Category Archives: Doc’s Classic Movies Reviewed

Your Monster

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June 26

Rom Com- Horror? No way that is going to work.

Except it really does. Your Monster is a surprising film with some deeply troubled characters and an ending that is absolutely wild.

According to IMDB, “After her life falls apart, soft-spoken actress Laura Franco finds her voice again when she meets a terrifying, yet weirdly charming Monster living in her closet. A romantic-comedy-horror film about falling in love with your inner rage.“

Melissa Barrera is Laura Franco and Tommy Dewey is the Monster living in her closet. Unexpectedly, the pair hook up and seem to really get along. However, Laura is dealing with some deep seeded trauma from a relationship with Jacob Sullivan (Edmond Donovan), a writer/director of a play that he had originally written for Laura, only to recast when they broke up.

Laura has plenty of issues in the film, dealing with her own feelings of betrayal and anger. She is clearly not ready for any kind of relationship so, when she walks onto tryouts for the play, things were awkward.

The chemistry between Melissa Barrera and Tommy Dewey is off the charts and makes the weird story work. If that center relationship did not have the chemistry it did, the film would be a total flop. I was wondering about some of the characteristics of the character of Laura, but it all made sense in the end.

This was unexpectedly good and really became more of a character study. It is the type of film that might require a second viewing to see the subtleties in the story.

Chicken for Linda

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I have no idea where this one came from.

I had Chicken for Linda on my list of movies for the June Swoon, but I do not remember where I heard about it. I knew it was an animated movie, but that was about it. I had rented it on Fandango at Home, but when I started it, I realized that it is in French.

According to IMDB, “Linda is unfairly punished by her mother, Paulette, who will do anything to make it up to her. Even a chicken with peppers when she can’t cook. Linda absolutely wants to have the chicken that her father made that day…But there is a strike, a general strike.“

The film is unlike any animated film I have seen. The animation was very stylish and different than I had seen before which was a cool feature of it. The colors made much of the film stand out and each color had a purpose to the characters.

The story was very sweet, and surprisingly deeper than one would expect. It had a lingering sadness to it with plenty of humor and joy to go around. Ridiculous situations occur all around and the animation style served it well.

All this trouble for chicken with peppers?

Tuesday

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June 24

I have not seen a movie start off with a bigger WTF in a long time than Tuesday, starring Julia Louis-Dreyfus.

A24 has used some bizarre concepts to deal with serious issues, from farting corpses to being transformed into animals if they can not find love. On the surface, it may seem absurdist at times, but there are always deeper undertones in the narrative than what you would expect.

This movie deals with death, but not just the grief and pain of the loss, but specifically the inability to accept the inevitability of the end and the strides someone will go to to avoid that acceptance.

Julia Louis-Dreyfus played Zora, the mother of Tuesday (Lola Petticrew), who is a 15-year old, wheelchair bound girl with an incurable fatal disease. Julia Louis-Dreyfus gives the best performance of her career, which is saying something, as she struggled with the denial, taking steps to avoid the loss unlike anyone has every done before.

I am trying to remain somewhat vague in my details of this movie, because I went into it with no expectations for it and I was blown away by the surreal aspects of the film. If you can go into this film without any knowledge of the way the story progresses, the better your experience will be.

Tuesday is a powerful piece that deals with something that everyone can relate to and does it in a poignant and emotional way. It is another winner for A24 and their amazing catalogue of films. It is available on HBO Max.

Nickel Boys

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June 23

Today’s June Swoon film is the final of the 2025 Academy Award nominated films for Best Picture that I needed to see. Nickel Boys was directed by RaMell Ross.

Nickel Boys tells the story of its two main protagonists, Elwood (Ethan Herisse) and Turner (Brandon Wilson), who meet at Nickel Academy, an abusive and brutal reform school in Florida during the 1960s.

The film is told through the first-person perspective of both Elwood and Turner, though never at the same time. The perspective of either Elwood or Turner is used as the camera, with the supporting actors looking directly at the camera. The technique makes this film different than most other movies that I have seen.

The story is also told in a nonlinear format with flashforwards to Turner’s future. There were some moments that were difficult to follow during the movie, considering the switching of the POVs.

There are several artsy scenes throughout the film including a few scenes from the Sidney Poitier film “The Defiant Ones” as well as clips with Martin Luther King Jr.

There are some powerful scenes during the horrors of the reform school. It is a long movie and I had some trouble focusing on it, but there is no doubt that this is an amazing piece of art.

The Fire Inside

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June 22

The June Swoon continued this morning with a boxing movie detailing the pursuit of the Olympic gold medal by Claressa “T-Rex” Shields.

Claressa Shields became the first American woman to win a Gold Medal in boxing but she discovered that, even after the ultimate success, there is nothing in life that is guaranteed.

Ryan Destiny played Claressa Shields, teenager whose dream was to become a star in the boxing ring. She was trained and supported by Jason Crutchfield (Brian Tyree Henry). Claressa did not have a perfect life. She had troubles with her mother and struggling with the dedication required in her training.

In most sports biopics, the big victory is the ending of the film, but, in this case, Claressa success at the Olympic games in 2012 was just the start of the story. She discovered how difficult it was for a woman to translate her success in the boxing ring into big time success in life. The product endorsements were not coming and Claressa was being offered less than the male boxers were to go for another gold medal.

The struggle for Claressa became the chunk of the movie, detailing how she nearly hit the bottom, nearly pawning her gold medal. The film is also inspiring to see how she was able to overcome these problems in a push for a second gold medal.

I did like how this movie flipped the general formula of the sport biopic upside down and told the story in a different way. Strong performances made the film even more compelling.

I’m Still Here

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June 21

Another Academy Award winning film came next in the June Swoon. This film won the Oscar for Best International Feature Film and had received nominations for Best Picture and Best Lead Actress. I’m Still Here is a political biopic from Brazil that detailed the story of Eunice Paiva, whose husband, a former congressman, was a victim of a forced disappearance during the military dictatorship in Brazil in 1971.

Fernanda Torres did win a Golden Globe for her role as Eunice Paiva, along with the Academy Award nomination. She was a powerful force in this film, showing so much depth of her character. It could have easily degenerated into a sob story, but the strength of Eunice and her constant desire to protect her family while searching for the truth really marked her as an amazing woman. Fernanda Torres brings all of the emotion and power to the role.

The resiliency of the Torres family was on full display as they had to go through so much uncertainty after armed men came into their house and took away their father. Then, Eunice and one of her daughters were taken for “questioning” and held for an extended period of time. Such behaviors of a government is and was unacceptable and I’m Still Here makes that argument clearly.

As an audience, we are given time at the beginning to get to know Rubens Paiva and see how important he was to his family before he was removed by the military. We could see the hole that his forced disappearance put in his family and how Eunice did everything she could to fill that gap herself.

The film did have a couple of sections at the end showing the family in the future, including one in 2016 where Eunice was in a wheelchair and suffering from Alzheimer’s. There was still a powerful hope within that family, a trait that came from Eunice’s decade long fight for the truth. I am not sure if these last two scenes were really needed, but it was nice to see how these people’s lives moved on after they realized that their father was not coming back.

This is a long film, but it was worthwhile thanks to an amazing lead performance and a story that helps us understand what life under a dictatorship could be like.

In a Violent Nature

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June 20

In a Violent Nature is a film that I have had on my queue on Amazon Prime for quite a while. I remember seeing it playing at Cinemark, but never getting around to go to it. I also had it on a list of possible horror movies for last year’s October 13 watch, but it did not make the cut. I finally watched the slasher film for the June Swoon, and I tell you what, I was entertained.

According to IMDB, “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 70-year old crime, his body is resurrected and becomes hellbent on retrieving it.“

This movie was really brutal and bloody, with Johnny, played by Ry Barrett, marching through the woods in pursuit of these dumb individuals who took the locket. He found some horrific brutality to murder them as he tried to reclaim his property.

I mean… all he wanted was his locket back. These kids were basically grave robbers. You can’t blame poor Johnny for wanting to bend someone’s head through their torso.

The film is intentionally trying to keep you uneasy as much of the dialogue from the kids were off screen, and we spent most of the film from Johnny’s POV. That meant there was a ton of trudging through the woods. That is obviously meant to be unsettling as was most of the sound design of the picture. You get to a point where you are desperate for some of the sound cues to end.

The film’s pacing is very slow, again on purpose. It really does take the subgenre of slasher films in a direction that it has not gone before. I can see people not being a fan of this because of the pacing and the feel that the creators of the film were going for. Still, I found it to be entertaining and one of the better, more original slasher films we have had in awhile. In a Violent Nature was worth the long wait to finally see it.

Black Barbie: A Documentary

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June 19

It is Juneteenth and, for the June Swoon today, I am watching a documentary that debuted on June 19th last year on Netflix. It had been at SXSW film festival in 2023. Lagueria Davis is the writer/director of Black Barbie: A Documentary.

The documentary looked at the creation of and the history of the black doll and how the process of Black Barbie came to be.

According to IMDB, “Love her or hate her, almost everyone has a Barbie story. Even if they don’t have a story, there’s a story as to why they don’t have a story. In this film, we tell the story behind the first Black Barbie, because yes, she has a story too. It started with the filmmaker’s 83-year old aunt, Beulah Mae Mitchell and a seemingly simple question, ‘Why not make a Barbie that looks like me?‘”

Where as it seems like a trivial concept, the importance of black dolls, specifically Barbie, have upon the self-image and self-esteem of young black girls. Some of the most powerful comments of the film indicate how the young black girls would see themselves as ugly because of the color of their skin.

It is one more example of how important it is for play for children. How important it is for the people in the doc to have a doll that resembled them, and not just Barbie with brown skin.

The Last Showgirl

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June 18

Hulu was the destination this morning for today’s June Swoon entry, the independent film The Last Showgirl starring Pamela Anderson.

Pamela Anderson was most well known for her role on the television show Baywatch, a role which she parlayed into an infamous lifestyle and career. Whether fairly or not, Anderson was perceived in a manner that may not have been too positive.

However, Pamela Anderson completely dominated this role in The Last Showgirl, bringing an energy and an emotion that she has never shown before. She was a revelation.

According to IMDB, “When the glittering Las Vegas revue she has headlined for decades announces it will soon close, glamorous showgirl Shelly sets out to plan her next act. Reconciling the decisions she’s made and the community she has built, Shelly decides to repair her complicated relationship with her daughter.”

I kind of get the same kind of feeling with this movie that I had with The Wrestler. Performer, getting old, and desperately hoping to hold on to what they know best. Anderson’s character, Shelly, is less miserable than Randy “The Ram” Robinson, but she definitely has parts of her life that she looks back upon with regret.

The film has a solid cast around Pamela Anderson, including Dave Bautista, Jamie Lee Curtis, Brenda Song, Kiernan Shipka, Billie Lourd, and Jason Schwartzman.

Pamela Anderson proved that she was more than just her red bathing suit. She was compelling, passionate, emotionally-charged and carried this movie completely. She showed that she was more than what people gave her credit for back int he Baywatch days. She is an actor.

The X-Files: I Want to Believe (2008)

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I have started season 10 of The X-Files, with just 15 more episodes to complete my rewatch of the whole series. I have been working on this on and off since late 2023. With the end in sight, I thought it would be a good choice to go ahead an rewatch the second of the X-Files movies that came out in 2008, The X-Files: I Want to Believe.

According to IMDB, “Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) worked at the F.B.I. as partners, a bond between them that led to them becoming lovers. But now they’re out of the F.B.I. and have begun new careers. Scully works as a staff physician at a Catholic hospital. Her focus these days is on a young boy with an incurable brain disease. Administration wants to give up on him. Scully, who feels a special bond with the boy, does not. Meanwhile, Mulder’s focus is on clipping newspaper articles, throwing pencils into his ceiling and writing about the paranormal. Scully and Mulder are brought together as partners again when a special case requires Mulder’s expertise, and Scully is prevailed upon to convince him to help. The case involves a pedophile priest who claims he is having psychic visions regarding the whereabouts of a missing F.B.I. Agent.”

First off, I love the characters of Fox Mulder and Dana Scully. They are some of my all-time favorite TV characters. They are a major selling point for this movie, especially since I am right in continuity of the TV rewatch to where this film would take place. Seeing David Duchovny and Gillian Anderson together once again would improve any movie.

It just does seem that this movie does need that improving. The story in this film is fairly ugly and has moments where it is just not easy to follow. It is convoluted and turns into the weirdest “Frankenstein” type film, seemingly from out of nowhere. The secondary plot of the boy with the disease that Dr. Scully is trying to help despite the administration at the hospital that she works is too medical TV show for a movie like this.

Father Joe (Billy Connolly) is a bizarre choice in many ways, but I do enjoy the conflict that he throws into the mix. As a possible psychic seeing flashes of the kidnapping, that is questionable enough, but when it was revealed that he was a pedophile as well, it was a rough choice. The character is still kind of set up to be the heroic one, which did not go well for Scully and, I would guess, most of the audience. Billy Connolly is an awesome actor though and this was a solid performance.

I do wish this story had a little more construction to it, because what they gave us seemed too strung together without enough connective tissue. Still, I did enjoy seeing my two favorites back together in a movie that would be basically a “monster-of-the-week” structure from the show.

Ultraman: Rising

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June 17

The June Swoon film today sees us head back to animation for a fun tryst into the world of the classic superhero character of Ultraman. Ultraman: Rising brings the character back into the present world of Kaiju fighting and worldwide threats.

The original series of Ultraman debuted in 1966 and there have been many versions of the hero over the decades. This co-production between Tsuburaya Productions, who owns the franchise, and Netflix Animation looks to reintroduce the hero to the world. And with this film, they have done a wonderful job of it.

According to IMDB, “Ken Sato, a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. His plans go awry, however, when he is compelled to raise a newborn kaiju monster the offspring of his greatest enemy as his own child. Sato will also have to contend with his relationship with his estranged father and the schemes of the Kaiju Defense Force.“

Tying this new hero Ken Sato to Japanese baseball is a excellent idea. Shohei Ohtani is a huge draw among the MLB baseball stars worldwide and having Ken Sato in that vein should help connect this to other fans around the globe.

The designs of the characters are great, as they are all awesome to look at and engage the creativity of the viewers’ imaginations.

The CGI/animation works very well too. There is the feel of old school Japanese monster flicks as well as the current day look of a big budget animated movie. The colors are flashy and entertaining.

The story does more than the typical fighting Kaiju story as it wraps itself around the idea of fatherhood and the relationship between father and sibling, both with Ken and his father, but also Ken and Emmy, the baby Kaiju that Ultraman rescues. This is a universal theme to which everyone could relate.

The villains of the KDF are a little underdeveloped. There are some interesting things going on with the KDF, but it is really basic and surface level. There are some deeper ideas available had the film chose to develop them.

Overall, I thought Ultraman: Rising was really solid. I enjoyed the superhero action and they developed the character of Ken Sato very well. This is a fun film on Netflix.

The Lord of the Rings: The War of the Rohirrim

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June 16

The world of Middle Earth can hold many stories, both before and after the well known Hobbit and Lord of the Rings trilogy. The world of animation seems to fit perfectly among the setting. Unfortunately, The Lord of the Rings: The War of the Rohirrim does not take advantage of the medium to the point that it could’ve.

According to IMDB, “Set 183 years before the events chronicled in the original trilogy of films, it tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless lord of Rohan, with dubious ancestry, having many ties to Dunland, he seeks vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg-a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.”

This movie is okay, but it could have been so much more. The story of Héra is one that we have seen dozens of times. Filled with cliches, there are no really good character moments or story bits. The battles are the best part of the film, but they do not hold the same oomph that they could have because these characters are not deep and do not make you invested in their story.

The animation is, at best, average. Some background scenes look good, but much of the actual character animation looked choppy and, at times, cheap. They tried to cover some animation with snow and other imagery, but it did not work.

The relationship between Héra and Wulf was touched upon, but it was not developed to an extent that I believed the eventual response. Perhaps I can see Wulf’s anger toward Helm Hammerhand, but his all-consuming hatred is unexplained. He comes off as just a one-dimensional villain.

The film is way too long too. At two hour and fourteen minutes, it way exceeds what an animated film, even an animated epic as this intended to be, should be. Still, this is not the worst film I’ve seen. It just could have been so much better.

The Brutalist

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June 15

This is probably the biggest film during the June Swoon this year. The Brutalist is a multiple Academy Award winning epic film. It is a massive three and a half hour long with an intermission in the middle, even on HBO Max.

Adrian Brody won his second Academy Award for Best Actor for his role as László Tóth, a Hungarian-Jewish architect who immigrated to the United States after surviving a concentration camp during the Holocaust. László meets industrialist Harrison Lee Van Buren, played by Guy Pierce, who also received an Academy Award nomination for the role. He became László’s client, hiring him to design a project in honor of his dead mother.

Felicity Jones was another cast member to receive an Academy Award nomination for her role as Erzsébet Tóth, László’s wife, a journalist and a survivor of Dachau. These three performances were the backbone of the movie.

The look of the movie was amazing. The shots of the film was both wonderful and painful. There was a lot of dread in the shots. The music made this movie even more special, compelling the story to move in such a major way. Both the cinematography and the score were award Academy Award wins.

The second half of the movie does go off the tracks a bit, but that feels like it was destined to do so after such a brilliant first act. Some of the resolution of the ending seemed unsatisfying after such a commitment to the film. Without spoiling what happened, it felt as if it came out of nowhere. Still, there are some powerful ideas happening within the film.

I do think this is easily a film built on the performances, as well as the technical aspects. These are standout sections of The Brutalist.

Queer

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June 14

I do love Daniel Craig. I think his Bond may be my favorite of all-time. I love Benoit Blanc from the Knives Out franchise. He is just a tremendous performer.

I do think he is the best part of Queer, the movie I watched for the June Swoon today. He received a Golden Globe nomination for the role.

Unfortunately, I just did could not get into Queer, despite the topline performance of its lead.

According to IMDB, “William Lee, an American expat and heroin addict in Mexico City, spends his days almost entirely alone, except for a few contacts with other members of the small American community he lives in. His encounter with Eugene Allerton, an expat former soldier, makes him believe it might finally be possible to establish an intimate connection with somebody.“

Part of the issue was that this felt too stream-of-consciousness-y to me. It is designed, at times, as a dreamlike film with an abstract story. As in some independent movies, the plot is not important, and that does feel like what Queer is. It is a character piece, and that is fine, but I just did not engage in the film.

Daniel Craig is great, as is his co-star Drew Starkey. I just lost interest in the film early and it never got me back.

Small Things Like These

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June 13

Today’s entry in the June Swoon is a historical drama that was available on Hulu entitled Small Things Like These, starring Cillian Murphy, hot off his Oscar win for Oppenheimer.

According to IMDB, “In 1985 devoted father Bill Furlong discovers disturbing secrets kept by the local convent and uncovers shocking truths of his own.”

Cillian Murphy has placed himself square in the upper echelon of actors working today and this is one more outstanding and very subtle and sublime performance.

The movie deals with the concept of the Magdalene laundries, which according to Wikipedia, “were institutions usually run by Roman Catholic orders” which were “run ostensibly to house ‘fallen women’, an estimated 30,000 of whom were confined in these institutions in Ireland.”

“In 1993, unmarked graves of 155 women were uncovered in the convent grounds of one of the laundries. This led to media revelations about the operations of the secretive institutions.“

This was a bit of history that I did not know about and it was a truly harrowing tale. Cillian Murphy is remarkable with the backdrop of this history in the foreground of this movie. There are flashbacks used to Murphy’s character’s, Bill, childhood.

This is a small film but it carried a strong message about a terrible time in the world, including the potential questions that this could raise about religion and belief in such.