Tag Archives: movies

In a Violent Nature

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June 20

In a Violent Nature is a film that I have had on my queue on Amazon Prime for quite a while. I remember seeing it playing at Cinemark, but never getting around to go to it. I also had it on a list of possible horror movies for last year’s October 13 watch, but it did not make the cut. I finally watched the slasher film for the June Swoon, and I tell you what, I was entertained.

According to IMDB, “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 70-year old crime, his body is resurrected and becomes hellbent on retrieving it.“

This movie was really brutal and bloody, with Johnny, played by Ry Barrett, marching through the woods in pursuit of these dumb individuals who took the locket. He found some horrific brutality to murder them as he tried to reclaim his property.

I mean… all he wanted was his locket back. These kids were basically grave robbers. You can’t blame poor Johnny for wanting to bend someone’s head through their torso.

The film is intentionally trying to keep you uneasy as much of the dialogue from the kids were off screen, and we spent most of the film from Johnny’s POV. That meant there was a ton of trudging through the woods. That is obviously meant to be unsettling as was most of the sound design of the picture. You get to a point where you are desperate for some of the sound cues to end.

The film’s pacing is very slow, again on purpose. It really does take the subgenre of slasher films in a direction that it has not gone before. I can see people not being a fan of this because of the pacing and the feel that the creators of the film were going for. Still, I found it to be entertaining and one of the better, more original slasher films we have had in awhile. In a Violent Nature was worth the long wait to finally see it.

Titan: The OceanGate Disaster

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June 19

This is the second film of the June Swoon today, and it is a second documentary. However, unlike Black Barbie, this tells the recent tale of a horrible tragedy from this decade. The documentary focuses on the disaster of OceanGate, the submersible that was intended to take people to see the remains of the Titanic, only to have its own catastrophe.

According to Netflix, “The Titan submersible’s ill-fated journey to the ruins of the Titanic dominated headlines in June 2023, yet the shocking decisions that led to the disaster have never been revealed like this. Titan: The OceanGate Disaster delves into the psyche of billionaire OceanGate CEO Stockton Rush and explores his relentless quest to bring oceanic exploration to the masses – at any cost. Through exclusive access to whistleblower testimony, pivotal audio recordings, and footage from the company’s early days, the film provides an unprecedented look at the technical challenges, moral dilemmas, and shockingly poor decisions that culminated in the catastrophic expedition. Titan examines the doomed underwater endeavor that forced the world to reconsider the price of unchecked ambition in the depths of the ocean.”

The documentary does a really great job of telling this story up until the actual journey of the Titan. The time spent with the Titan during the time before the implosion gives me a clear and obvious picture of why this tragedy occurred and why this was pushed forward. I feel as if the doc needed to focus in on the time during when the world was unsure of what was going on and were hoping that the people aboard the Titan could be saved.

There were some fascinating interviews with people who had worked on the project or who were scheduled to be in the exposition. These were all really well done. It just felt like the time about the actual submersible’s destruction was handled through box text on the screen.

The most anxious moments of the doc was the sound of the popping during some of the footage, popping sounds that were the submersible cracking. These recordings were tense and astounding.

The doc certainly sets up OceanGate CEO Stockton Rush as our film’s villain, but it would have been nice to go even deeper than what they did. I can see the arrogance and the narcissism, but I would like to know more about it than what was given. He is made out to be the bad guy here though, and he very well may have been.

Overall this was a compelling story that seemed to be missing a few specifics or some more depth that would have made this an absolutely powerhouse of a documentary. As it is, it is fine.

3.6 stars

Rust

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June 17

The second June Swoon film of the day is one that had quite a tragic lead up until release. There was an accidental shooting with a gun with blanks that led to the death of the cinematographer of the film that caused a ton of negative press and a controversy in the political world. After charges were dropped against star Alec Baldwin, the decision was made to finish the film for release.

According to IMDB, “An orphaned boy of 13 left to fend for himself and his younger brother in 1880s Wyoming is sentenced to hang for the accidental killing of a local rancher. His estranged grandfather breaks him out of jail and they go on the run to Mexico.”

Ignoring the backstage drama and tragedy that engulfed the movie prior to its release, I thought Rust was a pretty decent Western. Starring Alec Baldwin as Harlan Rust and Patrick Scott McDermott as Harlan’s grandson Lucas, Rust was beautifully shot and featured some solid performances from the cast.

Alec Baldwin and Patrick Scott McDermott had a nice pairing, working very well with one another. The strength of the grandfather/grandson relationship was at the heart of this film. Harlan was a notorious criminal and killer across the Western parts of the United States during the 1880s. He arrived to save Lucas from being hanged for the accidental shooting of a man.

Lucas did not know who Harlan was and their slow development of their relationship was well done and well acted. Throw in the constant pressures and dangers of being pursued by bounty hunters and the law and Harlan and Lucas had to face plenty of obstacles.

In the genre of the Western, Rust is not going to provide anything new and special, but had everything that a Western should have.

The imagery of the Old West looked spectacular in the film and the landscapes of the time were portrayed beautifully by the filmmakers.

Over all I thought this was a decent film. It took some time to set up and would be considered a slow burn, but I was never bored and I did enjoy the central relationship at Rust’s core.

3.85 stars

Ultraman: Rising

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June 17

The June Swoon film today sees us head back to animation for a fun tryst into the world of the classic superhero character of Ultraman. Ultraman: Rising brings the character back into the present world of Kaiju fighting and worldwide threats.

The original series of Ultraman debuted in 1966 and there have been many versions of the hero over the decades. This co-production between Tsuburaya Productions, who owns the franchise, and Netflix Animation looks to reintroduce the hero to the world. And with this film, they have done a wonderful job of it.

According to IMDB, “Ken Sato, a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. His plans go awry, however, when he is compelled to raise a newborn kaiju monster the offspring of his greatest enemy as his own child. Sato will also have to contend with his relationship with his estranged father and the schemes of the Kaiju Defense Force.“

Tying this new hero Ken Sato to Japanese baseball is a excellent idea. Shohei Ohtani is a huge draw among the MLB baseball stars worldwide and having Ken Sato in that vein should help connect this to other fans around the globe.

The designs of the characters are great, as they are all awesome to look at and engage the creativity of the viewers’ imaginations.

The CGI/animation works very well too. There is the feel of old school Japanese monster flicks as well as the current day look of a big budget animated movie. The colors are flashy and entertaining.

The story does more than the typical fighting Kaiju story as it wraps itself around the idea of fatherhood and the relationship between father and sibling, both with Ken and his father, but also Ken and Emmy, the baby Kaiju that Ultraman rescues. This is a universal theme to which everyone could relate.

The villains of the KDF are a little underdeveloped. There are some interesting things going on with the KDF, but it is really basic and surface level. There are some deeper ideas available had the film chose to develop them.

Overall, I thought Ultraman: Rising was really solid. I enjoyed the superhero action and they developed the character of Ken Sato very well. This is a fun film on Netflix.

Magazine Dreams

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June 16

Magazine Dreams was intended to be released originally in 2023, but it was pushed back, and not released until 2025. Part of the reason was said to be because of the writer’s strike, but a big reason was because of the trouble that the movie’s star, Jonathan Majors found himself in.

Jonathan Majors was in a scandal involving his girlfriend at the time who claimed that he physically assaulted her. It led to Majors losing several major projects and jobs in Hollywood, most notably the main villain role in a future Marvel Studios Avengers film.

Pushing this film back makes real sense because it has Majors playing the role of a mentally ill bodybuilder, who while on steroids, was showing violent tendencies and was involved in several scenes featuring assault.

After watching this uncomfortable movie, it makes me all the more sad that Jonathan Majors derailed his career the way he did, because he is spectacular in this role. He was so believable as a man on the very edge of losing it that it felt like he wasn’t just acting. It is so sad that it is going to be difficult to separate real life from this performance in Majors’ situation.

Without any spoilers, I am not sure that the ending worked. I am not sure that the ending was earned, meaning, I don’t think the character’s choice fit with what the film had given us. Still, the fall of this character is developed extremely well.

There felt as if there were too many storylines in the film, none of which truly pays off. I think it could have benefited from a story rewrite, focusing down some of the events that occur. However, Jonathan Majors really does step up his game.

I don’t know what Jonathan Majors’ career holds for him, but he is undeniably a brilliant actor. His performance in Magazine Dreams is top line, but my guess is that a deserved Oscar nomination will not come.

3.6 stars

The Lord of the Rings: The War of the Rohirrim

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June 16

The world of Middle Earth can hold many stories, both before and after the well known Hobbit and Lord of the Rings trilogy. The world of animation seems to fit perfectly among the setting. Unfortunately, The Lord of the Rings: The War of the Rohirrim does not take advantage of the medium to the point that it could’ve.

According to IMDB, “Set 183 years before the events chronicled in the original trilogy of films, it tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless lord of Rohan, with dubious ancestry, having many ties to Dunland, he seeks vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg-a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.”

This movie is okay, but it could have been so much more. The story of Héra is one that we have seen dozens of times. Filled with cliches, there are no really good character moments or story bits. The battles are the best part of the film, but they do not hold the same oomph that they could have because these characters are not deep and do not make you invested in their story.

The animation is, at best, average. Some background scenes look good, but much of the actual character animation looked choppy and, at times, cheap. They tried to cover some animation with snow and other imagery, but it did not work.

The relationship between Héra and Wulf was touched upon, but it was not developed to an extent that I believed the eventual response. Perhaps I can see Wulf’s anger toward Helm Hammerhand, but his all-consuming hatred is unexplained. He comes off as just a one-dimensional villain.

The film is way too long too. At two hour and fourteen minutes, it way exceeds what an animated film, even an animated epic as this intended to be, should be. Still, this is not the worst film I’ve seen. It just could have been so much better.

Fear Street: Prom Queen

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June 13

In honor of Friday the 13th, I figured the second part of the June Swoon I would watch a good slasher film. Unfortunately, instead I watched Fear Street: Prom Queen.

I really enjoyed the previous installments of the Fear Street films. They came out in 2021, released once a week on Netflix. Based on R.L. Stein books, the Fear Street films were based in 1994, 1978 and 1666. They were connected and was a lot of fun.

It only made sense that they would return to the series. Prom Queen was lacking a lot of what made the first three films so great… namely a story, any interesting characters and fun.

According to IMDB, “Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.”

This was such a dumb movie. I mean, dumb even for a slasher movie. The story made no sense. The motives of the killer made no sense. The kills were uninspired and boring. It just had a whole list of horror/slasher tropes that were not fun at all.

The writing was so bad. The acting was over the top. What a waste of time.

I was sorry to see this because I really enjoyed the Fear Street films form 2021, but this was nowhere close to a worthy successor to those three movies. This felt like a high school production.

I wonder if I would have considered this so badly if it did not have the Fear Street name attached to it? The memory of the great movies that preceded this may have not allowed this one a fair shot. On the other hand, this was aggressively bad and if a better movie was made, perhaps it would have benefited from the previous films. Either way, don’t bother with this one.

1.2 stars

How to Train Your Dragon (2025)

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Masterpiece.

I am typically negative on these live action remakes of classic animation. There have been some good ones, but there have been so many more that just does not hit the mark.

How to Train Your Dragon knocked it out of the park.

I loved this live action adaptation. My one criticism is that it is basically a shot-for-shot remake with little if anything new to add. However, I don’t care about that when the adaptation is this epic.

I knew the story. I knew the beats. I was still getting chills and I still had tears running down my face in the final act. This was so well done and affecting to me.

Mason Thames was perfectly cast as Hiccup. You had to get this casting correct if you wanted this movie to be successful, and Thames was masterful. He connected to the audience, he expressed the emotions of his conflict beautifully, and his hero’s journey was just spot on. Toothless was impeccable with the CGI. This felt like a real dragon on screen and you could sense the chemistry between Hiccup and Toothless.

Gerard Butler reprised the role that he voiced in the animated movie with Hiccup’s father Stoick. Butler played this over-the-top role to perfection. His feelings for Hiccup are so obvious, even when he was disappointed b his son’s choices.

Nico Parker was a standout as Astrid. She had a star quality every moment she was on the screen. I was really impressed with her in the role that I was not as fond of in the animated movie. The film also featured Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, and the incomparable Peter Serafinowicz.

The cinematography of this movie was just outstanding, especially the flying sequences. I constantly sat in the theater in awe over some of the shots I saw on the screen. It was a beautifully designed and laid out with such care.

Yes, this is basically an exact remake of the animated movie and I know there are some who will crap on the film because of that. I will not be one of those. This is my favorite movie of the year so far.

5 stars

Warfare

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June 11

This was brutal.

Warfare was written by Ray Mendoza and Alex Garland based on Mendoza’s experiences during the Iraq war. It followed the events of a failed US Navy Seal mission from November 2006 after the Battle of Ramadi.

The script was created through testimony of the platoon members and is told only using their memories. The film is told in real time and is one of the most realistic war films that I have ever seen. This felt more like we had a window into this gunfight than anything that had been recreated by Hollywood magic.

I wish I had seen this on a bigger screen than on my home TV, because I feel as if this is more than a movie, it’s an experience. I can’t imagine what this experience would have been like in IMAX or on a bigger screen with a better sound system.

The sound of the movie was one of the most haunting aspects of it. Everything from the bombs and the bullets being used to the silence emphasizing the screams of pain from the injured. When the silence goes from all encompassing to visceral screams of the wounded, it is a powerful and suspenseful moment. The screams cut deep into the viewer and beginning with the silence makes it all the more impactful.

There is almost no plot and very little characterization. Despite that, the events that take place place a strain on the audience as it feels very real.

The ensemble cast included some of the best young actors around, but it is never apparent that these actors are doing anything but surviving a firefight. The actors include  D’Pharaoh Woon-A-Tai , Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Joseph Quinn, Charles Melton, Noah Centineo, and Michael Gandolfini. 

The amazing technical work of this film is masterful. The realness of the film cannot be denied. This is one of those tough to watch films that you need to see, once at least. It may not be a film you revisit.

4.5 stars

My Dead Friend Zoe

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June 11

The film for today on the June Swoon is film I saw on Fandango called My Dead Friend Zoe. It was a film that I had never heard of before, but the timing fit for today so I gave it a chance.

The film deals with grief, loss, PTSD and the military as well as the challenges of a family dynamic between people who struggle to relate.

According to IMDB, “MY DEAD FRIEND ZOE is a dark comedy drama that follows the journey of Merit (Sonequa Martin-Green), a U.S. Army Afghanistan veteran who is at odds with her family thanks to the presence of Zoe (Natalie Morales), her dead best friend from the Army. Despite the persistence of her VA group counselor (Morgan Freeman), the tough love of her mother (Gloria Reuben) and the levity of an unexpected love interest, Merit’s cozy-dysfunctional friendship with Zoe keeps the duo insulated from the world. That is until Merit’s estranged grandfather (Ed Harris) — holed up at the family’s ancestral lake house — begins to lose his way and needs the one thing he refuses… help. At its core, this is a buddy film about a complicated friendship, a divided family, and the complex ways in which we process grief.“

This is a very deep character study about life after loss and how individuals need help getting through the pain of life and loss. There is a bit of a twist at the end of the movie that recontextualizes the idea of the story, but the fact is that it is still dealing with the loss of an important person in your life.

There are strong performances in the film, especially that of Sonequa Martin-Green and Ed Harris. Two veterans, both with their own pain from loss, trying to get through their lives. Morgan Freeman is always a great addition to a cast, even if he may not have as much to do in this one.

My Dead Friend Zoe may be a touch long, but the character study of Merit, in particular, is full of important little steps and that is a realistic tale. This was based on a true story and it was a very powerful film that lets you think about other people in a different light.

28 Weeks Later (2007)

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Preparing for 20 Years Later which will be released later in the month of June, I wanted to rewatch the first two films of the franchise. I was up to 28 Weeks Later, the sequel to 28 Days Later.

28 Weeks Later was different than the first film, but it was still very intense and anxiety-filled. The second film listed Danny Boyle and Alex Garland as producers, but the direction was done by Juan Carlos Fresnadillo.

Then, 28 Days Later featured a cast with not very many big stars, where as 28 Weeks Later would be considered an all-star cast. The cast of 28 Weeks Later included Jeremy Renner, Idris Elba, Robert Carlyle, Harold Perrineau, Rose Byrne, Imogene Poots, Catherine McCormack, Amanda Walker, and Mackintosh Muggleton.

According to IMDB, “Almost six months after London was decimated by the unstoppable Rage Virus in 28 Days Later (2002), the U.S. Army has restored peace and repopulated the quarantined city. However, the deadly epidemic reawakens when an unsuspecting carrier of the highly transmittable pathogen enters the dead capital with the first wave of returning refugees. This time, the horrible virus is more dangerous than ever. Has the next nightmare begun?“

This was a solid sequel to the first film and this brought a serious vibe to it. The desperate struggle to survive was even more in effect here as our protagonists faced so many more obstacles than just the return of the “Rage” virus. The military brought yet another level of threat to our characters.

Robert Carlyle, who played Rumpelstiltskin in Once Upon A Time, is amazing in this film. He kicked things off making a choice that gives us a glance at his character, but you can understand where he was coming from. It did not make him look any better even if you do understand. I loved Jeremy Renner in this movie, even if I had a hard time thinking about him as anyone other than Hawkeye.

There were some scenes that really stretched credibility here. These scenes add tension to the story, even if they are unbelievably unlikely to actually happen.

I do believe the first film was a tighter story and the second one is a little messier. Some of the scenes of the infected attacking others remind me of scenes when Killer Bob would attack someone on Twin Peaks Still, the shots did feel more artistic than just gory.

I do not expect any connection between these two films and 28 Years Later, outside of the “Rage” virus because of the length of time. I am still pleased that I was able to watch these two films before 28 Years Later comes out.

Death of a Unicorn

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June 9

Death of a Unicorn was in theaters earlier this year and it was one that I wanted to go to see. I never got around to seeing it. Anytime I had a chance, there were other films that were ahead of it and it never fit into my schedule. Then, a rotten score on Rotten Tomatoes kept me away from it. With the June Swoon 4 adding a film a day from 2025, this worked out well to finally see it off Fandango at Home.

According to IMDB, “A father and daughter accidentally hit and kill a unicorn while en route to a weekend retreat, where his billionaire boss seeks to exploit the creature’s miraculous curative properties.“

Surprisingly, I found Death of a Unicorn to be a fairly entertaining movie, featuring unicorns in manners that you do not usually see them. Paul Rudd and Jenna Ortega are wonderful together as father and daughter and they give us a pair to root for among the group of generally unlikable people.

The talented cast included Richard E. Grant, Tea Leoni, Will Poulter, Steve Park, Sunita Mani, Anthony Carrigan and Jessica Hynes.

The film has a message of greed and selfishness, hidden behind the guise of helpfulness. You could easily make an allegory of this movie and the pharmaceutical industry. It also does a good job of taking what is usually seen as a magical creature and turning them into a fearful force.

Admittedly, some of the characters were lacking much depth and the CGI had some moments that were not outstanding. Still, I found most of the drawbacks to the film to be less important and not take away from the overall presentation.

I thought this was much better than I expected and I was pleased with the opportunity to have watched this.

3.75 stars

Love Lies Bleeding

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June 9

Today’s movie from the June Swoon is on HBO Max and it starred Kristin Stewart.

The film, a dark, erotic crime thriller, is directed by Rose Glass. There are some great scenes of violence and erotica in this movie. The acting is top notch and the shocks are all over the place.

According to IMDB, “Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.”

It started following the relationship between Lou and Jackie as Jackie prepared for a bodybuilding contest. When Lou’s sister ended up in the hospital at the hands of her husband JJ (Dave Franco), Jackie took her own ‘roided-up rage out on him. This forced Lou into a position to try and help her love.

As the film progressed from this love story into a crime thriller, Lou’s criminal father Lou Sr (Ed Harris) got involved, trying to pit Jackie and Lou against each other.

The third act went way off the charts as something very bizarre took place that made you look differently at this film than any other one. It is hard to speak about it without spoilers so lets just say that I think it might be metaphoric at the end.

That final scene or two really threw off my thoughts about this film. It felt like something that was tense and real made, dare I say, silly.

Kristin Stewart was great as Lou. She seems like she has always had great performances since Twilight ended. Ed Harris brings some menace to the film too.

Not sure what happened at the end and why it went this way. Still, most of this movie was strong and the end did not completely waste that good will.

The X-Files S9 E11

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Spoilers

“Audrey Pauley”

This was a strange episode.

Monica gets involved in a car crash where a drunk driver hit her and she is taken t the hospital. There it appears that she is brain dead, though her body is still functioning. John refuses to accept the evidence before his eyes, despite the fact that everyone, including Scully, does not believe him. Monica is actually in a deserted hospital and she can only see a few other people there.

One of the people in the mysterious hospital was named Audrey and she was able to be in both the mysterious hospital and the real world. Turned out that she somehow created the mysterious hospital (along with a tiny dollhouse type of hospital) in her mind, I guess. The form this takes is not overly clear, nor how or why she was able to do this.

Another issue was the doctor, played by Jack Blessing, who was known as Mr. MacGillicuddy on Moonlighting, was poisoning patients and putting them into these brain dead situations to… I don’t know… help them die after that? MacGillicuddy’s motives were not explored too deeply. However, he did kill off a nurse who saw him give a shot that was not on the charts, and, eventually, Audrey. I don’t know why MacGillicuddy took such a dark turn after Moonlighting went off the air. Heck, if I remember Moonlighting, I think MacGillicuddy died in the last episode. Maybe he was in this mysterious hospital then.

I’m kidding of course. There is just so much unexplained, even for an X-Files episode, that I had some trouble buying it. It also does not help that Monica is one of my least favorite characters on the show. I was impressed with Robert Patrick’s performance. He brought some solid work grieving the woman that he loved.

Admittedly, the love Doggett felt for Monica seemed to be fast tracked here. I got some implication that they had feelings for one another, but nothing to this extent until this episode. Still, I can let that slide. I do have an issue with Doggett not telling Scully what he thought was happening. He said once that Scully would think he was crazy… but he should know by now that Scully always listened to crazy theories and never outright dismissed them. You would think that John would know that by now.

Overall, there were some interesting ideas here, and some solid to great performances. There are just too many things lacking in my opinion for this to be anything but a mid episode.

The Ballad of Wallis Island

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June 8

I had seen the trailers for this movie earlier this year, but it never came around to any theaters that were in my area. So when I saw it for rental on Vudu, I was happy to make it part of the June Swoon.

According to IMDB, “An eccentric lottery winner who lives alone on a remote island tries to make his fantasies come true by getting his favorite musicians to perform at his home.”

This is going to be an odd comparison, but this movie made me think of A Mighty Wind. They are completely different films, with A Mighty Wind being an improved film from Christopher Guest, but there was a pair of characters int he film named Mitch and Mickey, played by Eugene Levy and Catherine O’Hara. Mitch and Mickey were a folk singing duo who were also a couple and the split up. Mickey remarried and then they came back together to play the big folk music special at the end of the movie.

This reminded me very much of that movie thanks to the folk music pair McGwyer & Mortimer, played by Tom Basden and Carrie Mulligan. Admittedly, this is a more serious film than the Chris Guest one, but many of the ideas behind these characters feel similar.

Written by Tom Basden and Tim Key (Key played Charles, the eccentric lottery winner), this was based on a short film entitled  “The One and Only Herb McGwyer Plays Wallis Island” from 2007. Basden & Key wrote that short as well.

This film was sweet and melancholic tone to it, as Charles tries to get his favorite pair of folk singers together to play a solo gig for him. Charles may not have been straight-up with them in order to get the reunited duo to come.

The music is great. The imagery of Wallis Island is beautiful. There are some really strong character developing going on with the limited cast, and I do like how things do not necessarily go the way you would expect.

4 stars