Daily Countdown: TV Shows #2
#2
Twin Peaks
“… Wrapped in plastic…”
The number two TV show on out top 100 countdown is one of the biggest phenomenons from the early 1990s. David Lynch brought his flavor of insanity to the small screen disguised as a murder mystery in Twin Peaks.
The first episode kicked off with mild-mannered Pete finding the beautiful prom queen, Laura Palmer, dead on the side of the river, wrapped in plastic. The murder rocked the seemingly normal small town of Twin Peaks, Washington. The call went into the FBI for help in the investigation and the eccentric Agent Dale Cooper was sent.
Cooper had seen this before, and was already on the trail of the serial killer responsible. Using his bizarre techniques of investigation, Cooper made his way through a town that was anything but normal in search of the killer.
Twin Peaks gripped the natioin with its oddball characters and engaging mystery. This was one fo the earliest examples of how impatient the country was, anxious about finally discovering the truth behind Laura Palmer’s death.
The answer did not come until about halfway through the second season, at a point where some viewers had abandoned the show in impatient frustration. Turned out Laura was killed by a spirit called Bob, who had possessed her father, Leland Palmer. The reveal of Leland as Killer Bob was one of the most violent things I had seen on TV to that point, and it was artistically amazing.
There had been reports that David Lynch had intended on leaving the mystery of Laura’s death unsolved, and only bowed to pressure from the network to give a resolution to the crime.
After the death of Leland, Twin Peaks floundered a bit before it found its footing once again with the arrival of Cooper’s crazy former FBI partner. The show was left off on a horrible cliffhanger where Cooper had been possessed by Killer Bob.
A third season was released 25 years after the end of season 2. It was released on Showtime where Twin Peaks was originally on ABC. The third season wrapped up that cliffhanger from the end of the original series, but left off on another one in the final episode of the Return.
Dale Cooper was played by Lynch favorite Kyle MacLachlan. Other cast memebers included Sherilyn Fenn, Lara Flynn Boyle, Michael Ontkean, David Lynch, Peggy Lipton, Mädchen Amick, Sheryl Lee, Jack Nance, Frank Silva, Ray Wise, Piper Laurie, James Marshall, Russ Tamblyn, Catherine E. Coulson, Eric DaRe, Ian Buchanan, Miguel Ferrer, Richard Beymer, Chris Mulkey, Dana Ashbrook, Joan Chen, and Michael Horse. There were dozens more cast members over the three total seasons.
Twin Peaks was at the heights of what television could be. It was bizarre, weird, funny and dramatic. The sad story at its core brought people into one of the most iconic shows of all time.
EYG Comic Cavalcade #181
December 8
I got busy over the weekend and I did not get around to the EYG Comic Cavalcade. There were a bunch of movies to watch and I just did not get the comics read so I could do the post.
So Monday night is when this comes out. Still a pretty good week of books.
Books this week:
Wild Animals #5. Written by Ed Brisson and art and cover art by Andy Kuhn. I loved this series. I really enjoyed this book and I loved this finale. The end was a great twist and I did not expect the ending that I got. I loved this book and it was one of my favorite reads every month. I will absolutely miss this series.
Something is Killing the Children #45. “All Her Monsters” Part Five. Written by James Tynion IV and illustrated and cover art by Werther Dell’edera. I got the foil variant of the cover by Stefano Simeone (Gold Medalist). It was nice to have Something is Killing the Children back after a bit of a break. Erica Slaughter is always a fun read and I was pleased that it was back.
Doctor Strange #1. Written by Derek Landy with art by Ivan Fiorelli. Cover art by Alex Horley. The return of Doctor Strange arrived. Strange is the Sorcerer Supreme of Asgard and he went on a mission where he met up with Angela. Strange in the Nine Realms is a lot of fun and I am looking forward to see where we go.
Miles Morales: Spider-Man #41. “Web of Regret” Part Two. Written by Cody Ziglar with art by Marco Renna. Cover art was done by Federico Vicentini & Ceci de la Cruz. Miles and Rabble have to team up against the revived Assessor. Forget Rabble… Instead, here comes Spider-Man, Peter Parker! Love that he is here for the finale of this round of Miles’s book.
Spider-Man Noir #3. “The Gwen Stacy Affair, Part III.” Written by Erik Larsen and art by Marika Cresta. Cover art was done by Simone Di Meo. Spider-Man Noir takes on more Nazis, with the creepy Plasma Man at its core. Then, Peter tells Gwen that Spider-Man was the one who killed her father.
Rook Exodus #9. Written by Geoff Johns with art by Jason Fabok. Cover art was done by Jason Fabok & Brad Anderson. Rook, Dire Wolf, and Matterhorn have to struggle against giant monstrous spiders.
Wiccan: Witches’ Road #1. Written by Wyatt Kennedy with art by Andy Pereira. Cover art was done by Lucsa Werneck. This was a hoot of an issue. With Wiccan and Hulkling at the heart of this issue, I rally enjoyed it. I was a big fan of Agatha All Along on Disney + and this is clearly building off of that.
Red Shirts #5. Written by Christopher Cantwell with art by Megan Levens. Cover art was done by Chris Shehan. Okay… wait a minute. What happened here? I’m sorry… did I misread what just happened? Did our main red shirt protagonist just reveal himself as a Romulan spy? Did I read that right? And now the series is over? What? That was a ballsy move. Not sure how I feel about it, but I am thinking about it, which is a good thing.
Binary #3. Written by Stephanie Phillips with art by Giada Belviso. Rickie Yagawa did the cover art. Okay, what happened here? Did Carol Danvers just die transferring the Phoenix force back to Jean Grey? With the end of this, it really felt like an issue of What If. This could have easily have been “What If… Carol Danvers had received the Phoenix Force?” and we could have gone from there. Setting this in the Age of Revelation did not seem necessary.
Fantastic Four #6. “The Unobservable Universe.” Written by Ryan North with pencils by Humberto Ramos. Cover art by Humberto Ramos & Edgar Delgado. I also picked up a variant cover by Joe Jusko in the style of Jack Kirby. I have been a fan of Ryan North’s work on the FF since he began, but I have to say that I am not a fan of Humberto Ramos’s art this issue. I always liked him on Amazing Spider-Man, but there was just something about his FF (in particular Sue) that did not work well for me.
Doctor Who: The Prison Paradox #2. Written by Dan Watters and art by Sami Kivela. Cover art by Abigail Harding. The fifteenth Doctor was my personal favorite, and I loved the two seasons of TV on Disney +. So I picked up this comic with this Doctor. I have liked this story so far too.
Batman #4. “Drop the Smoke.” Written by Matt Fraction and art and cover art by Jorge Jimenez. I also picked up the Bat-gear variant that was also done by Jorge Jimenez. We get a brand new Batman villain with the Minotaur.
Blue Falcon & Dynomutt #4. “Nature of the Game.” Written by Jimmy Palmiotti and art by Pasquale Qualano. Cover art was done by Lucio Parrillo (Silver Medalist). Blue Falcon is off the bench and back into action with his new cyber-dog, Dynomutt. I do like this new series and this new look of the Hanna-Barbera characters.
Murder Podcast #3. Written by Jeremy Haun and illustrated by Mike Tisserand. Cover art was done by Jeremy Haun and Nick Filardi. Murder Podcast has been a really exciting new series with some real creative storytelling behind it. Ignition Press comics have been pretty strong recently.
Absolute Wonder Woman #14. “The Price Part 2” Written by Kelly Thompson with art by Matias Bergara. Cover art was done by Hayden Sherman & Jordie Bellaire. I got this a week late. I do like the mythological type of story that Diana is finding herself in. And next issue: Batman. Ooh, that’ll be a biggie.
Giant Size Criminal #1. “The High Roller” Written by Ed Brubaker with art and cover art by Sean Phillips. With Criminal coming soon to a streaming live action series, this new series was a lot of fun. I do love the work by Brubaker and these criminal stories are always awesome.
Laura Kinney: Sabretooth #3. Written by Erica Schultz with art by Valentina Pinti. Cover art by Elena Casagrande & Edgar Delgado. We have another dead character in the Age of Revelation. Again, these secondary character stories feel like What If…? books. That is not a bad thing necessarily.
Amazing X-Men #3. “Philadelphia.” Written by Jed MacKay with art by Mahmud Asrar. Cover art was done by Mahmud Asrar & Matthew Wilson. This felt like the big book of the group of Age of Revelation comics. This led right back into the big conclusion coming up. The book felt more significant than some of the others.
G.I. Joe #15. Written by Joshua Williamson with art and cover art by Tom Reilly. I was not sure what had happened to Cobra Commander last issue. He is alive. I love this new Road Pig character. With Duke and Cobra Commander having to work together, this is a pretty strong book.
Cheetah & Cheshire Rob the Justice League #5. Written by Greg Rucka with art by Nicola Scott. Cover art was done by Nicola Scott & Annette Kwok. The plan comes to fruition as Cheetah and Cheshire get away from the Justice League. However, it seemed that there are some powerhouses behind this robbery that I did not expect.
DC KO: Knightfight #2. Written by Joshua Williamson with art and cover art by Dan Mora. Okay, this went from a cool concept of Batman in a universe where Dick Grayson became Batman and he had an army of Robins.. to a concept that I am completely confused by. Is Batman Clayface? What is going on here?
Speed Racer #5. Written by David Pepose with art by Davide Tinto. Cover art was done by Alessio Zonno. More racing action as Speed Racer and Racer X is out to battle Alpha Automotive. This has been surprisingly decent over the first five issue, even if Racer X has been too prevalent in the storyline.
Save Now #2. Written by Matt Kindt and art by Thomas Giorello. Cover art was done by Jorge Fornes. This Bad Idea comic has been excellent after the first two issues. Time travel shenanigans from Saver, trying to find a way to prevent the devastation of the planet, while still having the love of his life and his daughter. This has some real emotion to it and I have found Save Now as one of the better independent books out there.
War Wolf #2. Written by Steve Orlando with art by Marco Perugini. Cover art was done by David Talaski. Thomas Bruin helped drive away the invading lizard aliens, killing several. He became a big star because of it. So when the aliens returned a year later, they were after Bruin. Another fun book from Mad Cave.
Other books this week: DC KO: Superman vs. Captain Atom #1, Briar: Night’s Terror #1, Marvel Black, White & Blood and Guts #3, Dark Souls: Mother of Mourning #1 (Bronze Medalist), Kill All Immortals II #2, and Tales of the Shadowman: Ghosts of the Bayou #1.
Quick Hits: Hulk Smash Everything #1 came out and it was a weird book. It does not help with my confusion over the current Hulk. Is he in space during Imperial? Is he a new rage monster split with Banner with Infernal Hulk? Is he just smashing dinosaurs in the past? Whichever, I am not sure I need any more smashing. Gotham Academy #3 brought some emotional beats for Olive. Did they blow up Arkham? I was fairly disappointed with The Ultimate Universe: Two Years In #1. Spider-Girl #7 was the final issue of this series. I was surprised with the sudden end to this one. I know what I always think of when I think of Christmas… The Terminator. The Terminator: Santa Claus is Coming to Town #1 is a fun Dynamite Comics book. The Voice Said Kill #4 is another book that ended with a violent shoot out. The Phantom #3 is yet another win for Mad Cave. I do love how comics with old time characters are all the rage these days. The Absolute Green Lantern #9 continues to improve in my eyes. I was almost ready to drop this book, but it has been much better the last few months. Eat Your Young #4 was a book I did not have the opportunity to read yet. Ultimate X-Men #22 is reaching near its own end as the Ultimate Universe will be ending soon.
Daily Countdown: TV Shows #3
#3
Moonlighting
“Fine!”
“Fine!”
“Good!”
“Good!”
*Door slams*
*Door slams*
That was a scene that happened many times during the run of Moonlighting, a show that went for four seasons on ABC starring Bruce Willis and Cybill Shepherd.
Set at teh Blue Moon Detective Agency, Maddie Hayes had lost almost all of her fortune to a crooked accountant and she was forced to work in one of the few businesses remaining, a detective agency. There, she met David Addison, a wise cracking, song singing, limbo dancing private eye who challenged her to expand her life.
Moonlighting is one of the best shows on TV. It also felt down to earth quicker than any show on TV. The whole “will they won’t they” aspect of the show kept the viewers glued to their screen, but, when they did, much of the magic was gone.
Still, David and Maddie were amazing together. Charming, fighting, arguing, detecting. They could do anything.
One of the things that they could do was break the fourth wall. This was one of the first shows that I specifically saw do this technique and I found it hilarious. Another specialty of this show was the special episodes… the dream sequences. They had a show called “The Dream Sequence Always Rings Twice” where David and Maddie had dreams that they were musicians in an old time club. Another episode saw them dancing to “Big Man on Mulberry Street.”
But one of the greatest episodes of all time was “Atomic Shakespeare” which Maddie and David played the roles of Katharina and Petruchio in a satire of Shakespeare’s “Taming of the Shrew.” This episode was written in iambic pentameter and was an absolute joy.
The last season and a half was much weaker, but the first two and a half was some of the best TV of all time. I remember planting myself in front of the TV every Tuesday night to watch Moonlighting… although their behind the scenes challenges and fights caused many of those nights to be a rerun.
When compiling this list, I debated between #3 and #2 for Moonlighting, and it could easily be flipped. Moonlighting made Bruce Willis a superstar and helped him get Die Hard.
“Blue Moon Investigations ceased operations on May 14, 1989. The Anselmo Case was never solved… and remains a mystery to this day.”
IT: Welcome to Derry S1 E7
Spoilers
“The Black Spot”
What a horrific episode.
I can honestly say that it nearly made me turn it off.
Rich died in the horrendous fire set at the Black Spot. I have not felt this empty after a scene on TV in a long time. It had that same feeling the night Negan killed Glen on the Walking Dead. I understand stakes, but some times the stakes are just too high.
Plus, to have Rich go out saving Marge, sacrificing himself.. I’m sorry, I just can’t handle it.
I have a terrible feeling that the racist bastards that set that fire at the Black Spot will not get their comeuppance. That radio report the next morning was absolutely sickening.
I was satisfied by IT killing Kersh. Chopping the top of his head off was great, though the clown taking a few bites from the head was gross.
Outside of the fire, we get some real background on Pennywise… specifically the original clown before IT took his form. IT realized that children were attracted to Pennywise, and that is why the monster took the form of a clown.
The army jumped into the horrible aspect too as they found and destroyed one of the pillars. Because the nation needs to be afraid… to have fear.
Pennywise showing up at Will’s house at the end will lead into the finale next week.
That fire nearly wiped me out. That was a nightmare.
Pluribus S1 E6
Spoilers
“HDP”
John Cena???
The last thing I expected was to see John Cena on a TV screen during Pluribus, E6. I guess it makes sense since he was not one of the survivors. It gave me that Bill Murray in Zombieland vibe.
It was also weird when the shocking revelation from the end of last week’s episode, was wrapped up in just a few minutes.
It was human parts being stored in the warehouse that Carol found, but they were those who had already died, and we being used as HDP, Human-Derived Protein, something they need to survive.
All told to us by John Cena. That still blows my mind.
Carol heads off to Vegas with this shocking tape to find Koumba Diabaté. He showed her the Cena tape. He also tells her the only way they would be turned into the Hive-mind was via use of their individual stem cells and the would require permission to access them.
Big piece of info there, but the HDP reveal felt a touch flat for as wild as the ending to last week was. However, the John Cena cameo was awesome.
The guy from Paraguay found Carol’s tape and got into his car. I knew he would be playing a bigger role moving forward. I wonder if he plans on driving to New Mexico?
Blue Moon
December usually brings a series of potential Oscar contenders out, whether it be in the theaters or on streaming. I had heard about a performance by Ethan Hawke in a film called Blue Moon, where he played Lorenz Hart, a popular lyricist who worked with Richard Rodgers. It was available for rental on Fandango At Home so I gave it a shot.
The film is set in one location, Sardi’s restaurant on the night of the Broadway opening of Oklahoma!, a musical written by Hart’s longtime writing partner Rodgers and Oscar Hammerstein. Hart was jealous, regretful and melancholy over the new musical, and spoke to the others
Hawke was astonishing in the performance because he had such a monumental amount of dialogue. This entire movie was built around the words being said by Lorenz Hart and the others in the restaurant. The monologues were extremely noticeable and stood out as some of the best writing of the year.
I absolutely can see this being nominated for an Academy Award for Best original Screenplay. The words of the film was as much of the star of this film as any of the actors.
There were a few notable actors in the cast along with Ethan Hawke. That included Margaret Qualley, Andrew Scott, Bobby Cannavale, Simon Delaney and Jonah Lee.
Robert Linklater directed Blue Moon, providing the pathway for the actors to deliver the lines of the script. It was an impressive accomplishment. The film had a Broadway play feel to it, as there were very few sets involved.
3.9 stars
Old Guard 2
I really enjoyed the first Old Guard movie. It was based on a cool comic book series that I also loved. I was excited about a sequel coming on Netflix. I am afraid that there was a reason that Old Guard 2, which debuted on the streamer at the beginning of July, was a film that I did not watch until December.
This was terrible. Such a gigantic step back from the exciting and original Old Guard film that it felt like a totally different franchise. I hadn’t even known this had come out until I was researching superhero movies for this year.
According to IMDB, “Andy and her team of immortal warriors continue their mission to protect humanity. This time, they have to face off against a formidable new foe who threatens the very fabric of the Old Guard, while also dealing with the return of an immortal who was thought to be long lost.”
The movie was slow, dull, and featured a group of actors just going through the motions. There was some interesting action at times, but most of them just blended together and became background noise.
The plot is weak. I am not sure what matters here. The film does not have much heart, especially when compared to the first one. It felt like it was nothing more than a place card for the next movie in the franchise, which would shock me if it ever got made.
1 star
2025 Year in Review: The Christopher Reeve Memorial Comic Book Movie of the Year
I think this is a difficult one to give out this year, and I do think that my decision is different than I have ever done before.
There are three possible films: Thunderbolts, Superman, and Fantastic Four. I usually give this award to the superhero film that is highest on my Best Films list. That is not the situation this year. In fact, of the three, this one is my least favorite of the three. They are all awesome, but it just felt right to give this award to this certain film.
The Christopher Reeve Memorial Comic Book Movie of the Year
Previous Winners: Batman (1989), Dick Tracy (1990), The Rocketeer (1991), Batman Returns (1992), Batman: Mask of the Phantasm (1993), The Crow (1994), Batman Forever (1995), The Phantom (1996), Men in Black (1997), Blade (1998), Mystery Men (1999), X-Men (2000), From Hell (2001), Spider-Man (2002), X2: X-Men United (1993), Spider-Man 2 (1994), V for Vendetta (2005), 300 (2006), Superman: Doomsday (2007), The Dark Knight (2008), Watchmen (2009), Scott Pilgrim vs. the World (2010), Captain America: First Avenger (2011), The Avengers (2012), Iron Man 3 (2013), Captain America: Winter Soldier & Guardians of the Galaxy [tie] (2014), Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Logan (2017), Avengers: Infinity War (2018), Avengers: Endgame (2019), Birds of Prey (2020), Spider-Man: No Way Home (2021), Black Panther: Wakanda Forever (2022), Guardians of the Galaxy Vol. 3 (2023), Deadpool and Wolverine (2024)
So, in 2025, The Christopher Reeve Memorial Comic Book Movie of the Year goes to….
Superman.
This film brought the character of Superman back to the big screen and did it in a way that truly paid homage to the Christopher Reeve version back in the 1978 movie.
Director James Gunn placed this new Superman smack dab in the center of his new DCU where Superman had been around for awhile. No origin story here. We all know it.
It’s not perfect, but it is the best rendition of Superman since Christopher Reeve and that is why I gave Superman this award, despite the fact that both Thunderbolts and Fantastic Four are higher up the list for me than Superman.
Jay Kelly
This movie popped up on Netflix recently and I added it my queue. I was able to watch it this morning.
I have never been a huge George Clooney fan, but I can’t say that his presence has ever kept me from watching a movie. I can say that about his co-star Adam Sandler, who has a bunch of movies that I never watched because he was the lead. I went into this with the knowledge that Sandler has had some Oscar buzz about him so I hoped this would be more like Uncut Gems and less like Billy Madison.
According to IMDB, “Famous movie actor Jay Kelly embarks on a journey of self-discovery, confronting his past and present with his devoted manager Ron.”
I really liked this movie. I thought George Clooney did a sensational job of playing this iconic action movie star who was going through an existential crisis, and I was very impressed with the work of Adam Sandler in this film. He still was able to provide some of the best comedic lines without sacrificing character or intelligence.
Director Noah Baumbach provided a sharp satirical look at Hollywood and how the life of a movie star can be a lonely one. A couple of times, Jay Kelly’s daughter said that he was “never alone” but the film does a great job of showing how he absolutely could be, even while surrounded by his entourage. It showed, as well, the lack of understanding Jay Kelly had on his daughter’s lives.
There were some solid supporting appearances in Jay Kelly. Laura Dern, Stacy Keach, Jim Broadbent, Billy Crudup, Patrick Wilson, Riley Keough, and Grace Edwards.
It does feel a touch long, but I don’t know what I would remove. There are scenes that focus in on Adam Sandler and his life and background that really develops his character that I would not remove at all.
Clooney really does make this role feel like it is something that he has lived through. I believed every thought and feeling jay had during the course of the movie. The film had some neat sequences where something was shot in a way that was original. For example, there was a scene with Jay and his daughter where they were on the phone, but the film shot it as if they were walking beside one another.
Jay Kelly was a engaging movie with some really well developed characters. I was very impressed by the film overall.
4 stars
Daily Countdown: TV Shows #4
#4
Whose Line is it Anyway?
Improv is hard, but there are a handful of people who can do it unlike anyone else. That is the concept behind the EYG Hall of Fame show Whose Line is it Anyway?
Whose Line started in England before being brought to the states by Drew Carey, whose pull at ABC was strong. The show ran for 21 years in America, at first on ABC, and then, eventually, over at the CW, when Drew Carey was replaced by Aisha Tyler.
There were three main cast members that were on the majority of the episodes, Ryan Stiles, Colin Mochrie and Wayne Brady. Stiles and Mochrie were regulars on the British version of the show and Brady became a series regular after season one of the American version (though he also appeared on the British show at times). There is a fourth recurring cast member, referred to as the fourth chair, which included a number of other improv comics such as Brad Sherwood, Jeff Davis, Chip Esten, Greg Proops, Keegan-Michael Key, Gary Anthony Williams, Denny Siegel, Kathy Greenwood, Jonathan Mangum, and Heather Anne Campbell. There were celebrities who appeared as the “fourth chair” including Robin Williams, Whoopi Goldberg, Stephen Colbert and Kathy Griffin.
The show featured members of the cast performing improv games read off by the host. Some of these games included Helping Hands, Whose Line, Scenes from a Hat, Three-Headed Broadway Star, Doo-Woop, African Chant, Dating Game, World’s Worst and Hoedown.
Hoedown was particularly disliked by the cast, which became a running joke on the show.
The quick-witted performers had amazing ability to come up with funny responses consistently Stiles and Mochrie had an unbelievable chemistry with each other which led them to having many scenes together.
The game “Living Scenery” was used when guest star Richard Simmons was on the show and it led to, perhaps, the funniest scene in the entire show’s run. If you have never seen this game, do yourself a favor and find it on YouTube. It is as funny as anything you’ll ever see.
Ah heck… here it is…
Sunday Morning Sidewalk #46
Spoilers
“Screaming Meemies”
I am not sure I was ready for that.
This episode, entitled “Screaming Meemies,” which was a slang term meaning a “heightened sense of panic or anxiety,” showed us the events of the night when Hugh took the kids and left the Hill House in the middle of the night. It was all from the perspective of Olivia, whose entire life had seemingly become a dream that she could not awake from.
I had not expected for the house to have driven her as mad as it did that she would try to awaken the twins (and Luke’s not-so-imaginary friend, Abigail) by having a middle of the night, surprise tea party, with tea laced with rat poison.
Poor little Abigail saved the day, in a sense, by sipping on her poisoned tea before the twins could, and she promptly died.
Much of this had been influenced by the ghost known as Poppy Hill, who showed up at the end of episode 7 to grab adult Luke when he tried to burn the house down. This Poppy was a nasty ghost who was planting the seeds of evil in the mind of the mentally ill Olivia, leading to this act of horror.
With this bit, in the penultimate episode no less, the last thing we need to discover from the past flashbacks, would be what happened when Hugh went back to the Hill House after he dropped his kids off at the motel. I am sure that will be included in the 70+ minute finale in episode 10.
We got to see the truth behind several of the odd things we had seen previously from Olivia, like the screwdriver she held at Hugh’s neck or breaking the mirror on the vanity that Steven had fixed up for her. Everything fit in nicely as we see the descent of Olivia into this house induced madness. We also see her “suicide”, aided by the push of Poppy Hill.
I expect that next week’s big finale will deliver big time, as this show has been truly firing on all cylinders the last four-five episodes.
The Boys-Final Season teaser trailer
Five Nights at Freddy’s 2
I was not a huge fan of the first Five Night’s at Freddy’s movie from a few years ago, but it was not the worst thing I had ever seen. Unfortunately, Five Nights at Freddy’s 2 took a step back.
According to IMDB, “One year has passed since the supernatural nightmare at Freddy Fazbear’s Pizza. The stories about what transpired there have been twisted into a campy local legend, inspiring the town’s first ever Fazfest. Former security guard Mike (Josh Hutcherson) and police officer Vanessa (Elizabeth Lail) have kept the truth from Mike’s 11-year-old sister, Abby (Piper Rubio), concerning the fate of her animatronic friends. But when Abby sneaks out to reconnect with Freddy, Bonnie, Chica, and Foxy, it will set into motion a terrifying series of events, revealing dark secrets about the true origin of Freddy’s, and unleashing a long-forgotten horror hidden away for decades.”
I did not like this one at all. It felt so forced. The story was weak. The inclusion of the animatronics was silly. The ending was poor. I just did not like much of anything about this movie.
I do have one thing that I thought looked cool and that was the look of The Marionette when combined with Charlotte. It was a really cool design and I did like that part of the film. However, all of the other robotic characters were just a waste.
I also hate when a movie provides a teacher who would just not be around in today’s world and Wayne Knight played one here. There was so much about this that did not work for me.
1.5 stars
Hamnet
I actually did not know that this was a story featuring William Shakespeare until about 2/3rd through the movie. I knew Hamnet sounded like Hamlet, but I did not know how it was connected. In fact, as I walked into the theater, I thought to myself that I had no idea what this movie was about.
We meet Agnes and Will, who fall in love and get married. Agnes was initially believed to be the daughter of a forest witch, but that never felt like it was addressed. Agnes gets pregnant. They have a daughter and then have twins later, one of which seemed to be born dead, but survived.
As I mentioned, I had no idea this was meant to be Shakespeare and I also did not know that he had a son named Hamnet who died when he was 11, supposedly from the plague. That was believed to be one of the influences for Shakespeare to write his best tragedies, including Hamlet.
I was extremely bored through the first half of this movie. I was not enjoying it at all. However, there were two amazing performances in the heart of this film. Paul Mescal played Will and he did a great job, but the stand out performance in the film belonged to Jessie Buckley as Agnes. Even at the times when I was feeling bored with the story and the script, Jessie Buckley was bringing it hard.
I had heard that this was an Oscar possible nominated film and I was ready to rip that idea apart. There was an amazing scene with Buckley and Jacobi Jupe, who was playing Hamnet, but it still had not swayed my opinion.
Then, the ending happened. The ending was unbelievable! It absolutely took the rest of this movie and elevated it to a level that I could not believe. I came out of the film with serious feels. Most of the time, the example is the ending is bad and damaged the memory of a film. This time, I have a much more positive thought of the film because of the finale.
If Jessie Buckley does not win the Academy Award for this performance, they should just stop giving out Best Actress Awards. Jessie Buckley is sensational and totally carries the film on her back. I would have totally checked out from this had it not been for Jessie Buckley.
Oscar winner Chloe Zhao does a great job with the direction of this film. I loved the ending of this.
3.5 stars
EYG- Embrace Your Geekness 