Tag Archives: film

The Bride!

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This one is like Bonnie & Clyde was made in the Universal Monsters franchise while being set in Gotham City.

The Bride! is the new film directed by Maggie Gyllenhaal that take a new look at the classic story of The Bride of Frankenstein.

This film is one that left me unsure of how I felt. There were certainly good things that I really liked about The Bride! but there were many other things that just did not work for me at all.

According to IMDB, “In 1930s Chicago, Frankenstein asks Dr. Euphronius to help create a companion. They give life to a murdered woman as the Bride, sparking romance, police interest, and radical social change.”

The standout aspect of this film is 100% the acting from our two lead performers. Jessie Buckley, who is up for an Academy Award in just about a week and a half for her role in Hamnet, is absolutely amazing as the Bride. Buckley’s performance jumps off the screen with her facial features and her confusion. Buckley also played Mary Shelley, who was a framing device for the story, and it seemed as if Mary Shelley was possessing the Bride (also called Ida or Penny). Buckley would switch from her normal voice to the British accent of Shelley. It was confusing at times.

Christian Bale was also great as Frankenstein. He would go by the name Frank and he played this character lonely and desperate. Bale and Buckley have an amazing chemistry and they are the reason to see this movie. I loved the performance of Annette Bening as Dr. Euphronius.

However, there are so many weird things going on in this movie that pulled me out. The tone of this film was all over the place. At times, it felt like I should be laughing, but others I felt horrified. It was not a smooth transition between tones. It was truly messy.

For example, there was a dance number in the film. I loved it and hated it at the same time. I loved the homage the dance routine was to, but it felt totally out of place in this film.

The film had several secondary storylines that could have (should have) been edited out completely. All the scenes with Penelope Cruz and Peter Sarsgaard, who played a couple of detectives chasing the Monsters, felt so unnecessary. Had those scenes been completely dropped, there would have been nothing really that would have to be changed.

The Bride! is a messy, wild and crazy film that has some great performances and some big swings. Some of this worked well for me while much of the rest of it did not work. Great performances in a film that is all over the place. There are some cool things in the film, but not enough to dismiss the weak points.

2.8 stars

Scream 7

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So I have been under the weather over the last few weeks, and I chose to stay at home this past Saturday. I had intended on going to the new Scream 7 film that came out, but I wanted to take the time to try and get better. Today, I was able to go to the film I missed last weekend.

I am going to say that I had heard a lot of negatives directed toward Scream 7 and so my expectations going into the theater today were rather low. I do think that it helped having such low expectations, because I did not hate watching this. Don’t get me wrong, it is a dumb movie and I would not recommend it. I just didn’t find it to be a horrible watch. It was certainly better than the Psycho Killer film from a few weeks ago. That is not saying much, though.

We are back with Sydney Prescott, now with the last name of Evans, and the film took every opportunity to comment on Scream 6 being the film (or the Ghostface killings) where Sydney did not get involved. The meta aspect of this fits in a Scream franchise, but it feels odd that the implication was that the last movie sucked because Sydney wasn’t there.

A new Ghostface finds his/her way to the town where Sydney was living and began killing off easily replaceable characters who have little to no characterization. For example, Asa Germann, who played Sam on Gen V, was only ever referred to as the “weird one.” There is no reason or explanation. That was his sole character trait. McKenna Grace was here too, but all I know about her character was that she was the blonde friend who was in the school play. There were actually some good actors in this film, but they were not given anything worthy to do.

We knew from casting news that Matthew Lillard was returning to the film as Stu Macher, who had been killed in the first Scream film. There was a lot of speculation about whether he was returning as the same character, but that is one of the most obvious bit in the film. No spoilers, but you’ll get it.

Then speaking of no spoilers, the ending reveal is perhaps the dumbest part of the entire movie. There are some cameos in this movie that are just terrible and make zero sense.

It felt like this movie played only on nostalgia without having any original thoughts of its own.

As I said, I didn’t hate this, but I am only a guy who has liked the Scream franchise. I think that if you are a big fan of Scream and its sequels, you are going to hate this. If you just want a dumb time at the movies, set your expectations low and you may not hate yourself for watching it.

2 stars

Good Luck, Have Fun, Don’t Die

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This movie is like Everything, Everywhere All At Once on a combo of speed and LSD.

That is in the good way.

Sam Rockwell leads this intriguing ensemble in a wild, time travel, sci-fi mash up with stuff that you would never expect to see on the big screen. It is a dark comedy, with some extremely dark moments of humor.

Sam Rockwell is great as always. He throwed himself into this project as he does in everything that he ever appears in. He is such a top notch performer that you know you are getting his best in every role.

According to IMDB, “A ‘Man From the Future’ arrives at a diner in Los Angeles where he must recruit the precise combination of disgruntled patrons to join him on a one-night quest to save the world from the terminal threat of a rogue artificial intelligence.“

This film does not hide its themes about AI. It is anything but subtle that it sets AI as the villain of this film and that it sees AI as being a major problem to the world. While it also blends the idea of technology into the theme, AI is absolutely the leading concept.

This movie is utterly batshit crazy. It has some of the most wild, crazy situations I have ever seen. I compared it earlier to Everything, Everywhere All at Once, and that is a fair comparison, but this takes it to another level. If you were someone who did not like the absurdity of some of EEAAO, then this will not be your cup of tea. If you came out of EEAAO with the wish that the writers would have taken the gloves off and really gone to town with the weirdness, then Good Luck, Have Fun, Don’t Die is for you.

I was thoroughly entertained by the film, even if my jaw was agape several times.

Gore Verbinski, who directed the Pirates of the Caribbean films, returned to helm this satire and he brought a vision that just was engaging and hilarious, while still bringing an important message to the screen.

One of my favorite movies so far in 2026.

4.8 stars

Psycho Killer

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So I went to a movie today.

Psycho Killer is a new serial killer film from director Gavin Polone, featuring Georgina Campbell. It was written by Andrew Kevin Walker (who also wrote Se7en). I saw the original poster for this movie when I was doing the banner for February 2026, and it looked good. I saw it at Cinemark today and I realized that Psycho Killer was anything but good.

In fact, it was the worst film I have seen so far in 2026. Yes, the year is only in its second month, but this was certainly bad and it was outside of January.

What was good about this movie?

Hm

Wait a minute….

Um… it is better than last year’s War of the Worlds.

To be fair, I believe this film had a premise that could have been cool and could have worked, but anything that was cool about the movie was discarded and was ignored as the film moved on. It was such a mess, writing wise that one wondered how this could have been written by the guy who wrote Se7en.

There are no characteristics about any of the characters. They are all just one-dimensional cardboard cutouts. The psycho killer is not a character at all. The Psycho Killer is nothing more than a deep (silly) voice.

I have to say as well that the end of this movie is one of the worst endings that I have seen in such a long time. It totally did not make any sense and even the lacking character that this psycho killer had made no sense as to why this was done. It was just DUMB. I thought that I missed something along the way before this ending, but I did not. There was nothing that led to this story arc.

This felt like a lazy film without any real characters or real stakes for anyone I gave a crap about. It has one of the worst ending sequences of the last several years and just is not worth an hour and a half of anyone’s time.

0.8 stars

Sha Na Na S3 E5, E6, E7, E8

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This was an interesting stretch of episodes with Sha Na Na. They had four guest stars that did not fit into the typical type of performers that were on the show prior. Charlie Pride is a country singer, Disco Queen Gloria Gaynor, Isaac Hayes and Lola Falana both do not sing typical Sha Na Na music. It is an expansion that could open up more doors for other musicians.

The diner made a surprise return in episode eight. It was part of a running joke, which was also one of the first times this was done on Sha Na Na. Lennie wanted to play Annie because of the pretty dress, but the people in charge of Annie said Lennie was too fat to play the role. So Lennie went on a diet during the episode and they returned to the joke several times.

There were a couple of good comedy bits during these episodes. I especially enjoyed the “Rock and Roll is Here to Stay” bit where Sha Na Na dressed up like old folks. They were very funny with their outfits. The other one I liked the best was “Black Leather Denim Trousers” where they were on the street set.

We also had a comedy bit where Pamela Myers joined in to sing “How Much is that Doggie in the Window” with Sha Na Na dressed in dog outfits. It was nice to have her female voice once again in the show.

In episode 5, we got the performance by Screamin’ Scott of the song he wrote for the movie Grease, Sandy. Simon wrote the song with Louis St. Louis. The Lady in the Window said that Scott wrote the words, so perhaps he was the lyricists of the song. The song was written for the movie and was performed by John Travolta. Scott did a nice job performing it.

There were also a few songs that I did not know, specifically the ones at the beginning and end of the show. There was a cool one done by Lennie in the fifth episode and one by Jocko in episode 8.

The cuts on YouTube are still irritating, but haven’t been as bad as a few other times.

Iron Lung

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I had no idea what this movie was last week when it debuted as the number two movie at the box office. I heard some talk about it this past week after its massive success. That certainly put it on my radar.

The film was written and directed by YouTuber Markiplier and is based on a video game from 2022 by David Szymanski. Markiplier said the the film would be self-financed and that he would star in the film. With a small budget of $3 million dollars, Iron Lung made a whopping $30 million + worldwide.

With the huge story of the self-made man overcoming the Hollywood order to make a hit movie, the question was, “Was Iron Lung any good?” Sadly, I did not enjoy the film as much as I had hoped that I would.

According to IMDB, “In a post-apocalyptic future after ‘The Quiet Rapture’ event, a convict explores a blood ocean on a desolate moon using a submarine called the ‘Iron Lung’ to search for missing stars/planets.“

The convict was played by Markiplier, aka Mark Fischbach, and the setting was definitely an effectively claustrophobic thriller with an air of uncertainty. I would even go as far as to say that the best part of the film was the setting as it created the desired effect of the audience.

Unfortunately, I found that the story did not grab me and that I found it dull. If I am being honest, I dozed off a couple of times during the movie, so it might not be fair to judge it, but I can say that the story failed to maintain my attention.

I am very happy for Mark Fischbach and I am impressed with his success with this movie. Maybe I should give it a rewatch some day, maybe when it arrives on streaming. As for now, I would recommend people go see it to support someone who is not letting the challenges stop him from reaching for his dream. I just was not much of a fan of the part of the movie that I saw.

2.5 stars

(I reserve the right to raise or lower this score in a future viewing)

MASH (1970)

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January 31

So another Genre-ary comes to an ending with today’s movie, MASH, the original film from 1970 starring Donald Sutherland, Elliot Gould and Tom Skerritt, wrapping up the Comedy Genre-ary 2026.

I love MASH the TV show (it was my #8 in the Top 100) and that probably hurt this film, which I have seen a few clips from, but never sat down and watched the entire thing.

They were saying character names that I loved, but who did not seem like the characters that I loved. Outside of Radar O’Reilly (who was played by Gary Burghoff in the film and the TV series, the only cast member that returned), we saw Hawkeye Pierce, Trapper John, Henry Blake, Hot Lips, Frank Burns, Father Mulcahy, and Spearchucker.

My biggest problem with this film is that it is not the TV show. The doctors of the 4077 MASH felt so much meaner than what I was used to. I did not like some of the things that they did because they felt cruel instead of funny. They were cruder, obnoxious and not as empathic as I expected.

The plot was nearly non-existent. The film was just a series of scenes that were only connected together because they came at the 4077 MASH. That is… until the show turned into a football film. There were several episodes of the TV show where they competed against other units, but seeing them all in full football pads and helmets was weird.

The actors were strong with Donald Sutherland, Elliot Gould, Tom Skerritt, Gary Burghoff, Rene Auberjonois, Robert Duvall, Sally Kellerman, Jo Ann Pflug, Fred Williamson, David Arkin, Roger Bowen, Michael Murphy, and Timothy Brown.

I am sure that I would have liked this more than I did, if I did not have the TV series so firmly placed in my head.

And with that… the 2026 Genre-ary is closed.

Dirty Rotten Scoundrels (1988)

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January 27

I had thought that I had seen Dirty Rotten Scoundrels before, but I do not think I have. Certainly not all the way through to the end though I have seen clips of it. I always believed that I was not a fan and that it was not something that I would find funny. I guess this is a lesson to make sure that you have watched something before judging it, because I thought Dirty Rotten Scoundrels was fantastic.

According to IMDB, “Two con men try to settle their rivalry by betting on who can swindle a young American heiress out of fifty thousand dollars first.“

The Dirty Rotten Scoundrels were Michael Caine and Steve Martin and they were absolutely perfect together. The chemistry between the two con men carried the film. Glenn Headly added a nice touch of apparent innocence to the group with her portrayal of Janet Colgate.

I was rooting for Steve Martin in the beginning of the movie, but Michael Caine became someone better than you would expect. It was a fun ending which fit perfectly in with the story.

It had great comedy and showed the quick-wits of both characters. The rivalry between them was so believable, even if some of the things that they pulled off was out there.

This is a remake of the 1964 movie Bedtime story. This new version was directed by Frank Oz, who was well known as a Muppet performer (he did Miss Piggy and Fozzie Bear), the voice of Yoda, as well as director of other classic comedy hits such as Little Shop of Horrors, Bowfinger, and What About Bob?

I was sure that I had seen this before, but I had not seen the full film. It was very entertaining and full of Martin and Caine’s comedy chops and timing. I was very pleased to include this one in the Genre-ary for 2026.

The Beauty S1 E1, E2, E3

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Spoilers

“Beautiful Pilot”

“Beautiful Jordan”

“Beautiful Christopher Cross”

Ignition Press released a comic a few months ago called The Beauty, written by Jeremy Haun. I was unaware that there was a series before this one from Image Comics. I am enjoying the book from Ignition Press so I was intrigued when I heard that Ryan Murphy was adapting it to a FX series. The first three episodes dropped this past week and there will be a weekly drop on Wednesdays after that.

There is a virus that is transmitted sexually. When you get the virus, you become beautiful (in a horribly painful and gross way). Admittedly, there are some people who just explode in a big bloody mess. Not sure the difference at this point.

Evan Peters stars in the show as Cooper Madsen. The show also featured Rebecca Hall, Anthony Ramos, Ashton Kutcher, and Jeremy Pope.

FBI Agents Cooper and Jordan were investigating the mysterious deaths of several super models, including one that went crazy, killing a bunch of people before she exploded in a bloody splash. Meanwhile, out-of-shape and pathetic young man named Jeremy went to a plastic surgeon with the hope to make himself more attractive. The plastic surgeon worked on him, and it seemed to be successful. Jeremy went to a club where a group of women gave him some attention. However, they were just scamming him for free drinks.

Jeremy, in a rage, went to the surgeon’s office with a gun, killed several staff members, and threatened the doctor. The doctor, however, had another suggestion and hooked him up with a mysterious woman. Jeremy and the woman had sex and Jeremy wound up transforming into a more handsome, in shape person.

This series has a lot of body horror in it, and that is not one one of my favorite types of horror, but I am interested in the series so I will certainly be giving it a chance. I have been disappointed with Ryan Murphy lately (hated American Horror Story: Delicate and Grotesquerie). I did love early AHS and American Crime Story, so he has a hit-or-miss run for me. We’ll see how this goes.

Mercy

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A new “Screen Life” film is out this weekend featuring Chris Pratt and Rebecca Ferguson, directed by Timur Bekmambetov, who was a producer on last year’s classic War of the Worlds. That should have been the first hint.

However, to be fair, this is better than War of the Worlds because, of course, it had to be, right?

I actually liked the premise of this film. It was a lesser version of Minority Report (much lesser), but there were some ideas here that were going to work.

Chris Pratt was fine as the lead actor, playing Chris Raven, the police officer who was on trial for his wife’s murder. All of the videos and internet stuff made him look real guilty.

Thing is.. the near future world this movie was set in had done something new. It placed AI in charge of the justice system, setting the AI up as judge, jury and executioner. It gave the accused 90 minutes in which to prove his/her innocence or else they would be executed. So the whole trial was on a counting clock, which created some tension in the tale.

The AI judge was Judge Maddox, played by Rebecca Ferguson, and I feel like I missed out on something here. Was she supposed to be all AI or was she meant to be somehow human, because the AI judge kept being influenced by Raven and gave some seemingly emotional responses, which seemed to go against the whole set up. This was one of my biggest problems with the movie as I just did not understand what the AI judge was meant to be.

I also picked out the killer immediately. I do not think it was a huge pull for me as it was painfully apparent and predictable.

I thought the beginning of the film wasn’t bad, but the last act or so was aggressively dumber than it should have been. Things happened that made zero sense and played against what the film had spent time setting up.

There was a drone scene too, but at least they did not have to go to Amazon Prime to order it before they use it.

2.6 stars

Bamboozled (2000)

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January 19

In honor of Martin Luthor King Day, I scheduled Spike Lee’s film Bamboozled for the Genre-ary. It was quite the satire.

According to IMDB, “A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.“

The idea of this movie was used recently in the film American Fiction starring Jeffrey Wright. The thing is that this was so much more satirical than I ever expected.

Damon Wayans played Pierre Delacroix, a highly educated and uptight TV writer whose pitches were being rejected by his boss, Thomas Dunwitty (Michael Rapaport). Delacroix decided to provide a protest by presenting a minstrel variety show embracing all of the negative stereotypes associated with blacks. He intended on the show being rejected and leading to his own firing to escape the contract that he signed.

The problem was that the show became a huge hit by the public and the critics. Delacroix became enthralled by the success, losing himself in the racism.

There are so many shocking moments throughout Bamboozled that it is a difficult movie to watch. It is a powerful dismissal of the manner of television and its portrayal of African-Americans over the years. Admittedly, Bamboozled is not subtle in its satire, which may make it too cartoonish at times.

The ending was extremely tough to watch as everything came to a head. The idea that this movie had times that were difficult to watch was clearly done on purpose. It was meant to shake up the idea of racial stereotypes and racism inside the entertainment industry as well as throughout history, and Spike Lee definitely reached that level.

This is one of those movies that I enjoyed, but will probably never want to watch again. I do think it is a worthwhile show and some of the big ideas are necessary to today’s world.

28 Years Later: The Bone Temple

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I liked this movie. I want to start off with that statement. However, my star rating may not be as high as it might have been.

I went to the XD theater at Cinemark to see the film today and, when I got there, I saw that the heat was not working in that theater. They had a sign posted that anyone who wanted a refund could get it, but I decided to give it a try. After about ten minutes, I was regretting my decision. It was really cold. I looked to see if there were any other possible showing of the movie and there wasn’t any until later in the afternoon, so I was fairly stuck.

By the end of the movie, I felt as if my body was so cold, it wasn’t working properly. That was an exaggeration, but I was shivering and shaking. The environment of a movie can affect the enjoyment of a film, and this is probably a lesser review than I would give The Bone Temple than one where I was comfortable.

I do believe that I enjoyed this more than I did the last 28 Years Later from last year. This movie featured more with Dr. Ian Kelson, played brilliantly by Ralph Fiennes. We also followed the exploits of Spike, who would wind up being called Jimmy through most of the movie, played by Alfie Williams. Williams, who was born in 2011 making him 15 this year, does a fantastic job with this role, having to provide a lot of emotional moments and he had a lot of the story arc on his back.

Spike was picked up by a group of Satanists led by Sir Jimmy Crystal (Jack O’Connell), who inducted Spike into the group he was leading. Jack O’Connell was sensational in Sinners last year and he brings the same energy to this movie.

The film, though, was dominated by Ralph Fiennes, giving a tour de force performance, not only when the Jimmies crossed his path, but also working in an attempt to save the life of the gigantic alpha he named Samson (Chi Lewis-Parry). Without spoilers, the scene with Iron Maiden’s song was absolutely breathtaking.

The tension and suspense was ratcheted up throughout the film with some confrontations being expertly filmed. Directed by Nia DaCosta, 28 Years Later is a solid installment of this franchise.

3.9 stars

Polite Society (2023)

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January 15

Polite Society has been on my queue over on Peacock since the 2024 June Swoon. I had just never gotten around to watching it. It was not that appealing for me.

However, when I came across it on my queue a few days ago and it listed it as a comedy, I thought this would be the perfect chance to put this one to bed. The Rotten Tomatoes score was strong and I thought I would finally give it a chance.

According to IMDB, “Ria Khan believes she must save her older sister Lena from her impending marriage. After enlisting her friends’ help, she attempts to pull off the most ambitious of all wedding heists in the name of independence and sisterhood.“

I had a hard time getting into the movie at first. It did not grab my attention to really intrigue me. However, I have to say that about halfway through the film, I started to get into it and was much more engaged.

I do think the wilder the plot became for the film, the more interested I was.

I enjoyed the performance of Priya Kansara as Ria, the sister whose behavior did seem out of control. She was very funny, even if she was hard to like at first. She seemed so over the top that it made her a bit abrasive. However, once the shoe dropped, things took off.

I loved the performance of Nimra Bucha, who played Raheela. She became a devastating villain and an amazing foil for Ria. Bucha, who also appeared in Marvel Studio’s Disney + series, Ms. Marvel, showed exactly what she could have been on that show with her big time villain turn. She was sinister in the very best possible way. I would have loved to have seen this side on Ms. Marvel more. Even though the plot became exaggerated, she made it work with everything about her.

The film had a definite Bollywood feel to it, mixed with a martial arts film. It was very original and I wound up very much enjoying it, even after the slow start for me.

Superbad (2007)

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January 13

When I scheduled Superbad for the comedy Genre-ary, I was really not looking forward to it. It has typically been the type of movie that I hate. I was pushing it off as long as I could.

And then…

I really liked this.

I’m as surprised as anyone.

According to IMDB, “Two co-dependent high school seniors are forced to deal with separation anxiety after their plan to stage a booze-soaked party goes awry.”

I found this surprisingly entertaining, with some excellent writing and witty dialogue. The lines were sharp and hilarious and the situations were over the top, and yet not so much that you roll your eyes.

Jonah Hill, who I have never been a big fan of, was really great as Seth, and he was actually quite deep in this loud and obnoxious character. Historically, this is the type of loud character that irritates me, but, for some reason, this was much better than other films with the same type of character. Hill had great chemistry with Michael Cera, who played Evan. His balance against Hill’s loudness worked well.

The film was also debuts of both Emma Stone and Christopher Mintz-Plasse. Both actors had solid characters and I do think Mintz-Plasse’s run as McLovin was easily the best running joke of the film.

I do think it was too long. I would have liked to have seen about 10-15 minutes trimmed from the film as the middle dragged on a bit. However, the ending of the film was truly charming and hinted at more than just surface story.

The most over-the-top aspect of the film was the police officers, played by Bill Hader and Seth Rogen. I liked them, but there may have been too much of them over the course of the film. Some of these scenes would be the ones I would trim, but they had a wonderful scene near the end of the film with Mintz-Plasse, as that relationship had been built up during the middle.

This is the style of movie that I usually hate. Crude. Drug and alcohol jokes. Sex jokes. It just goes to show you that a film that is intelligently written, with strong characterization and plot that is legitimately funny even without the crude parts, can still be entertaining and well done. With quality, any style can be fun.

To Be or Not to Be (1942)

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January 12

It was 1942 when this movie came out and it was a brutal satire of Adolf Hitler and the Nazis in an extremely funny, dark comedy, To Be or Not to Be.

According to IMDB, “During the German occupation of Poland, an acting troupe becomes embroiled in a Polish soldier’s efforts to track down a German spy.“

I was surprised to see the opening credits include Jack Benny, who I knew of as a comedic performer from his radio and television show. I did not know that he was also an actor starring in movies. Benny was truly excellent in this film, and he played against Carole Lombard. The pair worked well together, having a wonderful charm and surprisingly solid chemistry. Their comedic timing was spot on and the dialogue of the film was remarkably clever and entertaining.

It is sad to note that this was the final film in the career of Carole Lombard as she was killed in a plane crash one month after the release of the film.

The film, having been released in the middle of World War II, took its shots at the Nazis and the Gestapo, as well as Hitler himself. It was very funny when the head of the Gestapo kept yelling for Schultz, as it brought me memories of Hogan’s Heroes.

It was very funny as well with all of the “Heil Hitlers” going on when everyone would meet. Such ridiculous fun I had to join in.

It did have several moments where it felt like the movie was going to abandon the comedy and turn into a more action centered film, but it never completely gave up the witticisms. Every moment Jack Benny was on screen, the film was hilarious.

Robert Stack was great as Lt. Stanislav Sobinski, which kicked off the entire story. Other actors in the film included Felix Bressart, Lionel Atwell, Sig Ruman, Stanley Ridges, Tom Dugan, Henry Victor, and Charles Halton.

This is an amazing movie, especially when considering when it was made, and I enjoyed it very much. I watched it on HBO Max.