AI rear its ugly head once again on The X-Files and this time, Scully get to kickbox a bunch of evil nurses.
What?
It was a weird episode that featured an armless Mulder, action hero Scully, and a computer programmer trying to prevent an AI from going worldwide.
It included a couple of laser beams from a satellite targeting our heroes from space, leading to massive explosions.
I saw a lot of love for this episode online, but to be honest, it was not a personal favorite of mine. The whole Scully does roundhouse kicks seemed silly to me and it damaged the tone of the episode, in my opinion.
It was always nice to see the Lone Gunmen once again and their jaw-dropping idolization of “Invisigoth”, the hacker involved with the AI, was very funny. Her attitude toward them put them in their place too.
Overall, this episode was fine and the armless Mulder scenes were scary, but I just was not as into this as some previous X-Files episodes. It was far from bad, but I just did not love this one.
Another horror movie highlights today’s June Swoon as I watched the Australian film Run Rabbit Run on Netflix.
Run Rabbit Run is more of a psychological thriller than it is a horror film as there are not many scares and it really does focus on the mental state of the characters involved. It was effective in this manner as I felt a connection with the two lead characters as they went through their memories of tragic events from the past.
However, it does take a while to get rolling. The film seemed a bit long and the pacing was not the best. Some of the beats felt as if they were repeated during the story and it seemed that this could have been a tighter film with some of this narrowed down.
The lead performances are the reason to watch Run Rabbit Run. Sarah Snook played Sarah, the mother whose past was coming back to cause trouble with her daughter. The daughter, Mia, was played well by young actor Lily LaTorre. She provided many of the film’s creepiest moments as she was seemingly being possessed by the spirit of Alice, Sarah’s missing sister.
These performances overcame the weaknesses in the plot, which included a predictable outcome, and made this a film I would say that I enjoyed watching. It is not a perfect horror movie, but it does enough things well that make it interesting.
I could feel the internet melting down every second that I watched this episode.
The Doctor and Ruby arrive in a Bridgerton type location (19th Century earth) and come across a bounty hunter named Rogue, who believed that the Doctor was the shape shifting killer that he was chasing. The Doctor and Rogue flirt throughout the episode and try to drive the trolls online crazy. I mean… they end up teaming up trying to capture the shapeshifters from the Chuldur species.
They actually use the term cosplay for what the Chulder species does, really a insider term. This show has been very meta all year long and this played right into it.
Jonathan Groff played Rogue and he and the Doctor had a great deal of chemistry between them. The time they gave to this new relationship feels as if it is setting up something else for the future of the character in the romance manner.
This show continues to be well written and entertaining every week. I have enjoyed my first real dive into Doctor Who.
I did not see Uatu the Watcher anywhere in this movie.
Seriously though, the question I had was What If … I had liked this crappy movie?.
According to IMDB, “This forest isn’t charted on any map. Every car breaks down at its treeline. Mina’s (Dakota Fanning) is no different. Left stranded, she is forced into the dark woodland only to find a woman shouting, urging Mina to run to a concrete bunker. As the door slams behind her, the building is besieged by screams. Mina finds herself in a room with a wall of glass, and an electric light that activates at nightfall, when the Watchers come above ground. These creatures emerge to observe their captive humans and terrible things happen to anyone who doesn’t reach the bunker in time.“
The premise sounded interesting, but the film was anything but. Directed by Ishana Shyamalan, the feature directorial debut for the daughter of M. Night Shyamalan, The Watchers had lots of familiar elements to it, but nothing that feels as though it was necessary to make a movie out of.
The characters were all fairly simplistic. Even Mina’s backstory did not make me connect to Mina at all. In fact, I did not like her much at all. I was more connected to the bird, Darwin, and I continuously wondered if they ever fed or watered that poor bird.
Those were the things I thought about instead of the purported plot that the film tossed us into.
The ending, which there were two… just be aware, was very anticlimactic and did little to salvage what had been a boring time inside these scary, supernatural woods.
It constantly make little sense and there was a ton of exposition that you are never sure is accurate. I found myself wishing this was over early on in the film. I did not find this engaging at all.
I have yet another Oscar nominated film for the June Swoon 3 today. This nomination went to Colman Domingo for Best Actor in Motion Picture. He did not win the Oscar, but he gave an electric performance that carried an average film to new heights.
There have been a lot of examples of an amazing lead performance elevating a movie before. Rustin is just the latest example in a long line. Many of these tend to be biopics. This is yet another.
Bayard Rustin was a leader in the Civil Rights movement and a driving force behind the 1963 March on Washington. He was also an openly gay man. His leadership and charisma shone through the struggles his life presented to him.
Colman Domingo is absolutely amazing in this film and he overshadows the rest of the movie. Without him, this movie would be considerably lesser. The way the film is present is fairly pedestrian outside of the main performance.
There is a solid cast supporting Domingo including Chris Rock, Gus Halper, Jeffrey Wright, Ami Ameen, Glynn Turman, Johnny Ramey, CCH Pounder, Michael Potts, Jordan-Amanda Hall, and Lilli Kay.
But Domingo leads the way, bringing to life this man who had such a hand in creating this seminal point in history. He is a name that is not as well known as Dr. King or John Lewis, but he should be.
Welcome to the first post-#100 entry in the EYG Comic Cavalcade. We are kicking off the next one hundred posts with a loaded one.
I visited the new location in Dubuque for BAM (aka Books A Million) the other day and I purchased a couple of graphic novels there. First, it was Fantastic Four: Full Circle with art by Alex Ross. Ross usually only does covers but this was a beautiful job. I remember seeing this at Comic World earlier last year, but I did not pick it up and look at it. Glad I did now. The other was the 40th anniversary of Maus, with both graphic novels contained within. Maus is an outstanding piece from Art Spiegelman and I am glad it is finally in my actual collection. I do have the separate books in my classroom library.
Then, I finished up the 8th and 9th volumes of Saga by Brian K. Vaughn and Fiona Staples. I got to the final volume and I was shocked! It ended on the worst cliffhanger I had ever seen. I was under the impression that this was a collected version of the entire series, but I have since discovered that I was incorrect. I immediately rushed to eBay and found issues #55-65 available and I purchased it right then and there, the epitome of impulse buying. They should arrive any day now.
Wednesday I got to spend my first summer afternoon at Comic World and it was wonderful. I was able to purchase a whole bunch of back issues, including a trove of Avengers Vol. 3 books. I also picked up a slightly creased cover of Fantastic Four #79. Otherwise, it was in pretty decent shape considering. Todd had also brought me Amazing Spider-Man #160 as I continue to add to my wall crawler collection and some more New Warriors Vol. 1, including the previously mentioned New Warriors Annual #4. No sign of Annual #2 this week.
Other books this week:
The Last Mermaid #4. Story and art by Derek Kirk Km. This series continues to be a beautifully illustrated tale, heavily using imagery to tell the story, in particular the action bits. I have really enjoyed this story that is being told in this format that stands out among the countless books being produced.
Get Fury #2. Written by Garth Ennis and drawn by Jacen Burrows. Cover art by Dave Johnson. I decided that I wanted to give Get Fury a second chance. The first time I read #1, I was not a fan, but I must say I think that I was distracted when I read it because when I read it a second time, I thought it was much better, so I picked up issue two and an happy I did. I do like Garth Ennis a lot so I figured it was worth a second chance.
Amazing Spider-Man #51. Written by Zeb Wells and art by Ed McGuinness & Todd Nauck. Cover art by McGuinness & Marcio Menyz (Gold Medalist). Picking up from last issue’s confrontation with Norman Osborn that unleashed the evil Goblin on Peter. This issue, Spider Goblin is in full force and let the Sinister Six beware.
Uncanny X-Men #35. “Dream’s End.” This issue sees the end of the Krakoa age of the X-Men. It is also Legacy number 700, so they released a double sized issue with a ton of artists and writers involved. It is quite an epic comic, leading us into the next run of X-books.
Space Ghost #2. Written by David Pepose and art by Jonathan Lau. Cover art was by Francesco Mattina (Silver Medalist). I love this new series featuring Space Ghost. Space Ghost gets a look at how the two kids are able to help him, and they get their costumes. There is also a preview of Johnny Quest contained within.
The Mammoth #1. Written by Paul Tobin and illustrated and cover art by Arjuna Susini. This new series from Mad Cave Comics is an intriguing book. I am not sure what the story is as it is just starting, but I can’t wait to see where it goes.
The Infernals #4. “The Fall” Written by Noah Gardner & Ryan Parrott and drawn by John J. Pearson & Lola Bonato. Cover art by John J. Pearson & Tia Roxae. The Morgenstern family battles dominate this issue with Abraham coming to his end. Major things happening from Hell.
Wolverine: Blood Hunt #1. Written by Tom Waltz and art by Juan Jose Ryp. Cover art by Ben Harvey. Logan in a bar, drinking. Who knew that the world would suddenly have gone dark and that vampires would spring forth. Wolverine vs. vampires? What more could you ask for?
Uncanny Valley #2. Written by Tony Fleecs and art and cover art by Dave Wachter. Another Boom! Studios interesting book, as we have a cartoon grandfather trying to take his grandson, who had no idea he was part cartoon, to save him.
Blow Away #2. Written by Zac Thompson and illustrated by Nicola Izzo. Cover art by Annie Wu. Another great new Boom! Studios book, Blow Away follows a photographer who believes that she witnessed a murder. The trick? She is in the snow on Mount Asgard.
Bear Pirate Viking Queen #2. Written by Sean Lewis and illustrated and cover art by Jonathan Marks Barravecchia. The second of three issues in this mini series features the Viking part of this book. We also get to meet the Queen who is as brutal as you would expect. I love the special feel of the art in these issues.
Ms. Marvel: Mutant Menace #4. “Terragenesis” Written by Iman Vellani & Sabir Pirzada and art by Scott Godlewski. Carlos Gomez and Jesus Aburtov did the cover art. Ms. Marvel’s new body goes through the Terragin mist once again. We also learn that her mutant powers are much like the MCU version. This is the last issue of this mini series.
Blood Hunters #2. Another issue with multiple stories. This time, we have a book featuring the Hulk, Kate Bishop and Elsa Bloodstone in individual stories involving the Blood Hunt saga.
What If…? Aliens #4. Written by Hans Rodionoff & Brian Volk-Weiss and art by Guiu Vilanova. Phil Noto did the cover art. A facehugger is running around the base and Burke wants to get himself and his daughter out of there. A betrayal shows Burke what it was like. Irony.
Profane #1. Written by Peter Milligan and illustrated by Raul Fernandez. Cover art was by Javier Rodriguez (Bronze Medalist). One of my favorite new books of the week, Profane #1 features a noir detective story with detective Will Profane. I love a good noir and this one seems to be a really good one.
The Ultimates #1. Written by Deniz Camp and art by Juan Frigeri. Duke Ruan & Alejandro Sanchez did the cover art. The new team of Ultimates are forming around Iron Man, Cap and Thor. What other heroes will step up to join this new team?
Love Everlasting #15. “Just West of Love” Written by Tom King and art and cover art by Elsa Charretier. This next arc of Love Everlasting ends with the death of the Cowboy and Joan back to her time jumping thanks to her mother.
Other books this week: The Boy Wonder #2, Minor Threats #3, What If…? Venom #5, and Ghost Rider: Final Vengeance #4.
As I was searching for movies to put on the possible list for this June Swoon, I came across this horror film on Shudder. It sounded interesting and so I placed it on the list. I had no idea that this was the fourth film of the series, with the first Hell House LLC being released in 2015. I guess I have some films to watch during The October 13 this year.
Hell House LLC Origins: The Carmichael Manor looks to have built on the previous installments (though I can’t say that for sure) and provided a found footage horror film that was extremely creepy and had its share of effective scares.
According to IMDB, “A group of cold case investigators stay at the Carmichael Manor. After four nights, the group was never heard from again. What is discovered on their footage is even more disturbing than anything found on the Hell House tapes.”
The three main characters that went to stay at the Carmichael Manor did a great job of selling the mysterious feel and the fright that this situation would entail inside a person. The story of the events really work well here, as Margot (Bridget Rose Perrotta) ties the story into her background. The film does this in a very strong manner, not bashing the audience over the head with it. In fact, it is possible that some may miss the connection to Margot if they are not paying attention.
Then, I enjoyed the way the film kind of makes this found footage/haunted house film into a sort of documentary, with a couple of people commenting about the footage that was found of these missing people.
The film goes to great lengths to build a mythology, which I can only assume included a bunch of Easter eggs from the previous three movies.
I found this extremely creepy and a little unnerving as I watched it this morning in the dark. That means this horror film did its job. I was entertained and I look forward to going back and seeing some more of this franchise.
I was not a fan of the first two Bad Boys movies. However, the last film, Bad Boys for Life was a lot of fun. I have heard some positive word of mouth for this new film, so I went into Bad Boys: Ride or Die with a positive feel.
Then, I did not like this one much at all.
Mike (Will Smith) and Marcus (Martin Lawrence) are back once again. This time, their friend and former boss Captain Howard (Joe Pantoliano), who was killed in the previous film, looked to be crooked. Mike and Marcus are on the case in order to attempt to clear the name of their captain.
I did not like the interaction between Smith and Lawrence. It felt so silly, bordering on stupid. I know that is kind of the vibe of their typical relationship, but I have not liked three of the four so obviously their chemistry, which sells this movie, does not work for me.
I did not like what happened to Marcus at the beginning of the film and I do not like how it affected his character. It also had no lasting effect on the character and was like it never happened. I don’t want to go into spoilers, but I found this to be a huge weakness of the film.
The action was hard to watch for me too. I thought it was so shaky and wobbled during the action that I hated watching it.
And there was a killer alligator and my friend know how much I hate killer alligators.
Something happens with Mike about halfway through the film that I do not think has ever happened before and had no reason why it now suddenly happened. Perhaps I missed the reason for this thing to have happened outside of they needed a reason to create more conflict. Again, I do not want to spoil the situation, but I found this to be totally shoved in for no reason.
There were some okay moments, but I just found this to be ridiculous, annoying and hard to watch. Will Smith was decent and many of his reactions to Martin Lawrence were mine as well. I was very disappointed with the next installment of the Bad Boys franchise.
I was watching one of Kristian Harloff’s shows that had Winston Marshall was on and he had made a comment about not planning on going to Babes until someone had told him it was pretty good. Winston went and said it was hilarious, but that he would not have gone without the word of mouth.
I was in the same boat. I had no plans on going to Babes because I was unfamiliar with it and it did not seem to fit into my schedule. When Winston said it was hilarious, and since it was summer and I had some time, I decided to give it a chance.
It was hilarious.
According to IMDB, “Follows inseparable childhood best friends Eden (Ilana Glazer) and Dawn (Michelle Buteau), having grown up together in NYC, now firmly in different phases of adulthood. When carefree and single Eden decides to have a baby on her own after a one-night stand, their friendship faces its greatest challenge. BABES delves into the complexities of female friendship with a blend of laughter, tears, and labor pains.“
The film works because of Ilana Glazer and Michelle Buteau. They had a very easy chemistry and were both extremely funny. For some reason, their hectic delivery, which some times bother me with some other actors, worked for me here. Perhaps they looked very unique as performers and that helped me react to them. Either way, they are definitely the strongest part of the story.
The film looks at motherhood as well as the relationship between two female friends and does it with a lot of humor. It was raunchy, over-the-top and dirty. It all worked because it is laugh out loud funny.
Today’s June Swoon 3 movie was one that I actually had tickets for this past year, but I left the theater after seeing another movie first because I was not feeling well. After being unable to see this (Along with Ferrari too), I decided that I would wait for the June Swoon to watch this movie directed by George Clooney.
The Boys in the Boat is the true story of the Washington Huskies rowing team’s unlikely ascension to the 1936 Olympics with a junior team that lacked experience. Led by their coach Al Ulbrickson (Joel Edgerton), the group of eight young men exceeded all expectations in quest for an Olympic medal.
I enjoyed the actual rowing competitions filmed during this movie as they brought some real dramatics to a sport that might not have as much as some others. The races were well filmed and created suspense in scenes that were fairly predictable.
The film lacked a lot of characterization for the cast, focusing on Coach Ulbrickson and Joe Turner (Callum Turner), one of the crew. The rest of the crew of the row team were fairly simplistic, one-note characters, with a few minor traits tossed their way. Ironic how a sport that is so much about the team does not spend much time with the parts of that team.
The story itself was basic, taking most of the sport movie cliches into play. This was a basic, by-the-numbers sports flick that did not stray from the pattern much.
Having said that, I would be lying if I said that I wasn’t inspired by the finale of the film, especially the final Olympic race. There was one final conflict that was tossed in at the end that felt rushed and did not pay off in the end.
If you come into The Boys in the Boat with the idea that this is a basic formulaic sports movie and that it does not go above that, there are things to enjoy here. I think this story could have been more than what was here, but there is something to say for formula.
First week of summer vacation so I was able to spend all afternoon at Comic World and it was awesome.
Some fun covers this week too.
Bronze Medalist
Profane #1
Cover art by Javier Marchisio
I really like the way the face of the woman shows what is happening, almost in reflection. Profane is one of the new books from Boom!
Silver Medalist
Space Ghost #2
Foil Variant Cover E
Cover art by Francesco Mattina
This is a beautiful foil cover with Space Ghost smack in the middle of what looks like a asteroid field of some sort. Very artistic and lovely with the shiny foil.
Gold Medalist
Amazing Spider-Man #51
Cover Art by Ed McGuinness & Marco Menyz
The Sinister Six is front and center, behind the cool white outline of Spidey’s mask. This is a very creative and original cover showing all that might be in the issue.
It is a busy day today so I had to get the June Swoon 3 going early this morning and I had another Oscar winner on the list. This was the Oscar winner for Best Documentary Short and it was entitled The Last Repair Shop. I watched it on YouTube, but I see that it is available as well on Disney +. This is just over thirty five minutes long and is a joyous expression of love for music and for those for whom music has changed their lives.
The focus was on a instrument repair shop from Los Angeles that provided a service to the schools of the area to repair damaged or broken musical instruments for free. The film profiles four members of the shop: Dana Atkinson, Paty Moreno, Duane Michaels and Steve bagmanyan.
The film also had words from students who gave quick stories about how they wound up playing the instrument they played. The passion and the joy came through each child’s words as it helped us understand how important these musical instruments would be in their lives.
The stories were very emotional and compelling. The stories of the workers at the repair shop ranged from a man who an Armenian refugee from Azerbaijan to a woman who tried to give her children a better life in America only to struggle to a man who played on the same stage as Elvis Presley.
The film ended with a performance of a song called “The Alumni” which featured many of the voices that we heard during the film.
If you love music, or if you ever played an instrument, you will be inspired by this documentary short film. It is a love letter to music and those people who make it or allow other people to make it.
Stephen King co-wrote this episode of The X-Files along with series creator Chris Carter, who would help get the voices of Mulder and Scully correct. King was a fan of the show and approached David Duchovny with the hope of writing an episode.
The episode he helped to pen featured an evil doll, much like Annabelle or Chucky, that was able to force people into violent behavior.
Scully was on vacation, actively trying to avoid the phone calls from an obviously bored Mulder, but she came across this terrible scene at a supermarket and she wound up getting roped in to helping the local sheriff.
As the episode was basically a Scully solo episode, with a few phone calls coming from Mulder to provide some comedic relief, it was a fun time. I enjoy Scully being able to show that she is a capable FBI agent and not just depend on Mulder. She did seem to slide into Mulder’s way of thinking perhaps a bit too fast, considering scientist Scully would have a difficult time accepting the possibility of a talking, killer doll. Still, it mostly made sense and there is little that was funnier than Scully taking this doll and putting it in the microwave.
Clearly the doll, Chinga, was not at the level of Chucky or Annabelle because there is no way nuking them in a microwave would take care of them.
There were some creepy moments of the show too, including the “Hokey Pokey.”
I could not find this on HBO Max despite the release date supposedly being some time during April, so I had to go to Vudu (which is now called Fandango at Home, I guess) to rent the second part of the three part Justice League: Crisis on Infinite Earths animated film.
This one, to me, was a big step down from the previous Part One.
I found this continuation of the story to be quite messy, filled with sections that did not make much sense in the context that they used it in. A focus on Kara, aka Supergirl, and Psycho-Pirate were understandable because of the original comics, but did not work nearly as well in this presentation.
The animation is still, at best, passable, but not what this type of project deserves. This is one of the most iconic DC stories ever told and it should be a much wider scope with breathtaking visuals instead of animation that just gets by.
And then the story felt so discombobulated during the telling, jumping back and forth between Kara’s story and that of Psych-Pirate and the current day troubles. The best part of the story was the individual issues that came up within each locations, such as the Bat-Family’s infighting or Wonder Woman and her conflict with her not-mother Hippolyta.
They had the worst reveal with who the homeless man was who had been warning that the end was coming. You had to not be paying attention if that surprised you.
I do not remember if the Monitor in the comic series was such a rip-off of the Watcher as he is in these movies, but he is clearly the same character with different skin color. I had no feelings toward Monitor at all, even though I think I was supposed to feel something for him.
Part three is coming later in the summer and I do hope that it is better than this one so this trilogy of a story can finish strong.
EYG- Embrace Your Geekness 