Tag Archives: comedy

Sha Na Na S1 E6, E7

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I watched two more episodes of Sha Na Na on YouTube tonight and it has become apparent that the first season of this show had the same strength and weaknesses in them.

Strengths: The songs are great. Specifically, the songs the group does on the stage in front of the studio audience. Donny did a cool rendition of “Come and Go With Me” and led the singing in “Rock Around the Clock.” Johnny, whose voice is so heavenly, did “Teen Angel” and gives an epic sob in the middle. Then, one of the best street songs so far was “Breakin’ Up is Hard to Do” with Donny and Chico taking the main part of the song. This was one of the better choreographed songs so far. Great basketball pass at the end of the song from Santini too.

Weaknesses: Comedy. The comedy on the show just feels too forced. I hate the crowd noises they add because there are several times where it just intrudes on the song. In the comedy song bit “Along Came Jones” the can laughter and applause made it hard to hear the song. Pamela Myers’s acting in this song was atrocious (though she was a Tony-nominated actress). I do not think I have laughed once with the back stage skits from Kenneth Mars, Philip Roth or Jane Dulo. At least Avery Schreiber’s cab driver character has a few laughs.

Two comedians were the guest stars on these episodes with Charles Nelson Reilly and Phyllis Diller. Both had some good moments. I am a big fan of CNR, especially during his days on the Match Game, which he referenced in the episode.

I remember being a fan of Lennie Baker as a child. Being a chubby kid, I related to Lennie. I have to say though, watching him do his background dancing is always funny. Lennie has a tremendous voice though.

I have really enjoyed the musical parts of these shows so far, but the rest have been a bit of a trudge to get through. The music is absolutely the stand out from these talented musicians.

Sha Na Na S1 E3, E4, E5

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Grease for Peace!

I am back with the next three episodes of season one of Sha Na Na. This was one of my favorite shows as a kid and I always looked forward to seeing the next episode.

I just have to say, some of the negatives stand out more for me now than it did when I was a kid. The comedy is downright bad. Very few of these bits were funny at all. The only ones that seemed okay were the ones in the car with one of the members of the band and Ginger. The can laughter made it all the more obvious that it wasn’t funny.

The exception was the bits during episode 5 with Milton Berle. He brought in members of Sha Na Na and would makes jokes with them. These bits felt fairly improv-like and you can see the members of Sha Na Na trying to keep from laughing. Some did better than others. Johnny was working that gum over hard during his moment with Berle.

You do have to respect how they passed around singing responsibilities on the show. In these three episodes, only Santini did not have a lead vocal or a duet. Duke of Earl and Silhouette was performed by Denny. Party Doll and Itsy Bitsy teeny Weeny Yellow Polka Dot Bikini was done by Chico. Whole Lotta Shakin’ was led by Screamin’ Scott. Screamin’ Scott and Jocko combined for Poison Ivy. Bower sang with Ethel Merman with Anything You Can Do, I Can Do Better. Lenny sang Too Chubby to Boogie. Dirty Dan sang Papa-Oom-Mow-Mow. Johnny sang the last song of episode five, though I did not recognize the title. The whole group had a part in The Name Game.

Admittedly, some of the background dancing gets too hectic at times and it gives the audience too many things to try and focus on. However, episode five gave us something different as this was the first time that we got to see shots of the live audience and their responses to the stage songs. I liked that variation on what they had done prior.

The dancing was okay during Carol Lawrence’s dance of The One, from the Broadway musical A Chorus Line. The whole group of Sha Na Na provided chorus line dancing.

Episode five was my favorite of these episodes as it felt like they did some different things and the Milton Berle comedy worked so much more than some of the other episode comedy bits.

Mr. Deeds (2002)

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I was not sure what I wanted to watch as the final film in the Sandler Saturday, because the last couple had snake-bit me so hard. So I decided on Mr. Deeds.

This one finished up the day with a film that was not as bad as I expected.

According to IMDB, “When small-town pizzeria owner and poet Longfellow Deeds inherits $40 billion from his deceased uncle, he quickly begins rolling in a different kind of dough. Moving to the big city, he is besieged by opportunists all gunning for their piece of the pie. Babe, a television tabloid reporter, poses as an innocent small-town girl to do an exposé on Deeds, but his sincere naiveté has Babe falling in love with him instead. Ultimately, Deeds comes to find that money truly has the power to change things, but it doesn’t necessarily need to change him.”

The big difference between this movie and some of the others that I have watched today is that Adam Sandler’s character Longfellow Deeds was a sweet, kind hearted guy. He was not the obnoxious crude a-hole of some of the other characters in Sandler’s oeuvre. That was a nice little switch. He was still just playing himself, but without the misbehavior. Deeds went around helping everyone and he was a beloved individual in the small town where he lived. He was not a foul mouthed a-hole who had to learn a lesson.

This was a remake of the Frank Capra classic “Mr. Deeds Goes to Town” which is a movie that I have not seen before so I did not feel the difference. I am afraid that if I see the Capra version, I would see the excessive problems of this film.

I did not recognize Winona Ryder as Babe Bennett, the reporter who pretends to be a school nurse to get close to Deeds. What is up with John McEnroe in these Adam Sandler movies? Were they friends of some sort?

I was happier with this non-offensive film finishing up the Sandler Saturday. At least I did not hate myself for watching it.

Punch-Drunk Love (2002)

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We’re off to a great start, this Sandler Saturday.

I would definitely say that Punch-Drunk Love is not an Adam Sandler movie. He stars in the film, but it is an Adam Sandler movie the same way Uncut Gems is an Adam Sandler movie. Uncut Gems was a Safdie Brothers and Punch-Drunk Love was a Paul Thomas Anderson movie.

According to IMDB, “Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated. His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.“

Adam Sandler is really good in this movie. Again, he is playing a character and it is a character considerably deeper than most characters he plays. Barry is a socially awkward, lonely man who has a horrible self-image. He is extremely compelling during the film even when he is doing some of the strange things that he does. You can see how much talent Adam Sandler actually has as an actor.

The film is very much a PTA film, weird, strange and fairly chaotic. There are many surreal elements to the movie that work well within the context of the film.

I loved the relationship between Barry and Lena (Emily Watson). It was sweet and original. I liked how it did not go the way I expected.

We are 2 for 2 so far.

Sandler Saturday

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This coming Saturday I am going to do something because I feel I need to punish myself some more.

Last weekend Netflix dropped Happy Gilmore 2. I did not review it because of one major reason.

I do not like Adam Sandler.

Then, I had never saw the entire film Happy Gilmore. I have seen individual scenes, but not the whole thing. That made me think about what other movies of Adam Sandler I had not seen. I pulled up the list of Sandler movies and I had not seen very many at all.

What I have seen: The Wedding Singer, Big Daddy, Anger Management, Grown Ups 2, Uncut Gems, Spaceman, Hustle, all three Hotel Transylvanias, Leo, and Pixels.

That left a bunch of other Sandler movies, including some of the biggest of his career, that I have not seen. I thought that it might not have been fair of me to hate on Sandler so much without having seen some of these films. Of the ones I have seen, I did like The Wedding Singer, Big Daddy, Anger Management, Uncut Gems, Leo and Hustle. I hated Grown Ups 2 and Pixels. I did not like the Hotel Transylvania series, but did not hate them. That was a better percent of liking than I expected.

So I decided that this Saturday, I will watch as many Sandler movies as I can stand. I have not confirmed the actual list of films, but I plan on kicking off with Happy Gilmore and I may then do the sequel on Sunday.

There are times when I wonder why I am doing this to myself. I watched War of the Worlds on Prime this morning despite knowing it was terrible. This could be a massive fail of a day for me. Some of the films on Sandler’s list are just so reviled by the whole (aka Jack and Jill), should I really put myself through that?

Well, I’m going to do it. Pray for me.

Films for Sandler Saturday

#1. Happy Gilmore

#2. Punch-Drunk Love

#3. The Waterboy

#4. Murder Mystery

#5. Jack and Jill

#6. Billy Madison

#7. Mr. Deeds

And that brings the Sandler Saturday to an end. That was about all I can handle of Adam Sandler. My overall thoughts… I think there are some movies of Adam Sandler that I can like. There are too many of them that are just terrible.

Maybe I can approach Adam Sandler movies with a little less hatred before I see them.

Nonnas

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June 23

For the second film of the day for the June Swoon, I went to my queue at Netflix for a film recently released starring Vince Vaughn. It was a comedy/drama called Nonnas.

After the death of his mother, Joe Scaravella (Vince Vaughn) impulsively decided to open an Italian restaurant on Statin Island, using real life Italian nonnas as the chefs. He wanted their homemade feel of family for the restaurant, warm and loving.

Of course, there are a bunch of troubles that spring up for Joe in his attempt to create his dream restaurant that would honor his mother.

The four women the film cast as the nonnas have a fun chemistry together and their Italian flair truly is the strength of the film. The actors included Susan Sarandon, Lorraine Bracco, Talia Shire, and Brenda Vaccaro. They were as real as you could expect, right down to some of the same stereotypical flavors. Still, I think these ladies were the best part of the film.

I did feel like I was watching a sweeter version of The Bear in movie format. Many of the challenges that we saw play out on The Bear were also on display in Nonnas and I am certain that the reason this was made was to play off the success of the FX TV show. That is not a bad thing, but it does limited anything new that we could see.

The sweetness and warmth of the script and cast go a long way here, as some of the moments were very warm-hearted. Vince Vaughn played his role beautifully, holding everything together even when things were never going to work. I do think the ending is a bit predictable, and seemed to come out of nowhere quickly, but it does work for what we get here.

This may not be the greatest film ever made, but it is a very enjoyable watch with some characters that will make you feel good and a menu that might make you hungry.

3.5 stars

Too Funny to Fail: The Life & Death of The Dana Carvey Show (2017)

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Disney + is the home for tonight’s Genre-ary film, Too Funny to Fail: The Life & Death of The Dana Carvey Show.

According to IMDB, “this feature length documentary from director Josh Greenbaum (Becoming Bond, The Short Game) will take a fresh and irreverent look at the successes and humorous missteps of a show that brought together an amazing slew of future comedy giants before they were household names. Featuring interviews with Dana Carvey, Robert Smigel, Steve Carell, Stephen Colbert, and more, the film will explore the creation of the show as the brainchild of two of Saturday Night Live’s most beloved alumni, the twists and turns of its brief life on air, and its legacy-one of stellar careers, lasting relationships, and an affirmation that in art, risks are always worth taking.”

The Dana Carvey Show was a sketch show on ABC that lasted just seven episodes. Dana Carvey was coming off the huge success of his time on Saturday Night Live and he was going to do a sketch show featuring a lot of counter-culture comedy.

The doc started with the creation of the show, and the hiring of the cast. The cast turned out to include Steve Carell and Stephen Colbert, who would be major stars later. Robert Smigel, who was also the voice and creator of Triumph the Insult Comic Dog, was one of the creative forces, along with Dana Carvey.

The doc was extremely funny as it had all of these comedians and performers speak on the reason this show collapsed and the process of making the show. You could tell that the creatives involved with The Dana Carvey Show really loved their time on the show, even if, in reflection, they understood what they were putting on the air was doomed from the start.

I was entertained by the memories and commentary of these funny people. It is a wonder that they failed so sensationally.

The X-Files S7 E12

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Spoilers

“X-Cops”

Bad boys, bad boys… whatcha gonna do?

This X-Files episode was an extremely clever and creative one as it was a blend of X-Files and another of the big hits on FOX at the time, Cops.

Cops was a TV program that had cameras follow different law enforcement agents around and recorded their interactions with their cases. This X-Files episode crossed over with its fictional story of what we thought might be a werewolf, but turned into much more. It was a creature of some sort that was feeding on fear.

Some of the best and most classic episodes of the X-Files blended the bizarre, paranormal world with comedy. “Bad Blood,” “Jose Chung’s From Outer Space,” and “Clyde Bruckman’s Final Repose” being top examples the show’s comedy. “X-Cops” expertly mixed its comedy in with this ultra serious and realistic situation.

I loved how Scully was reacting to the camera crew. Every time she made some comment or turned a different way, Gillian Anderson showed off her remarkable comedic timing. For example, Scully, doing an autopsy, turned directly to the camera and said “The FBI has nothing to hide,” a statement Skinner had told Scully on the phone when she called him to let him know about the cameras involved in this case.

The episode started with a disclaimer about a special episode of the X-Files and followed that with the Cops TV show theme song. The title included some shots of Mulder and Scully, which was done to prevent any audience members from being confused and thinking that Cops was on instead of the X-Files.

This is one of the best episodes of season 7 and should be included on any list of the best X-Files episodes ever.

Hate* [*A Comedy] (1999)

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So it is Black Friday and I went to Comic World in Dubuque to partake in the sale on back issues. I started talking with Ben, the owner, who was working the front of the store. We were discussing some of the movies I had watched recently, and i came around to talking about Rumours, which was totally crazy, a black comedy with some of the craziest stuff in it I had seen in a long time.

This led Ben to bring up a short that he called a ‘college’ short film, giving me a quick synopsis of the film. He mentioned a chicken moving next door to a guy. It certainly fit in with the weird films we were talking about (yes, we even mentioned Beau is Afraid).

Ben told me that it was available in full on YouTube, so I decided that I was curious to see what this comedy was and how I felt about it.

The film centered around a man named Paul Wilson (Paul Hungerford) who had a chicken move next door to him, and the chicken began tormenting him. Calling him Moriarty, the chicken, named Pembroke Arbaghast (voiced by Brian Carr), was trying not so subtle things to kill his new neighbor… or at least so Paul thought.

When his poker friends died from poisoned chimichangas, Paul decided that he had to do something to stop the chicken’s crazed spree.

This was hilarious. I loved this short. It was so funny and well presented. The key to something like this is to present it in all seriousness, despite it being totally ridiculous. Paul was really scared and bothered by the foul creature and so the silliness of the situation became funny instead of stupid.

It seemed as if every time the chicken was shown, I was laughing, because of its look, and yet, I found a lot of this to be fairly sinister. The puppeteers did a wonderful job making this chicken believable with its playing poker, driving or sending threatening emails.

The final confrontation between man and bird was excellent too. This was a lot of fun and definitely worth the time. The twist at the end was funny too.

The acting was very solid. In particular, Paul Hungerford delivers a strong performance. You are convinced that he is scared of this chicken and that he legitimately is afraid for his life.

This goes to show you how a creative mind can take even the weirdest of concepts and turn it into an entertaining film. Hate* [* A Comedy] was well worth the 22-minutes it took to watch it, available on YouTube, but do not forget the asterisk when searching.

Sorry About the Demon (2022)

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The October 5 of 13

So, this one was a horror comedy. I found it on Shudder, as most of the list for this The October 13 is this year. I found it to be really silly.

After dealing with a bad break-up, Will (Jon Michael Simpson) rented a house from a family. What Will did not know was the family, the Sellers, had rented him the house because they had made a deal with the demon that was in the house, Deomonous (voiced by Tony Vespe), to possess him and take his soul to Hell instead of their daughter Grace (Presley Allard).

This movie was funny at times. At least I chuckled here and there. Otherwise it was fairly messy with the plot and just silly as it can be. It was absolutely corny and silly. I am not sure if this was intended to be a parody or if it is just meant to be a horror/comedy. Either way, the film was not the worst thing I ever saw. I did not like the way it started, as it seemed fairly stupid to me. However, Jon Michael Simpson had a charm about him that made me want to keep watching, even though I wanted to stop watching at first.

Overall, it was not the worst film I have seen. It is not great, but if you are in the right mood, this could be a fun family horror/comedy for Halloween.

Saturday Night

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Live from New York, it’s Saturday night!!!!

Jason Reitman directed this biopic of the 90-minutes before the debut of Saturday Night Live (called NBC’s Saturday Night) and the chaos that was ensuing.

Of course, as with most biopics, not everything is exactly as it happened as many details are switched or moved around for dramatic purposes.

The film follows Lorne Michaels (Gabriel LaBelle), the producer of SNL, as he moved around the studio putting out fires (both figuratively and literally), managing talent, and desperately trying to get the show ready to go at 11:30.

This is a fun film with a frantic pace leading up to the debut. It was very possible that the show was never going to happen as there was a reel of a Johnny Carson repeat waiting to roll if the show was unable to overcome the myriad of troubles.

The cast is the strongest part of the show. Gabriel LaBelle does a great job as the eyes of the audience. Corey Michael Smith is fantastic as Chevy Chase. Dylan O’Brien loses himself in the role of Dan Aykroyd. Matt Wood was very entertaining as John Belushi. Lamorne Morris was great as Garrett Morris. Rachel Sennott had a strong performance as Lorne’s wife, Rosie. Several of the cast did not have the amount of screen time as it seemed as if they deserved, in particularly the women SNL cast members.

While we see a lot of Lorne, there is an issue with the rest of the cast. If you are not aware of who these people are, there is not a lot of time spent with them. The film seems to depend on the audience knowing who Chevy Chase, John Belushi, George Carlin, Jane Curtin, Gilda Radner are coming into the film. If the viewer does not know much about SNL, they do not go into detail about these people. It does work at one level, but I did have knowledge going in.

The film depends on its energy and the nostalgia of the audience to craft together a hectic ninety minutes prior to the debut of Saturday Night. There are some very funny moments and some amazing character bits for these people whom we know as celebrities. Roles for Willem Dafoe and J.K. Simmons are exceptional and the whole cast’s performance was well done. This is a film that fans of SNL will truly appreciate.

4 stars

The X-Files S6 E9

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Spoilers

“S.R. 819”

After a couple of lesser episodes, “S.R. 819” regained the feel of classic episodes of The X-Files, featuring a conspiracy level event.

The show begins with the apparent death of Walter Skinner, setting up the stakes for the episode.

Flashing back to before the ‘death’, we see the events leading up to the current situation and we learn that someone had poisoned Skinner, injecting him with nanobot tech.

Mulder and Scully raced against time to try and save the life of Skinner.

Of course, Mulder and Scully did not solve anything. They circled the truth, but the events were out of their hands. The final shot, of a now compromised Skinner with Krychek of all people was a kick. Especially after Skinner’s ‘deathbed’ confession to Scully that he regretted not being more of an ally to them.

This was a tough episode, but very enjoyable. It had that early X-Files feel to it and advanced the mythology along nicely.

Shortcomings (2023)

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June 19, 2023

The directorial debut by Randall Park is today’s entry in the June Swoon 3. It is an unconventional rom-com called Shortcomings.

According to IMDB, “Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.”

This was an interesting film. Usually, I have problems when the protagonist is such an unlikable character, and Ben (Justin H. Min) is absolutely in that category. He is opinionated, mouthy, rude and arrogant. It seems like every scene he is in, all I want to do is yell at him to shut up. Yet, there was something about Ben that was appealing. Don’t get me wrong, I was cheering actively for him to understand what a jerk he was being, but I was also ready to support him learning from the events of the film and adjusting his behavior.

I have to say, I did like this conclusion to the movie. It felt real and played with all of the conventions of the rom-com.

The movie had some great laughs in in, although nothing that was going to be over the top hilarious. The situations are where the humor came from and they all worked very well. Probably the one moment that stood out was when actor Jacob Batalon joked about loving the Spider-Man movies, considering he played Ned in the MCU Spider-Man movies

Sherry Cola played Alice, Ben’s friend, and she was the standout performance for me in the movie. She had an Awkwafina type vibe about her and she was both funny and an excellent ‘straight-man’ character.

I found this to be very entertaining and a creative way to take the rom-com genre in a new way.

The Retirement Plan (2023)

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June 14, 2024

Today’s June Swoon 3 entry is an action film featuring Nic Cage in all his Nic Cage-ness, and it is a a lot ridiculous fun.

According to IMDB, “In The Retirement Plan, when Ashley (Ashley Greene) and her young daughter Sarah (Thalia Campbell) get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help – her estranged father Matt (Nicolas Cage), currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie (Jackie Earle Haley) and his lieutenant Bobo (Ron Perlman). As Ashley, Sarah and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.”

Is this movie more convoluted than it needed to be? Absolutely. It felt pretty messy in a lot of ways. Does it require a suspension of disbelief? 100%. Perhaps more than most movies. None of that ruins this film from being a hoot. It knows the type of movie it is and Nic Cage is totally in for a ridiculous good time.

I did like the little girl Sarah, played by Thalia Campbell, and her relationship with her kidnapper Bobo, played by Ron Perlman. I really thought this was going to go in one direction, but it takes a different path, which I found refreshing.

The action is great, if not difficult to believe. There just felt as if there were too many threads getting pulled and it was unnecessary.

I am not sure I liked the way the film wrapped up either. I think I would have preferred for the end of the third act to feel less like it was nothing more than a deus ex machina.

Still, if you love Nic Cage, this will be fun. I wish Thalia Campbell’s role would have been more in the second half of the movie because she was one of the standouts in the first half.

If

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Ryan Reynolds is back in a new film named If. If stands for Imaginary Friends, which has had a long history in the films. There are quite a variety here as these Ifs are trying to find purpose after their kids forget them.

There were several references to Ifs fading away, particularly from Blue (Steve Carell), which I believe is an allusion to Bing Bong from the Inside Out film.

According to IMDB, “A young girl who goes through a difficult experience begins to see everyone’s imaginary friends who have been left behind as their real-life friends have grown up.“

The young girl, Bea, is played by Cailey Fleming and she does a good job opposite Ryan Reynolds, who played Calvin, and John Krasinski, who played her father. Fleming is charming and has a nice chemistry with the other actors. There is a lot placed on her shoulders and if she is unable to carry the load, this movie would absolutely fail. She is very good in this role and very believable.

The designs of the Ifs are fine, albeit fairly average. Nothing really stands out on the design but none of them are bad either.

The voice cast of the Ifs are tremendous. besides Steve Carell, there is Phoebe Waller-Bridge, Awkwafina (who is in every animated program now apparently), George Clooney, Emily Blunt, Jon Stewart, Matt Damon, Bill Hader, Richard Jenkins, Keegan Michael-Key, Christopher Meloni, Sam Rockwell, Maya Rudolph, Amy Schumer, Brad Pitt, Bradley Cooper, Blake Lively, Matthew Rhys, and Sebastian Maniscalco.

The film does run a little long, and the final twist was pretty obvious, but the story itself was charming and showed the strength of the film. Ryan Reynolds is always likable and funny, and this is another example.

I did not feel that this was exclusively a children’s flick. In fact, I believe there are some big time concepts that will appeal to the adults in the crowd as well.

3.75 stars