Tag Archives: film

Mufasa: The Lion King

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When the 2019 Lion King “live-action” remake broke the billion dollar club at the box office, you should have known that we were getting something more. My guess is that Mufasa: The Lion King will not be the same kind of demand.

Mufasa: The Lion King from Disney came out this weekend. The film was directed by Barry Jenkins and featured a “live-action” cast of CGI animals in a CGI generated African land. How this could be considered a “live-action” film is up for an argument.

Unfortunately, I did not like the 2019 remake of the Lion King and I am not a huge fan of this new film either. I do think that this film is better than the 2019 version. Specifically because this film does a better job of avoiding the uncanny valley of the 2019 film. Those lion characters in 2019 did not show us any emotion on their faces at all, lacking any ability to emote, making them all seem very distant from the audience. That is considerably better with this movie.

In fact, the strength of Mufasa: The Lion King is easily the CGI. This film looks absolutely gorgeous and it has some of the most realistic artwork that you are ever going to see in a film. In fact, I could see people claiming that some of these animals were real and not contrived on an artist’s board.

I did have some major issues with Mufasa: The Lion King, most notably that there was not much new in the story. It was basically the origin story of Mufasa and Scar as the two lions went on an adventure and met other characters from the original Lion King. Not much else.

There was a devise used to tell the story with Rafiki (John Kani) telling the story to Simba’s daughter Kiara (Blue Ivy Carter), Timon (Billy Eichner) and Pumbaa (Seth Rogan) which was a total waste of time. Nothing that happened in this framing device was funny or worth taking away from the main story.

I also thought that the sound mixing was horrendous. Perhaps this is the theater I was in, but I had trouble hearing a lot of the dialogue because the music in the background was playing so loudly or dominating the moment of the scene. Speaking of the music, I did not find any of the songs interesting or song that I would remember later. Even the songs written by Lin-Manuel Miranda were unremarkable. They were fine when watching it, but there is not one song that I can recall as of this minute.

Mufasa: The Lion King had its moments for sure. It is a stunning accomplishment of visual arts, but there just seems to be little else that makes this an important story to tell. While it is not a waste of time, it is anything but a great movie.

2.8 stars

2024 Year in Review: The John Carter Memorial Award

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This is one of our first recurring awards in the Year in Review. The John Carter Memorial Award, which is to recognize the film that is the “flop” of the year.

A flop is a film that failed to connect at the box office and lost a lot of money for its studio. A film could flop for any number of reasons, and a film can be great and still flop. Looking at the previous award recipients…

John Carter Memorial Award

Previous winners:  John Carter, Alice Through the Looking Glass, The Lone Ranger, A Million Ways to Die in the West, Expendables 3, Jem and the Holograms, Pan, Rock the Casbah, King Arthur: Legend of the Sword, Robin Hood (2018), Mortal Engines, Playmobil: The Movie, The Rhythm Section, Reminiscence, Strange World , The Flash 

A lot of these films are ones that I did not like, but there are some that were okay, but just either did not bring in the crowds or spent way too much on its budget.

This year, there have been a lot of films that would be considered flops. Particularly, some of the early films of the year were problematic for the studios. Furiosa: A Mad Max Story was well reviewed and beloved by some, but the crowds just did not come to see it. I don’t know if it were the recast of Furiosa with Anya Taylor-Joy or the lack of Mad Max, but Furiosa did not do well. Neither did The Fall Guy, a movie that I really liked and will probably make my end of year list. Fact is that this is a film remaking a TV series from the 1980s that very few people remembered, and, even with the exciting action, The Fall Guy just could not make it a success. It is a fun film though. On the other hand, a film that is not a good film is Borderlands. Borderlands reportedly cost $120 million to make and it had an $8.8 million dollar opening. Ouch. But that was not the worst thing yet. Borderlands dropped 72% in week two. Boom. Joker: Folie a Deux is the next film to talk about, because although Borderlands dropped 72% in its second week, Joker: Folie a Deux dropped a staggering 81%. It is poised to lose between $150-200 million dollars. Finally, and most recently, Kraven the Hunter made a dismal $11 million dollars in its opening weekend and I am curious to see what its second week drop will be. Kraven the Hunter received horrendous reviews, with people even claiming that it was worse than Madame Web (which could be in this category as well).

This year’s “Winner”:

Megalopolis

It made $4 million opening weekend on a budget of $120 million. After four weeks in the theater, it made $7.6 million dollars domestically and a whopping $12.5 million worldwide. All on a budget of $120 million. Reports say that director/producer Francis Ford Coppola put up a lot of his own money for this film. Whoa. I have not seen this film, so I cannot comment on the quality of film (this is probably a June Swoon film next year), but there is no denying that as a box office movie, this one flopped hard.

2024 Year in Review: I See Kid Actors

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Once again, we have the award for the best child actor award from movie or TV. This award goes to the actor who must be 17 years old or under. If they turn 18, they are no longer eligible for this award.

I See Kid Actor Award 

Previous Winners:  Emjay Anthony (Chef), Jacob Trembley (Room), Millie Bobby Brown (Stranger Things), Dafne Keen (Logan), Elsie Fisher (Eighth Grade), Noah Jupe (Honey Boy), McKenna Grace (Troop Zero), Jeremy T. Thomas (Antlers), Alisha Weir (Matilda the Musical), Madeleine Yuna Voyles (The Creator),

These are the runners-up:

In the coming of age movie Didi, Izaac Wang played the lead role and he carried the film. He had to do a lot of emotional work and he was certainly in the running for this award. Elliott Heffernan was the main protagonist in Blitz, and his trials on returning to his mother through war torn London were thrilling. William Fitzgerald debuted as Ezra alongside Robert DeNiro and Bobby Cannavale, and he held his own. The Best Christmas Pageant Ever brought a couple of strong contenders for this award in Beatrice Schneider, who played the lead troublemaker Imogene Herdman, and Molly Belle Wright, who played Beth, the eyes of the audience and perhaps the heart of the film. Cailey Fleming matched up wonderfully with Ryan Reynolds in IF. Dan Hough had to perform without any words in Speak No Evil and he delivered a sensational performance.

However, when I saw this movie, I knew this was the winner of this award. She is the first ever 2-time winner of the I See Kid Actors Award….

Alisha Weir (Abigail)

Alisha Weir won this award a couple of years ago for her performance as Matilda in Matilda the Musical, and you couldn’t get further away from that role with her role as the titular child vampire. Alisha Weir’s dedication and commitment to this performance dominated the movie and she picked the whole film onto her demure frame. She was the key element to why this horror/comedy worked. I wish they had not spoiled the reveal of Abigail as a vampire in the trailers because I can’t imagine how effective it would be if I hadn’t have known the twist.

Carry-On

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Taron Egerton and Jason Bateman star in a New Netflix action flick called Carry-On, directed by Jaume Collet-Serra, who was known for The Shallows, Orphan, Non-Stop and Black Adam.

Carry-On is like Die Hard 2 meets Phone Booth. It is an exciting action movie with some preposterous situations that should not work. However, everything is so thrilling and dramatic that you excuse the improbable and embrace the excitement.

Egerton played Ethan Kopek, a down on his luck TSA agent whose girlfriend Nora (Sofia Carson) is pregnant. Kopek, who was denied his dream job of joining the police force, is going through the motions at his TSA job at the airport. In the wrong place at the wrong time, Kopek gets blackmailed by a man (Jason Bateman) who wants him to make sure a carry-on case gets through the security check and he says that if he does not, Nora will be killed.

Most action movies requires a lot of suspension of disbelief and this is no exception. However, the film is very exciting and everything is put together so well that even on those time when it feels like the film has stretched credibility, you are okay with it because of the well done story.

Egerton and Bateman carry on a conversation over a headpiece for much of the film and they are very engaging during this time. I did not expect Bateman to be able to play such a cold monster as he does in this film, but he does it exceedingly well. Egerton is a perfect foil for Bateman as he played the young, lacking confidence hero beautifully and we see him slowly gaining more strength as the risks pile up.

It does a good job of building the tension in each scene and the anxiety of the situations. The over the top scenes are still set up and executed well. If you have to pick apart the situations, a lot of the film would not hold up, but you could say that about most action/adventure movies, especially this type of action movie like Die Hard.

There is one scene involving a car crash that has some wonky special effects, but most of the movie is practical effects and looks pretty solid.

And I suppose we could argue about this being a Christmas movie.

Carry-On is a lot of fun and brings an electric action thriller despite some of the most implausible moments. Egerton and Bateman were excellent and carry the film on their backs.

3.75 stars

The Outsiders (1983)

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At my school, I had a chance to teach The Outsiders by S.E. Hinton this year. I had not taught the book since 1999. After we finished the unit, we watched the movie. So over the last two days I watched the Francis Ford Coppola film three times. I knew that I had not seen this movie in a long time so I figured that I had never reviewed the film. This is the chance.

Honestly, I did not love this. My memory was that the first time I watched this, I thought this was better than I did this time.

According to IMDB, “It is 1961, and Tulsa, Oklahoma is divided in two along social lines. The youths of each side form gangs in line with these two camps: the working class Greasers and the wealthier South Side gang, the Socs. The two sides use any opportunity to niggle each other and whenever they meet, there is friction. Then one night, a gang of Socs attack two Greasers with a knife. This sets off a chain of events“

There were several things that bugged me about this movie. Top of the list was probably the performance from Matt Dillion as Dally Winston, which felt about as over the top as it could possibly be. His overacting really bothered me in most of the scenes he was in.

The second thing I noticed was the horrendous sound mixing. There are several times that I couldn’t understand or hear certain lines of dialogue from characters because of the music or because it was just too messy.

I also feel like they did not do a service to a bunch of the characters from the book. Sure, I understand they wanted to focus on the main characters, but Sodapop was neglected and he should be a more vital part of the story. I do not feel that they did a good job of connecting Johnny to any other character outside of Ponyboy and Dally.

I do think that C. Thomas Howell was excellent as Ponyboy, and I loved Ralph Macchio as Johnny. I thought Macchio was really consistently good for the scenes that he was in. I will say though, one of the moments of the church fire, Johnny moved through just like Daniel LaRusso moved through the storm in Karate Kid II. That was funny to me. Anyway, Macchio was really good as the doomed Johnny.

Patrick Swayze had some good scenes, but could have used more time. Tom Cruise was in the film, but he was basically a background guy. Emilio Estevez was in the film as Two-Bit and, again, was just a shadow of the character of the book. I understand there is just not enough time for every character to be illuminated, but I do think we should have a bit more from these major characters.

It felt too melodramatic for my tastes. It was still a decent movie, but I found it to be nowhere as effective as the first time I watched it years ago.

2024 Year in Review: Movie Musicals

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Okay… this is going to be an easy one I think.

We added this category recently, but backtracked to award some previous films the award.

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022), The Color Purple (2023)

We had some musicals in 2024. There was Piece by Piece, which was a musical documentary, in Lego format doing the life of Pharrell Williams. Moana 2 is a huge box office success, but, truthfully, the music just did not hit as well as the original. That’s what happens when you do not have Lin-Manuel Miranda doing your music. Speaking of Miranda, he is doing the music for the upcoming Mufasa film from Disney, and while that is probably going to be great, I do not think it will match this year’s winner. Joker: Folie à Deux was a disappointment in a lot of ways, and musically was one of them. They really did not take advantage of Lady Gaga. Mean Girls was very forgettable from way back in January. Emilia Perez was a powerful movie, but I can honestly say that much of the music in this film, I do not remember. I do not consider Bob Marley: One Love to be a musical, though I could mention it as an effective use of music.

2024 Movie Movie Musical of the Year:

Wicked

Yeah, this one was easy. This is a massive hit and a tremendous film. The rendition of “Defying Gravity” in this film is goosebump creating. Both Ariana Grande and Cynthia Erivo were stunning with their voices and made this iconic Broadway play a must see movie…even as a Part 1. Could this be foreshadowing next year’s winner too?

2024 Year in Review: The X-Mas Movie of the Year Award

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I was struggling with this award this year. This is one of the most recent awards we give out during the Year in Review. It came around because I wanted to give Violent Night a specific award.

Here are the list of winners

The X-Mas Movie of the Year

Previous Winners: Violent Night, The Holdovers

You can see there has only been two winners so far. I could have gone back and retroactively given this award out to films such as Netflix’s Klaus, Home Alone, Christmas Vacation, The Muppets Christmas Carol, Scrooged or (sorry Bruce) Die Hard. Heck, I could have named this award the Die Hard Memorial X-Mas Award (I really wish I had done that).

Looking at the Christmas movies that I had watched this year, all I had was Red One. Red One was disliked by a lot of people. I did not hate it, but it was not very good for sure. There was an animated movie on Netflix called That Christmas which was in consideration, but sadly I only thought it was passable too. The second half of that movie was really great to be fair, but I was bored through the beginning.

I chose to go to a film today because I did not have a distinct choice for this award. It was a film that I had no interest in seeing, but had a great Rotten Tomatoes score. I had a lazy Sunday planned and there was a 9:15 AM showtime at Cinemark and I thought that would be a good opportunity.

The movie I saw this morning is officially the winner of this award…

Winner: The Best Christmas Pageant Ever

Based on a novel, The Best Christmas Pageant Ever was funny, well written, and full of interesting characters who have to decide what Christmas means to them. This was a really solid movie and it works extremely well as the winner of the….

Hey, a good idea is a good idea!!!!

From now on, this award will be known as this.

Ho-Ho-Ho

2024 Year in Review: The Expendables Award for Acting Excellence

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It is once again time for the annual look at the best and the worst of films/TV etc. from the world of the cast of the Expendables. Yes, this might be a bit of a joke award, and a little too easy, but … whatever.

Best Movie with an Expendable: Hit Man. This was an excellent film starring Expendable 3 star Glen Powell. Powell has become a real star and he could dominate these Expendable Acting Awards moving forward if he continues to take these interesting roles.

Best Expendable Actor: Harrison Ford (Shrinking). It is the second year in a row for Harrison Ford winning this award for his work on the Apple TV + series, Shrinking. He is just perfect in that role, steals every scene he is in and absolutely rules. His comedic timing is so great and he has chemistry with every actor on the show. He has made the grumpy old man trope his own and his is brilliant on this show.

Worst Movie with an Expendable: Monster Summer. Starring Mel Gibson, this film was a weak 1980s type film that wanted to be like Monster Squad, Goonies, Hocus Pocus or Sandlot, but just lacked any of those films’ strengths or any of those films’ charms. Gibson was miscast in the role too.

Bruce Willis Quantity over Quality Award for Most Movies Made by an Expendable: Antonio Banderas. He had four films (five if you include the London release of Paddington in Peru). The four films were Cult Killer, The Clean-Up Crew, Babygirl and the short Mercedes-Benz: In Her Shoe. I expect to see Babygirl, but the others I missed.

Best Expendable Cameo: Wesley Snipes (Blade, Deadpool & Wolverine). One of the best cameos of the year came from Snipes, reprising his classic role of Blade for the new MCU film. Despite the rumors of a feud with Ryan Reynolds stemming from Blade 3, Snipes appeared in the love letter film to the MCU and was an absolute highlight.

Top 6 2023 Movies in 2024: 2024 Year in Review

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Every year, EYG watch movies that are released in 2023, but we do not watch it until 2024. These film do not go on the final Best or Worst film list, so I have been giving them their own list. I did not see very many early in January (perhaps only one), but that was because I wanted to save the other films for the June Swoon.

There are six films on this list. As with the year end best and worst lists, star ratings are not the final score. They may help me generalize where they may go on the list, but it does not require me to put them in that numerical order.

Starting off…

#6. Flamin’ Hot. The story of the creation of Flamin’ Hot Cheetos and the man behind them. It was a comedic biopic with some creative adjustment… but hey, it was “based” on a true story. It was a very entertaining film.

#5. Thanksgiving. One of the big surprises in the list was this slasher movie from Eli Roth being a movie that I really enjoyed. Eli Roth has never been my favorite director, but this ne was clever and creative and well worth the watch. We just passed the holiday so it may be a perfect time for you to revisit this movie.

#4. 20 Days in Mariupol. A truly tough documentary following some media individuals through the war tarn land in Ukraine. It was real, too real at times and it was a very difficult watch. It was a very important watch too.

#3. The Zone of Interest. One of the big Oscar nominated International films from last year, The Zone of Interest focused on Auschwitz commandant Rudolf Höss and his wife Hedwig and the life they lived during the Holocaust.

#2. Anatomy of a Fall. Another Oscar nominated international film, Anatomy of a Fall told the story of a woman who was suspected of the murder of her husband, her trial, and what exactly her blind son knows. This is an extremely compelling mystery that keeps you guessing to the end.

#1. American Fiction. This was the film I watched in January because I did not want to wait until June to see it. I had heard a lot of great things about it and I was not disappointed. Jeffrey Wright is an author who, frustrated with his inability to sell a book, writes a “black” book under a pseudonym and suddenly finds a ton of success. That success made Wright all the more frustrated. This is a great movie with stunning performances and Oscar nominations, from not only Wright, but also Sterling K. Brown.

2024 Year in Review

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It is that time of the year. It is time for the 2024 EYG Year in Review!

Over the next month (or so) I will be posting the winners of the awards that we give out this time of the year every year. This is our 14th year of giving out these awards and it is one of my favorite times of the year.

There are also several lists where I list my favorite and least favorites in a plethora of categories. Everything from the world of geek culture including movies, TV shows, comic books, WWE, YouTube and so on. The biggest hole in the year in review is video games as I do not play them (for fear of never stopping).

We have the records of all of our winners from the past found on the site. I will post the records during each award post. Here is an example:

The EYG Stan Lee Movie Cameo Award

Previous winners:  Stan Lee (Big Hero 6*, Deadpool, Spider-Man: Into the Spider-Verse* ), John Cena (Daddy’s Home), Chris Evans (Thor: The Dark World, Free Guy), Sigourney Weaver (Cabin in the Woods), Hugh Jackman (X-Men: First Class), Yoda (Star Wars: The Last Jedi), J.K. Simmons (Spider-Man: Far From Home), Harrison Ford (Star Wars Episode IX: The Rise of Skywalker), Rudy Giuliani (Borat Subsequent Moviefilm), Val Kilmer (Top Gun: Maverick), Rhea Perlman (Barbie)

There are a ton of potential winners in this category for 2024 so it will be interesting who receives the Stan Lee Movie Cameo Award this year.

We will end the year in review with our typical Best Movie and Worst Movie lists. It is unclear as of yet how many each list will be. Last year I had 40 films on the Best list and only 20 films on the Worst, but I think that may not be as split this year. I know there are about 5-6 films competing for the worst film of the year spot and I am unsure which one will land in that spot.

I should say that, even if there are films on the worst list, or something receives a ‘Batman and Robin Award for Rottenness,’ I have the utmost respect for those who create movies and TV shows. I know it is an amazingly difficult job. However, I do believe it is okay to criticize or critique these projects. I will never get personal though.

And I will say this many times… this is my opinion. You may have a different opinion on some of these and that is great. I had someone on Twitter/X this year get mad at me for my review of Kinds of Kindness and was very insulting to me about it, calling me names and being disrespectful. All art is subjective and what I hate completely (like Kinds of Kindness) may be your favorite film of the year. And that is OK. To attack someone for their opinions is not OK and goes against everything that we believe at EYG.

So here we go. 2024 is almost in the books. It flew by and we look back before we look ahead.

Hate* [*A Comedy] (1999)

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So it is Black Friday and I went to Comic World in Dubuque to partake in the sale on back issues. I started talking with Ben, the owner, who was working the front of the store. We were discussing some of the movies I had watched recently, and i came around to talking about Rumours, which was totally crazy, a black comedy with some of the craziest stuff in it I had seen in a long time.

This led Ben to bring up a short that he called a ‘college’ short film, giving me a quick synopsis of the film. He mentioned a chicken moving next door to a guy. It certainly fit in with the weird films we were talking about (yes, we even mentioned Beau is Afraid).

Ben told me that it was available in full on YouTube, so I decided that I was curious to see what this comedy was and how I felt about it.

The film centered around a man named Paul Wilson (Paul Hungerford) who had a chicken move next door to him, and the chicken began tormenting him. Calling him Moriarty, the chicken, named Pembroke Arbaghast (voiced by Brian Carr), was trying not so subtle things to kill his new neighbor… or at least so Paul thought.

When his poker friends died from poisoned chimichangas, Paul decided that he had to do something to stop the chicken’s crazed spree.

This was hilarious. I loved this short. It was so funny and well presented. The key to something like this is to present it in all seriousness, despite it being totally ridiculous. Paul was really scared and bothered by the foul creature and so the silliness of the situation became funny instead of stupid.

It seemed as if every time the chicken was shown, I was laughing, because of its look, and yet, I found a lot of this to be fairly sinister. The puppeteers did a wonderful job making this chicken believable with its playing poker, driving or sending threatening emails.

The final confrontation between man and bird was excellent too. This was a lot of fun and definitely worth the time. The twist at the end was funny too.

The acting was very solid. In particular, Paul Hungerford delivers a strong performance. You are convinced that he is scared of this chicken and that he legitimately is afraid for his life.

This goes to show you how a creative mind can take even the weirdest of concepts and turn it into an entertaining film. Hate* [* A Comedy] was well worth the 22-minutes it took to watch it, available on YouTube, but do not forget the asterisk when searching.

Blitz

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Steve McQueen, director of 12 Years a Slave, has a new film that is currently streaming on Apple + and has been in discussion for awards considerations.

It is 1940 and London is experiencing deadly bombing from the Nazi air force. Because of this, the people of London were sending their children away to try and protect them from the bombings. Rita (Saoirse Ronan) was a single parent sending her son George (Elliott Heffernan) away on a train. George was not happy about the situation, going as far as telling his mother that he hated her.

About an hour into the trip on the train, George jumps off with the intent of going back to his home in London.

George faced a ton of troubles along the way, including several of the seeder characters on the streets of London, as if it were right out of the stories of Charles Dickens.

Saoirse Ronan was excellent in this film, bringing the anguish of her situation and the absolute fear when she discovered that her son was missing. Elliott Heffernan does a very solid job with the mostly physical role, providing the right amount of grit and determination. George never gave up despite situations that clearly could have led many people to give in. The film certainly depended upon the skills of Heffernan.

The special effects and the war-torn areas of London were amazingly constructed and portrayed in the film. There was a sequence in an underground area with water flooding in that was seriously stunning and anxiety-driven. The first half of the film went a little slowly, but the film definitely picked up as the time went on.

Blitz is available on Apple + and is a very strong film.

3.8 stars

The Piano Lesson

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Netflix does release several Oscar-worthy films this time of the year as they give out films that they have agreed to back on their platform. While many of the films that are made expressly for Netflix come up short, these releases are usually fairly high quality.

That is the case for the new film The Piano Lesson, which came out this past Friday on the streamer. It had appeared at TIFF this year to soundly positive reviews and now can be seen by the nation as a whole.

According to IMDB, “[The Piano Lesson] Follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano.”

There is much more than that simplistic summary gives, including an air of supernatural in the house where the piano is being stored. There were some really creepy moments in this movie that were weirdly out of place, or at least felt that way. However, these moments do work for the film, you just do not expect them to arrive in this type of movie.

The conflict between Boy Willie (John David Washington) and Berniece (Danielle Deadwyler) is remarkable. They have an amazing chemistry with each other as brother and sister, but they were both determined that they knew what was best with this piano and it was clear that this conflict was not about to be resolved through discussion. Both Washington and Deadwyler brought their best work and presented powerful characters that each had an understandable argument.

Samuel L. Jackson is great in the film as well are Ray Fisher, Michael Potts, Corey Hawkins, and Malik J. Ali.

The film definitely felt like a stage play turned into a movie, and, after watching it, I did find out that it was based on a stage play by August Wilson and that Jackson, Washington, Potts and Fisher all starred in it. You could see how they all felt very comfortable in their roles.

Danielle Deadwyler was the standout. Coming off her amazing Oscar snubbed performance in Till, she is once again exceptional. Her emotions are on the edge through the whole film and her dogged determination that the piano with the faces of her family carved upon it was going nowhere.

This is available to stream on Netflix.

4 stars

A Real Pain

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A Real Pain is a perfect example of an independent movie.

For me, an independent movie does not have a plot, or at least one that drives most of the story. It is a film where we take some characters and drop them into situations and let them see what happens. You could define it as character based films. I don’t want to imply that I do not like that style of movie, but it is distinct.

In A Real Pain, two cousins take a trip to Poland after their beloved grandma passed away to go on a Holocaust tour and visit her childhood home.

The movie was written and directed by Jesse Eisenberg, who starred as David Kaplan. Kieran Culkin played his cousin Benji Kaplan. They both brought Oscar-worthy performances in these roles. Their performances were very important since the characters were so important to the story.

The tour of Poland and a nearby concentration camp was very powerful and the actors did a great job responding to it.

The film was only 90 minutes long, but it did feel longer than that. That is probably because of the dense material that the film featured. However, there were some really funny moments too, which you do not find too often with Holocaust films. A Real Pain is an ambitious film with great performances that had some challenging moments to watch it.

4 stars

Bates Motel S5 E9, E10

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Spoilers

“Visiting Hours”

“The Cord”

The rewatch of Bates Motel came to an end tonight as I watched episode nine and ten of season five. I did not remember any details of this finale so I had no idea of what was going to happen.

I was afraid that I would not feel that the end of this show would have a satisfying end. I was wrong.

It has been fairly clear the last season that this is not a prequel to the movie Psycho. It just had the character of Norman Bates and the setting in place, but they did not feel the need to keep things so they would line up with the movie.

I mean, Norman died at the end. That would make it difficult to have the movie come after this.

The scene between brothers with Dylan killing Norman in self defense, because Norman wanted him to. Dylan was shocked by the corpse of Norma at the dinner table. Freddie Highmore and Max Thieriot brought some amazing emotion and energy to this final confrontation.

What did feel like a letdown was the end of Alex Romero. The ending was always going to be about the Bates brothers and not Romero, but I loved Romero and Norma as a couple as I have mentioned several times so I wanted Alex to have some kind of retribution. Of course that was not going to happen. Alex’s emotions over the Norma body is what cost him his life. He should have killed Norman first, but he was not thinking, he was still in total grief.

I was very happy that Dylan and Emma wound up together. I was a little worried that they would no longer be together because Emma was mad about her mother being murdered by Norman. However, the end of the episode showed Emma, her daughter and Dylan meeting up and they shared a kiss. This was a wonderful moment that made me very happy. At least one of the great couples from Bates Motel made it through the series.

I am glad that I have made it through this series. It was a quality show that flew under the radar while it was on TV.