Tag Archives: film

O’Dessa

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Haven’t had a rock opera in awhile.

Well, there is one on Hulu right now starring Stranger Things star Sadie Sink. It is called O’Dessa and it is something. I feel as if I should sit with this one awhile.

Sadie Sink played the titular character O’Dessa Galloway, a young farm girl who takes her father’s guitar and set off to become a rambler, a traveling musician, like her father. Along the way, she met Euri Dervish (Kelvin Harrison Jr) and she fell in love with him. O’Dessa must overcome series of obstacles in the way of their love to play one song for the world.

There are things that this movie does extremely well and things that it does poorly. It is definitely a mixed bag for me. Starting with the positives, Sadie Sink is absolutely the star of this movie and she showed that she has a bright career after her days in Hawkins, Indiana come to a close. She has amazing charisma and displays a lot of talent, elevating the movie above what the script gives her.

That script is one of the weaknesses of the film as there is not much there below the surface area of plot and character development.

As I mentioned in my recent review of Disney’s Snow White remake, the music in O’Dessa is entertaining and, in the moment, I enjoyed it, but I am not sure that I will remember any of the songs and it did not inspire me to go buy it on Apple Music. So that is a push. I enjoyed listening to the music during the film, but it does not occupy a place in my head as great musicals would.

The post-apocalyptic world is an interesting mishmash of styles and imagery. Some areas felt like the world of “Fallout” while others feature technology and neon energy such as Blade Runner. It felt as if there should have been one or the other.

Regina Hall and Murray Bartlett appear as a couple of villainous characters that do not have much more than the villainy that they commit. Both are outstanding actors that bring more to their roles than what was on the page. The ending segment with Sadie Sink and Murray Bartlett was engaging and thrilling even if there was not a ton of depth to the characters. I truly believe that this is because of the skill of these actors.

Overall, I would give O’Dessa a slight positive as the best parts outweighed the weaknesses and the music is passable enough for an under two hour film. I do not think this will be a cult favorite though which is what it should have strived for.

3.1 stars

Locked

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I had not heard about this movie until I saw a mention of it on TikTok. Starring Bill Skarsgård and Anthony Hopkins, this reminded me quite a bit of Phone Booth, with Colin Farrell, but with a car.

Eddie Barrish (Bill Skarsgård) was a man struggling to get his life on track. His van was in the shop and he did not have the money to pay to get it fixed and he could not keep his promises to pick up his daughter, Sarah (Ashley Cartwright) after school.

In an attempt to get the money he needed, Eddie was in search of a car that might be open where he could steal the money he needed. He was not stealing cars, just looking for stuff he could steal inside.

When he comes across a wealthy looking car unlocked in a parking lot, Eddie thinks he has struck it rich. That is until he realizes that he can not get back out of the car. He is locked inside. And a phone line from the car is ringing, demanding that he answer it.

When Eddie can’t take the ring any longer, he answers the phone to discover that the car’s owner, William (Anthony Hopkins) is on the other end and this car was a trap to punish anyone trying to rob it. William then tortures Eddie for several days in several hard to buy scenarios in an attempt for justice. Eddie does not know how deep the anger goes inside William.

I am of two minds with this one. While I like the idea and the execution, some of the things going down are hard to accept as possible. The electrified seats, the bullet proof glass, and the cameras everywhere were all accepted as part of the trap. I kept thinking that there had to be a way out of this car and that made it tough for me to accept the premise.

Bill Skarsgård, however, does a fantastic job as Eddie. Eddie goes through the ringer here, both physically and emotionally. This is one of the rare films that Bill Skarsgård has done where we can see his face, and he does not disappoint. His character is filled with all kinds of emotion and guilt over the life that he has chosen and his own failures as a man and a father. He clearly loves his daughter, even while letting her down consistently.

There just felt like there was something that did not work in this movie for me, and, I can’t believe I’m going to say this, but I think it was Anthony Hopkins. He is a master at acting, but I just did not feel like he was cast properly in this role. I found his dialogue to be clunky and all over the place, lacking that taut delivery of some of his other classic villains. The film want this to be a morality tale, but it takes too long to get to the reasoning behind the trap and I found Hopkins to be more annoying than sinister.

The drama is well done and the scenes with the car in motion are both ridiculous and suspenseful at the same time. There is a scene with a slow motion deflecting bullet that is kind of laughable, but most of the action is good.

I do think the performance of Bill Skarsgård is worth the price of admission alone. Locked felt too long, even at just over 90 minutes, but what worked in the film worked well.

3 stars

The Electric State

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What do you expect for a budget of $320 million? A good movie?

The Electric State, based on a 2018 graphic novel, is one of the most expensive Netflix movies ever made, and to be fair, you can see the money on the screen with some tremendous special effects. However, there is not much of anything else in the film and it just lacked any kind of heart, any type of spark.

Joe and Anthony Russo directed the film, reteaming with writers Christopher Markus and Stephen McFeely from their MCU days. They worked together on Captain America: Winter Soldier, Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame. Those are classic Marvel films. This one is not those.

According to IMDB, “With humans isolated in their VR helmets and a continuing battle against a strange breed of monstruous drones in the wake of a technological meltdown, a teenage girl named Michelle and a robot travel the West Coast of the U.S in search of the girl’s missing brother.“

One thing for sure, this movie has an astounding cast. Starring Millie Bobby Brown and Chris Pratt, the film also featured either live action or voice over performances from Stanley Tucci, Woody Norman, Woody Harrelson, Alan Tudyk, Jason Alexander, Holly Hunter, Tuc Watkins, Giancarlo Esposito, Ke Huy Quan, Colman Domingo, Anthony Mackie, Hank Azaria, Rob Gronkowski, Brian Cox, Jenny Slate, Greg Cromer, and Kurt Loder.

Despite the loaded cast, this movie was a slog, taking pieces that we have seen from other films and mashing them together into a lesser contraption.

I immediately was pulled out when one of the characters was Mister Peanut. Yes, Mister Peanut from Planters. The character design of the robots, almost all of the robots, was so childish and cartoonish that I had no connection to them at all.

The biggest problem with that is that the robots did not fit with the tone being set up in this movie. Had this been a satire or a straight up action/comedy, maybe these robots would have worked, but this movie tried to be a serious film with sprinkling of humor throughout, and it did not work. Had this movie really embraced the ridiculousness of the film, it might have been a much better movie.

While there is a great cast, there is not any characters with any depth to them at all. They are all, with the possible exception of Millie Bobby Brown, one-dimensional characters that lack any real development through the film. Chris Pratt played the same character that he has played in many different movies. How are you supposed to give character development to Mister Peanut?

Electric State missed the mark badly. It had a chance to do something new and different, but slipped back into the most cliched story you could expect and just could not nail the tone. It tried to be too many different things and failed at all of them. A real disappointment. Hope the Russos do a better job with Avengers: Doomsday and Avengers: Secret Wars over the next few years.

1.2 stars

The Day the Earth Blew Up: A Looney Tunes Movie

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I do love the Looney Tunes. However, to be fair, Bugs Bunny is my favorite character. I was wearing my Bugs Bunny shirt when I went to see the new WB Animation movie The Day the Earth Blew Up: A Looney Tunes Movie. I knew that Daffy Duck and Porky Pig were the leads of the flick, but I was still hoping for a Bugs Bunny cameo. Unfortunately that did not happen.

Despite the disappointment over the lack of the rascally rabbit, I had fun with the feature-length animated film. There were some moments that I did not love, but, for the most part, this was a good time and the Looney Tunes remain a classic cartoon.

According to IMDB, “Porky and Daffy, the classic animated odd couple, turn into unlikely heroes when their antics at the local bubble gum factory uncover a secret alien mind control plot. Against all odds, the two are determined to save their town (and the world!)…that is if they don’t drive each other crazy in the process.”

The early years with Daffy and Porky being raised by Farmer Jim were wonderful. The way the movie presented Farmer Jim was something special. I found every minute of Farmer Jim to be hilarious, and the different animation style on the character was perfect.

The film really is of two parts. The first part is dealing with the dangerous chewing gum, and the second part switches things up and has to deal with a planet wide emergency, both situations featured Daffy and Porky smack dab in the middle.

The voice acting was solid from a group of voice over actors that may not be known names, but who had plenty of experience to bring great work. They include Eric Bauza (both Porky and Daffy), Candi Milo, Peter MacNicol, Fred Tatasciore, Laraine Newman, Wayne Knight, Ruth Clampett, Kimberly Brooks, Keith Ferguson, and Peter Browngardt.

The Looney Tunes certainly have a place in today’s animated films and this should show that. I want Bugs Bunny next time, though.

3.75 stars

Mickey 17

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Academy Award winning director/writer Bong Joon Ho (Parasite, Snowpiercer, Okja) is back with his new film released this weekend after several delays, Mickey 17, based on a novel named Mickey 7 by Edward Ashton. Mickey 17 is a mix of sci-fi/dark comedy/drama/satire/fantasy-adventure. Unfortunately, these genres are not combined well and are at odds with the others more times than not.

Mickey 17 tells the story of a man named Mickey Barnes (Robert Pattinson), who, in order to escape earth and a loan shark who is after him, volunteers to be an expendable, a person they give the bad jobs to and, if something tragic happens, they clone the expendable and replace his memories.

Which is where the 17 comes from in the title. The seventeenth version of Mickey is the one we are with during the brunt of the beginning of the film. Then something unexpected happened and they wind up creating Mickey 18, even though Mickey 17 was not yet dead.

While I feel that there were several problems with the movie, I did not hate this. In fact, I am kind of on the fence about it. Some of the stronger parts of the film is certainly the performance of Robert Pattinson. His work as both Mickeys was extremely strong, as he was able to create two distinct characters, even though they were meant to be the same person. I am not sure why Mickey 18 turned out to be as different from Mickey 17 as he did, which was something the film did not go into.

The first part of the film was very intriguing. I liked the sci-fi elements to the story, especially the ones between 17 and 18 in the early part of the film.

The film looked great. The CGI was spectacular and you could see the wonderful eye of director Bong Joon Ho.

However, the film was not that funny, with most of the humor falling flat. I did not enjoy the performance of Mark Ruffalo, who was clearly doing a satirical take on Donald Trump. I am not a Trump fan, and I believe there is plenty of area available for parody, but this was just so over-the-top and blatant that it lacked any subtlety at all. Plus the character played by Ruffalo is such a one-note villain that it felt too cartoonish for the rest of the film. Toni Collette, who played the wife of Ruffalo’s character, was better, but she was similarly one dimensional. Her whole obsession with “sauce” made little sense in the overall film.

Several characters and moments were introduced only to never really have a payoff. I love Steven Yeun (Walking Dead), but his character was inconsistent for me and his storyline felt like it was added to get Steven Yeun into the movie. It felt like it could have been removed completely without any massive change to the story.

It was also 2 hours and 17 minutes long, which is not a bad thing necessarily, but it did feel its length during the film. The last part of the movie was chaotic and strange and I am not sure how well it worked. I do like the big swings with the oddity of a film that this is, but it just did not feel to be a cohesive narrative with a consistent tone.

I think some of the ideas in Mickey 17 are extremely great and could have made a better movie than what this turned out to be. For me, I came out of the theater with a meh feel after having some high hopes heading in. As I said, it is not a bad movie. It does not come anywhere near Parasite or Snowpiercer.

2.9 stars

Dog Man

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With a day off school for weather, I had a chance to watch Dog Man on Fandango at Home (Vudu). Dog Man was a movie that I was avoiding at the theaters because it just did not look like something that would intrigue me. The trailers did nothing for the film in my opinion and, even after some positive reviews, I did not care to watch it.

So when I rented Dog Man, I was not especially anxious to see it.

I have to say, this was a movie that I found much more enjoyable than I ever expected it to be.

The film kicked off with the origin of Dog Man, and set up his rivalry with the evil cat, Petey (Pete Davidson). With pressure from Chief (Lil Rel Howery) and the Mayor (Cheri Oteri), Dog Man was chasing Petey, and every time Dog Man would catch him, Petey would escape from the Cat Prison. Everything changed when Petey decided to clone himself.

The script of this movie was pretty good, as it told the story of what was going on, but also reveled in a ton of meta filmmaking. There were tons of jokes about the movie, the style, the animation, and about the tropes that were actually quite funny. They were jokes that worked much better in context than they did during the trailers, which always seemed to be painfully unfunny.

The look of the animation was original and creative. I thought this looked really good and kept my focus on the screen.

I am sure that the target audience for this movie, of which I am not one, would find this incredibly entertaining. I would go as far as to say that I was entertained as well. This had some jokes for me as an adult mixed in with the jokes for the youth. They worked well together.

It is very sweet, maybe even too sweet at times.

I am happy that I was able to watch Dog Man. It was much better than I thought it would be. I would highly recommend it to any families out there looking for some funny family fare that everyone will enjoy.

3.6 stars

Oscar Winners

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Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

2025 Oscar Live-action and Animated Shorts

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I was able to see the five Academy Award nominated Live-action shorts and the five animated shorts today at Cinemark. I look forward to this every year, getting the chance to see these well deserving films. I was under a time constraint today thanks to the WWE Elimination Chamber, but it was able to fit nicely in.

Live-Action Shorts.

I am going to list these in order of my favorite. I will also give you which one I think will win the Oscar. Spoiler, my favorite animation short is not the one that I am predicting will win the Academy Award.

#5. The Man Who Could Not Remain Silent. From Croatia. Honestly, this was my least favorite of the films I saw today. It felt like it was doing something special, but it just seemed to end and I did not like the conclusion of the film.

#4. Anuja. India. I liked this short. The actress playing Anuja does a great job with the talented young girl, but the ending of this one was left fairly uncertain and I wanted more closure.

#3. I’m Not a Robot. Netherlands/Belgium. This sci-fi short was very clever. Started off with some good humor, but developed into an obsession. I did not know that the CAPTCHA could identify robots in other ways. This was an enjoyable short.

#2. The Last Ranger. South Africa. A remarkably powerful short film detailing poachers targeting rhino horns. There are some really emotional moments in this short and the performance by Liyabona Mroqoza is riveting. I just about put this at number one, but…

#1. A Lien. USA. Man this was a tough short to watch. A young couple and their daughter heads down to have the husband’s green card meeting and ICE is there. The emotion, the fear, the anger and frustration jumps off the screen in this short.

A Lien gets my pick as the winner for the Academy Award for Best Live-Action Short.

Animated Shorts

I did enjoy the Live-Action shorts overall more than the Animated ones, but these were all pretty decent too.

#5. Wander to Wonder. Netherlands/Belgium/France. This was such a bizarre short. Wander to Wonder was a kiddie show at one point but things have become really dark. It was truly disturbing and weird.

#4. Beautiful Men. Netherlands/Belgium/France. Three brothers who were hoping to get a hair transplant surgery, have to face their problems and their insecurities. I thought this was a good short with some solid characteristic development.

#3. Magic Candies. Japan. This one felt like it was just too long. There was a scene in this film, where the young boy had some magic candy and it led to a nice moment with his father. That should have been the end, but then the short continued on. It just went too long for me. The first fifteen minutes or so were really great.

#2. Yuck!. France. This is the sweetest of the animated films as the whole thing was based around a first kiss. This was a nice animated short.

#1. In the Shadow of the Cypress. Iran. This was my favorite animated short. I loved the animation and I thought this story was the deepest. There was a lot of emotion. The father, daughter and a whale. I loved this whole thing.

However, my pick to win the Oscar is Magic Candies. I just have a feeling this is what the Academy will do. I hope In the Shadow of the Cypress wins, but I do not think it will.

Oscar Picks from EYG

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Here are my official Academy Award picks for the Sunday night awards. I am not seeing the short films until tomorrow so I will be skipping that pick as of now.

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

I’ll pick the other two tomorrow after I see the live action and animated shorts.

Oscar Nominees

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Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

The Monkey

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Horror/comedy movies can be difficult to do. At some times, the tones between the two genres do not mix well and may feel all over the place. However, when they work, you get some highly entertaining moments, and that is what I feel the latest film from writer/director Osgood Perkins (director of Longlegs) accomplished.

The story tells of a winder-up, toy grinder monkey that wound up in the closet of the father of twins Hal and Bill (both played by Christian Convery). It does not take long for the twins to realize that when the monkey’s key in its back is wound, someone near them dies in a shocking and quite gruesome way.

After a close tragedy, the twins decided to drop the monkey down a well to get rid of it forever. Little did they know that this would not be the end of the monkey.

Many years later, the monkey returned to the lives of the now estranged brothers and continued to amass chaos in it wake.

I enjoyed this movie a great deal. I heard some critics claim that the tone was too scattered, but I found the tone to work extremely well. It felt somewhat campy, but I thought that worked for the film.

The design of the monkey was creepy, in particular with the smile that would cross its face just before it started drumming. I thought the creepiness factor was just the right amount to keep this unsettling. I would not call the film scary, necessarily, but the kills of the film absolutely turned in some gory moments. Gore is usually not my favorite type of horror, but it felt like it worked so well with the humorous tone that the gore did not bother me.

Theo James, who played the adult versions of the twins, and Christian Convery did amazing jobs playing the two different characters. They played them with their own original styles that I was not sure they were actually the same actor or if it were just an actor that resembled each other really well.

It was also awesome to see Tatiana Maslany appear as the twins’ mother, Lois. She did not have a long role, but her scenes were very impactful and helped create a feel for this character. Elijah Wood had a brief cameo in the film in a role that really could have been expanded more.

The more ridiculous it became, the more I embraced the silliness and repelled at the kills. I really found this to work well together. Sure the story itself may not have been as deep as one might expect, but that worked within the context of the film too. Maybe I would have wanted a little more depth to the characters, specifically, why Hal and Billy were never close as children. I understand the anger directed as adults, but why did the twins never have the type of relationship one would expect?

Either way, I was entertained by The Monkey and I thought the performances were all really strong, the film was a hoot, and the kills would be appreciated by any horror aficionado. The Monkey was originally based on a short story by horror master Stephen King.

4.2 stars

One of Them Days

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I was never a fan of the trailers for the movie One of Them Days, and I swear it was shown before every movie I watched for months. Because of that, I have ignored this movie for several weeks. However, I have heard positive word of mouth about the film so I figured I would fit it into the schedule. A lot of times when I set up a film like this, I come back loving the movie. Sadly, that is not the case for this one.

Of course, I did not hate this. I would say that it was passable.

According to IMDB, “When best friends and roommates Dreux and Alyssa discover Alyssa’s boyfriend has blown their rent money, the duo finds themselves going to extremes in a race against the clock to avoid eviction and keep their friendship intact.“

While I did not love much of anything in the film, my favorite part was easily the performance of Keke Palmer. Her performance as Dreux was full of charm and humor. She pulled off the main protagonist of this film wonderfully well. She was absolutely a star on the screen. I was not as much of a fan of the performance of SZA, but she definitely had chemistry with Palmer. I was not a huge fan of the character that SZA was playing. I feel as if I have seen this type of character before.

The story was too compressed into this time frame and I think it is tough to buy everything happening in this single day. Still, several of the individual scenes were funny and well set up. And i guess the idea that this is “one of them days” is part of the concept.

Keke Palmer and, to a lesser extent, SZA is the reason to watch this movie. Their chemistry and charm carries the film through for me.

3 stars

Companion

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Companion is a sci-fi/thriller that flew under the radar. I knew very little about it before it was released in the theaters. I do not recall seeing any trailers for the film. I had heard some positive word of mouth about the film, but I still knew very little when I walked into the theater this morning to see it.

If you can go into this movie with as little knowledge as you can, please do so. Companion was an outstanding film that was a ton of fun and very creative and imaginative.

In the vein of going into this movie as free as you can, I am not giving any spoilers, nor am I going to give a synopsis, as this is one of those films where it is very difficult to give a synopsis without giving away some major plot points.

Starring Sophie Thatcher (Heretic, Yellowjackets) played Iris and Jack Quaid (The Boys) played Josh, a couple who was heading for a weekend with friends at a remote cabin. Both Thatcher and Quaid do a sensational job in this film as our main characters. They had a great chemistry and worked very well together to create a story that kept the audience on the edge of their seats the entire time.

The film was both exciting and funny, blending both together very effectively. The writing was so good in both structure and dialogue. You had feelings for these character, including the secondary characters played by Lukas Gage, Megan Suri, Harvey Guillen, and Rupert Friend.

You may never have heard of this movie, but it is absolutely worth your time. It is a blast and provides such a exceptional experience.

4.2 stars

Flight Risk

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Mel Gibson has fallen quite a bit since Hacksaw Ridge almost ten years ago.

His new directorial work, Flight Risk, is a silly, 90’s style action movie that produced as many eye rolls as it did action moments. I have to say though that I did not hate this movie. It was just not very good.

According to IMDB, “In this high-stakes suspense thriller, Academy Award® nominee Mark Wahlberg plays a pilot transporting an Air Marshal (Michelle Dockery) accompanying a fugitive (Topher Grace) to trial. As they cross the Alaskan wilderness, tensions soar and trust is tested, as not everyone on board is who they seem.“

Michelle Dockery and Topher Grace were both decent in their roles and they both made me care about their characters, even though they both did really stupid things that if you would take five seconds to think about, you would do something different.

Mark Wahlberg is a long way from an Academy Award nominee in this role. He is so over the top that he was tough to watch.

Of course, we all knew what the situation was, because this film gave it to us in the trailers. Wahlberg was a hitman trying to kill Topher Grace, who was turning state’s evidence.

There was a leak storyline that was probably the dumbest of the storylines. When it was just the three of them in the airplane, the movie was much better. Dockery’s character, Madolyn, was so mistrusting of everyone, except one that I would have started to doubt immediately.

There were some funny moments, mostly from Topher Grace, but nothing that was going to make this a better movie. It was not a satire or a parody. It was just trying to be a dumb action movie. With that as a goal, the film is a success.

I did not hate myself for watching this, but I would not recommend anyone go out to the theater to see Flight Risk. You see most of the movie in the trailer anyway. However, this would not be the worst film on a lazy weekend on streaming.

2.8 stars

MoviePass, MovieCrash (2024)

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January 22

Today’s Genre-ary documentary was found on MAX called MoviePass, MovieCrash, which looks upon the rise and collapse of the movie subscription service MoviePass.

According to IMDB, MoviePass, MovieCrash is…”Exploring the company founding and the implosion of the business by outside investors who took over the company, left it bankrupt and under investigation.”

Stacy Spikes, the founder of MoviePass, took his idea and made it a phenom. For a limited fee monthly, you could go to a movie a day at any theater. It was a revolutionary concept that helped movie theaters. Hamet Watt was a board member of the company and was a co-founder with Spikes.

As they were trying to build their business, two other men came into the orbit of MoviePass. Mitch Lowe, who became CEO of MoviePass, and Ted Farnsworth, Helios and Matheson’s CEO. Helios and Matheson purchased the company in 2017. In 2018, Spikes and Watt were fired from the company that they had founded.

It was at this point where the company started to pull shady deals because they were hemorrhaging money and they were trying to find a way to bring down costs. The problem was they did not keep the consumer, their customers, in the loop.

They worked it so one of the massive movie releases of the summer, Mission Impossible: Fallout, would be unavailable for their users to go to, despite still taking their money. More and more error messages would come up when attempting to use the MoviePass card and the business was being driven into the ground. Finally the company had to declare bankruptcy.

There is an air of racial tint to this story as well. Spikes and Watt were both African American and, at the time that they were forced out of MoviePass, the rest of the board was all white. The doc touched upon this aspect, which was some of the more fascinating pieces of the story. One would wonder how it would have gone if Spikes and Watts were white.

The story of MoviePass is a remarkable one, a company that took off like a rocket, creating a huge success in the business of theaters only to be brought down by a couple of con artists looking for an easy score. It is an amazing story.