Tag Archives: film

Fear Street: Prom Queen

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June 13

In honor of Friday the 13th, I figured the second part of the June Swoon I would watch a good slasher film. Unfortunately, instead I watched Fear Street: Prom Queen.

I really enjoyed the previous installments of the Fear Street films. They came out in 2021, released once a week on Netflix. Based on R.L. Stein books, the Fear Street films were based in 1994, 1978 and 1666. They were connected and was a lot of fun.

It only made sense that they would return to the series. Prom Queen was lacking a lot of what made the first three films so great… namely a story, any interesting characters and fun.

According to IMDB, “Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.”

This was such a dumb movie. I mean, dumb even for a slasher movie. The story made no sense. The motives of the killer made no sense. The kills were uninspired and boring. It just had a whole list of horror/slasher tropes that were not fun at all.

The writing was so bad. The acting was over the top. What a waste of time.

I was sorry to see this because I really enjoyed the Fear Street films form 2021, but this was nowhere close to a worthy successor to those three movies. This felt like a high school production.

I wonder if I would have considered this so badly if it did not have the Fear Street name attached to it? The memory of the great movies that preceded this may have not allowed this one a fair shot. On the other hand, this was aggressively bad and if a better movie was made, perhaps it would have benefited from the previous films. Either way, don’t bother with this one.

1.2 stars

How to Train Your Dragon (2025)

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Masterpiece.

I am typically negative on these live action remakes of classic animation. There have been some good ones, but there have been so many more that just does not hit the mark.

How to Train Your Dragon knocked it out of the park.

I loved this live action adaptation. My one criticism is that it is basically a shot-for-shot remake with little if anything new to add. However, I don’t care about that when the adaptation is this epic.

I knew the story. I knew the beats. I was still getting chills and I still had tears running down my face in the final act. This was so well done and affecting to me.

Mason Thames was perfectly cast as Hiccup. You had to get this casting correct if you wanted this movie to be successful, and Thames was masterful. He connected to the audience, he expressed the emotions of his conflict beautifully, and his hero’s journey was just spot on. Toothless was impeccable with the CGI. This felt like a real dragon on screen and you could sense the chemistry between Hiccup and Toothless.

Gerard Butler reprised the role that he voiced in the animated movie with Hiccup’s father Stoick. Butler played this over-the-top role to perfection. His feelings for Hiccup are so obvious, even when he was disappointed b his son’s choices.

Nico Parker was a standout as Astrid. She had a star quality every moment she was on the screen. I was really impressed with her in the role that I was not as fond of in the animated movie. The film also featured Nick Frost, Julian Dennison, Gabriel Howell, Bronwyn James, Harry Trevaldwyn, and the incomparable Peter Serafinowicz.

The cinematography of this movie was just outstanding, especially the flying sequences. I constantly sat in the theater in awe over some of the shots I saw on the screen. It was a beautifully designed and laid out with such care.

Yes, this is basically an exact remake of the animated movie and I know there are some who will crap on the film because of that. I will not be one of those. This is my favorite movie of the year so far.

5 stars

Warfare

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June 11

This was brutal.

Warfare was written by Ray Mendoza and Alex Garland based on Mendoza’s experiences during the Iraq war. It followed the events of a failed US Navy Seal mission from November 2006 after the Battle of Ramadi.

The script was created through testimony of the platoon members and is told only using their memories. The film is told in real time and is one of the most realistic war films that I have ever seen. This felt more like we had a window into this gunfight than anything that had been recreated by Hollywood magic.

I wish I had seen this on a bigger screen than on my home TV, because I feel as if this is more than a movie, it’s an experience. I can’t imagine what this experience would have been like in IMAX or on a bigger screen with a better sound system.

The sound of the movie was one of the most haunting aspects of it. Everything from the bombs and the bullets being used to the silence emphasizing the screams of pain from the injured. When the silence goes from all encompassing to visceral screams of the wounded, it is a powerful and suspenseful moment. The screams cut deep into the viewer and beginning with the silence makes it all the more impactful.

There is almost no plot and very little characterization. Despite that, the events that take place place a strain on the audience as it feels very real.

The ensemble cast included some of the best young actors around, but it is never apparent that these actors are doing anything but surviving a firefight. The actors include  D’Pharaoh Woon-A-Tai , Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Joseph Quinn, Charles Melton, Noah Centineo, and Michael Gandolfini. 

The amazing technical work of this film is masterful. The realness of the film cannot be denied. This is one of those tough to watch films that you need to see, once at least. It may not be a film you revisit.

4.5 stars

My Dead Friend Zoe

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June 11

The film for today on the June Swoon is film I saw on Fandango called My Dead Friend Zoe. It was a film that I had never heard of before, but the timing fit for today so I gave it a chance.

The film deals with grief, loss, PTSD and the military as well as the challenges of a family dynamic between people who struggle to relate.

According to IMDB, “MY DEAD FRIEND ZOE is a dark comedy drama that follows the journey of Merit (Sonequa Martin-Green), a U.S. Army Afghanistan veteran who is at odds with her family thanks to the presence of Zoe (Natalie Morales), her dead best friend from the Army. Despite the persistence of her VA group counselor (Morgan Freeman), the tough love of her mother (Gloria Reuben) and the levity of an unexpected love interest, Merit’s cozy-dysfunctional friendship with Zoe keeps the duo insulated from the world. That is until Merit’s estranged grandfather (Ed Harris) — holed up at the family’s ancestral lake house — begins to lose his way and needs the one thing he refuses… help. At its core, this is a buddy film about a complicated friendship, a divided family, and the complex ways in which we process grief.“

This is a very deep character study about life after loss and how individuals need help getting through the pain of life and loss. There is a bit of a twist at the end of the movie that recontextualizes the idea of the story, but the fact is that it is still dealing with the loss of an important person in your life.

There are strong performances in the film, especially that of Sonequa Martin-Green and Ed Harris. Two veterans, both with their own pain from loss, trying to get through their lives. Morgan Freeman is always a great addition to a cast, even if he may not have as much to do in this one.

My Dead Friend Zoe may be a touch long, but the character study of Merit, in particular, is full of important little steps and that is a realistic tale. This was based on a true story and it was a very powerful film that lets you think about other people in a different light.

28 Weeks Later (2007)

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Preparing for 20 Years Later which will be released later in the month of June, I wanted to rewatch the first two films of the franchise. I was up to 28 Weeks Later, the sequel to 28 Days Later.

28 Weeks Later was different than the first film, but it was still very intense and anxiety-filled. The second film listed Danny Boyle and Alex Garland as producers, but the direction was done by Juan Carlos Fresnadillo.

Then, 28 Days Later featured a cast with not very many big stars, where as 28 Weeks Later would be considered an all-star cast. The cast of 28 Weeks Later included Jeremy Renner, Idris Elba, Robert Carlyle, Harold Perrineau, Rose Byrne, Imogene Poots, Catherine McCormack, Amanda Walker, and Mackintosh Muggleton.

According to IMDB, “Almost six months after London was decimated by the unstoppable Rage Virus in 28 Days Later (2002), the U.S. Army has restored peace and repopulated the quarantined city. However, the deadly epidemic reawakens when an unsuspecting carrier of the highly transmittable pathogen enters the dead capital with the first wave of returning refugees. This time, the horrible virus is more dangerous than ever. Has the next nightmare begun?“

This was a solid sequel to the first film and this brought a serious vibe to it. The desperate struggle to survive was even more in effect here as our protagonists faced so many more obstacles than just the return of the “Rage” virus. The military brought yet another level of threat to our characters.

Robert Carlyle, who played Rumpelstiltskin in Once Upon A Time, is amazing in this film. He kicked things off making a choice that gives us a glance at his character, but you can understand where he was coming from. It did not make him look any better even if you do understand. I loved Jeremy Renner in this movie, even if I had a hard time thinking about him as anyone other than Hawkeye.

There were some scenes that really stretched credibility here. These scenes add tension to the story, even if they are unbelievably unlikely to actually happen.

I do believe the first film was a tighter story and the second one is a little messier. Some of the scenes of the infected attacking others remind me of scenes when Killer Bob would attack someone on Twin Peaks Still, the shots did feel more artistic than just gory.

I do not expect any connection between these two films and 28 Years Later, outside of the “Rage” virus because of the length of time. I am still pleased that I was able to watch these two films before 28 Years Later comes out.

The X-Files S9 E12, E13, E14, E15, E16

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Spoilers

I watched a series of X-Files episodes during the ninth season this afternoon. I’m hoping to wrap up the rewatch of the X-Files this summer, and this was a big step in that direction.

“Underneath”

I found this episode was similar to many other episodes this season. I realized this watching this episode. This season, Doggett, Reyes and Scully rarely actually investigated an X-Files. The cases that they were investigating coincidentally become X-Files, but they were not brought in because of their expertise in the X-Files. This episode did have a neat story about a serial killer who had a different personality.

“Improbable”

And as soon as I was coming up with my theory about cases not being X-Files, episode 13 had Scully come into the X-Files office and Monica laid out the case on the overhead projector just like Mulder used to do. Burt Reynolds guest starred in this episode as, I guess, God. I found this to be a silly episode involving some numerology. This serial killer was killing people based on this numerology, though that was never really explained.

“Scary Monsters”

I think this was my favorite of the run of episodes, although there were plenty of weirdness and silliness here too. A boy who can project some kind of images, making people believe they were seeing or feeling things that they were not. Agent Leyla Harrison returned from an episode from a previous season trying to recruit Scully first and then Doggett and Reyes to look at a case that she claimed was an X-File. Scully’s end of the case was particularly enjoyable as she was given the comedic aspects of the episode, including an autopsy that she wound up performing on a cat. There were a bunch of allusions made by Agent Harrison to previous X-Files episodes, which were fun little tidbits.

“Jump the Shark”

This felt like a final wrap up of the Lone Gunmen spin-off series that lasted 13-episodes on FOX. The show brought back former Man in Black, Morris Fletcher, played by Michael McKeon, from episode “Dreamland” from season six. This led to the Lone Gunmen sacrificing their lives to prevent a release of a virus. I remember being shocked and angry when the Lone Gunmen died in this episode.

I do hate the term “Jump the Shark” which this episode was named after. The term is based after a Happy Days episode where the Fonz legitimately jumped a shark on water skis. The term has come to mean when a TV show has peaked and is in decline. The reason I hated the term was that people started to use it any time that they did not like something that was on a show. It was one of the first comments that would lead to such a negative discourse on the internet.

If this would be the end of the Lone Gunman, there should have been more Scully in the episode. She only had a small bit at the funeral at the end. She said how important they were to her, and I would have liked to have seen more of that during this episode.

“William”

This episode was directed by David Duchovny and dealt with the baby of Scully, William. There was a burnt man who was captured and Doggett believed that this was Mulder. The show made it seem like this burnt man was Mulder, but Scully never believed that was the truth. It turned out that it was Jeffrey Spender, Mulder’s half-brother and the son of Cigarette Smoking Man who was supposedly killed by CSM. That was a good twist. It was all about getting to William and make him human. That was a bizarre storyline element that did not make much sense.

However, I do think that the idea that Scully put William up for adoption to keep him safe from the aliens and anyone else makes a lot of sense and it put a period on the William story for now. I know William returns later in the newer seasons, but this worked well for this season.

Love Lies Bleeding

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June 9

Today’s movie from the June Swoon is on HBO Max and it starred Kristin Stewart.

The film, a dark, erotic crime thriller, is directed by Rose Glass. There are some great scenes of violence and erotica in this movie. The acting is top notch and the shocks are all over the place.

According to IMDB, “Reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family.”

It started following the relationship between Lou and Jackie as Jackie prepared for a bodybuilding contest. When Lou’s sister ended up in the hospital at the hands of her husband JJ (Dave Franco), Jackie took her own ‘roided-up rage out on him. This forced Lou into a position to try and help her love.

As the film progressed from this love story into a crime thriller, Lou’s criminal father Lou Sr (Ed Harris) got involved, trying to pit Jackie and Lou against each other.

The third act went way off the charts as something very bizarre took place that made you look differently at this film than any other one. It is hard to speak about it without spoilers so lets just say that I think it might be metaphoric at the end.

That final scene or two really threw off my thoughts about this film. It felt like something that was tense and real made, dare I say, silly.

Kristin Stewart was great as Lou. She seems like she has always had great performances since Twilight ended. Ed Harris brings some menace to the film too.

Not sure what happened at the end and why it went this way. Still, most of this movie was strong and the end did not completely waste that good will.

The Ballad of Wallis Island

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June 8

I had seen the trailers for this movie earlier this year, but it never came around to any theaters that were in my area. So when I saw it for rental on Vudu, I was happy to make it part of the June Swoon.

According to IMDB, “An eccentric lottery winner who lives alone on a remote island tries to make his fantasies come true by getting his favorite musicians to perform at his home.”

This is going to be an odd comparison, but this movie made me think of A Mighty Wind. They are completely different films, with A Mighty Wind being an improved film from Christopher Guest, but there was a pair of characters int he film named Mitch and Mickey, played by Eugene Levy and Catherine O’Hara. Mitch and Mickey were a folk singing duo who were also a couple and the split up. Mickey remarried and then they came back together to play the big folk music special at the end of the movie.

This reminded me very much of that movie thanks to the folk music pair McGwyer & Mortimer, played by Tom Basden and Carrie Mulligan. Admittedly, this is a more serious film than the Chris Guest one, but many of the ideas behind these characters feel similar.

Written by Tom Basden and Tim Key (Key played Charles, the eccentric lottery winner), this was based on a short film entitled  “The One and Only Herb McGwyer Plays Wallis Island” from 2007. Basden & Key wrote that short as well.

This film was sweet and melancholic tone to it, as Charles tries to get his favorite pair of folk singers together to play a solo gig for him. Charles may not have been straight-up with them in order to get the reunited duo to come.

The music is great. The imagery of Wallis Island is beautiful. There are some really strong character developing going on with the limited cast, and I do like how things do not necessarily go the way you would expect.

4 stars

Ghostlight

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June 7

This was another movie that I never would have heard of if not for Dan Murrell, online critic, who put Ghostlight on his best of 2024 list. After hearing that, I added it to the June Swoon list.

Thank you, Dan. This was a sensational movie, one of the best that I have seen over the last year or so.

According to IMDB, “When a construction worker unexpectedly joins a local theater’s production of Romeo and Juliet, the drama onstage starts to mirror his own life.”

This script was beautifully constructed and the story told in a wonderful manner. Pieces of the story were given as the film progressed. We knew some of the things that happened, but they hold on to the overall events for the stretch. The writing was layered and worked so well that you could feel everything going on.

The performances were out of this world. Interestingly, the actors who played Dan and Sharon Mueller, Keith Kupferer and Tara Mallen, are married in real life, and their on-screen daughter Daisy was played by their real life daughter Katherine Mallen Kupferer. All of this made this feel real and all three of them knocked this out of the park.

I had immediate connection to this movie because I know kids like Daisy, who came out immediately with curse words and anger. I wanted to know more about what was going on, and these characters were so well done that everything was awesome.

I watched the movie on Amazon Prime and, I am not sure if this was the way it was supposed to go, but the very end felt like Prime cut off too soon. Maybe that was how the film ended, which, if so, it felt like I needed one more scene.

That was the only problem that I had with this film. It is one of the best movies I have seen in awhile. The story was small and emotional with the feeling of reality truly cutting deep. Ghostlight was great. If I were giving star ratings for these June Swoon movies, this would be five stars.

The Phoenician Scheme

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Man, who could possibly guess who directed this movie?

I am being sarcastic because this movie is about as much of a Wes Anderson movie as you are ever going to see. There are traits about a movie directed by Wes Anderson and this provided just about every one of them.

For me, Wes Anderson movies are hit or miss. I loved Moonrise Kingdom, The Grand Budapest Hotel, The Royal Tenenbaums, and Rushmore. Asteroid City and The French Dispatch are examples of Wes Anderson movies I could do withotu.

The Phoenician Scheme was a lot of fun and I found it to be totally funny.

According to IMDB, “Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.“

I think what made this work for me was the comic timing of Benicio Del Toro, who played Zsa-zsa Korda. He had chemistry with every actor he interacted with and he delivered these eccentric lines of dialogue with just the right amount of sincerity that made it really funny.

While there was no sign of Edward Norton, the Anderson cast of actors that appear in a lot of his movies were here too including Michael Cera, Benedict Cumberbatch, Willem Dafoe, F. Murray Abraham, Scarlet Johansson, and Bill Murray. You could add some other great actors such as Riz Ahmed, Tom Hanks, Bryan Cranston, Jeffrey Wright, Rupert Friend, Steven Park, and Richard Ayoade.

Along with all of these established veterans, starring opposite Del Toro was Mia Threapleton. Threapleton, who is Kate Winslet’s daughter, showed that she is anything but a “nepo baby” as she was outstanding in her role as Liesl. She exuded the tone of a Wes Anderson movie perfectly, really helping set up Del Toro’s lines and scenes.

The dialogue was rich and exciting in this film. I really enjoyed just listening to the actors deliver these lines and how they were able to play off of each other. The dialogue helped balance out the craziness that was going on in each scene.

If you do not enjoy Wes Anderson movies, this one is not for you. However, I found this to be very enjoyable and humorous.

4 stars

Screamboat

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June 4

When I saw this for rent on Vudu, I expected it to be another film in the same vein as Winnie the Pooh: Blood and Honey. It had two movies and both were in the top 5 worst movies of their respective years. Taking the Steamboat Willie cartoon from public domain felt like the same kind of sad and pathetic attempt.

Make no mistake, this is a terrible movie….

But…

I don’t know… I guess I came in with the expectations of Winnie the Pooh: Blood and Honey, but Screamboat was better than that. It’s not good. Just better than Blood and Honey.

According to IMDB, “A seemingly routine late-night ferry ride in New York City descends into chaos when an ordinary mouse undergoes a terrifying transformation. This mutated creature unleashes a reign of terror upon the unsuspecting passengers, forcing them to fight for their survival. As the body count rises, the remaining survivors must band together to find a way to escape the deadly vessel and confront the monstrous threat“

The piece that felt better than Blood and Honey was this had a satiric side to it. The Steamboat Willie character itself had some funny parts. He would whistle just before killing his victim, much like Mickey would in the original Steamboat Willie animated movie. I kind of liked the backstory of Steamboat Willie, involving the man known as Walt. Some of the kills were sufficiently gross. There were a couple of characters that I wanted to survive the trip on the ferry.

What was bad about the film? Oh, let’s see… the acting, the dialogue was horrendous. Most of these characters were one-dimensional and there were these “bad girls” that I really wanted to get killed by the mouse. I was cheering for Willie when they did. The characters did some really stupid things and made some really stupid choices. Plenty of the choices made no sense. Of course, stupid characters are not uncommon for some horror films, especially the slasher ones. A couple of the deaths of our main characters felt underwhelming.

If I am being honest, there are some funny moments in the movie and they actually felt like they were intended it to be funny. There was one line of dialogue that made me laugh out loud. One character fired a flare gun at Willie and said “Say cheese, mother f@#$%.” I thought that was exceptionally funny.

This is nowhere as bad as either of the two Winnie the Pooh: Blood and Honey movies and if you want a stupid movie to watch that has some dumb laughs and a murderous version of Mickey Mouse, you could do worse than this movie. Just know what kind of movie this is and do not expect much, and you might even have a passable time.

2.1 stars

Flow

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Today’s entry in the June Swoon is an Academy Award winner, and you can see why. Flow won the Oscar for the Best Animated Feature at the 2025 Academy Awards, knocking off such luminaries as Wild Robot, Inside Out 2 and Wallace & Gromit: Vengeance Most Fowl.

Flow follows the life of a dark grey cat that was living in a forest. A massive flood swept through the land, leading the cat to struggle to survive in a variety of ways.

During the film, the cat meets up with a group of different animals that form a sort of crew, especially while they were on a felucca. The cat joined up with a yellow Labrador Retriever, a ring-tailed lemur, a capybara and a secretary bird.

These animals were not anthropomorphic. They acted like the individual animals would act. The dog was playful and clearly looking to please. The lemur was a thief, collecting trinkets and shiny objects. The capybara, which is a type of rodent, laid around. There were some moments where it felt as if the animal characters transcended their natures and became something more.

The cat served as the POV of the film, as we see things through its eyes. The survival instincts of the cat was on display throughout the film in such a harrowing instance that you could not help but root for these animals.

I am a cat lover and so it was very easy to get into Flow. There were multiple perilous events along the path of this adventure that placed the cat in jeopardy. The whole showdown with the flock of secretary birds was tense and frightening.

There were a couple of scenes that went past just survival and looked at themes of life and death. One, involving the secretary bird, was a lovely moment that leaves you to deduce what exactly had occurred. There was a second scene involving a mutated whale that had saved the cat from drowning earlier in the movie. This scene was heartbreaking.

Flow was beautifully animated with such amazing visuals across the board. The artistic mastery created an incredible tone throughout Flow and some of the visuals with the cat and fish in the water was astounding.

With no dialogue, Flow was able to tell this story through some amazing characters and some fantastic music. According to Wikipedia, the cat of sound designer Gurwal Coïc-Gallas provided the meows for the cat in the movie, which I thought was a funny piece of trivia. It also provided that realistic sound that enhanced the viewing treat.

While I am not sure if I would have given Flow the Oscar over The Wild Robot, there can be no denying that this is a masterful animated film full of life and love and friendship.

Karate Kid: Legends

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I have been a fan of the Karate Kid movies, particularly the first two, and the Cobra Kai TV show, so I am the type of person this is directed towards, and because of that, I probably liked this more than someone else might have.

According to IMDB, “When kung fu prodigy Li Fong (Ben Wang) relocates to New York City with his mother to attend a prestigious new school, he finds solace in a new friendship with a classmate and her father. But his newfound peace is short-lived after he attracts unwanted attention from a formidable local karate champion. Driven by a desire to defend himself, Li embarks on a journey to enter the ultimate karate competition. Guided by the wisdom of his kung fu teacher, Mr. Han (Jackie Chan), and the legendary Karate Kid, Daniel LaRusso (Ralph Macchio), Li merges their unique styles to prepare for an epic martial arts showdown.“

Starting off, this is absolutely the same story, including several specific details, as the first Karate Kid movie. I was sitting in the theater and every time something specific would happen, my mind would connect it to the same bit from the first flick. The story could have been something more than what we got.

Ben Wang was a charming lead as Li Fong. I liked him, even if he was just replaying the Daniel LaRusso role from the first film. I liked the chemistry between Jackie Chan and Ralph Macchio, though I do wonder why they were constantly arguing about the different moves. It also felt a little awkward with how Mr. Han and Daniel LaRusso came together.

I did like the first part of the movie as we spent some time with Li Fong. However, the second part, the 5 Burrough tournament, felt extremely rushed.

The fighting scenes were great. I loved the mix between karate and kung fu. I also enjoyed the boxing scenes with Joshua Jackson. Jackson played Victor, the father of Mia (Sadie Stanley). I really liked both of these characters, especially Victor who felt like something different than other films.

I enjoyed the idea of this film, but, make no mistake, there are a ton of problems with it. It is not a good movie, but I did come out of it with a smile.

2.75 stars

By the way: The mid credit scene was the best scene of the movie. It happens right away so you shouldn’t miss it, but it was worth the time.

Bring Her Back

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I guess I really didn’t need to sleep tonight.

The internet was out when I got home from my last day of school, so, instead of just being mad at Mediacom, I decided to go to a movie. I had the tickets for tomorrow purchased and I know there was one film that I was going to see later next week. I went tonight instead.

Bring Her Back, the latest movie from directors Danny and Michael Philippou, the directors of 2022 Talk to Me, was one of the most disturbing and unsettling films I have seen in a long time.

This film avoided many of the horror tropes. There were no jump scares. It covered multiple types of horror, from body horror to psychological horror.

Step siblings are sent to a new foster home after their father died. It does not take long to realize that something was off about this situation.

There is no doubt that this is a movie that will be triggering for some. It is one of those horror movies that stuns you so much that you just want to go sit in silence and deconstruct.

Bring Her Back is a slow burn, but it does move well and never is without a healthy dose of tension and anxiety. There were times when I was grimacing, disturbed and looking away. There are some scenes that were very difficult to get through.

Sally Hawkins played Laura, the foster mother, who was extremely creepy, even in the moments when she seemed as if she was a loving individual. Hawkins was truly exceptional in this performance, which could have been too over the top, but turned out strong.

The kids in the movie do a great job too. Billy Barratt played the oldest kid, Andy, who had plenty of background troubles. Sora Wong played Piper in her debut. Wong, just like the character she played, Piper, is partially blind. She was remarkable and made everything work so well. Jonah Wren Phillips played Oliver, the boy Laura had already been fostering. All three of these kids did an amazing job, and they all had a different type of character to play.

I have to say, I was not completely clear about the demon aspect of this movie. It was a bit confusing, but you just accept that there is something supernatural going on and don’t question it too much.

This is going to be one of those movies that I will recommend, but never want to watch again. I squirmed in my seat several times during this uncomfortable movie. A24 has become known as a super horror film studio and they have yet another one. This is also a very different of sort of horror film than the Philippou brothers made previously.

There will be plenty of people who hate this movie. I was tense the whole time. My teeth were gritted several times. The film is remarkably well constructed and made. I understand if someone hated this movie. I don’t ever want to watch it again. But it absolutely did what it was trying to do.

3.8 stars

Mission: Impossible-The Final Reckoning

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I have been a big fan of the recent Mission: Impossible franchise, so I was looking forward to the final film, and, like everyone I wanted to see Tom Cruise running and doing a massive stunt. Well, he ran throughout the movie but his massive stunt did not come until late in the movie… and it was a long movie.

I do think the last hour or so of Mission: Impossible-The Final Reckoning was sensational. The problem was that the film was almost three hours long.

The first hour and a half of the movie was so packed with exposition and flashes to previous movies that I was getting a little bored, and that is something that a Mission: Impossible movie should never be.

Tom Cruise was great as Ethan Hunt. You can tell how comfortable he is with the character. His stunt work in the final confrontation of the movie is typically stunning. It was good to see the return of Ving Rhames and Simon Pegg as the team that has backed Ethan for so many missions. Hayley Atwell is back from the last film and she has decent chemistry with Cruise. Rolf Saxon and Lucy Tulugarjuk appear in the film as a couple of characters who become two of my favorites from the film.

Esai Morales is not my favorite character in the film. I do not think he worked as the villain of this movie. I think he was better in the previous film and his transfer over to this one was not great.

I did not love the final scene of the movie either. I wanted some more resolution for the characters than what was done. Perhaps that is in case this is not the final MI movie.

I do not think this was a fantastic finale of this franchise, but it was still a solid action movie. The last hour or so of the movie was really great and engaging. The first hour and a half spent way too much time explaining things and trying to set things up. Mission: Impossible-The Final Reckoning was a touch underwhelming, but that is probably because the franchise had been so sensational for the last five or six movies that you do not expect it to only be okay.

3.5 stars