Category Archives: Doc’s Movie Reviews

The Exorcism

Posted on by

I wonder what the producers have on Russell Crowe? They must have something for him to appear in this train wreck.

Russell Crowe played Tony Miller, an actor with his share of personal problems, takes a job playing a priest in an exorcism/possession movie, and the role is bringing up all kinds of past troubles. Meanwhile, his estranged daughter Lee (Ryan Simpkins) is trying to get past her own problematic history with her dad.

David Hyde Pierce is here too, playing Father Conor, and being a huge distraction as he just looks too much like Niles Crane. Sam Worthington is in the movie, but he is totally underused, and Chloe Bailey is here too for some reason.

I found this to be trash. The first two-thirds of the film was dull and then the final act of the film was so off-the-track that had there been any goodwill generated previously, it would be spent completely. The story was ridiculous. The characters were wasted. The backstory of Tony was jumbled and not delivered in a manner in which it could be understood. Poor Niles was there looking for Frasier.

The acting was not very good. I mean, I believe that Russell Crowe was giving it his all, but I felt as if the director of the film in the film, played by Adam Goldberg, was constantly berating Tony’s performance and it made me question what Crowe was doing too.

There was a potential story that was here that could have been different and potentially fascinating, but this was not it. This was another terrible movie this year, which seems to be packing them up all over the place.

1.3 stars

The ABCs of Book Banning (2023)

Posted on by

June 22, 2024

It is another busy day, so I made time this morning for another Oscar nominated documentary short film, and it is one whose topic is close t my heart. The ABCs of Book Banning is a look at some of the books that have been banned, challenged or restricted in schools across the country and the thoughts from children about the banning.

The film showed many books and gave excerpts from them in order to show a type of book that seemed to be banned more than others. A high percentage of these books appear to be about those segments of society that are different from the “normal” public. Black & Jewish history, those dealing with LGBTQ + community, those dealing with power for women… these are the majority of the books shown.

The film began with 100-year old Grace Lin speaking to a school board about the banning of books and how it went against everything that she believed and that her husband, who died in World War II, fought for.

The most effective part of the film was the comments made by the children. These kids were asked about the books. These children were very well spoken and convincing.

The slideshow-like was less effective, basically just showing images of the banned books and animating some for illustration. I saw several books that I have on my own shelf show up on the screen, including EYG Hall of Fame graphic novel Maus.

This film does feel slight and does not go into the specifics of the topic. I do not have a problem with the film stating that they wanted to give voice to the one side of this issue since the voice for the banning has been so loud, but I needed more substance to it.

I am totally opposed to the idea of book banning and find the act repulsive. This is not quite as powerful as I would have liked.

The Bikeriders

Posted on by

The Bikeriders is a new film from director Jeff Nichols and was inspired by a photograph book by Danny Lyons of the same name that depicted the life of a motorcycle gang in Illinois. Despite the fact that this is inspired by this photo-book, the film itself is a fictional story.

According to IMDB, “After a chance encounter at a local bar, strong-willed Kathy (Jodie Comer) is inextricably drawn to Benny (Austin Butler), the newest member of Midwestern motorcycle club, the Vandals led by the enigmatic Johnny (Tom Hardy). Much like the country around it, the club begins to evolve, transforming from a gathering place for local outsiders into a dangerous underworld of violence, forcing Benny to choose between Kathy and his loyalty to the club.”

The ensemble cast in The Bikeriders is tremendous and they all provide great performances no matter how long they were on screen. Austin Butler is wonderful and the relationship between him and Jodie Comer are the backbone of the movie. Tom Hardy gives a top notch performance as the head of the bike group. Others in the ensemble include Michael Shannon, Boyd Halbrook, Norman Reedus, Mike Faist, Damon Herriman, Emory Cohen, Beau Knapp, and Toby Wallace.

The story is solid as we see how much this motorcycle club means to the individual. Tom Hardy and Austin Baker work very well together. I enjoyed the struggle within the story for Baker.

I also liked the format for the narrative as we see Jodie Comer being interviewed by the character played by Mike Faist, who was a former member of the motorcycle club and returned as the photographer Danny Lyons who would be the person who did the photo-book this was based upon.

I was not looking forward to this movie, but it was better than I expected it to be. Great actors working well together to tell a solid story.

3.85 stars

My Big Fat Greek Wedding 3 (2023)

Posted on by

June 21, 2024

The next movie in the June Swoon 3 is the third film in a sequel called My Big Fat Greek Wedding 3.

This really feels like a sitcom that has done that special episode that sends the family to a vacation spot and they go on location to film. You know, like the Brady Bunch in Hawaii or the Grand Canyon, Happy Days in Los Angeles with shark jumping, or Blossom in Paris.

The plot of the film centers around a family reunion in Greece after the death of Toula’s (Nia Vardalos) father. However, most of the film just has a bunch of individual moments among the run time for the different characters. These conflicts through the film appeared, were mostly solved easily and then the film moved on. Just like a sitcom.

There are a few giggles throughout, but most of the film’s humor is at that ‘bad-sitcom’ level. Most of them fall flat.

I do like Andrea Martin and Maria Vacratsis and their little old Greek women characters. They had the best one liners and, if something was funny, it usually came from them.

There was some beautiful exterior shots of Greece. It’s like a postcard for tourists.

There is not much here for a movie. It feels very disposable and fluffy. Nothing of substance here.

All of Us Strangers (2023)

Posted on by

June 20, 2024

All of Us Strangers is the next film on the schedule for the June Swoon 3, and it is a lovely movie that deals with deep seeded loss and grief, while not falling into the trap of making the film maudlin or depressing.

Adam Scott gives a tremendous performance as Adam, a screenwriter who has a chance encounter with Harry (Paul Mescal) at his apartment building. Harry was drunk and looking for someone to spend time with, but Adam rejects him. Then, Adam goes to see and spend time with his parents (Claire Foy and Jamie Bell) at his childhood home. The only drawback… Adam’s parents died in a tragic car crash when he was a little boy.

As the audience member, you are never quite sure through the run of the film what was going on. Was this a ghost story? Was this all invented inside Adam’s mind? What exactly was happening? The uncertainty of the film played well as you connect with Adam and feel the pain that his unresolved grief was causing in him.

The film was beautifully shot. Andrew Haigh was the director and he did a fantastic job constructing the scenes, such as the trip to the night club, which had a dream-like aesthetic to it. It helped to create the mood of the piece, keeping the magical feel of the film while still rooting everything in the loneliness and grief felt by Adam.

I also thought the ending of the film was wonderfully constructed. While I had an idea by this point of what was going on, the actual truth of the story was unexpected and fit amazingly in the structure of the story. The very end was a lovely design to express such a hope of the world.

The four main actors: Adam Scott, Paul Mescal, Claire Foy and Jamie Bell are astonishing in these performances and their interactions with the others. The performances are the best part of the film, but far from the only parts that make this a beautiful film.

Shortcomings (2023)

Posted on by

June 19, 2023

The directorial debut by Randall Park is today’s entry in the June Swoon 3. It is an unconventional rom-com called Shortcomings.

According to IMDB, “Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.”

This was an interesting film. Usually, I have problems when the protagonist is such an unlikable character, and Ben (Justin H. Min) is absolutely in that category. He is opinionated, mouthy, rude and arrogant. It seems like every scene he is in, all I want to do is yell at him to shut up. Yet, there was something about Ben that was appealing. Don’t get me wrong, I was cheering actively for him to understand what a jerk he was being, but I was also ready to support him learning from the events of the film and adjusting his behavior.

I have to say, I did like this conclusion to the movie. It felt real and played with all of the conventions of the rom-com.

The movie had some great laughs in in, although nothing that was going to be over the top hilarious. The situations are where the humor came from and they all worked very well. Probably the one moment that stood out was when actor Jacob Batalon joked about loving the Spider-Man movies, considering he played Ned in the MCU Spider-Man movies

Sherry Cola played Alice, Ben’s friend, and she was the standout performance for me in the movie. She had an Awkwafina type vibe about her and she was both funny and an excellent ‘straight-man’ character.

I found this to be very entertaining and a creative way to take the rom-com genre in a new way.

Eileen (2023)

Posted on by

June 18, 2023

The June Swoon 3 film for the day was on Hulu and it was called Eileen.

It was another movie that I had a difficult time getting involved with as the first part of the film did not seem to have much of a story or progression. Then, the ending was disturbing and shifted everything in a completely different, nonsensical, direction.

According to IMDB, “The stagnant waters of Eileen’s dull, stifled life as a solitary worker at a juvenile detention center in 1960s Boston, are unexpectedly disrupted when the institution brings in a new psychologist, the vibrant Rebecca. The fervent enthusiasm that blossoms between the two women almost immediately gives way to a closer relationship, until their fragile connection takes a dramatic turn.“

There were some solid performances in the film from both Thomasin McKenzie and Anne Hathaway. Their performances were not an issue for the movie.

Nothing happened in the first hour of the film that would set up the finale, that seems to take the characters involved in a totally different direction. From what we had seen before, I did not buy the end result as anything more than just shock value. Then, it simply ended.

I found this one really disappointing as it sounded very intriguing. The film was based on the 2015 novel of the same name.

Flamin’ Hot (2023)

Posted on by

June 17, 2024

This is another Oscar nominated film from 2023 that I missed. Flamin’ Hot received an Oscar nomination for Best Song, which was quite an accomplishment for this biopic about Richard Montañez and the beginning of the Flamin’ Hot Cheetos.

I will address the controversy off the top. As I was researching the film, I discovered that a report from the LA Times indicated that Richard Montañez did not have any direct involvement in the creation of Flamin’ Hot Cheetos, and that the film was inaccurate. I won’t lie, when I first saw this, it did affect my thoughts on the film, but, the more I thought about it, the more I let that go. This is not a documentary. I know plenty of biopics that have exaggerated or downright made things up. So the accuracy or lack thereof of Flamin’ Hot, as a movie, will not go into my consideration of the film.

And, when it comes to my consideration of the movie, I loved it very much.

This was the first time directorial feature from director Eva Longoria, well known actor from Desperate Housewives among other shows. Longoria does a tremendous job of telling this story with a very distinct voice and a humorous touch.

Some of the scenes of Richard’s narration, which remind me of Luis (Michael Pena) from Ant Man, are very funny and show how the mind works in many ways.

Jesse Garcia played Richard Montañez and he has a natural charm in doing so. You can’t be help to root for him as an underdog, looking to escape the life of crime that threatened to ruin his life.

Two distinguished actors had supporting roles in Flamin’ Hot that gave the movie even more credibility. Bennis Haysbert played Clarence Baker (whose middle name is Charisma) as one of Montañez’s co-workers, and Tony Shalhoub, the star of Monk, appeared as Roger Enrico, the CEO of Frito Lays. Both actors are excellent as always and their roles do a great job of elevating the performance of Jesse Garcia.

The tone of this movie was very light and engaging, as Richard told the story of his life. The film’s focus was on the character of Richard Montañez, not specifically on the Cheetos.

This was an easy, enjoyable watch and worth the time. It is currently streaming on Hulu and Disney +.

Under Paris

Posted on by

There have not been a lot of shark movies. Obviously, there is Jaws. Jaws II was decent. The Shallows had it moments. The Sharknado series can give some stupid fun. And then there is Deep Blue Sea. After that, the shark films usually are not very good.

We have another entry into the awesome end of these movies.

Under Paris is a French language film that tells the story of a specific shark that had evolved in ways that are never explained and that winds up in the Seine, a river that runs through Paris, France right at the time of an Olympic triathlon.

The shark, nicknamed Lilith by Sophia Assalas (Bérénice Bejo), a scientist whose team were tracking sharks that they had tagged. In an attempt to check in on Lilith, Sophia’s entire team is killed by the shark in an uncharacteristic attack.

Three years later, Lilith finds her way into the Seine and into the catacombs beneath the city. A young environmental activist name Mika (Léa Léviant) had found a way to track Lilith, but wants to save the shark and help the female shark to get back out to the ocean.

Sophia and Mika’s paths cross with the Paris Police, including police officer Adil (Nassim Lyes) who does not believe that there is a shark in the Seine at first, until undeniable evidence faces him.

This is a brutal shark movie with some really awesome moments. The tension of the film is off the charts and you can really feel it. Sure, the premise itself requires some serious stretching of credibility, and the film does not try to explain how this is happening. Sophia is constantly saying things like ‘this shouldn’t be happening’ or ‘it is not possible’ and the discoveries of the evolution of this shark is not scientifically sound, yet that does not bother me either.

Why are all mayors in shark movies jerks? Much like Jaws, whose mayor insisted on keeping the beaches open on the July 4th holiday, the Paris mayor (Ann Marivin) is likewise as blind when it came to the danger the shark posed the triathlon.

The sharks look pretty decent, though some of the CGI is questionable at times. My guess is that there is not a ton of budget on this, and I feel as if what we got was substantial enough for what they were going for. I was not taken out of the film by any of the special effects and that can not always be said about shark movies (hey there The Meg).

There were a couple of moments when I gasped out loud or cried something out in shock and that means that the film is doing its job. It is nowhere near Jaws quality, but it is much better than most of the shark attack movies out there. Under Paris is currently available to stream on Netflix.

4.1 stars

Ferrari (2023)

Posted on by

June 16, 2023

The June Swoon 3 continues this Father’s Day with a biopic from last about Enzo Ferrari directed by Michael Mann.

According to IMDB, “Set during the summer of 1957. Ex-racecar driver, Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another. He decides to counter his losses by rolling the dice on one race – 1,000 miles across Italy, the iconic Mille Migl!“

I have to say that I had a difficult time getting into this movie. I just did not relate to Ferrari and what he was going through and I found it to be fairly dull for a good chunk of the movie. Adam Driver is an excellent actor, but I just did not find his performance here electric.

That does not go for Penelope Cruz, however. She was amazing in her role as Ferrari’s grieving wife Laura. Every moment Cruz is on screen, she is totally vibrant and dominant. Penelope Cruz is absolutely the best part of this movie.

The racing screens were decent too. The couple of crash sequences were terrifying and filled the film with stakes. The second half of Ferrari was more interesting to me, even if I was not engaged with the character of Enzo Ferrari.

The film did feel long to me, which only played into my lack of engagement with the movie.

Again, Penelope Cruz is exceptional in her performance and electrifies everything around her. Unfortunately, that electricity does not crossover to the rest of the film.

Anyone But You (2023)

Posted on by

June 15, 2023

One of the bigger rom coms from 2023 is the entry for the June Swoon 3 today. Anyone But You was a very successful film, coming seemingly from nowhere. I would not be opposed if it were sent back there.

According to IMDB, “In the aftermath of a captivating first encounter, Bea and Ben discover that their initial fiery passion has inexplicably dwindled to frosty misunderstanding. However, fate intervenes: Thrown together again at a dreamy Australian wedding, they opt for a charade of coupledom. But sparks reignite amid the sun-kissed scenery, forcing them to confront their true feelings and embrace a second chance at love.“

Okay, so this is really dumb. It is the essence of a disposable film that means nothing. The plot is a poor soap opera story that I have literally seen before.

The only thing that makes this stand out is the arrival of two of the hotter stars in Glen Powell and Sydney Sweeney.

Both of them have better films ahead of them. They are clearly charming and attractive. They have some comedic timing that would probably work much better with a better script.

The Retirement Plan (2023)

Posted on by

June 14, 2024

Today’s June Swoon 3 entry is an action film featuring Nic Cage in all his Nic Cage-ness, and it is a a lot ridiculous fun.

According to IMDB, “In The Retirement Plan, when Ashley (Ashley Greene) and her young daughter Sarah (Thalia Campbell) get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help – her estranged father Matt (Nicolas Cage), currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie (Jackie Earle Haley) and his lieutenant Bobo (Ron Perlman). As Ashley, Sarah and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.”

Is this movie more convoluted than it needed to be? Absolutely. It felt pretty messy in a lot of ways. Does it require a suspension of disbelief? 100%. Perhaps more than most movies. None of that ruins this film from being a hoot. It knows the type of movie it is and Nic Cage is totally in for a ridiculous good time.

I did like the little girl Sarah, played by Thalia Campbell, and her relationship with her kidnapper Bobo, played by Ron Perlman. I really thought this was going to go in one direction, but it takes a different path, which I found refreshing.

The action is great, if not difficult to believe. There just felt as if there were too many threads getting pulled and it was unnecessary.

I am not sure I liked the way the film wrapped up either. I think I would have preferred for the end of the third act to feel less like it was nothing more than a deus ex machina.

Still, if you love Nic Cage, this will be fun. I wish Thalia Campbell’s role would have been more in the second half of the movie because she was one of the standouts in the first half.

Inside Out 2

Posted on by

Inside Out is one of my favorite Pixar films of all time. If it weren’t for Toy Story 3, I think it would be the undeniable champion. Even still, it is in the argument. So, I did feel some wonder about a sequel to such a film that I found so beloved.

Rest easy. Inside Out 2 is wonderful. A beautiful film ripe with emotion and a cleverness that many films lack. It may not have the emotional wallop of “Take her to the moon for me, okay” from the original, but there are plenty of deep emotional beats that form together into a wonderful tapestry of what it is like to be a teen in the middle of puberty.

Riley is back, just turning 13 years old and life has tossed some conflict her way. And because of that, there are a group of new emotions arriving in the Control Center, immediately clashing with Joy and the others.

Inside Out 2 has such creativity and imagination with adapting feelings into these personified characters that is so very impressive. Each character has exceptional design and fit right in with the returning Joy, Anger, Disgust, Fear and Sadness.

The returning voice actors are great, including Amy Poehler, Lewis Black, and Phyllis Smith. Tony Hale, who replaced Bill Hader as Fear, and Liza Lapira, who replaced Mindy Kaling as Disgust, do wonderful work as well. Our new voices which include Maya Hawke as Anxiety, Ayo Edebiri as Envy, Adèle Exarchopoulos as Ennui and Paul Walter Hauser as Embarrassment are great additions.

Pixar animation is always top notch and this is just another example of that. The look of the film is visually stunning and gives everyone something to enjoy while watching.

The story is excellent as well as it focuses on Riley at a three day hockey camp. Something happened on the way to the camp that triggered Riley and her emotions have to work overtime in order to make things right, or as Anxiety tries to do, plan out her entire future.

The story of Riley is simple enough that anyone can relate to what she is going through. As a new teenager, this kind of news can be earth shattering and absolutely makes sense as to why Riley is affected as she was.

The movie is so cleverly written and is very funny throughout. It never feels as if it is just repeating the same formula of the original even though several of the beats could be considered alike. Everything inside Riley’s mind has changed enough from the previous film so to make this trip back there something feeling fresh and original.

Yes, there is no Bing Bong type moment, but I think the overall story may be stronger than the previous one. I certainly found the finale to be exceptional and I had tears in my eyes watching it.

For anyone who was claiming that Pixar had lost that magic, this should take that comment away. Inside Out 2 is an exceptional movie for both kids and adults and is probably the best movie of the year so far.

5 stars

The Royal Hotel (2023)

Posted on by

This morning’s June Swoon entry comes from Australia and I found it on Hulu. It was called The Royal Hotel.

According to IMDB, “Hanna (Julia Garner) and Liv (Jessica Henwick) are best friends backpacking in Australia. After they run out of money, Liv, looking for an adventure, convinces Hanna to take a temporary live-in job behind the bar of a pub called ‘The Royal Hotel’ in a remote Outback mining town. Bar owner Billy and a host of locals give the girls a riotous introduction to Down Under drinking culture, but soon Hanna and Liv find themselves trapped in an unnerving situation that rapidly leaps out of their control.“

Now, that is what the synopsis on IMDB says, but that is not what this movie is like. It is listed as a psychological thriller, but there is nothing psychological about it and very little thriller.

It takes way too long for anything to happen. We spend way too much time with the drunken reprobates in the bar without any sort of character development.

The ending sequence was just nonsensical and does not wrap anything up outside of the basic result.

This was very boring for most of the film and anything that it tried at the end did not work at all. I was very disappointed with this one.

Hit Man

Posted on by

Glen Powell is hot right now. So when will there be a better time to make a dark comedy for Netflix than right now?

In Hit Man, Glen Powell played Gary Johnson, a college professor who would moonlight as a tech guy for the New Orleans Police Department. When the undercover officer wound up in trouble, Gary got thrust into the position of pretending to be a hit man for people wanting to hire him to kill someone.

Gary turned out to be very effective at getting these perspective clients to incriminate themselves, making Gary ultra valuable to the NOPD.

When Gary was meeting with a young woman named Madison (Adria Arjona) who wanted to hire him to kill her horrible husband, Gary, under his alias Roy, talked her out of it so she would not incriminate herself.

This led to Madison and “Ray” to begin a secret relationship with each other, leading to all kinds of trouble.

Directed by Richard Linklater, Hit Man is a lot of fun and has some very clever moments. Glen Power and Adria Arjona have sparkling chemistry and you find yourself rooting for them despite your better judgement.

I will say though that the ending took a darker turn than I thought and I’m not sure how I felt about it. The very ending is not how I would think this would have worked itself out and I am not sure I buy it.

The film calls itself a “somewhat” true story, as it made up a big section of the ending. Still, it is interesting to see where Linklater gets his inspiration for such a story.

This rom com makes for a decent time at home watching it on Netflix. I am not sure that it would have near the amount of success had it had a theatrical release. As a lazy afternoon watch, Hit Man is a hit.

3.5 stars