Tag Archives: film

Oscar Nominees

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Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

The Monkey

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Horror/comedy movies can be difficult to do. At some times, the tones between the two genres do not mix well and may feel all over the place. However, when they work, you get some highly entertaining moments, and that is what I feel the latest film from writer/director Osgood Perkins (director of Longlegs) accomplished.

The story tells of a winder-up, toy grinder monkey that wound up in the closet of the father of twins Hal and Bill (both played by Christian Convery). It does not take long for the twins to realize that when the monkey’s key in its back is wound, someone near them dies in a shocking and quite gruesome way.

After a close tragedy, the twins decided to drop the monkey down a well to get rid of it forever. Little did they know that this would not be the end of the monkey.

Many years later, the monkey returned to the lives of the now estranged brothers and continued to amass chaos in it wake.

I enjoyed this movie a great deal. I heard some critics claim that the tone was too scattered, but I found the tone to work extremely well. It felt somewhat campy, but I thought that worked for the film.

The design of the monkey was creepy, in particular with the smile that would cross its face just before it started drumming. I thought the creepiness factor was just the right amount to keep this unsettling. I would not call the film scary, necessarily, but the kills of the film absolutely turned in some gory moments. Gore is usually not my favorite type of horror, but it felt like it worked so well with the humorous tone that the gore did not bother me.

Theo James, who played the adult versions of the twins, and Christian Convery did amazing jobs playing the two different characters. They played them with their own original styles that I was not sure they were actually the same actor or if it were just an actor that resembled each other really well.

It was also awesome to see Tatiana Maslany appear as the twins’ mother, Lois. She did not have a long role, but her scenes were very impactful and helped create a feel for this character. Elijah Wood had a brief cameo in the film in a role that really could have been expanded more.

The more ridiculous it became, the more I embraced the silliness and repelled at the kills. I really found this to work well together. Sure the story itself may not have been as deep as one might expect, but that worked within the context of the film too. Maybe I would have wanted a little more depth to the characters, specifically, why Hal and Billy were never close as children. I understand the anger directed as adults, but why did the twins never have the type of relationship one would expect?

Either way, I was entertained by The Monkey and I thought the performances were all really strong, the film was a hoot, and the kills would be appreciated by any horror aficionado. The Monkey was originally based on a short story by horror master Stephen King.

4.2 stars

One of Them Days

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I was never a fan of the trailers for the movie One of Them Days, and I swear it was shown before every movie I watched for months. Because of that, I have ignored this movie for several weeks. However, I have heard positive word of mouth about the film so I figured I would fit it into the schedule. A lot of times when I set up a film like this, I come back loving the movie. Sadly, that is not the case for this one.

Of course, I did not hate this. I would say that it was passable.

According to IMDB, “When best friends and roommates Dreux and Alyssa discover Alyssa’s boyfriend has blown their rent money, the duo finds themselves going to extremes in a race against the clock to avoid eviction and keep their friendship intact.“

While I did not love much of anything in the film, my favorite part was easily the performance of Keke Palmer. Her performance as Dreux was full of charm and humor. She pulled off the main protagonist of this film wonderfully well. She was absolutely a star on the screen. I was not as much of a fan of the performance of SZA, but she definitely had chemistry with Palmer. I was not a huge fan of the character that SZA was playing. I feel as if I have seen this type of character before.

The story was too compressed into this time frame and I think it is tough to buy everything happening in this single day. Still, several of the individual scenes were funny and well set up. And i guess the idea that this is “one of them days” is part of the concept.

Keke Palmer and, to a lesser extent, SZA is the reason to watch this movie. Their chemistry and charm carries the film through for me.

3 stars

Companion

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Companion is a sci-fi/thriller that flew under the radar. I knew very little about it before it was released in the theaters. I do not recall seeing any trailers for the film. I had heard some positive word of mouth about the film, but I still knew very little when I walked into the theater this morning to see it.

If you can go into this movie with as little knowledge as you can, please do so. Companion was an outstanding film that was a ton of fun and very creative and imaginative.

In the vein of going into this movie as free as you can, I am not giving any spoilers, nor am I going to give a synopsis, as this is one of those films where it is very difficult to give a synopsis without giving away some major plot points.

Starring Sophie Thatcher (Heretic, Yellowjackets) played Iris and Jack Quaid (The Boys) played Josh, a couple who was heading for a weekend with friends at a remote cabin. Both Thatcher and Quaid do a sensational job in this film as our main characters. They had a great chemistry and worked very well together to create a story that kept the audience on the edge of their seats the entire time.

The film was both exciting and funny, blending both together very effectively. The writing was so good in both structure and dialogue. You had feelings for these character, including the secondary characters played by Lukas Gage, Megan Suri, Harvey Guillen, and Rupert Friend.

You may never have heard of this movie, but it is absolutely worth your time. It is a blast and provides such a exceptional experience.

4.2 stars

Flight Risk

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Mel Gibson has fallen quite a bit since Hacksaw Ridge almost ten years ago.

His new directorial work, Flight Risk, is a silly, 90’s style action movie that produced as many eye rolls as it did action moments. I have to say though that I did not hate this movie. It was just not very good.

According to IMDB, “In this high-stakes suspense thriller, Academy Award® nominee Mark Wahlberg plays a pilot transporting an Air Marshal (Michelle Dockery) accompanying a fugitive (Topher Grace) to trial. As they cross the Alaskan wilderness, tensions soar and trust is tested, as not everyone on board is who they seem.“

Michelle Dockery and Topher Grace were both decent in their roles and they both made me care about their characters, even though they both did really stupid things that if you would take five seconds to think about, you would do something different.

Mark Wahlberg is a long way from an Academy Award nominee in this role. He is so over the top that he was tough to watch.

Of course, we all knew what the situation was, because this film gave it to us in the trailers. Wahlberg was a hitman trying to kill Topher Grace, who was turning state’s evidence.

There was a leak storyline that was probably the dumbest of the storylines. When it was just the three of them in the airplane, the movie was much better. Dockery’s character, Madolyn, was so mistrusting of everyone, except one that I would have started to doubt immediately.

There were some funny moments, mostly from Topher Grace, but nothing that was going to make this a better movie. It was not a satire or a parody. It was just trying to be a dumb action movie. With that as a goal, the film is a success.

I did not hate myself for watching this, but I would not recommend anyone go out to the theater to see Flight Risk. You see most of the movie in the trailer anyway. However, this would not be the worst film on a lazy weekend on streaming.

2.8 stars

MoviePass, MovieCrash (2024)

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January 22

Today’s Genre-ary documentary was found on MAX called MoviePass, MovieCrash, which looks upon the rise and collapse of the movie subscription service MoviePass.

According to IMDB, MoviePass, MovieCrash is…”Exploring the company founding and the implosion of the business by outside investors who took over the company, left it bankrupt and under investigation.”

Stacy Spikes, the founder of MoviePass, took his idea and made it a phenom. For a limited fee monthly, you could go to a movie a day at any theater. It was a revolutionary concept that helped movie theaters. Hamet Watt was a board member of the company and was a co-founder with Spikes.

As they were trying to build their business, two other men came into the orbit of MoviePass. Mitch Lowe, who became CEO of MoviePass, and Ted Farnsworth, Helios and Matheson’s CEO. Helios and Matheson purchased the company in 2017. In 2018, Spikes and Watt were fired from the company that they had founded.

It was at this point where the company started to pull shady deals because they were hemorrhaging money and they were trying to find a way to bring down costs. The problem was they did not keep the consumer, their customers, in the loop.

They worked it so one of the massive movie releases of the summer, Mission Impossible: Fallout, would be unavailable for their users to go to, despite still taking their money. More and more error messages would come up when attempting to use the MoviePass card and the business was being driven into the ground. Finally the company had to declare bankruptcy.

There is an air of racial tint to this story as well. Spikes and Watt were both African American and, at the time that they were forced out of MoviePass, the rest of the board was all white. The doc touched upon this aspect, which was some of the more fascinating pieces of the story. One would wonder how it would have gone if Spikes and Watts were white.

The story of MoviePass is a remarkable one, a company that took off like a rocket, creating a huge success in the business of theaters only to be brought down by a couple of con artists looking for an easy score. It is an amazing story.

The Thin Blue Line (1988)

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January 21

The Genre-ary for today is the oldest of the documentaries I watched for this DailyView so far. It was from 1988 and it was called The Thin Blue Line. It documented the case of wrongfully convicted cop killer Randall Adams, who had always claimed that he was innocent. After the release of this documentary, the case against Adams was reexamined and he was set free.

Randall Adams had run out of gas and had been picked up by a 16-year old runaway named David Harris. Adams and Harris hung out for the night, drinking, smoking marijuana and going to the movies. Adams claimed that he then returned to his motel and went to sleep. Harris claimed that they went out again and were pulled over by the police and that Adams shot the cop and drove off, leaving the officer to die in the street.

Apparently, the prosecutors and investigators targeted Adams as their killer, even going as far as to give Harris immunity to be their eyewitness. There were other eyewitnesses whom had driven past the pull over before it turned deadly. These witnesses claimed to have seen Adams too. However, these witnesses were dubious to say the least.

The documentary interviewed both Adams and Harris in an effort to tell the story that had happened. There were also interviews from the defense attorneys, the judge, and several of the police involved before and after.

Another thing that this doc did was to use recreations to show the events of the night through a variety of POVs. At the time, most documentary films did not use this technique in its story telling methods and it gave The Thin Blue Line a different feel. In 2025, some of these recreations were cheesy, but I did get used to them as the film went on. The film also used a soundtrack, scored by Phillip Glass, that was very memorable and created a mood for the film.

This was extremely influential in the world of the documentary. Many true crime style docs take concepts and storytelling techniques from The Thin Blue Line. It was a compelling story at the heart of the doc, with interviews with everyone involved.

Amy (2015)

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January 19

Today’s Genre-ary was an Academy Award winner from 2016. Amy is the story of British singer/songwriter Amy Winehouse.

I knew only a little bit of Amy Winehouse. I am unfamiliar with her music, but I did know of her death in 2011 and I had heard of this documentary from A24 when it was making the rounds in 2015.

Constructed by home movies, archival footage and personal interviews, Amy paints a picture of a remarkably talented woman who struggled with the traps of fame and the dangers of excess that, at times, went hand and hand with it.

Watching this tragedy unfold in this documentary, I was struck with the idea that Amy Winehouse never truly knew who she was or that she was always afraid of the truth and she spent plenty of time running from it by the drug use or the alcohol. It seemed as if there were two powerful men in her life whom she adored, her father Mitch and her husband Blake Fielder, and both of them appeared to take advantage of her celebrity. The scenes of her father bringing a camera crew to an island hideaway with Amy was repulsive.

Amy never felt comfortable as a celebrity. The constant imagery of her moving through a pool of paparazzi with cameras clicking away is one of the enduring depiction of this doc.

Another is the amazing strength of Amy’s voice and her songwriting skills. The doc had all kinds of performances from recordings over her career with lyrics to the songs written on screen allowing the song to speak as much as the sadness surrounding much of her existance.

You know you’re something special when you can have legendry singer Tony Bennett end the documentary with the quote, “She was one of the truest jazz singers I ever heard. To me, she should be treated like Ella Fitzgerald, like Billie Holliday. She had the complete gift.”

Wolf Man

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As a fan of the old Universal Monster movies, I was looking forward to the next one to be remade by Blumhouse. When Blumhouse had done The Invisible Man back just before the pandemic, it was such an enjoyable film and offered some great new ideas for the topic.

Wolf Man did not have a lot of new ideas. It was basically what you would expect.

According to IMDB, “A family at a remote farmhouse is attacked by an unseen animal, but as the night stretches on, the father begins to transform into something unrecognizable.“

Positives: The film looked great. I enjoyed the visuals of the Wolf Man and I approved of how they kept the original creatures reasonably hidden for most of the first act or so of the film. The transformation, which was slow and took its time, was very effective.

The stress-level of the film was building as the transformation happened. You never was sure what was going to happen as the family tried to stay alive.

Julia Garner and Christopher Abbott did a nice job with their roles of married couple Charlotte and Blake. I was impressed with the young actress, Matilda Firth, who played thier daughter Ginger. Her terrified ractions were very solid and worked for the film.

The problem is that this story is so very thin and did not have anything more to it. None of the characters were sufficiently developed, with only Blake having any basic depth to him. The story was so simple that it left me wishing there was more to it.

I do think that this movie has technical aspects that are worth seeing and if you go into it not expecting too much, this is a passable monster movie. Unfortunately, Wolf Man does not reach the heights, especially story-wise, that some of the previous werewolf films do.

3.2 stars

Den of Thieves: Pantera

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Den of Thieves: Pantera is the first, actual, film from 2025. I had never watched the first film and, this being a sequel, I was a little concerned about that fact.

And truthfully, I could never get into this flick. I do believe the fact that I had not seen 2018’s Den of Thieves was a big reason I could never build any connection to the film. I disliked the characters, I thought the story, with a few exceptions, was dull and boring, and I just was peeking at the time through much of the first half of the movie wishing it would get over.

I could care less about the robbery that they were setting up, but I will say that the execution of the robbery itself was my favorite part of the film. Outside of that 20 minutes or so, I really found this to be an excruciating watch.

Without spoiling it, there were no less than two… TWO… Deus ex machina endings for this movie, and I hated both twists… SO MUCH!

According to IMDB, “Butler returns as Big Nick (Gerard Butler), this time on the hunt in Europe for Donnie (O’Shea Jackson Jr.) who is embroiled in the dangerous world of diamond thieves and the infamous Panther mafia as they plot a massive heist of the world’s biggest diamond exchange“

I thought both Butler and Jackson Jr. were fine with their characters. i just did not care about either one. There was a scene early in the film where Nick gets drunk/stoned etc. and I thought that was so ridiculous that it completely derailed the film for me. I was having enough issues getting into the story so something like this knocked it down even more.

As I said, the actual robbery had some good tension to it, although it was very difficult to swallow. I was more able to give the leeway here because the set up to the theft was so much better than the rest of the movie. Sadly, the post robbery stuff had me rolling my eyes (including a moment that seemed to go from night to day in an instant).

I don’t know if my opinions would be different if I had seen Den of Thieves before going to the sequel, but I did not, so I can only judge this on what they gave me, and what they gave me was substandard in my thought.

2.2 stars

Edit: I went back and looked at my other reviews and I actually did see Den of Thieves in 2018. I gave it a 2.3 star rating. It shows you how memorable that first film was for me.

Better Man (2024)

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Some of the movies that I missed from 2024, specifically a lot of the Oscar worthy ones, come out in limited release in one year, such as 2024 and then go wide in the following year, 2025. Recently, I have been holding off watching those films until the June Swoon, but there are some that I will watch immediately. September 5, next week, will be one that I will see in the theaters because I am really looking forward to it. I went to one of these films today. It was called Better Man and it was a weird biopic of British pop star Robbie Williams.

To be honest, I did not know much of anything about Robbie Williams going into the movie. I think I had heard about the boy band he was in, Take That, but that is about all. With my limited knowledge, I learned a lot about the pop star.

Like, for example, he was a talking, singing monkey.

It is an interesting choice by the film creators to make Robbie, the character, a CGI monkey, voiced by Jonno Davies and the film is narrated by Williams himself. None of the other characters referenced him being a monkey so it is clear that this is the way the character sees himself and the others were just seeing the human version.

The story follows the rise and fall of Robbie Williams. The biopic does not sugar coat the life that Williams led. It showed his drug use, his suicidal thoughts, and struggles in his career.

I will say that I think the conclusion of this movie was completely emotional. I was tearing up through the whole scene and I just loved it.

Steve Pemberton does a great job as Robbie’s father, a major factor in the life of his son, both negatively and positively.

This was a really great biopic about a person who I did not know much about. I was thoroughly entertained throughout the film. It was a creative film that took the musical biopic in a different way.

4.75 stars

ReMastered: Tricky Dick and the Man in Black (2018)

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January 6th

Today’s Genre-ary documentary I found on Netflix and it was a short doc about the time Johnny Cash was asked by President Richard Nixon to come and play at the White House.

The doc gave us some basic background on both Johnny Cash and on Richard Nixon. The Nixon section was specifically focused in on the Vietnam controversies among his presidency.

The doc talked about Nixon using the “Southern Strategy” that has been well documented in Presidential politics since the sixties when the south became more of a Republican stronghold instead of a consistent Democratic voters. It brought up how Nixon used some dog whistles to bring out the “Silent majority” to support the Republican party and create a nation of divisiveness. It was very connected to the present day politics and how it has its roots in this time frame.

The doc never went into too much detail about any of the sections, as it was just under an hour long.

It was interesting seeing how Johnny Cash was affected by his own trip to Vietnam and how he made some changes to the songs Nixon had requested Cash play at the White House. Both of the songs he asked for were songs that took shots at some of the marginalized people of the time, including hippies and those on Welfare.

I liked this doc, but I really believe it could have gone into much more details about the performance and about the two figures of American culture. It touched on a lot of the issues, but it did not go into enough depth.

Remembering Gene Wilder (2023)

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January 5th

This documentary covers the life of EYG Hall of Famer Gene Wilder, one of the great comedic actors of all time. Wilder was the star of a multitude of amazing movies including Young Frankenstein, Blazing Saddles, Stir Crazy, Willy Wonka and the Chocolate Factory along others.

I love Gene Wilder. Willy Wonka and Young Frankenstein are two of my all time favorite films and so I was interested in seeing this life

The film touches on his youth, but spends most of the time with his career and adult years. The background of the filming of The Producers and the other movie that followed was really great.

We had comments about the different movies and the genius of Gene Wilder from Mel Brooks, Alan Alda, Carol Kane, Harry Connick Jr., Eric McCormack, Ben Mankiewicz, daughter of Richard Pryor- Rain and Mike Medavoy.

The film spoke about Gene’s love and marriage with Gilda Radner as well as his discovery of his second wife Karen during research for the film See No Evil, Hear No Evil. Karen was a real emotional beat in the last section of the doc. As she was giving her first person POV of Wilder’s Alzheimer’s Disease, it was heartbreaking and I found myself with tears in my eyes.

Gene Wilder was such a kind and loving person and that comes across in this movie. We got much of this doc in Gene Wilder’s own voice. He did much of the narration of the film and it brought us even closer to this icon.

An Inconvenient Truth (2006)

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January 4th

One of the most well known documentaries of the past 25 years is on the agenda for the Genre-ary DailyView today: the Oscar-winning doc An Inconvenient Truth featuring a presentation by former Vice-President Al Gore.

The term ‘Global Warming’ is no longer used because the opposition forces have jumped on the semantics of the term, pointing to terribly low temperatures that have happened. The term these days is ‘climate change,’ which, as I said, is just semantics.

The science Al Gore presented in this doc is very compelling and hard to argue against. Contrarians might claim this is meant to be a political presentation, but it does not feel that way to me. Gore speaks about misconceptions during the film and how opponents try to build on doubt, and this feels more accurate.

Al Gore is undeniably an engaging speaker on this topic. He has always been presented as being stoic and stuffy, and, while one can see some of that in this doc, he showed himself knowledgeable and effective in providing info on this topic in compelling ways.

I thought the moments where they connected parts of Gore’s life, whether that be his presidential run, his sister’s death to lung cancer or the near death of his son, were very strong parts of the film that were then tied neatly back into the film’s overall narrative.

As a movie, this is a thoroughly entertaining work, but its relevance in the world today is undeniable unless there are motivating circumstances that prevent you from accepting the dangers that climate change can bring. Gore quotes Upton Sinclair in the film who said, “It is difficult to get a man to understand something when his salary depends on his not understanding it.”

I am happy to have finally watched this two-time Oscar winning film (it also won for Best Song) and I wish people would stop looking at this through the spyglass of politics.

The Amazing Jonathan Documentary (2019)

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January 2

Day two of the 2025 Genre-ary brought me to Disney + and a film about a magician by the name of the Amazing Jonathan, a documentary that started off as a story about a magician who was diagnoses with a heart condition that gave him one year to live, but ended up in a much different direction that included a deep internal conflict for the documentarian Ben Berman.

The Amazing Jonathan had been diagnoses with a heart condition and he told an audience that he had one year to live. When Ben Berman approached him, that was three years prior and Amazing Jonathan was going back out for a five-show tour.

However, the doc was not as much about Amazing Jonathan as it was about Ben Berman himself and trying to discover exactly was going on. He found out that there were other people working on a documentary about Jonathan, people whom Jonathan had also given permission to. During the doc, we discover three other documentaries in progress besides Berman’s.

As Berman filmed, he began to question what was real and what was being made up by the magician as an illusion or a prank.

Some may say not to turn the camera back on the documentarian, but I feel as if this film does it in a very effective manner. I was more compelled by the story about the making of this documentary than I was about the story of this dying magician. For a good chunk of the film, I saw Amazing Jonathan almost as the antagonist of the doc, which is crazy. I did like how this documentary brought the conflict to a close at the end. It felt like redemption for the film character Amazing Jonathan.

I see some hate for this documentary online, but I thought this was a fascinating tale of the creation of a doc featuring a magician and the documentarian and their intertwining story. I watched this on Disney +, but it was released officially on Hulu.