Tag Archives: film

Ready or Not 2: Here I Come

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The original Ready or Not from 2019 was a surprise smash hit featuring a star making turn from Samara Weaving. However, it did not feel like a film that required a sequel. Still, in Hollywood, a successful film, especially a new and original IP, will most likely lead to a new installment. So we get Ready or Not 2: Here I Come.

Ignoring the stupid use of the number 2 in the title (it should only be Ready or Not: Here I Come), this new sequel is a solid continuation on a story which both built on the first film and provided new ground for the sequel.

According to IMDB, “After surviving one deadly game, Grace and her sister Faith must now outrun four rival families competing for a powerful throne – winner takes all.”

The sequel is every bit as gruesome and bloody as the original, with people exploding into pools of blood and sinew all over the place, usually when they are facing Grace and Faith, so the splatter does not miss them.

This film added some star power to the hunters chasing Grace and Faith, including Buffy herself, Sarah Michelle Gellar. The Pitt’s Jack Abbot, Shawn Hatosy is here as Gellar’s character’s brother. Elijah Wood played the lawyer behind the competition for the seat on the council that the hunters were competing for. LOST’s Richard, Nestor Carbonell, is another of the hunters, who turns out to be a piss-poor shot.

Once again, this is a group of Satan worshipers, so if that is something that you do not like in your movies, this one is built around it even more than the original. It can be jarring hearing Elijah Wood say “Hail Satan” several times. Of course, Satan worshipers make for excellent villains.

There is a lot of comedy in the gorefest too, and much of it worked. There were some ridiculous characters among the hunters’ families there for support and backup during the game.

The relationship between Grace and Faith had to work for this film to work, and I will say that it was shaky at times. I only heard about their estrangement, not being shown it, but they did win me over as the film went along. Both Weaving and Kathryn Newton do a great job with their performances, though there are a couple of times in the film that made me feel a little icky about what was going on.

Grace takes a real beating in this film and, like so many other action heroes, she shrugs wounds off as she goes. There needs to be some suspension of disbelief that Grace (and also Faith, to a lesser extent) can keep going despite all the stuff that has happened to her (them). Of course, Arnold Schwarzenegger, Bruce Willis, and other action heroes who are men would push on too, so why couldn’t Samara Weaving?

It is a strong follow up to the original. I do not think it is as good as the first one, but it does not fall into the garbage as many sequels do. Ready or Not 2: Here I Come is a fun time at the theater for fans of horror and good action.

4.2 stars

Project Hail Mary

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I have been looking forward to Project Hail Mary for quite a while. I have heard so many good things about it, and I find Ryan Gosling to be extremely entertaining and a top level actor that it only served to increase my anticipation. I booked my tickets to the IMAX theater at Cinemark and went this morning.

People are right. It is fabulous.

According to IMDB, “Science teacher Ryland Grace wakes up alone on a spaceship light-years from Earth. As his memory returns, he uncovers a mission to stop a mysterious substance killing the sun, and save Earth. An unexpected friendship may be the key.”

The film is utterly gorgeous. It looks unbelievable and the special effects are jaw dropping. There is no doubt that Project Hail Mary is an early Oscar contender for the Best Visual Effects Award. I completely recommend seeing it in IMAX too. The bigger the better.

But the visuals are not the only awesome aspect of the film. Ryan Gosling was spectacular as Ryland Grace. He carried this film with every moment that he was on screen, which was practically the entire thing. We saw both the present and the past with this character and he provided us with an amazingly emotional ride right off into space.

I was surprised how funny this movie was. There was a wonderful use of humor and most everything really hit, comedically. Gosling has great comedic timing and he uses the quips and the moments to truly inform the character. I sure hope the Golden Globes do not put this in the Comedy category like they did with The Martian.

Phil Lord and Christopher Miller directed the film and their brand of sly humor came through brilliantly. Drew Goddard, who had also co-written Cabin in the Woods, wrote the script, adapting it from a novel by Andy Weir of the same name. This crew of creators brought such life to the story that it worked on all levels.

I enjoyed the way the story was told. It started off in the space craft with Ryan Gosling and then it would flashback to times when Gosling’s Ryland Grace was on earth and showed us as the movie progressed how Grace wound up in that ship.

I don’t want to go into spoilers, although a major part of the story has been revealed in trailers. I am still not going to talk about it, but this section was so great and infused this movie with such energy and power.

There were a couple of scenes in space that, I swear, I did not breathe during because it was so intense that I couldn’t stand it. They were done so well and brought that action energy to a film that felt like a slow burn at other times. It all worked together so well.

If you force me to criticize the film, it might be a little long. I think they could have shaved off ten minutes, maybe, but I did not feel the length during the viewing.

In the end, Project Hail Mary was a fantastic film with sci-fi elements that is a true crowd pleaser, filled to the brim with emotion and beautiful imagery. One of the best films of 2026 so far.

5 stars

Cold Storage

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With a no school day because of a March blizzard, I got a chance to watch a couple of streaming movies that I have been wanting to see. The first one was recommended by my friend Chris. I had never heard of it before, but it looked interesting.

Cold Storage had a late eighties, early nineties action flick feel to it, as had some fun characters dealing with a bizarre fungus that was turning people and animals into infected, spreading around.

According to IMDB, “When a highly dangerous fungus escapes from a secret laboratory, a former bioterrorism agent is called back into action. Alongside two young employees, he must confront an invisible and out-of-control threat.”

Joe Keery starred as Teacake, a guard at a storage facility, and Georgina Campbell starred as Naomi, a new worker at the facility. They discovered this fungus and how it has multiplied, calling in help from the army.

That help was Robert Quinn (Liam Neeson) who had interacted with the fungus in the past and was one of the few people remaining who had any expertise on this topic at all.

Keery and Campbell worked together extremely well. You immediately buy the chemistry between them and want them to survive the experience. You can feel for these characters. They are just deep enough to keep you interested in their well-being.

Liam Neeson brings the perfect energy for the grizzled, injured former military man with his first hand knowledge. Neeson handled the slightly comedic tone to the movie as well. Neeson has always had a strong sense of comedic timing and he gets a chance to show it here.

The overall story is fairly limited, but it works well as a monster movie. We get a bunch of secondary characters who we don’t mind seeing blow up from the fungus (though the vomiting green goo is unnecessary). While this story is simple, it is just about the right amount of combination of action/horror/comedy to pull off the film.

This was a fun film to watch and I had a great time rooting for these characters to survive the fungus.

4 stars

EYG 2026 Oscar Predictions

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List from Angeline Jane Bernabe and Mason Leib on ABC News.com

These are my thoughts and predictions for Sunday night’s Academy Awards. As I said, these are my predictions for who I think will win. This is not my personal favorites. I will give a second choice as the runner-up in my opinion.

Best picture

  • “Bugonia”
  • “F1”
  • “Frankenstein”
  • “Hamnet”
  • “Marty Supreme”
  • “One Battle After Another”
  • “The Secret Agent”
  • “Sentimental Value”
  • “Sinners”
  • “Train Dreams”

I am a believer in the Sinner’s momentum. I do think that Sinners will overtake “One Battle After Another” which has been the leading candidate for much of the pre-award season. Sinners is also my personal favorite of the nominated films, so I am cheering for it. If not Sinners, it will be “One Battle After Another.”

Best supporting actress

  • Elle Fanning, “Sentimental Value”
  • Inga Ibsdotter Lilleaas, “Sentimental Value”
  • Amy Madigan, “Weapons”
  • Wunmi Mosaku, “Sinners”
  • Teyana Taylor, “One Battle After Another”

This is a strong category, but the performance Amy Madigan gave in “Weapons” was just so special and it made that move more than what it would have been. Sure, it is a genre film and the Academy some times does not favor those, but I do believe this one transcends genre. Second choice: Teyana Taylor (OBAA).

Best actor

  • Timothée Chalamet, “Marty Supreme”
  • Leonardo DiCaprio, “One Battle After Another”
  • Ethan Hawke, “Blue Moon”
  • Michael B. Jordan, “Sinners”
  • Wagner Moura, “The Secret Agent”

Again, I believe in the momentum of Sinners. Michael B. Jordan’s victory at the Actor Awards was a significant signal that the race had switched. Jordan is a remarkably worthy potential winner as he played two different characters (and one of those he played two different ways when he was changed into a vampire). It brought a lot of energy. Second choice: Timothée Chalamet.

Best actress

  • Jessie Buckley, “Hamnet”
  • Rose Byrne, “If I Had Legs I’d Kick You”
  • Kate Hudson, “Song Sung Blue”
  • Renate Reinsve, “Sentimental Value”
  • Emma Stone, “Bugonia”

Jessie Buckley. ‘Nuff said. I would have loved to cheer for Kate Hudson because I thought she was exceptional in “Song Sung Blue” but Buckley may have given the best performance I have ever seen. If she does not win this award, there should be investigations. Second choice: NONE. It is Buckley.

Best supporting actor

  • Benicio Del Toro, “One Battle After Another”
  • Jacob Elordi, “Frankenstein”
  • Delroy Lindo, “Sinners”
  • Sean Penn, “One Battle After Another”
  • Stellan Skarsgård, “Sentimental Value”

I am going with Stellan Skarsgård for his work in “Sentimental Value.” I think Del Toro and Sean Penn may split votes, opening up the large contingent of foreign voters in the Academy to give it to Skarsgård. This is a tough category too because you also have the spoiler floating around in Delroy Lindo. Second choice: Sean Penn, but I could see it being Lindo or Del Toro.

Best director

  • Chloé Zhao, “Hamnet”
  • Josh Safdie, “Marty Supreme”
  • Paul Thomas Anderson, “One Battle After Another”
  • Joachim Trier, “Sentimental Value”
  • Ryan Coogler, “Sinners”

This is the award they will give to this film since Sinners is going to win Best Picture. PTA has been deserving of an Academy Award for years, and this is the one he is going to get. Second Choice: Ryan Coogler.

Best makeup and hairstyling

  • “Frankenstein”
  • “Kokuho”
  • “Sinners”
  • “The Smashing Machine”
  • “The Ugly Stepsister”

The look of Frankenstein was great and it will most likely win this award. I would have liked to see “Smashing Machine” win because the Rock really did transform into Mark Kerr, but that is not going to happen. Second Choice: Sinners.

Best original score

  • “Bugonia” — Jerskin Fendrix
  • “Frankenstein” — Alexandre Desplat
  • “Hamnet” — Max Richter
  • “One Battle After Another” — Jonny Greenwood
  • “Sinners” — Ludwig Göransson

The music of Sinners is almost as important as the characters of the film. The soundtrack brings an authentic feel to this film and Ludwig Göransson will receive another Oscar. Second choice: Max Richter for Hamnet.

Best live action short film

  • “Butcher’s Stain”
  • “Jane Austen’s Period Drama”
  • “A Friend of Dorothy”
  • “The Singers”
  • “Two People Exchanging Saliva”

If I were voting, I would pick “Jane Austen’s Period Drama” because that was by far my favorite short on this list, but the Academy is not giving it an Oscar. “Two People Exchanging Saliva” is weird, wild and builds a fictional world around some of the strangest things. It wins. Second Choice: “A Friend of Dorothy”

Best adapted screenplay

  • “Bugonia” — Will Tracy
  • “Frankenstein” — Guillermo Del Toro
  • “Hamnet” — Maggie O’Farrell and Chloé Zhao
  • “One Battle After Another” — Paul Thomas Anderson
  • “Train Dreams” — Clint Bentley and Greg Kwedar

One of the easiest picks to make. The Best Picture is coming down to One Battle vs Sinners so One Battle After Another wins this one. Second Choice: Hamnet.

Best original screenplay

  • “Blue Moon” — Robert Kaplow
  • “It Was Just an Accident” — Jafar Panahi
  • “Marty Supreme” — Ronald Bronstein and Josh Safdie
  • “Sentimental Value” — Joachim Trier and Eskil Vogt
  • “Sinners” – Ryan Coogler

See above. Same reason “One Battle” wins Best Adapted. Second Choice: Blue Moon

Best animated short film

  • “Butterfly”
  • “Forevergreen”
  • “The Girl Who Cried Pearls”
  • “Retirement Plan”
  • “The Three Sisters”

This was my favorite animated short of this list and I do think it is the one with the best animation, a true story involving the Holocaust and an Olympic swimmer. It is far and away the best on this list. Second Choice: “The Girl Who Cried Pearls.”

Best casting

  • “Hamnet” — Nina Gold
  • “Marty Supreme” — Jennifer Venditti
  • “One Battle After Another” — Cassandra Kulukundis
  • “The Secret Agent” — Gabriel Domingues
  • “Sinners” — Francine Maisler

This is a brand new Academy Award this year and I think Sinners is going to get it. The casting of this film is just amazing and the cast brings it throughout. Second Choice: “One Battle After Another.”

Best original song

  • “Dear Me” from “Diane Warren: Relentless”
  • “Golden” from “KPop Demon Hunters”
  • “I Lied to You” from “Sinners”
  • “Sweet Dreams of Joy” from “Viva Verdi!”
  • “Train Dreams” from “Train Dreams”

This song is one of the biggest hits of 2025, worldwide. The Academy is not going to miss this and create a controversy. There are only a couple of shoo-ins. This is one. Second Choice: “I Lied to You” (Sinners)- which would be my personal choice if I had a vote.

Best documentary feature film

  • “The Alabama Solution”
  • “Come See Me in the Good Light”
  • “Cutting Through Rocks”
  • “Mr. Nobody Against Putin”
  • “The Perfect Neighbor”

I have not seen many here. I did see “The Perfect Neighbor” and I loved it. Second Choice: No idea. Probably the Putin one..

Best documentary short film

  • “All the Empty Rooms”
  • “Armed Only with a Camera: The Life and Death of Brent Renaud”
  • “Children No More: ‘Were and Are Gone'”
  • “The Devil is Busy”
  • “Perfectly a Strangeness”

I have not seen any of these documentary shorts. I know “All the Empty Rooms” is about school shootings and that is usually Academy fodder, so I will guess that one. Second Choice: How about “The Devil is Busy”?

Best international feature film

  • Brazil, “The Secret Agent”
  • France, “It Was Just an Accident”
  • Norway, “Sentimental Value”
  • Spain, “Sirât”
  • Tunisia, “The Voice of Hind Rajab”

I have only seen two of these, though I am excited about seeing The Secret Agent during this year’s June Swoon. Because I have seen it, Sentimental Value gets my vote. Second Guess: “The Secret Agent.” – Heard good things.

Best animated feature film

  • “Arco”
  • “Elio”
  • “KPop Demon Hunters”
  • “Little Amélie or the Character of Rain”
  • “Zootopia 2”

K-Pop Demon Hunters is winning this. It would not have been my vote, but it is clearly the biggest cultural animated film of the year. Not sure why Elio is on this list. Second choice: Zootopia 2 (which would have been my vote).

Best production design

  • “Frankenstein”
  • “Hamnet”
  • “Marty Supreme”
  • “One Battle After Another”
  • “Sinners”

I feel like I should have gone with Frankenstein, but I am looking for an upset and Hamnet does have tremendous production design. Second choice: (and most likely winner) Frankenstein

Best film editing

  • “F1” — Stephen Mirrione
  • “Marty Supreme” — Ronald Bronstein and Josh Safdie
  • “One Battle After Another” — Andy Jurgensen
  • “Sentimental Value” — Olivier Bugge Coutté
  • “Sinners” — Michael P. Shawver

I have yet another win for Sinners. This could go to several on this list though. Second Choice: F1

Best sound

  • “F1”
  • “Frankenstein”
  • “One Battle After Another”
  • “Sinners”
  • “Sirât”

F1’s use of sound is a key element to the film. While there are some other good choices, I think the Academy wants to reward F1 with something more than a nomination and this makes sense. Second Choice: Sirât

Best visual effects

  • “Avatar: Fire and Ash”
  • “F1”
  • “Jurassic World Rebirth”
  • “The Lost Bus”
  • “Sinners”

Bah. I don’t want to pick this one because there was nothing new done in this film, but it is going to win anyway. What I wouldn’t give to have “The Lost Bus” get this award. It really does deserve it. I was really happy when it got the nomination. Sadly, Avatar wins again. Second Choice: “The Lost Bus”

Best cinematography

  • “Frankenstein”
  • “Marty Supreme”
  • “One Battle After Another”
  • “Sinners”
  • “Train Dreams”

I think this is another unlikely winner, but I just think that this film deserves the cinematography Oscar. Second choice: “One Battle After Another.”

Best costume design

  • “Avatar: Fire and Ash” — Deborah L. Scott
  • “Frankenstein” — Kate Hawley
  • “Hamnet” — Malgosia Turzanska
  • “Marty Supreme” — Miyako Bellizzi
  • “Sinners” — Ruth E. Carter

Another win for the technical aspect of Frankenstein. It did look great and the costumes are top notch. Second choice: Sinners

There are my picks. As always, I will miss some and get some right. I do hope there is a great ceremony and that Conan O’Brien is a funny host. I have Marty Supreme getting shut out. That doesn’t feel right, but I guess we will have to go with it.

2026 Oscar Nominated Shorts- Live Action & Animated

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Spoilers

Every year, I go down to Cinemark the weekend of the Academy Awards so I can see the Live-Action Short Films and Animated Short Films that had been nominated for Oscars. It is always fun seeing these in their blocks.

It was weird this year because the shows were being produced by Roadside Attractions instead of the company that normally did it. It also said that the show was being presented by Taika Waititi, but I never saw or heard one thing from him. That was strange.

I am going to list my personal favorites from 5-1 here. This is not my Oscar predictions. It was just the ones I liked the best. In fact, i can almost 100% guarantee that my favorite of the Live-Action Shorts will NOT be the Oscar winner. I plan on doing my official predictions either later tonight or some time tomorrow before the ceremony.

Kicking off with the LIVE-ACTION SHORT FILMS

#5. Butcher’s Stain. This was my least favorite of all the shorts I saw today. It is a drama taking place in a supermarket in Tel Aviv. I had a hard time getting into this one. I was not interested and found little to grab my attention.

#4. The Singers. This was a fun short. It was the first one we were shown today and it featured a group of men in a bar, drinking and betting on who had the best singing voice. It had some great singing on it, but, while entertaining, I did not find, much depth in the short.

#3. Two People Exchanging Saliva. Weird. Wild. A strange world where kissing is frowned upon and the people go to the extreme of having terrible breath to ward off the kissers. It is also a society that pays for things by getting slapped in the face. This is such a bizarre short that it was tough to follow, but it fit right in with films like Bugonia.

#2. Friends of Dorothy. A sweet short that featured a young man (Alistair Nwachukwu) who meets an older woman (Miriam Margolyes) and they bond over plays. The young man secretly wishes to be an actor and the older woman is encouraging him to do so. This is such a sentimental flick, but it is very engaging as well.

#1. Jane Austen’s Period Drama. This was, BY FAR, my favorite short of the day. It was hilarious. The title lets you know what type of short this is going to be… and the “period” in the title does not refer to a time frame. The names of these characters were making me laugh every time they were mentioned. We had Estrogenia, Labinia, Mr. James Dickley, Mrs. Bitts,  Dr. Bangley, and my personal favorite… Miss Vagianna. It sticks with these jokes throughout the film and it was amazingly funny. Again, while I would love seeing this as an Oscar winner, I can almost guarantee that it will not win. It is definitely my personal favorite though.

Next… Animated Short Films

#5. Forevergreen. The relationship between a bear cub and a tree. Yes, that is what I said. While this was fine, it felt very heavy-handed in its story and I simply found the story not to my liking. Perhaps it was too saccharin.

#4. Three Sisters. I liked this one. It was the first animated short they showed us, and it had some real funny moments with characters who barely made a sound, let alone speak. Three Sisters is quirky and unique and worked well with the animation that it gave us. There were some laugh out loud moments too.

#3. Retirement Plan. Narrated by Domhnall Gleeson, this short follows the life of a man who has just retired and who has planned on doing all kinds of things. We get a list of these plans as the unnamed man gets older with every one. This is very solid animated film with some strong moments. Gleeson does a tremendous job narrating the short. It takes us right up to the man’s death (and actually beyond it) and it is a good short.

#2. The Girl Who Cried Pearls. If I were talking about story only, this might have been my favorite. However the animation of the short was tough on me the whole time. Not only did the characters suffer from the old uncanny valley, their faces were just not what I wanted to see. While most of the film looked great, none of the characters did and it hurt a film that I think was one of the better ones I saw.

#1. Butterfly (aka Papillon). This was an absolutely beautiful short with a very powerful story of swimmer Alfred Nakache. Not only does the film focus on his swimming, it also has comments on the Holocaust and the cruelty of the Nazis. The animation style felt like we were constantly seeing everything in a water color background and it was gorgeously designed. I thought this was the best animated short we saw by a great distance.

Undertone

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I have seen some poor horror movies to kick off 2026. I was not a fan of Iron Lung. I did not like the new Dracula film. Scream 7 was a real disappointment. The Bride was a big swing that did not work, and Psycho Killer is currently the worst film of the year.

So I went into the new horror film, Undertone, which was the big screen debut of director Ian Tuason. I had found the trailer intriguing and knowing it is a new A24 film, I went into the film with hopes that this would break the rotten horror streak.

According to IMDB, “The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.“

Lead actress Nina Kiri carries the heft of this film on her shoulders as she does a tremendous job in the role as this podcaster who is the skeptic on her podcast about the supernatural topics they cover. Her co-host, who we never see on screen, is voiced by Adam DiMarco, and he has a really strong voice over performance.

The film is a perfect example of the use of sound in the horror genre. Called Audio Horror, the sound design is so tense and anxious that it really affects the audience. The use of the sounds, the silence, the way the sounds change when Nina Kiri puts on her headphones… all of it is sensational and creates a theater experience unlike many.

The camera work in the film is also strong. There are some shots that are specifically designed to make the audience expect that a scare is coming, but many times, the idea that there is something in the dark is only suggested, allowing the audience to provide their own scares. The film does have some jump scares, but they are kept to a minimum and are effective when they appear.

I am not sure that I found the ending overly satisfying, but it was certainly intense and worked as a way to end a film that matched that intensity level.

This is definitely a film that broke that run of terrible horror movies. It is a slow burn, but it moves fairly quickly over the run time of the film. It was a suspenseful theater experience and I would recommend people see this. Not only because it is a good movie, but for the fact that the budget on this film was only like $500,000, which is ridiculously low and there should be more films succeed that take a chance at keeping the budget down.

4 stars

The Bride!

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This one is like Bonnie & Clyde was made in the Universal Monsters franchise while being set in Gotham City.

The Bride! is the new film directed by Maggie Gyllenhaal that take a new look at the classic story of The Bride of Frankenstein.

This film is one that left me unsure of how I felt. There were certainly good things that I really liked about The Bride! but there were many other things that just did not work for me at all.

According to IMDB, “In 1930s Chicago, Frankenstein asks Dr. Euphronius to help create a companion. They give life to a murdered woman as the Bride, sparking romance, police interest, and radical social change.”

The standout aspect of this film is 100% the acting from our two lead performers. Jessie Buckley, who is up for an Academy Award in just about a week and a half for her role in Hamnet, is absolutely amazing as the Bride. Buckley’s performance jumps off the screen with her facial features and her confusion. Buckley also played Mary Shelley, who was a framing device for the story, and it seemed as if Mary Shelley was possessing the Bride (also called Ida or Penny). Buckley would switch from her normal voice to the British accent of Shelley. It was confusing at times.

Christian Bale was also great as Frankenstein. He would go by the name Frank and he played this character lonely and desperate. Bale and Buckley have an amazing chemistry and they are the reason to see this movie. I loved the performance of Annette Bening as Dr. Euphronius.

However, there are so many weird things going on in this movie that pulled me out. The tone of this film was all over the place. At times, it felt like I should be laughing, but others I felt horrified. It was not a smooth transition between tones. It was truly messy.

For example, there was a dance number in the film. I loved it and hated it at the same time. I loved the homage the dance routine was to, but it felt totally out of place in this film.

The film had several secondary storylines that could have (should have) been edited out completely. All the scenes with Penelope Cruz and Peter Sarsgaard, who played a couple of detectives chasing the Monsters, felt so unnecessary. Had those scenes been completely dropped, there would have been nothing really that would have to be changed.

The Bride! is a messy, wild and crazy film that has some great performances and some big swings. Some of this worked well for me while much of the rest of it did not work. Great performances in a film that is all over the place. There are some cool things in the film, but not enough to dismiss the weak points.

2.8 stars

Scream 7

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So I have been under the weather over the last few weeks, and I chose to stay at home this past Saturday. I had intended on going to the new Scream 7 film that came out, but I wanted to take the time to try and get better. Today, I was able to go to the film I missed last weekend.

I am going to say that I had heard a lot of negatives directed toward Scream 7 and so my expectations going into the theater today were rather low. I do think that it helped having such low expectations, because I did not hate watching this. Don’t get me wrong, it is a dumb movie and I would not recommend it. I just didn’t find it to be a horrible watch. It was certainly better than the Psycho Killer film from a few weeks ago. That is not saying much, though.

We are back with Sydney Prescott, now with the last name of Evans, and the film took every opportunity to comment on Scream 6 being the film (or the Ghostface killings) where Sydney did not get involved. The meta aspect of this fits in a Scream franchise, but it feels odd that the implication was that the last movie sucked because Sydney wasn’t there.

A new Ghostface finds his/her way to the town where Sydney was living and began killing off easily replaceable characters who have little to no characterization. For example, Asa Germann, who played Sam on Gen V, was only ever referred to as the “weird one.” There is no reason or explanation. That was his sole character trait. McKenna Grace was here too, but all I know about her character was that she was the blonde friend who was in the school play. There were actually some good actors in this film, but they were not given anything worthy to do.

We knew from casting news that Matthew Lillard was returning to the film as Stu Macher, who had been killed in the first Scream film. There was a lot of speculation about whether he was returning as the same character, but that is one of the most obvious bit in the film. No spoilers, but you’ll get it.

Then speaking of no spoilers, the ending reveal is perhaps the dumbest part of the entire movie. There are some cameos in this movie that are just terrible and make zero sense.

It felt like this movie played only on nostalgia without having any original thoughts of its own.

As I said, I didn’t hate this, but I am only a guy who has liked the Scream franchise. I think that if you are a big fan of Scream and its sequels, you are going to hate this. If you just want a dumb time at the movies, set your expectations low and you may not hate yourself for watching it.

2 stars

Good Luck, Have Fun, Don’t Die

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This movie is like Everything, Everywhere All At Once on a combo of speed and LSD.

That is in the good way.

Sam Rockwell leads this intriguing ensemble in a wild, time travel, sci-fi mash up with stuff that you would never expect to see on the big screen. It is a dark comedy, with some extremely dark moments of humor.

Sam Rockwell is great as always. He throwed himself into this project as he does in everything that he ever appears in. He is such a top notch performer that you know you are getting his best in every role.

According to IMDB, “A ‘Man From the Future’ arrives at a diner in Los Angeles where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence.“

This film does not hide its themes about AI. It is anything but subtle that it sets AI as the villain of this film and that it sees AI as being a major problem to the world. While it also blends the idea of technology into the theme, AI is absolutely the leading concept.

This movie is utterly batshit crazy. It has some of the most wild, crazy situations I have ever seen. I compared it earlier to Everything, Everywhere All at Once, and that is a fair comparison, but this takes it to another level. If you were someone who did not like the absurdity of some of EEAAO, then this will not be your cup of tea. If you came out of EEAAO with the wish that the writers would have taken the gloves off and really gone to town with the weirdness, then Good Luck, Have Fun, Don’t Die is for you.

I was thoroughly entertained by the film, even if my jaw was agape several times.

Gore Verbinski, who directed the Pirates of the Caribbean films, returned to helm this satire and he brought a vision that just was engaging and hilarious, while still bringing an important message to the screen.

One of my favorite movies so far in 2026.

4.8 stars

Psycho Killer

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So I went to a movie today.

Psycho Killer is a new serial killer film from director Gavin Polone, featuring Georgina Campbell. It was written by Andrew Kevin Walker (who also wrote Se7en). I saw the original poster for this movie when I was doing the banner for February 2026, and it looked good. I saw it at Cinemark today and I realized that Psycho Killer was anything but good.

In fact, it was the worst film I have seen so far in 2026. Yes, the year is only in its second month, but this was certainly bad and it was outside of January.

What was good about this movie?

Hm

Wait a minute….

Um… it is better than last year’s War of the Worlds.

To be fair, I believe this film had a premise that could have been cool and could have worked, but anything that was cool about the movie was discarded and was ignored as the film moved on. It was such a mess, writing wise that one wondered how this could have been written by the guy who wrote Se7en.

There are no characteristics about any of the characters. They are all just one-dimensional cardboard cutouts. The psycho killer is not a character at all. The Psycho Killer is nothing more than a deep (silly) voice.

I have to say as well that the end of this movie is one of the worst endings that I have seen in such a long time. It totally did not make any sense and even the lacking character that this psycho killer had made no sense as to why this was done. It was just DUMB. I thought that I missed something along the way before this ending, but I did not. There was nothing that led to this story arc.

This felt like a lazy film without any real characters or real stakes for anyone I gave a crap about. It has one of the worst ending sequences of the last several years and just is not worth an hour and a half of anyone’s time.

0.8 stars

Sha Na Na S3 E5, E6, E7, E8

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This was an interesting stretch of episodes with Sha Na Na. They had four guest stars that did not fit into the typical type of performers that were on the show prior. Charlie Pride is a country singer, Disco Queen Gloria Gaynor, Isaac Hayes and Lola Falana both do not sing typical Sha Na Na music. It is an expansion that could open up more doors for other musicians.

The diner made a surprise return in episode eight. It was part of a running joke, which was also one of the first times this was done on Sha Na Na. Lennie wanted to play Annie because of the pretty dress, but the people in charge of Annie said Lennie was too fat to play the role. So Lennie went on a diet during the episode and they returned to the joke several times.

There were a couple of good comedy bits during these episodes. I especially enjoyed the “Rock and Roll is Here to Stay” bit where Sha Na Na dressed up like old folks. They were very funny with their outfits. The other one I liked the best was “Black Leather Denim Trousers” where they were on the street set.

We also had a comedy bit where Pamela Myers joined in to sing “How Much is that Doggie in the Window” with Sha Na Na dressed in dog outfits. It was nice to have her female voice once again in the show.

In episode 5, we got the performance by Screamin’ Scott of the song he wrote for the movie Grease, Sandy. Simon wrote the song with Louis St. Louis. The Lady in the Window said that Scott wrote the words, so perhaps he was the lyricists of the song. The song was written for the movie and was performed by John Travolta. Scott did a nice job performing it.

There were also a few songs that I did not know, specifically the ones at the beginning and end of the show. There was a cool one done by Lennie in the fifth episode and one by Jocko in episode 8.

The cuts on YouTube are still irritating, but haven’t been as bad as a few other times.

Iron Lung

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I had no idea what this movie was last week when it debuted as the number two movie at the box office. I heard some talk about it this past week after its massive success. That certainly put it on my radar.

The film was written and directed by YouTuber Markiplier and is based on a video game from 2022 by David Szymanski. Markiplier said the the film would be self-financed and that he would star in the film. With a small budget of $3 million dollars, Iron Lung made a whopping $30 million + worldwide.

With the huge story of the self-made man overcoming the Hollywood order to make a hit movie, the question was, “Was Iron Lung any good?” Sadly, I did not enjoy the film as much as I had hoped that I would.

According to IMDB, “In a post-apocalyptic future after ‘The Quiet Rapture’ event, a convict explores a blood ocean on a desolate moon using a submarine called the ‘Iron Lung’ to search for missing stars/planets.“

The convict was played by Markiplier, aka Mark Fischbach, and the setting was definitely an effectively claustrophobic thriller with an air of uncertainty. I would even go as far as to say that the best part of the film was the setting as it created the desired effect of the audience.

Unfortunately, I found that the story did not grab me and that I found it dull. If I am being honest, I dozed off a couple of times during the movie, so it might not be fair to judge it, but I can say that the story failed to maintain my attention.

I am very happy for Mark Fischbach and I am impressed with his success with this movie. Maybe I should give it a rewatch some day, maybe when it arrives on streaming. As for now, I would recommend people go see it to support someone who is not letting the challenges stop him from reaching for his dream. I just was not much of a fan of the part of the movie that I saw.

2.5 stars

(I reserve the right to raise or lower this score in a future viewing)

MASH (1970)

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January 31

So another Genre-ary comes to an ending with today’s movie, MASH, the original film from 1970 starring Donald Sutherland, Elliot Gould and Tom Skerritt, wrapping up the Comedy Genre-ary 2026.

I love MASH the TV show (it was my #8 in the Top 100) and that probably hurt this film, which I have seen a few clips from, but never sat down and watched the entire thing.

They were saying character names that I loved, but who did not seem like the characters that I loved. Outside of Radar O’Reilly (who was played by Gary Burghoff in the film and the TV series, the only cast member that returned), we saw Hawkeye Pierce, Trapper John, Henry Blake, Hot Lips, Frank Burns, Father Mulcahy, and Spearchucker.

My biggest problem with this film is that it is not the TV show. The doctors of the 4077 MASH felt so much meaner than what I was used to. I did not like some of the things that they did because they felt cruel instead of funny. They were cruder, obnoxious and not as empathic as I expected.

The plot was nearly non-existent. The film was just a series of scenes that were only connected together because they came at the 4077 MASH. That is… until the show turned into a football film. There were several episodes of the TV show where they competed against other units, but seeing them all in full football pads and helmets was weird.

The actors were strong with Donald Sutherland, Elliot Gould, Tom Skerritt, Gary Burghoff, Rene Auberjonois, Robert Duvall, Sally Kellerman, Jo Ann Pflug, Fred Williamson, David Arkin, Roger Bowen, Michael Murphy, and Timothy Brown.

I am sure that I would have liked this more than I did, if I did not have the TV series so firmly placed in my head.

And with that… the 2026 Genre-ary is closed.

Dirty Rotten Scoundrels (1988)

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January 27

I had thought that I had seen Dirty Rotten Scoundrels before, but I do not think I have. Certainly not all the way through to the end though I have seen clips of it. I always believed that I was not a fan and that it was not something that I would find funny. I guess this is a lesson to make sure that you have watched something before judging it, because I thought Dirty Rotten Scoundrels was fantastic.

According to IMDB, “Two con men try to settle their rivalry by betting on who can swindle a young American heiress out of fifty thousand dollars first.“

The Dirty Rotten Scoundrels were Michael Caine and Steve Martin and they were absolutely perfect together. The chemistry between the two con men carried the film. Glenn Headly added a nice touch of apparent innocence to the group with her portrayal of Janet Colgate.

I was rooting for Steve Martin in the beginning of the movie, but Michael Caine became someone better than you would expect. It was a fun ending which fit perfectly in with the story.

It had great comedy and showed the quick-wits of both characters. The rivalry between them was so believable, even if some of the things that they pulled off was out there.

This is a remake of the 1964 movie Bedtime story. This new version was directed by Frank Oz, who was well known as a Muppet performer (he did Miss Piggy and Fozzie Bear), the voice of Yoda, as well as director of other classic comedy hits such as Little Shop of Horrors, Bowfinger, and What About Bob?

I was sure that I had seen this before, but I had not seen the full film. It was very entertaining and full of Martin and Caine’s comedy chops and timing. I was very pleased to include this one in the Genre-ary for 2026.

The Beauty S1 E1, E2, E3

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Spoilers

“Beautiful Pilot”

“Beautiful Jordan”

“Beautiful Christopher Cross”

Ignition Press released a comic a few months ago called The Beauty, written by Jeremy Haun. I was unaware that there was a series before this one from Image Comics. I am enjoying the book from Ignition Press so I was intrigued when I heard that Ryan Murphy was adapting it to a FX series. The first three episodes dropped this past week and there will be a weekly drop on Wednesdays after that.

There is a virus that is transmitted sexually. When you get the virus, you become beautiful (in a horribly painful and gross way). Admittedly, there are some people who just explode in a big bloody mess. Not sure the difference at this point.

Evan Peters stars in the show as Cooper Madsen. The show also featured Rebecca Hall, Anthony Ramos, Ashton Kutcher, and Jeremy Pope.

FBI Agents Cooper and Jordan were investigating the mysterious deaths of several super models, including one that went crazy, killing a bunch of people before she exploded in a bloody splash. Meanwhile, out-of-shape and pathetic young man named Jeremy went to a plastic surgeon with the hope to make himself more attractive. The plastic surgeon worked on him, and it seemed to be successful. Jeremy went to a club where a group of women gave him some attention. However, they were just scamming him for free drinks.

Jeremy, in a rage, went to the surgeon’s office with a gun, killed several staff members, and threatened the doctor. The doctor, however, had another suggestion and hooked him up with a mysterious woman. Jeremy and the woman had sex and Jeremy wound up transforming into a more handsome, in shape person.

This series has a lot of body horror in it, and that is not one one of my favorite types of horror, but I am interested in the series so I will certainly be giving it a chance. I have been disappointed with Ryan Murphy lately (hated American Horror Story: Delicate and Grotesquerie). I did love early AHS and American Crime Story, so he has a hit-or-miss run for me. We’ll see how this goes.