Category Archives: Doc’s Classic Movies Reviewed

Sing Sing

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Colman Domingo received an Academy Award nomination for this lead role in Sing Sing. He was fabulous as “Divine G.”

While I figured this would be a prison movie, I have to admit, this was not what I was expecting.

According to IMDB, “Divine G (Colman Domingo), imprisoned at Sing Sing for a crime he didn’t commit, finds purpose by acting in a theatre group alongside other incarcerated men, including wary newcomer (Clarence Maclin), in this stirring true story of resilience, humanity, and the transformative power of art, starring an unforgettable ensemble cast of formerly incarcerated actors“

The only thing that I knew about this movie was that Colman Domingo was in it and, going by the title, I assumed it was taking place in the prison Sing Sing. I am glad that I went into this movie as blind as I did because it caught me so off-guard that it really made this a great experience.

I actually compare it in my mind more to Ghostlight than I did to another prison movie. It provided the power of the stage in a manner to help face the troubles of your life.

Finding out that this was a true story was another shock and made it even more impactful. The clips at the end of the film with the real people was powerful.

Colman Domingo was amazing. He has become one of our best actors working today. The rest of the cast was just as solid, as much of the cast was previously incarcerated individuals who played themselves.

Sing Sing was a outstanding film that had some real drama inside the prison without falling into the typical prison tropes that we have seen a million times. This is one of the overlooked films of 2024.

Ghostlight

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June 7

This was another movie that I never would have heard of if not for Dan Murrell, online critic, who put Ghostlight on his best of 2024 list. After hearing that, I added it to the June Swoon list.

Thank you, Dan. This was a sensational movie, one of the best that I have seen over the last year or so.

According to IMDB, “When a construction worker unexpectedly joins a local theater’s production of Romeo and Juliet, the drama onstage starts to mirror his own life.”

This script was beautifully constructed and the story told in a wonderful manner. Pieces of the story were given as the film progressed. We knew some of the things that happened, but they hold on to the overall events for the stretch. The writing was layered and worked so well that you could feel everything going on.

The performances were out of this world. Interestingly, the actors who played Dan and Sharon Mueller, Keith Kupferer and Tara Mallen, are married in real life, and their on-screen daughter Daisy was played by their real life daughter Katherine Mallen Kupferer. All of this made this feel real and all three of them knocked this out of the park.

I had immediate connection to this movie because I know kids like Daisy, who came out immediately with curse words and anger. I wanted to know more about what was going on, and these characters were so well done that everything was awesome.

I watched the movie on Amazon Prime and, I am not sure if this was the way it was supposed to go, but the very end felt like Prime cut off too soon. Maybe that was how the film ended, which, if so, it felt like I needed one more scene.

That was the only problem that I had with this film. It is one of the best movies I have seen in awhile. The story was small and emotional with the feeling of reality truly cutting deep. Ghostlight was great. If I were giving star ratings for these June Swoon movies, this would be five stars.

The Only Girl in the Orchestra

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June 6

It is documentary day in the June Swoon.

Because of busy day at the theater, I decided that today I would watch the Academy Award winning documentary short for the first film of the day. It was called The Only Girl in the Orchestra, and it was a celebration of Orin O’Brien, the first woman to become a member of the New York Philharmonic.

O’Brien played the double bass the doc came about as she was retiring from her position.

It felt like this was too short and that this topic could sustain a much longer documentary. O’Brien was an interesting topic as someone who just did not want to be in the spotlight. She said, in the doc, “I didn’t have any ambition of being a soloist, I liked being in the background.“

She even revolted against the very idea of the documentary focusing on her. O’Brien’s niece, Molly O’Brien directed the documentary and tried to convince her that she a valuable topic.

Her passion for music definitely came through in this doc, even if it is too short. Oren O’Brien is a fascinating character that shines in the short.

Memoir of a Snail

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June 5

The June Swoon entry today is the final of the 2025 Academy Award nominees for Best Animated Feature, Memoir of a Snail. It is an Australian stop motion film.

According to IMDB, “A bittersweet memoir of a melancholic woman called Grace Pudel – a hoarder of snails, romance novels, and guinea pigs.”

The voice cast featured some of the top level Australian actors including Emmy and Tony Award winner Sarah Snook, Academy Award nominee Kodi Smit-McPhee, Academy Award nominee Jacki Weaver and actor Eric Bana.

This animated film is not one for kids. It is a distinctly adult story told in the stop action format. It is a funny film, with a very tragic feel.

The film was written, directed and produced by Adam Elliot and it was loosely based on his own life.

Even though the movie was dark, it had a remarkable flair for life and the eccentricities of the human condition. The film is chocked full of adult themes mixed in with the humor. It is powerful and deeply affecting. It is a wonderful example of what is possible in the animation style.

Flow

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Today’s entry in the June Swoon is an Academy Award winner, and you can see why. Flow won the Oscar for the Best Animated Feature at the 2025 Academy Awards, knocking off such luminaries as Wild Robot, Inside Out 2 and Wallace & Gromit: Vengeance Most Fowl.

Flow follows the life of a dark grey cat that was living in a forest. A massive flood swept through the land, leading the cat to struggle to survive in a variety of ways.

During the film, the cat meets up with a group of different animals that form a sort of crew, especially while they were on a felucca. The cat joined up with a yellow Labrador Retriever, a ring-tailed lemur, a capybara and a secretary bird.

These animals were not anthropomorphic. They acted like the individual animals would act. The dog was playful and clearly looking to please. The lemur was a thief, collecting trinkets and shiny objects. The capybara, which is a type of rodent, laid around. There were some moments where it felt as if the animal characters transcended their natures and became something more.

The cat served as the POV of the film, as we see things through its eyes. The survival instincts of the cat was on display throughout the film in such a harrowing instance that you could not help but root for these animals.

I am a cat lover and so it was very easy to get into Flow. There were multiple perilous events along the path of this adventure that placed the cat in jeopardy. The whole showdown with the flock of secretary birds was tense and frightening.

There were a couple of scenes that went past just survival and looked at themes of life and death. One, involving the secretary bird, was a lovely moment that leaves you to deduce what exactly had occurred. There was a second scene involving a mutated whale that had saved the cat from drowning earlier in the movie. This scene was heartbreaking.

Flow was beautifully animated with such amazing visuals across the board. The artistic mastery created an incredible tone throughout Flow and some of the visuals with the cat and fish in the water was astounding.

With no dialogue, Flow was able to tell this story through some amazing characters and some fantastic music. According to Wikipedia, the cat of sound designer Gurwal Coïc-Gallas provided the meows for the cat in the movie, which I thought was a funny piece of trivia. It also provided that realistic sound that enhanced the viewing treat.

While I am not sure if I would have given Flow the Oscar over The Wild Robot, there can be no denying that this is a masterful animated film full of life and love and friendship.

Wallace & Gromit: Vengeance Most Fowl

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June 3

There were several animated movies that I missed out on in 2024, so there are several on the list for the June Swoon 4. The first one is the Oscar nominated Netflix film that returned to the stop action animation of the franchise Wallace & Gromit.

Wallace & Gromit: Vengeance Most Fowl sees the erstwhile inventor Wallace trying to help his trusty dog Gromit with his garden. Going over the top, Wallace created a robot to help… the “smart gnome” or Norbot. Meanwhile, master criminal Feathers McGraw, who had been captured by the police thanks to Wallace & Gromit, plotted a way to take control of the army of Norbots.

I had watched another Wallace & Gromit film (Curse of the Were-Rabbit) and I did not like it much. That was part of the reason that I did not watch this on Netflix last year. However, this was so much better than I expected. It was funny, clever and just a really enjoyable film.

The voice talents of Ben Whitehead, Peter Kay, Lauren Patel and Reece Shearsmith are on full display in the film.

The animation feels old school. The effort it takes to create a film using the stop action animation is considerable, and this crew does an amazing job with it. It never feels shorted or lacking, and delivers some excellent moments throughout, including a big action chase scene at the end.

Wallace & Gromit: Vengeance Most Fowl has one of the rarer accomplishments… 100% critic rating on Rotten Tomatoes. I can see why. This was a lot of fun. It did not try to exceed what it does well and it did not overstay its welcome at a slim 79 minutes. This is available on Netflix.

Hundreds of Beavers

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June 2

Dan Murrell had this on his list of the best films of 2024 and I had never heard of it. Hundreds of Beavers sounded weird and bizarre. I figured this would make a good watch for the June Swoon.

What a wild ride this was.

It felt like a live action Loony Tunes cartoon, full of slapstick, cartoon violence and laughter.

According to IMDB, “In this 19th century, supernatural winter epic, a drunken applejack salesman must go from zero to hero and become North America’s greatest fur trapper by defeating hundreds of beavers.“

This film translates it story without dialogue (or at least, without much dialogue). Outside of a few words grunted or mumbled, the film does a tremendous job of creating a visual storytelling aspect that makes this all the more appealing.

The black and white style adds to the homemade feel of the film, and plays right into the joke. The score of the film is perfect, making this feel like the old time animation, despite the hundreds of over-exaggerated beaver costumes all over the place.

It is gems like this that I appreciate the YouTube community for mentioning. I can legitimately say that I would never have heard of Hundreds of Beavers without the recommendation from Dan Murrell. I spent a chunk of time laughing at so much of the stupid humor going on in this movie that it was an absolute treat. This is the type of film that takes a chance and has it pay off big time. One of the funniest movies I have seen in a long time.

September 5

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June 1, 2025

The fourth annual June Swoon kicked off this morning with a movie that I have been anticipating for a long time. It is a film that I would have gone to in the theater but it never came around to any of the theaters in my area. At least, I never saw it available in my area.

September 5 told the tragic story of the 1972 Summer Olympics in Munich, Germany where a group of Israeli athletes were taken hostage during the games. The movie was told from the perspective of the sporting crew from ABC, who were in Munich covering the Games and wound up near the scene of terror.

I only knew a little bit about the situation before viewing this and the massive tragedy that would befall the athletes. This was put together with an outstanding ensemble of actors as well as real life archival footage shot by ABC. Footage of the late Jim McKay as the anchor of the sports crew and the voice that sent the news out to the world was used. The quote of McKay when everything was finalized and his words went out across the world

When I was a kid my father used to say “Our greatest hopes and our worst fears are seldom realized.” Our worst fears have been realized tonight. They have now said there were 11 hostages; two were killed in their rooms this morn– yesterday morning, nine were killed at the airport tonight. They’re all gone.
— McKay, 1972

The ensemble cast included  Peter Sarsgaard, John Magaro, Ben Chaplin, and Leonie Benesch as well as a ton of other actors. The tension of the situation was amplified by these talented actors and they brought suspense to a moment in time that many, if not all, knew would end up with tragic results. Yet as you watched the film unfold, you still held hope that there would be part of the story that you did not know and that there would be some sliver of happiness would be found.

September 5 was an emotional roller coaster detailing the horrors of a terrorist attack, and the dedication of these men and women to provide the details of the news to the world.

Ender’s Game (2013)

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With the school year coming to an end, we decided to show a movie at the end of the most recent unit we have been working on. It was a sci-fi/space adventure unit and it actually had a possible “long” read offered of Orson Scott Card’s novel, Ender’s Game. We decided to show the movie to the seventh graders.

I hadn’t seen Ender’s Game since it was in the theaters back in 2013, so I was excited to get a chance to see it again. I remember liking it, but not loving it.

The cast of this film was extraordinary, starting with Asa Butterfield as Ender and Harrison Ford as Colonel Graff. These two had tremendous chemistry and carried much of the film. The actresses that played Valentine and Petra drove me nuts at first because I knew I recognized them but I just could not place their youthful faces. After a check on IMDB, I realized that Valentine was Abigail Breslin and Petra was Hailee Steinfeld. They were both great. The movie also included Ben Kingsley, Nonso Anozie and Viola Davis. Great actors in this film.

The special effects and the shots were spectacular as well. It looked beautiful and stunning at every moment. The animation of the mind game was a little uncanny valley, but it was supposed to be, showing the difference between this game world and the real world.

I did have some problems, basically with the script. It felt like there were too many moments that were rushed, as if they needed to cut things out to fit it in the film, and because of that, some scenes which were meant to be more impactful, ended up less so than it could have been.

One example was a scene between Ender and Sgt. Dap (Nonso Anozie) where Ender was being a particularly annoying child. Dap screamed at him to shut up and that he would never salute Ender. Then it felt like ten minutes later that Dap was doing that very thing. It was meant to be a powerful moment, but Ender did not seem to have earned that salute in any way, so the powerful moment felt a bit flat.

The conclusion of the film is sensational and Asa Butterfield is excellent at this moment. The eyes of Butterfield were remarkable, constantly right on the verge of being filled with tears while reflecting the light perfectly. The close-up visuals of Ender always worked.

The message is not ignored in Ender’s Game and, in fact, could be argued that it is as important to the film as anything else.

The students of my class seemed to enjoy the film, as every class that I showed this to asked if there was a sequel. I pointed out the book series while telling them that this was the only movie. One girl told me that she wanted Ender and Petra to get married… that she shipped them.

In the end, the film was pretty good. Yes, I think some of the writing needed some work and some of the moments did not feel as earned as it should have, but Ender’s Game was still a fun time among sci-fi films made for both kids and adults.

Lilo & Stitch (2002)

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I knew that I wanted to revisit the original animated Lilo & Stitch (2002) before the new live action adaptation that is coming on May 23. I believe that I have only seen this animated Disney classic once, back in the early 2000s. I know that I did not go to the theater to see this, so it must have been on VHS.

With the new film coming, I pulled this film up on Disney + today to rewatch it. And I have to say that I really enjoyed this more than I remember liking it that first time.

The voice cast was great. The voice that I immediately recognized was that of David Ogden Stiers, who played Charles on MASH and had been one of the regular voice actors in several other Disney movies(such as Beauty and the Beast). Chris Sanders voiced Stitch while Daveigh Chase voiced Lilo. Other voices in this movie included Tia Carrere, Ving Rhames, Kevin McDonald, Zoe Caldwell, Jason Scott Lee, and Kevin Michael Richardson.

Lilo & Stitch is a fun movie with a great story and a powerful message of family and acceptance. It was short but well paced. I loved the use of the Elvis Presley catalogue of songs, which kept my toes tapping throughout the movie.

The animation style was traditional, but still worthy. The design of the alien characters are not my favorites as they feel fairly common. Honestly, the characters of Jumba and Pleakley remind me of the Muppets, not Kermit or Miss Piggy, but those Muppets that you would see in the background.

After seeing this film once again, I am looking forward to the live action remake more than I was before, which was the idea.

Elevation (2024)

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I came across this movie on MAX and, while it was listed as a 2025 film, everywhere else had it as a 2024 release. Had I know that, I could have saved this for the June Swoon, but I do think I have plenty of films available for that. I decided to list this under the “classics” instead of 2025 for that reason.

Anthony Mackie played Will, who lived with his son Hunter (Danny Boyd, Jr.) in the Rocky Mountains. Humanity has been destroyed by these creatures that suddenly just popped up from out of nowhere. Fortunately, the creatures could not go past 8,000 feet elevation.

Hunter was sick and needed certain materials that could only be found in the hospital, which meant Will had to go down the mountain to try and find more. He was accompanied by two women, Nina (Morena Baccarin) and Katie (Maddie Hasson).

I really like Anthony Mackie. He is a star and you can see how he commands the screen in a film like this. Sadly, I do not think the film matches up to the strength of Mackie’s screen presence.

The writing is, at best, passable. The story depends way too much on exposition which can become repetitive and dull. The story is full of contrivances and coincidences that really damages the plot.

Nina and Katie started out really hating one another. There was clearly conflicts between the two women, but that conflict disappeared in what seemed no time, without any true resolution. The relationship between them felt forced and had no basis in reality. I know that the film has giant sci-fi monsters running around, which is why the central relationships have to have a dose of realism if the film is to work. These three characters are lacking in that area.

This felt like a poor man’s The Last of Us, mixed with a little bit of A Quiet Place. It was just not at a level of either of those franchises. Anthony Mackie is great and he is doing everything he could to elevate this script, but there is only so much he can do.

Girl in the Picture (2022)

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January 31

January 31st is here and the 2025 Genre-ary comes to a close with a Netflix documentary called Girl in the Picture, which was based on the books A Beautiful Child and Finding Sharon by Matt Birkbeck.

According to IMDB, “A young mother’s mysterious death and her son’s subsequent kidnapping blow open a decades-long mystery about the woman’s true identity and the murderous federal fugitive at the center of it all.“

This was an excellent documentary covering the tragic story of a young girl named Sharon Marshall. Or at least, it was a young girl who was known as Sharon Johnson. She had been abducted as a child and then raised as the daughter of Franklin Delano Floyd, a kidnapper, murderer and sexual abuser.

Sharon suffered years of abuse at the hands of her “father.” He would use her to make money by making her strip and offering her for sex to other men.

The story also included a boy named Michael, who had been kidnapped by Floyd as well. The boy disappeared and the question about what had happened to Michael was part of the film.

One of the best things about this doc is that all of the mysteries surrounding these people are solved. A lot of times these docs do not have a sense of closure because mysteries are left unsolved. Here though, thankfully, everything is revealed.

It is such an emotional story of pain and loss, but it also gives a great story about how people can help by doing whatever you can.

Girl in the Picture is available on Netflix.

And with this, the 2025 Genre-ary comes to a close.

Invasion on Chestnut Ridge (2017)

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January 30

Today, the penultimate day of the 2025 Genre-ary, I watched a documentary from the series Small Town Monsters. I have seen other episodes from Small Town Monsters before and they are usually a fairly well done look at these unexplained phenomenon. Invasion on Chestnut Ridge is yet another solid doc dealing with the paranormal.

Chestnut Ridge is an area of Pennsylvania where there have been numerous unexplained reports of everything from bigfoot to UFO sighting to giant birds with massive wingspans.

According to the doc, it seemed as if there were a rush of reports during 1973/74 with all kinds of weird things going on. The doc had witnesses giving their stories, including things like UFO sightings and bigfoot encounters, all of which are sufficiently unnerving. One wonders what these people actually saw. Many of them seemed to be reasonable and decent people (Admittedly, there was the one guy with a 2nd Amendment shirt on where the number two was a snake).

I have always been more willing to believe in many things. I do think there is (or was) something called a bigfoot. I am not opposed to people from outer space (though I am not sure if they are able to travel here), but above all else, I enjoy the stories. Small Town Monsters does an excellent job of presenting these “out there” accounts in a enjoyable way.

There was one funny moment. They were interviewing a witness who had seen a thunderhawk and they were blurring out the wording on his shirt. However, the man bent down to describe how the bird had been sitting, and the blur did not go with him. We saw that it was a Steelers shirt. I laughed out loud at that. I wonder why they couldn’t get the blur to follow him down. I know that was a minor thing in the doc, but I thought it was funny.

The doc also detailed the Kecksburg UFO crash in 1965. Something crashed in the woods near Kecksburg, Pennsylvania and witnesses went to see. It was a metallic object shaped like a walnut and that the military showed up and removed it. Of course, specifics are shaky and, like all UFO sightings, it is hard to determine what it was that these people saw.

Admittedly, the doc does not provide any concrete evidence of any of the stories they tell about, outside of the eye witness accounts from many year prior. I still found these stories intriguing and entertaining at least. Are any of them real? Who knows. It is one of those unsolved mysteries.

Capturing the Friedmans (2003)

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January 29

With just three days remaining on the Genre-ary for 2025, I watched an Oscar-nominated doc called Catching the Friedmans, another tough watch because it centered around a teacher and his son who had been accused of sodomy and sexual abuse of kids.

Director Andrew Jarecki, who was the director behind the amazing docu-series, The Jinx, was the driving force behind this documentary.

According to IMDB, the “Documentary on the Friedmans, a seemingly typical, upper-middle-class Jewish family whose world is instantly transformed when the father and his youngest son are arrested and charged with shocking and horrible crimes.”

There are plenty of scenes in this movie that came from home video recordings taped by the Friedman family themselves. Most of these scenes were really tough to watch considering the way some of this was portrayed. It painted a horrible picture of most of these people. There was a dramatic scene taped at Jesse Friedman’s trial of a parent chasing after him screaming that he had raped his son. Unbelievable.

Elaine Friedman seemed to be a spiteful woman, but it is hard to imagine the situation she found herself in daily. Her husband was a pedophile. Her sons hated her. A lot of the recordings by her kids had her screaming like a banshee. She did not come off looking well. Then, the final scene of the doc seemed to go against everything that the doc had shown us up until that point.

The doc sheds plenty of question on the case overall, especially when it came to Jesse. Arnold, the father who was an admitted pedophile, said that he had committed sexual abuse on two kids, but not the countless number at school.

I’m not sure how I felt about this doc because the voice seemed to be all over the place. I’m not sure what the doc was telling me about this story and it felt as if details changed throughout. I do not have a better understanding of what the truth was in this case or to what level these people were guilty or innocent. Maybe that is the idea with the doc… that truth may be elusive and that you may never know for sure what is happening in the heart of a family.

There’s Something Wrong with Aunt Diane (2011)

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January 28

Today’ documentary for the Genre-ary was a doc from HBO MAX called There’s Something Wrong with Aunt Diane.

According to IMDB, this documentary looked at… “The accident made national headlines: a suburban mother drove the wrong way on the Taconic State Parkway in New York and crashed head-on into an SUV, killing herself and seven others. In the aftermath, Diane Schuler was portrayed as a reckless drunk and a mother who cracked. But was she the monster the public made her out to be…or the perfect wife and mother that many say she was? Investigating the case six months after the accident, this documentary searches for answers to a mysterious and senseless tragedy.”

This was an interesting documentary. The story of Diane Schuler was an odd one. It looked as if she had just been drunk and high and wound up in a tragic accident that killed eight people. Moat of the doc featured Diane’s husband, family and friends and their POV of the situation. They were all certain that there was no way that Diane could be a drunk who drove her car into another vehicle. They were all very determined that this was not possible.

The problem was that all of the evidence of the case pointed to Diane Schuler was drunk and high at the time of the accident. The family of Diane did not provide any possible evidence outside of their denials.

Through the entire documentary, it felt as if some piece of information was missing. The motivation of Diane is questionable. I do not understand why she may have been drinking vodka and smoking marijuana. There was a point of contention about a possible tooth that abscessed, but that did not feel like the overall answer.

There is also another weird event involving an investigator hired by the family who had Diane’s specimens retested, but never got back in touch with the family. This was a truly bizarre aspect of the story. Near the end, Diane’s sister spoke with the investigator who said that he had sent the results and that they were the same as the original one. This was strange.

Some of the images of the accident was just tough to watch. There was a warning at the beginning of the film, but they still caught me off guard.

There seems to be something missing in this story, and sadly, we will never know what it was. Such a tragedy that cost the lives of several humans, including four children.