Tag Archives: film

2024 Year in Review: Best Documentary

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I do enjoy a good documentary. I am going to have a list of top ten documentaries for the year. Nine of them are movie format and one is a weekly series. There were a lot of weekly series that intrigued me, but it is harder to fit those into the schedule than straight movies.

I am also going to officially announce here that in January, for the annual Genre-ary DailyView, where I watch a movie that I have not seen in a certain genre every day for the whole month. This is the third year for the Genre-ary (we have had sci-fi and musicals) and in 2025, the topic for Genre-ary is Documentaries. This starts on Wednesday, January 1st.

Best Documentary

Previous Winners:  Won’t You Be My Neighbor?, My Scientology Movie, Tickled, Finding Neverland, Tiger King, The Beatles: Get Back, Lights & Magic, Still: A Michael J. Fox Movie

Here are the top 10 docs of 2024.

#10. Elton John: Never Too Late. A look at Elton John’s life and his music. Found on Disney +.

#9. Blink. An emotional story of a family who had 3 out of 4 of their children who had a genetic disorder that would eventual lead them to lose their sight. Their family went on a trip across the planet to give the kids experiences they could always remember.

#8. Brats. I saw this on Hulu this year and it was all about the group of young actors from the 1980s called the Brat Pack and how that nomenclature affected their careers.

#7. Music by John Williams. Another Disney + doc on a famous figure, looking at the life of the iconic composer John Williams and all his amazing movie music.

#6. Bray Wyatt: Becoming Immortal. The WWE documentary on Bray Wyatt, who just passed away. The emotional doc spoke to his friends and his family, including brother Bo Dallas.

#5. Beatles ’64. Another Disney + doc, this time looking at the Beatles from 1964, the year they arrived in the United States.

#4. The Greatest Night in Pop. A Netflix doc that details the events of the night where the song “We Are the World” was recorded. Amazing footage from the actual night.

#3. The Jinx: Part Two. The one series on this list, and one that I considered to make the winner. I enjoyed this weekly series on MAX that followed the rest of the story of killer Robert Durst.

#2. Jim Henson Idea Man. This is the fifth doc from Disney + on this list. Ron Howard directed this documentary on the Muppet creator Jim Henson. Very emotional and a great look on one of the most creative men in entertainment.

#1. Super/Man: The Christopher Reeve Story. The doc on Christopher Reeve is powerful, emotional, and shows us what a hero Chris Reeve was, before and after he played Superman.

2024 Year in Review: EYG Frame Award- Best and Worst Animation

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Animation has had a big year. However, it seems as if I did not see as many animated movies as I should have. I was starting to look at the list of films from 2024 that would be in the June Swoon in 2025 and there were several animated movies that I had not seen.

Still, I have five animated films for the best and three for the worst. We’ll do this one as a list.

Best Animated Movies of 2024

#5. Kung Fu Panda 4. This one was nowhere near as good as the other films in this franchise, but was still an enjoyable watch. Jack Black is always fun as Po.

#4. Robot Dreams. Watched this during the 4F and it was decent. It received Oscar award nomination last year, but I counted it this year.

#3. Transformers One. A film that I really loved and a film that I almost skipped because of a trailer. This worked so much better than I thought it would.

#2. The Wild Robot. A beautiful story of a robot and a baby goose. Many believe this is the current favorite to win an Oscar this year. Could be, and it would be well deserving.

#1.

Inside Out 2

Pixar’s huge hit this year, Inside Out 2 may be just a step behind the original, but it was every bit as great of a story. Great CGI. Greta emotional storytelling. Great characterization. Inside Out 2 was the highest grossing movie of 2024. It is a massive success and I loved this movie.

Worst Animated Movie of 2024

#3. Crisis on Infinite Earths Part 3. Such a classic comic event turned into a dull and flat animated movie. Part 2 was just about as bad.

#2. Despicable Me 4. Minions and their adventures. Boring. This one is not for adults in any way.

#1.

The Garfield Movie

This movie went ahead and took the character of Garfield and made him an action star. Forget about the choice of having Chris Pratt voicing Garfield, this film did not have any idea of what the character of Garfield was and that is the biggest sin you could have.

2024 Year in Review: Best and Worst Horror Movies of 2024

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Unlike sci-fi, there has been a ton of horror movies. There are plenty to choose from for the best and worst this year.

Best Horror Movie

Previous Winners:  A Quiet Place, It, Don’t Breathe, It Follows, The Conjuring, As Above So Below, Cabin in the Woods, Doctor Sleep, Black Box, Fear Street trilogy, The Menu, A Haunting in Venice

Best Horror Movie of 2024

Runners-Up: There are some great horror movies and several of these are going to wind up in the top 10 of the Best Movies list coming soon. I was hoping to give this award to a couple of these along the way. Such as Abigail, which when I first saw it, I figured this was the winner of this award. Heck, for awhile, this had a shot to be at #1 overall on the year (Spoiler alert: It will not be). I had loved Late Night with the Devil with David Dastmalchian. I found that to be completely original and reengaged the old found footage subgenre. I placed Alien: Romulus in this category instead of Sci-Fi and it was one of my favorites of the year. Another surprise film was Heretic with Hugh Grant. That movie was another huge hit and one that I loved.

However, I just recently saw the film that needed to win this award. It will be somewhere in the top 5 of the year on the final list.

Nosferatu

This vampire movie was such an amazing feat. It was basically the story of Count Dracula, but with Count Orlok in his place. And it was beautifully shot, acted and presented. It was creepy and scary as could be. A master class of visual storytelling as well as creation of a mood.

Worst Horror Movie of 2024

Runners-Up: There were an excess of poor horror films this year. The year kicked off with one of the worst with Night Swim. Imaginary I saw plenty of trailers for, but it was terrible. Dumb bear. Tarot is in contention for one of the worst films of the year, not just horror-wise. The Strangers Ch. 1 was a unnecessary reboot that ruined the franchise immediately. The Watchers… honestly I do not remember anything about that one. The Exorcism was one more bad movie starring Russell Crowe. Not his best year ever. Immaculate was another flopper among these horror flicks.

The worst horror movie of 2024 is from the same franchise that had the worst horror movie of 2023… a sequel!

Winner: Winnie the Pooh: Blood and Honey 2

This one fooled me. I went in thinking this would be better. I had seen a couple of positive reviews and I thought it would be good campy fun. Nope. Just the same horrendous acting, violence for no reason and just lackluster storytelling. The worst horror film back to back years… has to be a record!

Getting Lost

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What a treat.

I think I had a knowledge in the back of my mind that there was a documentary in the works for LOST, but I had not gone looking for it. Then, I was on social media (I do not remember if I was on X or Facebook or Bluesky to be honest) and I found someone talking about the documentary being available on Prime for rental. I rushed over to Prime immediately to see if I could find it. And there it was.

I have to explain this. I have never been as connected to a TV program as I was with LOST. It was at the very heart of my being. When it ended, I felt like I had a hole in my heart that I just could not fill. It was a physical gap that had an emptiness about it. All these years later, I still think back on the show with so much love.

I was excited to watch this documentary and it immediately grabbed my attention. It had interviews with nearly everyone in the cast, producers, writers, fans and they were talking about all of the major aspects about LOST, from the cultural significance to the influential impact on TV to the importance of the show on people’s lives.

They talked about the pilot and how they were making the pilot without any expectation that it would ever be picked up. They talked about the Tailies, “The Constant,” Not Penny’s Boat, Charlie’s Death, “We have to go back,” Walt, the finale etc.

The documentary did not shy away from controversy either. They addressed how the finale is a divisive episode that split the community apart. They talked about the report a few years ago stating that the LOST writer’s room was filled with bullying, racism and sexism (which I had not heard about before this) and they asked Damon Lindelof about it. Matthew Fox did not appear via an interview for the doc and there was an ending moment where J.J. Abrams asked if they did not get an interview with anybody and the voice off camera said Matthew Fox. Abrams said, “Seriously? You never got Foxy? Come on, really?” and then said “That’s too bad. His loss.” I wonder if there was something contentious going on there. Dominic Monaghan apparently also declined an invitation to talk.

Filmmaker Taylor Morden included some specific details about the LOST fan community, including the podcasts that sprung up and also some of the charitable work done by the LOST community, especially dealing with cancer. There were some famous fans that were interviewed such as Samm Levine and Bobby Moynihan.

I loved this documentary. I may not be the most unbiased when it comes to my thoughts on it, but I do think that they went out of their way to include everything about the series, even the bad things.

AND IT WAS NOT PURGATORY! THEY WERE NOT DEAD ALL THE TIME!

Um.. sorry about that.

I Saw the TV Glow

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The other film I rented off Fandango at Home/Vudu was entitled I Saw the TV Glow, and Zi had heard plenty of buzz about this, in both positive and negative ways. I thought this would be a good film to give a try.

I have to say that this was very surreal, dream-like and metaphoric. It was a difficult movie to follow and so much of it was shot intentionally to create that feeling of confusion or interpretive.

According to IMDB, “Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.”

One of the film’s main themes deal with reality and identity… who they were on the inside. I do believe that this was a metaphor showing the way some people can deny whom they are, pretending that they are something else. I have a feeling that this movie will reverberate with some people considerably more because of that theme.

I also believe that there are several ways that this movie could be interpreted and that no one way is exact. Since this narrative is not one with straight-forward situations and answers, the audience member brings a lot of what they infer with them centered around their own personal knowledge and background. That makes this material quite rich.

The film was trippy and psychedelic in the best ways. Some people are going to look upon this movie with disdain for any number of reasons, but I was fascinated with it and I was intrigued with what was happening with these characters. I’m not sure how many times I would watch this movie on rewatches, but the first time experience was worthwhile of my time.

3.6 stars

2024 Year in Review: The Avengers: Endgame Ensemble Cast of the Year Award

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In honor of those movies that feature large casts without a clear protagonist, it is time for the Avengers: Endgame Ensemble Cast of the Year Award. This has been around since 2019 and has had a strong list of movies win, as seen below.

The Avengers: Endgame Ensemble Cast of the Year Award

Previous Winners:  Avengers: Endgame (2019), The Trial of the Chicago 7 (2020), In the Heights (2021), Mass (2021), Black Panther: Wakanda Forever (2022), Glass Onion: A Knives Out Mystery (2022), Oppenheimer (2023)

Runners-Up: I considered giving this award to the movie I saw today, A Complete Unknown, but I decided that there is too much of a lead character in Timothée Chalamet as Bob Dylan, despite the fact that the cast surrounding him was excellent. Another Chalamet film this year was Dune: Part Two that could have been a winner in this category. Another potential Oscar film was in consideration for this category with Conclave, the story of choosing a new pope. The Best Christmas Pageant Ever had a great cast, especially of young actors that deserve recognition in this category. I loved Wicked, but again, that film is more of a two person lead and may not be right for the ensemble award. Alien: Romulus was a fantastic movie with an ensemble that wound up as fodder for the Xenomorphs. Civil War was a strong film earlier in the year and its cast had a tough story to delve into. Emilia Perez had a strong ensemble as did The Piano Lesson, both on Netflix.

Winner of the Avengers: Endgame Ensemble Cast of the Year is…

Saturday Night

The film focuses on the opening night for SNL, as a group of performers running around unsure if they were actually going to get on the air. There are some great performances among the cast and the roles are beautifully cast. There may be some weaknesses in the script, but the cast itself is impeccable.

A Complete Unknown

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I do like Bob Dylan, but I would not say that I love him. I enjoy some of his music and I got to enjoy him more when he became part of the Traveling Wilburys in the late 1980s. Even so, I was looking forward to this biopic A Complete Unknown from director James Mangold and starring Timothée Chalamet.

I had an undeniably good time with this movie as I was completely entertained.

This film takes a look at Dylan’s life and career spanning from 1961 until 1964. The first part of the film is the typical musical biopic with many of the same beats that you see in all of these, but, in the second part of the film, the story becomes less about Bob Dylan and his genius at writing and creating music, and more about his change from the basic folk music style into something more electric, which caused a great deal of anxiety among the folk community and the fans of the world.

If you excuse the pun, Timothée Chalamet is electric with his performance of the enigmatic musician. He absolutely becomes Bob Dylan and he does an amazing job here, as Chalamet not only acts, but he plays the guitar and sings the songs. And he does all of this with a wonderful proficiency that never breaks the illusion that he is building as Bob Dylan. It is an Oscar-worthy performance in my opinion.

The cast around Chalamet is sensational too. Edward Norton as Pete Seeger does a fantastic job as Dylan’s mentor before he pulls away when Dylan added electric guitar to his repertoire. Boyd Holbrook has a precious few scenes that he completely dominates as Johnny Cash. Scoot McNairy played a sick and unable to talk Woody Guthrie, an idol to Dylan and someone who inspired Dylan to push on. Monica Barbaro played folk singer Joan Baez, who carried on an affair with Dylan but struggled with some of his choices and Elle Fanning played Dylan’s girlfriend Sylvie, whose performance was fine, but whose character did not make a lot of sense and so was the weakest part of an amazing film.

The music of Bob Dylan (and a few others) was used brilliantly to keep the energy of the film flying through most of the two hour and twenty minute runtime. I could not stop tapping my toes or singing under my breath with the music as we got all of Bob Dylan’s classics from the time period (one of my favorites- Knockin’ On Heaven’s Door came out in 1973).

Admittedly, we do not go into too much depth of the characters in the film. We do not learn anything about Bob Dylan that wasn’t common knowledge, but I do not think that was a negative necessarily. There is an aura around Bob Dylan and this movie definitely creates that aura around Timothée Chalamet.

I loved this movie and I think it has a chance to make the top 10 of the year in a few days when I make the list. It is certainly going to find its way on the top 30 list for sure. I found this thoroughly entertaining and engrossing and I loved hearing this music. I was impressed with the performances, with Chalamet standing out as a major success.

4.85 stars

A Different Man

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As the year is coming to an end, I went to Fandango At Home to see if I could find several films that I missed during 2024. I picked up a few rentals to watch over the next couple of days. The first one I watched was A Different Man, an A24 film starring Sebastian Stan and directed by Aaron Schimberg.

According to IMDB, “Aspiring actor Edward (Sebastian Stan) undergoes a radical medical procedure to drastically transform his appearance, but his new dream face quickly turns into a nightmare as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost.“

There are many A24 films that are like this one, though different. There are wild, bizarre situations that seem to be taken in a normal, typical way. In this case, there is a sci-fi technique that led to Edward, who had Neurofibromatosis- a genetic condition that sees tumors grow on the body, to fixing his face, and it just was a way to change his appearance in the film.

Stan was excellent as the twitchy, malformed Edward. His change of facial appearance did not truly change him at all. It just opened some areas up to Edward, but he was just as uncertain and shaky as he ever was.

Adam Pearson played Oswald, another misshapen man, who brought himself into the play Edward was working in and kind of took over the stage. Pearson was amazing in the role and he had a complex character who seemed to be trying to take over the play while still being extremely likable.

Renate Reinsve played Ingrid, the playwright who had lived next door to Edward, gave a fantastic performance. She was very compelling with her relationship with Edward and Oswald.

I thought this was a very interesting film that was difficult to watch at times. The scenes where the tumors were being peeled off Edward’s face was horrific. Still, it is interesting that the film clearly is saying that the looks were not going to make everything better and that Edward regretted his decision in the end. Sebastian Stan did a great job in this role.

3.75 stars

2024 Year in Review: The Gomers for the Biggest Surprise

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2024 had plenty of films that fell into the middle of the range between good and bad. Honestly, however, it had a bunch of films that were surprises too. Thus, we have this year’s Gomer Award being quite a challenge to present. There are so many potential choices.

The Gomer for the Biggest Surprise

Previous Gomer Award Winners:  The Gift, Ferdinand, Edge of Tomorrow, We’re the Millers, The Campaign, Ouija: Origin of Evil, Bumblebee, Crawl, Greenland, Free Guy, Deadstream, Totally Killer

Here are the runners-up:

First off, Late Night with the Devil from David Dastmalchian was a huge surprise because it just was something that I had not heard much from. I did hear Kevin Smith mention it on an episode of Fatman Beyond, but still. for it to be one of the best of the year, who saw that coming? Then, since I disliked the original film, who would have guessed that a new version of Roadhouse starring Jake Gyllenhaal that went immediately to streaming would be any good. It was and I couldn’t believe it. Another one that was a reboot of sort from a movie that I did not like was Twisters. No way that was a film I was going to enjoy and yet I did. Abigail was a surprise until I realized that Alishia Weir was the star. I knew it was going great after that. Hit Man was another I saw on streaming that had no right to be as good as it was. It’s the second film on the list from Glen Powell. Sharks in Paris? No way that was anything other than a member of the worst movies of the year list, right? Wrong. Under Paris was a lot of fun and way better than it should have been. Longlegs provided one of those shocking moments in the theater when you discover that Nicolas Cage was going to go over the top and still be awesome. I spoke about how much I was surprised that I enjoyed The Best Christmas Pageant Ever as I was trying to find an award for Best X-Mas Movie. Skincare? Another one that had no appeal to me that turned out to be fully entertaining. Strange Darling was weird, but really wonderfully constructed and engaging.

Yet after all of this, one film was the biggest surprise of the year. Spoiler for an upcoming Batman and Robin Award for Rottenness winner, this film one of the worst trailers of all time and nearly caused me to skip the film. Little did I know that this is probably a top 10 film of the year (certainly in consideration, at least).

Transformers One

This was an amazing movie and was one of the best animated films of the year. I never thought making Optimus and Megatron friends when they were younger would work. They weren’t Charles Xavier and Magneto, and yet this was done so well that everything made perfect sense. After so many years of utterly hating Transformers films, loving this one, especially after that horrendous trailer, was totally unexpected… and thus a Gomer winner.

PS: Interestingly enough, this is the second Transformers movie to win this award, with Bumblebee being the other. The original Transformers movies brought the bar so far down that I have trouble seeing them as a positive thing.

Mufasa: The Lion King

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When the 2019 Lion King “live-action” remake broke the billion dollar club at the box office, you should have known that we were getting something more. My guess is that Mufasa: The Lion King will not be the same kind of demand.

Mufasa: The Lion King from Disney came out this weekend. The film was directed by Barry Jenkins and featured a “live-action” cast of CGI animals in a CGI generated African land. How this could be considered a “live-action” film is up for an argument.

Unfortunately, I did not like the 2019 remake of the Lion King and I am not a huge fan of this new film either. I do think that this film is better than the 2019 version. Specifically because this film does a better job of avoiding the uncanny valley of the 2019 film. Those lion characters in 2019 did not show us any emotion on their faces at all, lacking any ability to emote, making them all seem very distant from the audience. That is considerably better with this movie.

In fact, the strength of Mufasa: The Lion King is easily the CGI. This film looks absolutely gorgeous and it has some of the most realistic artwork that you are ever going to see in a film. In fact, I could see people claiming that some of these animals were real and not contrived on an artist’s board.

I did have some major issues with Mufasa: The Lion King, most notably that there was not much new in the story. It was basically the origin story of Mufasa and Scar as the two lions went on an adventure and met other characters from the original Lion King. Not much else.

There was a devise used to tell the story with Rafiki (John Kani) telling the story to Simba’s daughter Kiara (Blue Ivy Carter), Timon (Billy Eichner) and Pumbaa (Seth Rogan) which was a total waste of time. Nothing that happened in this framing device was funny or worth taking away from the main story.

I also thought that the sound mixing was horrendous. Perhaps this is the theater I was in, but I had trouble hearing a lot of the dialogue because the music in the background was playing so loudly or dominating the moment of the scene. Speaking of the music, I did not find any of the songs interesting or song that I would remember later. Even the songs written by Lin-Manuel Miranda were unremarkable. They were fine when watching it, but there is not one song that I can recall as of this minute.

Mufasa: The Lion King had its moments for sure. It is a stunning accomplishment of visual arts, but there just seems to be little else that makes this an important story to tell. While it is not a waste of time, it is anything but a great movie.

2.8 stars

2024 Year in Review: The John Carter Memorial Award

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This is one of our first recurring awards in the Year in Review. The John Carter Memorial Award, which is to recognize the film that is the “flop” of the year.

A flop is a film that failed to connect at the box office and lost a lot of money for its studio. A film could flop for any number of reasons, and a film can be great and still flop. Looking at the previous award recipients…

John Carter Memorial Award

Previous winners:  John Carter, Alice Through the Looking Glass, The Lone Ranger, A Million Ways to Die in the West, Expendables 3, Jem and the Holograms, Pan, Rock the Casbah, King Arthur: Legend of the Sword, Robin Hood (2018), Mortal Engines, Playmobil: The Movie, The Rhythm Section, Reminiscence, Strange World , The Flash 

A lot of these films are ones that I did not like, but there are some that were okay, but just either did not bring in the crowds or spent way too much on its budget.

This year, there have been a lot of films that would be considered flops. Particularly, some of the early films of the year were problematic for the studios. Furiosa: A Mad Max Story was well reviewed and beloved by some, but the crowds just did not come to see it. I don’t know if it were the recast of Furiosa with Anya Taylor-Joy or the lack of Mad Max, but Furiosa did not do well. Neither did The Fall Guy, a movie that I really liked and will probably make my end of year list. Fact is that this is a film remaking a TV series from the 1980s that very few people remembered, and, even with the exciting action, The Fall Guy just could not make it a success. It is a fun film though. On the other hand, a film that is not a good film is Borderlands. Borderlands reportedly cost $120 million to make and it had an $8.8 million dollar opening. Ouch. But that was not the worst thing yet. Borderlands dropped 72% in week two. Boom. Joker: Folie a Deux is the next film to talk about, because although Borderlands dropped 72% in its second week, Joker: Folie a Deux dropped a staggering 81%. It is poised to lose between $150-200 million dollars. Finally, and most recently, Kraven the Hunter made a dismal $11 million dollars in its opening weekend and I am curious to see what its second week drop will be. Kraven the Hunter received horrendous reviews, with people even claiming that it was worse than Madame Web (which could be in this category as well).

This year’s “Winner”:

Megalopolis

It made $4 million opening weekend on a budget of $120 million. After four weeks in the theater, it made $7.6 million dollars domestically and a whopping $12.5 million worldwide. All on a budget of $120 million. Reports say that director/producer Francis Ford Coppola put up a lot of his own money for this film. Whoa. I have not seen this film, so I cannot comment on the quality of film (this is probably a June Swoon film next year), but there is no denying that as a box office movie, this one flopped hard.

2024 Year in Review: I See Kid Actors

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Once again, we have the award for the best child actor award from movie or TV. This award goes to the actor who must be 17 years old or under. If they turn 18, they are no longer eligible for this award.

I See Kid Actor Award 

Previous Winners:  Emjay Anthony (Chef), Jacob Trembley (Room), Millie Bobby Brown (Stranger Things), Dafne Keen (Logan), Elsie Fisher (Eighth Grade), Noah Jupe (Honey Boy), McKenna Grace (Troop Zero), Jeremy T. Thomas (Antlers), Alisha Weir (Matilda the Musical), Madeleine Yuna Voyles (The Creator),

These are the runners-up:

In the coming of age movie Didi, Izaac Wang played the lead role and he carried the film. He had to do a lot of emotional work and he was certainly in the running for this award. Elliott Heffernan was the main protagonist in Blitz, and his trials on returning to his mother through war torn London were thrilling. William Fitzgerald debuted as Ezra alongside Robert DeNiro and Bobby Cannavale, and he held his own. The Best Christmas Pageant Ever brought a couple of strong contenders for this award in Beatrice Schneider, who played the lead troublemaker Imogene Herdman, and Molly Belle Wright, who played Beth, the eyes of the audience and perhaps the heart of the film. Cailey Fleming matched up wonderfully with Ryan Reynolds in IF. Dan Hough had to perform without any words in Speak No Evil and he delivered a sensational performance.

However, when I saw this movie, I knew this was the winner of this award. She is the first ever 2-time winner of the I See Kid Actors Award….

Alisha Weir (Abigail)

Alisha Weir won this award a couple of years ago for her performance as Matilda in Matilda the Musical, and you couldn’t get further away from that role with her role as the titular child vampire. Alisha Weir’s dedication and commitment to this performance dominated the movie and she picked the whole film onto her demure frame. She was the key element to why this horror/comedy worked. I wish they had not spoiled the reveal of Abigail as a vampire in the trailers because I can’t imagine how effective it would be if I hadn’t have known the twist.

Carry-On

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Taron Egerton and Jason Bateman star in a New Netflix action flick called Carry-On, directed by Jaume Collet-Serra, who was known for The Shallows, Orphan, Non-Stop and Black Adam.

Carry-On is like Die Hard 2 meets Phone Booth. It is an exciting action movie with some preposterous situations that should not work. However, everything is so thrilling and dramatic that you excuse the improbable and embrace the excitement.

Egerton played Ethan Kopek, a down on his luck TSA agent whose girlfriend Nora (Sofia Carson) is pregnant. Kopek, who was denied his dream job of joining the police force, is going through the motions at his TSA job at the airport. In the wrong place at the wrong time, Kopek gets blackmailed by a man (Jason Bateman) who wants him to make sure a carry-on case gets through the security check and he says that if he does not, Nora will be killed.

Most action movies requires a lot of suspension of disbelief and this is no exception. However, the film is very exciting and everything is put together so well that even on those time when it feels like the film has stretched credibility, you are okay with it because of the well done story.

Egerton and Bateman carry on a conversation over a headpiece for much of the film and they are very engaging during this time. I did not expect Bateman to be able to play such a cold monster as he does in this film, but he does it exceedingly well. Egerton is a perfect foil for Bateman as he played the young, lacking confidence hero beautifully and we see him slowly gaining more strength as the risks pile up.

It does a good job of building the tension in each scene and the anxiety of the situations. The over the top scenes are still set up and executed well. If you have to pick apart the situations, a lot of the film would not hold up, but you could say that about most action/adventure movies, especially this type of action movie like Die Hard.

There is one scene involving a car crash that has some wonky special effects, but most of the movie is practical effects and looks pretty solid.

And I suppose we could argue about this being a Christmas movie.

Carry-On is a lot of fun and brings an electric action thriller despite some of the most implausible moments. Egerton and Bateman were excellent and carry the film on their backs.

3.75 stars

The Outsiders (1983)

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At my school, I had a chance to teach The Outsiders by S.E. Hinton this year. I had not taught the book since 1999. After we finished the unit, we watched the movie. So over the last two days I watched the Francis Ford Coppola film three times. I knew that I had not seen this movie in a long time so I figured that I had never reviewed the film. This is the chance.

Honestly, I did not love this. My memory was that the first time I watched this, I thought this was better than I did this time.

According to IMDB, “It is 1961, and Tulsa, Oklahoma is divided in two along social lines. The youths of each side form gangs in line with these two camps: the working class Greasers and the wealthier South Side gang, the Socs. The two sides use any opportunity to niggle each other and whenever they meet, there is friction. Then one night, a gang of Socs attack two Greasers with a knife. This sets off a chain of events“

There were several things that bugged me about this movie. Top of the list was probably the performance from Matt Dillion as Dally Winston, which felt about as over the top as it could possibly be. His overacting really bothered me in most of the scenes he was in.

The second thing I noticed was the horrendous sound mixing. There are several times that I couldn’t understand or hear certain lines of dialogue from characters because of the music or because it was just too messy.

I also feel like they did not do a service to a bunch of the characters from the book. Sure, I understand they wanted to focus on the main characters, but Sodapop was neglected and he should be a more vital part of the story. I do not feel that they did a good job of connecting Johnny to any other character outside of Ponyboy and Dally.

I do think that C. Thomas Howell was excellent as Ponyboy, and I loved Ralph Macchio as Johnny. I thought Macchio was really consistently good for the scenes that he was in. I will say though, one of the moments of the church fire, Johnny moved through just like Daniel LaRusso moved through the storm in Karate Kid II. That was funny to me. Anyway, Macchio was really good as the doomed Johnny.

Patrick Swayze had some good scenes, but could have used more time. Tom Cruise was in the film, but he was basically a background guy. Emilio Estevez was in the film as Two-Bit and, again, was just a shadow of the character of the book. I understand there is just not enough time for every character to be illuminated, but I do think we should have a bit more from these major characters.

It felt too melodramatic for my tastes. It was still a decent movie, but I found it to be nowhere as effective as the first time I watched it years ago.

2024 Year in Review: Movie Musicals

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Okay… this is going to be an easy one I think.

We added this category recently, but backtracked to award some previous films the award.

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022), The Color Purple (2023)

We had some musicals in 2024. There was Piece by Piece, which was a musical documentary, in Lego format doing the life of Pharrell Williams. Moana 2 is a huge box office success, but, truthfully, the music just did not hit as well as the original. That’s what happens when you do not have Lin-Manuel Miranda doing your music. Speaking of Miranda, he is doing the music for the upcoming Mufasa film from Disney, and while that is probably going to be great, I do not think it will match this year’s winner. Joker: Folie à Deux was a disappointment in a lot of ways, and musically was one of them. They really did not take advantage of Lady Gaga. Mean Girls was very forgettable from way back in January. Emilia Perez was a powerful movie, but I can honestly say that much of the music in this film, I do not remember. I do not consider Bob Marley: One Love to be a musical, though I could mention it as an effective use of music.

2024 Movie Movie Musical of the Year:

Wicked

Yeah, this one was easy. This is a massive hit and a tremendous film. The rendition of “Defying Gravity” in this film is goosebump creating. Both Ariana Grande and Cynthia Erivo were stunning with their voices and made this iconic Broadway play a must see movie…even as a Part 1. Could this be foreshadowing next year’s winner too?