Tag Archives: comedy

Sherlock Jr. (1923)

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January 7

Going back over 100 years for today’s Genre-ary film, I picked up a rental on Fandango at Home for Sherlock Jr., a classic black and white, silent film starring Buster Keaton.

When I was doing the DailyView, I watched some Buster Keaton films, but I found that I preferred the Charlie Chaplin ones. Both were similar in their silent, comedic slapstick manner, but I just found Chaplin more appealing, more charming overall. However, after watching Sherlock Jr., I may have to reassess my opinion.

Buster Keaton was gold in this movie, giving a magnificent performance in both physical comedy and remarkable stunt work.

According to IMDB, “A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend’s father’s pocket watch.”

Some of the things that this film accomplished in 1923 was simply astounding. Some of the stunts were superior to what I thought it could be done.

The dream sequence of the projectionist was sensational. The dream sequence where Keaton was the amazing detective Sherlock Jr. and it was funny, it had amazing choreography and slapstick comedy.

Of course when we say silent films, we mean that there is no one we can hear speaking. The is a constant musical score playing over the imagery of the movie. The soundtrack was composed by Timothy Block and his score was perfect for the speechless film. It was light-hearted when it needed to be, it was silly at times, and it was dramatic at the appropriate moment. The score truly helped to make this a classic film.

I thought Buster Keaton was special in this movie and the film was so much fun. I can see why it was selected for preservation in the United States National Film Registry by the Library of Congress in 1991.

The Jerk (1979)

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January 3

The Genre-ary continued today with The Jerk, a movie that, when I was compiling the possible list of comedies for the Genre-ary, I realized that I had not seen the entire film. Of course, I had seen parts of the movie. The “The new phone book’s here” scene is iconic. However, I could not recall much of anything else, so if I had seen it as a youth, this would be like a whole new movie.

And, as I said, I did not remember most of this movie, telling me that I had not seen the film all the way through.

Steve Martin is one of my favorite comedic actors, especially recently with his turn as Oliver on Only Murders in the Building. I was a fan of his from the early 80s with his song King Tut and some of his other films such as Roxanne, Parenthood, Planes, Trains and Automobiles, and Little Shop of Horrors.

In The Jerk, directed by comedy legend Carl Reiner, Martin played a slow-witted, innocent guy, Navin, who was raised as a poor black kid in a sharecroppers family. That very idea, considering Martin is as white as a person could be, was hilarious. It also was not as insulting as I first thought it might be.

After discovering his own life rhythm, Navin left home to try to find out who he really was. He then embarked on a wild ride that found him becoming a huge success and losing it all.

Martin’s performance reminded me of an actor who is always loud and over the top. I typically am not a fan of this type of role, but Steve Martin brought something extra to it that made it enduring. I can only guess that this film was an inspiration to actors such as Jim Carrey, Kevin Hart, Adam Sandler, and Chris Farley, as they all have made a career of the loud, obnoxious type character that Steve Martin was showing in this film.

The film’s title is not accurate to me though as Navin was not really a jerk, but more of a simpleton. There was an innocence about him that helped make him appealing to the audience.

The film featured several other actors in important roles including EYG Hall of Famer Bernadette Peters, Carl Reiner (as himself), Bill Macy, Mabel King, Richard Ward, M. Emmet Walsh, Jackie Mason, Dick Anthony Williams, Catlin Adams, and Dick O’Neill. Several of these key character actors add a perfect flair to the cast, playing off the ridiculousness of Martin’s Navin.

The Jerk is a classic and I am happy that I finally did take the time to watch the entire film. The plot itself is a little lacking, but it is more of a comedy sketch to see where Navin is at any time during his life.

Who Done It? (1942)

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January 1

January is here and that means that it is time to start our annual tradition, the Genre-ary. We have done Sci-fi, Musicals, Documentaries and this year, we will be doing comedies.

I wanted to start off with one of the top comedy duos who I watched a lot as a child. I know there were great comedy duos/team like the Marx Brothers, Laurel and Hardy, but Bud Abbot and Lou Costello were my favorite ones.

Of their list of movies, I picked out one I did not remember at all called Who Done It? Bud and Lou get themselves involved in a murder investigation on the set of a radio broadcast of a murder mystery show.

Much like most Abbot and Costello movies, the plot is tangential to the comedy of the film. The comedy comes from the slapstick of Lou Costello physically throwing himself around, bashing his head into things and flopping his body around. There are also plenty of word plays and puns throughout. This film even goes as far as to include some allusions to Abbot and Costello’s most iconic bit, Who’s on First.

You are not waiting for a lot of sense to be made. It is truly ridiculous. But the lengths Abbot and Costello will go to get a laugh is really impressive. It seemed that their very presences would make the other characters around them be dumber, in a good way.

This film also included Mary Wickes, who was Mary Lazarus in the Sister Act films as well as Emma Allen in White Christmas. Her distinct voice and facial image made her stand out among the craziness associated with Bud and Lou.

The film was fast-paced, tangent-inducing, slapstick fun. Yes, Lou Costello was loud and acted in a chaotic, if not insane, manner. It all added to the fun of the pair. They kicked of the Genre-ary in a positive light.

Sha Na Na S2 E1, E2, E3

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I wondered what differences there might be to the show now that we have reached season two. There are a couple small things, but most of the show was fairly consistent with season one.

The changes included after the opening number on the stage, a member of Sha Na Na would come up to the microphone and do three or four jokes. These three episodes saw Jocko, Bowser and Chico take the mike. Most of the jokes turned out to be self-derogatory and not that funny.

The other thing I noticed was the show started putting the name of certain members on the screen with a jokey comment beneath their name such as “Jocko: Has a season ticket to the Ballet.” These were cute and could pop up at any time.

Otherwise, they had the same structure. It felt like Avery Schreiber was gone as the cabbie since they did not have him bringing the guest stars in like last season. Interestingly enough, two of the three episodes had Johnny pretend to do an imitation of the celebs, The Shirells and Little Anthony.

Episode two had Screamin’ Scott singing When the Saints Go Marching In during the comedy routine song. They actually had him sing the entire song before they paused for the joke. There were some other “heaven/angel” songs to go with the Saints one.

Episode three had Soupy Sales show up as a cop and a stage director. He was the “director” of the stage show, which was the comedy bit in episode three where Sha Na Na all dressed up as women to sing “I Enjoy Being a Girl.” It was slightly disturbing.

They had some of my favorite songs from Sha Na Na on these three episodes including “Baby, That is Rock ‘N Roll,” “Pretty Little Angel Eyes,” and “Teenager in Love.” In that last one, one of my favorite parts of that song is when Chico almost cracks himself up when he says “ax” instead of “ask” during the song. You can hear him giggle slightly.

They continue to get the musical acts, which really helps the show. These musical acts are acts from the 50/60s era that were probably happy to get a call to be on Sha Na Na. Bobby Rydell couldn’t have been too busy in the late 70s/early 80s.

2025 Year in Review: Top Geek Stories

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It has been a big year in Geek culture. Here are the Top 10 stories according to EYG of Geek culture from 2025.

#10. Neil Gaiman controversy. Neil Gaiman was an iconic writer with some of the best work ever. However, it was revealed that he was into some really gross things including sexual assaults, and he was done. It only got worse as the year moved along.

#9. TikTok stays of execution. At one point, it seemed as if TikTok was about to be banned by the US government because of the rumors that TikTok was a Chinese company and it was collecting info. However, it has gone all year with a couple of delays from Donald Trump and other politicians. What is the fate of TikTok? Who knows?

#8. Jack the Ripper’s identity is…. This year it was reported that mitochondrial DNA was found on a shawl found near a victim (Catherine Eddowes) and was a 100% match to Aaron Kosminski, one of the all time Ripper suspects. However, there are questions about the results and many believe that this is not the final answer.

#7. Brain Rot. 6-7. Rizz. Sigma. Skibiti Toilet. Cringe. Gyatt. Ohio. Some of these are slang that kids on TikTok and classrooms around the country are using. Some of these words are becoming literally real words.

#6. AI Developments. Artificial intelligence has become a major force in the world. Google has AI to answer questions searched with Gemini. There is ChatGPT, Magic School Bus, Siri, Alexa etc. Yes, we are on the path to our eventual AI overlords to take over the world.

#5. John Cena Retirement Tour. I am getting ready to watch the final match of John Cena’s career. he has been on a retirement tour this year in WWE. He had a heel turn that was massive, but did not work out perhaps as they wanted. Still, he has been willing to do anything all year long.

#4. Box Office Struggles. The Box office struggled in 2025, which included a 27-year low in October. There were too many flops and very few major hits (Lilo & Stitch and Zootopia 2 being the exceptions). The world of streaming has taken its chunk out of the theater experience and it does not seem to be changing any time soon. Hopefully with Avatar: Fire and Ash coming and then with a major Avengers movie next year, things will be improving.

#3. Jimmy Kimmel suspended. Kimmel was suspended by ABC for a comment/joke he made in response to the assassination of Charlie Kirk. The public would not accept this, and they revolted against ABC and Disney + lost many subscribers until ABC rescinded the suspension after a few days.

#2. Stephen Colbert canceled. However, unlike Kimmel, Stephen Colbert wound up canceled by CBS under the excuse that his ratings were low (though he was the #1 rated show in late night) and was costing too much money. Speculation was that Colbert was canceled as a way to help get Paramount’s merger with Skydance approved by the Trump administration. This has never been confirmed. Colbert’s final episode will come in May 2026.

#1. Netflix buys Warner Brothers.. or do they? Netflix won the bidding war for WB… with their 80+ billion dollar bid. However, Paramount, the rival in the attempt to buy the film company, planned to do a hostile takeover of WB, stealing it out from under Netflix’s nose. It is still up in the air about what the eventual owner of WB will be. Perhaps this has a chance to be the Top Geek Story of 2026 as well.

Daily Countdown #5

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#5

Picket Fences

David E. Kelley has had a couple of other shows on this list. Picket Fences is my absolutely favorite one of his oeuvre.

A little town called Rome, Wisconsin was home to all sorts of weirdness. I have been a fan of the genre of show that feature a strange, eccentric town full of bizarre things (from Eerie, Indiana to Twin Peaks). Rome is certainly in the mix.

The family at the center of this weird town is the Brocks, including Sheriff Jimmy Brock and his wife Doctor Jill Brock. Jimmy’s daughter from his first marriage, Kimberly, and Jill’s two sons, Matthew and Zach, were part of the family too.

Much of the action took place inside the Rome Court House, where Judge Henry Bone oversaw the court. One of my favorite characters of all time was the defense attorney for just about anyone… Douglas Wambaugh! “Wambaugh for the Potato man,” “Wambaugh for the steamroller, your honor.” Douglas Wambaugh was as bombastic as humanly possible, played with perfect precision by Emmy Award winning Fyvush Finkel. The combative relationship between Wambaugh and Judge Bone was one of the most original and entertaining relationships on TV.

Picket Fences was also where I was introduced to Don Cheadle, who played D.A. John Littleton. Cheadle went on to a successful movie career, including replacing James Rhodes in the MCU.

Some of the most amazing plot lines happened on Picket Fences, and somehow, they all seemed to have major impact on the Brock family. Any holiday where the Brocks gathered for a dinner was destined to turn into fireworks. Thanksgiving? Hold on to your hat.

Jimmy and Jill loved each other but they were never afraid to throwdown if the story called for it.

Some of the major events in Rome included the capture of the Green Bay Chopper, the arrival of serial killer Cupid, a mayor who was arrested for murdering the guy who carjacked him and then. before going to prison, spontaneously combusted, a woman who flattened her husband with a steamroller and blamed it on PMS, the iconic Dancing Bandit who eventually became Rome’s mayor (not the one that spontaneously combusted), and a town where one of the most dangerous appliances was the human sized icebox.

These are just some of the stories that populated this wonderful town.

Picket Fences ran for four seasons and wound up winning 14 Emmy Awards in that run, including Outstanding Drama Series twice.

Cast members included Tom Skerritt, Kathy Baker, Fyvush Finkel, Ray Walston, Don Cheadle, Holly Marie Combs, Costas Mandylor, Kelly Connell, Zelda Rubenstein, Adam Wylie, Justin Shenkarow, Lauren Holly, Marlee Matlin, Ray Dotrice, Leigh Taylor-Young, Roy Brocksmith, and Robert Cornthwaite.

As Judge Bone would so nimbly put it at the end of a case, “Now get out.”

Sha Na Na S1 E17, E18

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I noticed some differences in these two episodes than I did int he previous ones. First, it seemed as if they got control of the laugh track. It was still there, but it was much more in control. It was not as loud as it was in the previous 16 episodes and I actually did not notice it for awhile. That was a HUGE item for the show.

Then, the comedy, which was always real bad in most of the first 16 episodes, wasn’t that bad here. It was still not the greatest comedy I ever heard, but it was considerably better. I did not cringe as much as I did in the first part of the season.

They had a new set, a diner where they could go for some of the backstage bits. It was much improved. We had way few of the ridiculous bits by some of the other members of the cast. I wonder if they let some of the others go.

These two episodes had the benefit of having guests that could sing. The first one was Johnny Ray, who I am not sure I knew, but who I was incredibly impressed with. He sang a song on the street set that was great. He was also singing it live. I was fascinated with the way he moved his mouth as he sang. No one would move their mouth like that if they were lip synching.

The second episode of the night had Chubby Checker, who sang Let’s Twist Again (Like We Did Last Summer). He was also clearly singing the song. Truthfully, there were some times he was screaming it. It brought a lot of energy to the show. There is no doubt that when the show has singers as guests, things just seem stronger.

They had a couple of comedy songs- first Rip Van Winkel and then My Baby Loves A Western Movie, and I have to say, I thought both were decent and had some funny moments. I really prefer the group on the stage or in the street set, but these comedy bits were fun too.

These episodes had some solid songs including All Shook Up, Poetry in Motion, Yakety Yak, and Earth Angel.

Things are looking up. Some of my biggest complaints from the first part of this season seems to have been addressed, and just turning that damn laugh track down is a major step in the right direction. Next episode looks to have Chuck Berry as a guest star so that means more music from the guest. That is the way to go.

Sha Na Na S1 E13, E14, E15, E16

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Had a run of four episodes of Sha Na Na tonight and I have the same complaints that I always have. The laugh track/applause track is just terrible. Honestly, the first 10-15 seconds of every song is impossible to hear because of the fake clapping. Second, the humor is terrible. This show is so much better when they have a musical guest so they can sing with Sha Na Na instead of doing this cringe-level comedy bits.

These four episodes only had one guest star that sang. It was Della Reese and that episode was the best of the four. It did have a pretty racist comedy bit called House of Kyoto, but other than that, this was the one.

I read a tweet awhile ago from Jon Bausman who spoke about the early season comedy being less than they had wanted. He said he thought it got better in later seasons. I sure hope so.

Fact is, when Sha Na Na is singing, this show is sensational. These four episodes had some bangers in them, including Mr. Bass Man, All I Have to Do is Dream, and Why Do Fools Fall in Love, which I believe are done multiple times over the years on the show.

The strangest song of the four featured Pamela Myers singing with Frank Gorshin, who was doing impersonations of celebrities like Jack Nicholson, Dustin Hoffman etc. Gorshin seemed really weird during this segment, but it was interesting to hear Pamela Myers sing the song. It was in the old parked car bit that they usually run.

Other celebrities on these four episodes included Adrianne Barbeau, Dr. Joyce Brothers, Kristy McNichols, Rosey Greer and Milton Berle. I think they had taped more bits with Milton Berle when he was on the show earlier in the year and they just inserted them into this episode because at the end of the show, Bowzer did not thank Milton Berle for being on the show. He only thanked Rosey Greer. Why was Rosey Greer booked for the show?

Looking ahead, Chubby Checker and Chuck Berry are coming up soon. Those are the type of guests I want to see on Sha Na Na. More music, less of all the other background jokes.

Daily Countdown: TV Shows #39

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#39

Night Court

Harry Anderson was one of my favorite parts of Cheers in its early seasons so I loved following him to his new show. While this was not a direct spin off from Cheers, the Harry Anderson character Harry Stone, shared a lot of the same traits with Harry the Hat from Cheers.

I am sure it all came from Harry Anderson’s own act as a magician/comedian and his skills were highlighted on Cheers. Night Court then followed.

Night Court became a wonderful ensemble show. It took awhile to find the proper cast, specifically the defense attorney. The public defender started with Paula Kelly in season one, then went to Ellen Foley in season two before Markie Post finally solidified the position and went the remaining time for the show.

Dan Fielding, the DA, was never a trouble as John Larroquette ran the entire series. Dan was a slimy guy with a heart of gold and the contrast between Dan and Harry was always a great bit for the show. Richard Moll was another full time supporting actor as bailiff Bull Shannon. He was teamed up with the wonderful Selma Diamond for the first two seasons. Diamond played bailiff Selma Hacker, until her death in 1985 from lung cancer. The show struggled with the loss, especially pairing someone with Moll. When they found Marsha Warfield to play Roz starting in season 4, the show hit gold.

We also got Charles Robinson as Mac, the court clerk, replacing Karen Austin, whose Lana Wagner had been a potential love interest for Harry. Mac was a much stronger character and provided some wonderfully dry-witted moments.

When this group finally came together, Night Court really took off. From season four through the end of season nine, this ensemble was one of the best on TV. Stories worked with this variety of complex characters and they were all really funny and had great chemistry with one another. This was what the show was searching for in its first three seasons.

Sha Na Na S1 E11 & E12

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You see the contrast between episodes here amazingly well.

Episode 11 featured the Lennon Sisters and episode 12 featured Zsa Zsa Gabor.

In episode 11, there was a limited amount of comedy bits, with the main one being what seemed to be similar to the Muppet Show’s At the Dance skit where members of Sha Na Na danced with the Lennon Sisters and the camera followed them to each couple to tell a bad joke. That was a decent little use of the comedy (though that laugh track is still just obnoxious).

Also in episode 11, they did multiple songs including Rockin’ Robin, Runaround Sue, Tonight You Belong to Me (with the Lennon Sisters on the stage), The Great Pretender and a tribute to Elvis (interestingly, they never used the word Presley. I wonder if it was a rights thing.) in that tribute they did three songs, Heartbreak Hotel, Love Me Tender and Hound Dog.

Honestly, episode 11 may have been my favorite one so far.

Then, episode 12 was an over-reliance on the comedy bits. Way too many of them because none of them were funny. Plus, the songs were limited to Sha-Boom and 16 Candles. They did a comedy bit featuring The Lion Sleeps Tonight with Sha Na Na dressed up as cannibals.

Episode 12 may have been my least favorite so far.

When the show focused on the music, it was outstanding. When they pushed the comedy, especially without the guys in the band, it flopped. The comedy bit with The Lion Sleeps Tonight was just too long and, again, not funny.

They have so many great singers in Sha Na Na, I want them to play more music and I believe it worked much better when the special guest star(s) were musical too. I have nothing against Zsa Zsa, but her bits were just not as entertaining as the Lennon Sisters singing.

Daily Countdown: TV Shows #43

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#43

What We Do in the Shadows

This past summer, I did a TV show first time watch by watching all six seasons of the FX series What We Do in the Shadows. Since they had usually around 10 episodes a season at about a half and hour, I would binge a season in one day and then do a write up.

What We Do in the Shadows was based on a movie from writer/director Taika Waititi and Jemaine Clement. The show is shot in the mockumentary format following a group of four vampire roommates living together in Staten Island.

The cast was exceptional and had a ton of chemistry with each other. The main stars included Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillén, Mark Proksch, and Kristen Schaal.

Much of the POV came from the human character Guillermo, who was the familiar for Nandor the Relentless, one of the four roommates. There was the married couple Lazlo and Nadja and the “energy vampire” Colin Robinson.

Every episode saw this out of time foursome dealing with something unbelievable. The one thing you could count on with What We Do in the Shadows was that it was funny.

The show was not only funny, but it was shocking. There was blood and other bodily fluids involved and provided a humorous look at a world that one wouldn’t think of as funny.

There were a ton of guests stars during the six seasons including such notable stars as Mark Hamill, Tilda Swinton, Dave Bautista, Paul Reubens, Scott Bakula, Patton Oswalt, Kevin Pollak, John Slattery, Wesley Snipes, and Evan Rachel Woods. This is just a few of the stars who found their way to this show.

The mockumentary style of the show was one of the big stars as well. It brought a wonderful quirkiness to the show that worked.

Every season was hilarious and, even the weaker ones, had some fabulous moments.

Sha Na Na S1 E6, E7

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I watched two more episodes of Sha Na Na on YouTube tonight and it has become apparent that the first season of this show had the same strength and weaknesses in them.

Strengths: The songs are great. Specifically, the songs the group does on the stage in front of the studio audience. Donny did a cool rendition of “Come and Go With Me” and led the singing in “Rock Around the Clock.” Johnny, whose voice is so heavenly, did “Teen Angel” and gives an epic sob in the middle. Then, one of the best street songs so far was “Breakin’ Up is Hard to Do” with Donny and Chico taking the main part of the song. This was one of the better choreographed songs so far. Great basketball pass at the end of the song from Santini too.

Weaknesses: Comedy. The comedy on the show just feels too forced. I hate the crowd noises they add because there are several times where it just intrudes on the song. In the comedy song bit “Along Came Jones” the can laughter and applause made it hard to hear the song. Pamela Myers’s acting in this song was atrocious (though she was a Tony-nominated actress). I do not think I have laughed once with the back stage skits from Kenneth Mars, Philip Roth or Jane Dulo. At least Avery Schreiber’s cab driver character has a few laughs.

Two comedians were the guest stars on these episodes with Charles Nelson Reilly and Phyllis Diller. Both had some good moments. I am a big fan of CNR, especially during his days on the Match Game, which he referenced in the episode.

I remember being a fan of Lennie Baker as a child. Being a chubby kid, I related to Lennie. I have to say though, watching him do his background dancing is always funny. Lennie has a tremendous voice though.

I have really enjoyed the musical parts of these shows so far, but the rest have been a bit of a trudge to get through. The music is absolutely the stand out from these talented musicians.

Sha Na Na S1 E3, E4, E5

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Grease for Peace!

I am back with the next three episodes of season one of Sha Na Na. This was one of my favorite shows as a kid and I always looked forward to seeing the next episode.

I just have to say, some of the negatives stand out more for me now than it did when I was a kid. The comedy is downright bad. Very few of these bits were funny at all. The only ones that seemed okay were the ones in the car with one of the members of the band and Ginger. The can laughter made it all the more obvious that it wasn’t funny.

The exception was the bits during episode 5 with Milton Berle. He brought in members of Sha Na Na and would makes jokes with them. These bits felt fairly improv-like and you can see the members of Sha Na Na trying to keep from laughing. Some did better than others. Johnny was working that gum over hard during his moment with Berle.

You do have to respect how they passed around singing responsibilities on the show. In these three episodes, only Santini did not have a lead vocal or a duet. Duke of Earl and Silhouette was performed by Denny. Party Doll and Itsy Bitsy teeny Weeny Yellow Polka Dot Bikini was done by Chico. Whole Lotta Shakin’ was led by Screamin’ Scott. Screamin’ Scott and Jocko combined for Poison Ivy. Bower sang with Ethel Merman with Anything You Can Do, I Can Do Better. Lenny sang Too Chubby to Boogie. Dirty Dan sang Papa-Oom-Mow-Mow. Johnny sang the last song of episode five, though I did not recognize the title. The whole group had a part in The Name Game.

Admittedly, some of the background dancing gets too hectic at times and it gives the audience too many things to try and focus on. However, episode five gave us something different as this was the first time that we got to see shots of the live audience and their responses to the stage songs. I liked that variation on what they had done prior.

The dancing was okay during Carol Lawrence’s dance of The One, from the Broadway musical A Chorus Line. The whole group of Sha Na Na provided chorus line dancing.

Episode five was my favorite of these episodes as it felt like they did some different things and the Milton Berle comedy worked so much more than some of the other episode comedy bits.

Mr. Deeds (2002)

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I was not sure what I wanted to watch as the final film in the Sandler Saturday, because the last couple had snake-bit me so hard. So I decided on Mr. Deeds.

This one finished up the day with a film that was not as bad as I expected.

According to IMDB, “When small-town pizzeria owner and poet Longfellow Deeds inherits $40 billion from his deceased uncle, he quickly begins rolling in a different kind of dough. Moving to the big city, he is besieged by opportunists all gunning for their piece of the pie. Babe, a television tabloid reporter, poses as an innocent small-town girl to do an exposé on Deeds, but his sincere naiveté has Babe falling in love with him instead. Ultimately, Deeds comes to find that money truly has the power to change things, but it doesn’t necessarily need to change him.”

The big difference between this movie and some of the others that I have watched today is that Adam Sandler’s character Longfellow Deeds was a sweet, kind hearted guy. He was not the obnoxious crude a-hole of some of the other characters in Sandler’s oeuvre. That was a nice little switch. He was still just playing himself, but without the misbehavior. Deeds went around helping everyone and he was a beloved individual in the small town where he lived. He was not a foul mouthed a-hole who had to learn a lesson.

This was a remake of the Frank Capra classic “Mr. Deeds Goes to Town” which is a movie that I have not seen before so I did not feel the difference. I am afraid that if I see the Capra version, I would see the excessive problems of this film.

I did not recognize Winona Ryder as Babe Bennett, the reporter who pretends to be a school nurse to get close to Deeds. What is up with John McEnroe in these Adam Sandler movies? Were they friends of some sort?

I was happier with this non-offensive film finishing up the Sandler Saturday. At least I did not hate myself for watching it.

Punch-Drunk Love (2002)

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We’re off to a great start, this Sandler Saturday.

I would definitely say that Punch-Drunk Love is not an Adam Sandler movie. He stars in the film, but it is an Adam Sandler movie the same way Uncut Gems is an Adam Sandler movie. Uncut Gems was a Safdie Brothers and Punch-Drunk Love was a Paul Thomas Anderson movie.

According to IMDB, “Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated. His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.“

Adam Sandler is really good in this movie. Again, he is playing a character and it is a character considerably deeper than most characters he plays. Barry is a socially awkward, lonely man who has a horrible self-image. He is extremely compelling during the film even when he is doing some of the strange things that he does. You can see how much talent Adam Sandler actually has as an actor.

The film is very much a PTA film, weird, strange and fairly chaotic. There are many surreal elements to the movie that work well within the context of the film.

I loved the relationship between Barry and Lena (Emily Watson). It was sweet and original. I liked how it did not go the way I expected.

We are 2 for 2 so far.