Tag Archives: film

2024 Year in Review: The X-Mas Movie of the Year Award

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I was struggling with this award this year. This is one of the most recent awards we give out during the Year in Review. It came around because I wanted to give Violent Night a specific award.

Here are the list of winners

The X-Mas Movie of the Year

Previous Winners: Violent Night, The Holdovers

You can see there has only been two winners so far. I could have gone back and retroactively given this award out to films such as Netflix’s Klaus, Home Alone, Christmas Vacation, The Muppets Christmas Carol, Scrooged or (sorry Bruce) Die Hard. Heck, I could have named this award the Die Hard Memorial X-Mas Award (I really wish I had done that).

Looking at the Christmas movies that I had watched this year, all I had was Red One. Red One was disliked by a lot of people. I did not hate it, but it was not very good for sure. There was an animated movie on Netflix called That Christmas which was in consideration, but sadly I only thought it was passable too. The second half of that movie was really great to be fair, but I was bored through the beginning.

I chose to go to a film today because I did not have a distinct choice for this award. It was a film that I had no interest in seeing, but had a great Rotten Tomatoes score. I had a lazy Sunday planned and there was a 9:15 AM showtime at Cinemark and I thought that would be a good opportunity.

The movie I saw this morning is officially the winner of this award…

Winner: The Best Christmas Pageant Ever

Based on a novel, The Best Christmas Pageant Ever was funny, well written, and full of interesting characters who have to decide what Christmas means to them. This was a really solid movie and it works extremely well as the winner of the….

Hey, a good idea is a good idea!!!!

From now on, this award will be known as this.

Ho-Ho-Ho

2024 Year in Review: The Expendables Award for Acting Excellence

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It is once again time for the annual look at the best and the worst of films/TV etc. from the world of the cast of the Expendables. Yes, this might be a bit of a joke award, and a little too easy, but … whatever.

Best Movie with an Expendable: Hit Man. This was an excellent film starring Expendable 3 star Glen Powell. Powell has become a real star and he could dominate these Expendable Acting Awards moving forward if he continues to take these interesting roles.

Best Expendable Actor: Harrison Ford (Shrinking). It is the second year in a row for Harrison Ford winning this award for his work on the Apple TV + series, Shrinking. He is just perfect in that role, steals every scene he is in and absolutely rules. His comedic timing is so great and he has chemistry with every actor on the show. He has made the grumpy old man trope his own and his is brilliant on this show.

Worst Movie with an Expendable: Monster Summer. Starring Mel Gibson, this film was a weak 1980s type film that wanted to be like Monster Squad, Goonies, Hocus Pocus or Sandlot, but just lacked any of those films’ strengths or any of those films’ charms. Gibson was miscast in the role too.

Bruce Willis Quantity over Quality Award for Most Movies Made by an Expendable: Antonio Banderas. He had four films (five if you include the London release of Paddington in Peru). The four films were Cult Killer, The Clean-Up Crew, Babygirl and the short Mercedes-Benz: In Her Shoe. I expect to see Babygirl, but the others I missed.

Best Expendable Cameo: Wesley Snipes (Blade, Deadpool & Wolverine). One of the best cameos of the year came from Snipes, reprising his classic role of Blade for the new MCU film. Despite the rumors of a feud with Ryan Reynolds stemming from Blade 3, Snipes appeared in the love letter film to the MCU and was an absolute highlight.

Top 6 2023 Movies in 2024: 2024 Year in Review

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Every year, EYG watch movies that are released in 2023, but we do not watch it until 2024. These film do not go on the final Best or Worst film list, so I have been giving them their own list. I did not see very many early in January (perhaps only one), but that was because I wanted to save the other films for the June Swoon.

There are six films on this list. As with the year end best and worst lists, star ratings are not the final score. They may help me generalize where they may go on the list, but it does not require me to put them in that numerical order.

Starting off…

#6. Flamin’ Hot. The story of the creation of Flamin’ Hot Cheetos and the man behind them. It was a comedic biopic with some creative adjustment… but hey, it was “based” on a true story. It was a very entertaining film.

#5. Thanksgiving. One of the big surprises in the list was this slasher movie from Eli Roth being a movie that I really enjoyed. Eli Roth has never been my favorite director, but this ne was clever and creative and well worth the watch. We just passed the holiday so it may be a perfect time for you to revisit this movie.

#4. 20 Days in Mariupol. A truly tough documentary following some media individuals through the war tarn land in Ukraine. It was real, too real at times and it was a very difficult watch. It was a very important watch too.

#3. The Zone of Interest. One of the big Oscar nominated International films from last year, The Zone of Interest focused on Auschwitz commandant Rudolf Höss and his wife Hedwig and the life they lived during the Holocaust.

#2. Anatomy of a Fall. Another Oscar nominated international film, Anatomy of a Fall told the story of a woman who was suspected of the murder of her husband, her trial, and what exactly her blind son knows. This is an extremely compelling mystery that keeps you guessing to the end.

#1. American Fiction. This was the film I watched in January because I did not want to wait until June to see it. I had heard a lot of great things about it and I was not disappointed. Jeffrey Wright is an author who, frustrated with his inability to sell a book, writes a “black” book under a pseudonym and suddenly finds a ton of success. That success made Wright all the more frustrated. This is a great movie with stunning performances and Oscar nominations, from not only Wright, but also Sterling K. Brown.

2024 Year in Review

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It is that time of the year. It is time for the 2024 EYG Year in Review!

Over the next month (or so) I will be posting the winners of the awards that we give out this time of the year every year. This is our 14th year of giving out these awards and it is one of my favorite times of the year.

There are also several lists where I list my favorite and least favorites in a plethora of categories. Everything from the world of geek culture including movies, TV shows, comic books, WWE, YouTube and so on. The biggest hole in the year in review is video games as I do not play them (for fear of never stopping).

We have the records of all of our winners from the past found on the site. I will post the records during each award post. Here is an example:

The EYG Stan Lee Movie Cameo Award

Previous winners:  Stan Lee (Big Hero 6*, Deadpool, Spider-Man: Into the Spider-Verse* ), John Cena (Daddy’s Home), Chris Evans (Thor: The Dark World, Free Guy), Sigourney Weaver (Cabin in the Woods), Hugh Jackman (X-Men: First Class), Yoda (Star Wars: The Last Jedi), J.K. Simmons (Spider-Man: Far From Home), Harrison Ford (Star Wars Episode IX: The Rise of Skywalker), Rudy Giuliani (Borat Subsequent Moviefilm), Val Kilmer (Top Gun: Maverick), Rhea Perlman (Barbie)

There are a ton of potential winners in this category for 2024 so it will be interesting who receives the Stan Lee Movie Cameo Award this year.

We will end the year in review with our typical Best Movie and Worst Movie lists. It is unclear as of yet how many each list will be. Last year I had 40 films on the Best list and only 20 films on the Worst, but I think that may not be as split this year. I know there are about 5-6 films competing for the worst film of the year spot and I am unsure which one will land in that spot.

I should say that, even if there are films on the worst list, or something receives a ‘Batman and Robin Award for Rottenness,’ I have the utmost respect for those who create movies and TV shows. I know it is an amazingly difficult job. However, I do believe it is okay to criticize or critique these projects. I will never get personal though.

And I will say this many times… this is my opinion. You may have a different opinion on some of these and that is great. I had someone on Twitter/X this year get mad at me for my review of Kinds of Kindness and was very insulting to me about it, calling me names and being disrespectful. All art is subjective and what I hate completely (like Kinds of Kindness) may be your favorite film of the year. And that is OK. To attack someone for their opinions is not OK and goes against everything that we believe at EYG.

So here we go. 2024 is almost in the books. It flew by and we look back before we look ahead.

Hate* [*A Comedy] (1999)

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So it is Black Friday and I went to Comic World in Dubuque to partake in the sale on back issues. I started talking with Ben, the owner, who was working the front of the store. We were discussing some of the movies I had watched recently, and i came around to talking about Rumours, which was totally crazy, a black comedy with some of the craziest stuff in it I had seen in a long time.

This led Ben to bring up a short that he called a ‘college’ short film, giving me a quick synopsis of the film. He mentioned a chicken moving next door to a guy. It certainly fit in with the weird films we were talking about (yes, we even mentioned Beau is Afraid).

Ben told me that it was available in full on YouTube, so I decided that I was curious to see what this comedy was and how I felt about it.

The film centered around a man named Paul Wilson (Paul Hungerford) who had a chicken move next door to him, and the chicken began tormenting him. Calling him Moriarty, the chicken, named Pembroke Arbaghast (voiced by Brian Carr), was trying not so subtle things to kill his new neighbor… or at least so Paul thought.

When his poker friends died from poisoned chimichangas, Paul decided that he had to do something to stop the chicken’s crazed spree.

This was hilarious. I loved this short. It was so funny and well presented. The key to something like this is to present it in all seriousness, despite it being totally ridiculous. Paul was really scared and bothered by the foul creature and so the silliness of the situation became funny instead of stupid.

It seemed as if every time the chicken was shown, I was laughing, because of its look, and yet, I found a lot of this to be fairly sinister. The puppeteers did a wonderful job making this chicken believable with its playing poker, driving or sending threatening emails.

The final confrontation between man and bird was excellent too. This was a lot of fun and definitely worth the time. The twist at the end was funny too.

The acting was very solid. In particular, Paul Hungerford delivers a strong performance. You are convinced that he is scared of this chicken and that he legitimately is afraid for his life.

This goes to show you how a creative mind can take even the weirdest of concepts and turn it into an entertaining film. Hate* [* A Comedy] was well worth the 22-minutes it took to watch it, available on YouTube, but do not forget the asterisk when searching.

Blitz

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Steve McQueen, director of 12 Years a Slave, has a new film that is currently streaming on Apple + and has been in discussion for awards considerations.

It is 1940 and London is experiencing deadly bombing from the Nazi air force. Because of this, the people of London were sending their children away to try and protect them from the bombings. Rita (Saoirse Ronan) was a single parent sending her son George (Elliott Heffernan) away on a train. George was not happy about the situation, going as far as telling his mother that he hated her.

About an hour into the trip on the train, George jumps off with the intent of going back to his home in London.

George faced a ton of troubles along the way, including several of the seeder characters on the streets of London, as if it were right out of the stories of Charles Dickens.

Saoirse Ronan was excellent in this film, bringing the anguish of her situation and the absolute fear when she discovered that her son was missing. Elliott Heffernan does a very solid job with the mostly physical role, providing the right amount of grit and determination. George never gave up despite situations that clearly could have led many people to give in. The film certainly depended upon the skills of Heffernan.

The special effects and the war-torn areas of London were amazingly constructed and portrayed in the film. There was a sequence in an underground area with water flooding in that was seriously stunning and anxiety-driven. The first half of the film went a little slowly, but the film definitely picked up as the time went on.

Blitz is available on Apple + and is a very strong film.

3.8 stars

The Piano Lesson

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Netflix does release several Oscar-worthy films this time of the year as they give out films that they have agreed to back on their platform. While many of the films that are made expressly for Netflix come up short, these releases are usually fairly high quality.

That is the case for the new film The Piano Lesson, which came out this past Friday on the streamer. It had appeared at TIFF this year to soundly positive reviews and now can be seen by the nation as a whole.

According to IMDB, “[The Piano Lesson] Follows the lives of the Charles family as they deal with themes of family legacy and more, in deciding what to do with an heirloom, the family piano.”

There is much more than that simplistic summary gives, including an air of supernatural in the house where the piano is being stored. There were some really creepy moments in this movie that were weirdly out of place, or at least felt that way. However, these moments do work for the film, you just do not expect them to arrive in this type of movie.

The conflict between Boy Willie (John David Washington) and Berniece (Danielle Deadwyler) is remarkable. They have an amazing chemistry with each other as brother and sister, but they were both determined that they knew what was best with this piano and it was clear that this conflict was not about to be resolved through discussion. Both Washington and Deadwyler brought their best work and presented powerful characters that each had an understandable argument.

Samuel L. Jackson is great in the film as well are Ray Fisher, Michael Potts, Corey Hawkins, and Malik J. Ali.

The film definitely felt like a stage play turned into a movie, and, after watching it, I did find out that it was based on a stage play by August Wilson and that Jackson, Washington, Potts and Fisher all starred in it. You could see how they all felt very comfortable in their roles.

Danielle Deadwyler was the standout. Coming off her amazing Oscar snubbed performance in Till, she is once again exceptional. Her emotions are on the edge through the whole film and her dogged determination that the piano with the faces of her family carved upon it was going nowhere.

This is available to stream on Netflix.

4 stars

A Real Pain

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A Real Pain is a perfect example of an independent movie.

For me, an independent movie does not have a plot, or at least one that drives most of the story. It is a film where we take some characters and drop them into situations and let them see what happens. You could define it as character based films. I don’t want to imply that I do not like that style of movie, but it is distinct.

In A Real Pain, two cousins take a trip to Poland after their beloved grandma passed away to go on a Holocaust tour and visit her childhood home.

The movie was written and directed by Jesse Eisenberg, who starred as David Kaplan. Kieran Culkin played his cousin Benji Kaplan. They both brought Oscar-worthy performances in these roles. Their performances were very important since the characters were so important to the story.

The tour of Poland and a nearby concentration camp was very powerful and the actors did a great job responding to it.

The film was only 90 minutes long, but it did feel longer than that. That is probably because of the dense material that the film featured. However, there were some really funny moments too, which you do not find too often with Holocaust films. A Real Pain is an ambitious film with great performances that had some challenging moments to watch it.

4 stars

Bates Motel S5 E9, E10

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Spoilers

“Visiting Hours”

“The Cord”

The rewatch of Bates Motel came to an end tonight as I watched episode nine and ten of season five. I did not remember any details of this finale so I had no idea of what was going to happen.

I was afraid that I would not feel that the end of this show would have a satisfying end. I was wrong.

It has been fairly clear the last season that this is not a prequel to the movie Psycho. It just had the character of Norman Bates and the setting in place, but they did not feel the need to keep things so they would line up with the movie.

I mean, Norman died at the end. That would make it difficult to have the movie come after this.

The scene between brothers with Dylan killing Norman in self defense, because Norman wanted him to. Dylan was shocked by the corpse of Norma at the dinner table. Freddie Highmore and Max Thieriot brought some amazing emotion and energy to this final confrontation.

What did feel like a letdown was the end of Alex Romero. The ending was always going to be about the Bates brothers and not Romero, but I loved Romero and Norma as a couple as I have mentioned several times so I wanted Alex to have some kind of retribution. Of course that was not going to happen. Alex’s emotions over the Norma body is what cost him his life. He should have killed Norman first, but he was not thinking, he was still in total grief.

I was very happy that Dylan and Emma wound up together. I was a little worried that they would no longer be together because Emma was mad about her mother being murdered by Norman. However, the end of the episode showed Emma, her daughter and Dylan meeting up and they shared a kiss. This was a wonderful moment that made me very happy. At least one of the great couples from Bates Motel made it through the series.

I am glad that I have made it through this series. It was a quality show that flew under the radar while it was on TV.

Bates Motel S5 E2, E3, E4, E5, E6

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Spoilers

“The Convergence of Twain”

“Bad Blood”

“Hidden”

“Dreams Die First”

“Marion”

Got on a bit of a run during the final season of Bates Motel. A couple of things turned out clearer than I remembered when I first watched the series on A & E.

First, I always had an issue with the Marion Crane storyline, which began to happen this season because I had believed that this was a prequel series to the Psycho movie from Hitchcock. However, I realized that this was not the case… or at least, I think that is the case.

When Norman chained Caleb in the cellar, Chick discovered all of the secrets of Norman and his “Mother.” He saw the frozen corpse of Norma in the basement. Chick, being the opportunist he is, decided he would write this story. He got a typewriter and was taking notes on a tape recorder. He told Norman that he was writing a suspense/thriller novel that he thinks could be a good movie someday. So the show is now an inspiration for the novel/movie instead of a prequel. I like that switch, and I wonder why I did not see it last time.

Understand, it might all be for naught considering I do not remember if Chick met an end during the series. If that turns out to be the case, then perhaps I will have to adjust my thoughts.

Second was the way Dylan and Emma finally found out that Norma was dead. It was a small scene, but it was really well acted. Dylan not knowing about what was happening with Norma was one of the more frustrating parts of the season. I know why they did it, but it was tough. Of course, Dylan lost both his mother and father. The scene with Dylan and Norman on the phone was powerful considering they were just on the phone together.

Third, I was not expecting Romero to get shot, but I do now remember it happening. Buckshot from a kid’s gun. He shows how tough he continues to be. I’m not sure if the show intends for us to hope that Romero fails, but I find myself rooting for him way more than I ever root for Norman.

Five more episodes remain in the series.

Anora

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One of the early leaders in the race for the Oscars went wide this weekend as Anora his the theaters.

According the IMDB, “Anora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.“

Mikey Madison played Anora, or Ani as she preferred to be called, and she is amazing as this tough as nails New York exotic dancer/escort, whose client, rich Russian Ivan (Mark Eydelshteyn), falls for Ani after a whirlwind of a week.

This movie sets things up in the first part of the film and you can see where this is going. Then the film takes a total swerve and changes paths completely. This is very well written and avoids the cliches that this movie very effectively seems as if it is heading toward.

Mark Eydelshteyn does a very good job with the character of Ivan, who is a character that really will change the audience’s opinions on as the film progresses. No spoilers, but he does a fine job of playing Ivan without flipping the character’s center.

The Russian handlers come in to the story midway through and bring a surprising amount of humor/comedy to the story. It played against expectations with these characters and they were hilarious.

Mikey Madison is a front runner for an Academy Award after this performance. She brought such a range of emotion in the film, from her brazen toughness to a deep seeded pain. This feels like a real breakthrough performance for Madison.

Anora had a lot of nakedness, and absolutely deserved its R rating. Truthfully, I could have seen a possible higher rating for the movie. The film does not shy away from anything and gives these characters the ability to do whatever they want. None of it felt gratuitous though.

This was a very good movie and some wonderful performances elevated it, as did some writing that took this in a direction that I did not see coming.

4.4 stars

Heretic

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If you had said that Hugh Grant would be horror/thriller movie villain and completely rule at it, I might not have believed you. However, he absolutely does and he is one of the major factors to the new A24 horror flick, Heretic, being as exceptional as it is.

However, I could see how this movie might be polarizing considering its main topic is religion and the discussion of how and if religion is relevant.

Hugh Grant is the standout of the movie, but the two female co-stars, Sophie Thatcher and Chloe East, who play Sister Barnes and Sister Paxton respectfully, carry their own against the powerhouse performance from Grant. Both Thatcher and East are given characters with their own quirks that work very well in the context of this movie.

There may not be as many scares in this movie, but the script gives the film an uncomfortable feeling throughout, especially with the uneasiness provided by Grant’s work. You can tell that everything is just not quite what is being shown and you are anxious waiting for that hammer to drop.

However, while they are waiting and building the unease, the writing is sensational, with the debate between the different religions of the world. I loved how this was basically three people talking for much of the first act (or two) and it is able to build the anxiety. The writing was top notch. I also do not believe that it took one side and argued that in a preachy way. I do believe that someone could find their own opinions of religion given voice in this film.

I loved the writing when Sister Barnes retorted against Mr. Reed’s (Hugh Grant) metaphor comparing religion to Monopoly. This whole diatribe was expertly written and delivered.

The ending might have been a little weaker than the first half/two-thirds of the film, but I do love how these characters are smart and are shown to be smart.

4.4 stars

Robot Dreams

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The eighth film today in the 4F binge was an animated film called Robot Dreams and it was a story of loneliness and friendship. Told without any dialogue, Robot Dreams used music and sounds to help portray the story, and it did it extremely well.

According to IMDB, “DOG lives in Manhattan and he’s tired of being alone. One day he decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?“

There have been some amazing animated movies this year, and this is yet another. Nominated for an Academy Award this year, Robot Dreams was a sad and bittersweet story of Dog and Robot who each just seem to only have any real success in their dreams.

The film did seem a little too long, but the creativity is off the charts. The use of music is spectacular and I do love the use of “September” by Kool and the Gang throughout the film.

The ending was unexpected and a little sad. No spoilers here, but I am not sure how I feel about the end. I did not guess that it would turn out like this.

Oh, and that DUCK seems rotten. A postcard? Couldn’t she give DOG a phone call? Stop by on the way to the airport? What a quack.

Sweet and sad, Robot Dreams is a fabulous animated film.

4.3 stars

Crisis on Infinite Earths Part Three

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Next up is Crisis on Infinite Earths Part Three, the third in a series of animated movies from DC focusing on the iconic comic mini series. The previous two films leading up to this were weak. I do believe the finale is a little better, but it does not reach anywhere the levels of the previous DC films.

It was kind of fun watching the wave of Anti-Monitors killing all of the animated TV show earths.

It was also great to hear Kevin Conroy-Mark Hamill once again together. This was the final voice performance of Kevin Conroy, prior to his death. Conroy is the iconic Batman voice of a generation.

The story is paced poorly, and it does not feel the sense of grandness that it should. Part of that is probably the previous installments in this trilogy, but this final one is not a huge step up either.

The animation here is fine and the voice cast is vast and full of solid work.

Here’s hoping the next DC animated films are back to the storytelling of the past.

2.6 stars

Woman of the Hour

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I went to Netflix for the next Friday Fabulous Film Fest movie. It was a film that starred and was directed by Anna Kendrick called Woman of the Hour. It was based on a true story of a serial killer who appeared on the Dating Game in 1978.

Sheryl (Anna Kendrick) was a struggling actor whose agent booked her on the Dating Game. Little did Sheryl know that one of the bachelors she could choose from was a serial killer who had been involved in a killing spree.

It is an amazing true story. How brazen can you be as a serial killer to flaunt yourself on a national game show? He clearly felt untouchable at the time.

The film had plenty of moments of tension, especially with the scenes between Anna Kendrick and Daniel Zovatto, who played Rodney Alcala, the serial killer. It was unclear how it would turn out as the tense scene played out, and I really liked this.

Sad point was that Alcala was recognized by someone in the studio audience during the Dating Game taping and she was ignored by those in charge at the show and eventually the police. This character, Laura, played by Nicolette Robinson, added that feeling of helplessness that all of Alcala’s victims must have felt.

I enjoyed the direction by Kendrick, though my one complaint was the narrative structure was a little hard to follow. The timeline of the movie was not as clear as I would have liked it. Otherwise, this was a very engaging film.

4 stars