I do love this show. It is so well written and acted.
William Shatner may be most well known forever as James T. Kirk, but his best career performances come as Denny Crane. The buffoon-like behavior hiding a deep seeded concern over his health. Arrogant and sarcastic, Shatner’s eyes revealing the truth.
James Spader brings such a complexity to Alan Shore. He is willing to do anything, even step over the lines or morality, to get things done. Many times, his motives are pure. His methods, on the other hand, are anything but. Simplicity, Tara described Alan as split into three people: the Good Alan, the bad Alan and the Naughty Alan. Though it may be too simple for this character, the description does work.
It was sad the way Alan took advantage of Sally, which seemed to be a way for Alan to get Sally to leave him. There is a deep neurosis to Alan and his relationships pay the price. Yet, he is completely loyal to former lovers and women that he respected. He is a contradiction in terms for Alan. It is why I was so happy that, at the end of episode 6, when it appeared that he was going to go and have sex with Dana Delany’s character, a woman he always had desires for, but he turned up in a motel room with Tara instead. Had Alan slept with Delany, the betrayal would have been tough to swallow, especially after he dealt with Delany’s husband’s infidelity. I don’t want Alan to be a hypocrite even if he had many otehr bad traits.
Episodes 3-6 again do not focus as closely on Alan and Denny’s relationship as they could, but there are moments. When Alan came to share their whiskey in Denny’s jail cell after he was charged with contempt of court, they exchanged a wonderful scene where Denny worried about his mental capacities. The whole possible Alzheimer’s Disease arc and how it could destroy the image and legend of “Denny Crane” follows Denny through the entire series.
Alan and Denny are together when Denny lets it slip that Donnie Crane was not his son after all, only for Donny to hear. Freddie Prinze Jr. appeared as the supposed son of Denny Crane, and his devastation in this scene made it all the better.
There are several fun moments of Fourth Wall breaking during the show. In this crop of episodes, my favorite was when Alan Shore said he wanted to be on cable because that was where all the best work was happening. Of course, Boston Legal aired on ABC.
Episode five featured one of Alan’s top line closing arguments. We have not seen too many of those yet in the season, but there will be plenty more to come. This one was just right on the nose for his case that you can tell how the case will go.
Lori is involved more the last few episodes, and they are still teasing a potential relationship between Alan and Lori. Probably one that would be highly toxic.
This is the final EYG Comic Cavalcade before I go back to school next week. It has been so great being able to read the comics with plenty of time and still get this out early in the weekend. That will change as the time will become limited and, with the number of books I buy, I can’t see me getting this done until late Sunday, if not early next week. Still, I am dedicated to getting this post out as soon as possible.
Comic of the Week
Cult-De-Sac #1
This week’s Comic of the Week is the new horror based comic by writer Cullen Bunn and artist Fico Ossio for Ignition Press.
We have seen the idea of a Homeowners Association being evil before such as the X-Files episode Arcadia, but making it into a cult was a cool twist.
What I liked most about this issue is how much time they spend setting things up, including introducing characters and observing the setting. They could have immediately jumped into the cult, but the story takes time to establish what they needed to in order to build the suspense and the concern for the Hanson family, moving into this new world. Great stuff.
Books this Week:
Miles Morales: Spider-Man #1. “Level 1: Sins of the Father.” Written by Bryan Edward Hill with art by Nico Leon. Cover art was done by Simone Di Meo. The foil cover variant was done by Pere Perez (Gold Medalist). Miles returned to his black outfit as a new volume kicked off for the youngster. Miles has to take the concept of the movie Speed to a whole new level to keep a person from exploding. It is great to have Miles back in his own book.
Spider-Versity #5. “Most School Spirit.” Written by Jordan Morris & Joe Kelly with art by Pere Perez. Cover art was done by Giuseppe Camuncoli, Lorenzo Ruggiero & Edgar Delgado. In order to save one of the students, Norman Osborn takes back the symbiote that turned him into Red Goblin, forcing the Spiders to stop him. The end of the book saw Jessica Drew with the remainder of the symbiote, hinting at something new for her.
Infernal Hulk #10. “The Riddle Game.” Written by Phillip Kennedy Johnson with art by Adam Gorham. Cover art was done by Nic Klein. I picked up a Spider-Man: Brand New Day variant cover by Mauro Cascioli. This is the final issue of the Infernal Hulk, but the story is continuing on through a series of one shots, leading to a major Hulk story arc. This monstrous Hulk has been very fascinating as this story progressed and I do like what Phillip Kennedy Johnson is building here.
Barbara Gordon: Breakout #4. “The Reason and the Why.” Written by Mariko Tamaki with art by Amancay Nahuelpan. Cover art was done by Karl Kerschl. Variant cover E art was done by Mark Spears. Officer Myrna Shelton is now in the prison for backup for Barbara Gordon. It is a good thing as Barbara needs it badly.
Absolute Batman #23. “The Straw Man Part 5.” Written by Scott Snyder with art by Nick Dragotta. Cover art was done by Nick Dragotta & Frank Martin. Clayface makes his presence known in a brutal way, shape shifting into Batman and killing Tim Drake of the Robins. By doing so, he is framing Batman in the public eye. The book recreated the iconic moment where Batman held the dead body of Robin in his arms (though it was originally Jason Todd who he held).
D’Orc #7. “A Bit Bogged Down.” Written, drawn and cover art by Brett Bean. D’Orc is reeling form the discovery of the truth of his father and he comes across a nice woman who is seemingly wanting to help him. Sadly, she is a succubus and Bog-Men are at her beck in call. D’Orc is a consistently entertaining book that I look forward to every month.
Fury of Firestorm #5. “The Fury” Part 5. Written by Jeff Lemire with art by Rafael De Latorre. Cover art was done by Rafael De Latorre and Marcelo Maiolo. Firestorm is facing with dual time periods as Firehawk tried to reach Robbie while Hawkman and other JL members try to stop Firestorm. I think only Jeff Lemire can tell this story without it being overly convoluted.
X-Men #35. “A Gift.” Written by Jed MacKay with pencils by Tony S. Daniel. Cover art was done by Tony S. Daniel & Fer Sifuentes-Sujo. This issue served as a prelude to the upcoming DNX arc. We have an existential crisis for Hank McCoy, and he believed that Illyana Rasputin is someone who could help him. Hank had to face the fact that the leader of the 3K is just another version of himself and Illyana’s own Darkchilde made her the perfect foil for Beast.
The Twilight Zone #10. “A Life Well Lived.” Written by Rosemary Soule & Charles Soule with art and cover art by Sean Peacock. A couple of girls find their way to an underground bunker where their arrival puts the entire world in jeopardy. These individual stories in The Twilight Zone book have done a great job of creating the mood and the feel of the original series.
The Punisher #7. “Collateral Damage.” Written by Benjamin Percy with art by Farid Karami. Cover art was done by David Marquez & Guru-eFX. Frank Castle goes head-to-head with the new villain Collateral Damage. Collateral Damage was a victim of a shootout Frank had had in his past and C.D. was back with some awesome specialty bullets to try and finish off Frank.
Showdown #3. Written by Dave Wielgosz and illustrated by Tadd Galusha. Cover art was done by Steve Lieber & Jack Cole. Trisha is preparing for her massive showdown with Harvey, but she was beginning to doubt whether or not the revenge was worth it. I do like it that they are making this deeper than just a revenge story.
Rascal Randy #2. Written by Tyler Boss and featuring art and cover art by Dylan Burnett. Who could guess that a cartoon creation named Rascal Randy could cause such problems for its creator, Elias Friedman? The origin of the assassin from Exquisite Corpses rolls on with the second of five issues in this mini series. I like the different format of the story, with the flashbacks told in a different color/shade.
Venom #260. Written by Al Ewing and art by Carlos Gomez. Cover art was done by Carlos Gomez & Frank D’Armata. Cover B cover art was done by Tim Seeley. In this Queen of Black crossover, Venom #260 focused on the history of Dylan Brock and his relationship with Eddie Brock.
Seven Wives #3. Written by Zoe Tunnell with art by Tesslyn Bergin-Dicoi. Cover art was done by Keyla Valerio. The mystery of who killed cult leader Matthew Dunn wrapped up in this short mini series. It was an interesting end to the story, but I am not sure it was completely satisfying. This felt like it was too short of a series and this story could have used another issue or so.
Batman & Robin Year One: Dynamic Duos #1. Written by Mark Waid with art by Chris Samnee. Variant cover D art was done by Hayden Sherman. This issue featured the cult of Barbatos, which funny enough, I had never heard of until recently when I watched the second season of Batman: The Caped Crusader on Amazon Prime. This also included Catwoman with another girl alone on the streets.
Clayface: Celebrity Dirt #2. Written by Jude Ellison S. Doyle with art by Fran Galan. Variant cover C art was done by Hayden Sherman. The Clayface book has been very solid so far, and I actually felt bad for some of the side characters we met in this issue. Of course, the book is meant to help build toward the DCU movie Clayface that comes out in October, and I think it has accomplished that goal.
Wolverine #25. “Eruption.” Written by Saladin Ahmed with art by Martin Coccolo. Cover art was done by Dan Panosian. The final showdown with the doctor who stole Logan’s healing factor, Alpha Flight and Wolverine takes place on the edge of an active volcano. Never a good place for a fight. It is nice to get this story over with so Logan can be back to his normal way with his healing factor. I don’t mind stories like this, but it was so obvious that he was getting the healing factor back that it took away most of the stakes.
X-Men United #6. “Shadow Play Pt. 2.” Written by Eve L. Ewing & Evan Narcisse with pencils by Tiago Palma & Eduardo Pansica. Cover art was done by Stefano Caselli & Federico Blee. The X-Men have to face off with a dark and evil version of themselves as the team is trying to reunite.
Transformers #35. Written by Robert Kirkman and art by Jason Howard. Variant cover C art was done by Jason Howard & Annalisa Leoni. Optimus Prime responds to a fierce fight involving Cliffjumper, Shredhead, and the Combaticons. General Flagg and Doctor Arkeville stabilize Shredhead using spare parts from Onslaught. I have a feeling that those spare parts from a Decepticon will not turn out well.
The Trillion Dollar Kid #2. Written by Geoff Johns with art by Peter J. Tomasi. Variant cover C art was done by Stefano Simeone. The crossover with Hornsby & Halo and the Rocketfellers concluded with this issue as they are able to prevent the early start of the Robot War and the saving of Tommy’s friend robot, Sterling. Tommy has not found his parents yet, but it seemed as if he was continuing his search via other “Unbelievables.” I like Tommy, but, again, this felt a little short for a crossover event. I do appreciate Ghost Machine’s efforts to do a crossover though.
Generation X-23 #7. “Homecoming.” Written by Jody Houser and art by Marco Renna. Cover art was done by Partha Pratim Sarkar & Romulo Fajardo Jr. Wolverine (without his healing factor) showed up coincidentally where Laura and the others were hiding out. I have started to enjoy this book more with each issue and this one might be my favorite of the series so far. I like the use of Wolverine here and I like how he did not have the healing factor, keeping things in continuity.
Tyler Rake: An Extraction Story #4. Written by Ande parks and illustrated by Ronan Cliquet. Cover art was done by Declan Shalvey. . In this chapter, Tyler and his team arrive in the Philippines to face a heavily fortified city controlled by a hostile adversary named Molina. Tyler Rake has been an enjoyable mercenary in this book so far.
The Dogsitter #2. Written by Jamie S. Rich and illustrated by Megan Levens. Variant cover B art was done by Cully Hamner. I grabbed the second issue of this book this week after not being sure what this book was going to be about. I expected issue one to have some twist, but it turned out to be basically a romance comic. However, I have liked reading this, and I suppose you could say that a different genre of comic that is not apocalyptic, vampire or techno is a good thing.
Other books this week: Ghost Pepper #13, Honor and Curse: Eternal #5, Blood & Thunder #16, Gastronomique #1, X-Men ’97 #3, Malevolent #6, Did You Hear About Mimi Green? #3, Planet Atmos: Exordium #4, and The Nice house By the Sea #11.
Quick Hits: Godzilla finds himself in the Roar of the Worlds #1, the latest Godzilla’s Monsterpiece Theater book from IDW. I saw Gail Simone express her admiration for Godzilla books lately on BlueSky and she is right. Godzilla seems to be able to fit into any story well. Vertigo’s Bleeding Hearts #7 sees more zombie action and the strange POV of Poke. I don’t usually pick up facsimile books and I pick up even less Archie books, but the covers for this week’s Archie Facsimile Edition #16 (Laugh #166) featured two covers parodying the covers of two of my all-time favorite Beatles albums, Sgt. Pepper’s Lonely Hearts Club Band and Abbey Road. I was just unable to turn them down. Of the Earth #4 was back among the medal winners in this week’s EYG Favorite Comic Covers of the Week with a bronze medal. Charles Adlard has been a very exceptional cover artist for that series, medaling several times. Dark Horse had a couple of books out this week that were fun and intriguing, that being The Shaolin Cowboy: Staying A.I. Live#2 and Beast of Boriken #2. Another number two this week was Starhenge Book Two: A Kiss for Atticus #2 by Liam Sharp. This book feels just so epic and the art is breathtaking. I’d be lying if I said I wasn’t a little confused with the story though. Queen in Black: Thor #1 gives us a dual story of Sigurd Jarlson and Beta Ray Bill. More Asgardian adventures fill up the Doctor Strange #9 book as Strange continues his mantel as Sorcerer Supreme of Asgard. Hank Howard returned with more noir pizza adventures in Hank Howard Pizza Detective in The Fair Play #1 from Bad Idea. I grabbed a beautiful B cover of this book that came up short on the EYG Favorite Comic Covers of the Week, but is still a lovely piece of art by Mico Suayan. More drama from beneath the earth’s surface goes down in Innards #3. Then, Just Brutal #5 from Ignition Press keeps the pressure on the ascension of these kids into the new heroes of the book.
I was a fan of Mr. Peabody and Sherman from the Rocky and Friends Show. The Wayback Machine was one of my earliest examples of time travel. I really enjoyed the DreamWorks movie, though in retrospect, I do not think it was as great as I was first saw. Nostalgia hit me hard, but I did still enjoy this comedy.
Voice Cast: Ty Burrell, Max Charles, Ariel Winter, Stephen Colbert, Leslie Mann, Allison Janney, Stephen Tobolowsky, Stanley Tucci, Adam Alexi-Malle, Patrick Warburton, Zach Callison, Steve Valentine, Dennis Haysbert, Karan Brar, Leila Birch, Joshua Rush, and Thomas Lennon.
The new dinosaur movie, The End of Oak Street, came out this weekend starring Anne Hathaway and Ewan McGregor. Writer/director David Robert Mitchell brought us this ’80s feeling, Amblin-like film of a family trying to survive the sudden arrival of dinosaurs and other monstrous creatures.
According to IMDB, “The Platt family bands together to navigate their new surroundings after a cosmic event transports their suburban neighborhood to someplace unknown.“
Anne Hathaway and Ewan McGregor play Denise and Greg Platt, who had been having marriage troubles, and their two kids acting out in different ways. Hathaway and McGregor do a good job as the married couple with their struggles.
The kids, Audrey and Brian, were played by Maisy Stella and Christian Convery, Christian Convery has been in several projects including Cocaine Bear and the Netflix series Sweet Tooth. I thought both of them did a solid job in the film.
The dinosaurs looked great and the film was sensational with the tension and anxiety of the film off the charts. It brings that tension t a high level while still maintaining the Spielberg-like film and not just falling into a horror creature film. I think the writing was strong and everything was nicely weaved together.
The mystery of the film helps keep the tension high. JJ Abrams is a producer on the film and this kind of unknown plot falls right into his type of storyline.
I liked how the beginning of the movie started diving into the characters more, which I think is a very good way to start. I also love how all of the little character bits that they mention during that time comes back and pays off, even if it is a small mention.
I am not sure how I feel about the end of the film. I was satisfied when I watched it, but, upon some reflection, I am not sure the choice they made was the best choice possible. Of course, I can not go into detail because of spoilers.
This was considerably better than MOST of the Jurassic Park/World films and I was thoroughly entertained thru the entire flick. The actors are likable and the dinosaurs are awesome.
Animation Style: 2D hand-drawn animation with CGI integration
Studio: Disney
Hercules came out near the end of the golden era of Disney’s return that had seen releases like Lion King, Beauty and the Beast and Aladdin. It may not have reached the level of those films, but it has its own levels of success.
Voice cast: Tate Donovan, Danny DeVito, James Woods, Susan Egan, Rip Torn, Samantha Eggar, Lillias White, Cheryl Freeman, LaChanze, Roz Ryan, Vaneese Thomas, Bobcat Goldthwait, Matt Frewer, Hal Holbrook, Barbara Barrie, Paul Shaffer, Jim Cummings, Wayne Knight, Keith David, Frank Welker, and Charlton Heston.
Okay. Episode four is easily my favorite episode of this show so far. It is the first time that I did feel a slight tinge of embarrassment watching it.
Stuart Fails to Save the Universe has Stuart in a mental institution with Dr. Amy Farrah Fowler (reprised by Mayim Bialik) as his therapist. The whole time Stuart is in the institution, he was receiving subtle hints that everything was not real.
This is a trope that has been done many times, including, just off the top of my head, Buffy the Vampire Slayer, but this worked really well. Stuart “put in the work” to make himself sane after finding out that he was married to Denise and they had two kids. He seemed to be living the perfect life.
However, of course the truth was different as Stuart realized when he said that he never has perfect things happen to him.
The four of them turned up in a Matrix-like situation, pulling themselves out of the goo. Yet, it was not done yet, as Stuart opened a tear in the reality and the four of them found themselves in an all-white area with their travel machine.
They ended up in a forest surrounded by a mysterious group of people.
I did enjoy this episode considerably more than any of the other episodes. It did feel like it rushed through the story. I would have liked to see more from this Matrix world, and the ending turned out to be somewhat anticlimactic. Still I really enjoyed this episode and would have liked more of it.
I have been seeing a ton of clips of Boston Legal on TikTok recently, and it influenced my decision to start a rewatch of Boston Legal. I found it on Hulu and I discovered that there were only five seasons. I really thought there were seven of them. Episodes varied per season as season one only had 17 whereas season 2 had 27 of them.
Watching these first to episodes of the series, it struck me how this cast changed over the years. Some of the characters of the first season were flashes from my memory, such as Lori Colson, Tara Wilson and Sally Heep. These women were replaced as the years moved on. No Shirley Schmidt, though I do think she comes soon in season one.
The appearance of the black Little Orphan Annie was a classic case that I did not think was in the premiere episode. It featured a cameo from the Reverend Al Sharpton as Denny’s “Rabbit out of a hat.”
It showed how questionable Alan and Denny’s tactics were at times when they were doing things that were for the “greater good.” I loved how these characters were shades of grey. They are complex and written so amazingly.
Alan Shore debuted on The Practice, as did Denny Crane. Their relationship was not as prevalent in these first two episodes as it would become. The chemistry between James Spader and William Shatner was off the charts. They were better than most couples on TV at the time. These first two episodes did not feature it as much.
Denny’s ongoing inner doubt about his lost of his abilities was highlighted early here and would be a major plot point through to the end of the series.
It was fun to see Elizabeth Mitchell, who I got to know as Juliet from LOST, make an appearance in episode two here. She played one of Alan’s ex-girlfriends who was committed after she tried to kill Alan. Alan helped defend her when she was trying to be released from the asylum. This story extends into episode three.
This David E. Kelley project joined several other Kelley shows that I loved (including Picket Fences, and The Practice).
I am looking forward to watching this 100 episodes moving forward.
The second episode got Ted out of Kansas City and back to Richmond, and we get to meet some of the weird team members on the female team and the assistant coach Alice Chilton. Chilton was angry about being passed over by Rebecca for the head job, and made comments to her hinting at her being sexist (or not a Feminist). Chilton resigned her position but stuck around for a week to help walk Ted through. Of course, we all knew she was staying as she saw the light that was Ted Lasso.
We spent some time with Beard, who has apparently gone crazy and doesn’t want to hurt Roy. Beard’s excessive hairstyle was outrageous.
Chilton’s comment sent Rebecca into a tailspin, which led to her introspection.
The new locker room for the women was a great scene, and seeing Roy and Keeley flirt as Roy fixed the locker room (which was originally the visiting team locker room) from the tricks Roy was pulling to try and get the edge on the other team.
I enjoyed this episode too. Ted Lasso is awesome and one of the best characters around.
Things are getting set up but I would hope that there will be an overarching story for the season. At this point, it seems like the story is trying to keep the new team afloat.
This is the last Wednesday night EYG Favorite Comic Covers of the Week as I have to return to the classroom and will not be able to get both the books at Comic World and In This Issue in the same day like I did this summer. The plan is to move the post to Thursdays starting next week.
For the last Wednesday, we have some great covers.
Also-Rans: Infernal Hulk #10 (A cover & F cover), Absolute Batman #23, X-Men #35, The Punisher #7, Exquisite Corpses: Rascal Randy #2, D’Orc #7, Hank Howard in The Fair Play #1, Clayface: Celebrity Dirt Story #2 (C Cover), Batman & Robin Year One: Dynamic Duos #1 (D cover), Venom #260 (Cover B), Laugh Vol. 1 #166 facsimile (Cover C & D).
Bronze Medalist
Of the Earth #4
Cover art by Charlie Adlard
I had a hart time with the final choice this week, but the blue/black cover really stood out and those eyes are very amazing.
I am not sure what the black across the face is, but it is truly compelling.
Silver Medalist
Barbara Gordon: Breakout #4
Variant cover E
Cover art by Mark Spears
This beautiful cover by Mark Spears is one of the best images of Barbara Gordon I have ever seen and her orange prison attire against the black background really makes this stand out.
Gold Medalist
Miles Morales: Spider-Man #1
Variant Cover B Foil
Cover art by Pere Perez
A stunning foil variant cover that I picked off the stands this morning. The gold foil behind Miles is just amazing and I love the black background and white title. I did not think anything was beating Spears’ Barbara Gordon, but this was just undeniable.
This finale, like much of the season, had ups and downs.
The battle between the X-Men and X-Force/X-Factor was solid with some great mutant on mutant action. Cable vs. Cyclops and Jean.
Rogue’s whole arc was fascianting.
The final battle with Apocalypse and Celestial Rogue was a little anti-climactic. However, the end with Nightcrawler’s sacrifice was heartbreaking, but felt like it needed something more. It felt as if they almost had me emotionally, but it ended so suddenly that it did not have the impact they wanted.
Apocalypse in his little ball form was silly looking.
One must wonder about Storm’s definition of a light touch.
The ending scenes with Mystique killing and replacing Val Cooper as announcement of President Creed set up next season.
Season two has been enjoyable, but a noticeable step backwards. It seemed to be too rushed and lacked some of the depth of season one. In fact, without season one, season two would probably be considered a great success. As of now, ZI liked season two. It just was not what I hoped for overall.
Jack Skellington is an iconic animated character in Tim Burton’s holiday classic. Danny Elfman wrote the songs for the musical.
Voice cast: Chris Sarandon, Danny Elfman (Jack’s singing voice), Ken Page, Catherine O’Hara, Glenn Shadix, William Hickey, Paul Reubens, Joe Ranft, Ed Ivory, Debi Durst, Greg Proops, Kerry Katz, Randy Crenshaw, Sherwood Ball, Carmen Twillie, Thurl Ravenscroft, Glenn Walters and John Morris.
EYG- Embrace Your Geekness 