoilers

“Secret Identity Crisis”

“Hitting the Big Time”

“The Unicorn Unleashed”

The second week of Your Friendly Neighborhood Spider-Man on Disney + saw the release of three new episodes. Three solid episodes again this week as we see several new interpretations of Spider-villains as well as the debut of one of the most iconic ones.

The dual story of Peter’s rise as Spider-Man and Lonnie Lincoln’s downward spiral to Tombstone is fascinating. They are spending a ton of time building the character of Tombstone to become, perhaps, the big bad of the series, long term.

But we also got our first look at Otto Octavius, pre-Octopus arms. It is revealed that Octavius is behind the weapons that have been showing up around New York.

We got a version of Speed Demon, Unicorn and who will eventually (I think) become Rhino.

Harry Osborn is brought into the “Team Spider-Man” by Norman. Norman said that he couldn’t always be available, but his son could. The Peter-Harry friendship is starting to develop, even though Harry seems to be becoming Peter’s Ned Leeds in this cartoon.

This is also interesting since the show is using the Iron Man/Captain America MCU storyline as a backdrop. I assume they will show up sooner or later.

My biggest problem I have in this show is the fact that everybody wears the same clothes every time. I know it is meant to identify these characters, but it is becoming very odd. I want Peter in something besides that yellow shirt and blue jacket.

I would say that the animation style is still a little distracting, but the storytelling has been top notch so far.

Your Friendly Neighborhood Spider-Man S1 E1, E2

Spoilers

“Amazing Fantasy”

“The Parker Luck”

There is no fictional character that means more to me than Peter Parker. I have spent my entire life loving Spider-Man. He has been an inspiration to me and my own core beliefs come from him. Every time I see a new Spider-Man project, I am both excited and a little nervous.

Nervous because there is always a chance that the project will be bad. I have gone through that a few times. And to be honest, seeing the initial images from Disney +’s new Spider-Man series, Your Friendly Neighborhood Spider-Man, I was a little more nervous than usual.

However, after seeing the first two episodes of season one, my fears were alleviated. I loved these episodes. Even though the show did take some leeway with some things, YFNSM seemed to get the flavor, the tone of Spider-Man right.

One of the original issues I was afraid of was the animation style, but as the episode continued, it did not bother me at all. In fact, i think it worked very well with the character of Spider-Man.

I thought the show was funny and gave us a real good look at this Peter Parker, which is MCU-adjacent. While there are definitely connections to the MCU (Hey there, Left Hand Free), the differences are here too. It sure appears that Norman Osborn is going to be the Tony Stark figure in Peter’s life as the scene in Peter’s apartment with Aunt May was basically reenacted with Norman in Tony Stark’s place.

I love the balls this series is showing. I could tell immediately that there would be plenty of hatred on the internet because of certain “woke” items. I hate that term, by the way. When I first saw Harry in the first episode, I knew there would be some hate-spewers coming for this show. The gender swapping of Curt Connors will surely get some ignorant comments too. Fine. None of that bothered me.

Even the spider bite did not upset me. It certainly was different than any other version of Spider-Man, but that is not a bad thing. The spider was not from Oscorp in the original comics, yet the we’ve seen that happen in other Spider-Man versions.

The choice of Nico as Peter’s friend is intriguing. I have always enjoyed this character in the different comics. The football player is not Flash Thompson, but Lonnie Lincoln, who, by the way, we know from the comics as Tombstone. Amadeus Cho, a Shuri-like Wakandan also show up. The side cast is very eclectic. Great Dr. Strange cameo too.

Spider-Man has had some awesome animated series in the past with the 1990s Spider-Man and Spectacular Spider-Man, but it also had some shows that felt way too childish. I was concerned this would fall into that category like Ultimate Spider-Man. After the first two episodes, I feel as if those fears have been put to rest. It may not be in the same range as those first two I mentioned, but I think this has some real room to grow.

MoviePass, MovieCrash (2024)

January 22

Today’s Genre-ary documentary was found on MAX called MoviePass, MovieCrash, which looks upon the rise and collapse of the movie subscription service MoviePass.

According to IMDB, MoviePass, MovieCrash is…”Exploring the company founding and the implosion of the business by outside investors who took over the company, left it bankrupt and under investigation.”

Stacy Spikes, the founder of MoviePass, took his idea and made it a phenom. For a limited fee monthly, you could go to a movie a day at any theater. It was a revolutionary concept that helped movie theaters. Hamet Watt was a board member of the company and was a co-founder with Spikes.

As they were trying to build their business, two other men came into the orbit of MoviePass. Mitch Lowe, who became CEO of MoviePass, and Ted Farnsworth, Helios and Matheson’s CEO. Helios and Matheson purchased the company in 2017. In 2018, Spikes and Watt were fired from the company that they had founded.

It was at this point where the company started to pull shady deals because they were hemorrhaging money and they were trying to find a way to bring down costs. The problem was they did not keep the consumer, their customers, in the loop.

They worked it so one of the massive movie releases of the summer, Mission Impossible: Fallout, would be unavailable for their users to go to, despite still taking their money. More and more error messages would come up when attempting to use the MoviePass card and the business was being driven into the ground. Finally the company had to declare bankruptcy.

There is an air of racial tint to this story as well. Spikes and Watt were both African American and, at the time that they were forced out of MoviePass, the rest of the board was all white. The doc touched upon this aspect, which was some of the more fascinating pieces of the story. One would wonder how it would have gone if Spikes and Watts were white.

The story of MoviePass is a remarkable one, a company that took off like a rocket, creating a huge success in the business of theaters only to be brought down by a couple of con artists looking for an easy score. It is an amazing story.