Tag Archives: film

Piece By Piece

Posted on by

The first official movie in the Friday Fantastic Film Fest is one of the strangest documentaries you are ever going to see. This movie, Piece By Piece, is the biography of music producer Pharrell Williams, but it is told as a Lego movie style.

Huh?

Honestly, this is weird.

I am not that familiar with Pharrell Williams, outside of “Happy,” but the Lego part of the film is what attracted me to see this movie. I probably would not have watched a straight up movie with interviews centered around Pharrell, but the gimmick of the Legos drew me in.

The Lego animation was original and, at times, beautifully transcendent in Piece By Piece. Even times when it did not feel like it worked for the moment, the color and the imagination shone through.

Unfortunately, the story did not match the originality of the format. The story was basically just interviews and lacked that special oomph that the visuals provided throughout. I know it was a biography, but something that was so creativity special in one aspect, was fairly mundane in the other.

I enjoyed the music, even if it wasn’t my normal type of music. It worked for me it the bits in the film.

I found the most fascinating part of the film was the post-“Happy” stuff, how the creation of one of the biggest songs in recent memory caused a challenge for the artist in ways you would never have expected.

Overall, Piece By Piece is an interesting animated film that gives some insight into an artist that I did not know much about, but I just wish the story was told in a more outside the box manner, to match the visuals.

3 stars

Music by John Williams

Posted on by

John Williams is one of the masters of film music. He has had more classic scores that exist in your head than practically any composer. From the music of Star Wars to Jaws to Schindler’s List to Raiders of the Lost Ark, the themes fill you with emotions every time. And each score provides something extra to each film, something that makes the film more than it was before.

This is why John Williams has been in such demand over the last fifty years. His music brings that final oomph to a film, and it does not matter what the genre is. John Williams is capable of delivering something magical.

This weekend saw the drop of a documentary featuring the iconic composer in a film entitled, perfectly, Music by John Williams, on Disney +.

The doc does touch upon his life and family, but most of the runtime is focused on the music and the films that he scored. We hear about John Williams’s thoughts from John Williams himself, as well as from his dear friend Steven Spielberg, whom was one of his most ardent supporters.

We hear from tons of people expounding on the amazing talents that John Williams would bring to their films. We saw Ron Howard, George Lucas, J.J. Abrams, Chris Columbus, Seth MacFarlane, James mangold, Kathleen Kennedy, Chris Martin and Itzhak Perlman all provide insight into their times working with Williams in whatever capacity they could give.

One of the more powerful moments was Kate Capshaw, wife of Steven Spielberg, describing when she and Steven went to hear the score for Schindler’s List, played by Williams on the piano, and how she began crying immediately.

The amazing footage throughout was awesome, much of it coming from Spielberg’s own recordings over the year. Being able to hear the words and the thoughts of Williams about the work that he had done is truly special. I will admit that seeing the scene from E.T. where the bike flies in front of the moon brought a few tears to my eyes. It provided us with so many memories from years of amazing work.

The doc is fairly straightforward, but if anyone deserves it, John Williams is it.

4.5 stars

Here

Posted on by

Robert Zemeckis, Tom Hanks and Robin Wright have reunited on screen once again for this new film called Here. Zemeckis, Hanks and Wright were all together for Forrest Gump, and now they are focusing on a specific house.

This film has a specific gimmick to it. The camera was stoic, steady and unmoving for the entire movie. There was one angle that the movie had and it told multiple stories through the life of the house (and the plot of land that it was built on) with that single shot.

The main story that was told was the life of Tom Hanks and Robin Wright. We saw Tom Hanks, who played the character Richard, grow up, fall in love, get married and become a father in this one room of this house that we see. Robin Wright played Richard’s wife Margaret and she was involved in much of the main story.

One of my favorite characters involved was Richard’s father, Al (Paul Bettany). His wife was Rose (Kelly Reilly) and they were shown throughout their lifespan inside this house.

Using these postcard like boxes, the movie transitioned between stories. Other stories included a Native American family, the man who created the La-Z Boy recliner, a recent black family, a early aviator whose wife hated the airplane, and the illegitimate son of Ben Franklin. None of these extra stories had much if any impact, outside of just continuing the life of the house. These were pauses from the Richard-Margaret family story meant to simply break from those characters.

I liked the format of this movie, but there were some issues with it. The main story had my attention every scene they had, but all of the other ones were so slight that they were a distraction. This movie did feel too long and a couple of these extra stories could have been dropped to shave off some time.

The CGI was decent in the movie, especially the de-aging of Tom Hanks and Robin Wright. Some of the background CGI was obvious, but it did not ruin anything. I did like the music of the film as it helped show us the advancement of time.

This is a interesting movie with a gimmick that I have not seen before, unless you are a fan of stage plays with the single location setting. The film was too long, but the main story was likeable because of the excellent actors.

3.5 stars

Mad God (2021)

Posted on by

The October 13 of 13

What a trip.

I went searching for a film to wrap up the October 13, which to be fair has been a touch underwhelming so far. I was really hoping to find something epic to end out the thirteen.

Well, I found something original for sure.

On AMC + on Prime, I found a stop-motion film called Mad God and it looked interesting. That would be an understatement for this.

According to IMDB, “Equipped with a gas mask and a crumbling map, the Assassin, an iron-clad humanoid, descends into a rusty, peril-laden underworld of grime, blood, and unsettling monstrosities. As the stealthy invader meanders through the labyrinthine post-apocalyptic wasteland on a mysterious mission, going deeper and deeper in the nightmarish realm, the Assassin gradually reaches his final destination: the heart of this grotesque tower of torture. But what cruel, vindictive deity allows fear and suffering to take its most complete creation further and further into despair? Only a Mad God would revel in humankind’s ordeal.”

That synopsis from IMDB is well done, but to be honest, the story is not anywhere near as straightforward as that description. I would venture to say that this film has a very limited narrative structure. The story seems secondary to the goals of this film.

Mad God has amazing, masterful stop-motion animation that creates an atmosphere unlike few movies that I have ever seen. It is frightening at times, disturbing at others. It imbues this nightmare realm with such darkness and alarming imagery that you can help but be taken aback from the visual daze.

The sound effects and score are very effective keeping you uneasy as the images build a surreal experience of monstrous creatures and violent despair.

Written and directed by stop-motion guru Phil Tippett, this passion project takes you deep into the mind of the director. And what a bizarre and warped experience it was. I usually prefer more of a story, and that is just short here, but this is an experience that I would not have passed on. I am conflicted on how I feel after watching this, which, I suppose, is a desired result.

Conclave

Posted on by

The process of electing a new Pope is full of secrecy. That means you can tell whatever story you want about it, as this new film starring Ralph Fiennes opens wide this weekend.

This movie is based on a 2016 novel by Robert Harris. It is directed by Edward Berger, who directed the Oscar nominated All Quiet on the Western Front.

According to IMDB, “Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake–secrets which could shake the foundations of the Church.“

Ralph Fiennes was sensational once again as Cardinal Lawrence. He has such an understated performance that he fits into this story beautifully. He anchors the film with his work.

There are other great performances including Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati and Sergio Castellitto.

There is a twist at the end of the movie that came after it seemed as if the film was over and I am not sure if it was necessary. No spoilers, of course, but this feels as if this was done to create division among viewers. I have no issues with the ending outside that I am just not sure it was important to the story.

I enjoyed the mystery aspect of the script and the film looked beautiful. Great performances scattered throughout the film. I assume this will have a huge presence at the Oscars. This was very solid.

4 stars

Kill List

Posted on by

The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.

We Live in Time

Posted on by

I do love Florence Pugh and Andrew Garfield so I had planned on seeing this movie after seeing a trailer for it. However, the title was not recognizable so as I was looking at the Cinemark movie list this week, I almost missed it. I saw the title and thought, “What is that?”

After seeing the movie poster, I realized that this was the Pugh-Garfield film, and I knew I wanted to go to it.

According to IMDB, “Almut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. Through snapshots of their life together — falling for each other, building a home, becoming a family — a difficult truth is revealed that rocks its foundation. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley’s decade-spanning, deeply moving romance.”

Starting off, the film’s narrative structure is told in a non-linear manner. It was as if time is not a line, but a flat plane. The film leapt around from all parts of this relationship, from where they meet to where they are giving birth. It did make following the story a little challenging for awhile until Florence Pugh cut her hair (thanks, Florence!)

The chemistry between Andrew Garfield and Florence Pugh was absolutely off the chart and this is the main reason this movie worked as well as it did. Both showed their acting chops in these roles and I loved them together. Every scene with them in it was wonderful.

The story was very emotional at several times and it worked well. The melodrama of the film was over-the-top at times, but it worked because of Garfield and Pugh. Perhaps the time jump storytelling technique kept the emotion in check.

This was a solid film with great performances.

4 stars

Psycho II (1983)

Posted on by

The October 7 of 13

One of my favorite Alfred Hitchcock films of all time was 1960’s Psycho. Twenty three years later, there was a sequel to the film featuring the return of Anthony Perkins as Norman Bates.

Of course, I have been watching Bates Motel for the last several months, which is not necessarily canon in the Psycho universe. It gave me the opportunity to start to love the character of Norma Bates. So with this October 13, I thought it would be a good thing to watch the sequel to Psycho.

While this is nowhere near the level of the iconic original, Psycho II was not bad. Anthony Perkins was wonderful in his return to the role of Norman Bates. You could never be sure whether or not Norman had actually regained his sanity. I wasn’t sure until the very end, which was nice.

The story had an impressive twist to start off that I did not see coming. I am not sure it worked all the way through, but when we found out the surprise, it worked for most of the middle of the story.

It did feel like it went a little too long and I am not sure I loved the resolution of the film… at least part of it. No spoilers from me, but I did like the very end of the film… just not what led to it.

This was better than I expected it to be, but if you were to only watch one Psycho movie, make it the original Hitchcock classic.

Saturday Night

Posted on by

Live from New York, it’s Saturday night!!!!

Jason Reitman directed this biopic of the 90-minutes before the debut of Saturday Night Live (called NBC’s Saturday Night) and the chaos that was ensuing.

Of course, as with most biopics, not everything is exactly as it happened as many details are switched or moved around for dramatic purposes.

The film follows Lorne Michaels (Gabriel LaBelle), the producer of SNL, as he moved around the studio putting out fires (both figuratively and literally), managing talent, and desperately trying to get the show ready to go at 11:30.

This is a fun film with a frantic pace leading up to the debut. It was very possible that the show was never going to happen as there was a reel of a Johnny Carson repeat waiting to roll if the show was unable to overcome the myriad of troubles.

The cast is the strongest part of the show. Gabriel LaBelle does a great job as the eyes of the audience. Corey Michael Smith is fantastic as Chevy Chase. Dylan O’Brien loses himself in the role of Dan Aykroyd. Matt Wood was very entertaining as John Belushi. Lamorne Morris was great as Garrett Morris. Rachel Sennott had a strong performance as Lorne’s wife, Rosie. Several of the cast did not have the amount of screen time as it seemed as if they deserved, in particularly the women SNL cast members.

While we see a lot of Lorne, there is an issue with the rest of the cast. If you are not aware of who these people are, there is not a lot of time spent with them. The film seems to depend on the audience knowing who Chevy Chase, John Belushi, George Carlin, Jane Curtin, Gilda Radner are coming into the film. If the viewer does not know much about SNL, they do not go into detail about these people. It does work at one level, but I did have knowledge going in.

The film depends on its energy and the nostalgia of the audience to craft together a hectic ninety minutes prior to the debut of Saturday Night. There are some very funny moments and some amazing character bits for these people whom we know as celebrities. Roles for Willem Dafoe and J.K. Simmons are exceptional and the whole cast’s performance was well done. This is a film that fans of SNL will truly appreciate.

4 stars

Hell House LLC (2015)

Posted on by

The October 3 of 13

I watched the most recent Hell House movie, called Hell House LLC: Origins- The Carmichael Manor for this year’s June Swoon. I had no idea that this was the fourth film in a franchise. So I figured the first film of the franchise would be a good film to use for The October 13.

This was filmed in a documentary style of a supposed incident at a haunted house called Hell House opening during the Halloween season where fifteen people died in, what authorities were calling an “unknown malfunction.” The documentarian, Diane Graves (Alice Bahlke), found the sole survivor of the crew from the haunted house, Sara (Ryan Jennifer Jones), and Sara gave her several recording made by the others at the Hell House.

At this point, the movie became a combination of documentary and found footage film, and it was absolutely insane.

The footage was remarkably creepy as it showed so many frightening moments inside the Abaddon Hotel, which was deserted and had signs that there may have been a Satanic cult here at one point in its history.

As the crew worked to get their haunted house constructed inside the Abaddon Hotel, strange things began to happen, especially with some of the clown mannequins.

Some of the stuff they got on film was frustrating at times because it never seemed to matter to Hell House CEO Alex (Danny Bellini) even when his crew was clearly suffering the effects of the hotel. There was a mystery reason that Alex was so determined to stay and, though referenced, it was never revealed. I have seen speculation that it was a financial reason and I have also seen that the answer might come in the actual sequel to this. Maybe that one has to go on a watch list too.

I found this really intense and I enjoyed this whole film. The found footage was fun and filled with anxiety. Those clowns were absolutely creepy and the little things made this all the better. This was a wonderful film for The October 13.

Speak No Evil (2022)

Posted on by

The October 2 of 13

Recently, I went to see the new movie starring James McAvoy called Speak No Evil without the knowledge that there had been a Dutch version of the film just a couple of years before it. When I discovered that, I placed the original version on the list to watch for The October 13.

Man, I feel like I have been kicked in the gut.

The first two acts of the new movie was very similar, if not a shot for shot replay of the Dutch film. However, the third act took a drastic turn and ended up in one of the darkest endings I have ever seen for any movie. Legitimately, I feel a little sick to my stomach after this one got over.

According to Wikipedia, ” The film centers on Bjørn (Morten Burian) and Louise (Sidsel Siem Koch), a Danish couple who are invited by Patrick (Fedja van Huêt) and Karin (Karina Smulders), a Dutch couple, to their country house for a weekend holiday.”

It is difficult to not compare the two movies since I saw them so close to each other, and since I saw the 2024 American version first, it feels as if that is the original to me. I know this Dutch version is the first one, but it is bouncing around in my head in the other order. Fedja van Huêt plays the role that James McAvoy would play in the American version. I think I enjoyed both performances. McAvoy’s was a touch more unbalanced while Fedja van Huêt was a touch more sinister.

That third act though. Holy cow. I can’t describe it sufficiently to make it clear how disturbing it is without spoiling, so let’s just say that this is completely different from the American version.

This is one of those movies that will stick with me for a long time. I do expect that I will never want to watch this again because of the way it kicked me in the gut. If I had watched this before the American version, I cannot imagine wanting to go see the remake.

First time I have given something two ratings…

The Day of the Dead (1985)

Posted on by

October 1 of 13

The first film of the October 13 this year was one of the all-time classics among the zombie genre, written and directed by the father of the zombie movie, George R. Romero. It was the third film in his zombie trilogy, The Day of the Dead.

To be honest, I thought that I had seen parts of this movie before, but after watching it this morning, I realized that I had never seen it at all. None of the film was recognizable for me.

The film follows a group of survivors, a combination of military and scientists, who have taken up refuge in a deserted missile silo to avoid the Living Dead. Meanwhile, one scientist tried to discover a way to domesticate the Dead.

The military men, in particular, were such horrendous people that it was clear that they were being set up to become zombie chow, and have the audience happy at their fate. There were very few of the survivors that were easy to root for.

Sarah (Lori Cardille) was one of the scientists who seemed to have the best head on her shoulders. John (Terry Alexander) was the helicopter pilot.

The worst of the military men was Captain Henry Rhodes (Joseph Pilato) and Private Walter Steel (Gary Howard Klar), both men were abusive and power mad. They were the characters in a slasher film that you want to see killed. And this film did not let us down. Rhodes’s death specifically was horrific.

We also came as close as we were going to get to a thinking zombie with Bub (Sherman Howard) who was being trained by scientist Dr. Matthew Logan (Richard Liberty).

There was a lot of screaming in the film, but I think that was meant to show the negatives of the humans, how the humans may actually be the monsters in this monster story.

One of the funniest part of the movie was seeing the oncoming zombie horde with the collection of zombie types in the mass. There was a zombie cowboy, a zombie football player, a zombie clown… makes one wonder why this group of one time people were together at all.

The Day of the Dead is a solid film with some amazing zombie gore, particularly for the time frame. I was very pleased with the kills of the film as the deaths of these unlikable humans were satisfactory.

Wolfs

Posted on by

When actor David Hyde Pierce got the first script for the TV comedy Frasier, he thought it was terrible because they had written the same character twice. Frasier and Niles were basically the same character and he thought it would be a failure. Of course, Frasier turned out to be a hugely successful show.

The new Apple TV + movie, Wolfs, starring George Clooney and Brad Pitt, debuted this weekend on the streaming service and Clooney and Pitt play extremely similar characters, much like Frasier and Niles.

An accidental death in the hotel room of the DA leads to her calling for help. George Clooney showed up as a fixer (think Mr. Wolf from Pulp Fiction) to take care of everything. However, Pitt showed up too, with the plan of also taking care of everything. When they are forced to work together against their better judgment, they discover that this case has much more to it than they initially thought.

After seeing trailers for this movie, it was one of my more anticipated films of the remainder of the year. Now since seeing it, Wolfs is okay. It has its strengths, but it also has some glaring weaknesses as well.

The biggest strength of the film is easily the chemistry between Clooney and Pitt, whose characters are never named during the film. They have such wonderful comic timing during their interactions and their moments on screen stand out so well. They are basically playing the same character but the auras of both men create something different, unexpected. There is a third actor, Austin Abrams, who plays the kid who adds to the ambiance of the movie.

The biggest weakness of the movie, unfortunately, is the story. It is very messy and convoluted, and not in the good way. Everything that is happening around these two fixers lacks any real context to it and the story is chocked full of fixer cliches that we have seen in other films. The story has too many branches and the final explanation, which is done through exposition, of what was going on just does not work, and makes the film feel somewhat anticlimactic.

The film moves quickly and does have plenty of entertaining moments, especially between Clooney and Pitt. I wish there was a movie where these characters were together but it had a better script. Overall, I did like what was good about the movie more than what was bad bothered me.

3.2 stars

My Old Ass

Posted on by

My Old Ass is a coming of age movie that tosses some unexplained magic in the story centered around taking mushrooms that provides us with a lovely little movie with some wonderful new actors.

The movie features Maisy Stella as Elliott, a young teen who is preparing to leave home to college, and is anxious to get away from everything. When she and her friends partake in some mushrooms, Elliott is approached by Aubrey Plaza who is playing a 39-year old version of Elliott, and she begins to warn her younger self about things she should avoid.

Somehow, older Elliott is able to put her number into younger Elliott’s phone (listed as ‘My Old Ass’) and they could communicate across time, showing amazing cell service.

Maisy Stella does an amazing job leading this movie, providing us with the emotion and confusion that would go along with this, as well as bonding, in a way, with her older self. Aubrey Plaza is perfect as the older Elliott, but she just is not in the film enough. Aubrey Plaza disappears for a big chunk of time in the middle of the film and you can feel her lack of presence. Still, when she is on screen, she is electric and she has amazing chemistry with Maisy Stella.

There is a real likable character introduced to us named Chad (Percy Hynes White, from Netflix’s Wednesday) who Elliott tries to avoid, but they have amazing chemistry as well and Chad is just such a wonderful character that the crowd is rooting for him despite what the story was telling us.

I do think that this could have been more emotional and I was left wanting more when the screen went to black, but I was entertained throughout the run time of My Old Ass. I would have liked more scenes with the two Elliotts, but what we got were really great.

3.85 stars

The Deliverance

Posted on by

I was surprised to see the name Lee Daniels attached to this Netflix horror movie. Daniels has directed such films as The Butler, United States vs. Billie Holiday and The Paperboy, none of which moved into the genre of horror. With a great deal of curiosity I went ahead and pulled this up on Netflix.

It started out listed as based on true events.

According to IMDB, “An Indiana family discovers strange, demonic occurrences that convince them and their community that the house is a portal to hell..“

The Deliverance hooked me right away, with its depiction of this black family from Indiana. Ebony (Andra Day) was rough and troubled, dealing with her issues through alcohol and anger. The fact that there was little redeeming qualities about Ebony made the character and the film more intriguing. Her three children struggled to try and find their own way through the difficulties presented to them by their mother. Ebony’s mother Alberta (Glen Close) moved in with them to try and help them with their troubles while dealing with her own health issues. Each character was angry and expressed it in a variety of manners.

Andra Day and Glen Close were both great with their performances. They brought the deep-seeded frustration and regret to the forefront. Caleb McLaughlin (from Stranger Things) also does a very strong job with his role of one of Ebony’s suffering children, Nate.

After about an hour, I was fully invested. The problem was that, when the film started to transition from the familial problems into the haunted house ones, the film lost a lot of steam and became just another haunted house movie. The final act of this movie was tremendously bad and spent every ounce of good tidings that it spent the first part of the film building up.

I really wish this film had taken a different path because it started with a very compelling group of characters with problematic family issues and slipped into a cliche-ridden, disappointing haunted house film.

2.5 stars