Tag Archives: movie-review

Carry-On

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Taron Egerton and Jason Bateman star in a New Netflix action flick called Carry-On, directed by Jaume Collet-Serra, who was known for The Shallows, Orphan, Non-Stop and Black Adam.

Carry-On is like Die Hard 2 meets Phone Booth. It is an exciting action movie with some preposterous situations that should not work. However, everything is so thrilling and dramatic that you excuse the improbable and embrace the excitement.

Egerton played Ethan Kopek, a down on his luck TSA agent whose girlfriend Nora (Sofia Carson) is pregnant. Kopek, who was denied his dream job of joining the police force, is going through the motions at his TSA job at the airport. In the wrong place at the wrong time, Kopek gets blackmailed by a man (Jason Bateman) who wants him to make sure a carry-on case gets through the security check and he says that if he does not, Nora will be killed.

Most action movies requires a lot of suspension of disbelief and this is no exception. However, the film is very exciting and everything is put together so well that even on those time when it feels like the film has stretched credibility, you are okay with it because of the well done story.

Egerton and Bateman carry on a conversation over a headpiece for much of the film and they are very engaging during this time. I did not expect Bateman to be able to play such a cold monster as he does in this film, but he does it exceedingly well. Egerton is a perfect foil for Bateman as he played the young, lacking confidence hero beautifully and we see him slowly gaining more strength as the risks pile up.

It does a good job of building the tension in each scene and the anxiety of the situations. The over the top scenes are still set up and executed well. If you have to pick apart the situations, a lot of the film would not hold up, but you could say that about most action/adventure movies, especially this type of action movie like Die Hard.

There is one scene involving a car crash that has some wonky special effects, but most of the movie is practical effects and looks pretty solid.

And I suppose we could argue about this being a Christmas movie.

Carry-On is a lot of fun and brings an electric action thriller despite some of the most implausible moments. Egerton and Bateman were excellent and carry the film on their backs.

3.75 stars

2024 Year in Review: Movie Musicals

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Okay… this is going to be an easy one I think.

We added this category recently, but backtracked to award some previous films the award.

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022), The Color Purple (2023)

We had some musicals in 2024. There was Piece by Piece, which was a musical documentary, in Lego format doing the life of Pharrell Williams. Moana 2 is a huge box office success, but, truthfully, the music just did not hit as well as the original. That’s what happens when you do not have Lin-Manuel Miranda doing your music. Speaking of Miranda, he is doing the music for the upcoming Mufasa film from Disney, and while that is probably going to be great, I do not think it will match this year’s winner. Joker: Folie à Deux was a disappointment in a lot of ways, and musically was one of them. They really did not take advantage of Lady Gaga. Mean Girls was very forgettable from way back in January. Emilia Perez was a powerful movie, but I can honestly say that much of the music in this film, I do not remember. I do not consider Bob Marley: One Love to be a musical, though I could mention it as an effective use of music.

2024 Movie Movie Musical of the Year:

Wicked

Yeah, this one was easy. This is a massive hit and a tremendous film. The rendition of “Defying Gravity” in this film is goosebump creating. Both Ariana Grande and Cynthia Erivo were stunning with their voices and made this iconic Broadway play a must see movie…even as a Part 1. Could this be foreshadowing next year’s winner too?

The Best Christmas Pageant Ever

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It was a strange path to arrive at me watching this movie. After seeing trailers, I had zero interest in going to see this Christmas movie. It looked very much like a Lifetime special and Christmas is down my list of holidays. I had pretty much decided I would not go to this.

Then I started doing the Year in Review and I realized that the only Christmas film that I had seen this year was Red One, and that was, at best, okay. It felt wrong to give it the X-Mas Movie of the Year Award so I watched an animated movie called This Christmas on Netflix. Sadly, it was just around okay too. I then looked at the Rotten Tomatoes score for The Best Christmas Pageant Ever and it was at 91% critics and 97% audience. This made me wonder if I should take this basically open weekend and go see it. It was only an hour and a half. How could that be painful? So even with a doubt in my head, I went to Cinemark this morning for a 9:15 AM showing.

This was really a good movie. I liked this way more than I ever expected.

Historically, I have not been a fan of the faith-based movies, but that is not what this is. This is a movie featuring characters who are being reminded about what Christmas means to them, and how important the Christmas story can be for them. It was about characters. And it was really well done.

Based on a popular novel, we are introduced to The Herdmans, a family of six children who were the biggest troublemakers in the town of Emmanuel. They were feared by children and adults alike.

At this time, the director of the local pageant broke both of her legs, making her unable to continue to do her duties. Grace (Judy Greer) volunteered to take over the job. Unbeknownst to her, the Herdmans decided to come and join the church’s pageant (to get the snacks they were told would come with it). The Herdmans, led by the scary Imogene (Beatrice Schneider), forced their way into the main roles of the pageant, which just happened to be the 75th Annual event.

This was well written, solidly acted and had some genuine funny moments. You can’t but help to like the antics of the Holdman kids, and you can see the diamonds in the rough beneath their surface, especially Imogene. Young Beatrice Schneider does a fantastic job in the role, bringing a humanity to this character that is gruff and unappealing on the surface.

I will admit to getting kind of emotional during the film. I was amazingly impressed with the kindness and unbelievable patience shown by Grace, who could have easily bowed to city pressure and dumped the Holdmans from the play. As a teacher, I was inspired by the way she reacted to these troublesome children and watching the Holdmans respond to the play and trying to answer the questions they naturally had (by a trip to the library) was awesome to me.

You kind of knew what the film’s resolution was going to be, but it was well constructed and still managed to tug on those heartstrings. This was one of those times where predictability was not a negative.

As a Christmas movie, this is much better than much of the sentimental slop that is out there and it gives us a chance to really question if we know the true meaning of Christmas.

4 stars

Top 6 2023 Movies in 2024: 2024 Year in Review

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Every year, EYG watch movies that are released in 2023, but we do not watch it until 2024. These film do not go on the final Best or Worst film list, so I have been giving them their own list. I did not see very many early in January (perhaps only one), but that was because I wanted to save the other films for the June Swoon.

There are six films on this list. As with the year end best and worst lists, star ratings are not the final score. They may help me generalize where they may go on the list, but it does not require me to put them in that numerical order.

Starting off…

#6. Flamin’ Hot. The story of the creation of Flamin’ Hot Cheetos and the man behind them. It was a comedic biopic with some creative adjustment… but hey, it was “based” on a true story. It was a very entertaining film.

#5. Thanksgiving. One of the big surprises in the list was this slasher movie from Eli Roth being a movie that I really enjoyed. Eli Roth has never been my favorite director, but this ne was clever and creative and well worth the watch. We just passed the holiday so it may be a perfect time for you to revisit this movie.

#4. 20 Days in Mariupol. A truly tough documentary following some media individuals through the war tarn land in Ukraine. It was real, too real at times and it was a very difficult watch. It was a very important watch too.

#3. The Zone of Interest. One of the big Oscar nominated International films from last year, The Zone of Interest focused on Auschwitz commandant Rudolf Höss and his wife Hedwig and the life they lived during the Holocaust.

#2. Anatomy of a Fall. Another Oscar nominated international film, Anatomy of a Fall told the story of a woman who was suspected of the murder of her husband, her trial, and what exactly her blind son knows. This is an extremely compelling mystery that keeps you guessing to the end.

#1. American Fiction. This was the film I watched in January because I did not want to wait until June to see it. I had heard a lot of great things about it and I was not disappointed. Jeffrey Wright is an author who, frustrated with his inability to sell a book, writes a “black” book under a pseudonym and suddenly finds a ton of success. That success made Wright all the more frustrated. This is a great movie with stunning performances and Oscar nominations, from not only Wright, but also Sterling K. Brown.

2024 Year in Review

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It is that time of the year. It is time for the 2024 EYG Year in Review!

Over the next month (or so) I will be posting the winners of the awards that we give out this time of the year every year. This is our 14th year of giving out these awards and it is one of my favorite times of the year.

There are also several lists where I list my favorite and least favorites in a plethora of categories. Everything from the world of geek culture including movies, TV shows, comic books, WWE, YouTube and so on. The biggest hole in the year in review is video games as I do not play them (for fear of never stopping).

We have the records of all of our winners from the past found on the site. I will post the records during each award post. Here is an example:

The EYG Stan Lee Movie Cameo Award

Previous winners:  Stan Lee (Big Hero 6*, Deadpool, Spider-Man: Into the Spider-Verse* ), John Cena (Daddy’s Home), Chris Evans (Thor: The Dark World, Free Guy), Sigourney Weaver (Cabin in the Woods), Hugh Jackman (X-Men: First Class), Yoda (Star Wars: The Last Jedi), J.K. Simmons (Spider-Man: Far From Home), Harrison Ford (Star Wars Episode IX: The Rise of Skywalker), Rudy Giuliani (Borat Subsequent Moviefilm), Val Kilmer (Top Gun: Maverick), Rhea Perlman (Barbie)

There are a ton of potential winners in this category for 2024 so it will be interesting who receives the Stan Lee Movie Cameo Award this year.

We will end the year in review with our typical Best Movie and Worst Movie lists. It is unclear as of yet how many each list will be. Last year I had 40 films on the Best list and only 20 films on the Worst, but I think that may not be as split this year. I know there are about 5-6 films competing for the worst film of the year spot and I am unsure which one will land in that spot.

I should say that, even if there are films on the worst list, or something receives a ‘Batman and Robin Award for Rottenness,’ I have the utmost respect for those who create movies and TV shows. I know it is an amazingly difficult job. However, I do believe it is okay to criticize or critique these projects. I will never get personal though.

And I will say this many times… this is my opinion. You may have a different opinion on some of these and that is great. I had someone on Twitter/X this year get mad at me for my review of Kinds of Kindness and was very insulting to me about it, calling me names and being disrespectful. All art is subjective and what I hate completely (like Kinds of Kindness) may be your favorite film of the year. And that is OK. To attack someone for their opinions is not OK and goes against everything that we believe at EYG.

So here we go. 2024 is almost in the books. It flew by and we look back before we look ahead.

A Real Pain

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A Real Pain is a perfect example of an independent movie.

For me, an independent movie does not have a plot, or at least one that drives most of the story. It is a film where we take some characters and drop them into situations and let them see what happens. You could define it as character based films. I don’t want to imply that I do not like that style of movie, but it is distinct.

In A Real Pain, two cousins take a trip to Poland after their beloved grandma passed away to go on a Holocaust tour and visit her childhood home.

The movie was written and directed by Jesse Eisenberg, who starred as David Kaplan. Kieran Culkin played his cousin Benji Kaplan. They both brought Oscar-worthy performances in these roles. Their performances were very important since the characters were so important to the story.

The tour of Poland and a nearby concentration camp was very powerful and the actors did a great job responding to it.

The film was only 90 minutes long, but it did feel longer than that. That is probably because of the dense material that the film featured. However, there were some really funny moments too, which you do not find too often with Holocaust films. A Real Pain is an ambitious film with great performances that had some challenging moments to watch it.

4 stars

Mad God (2021)

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The October 13 of 13

What a trip.

I went searching for a film to wrap up the October 13, which to be fair has been a touch underwhelming so far. I was really hoping to find something epic to end out the thirteen.

Well, I found something original for sure.

On AMC + on Prime, I found a stop-motion film called Mad God and it looked interesting. That would be an understatement for this.

According to IMDB, “Equipped with a gas mask and a crumbling map, the Assassin, an iron-clad humanoid, descends into a rusty, peril-laden underworld of grime, blood, and unsettling monstrosities. As the stealthy invader meanders through the labyrinthine post-apocalyptic wasteland on a mysterious mission, going deeper and deeper in the nightmarish realm, the Assassin gradually reaches his final destination: the heart of this grotesque tower of torture. But what cruel, vindictive deity allows fear and suffering to take its most complete creation further and further into despair? Only a Mad God would revel in humankind’s ordeal.”

That synopsis from IMDB is well done, but to be honest, the story is not anywhere near as straightforward as that description. I would venture to say that this film has a very limited narrative structure. The story seems secondary to the goals of this film.

Mad God has amazing, masterful stop-motion animation that creates an atmosphere unlike few movies that I have ever seen. It is frightening at times, disturbing at others. It imbues this nightmare realm with such darkness and alarming imagery that you can help but be taken aback from the visual daze.

The sound effects and score are very effective keeping you uneasy as the images build a surreal experience of monstrous creatures and violent despair.

Written and directed by stop-motion guru Phil Tippett, this passion project takes you deep into the mind of the director. And what a bizarre and warped experience it was. I usually prefer more of a story, and that is just short here, but this is an experience that I would not have passed on. I am conflicted on how I feel after watching this, which, I suppose, is a desired result.

Kill List

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The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.

Sorry About the Demon (2022)

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The October 5 of 13

So, this one was a horror comedy. I found it on Shudder, as most of the list for this The October 13 is this year. I found it to be really silly.

After dealing with a bad break-up, Will (Jon Michael Simpson) rented a house from a family. What Will did not know was the family, the Sellers, had rented him the house because they had made a deal with the demon that was in the house, Deomonous (voiced by Tony Vespe), to possess him and take his soul to Hell instead of their daughter Grace (Presley Allard).

This movie was funny at times. At least I chuckled here and there. Otherwise it was fairly messy with the plot and just silly as it can be. It was absolutely corny and silly. I am not sure if this was intended to be a parody or if it is just meant to be a horror/comedy. Either way, the film was not the worst thing I ever saw. I did not like the way it started, as it seemed fairly stupid to me. However, Jon Michael Simpson had a charm about him that made me want to keep watching, even though I wanted to stop watching at first.

Overall, it was not the worst film I have seen. It is not great, but if you are in the right mood, this could be a fun family horror/comedy for Halloween.

The Wild Robot

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Animated movies have been on a roll lately. I have two 5 star animated movies during the summer (Inside Out 2 and Transformers One) and now we have another exceptional animated movie hitting the theaters this weekend.

The Wild Robot is from DreamWorks Animation and tells the story of a robot named Roz that was designed for helping with tasks being stranded on an island with a plethora of animals. When a gosling hatches from an egg that Roz had found, the baby goose imprinted upon the robot, believing her to be its mother. A somewhat helpful fox with possible ulterior motives named Fink befriends the odd couple, they start to train the gosling runt what it will need to survive the upcoming migration.

There are so many wonderful things about this movie. It has a tremendously fulfilling coming-of-age story that included an underdog type story of the runt, soon to be named Brightbill. There are several moments throughout the story that are funny, feel-good and touching. The story does take a turn about halfway through as the migration happens. One would think that the migration would be the big event of the film, bringing the story to a close, but there is much more after that happened.

The story is emotional, and it sneaks up on you. You are just going along and enjoying what the movie is doing and, suddenly, your eyes are misting up because there is something there that touches you unexpectedly.

The voice work is amazing. In particular, Lupita Nyong’o as Roz and Pedro Pascal as Fink do exceptional work. Roz is a machine that finds that there is more than just her programming and Fink is an unlikable sneak who discovers what it means to have friends. Both of these arcs are emphasized by the wonderful voice work of these two top notch actors.

There are other excellent voice cast members including Bill Nighy, Kit Connor, Ving Rhames, Mark Hamill, Catherine O’Hara, Matt Berry and Stephanie Hsu.

The animation is spectacular. It is difficult these days to release an animated film if your animation is not competitive. The background of this film are spectacular and almost makes one think they were actually in the wilderness. There are a couple of times during action beats that the animation gets a little shaky. I know the reason for that, but it stood out in a picture that is such a piece of art otherwise.

However, there are some wonderful action beats in the film too. In the first half of the film, I was gasping in shock over some of the surprisingly dark moments of the movie. Let’s just say that the circle of life is on display in this movie in several moments.

The themes of this movie are wide spread and one of the most relatable of the year. In fact, there are themes here that will appeal to just about any segment of the viewership, from motherhood struggles to overcoming challenges to friendship. I would venture to say that everyone would find something to connect to in The Wild Robot.

I’m not going five stars with this one, but it is close. There are just a couple minor complaints that bring it down, but The Wild Robot is still a magnificent family film that is perfect for both parents and kids. Beautifully animated with exceptional voice acting, this is another huge win for DreamWorks.

4.9 stars

Afraid

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I came across Afraid on Vudu/Fandango this week and it was a movie that I had missed while it was in the theaters. I had intended to go see it, but things just never worked out, so I was somewhat excited to see it show up on streaming.

However, this was a disappointment of a film with an ending that was wholly unsatisfying.

According to IMDB, “The Curtis’ family is selected to test a new home device: a digital assistant called AIA. AIA learns the family’s behaviors and begins to anticipate their needs. And she can make sure nothing – and no one – gets in her family’s way.”

We have seen this type of movie before. It is very much similar to the M3GAN film from a few years ago which was also produced by Blumhouse. Honestly, it was predictable and lacked any originality, although the switch up at the third act was different. Problem is that that same switch up was also really dumb.

I do like John Cho as an actor, even though he is really not given that much to do in this movie. He was considerably better in 2018’s Searching, which deals with an online search to find his missing daughter. This is a considerable step down from that much more intelligent and engaging script.

Even still, the first part of the film was decent enough, but it went off the rails very quickly. AIA became crazy very quickly and became dangerously unbalanced not too much longer after that.

I was not the only person who missed this in the theater (by looking at its box office), but I would not say that anyone needs to find this on streaming. Perhaps it is worth a view when it comes up for free on Netflix or one of the other streamers, because it is short and gets over in a hurry. of course, it does not do much along the way either.

2.45 stars

The Deliverance

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I was surprised to see the name Lee Daniels attached to this Netflix horror movie. Daniels has directed such films as The Butler, United States vs. Billie Holiday and The Paperboy, none of which moved into the genre of horror. With a great deal of curiosity I went ahead and pulled this up on Netflix.

It started out listed as based on true events.

According to IMDB, “An Indiana family discovers strange, demonic occurrences that convince them and their community that the house is a portal to hell..“

The Deliverance hooked me right away, with its depiction of this black family from Indiana. Ebony (Andra Day) was rough and troubled, dealing with her issues through alcohol and anger. The fact that there was little redeeming qualities about Ebony made the character and the film more intriguing. Her three children struggled to try and find their own way through the difficulties presented to them by their mother. Ebony’s mother Alberta (Glen Close) moved in with them to try and help them with their troubles while dealing with her own health issues. Each character was angry and expressed it in a variety of manners.

Andra Day and Glen Close were both great with their performances. They brought the deep-seeded frustration and regret to the forefront. Caleb McLaughlin (from Stranger Things) also does a very strong job with his role of one of Ebony’s suffering children, Nate.

After about an hour, I was fully invested. The problem was that, when the film started to transition from the familial problems into the haunted house ones, the film lost a lot of steam and became just another haunted house movie. The final act of this movie was tremendously bad and spent every ounce of good tidings that it spent the first part of the film building up.

I really wish this film had taken a different path because it started with a very compelling group of characters with problematic family issues and slipped into a cliche-ridden, disappointing haunted house film.

2.5 stars

The Killer’s Game

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As a fan of the WWE, I was always going to see The Killer’s Game. It was not just because of Dave Bautista in the starring role, but also because of the debut of Drew McIntyre, a current WWE superstar.

According to IMDB, “…Veteran assassin Joe Flood, who is diagnosed with a life-threatening illness… authorizes a kill on himself to avoid the pain that is destined to follow. After ordering the kill, he finds out that he was misdiagnosed and must then fend off the army of former colleagues trying to kill him.“

This was not a great movie, but I enjoyed it despite that. The best part of the film was easily Dave Bautista, who was engaging and entertaining. I thought he was great in everything that he had to do, from the physical and brutal killings to the more softer and emotional bits. He was funny too.

I am going to say that there were some glimpses of Bautista’s acting skill in this film. Yes, it was mostly an action fest, but Bautista has a future in more challenging roles and we can see how successful he could be.

Some of the other assassins were fun, but were nothing but cannon fodder. Drew McIntyre was one of these, and it was fun to see him. He seemed like he was having a lot of fun playing this character.

It was fun and I did enjoy Bautista. Is it a great movie? No. If you are a WWE fan, you’ll think this is a hoot. If you find big violent action films unenjoyable, then you should stay away from this.

3 stars

Under Paris

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There have not been a lot of shark movies. Obviously, there is Jaws. Jaws II was decent. The Shallows had it moments. The Sharknado series can give some stupid fun. And then there is Deep Blue Sea. After that, the shark films usually are not very good.

We have another entry into the awesome end of these movies.

Under Paris is a French language film that tells the story of a specific shark that had evolved in ways that are never explained and that winds up in the Seine, a river that runs through Paris, France right at the time of an Olympic triathlon.

The shark, nicknamed Lilith by Sophia Assalas (Bérénice Bejo), a scientist whose team were tracking sharks that they had tagged. In an attempt to check in on Lilith, Sophia’s entire team is killed by the shark in an uncharacteristic attack.

Three years later, Lilith finds her way into the Seine and into the catacombs beneath the city. A young environmental activist name Mika (Léa Léviant) had found a way to track Lilith, but wants to save the shark and help the female shark to get back out to the ocean.

Sophia and Mika’s paths cross with the Paris Police, including police officer Adil (Nassim Lyes) who does not believe that there is a shark in the Seine at first, until undeniable evidence faces him.

This is a brutal shark movie with some really awesome moments. The tension of the film is off the charts and you can really feel it. Sure, the premise itself requires some serious stretching of credibility, and the film does not try to explain how this is happening. Sophia is constantly saying things like ‘this shouldn’t be happening’ or ‘it is not possible’ and the discoveries of the evolution of this shark is not scientifically sound, yet that does not bother me either.

Why are all mayors in shark movies jerks? Much like Jaws, whose mayor insisted on keeping the beaches open on the July 4th holiday, the Paris mayor (Ann Marivin) is likewise as blind when it came to the danger the shark posed the triathlon.

The sharks look pretty decent, though some of the CGI is questionable at times. My guess is that there is not a ton of budget on this, and I feel as if what we got was substantial enough for what they were going for. I was not taken out of the film by any of the special effects and that can not always be said about shark movies (hey there The Meg).

There were a couple of moments when I gasped out loud or cried something out in shock and that means that the film is doing its job. It is nowhere near Jaws quality, but it is much better than most of the shark attack movies out there. Under Paris is currently available to stream on Netflix.

4.1 stars

Hell House LLC Origins: The Carmichael Manor (2023)

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June 7, 2023

As I was searching for movies to put on the possible list for this June Swoon, I came across this horror film on Shudder. It sounded interesting and so I placed it on the list. I had no idea that this was the fourth film of the series, with the first Hell House LLC being released in 2015. I guess I have some films to watch during The October 13 this year.

Hell House LLC Origins: The Carmichael Manor looks to have built on the previous installments (though I can’t say that for sure) and provided a found footage horror film that was extremely creepy and had its share of effective scares.

According to IMDB, “A group of cold case investigators stay at the Carmichael Manor. After four nights, the group was never heard from again. What is discovered on their footage is even more disturbing than anything found on the Hell House tapes.”

The three main characters that went to stay at the Carmichael Manor did a great job of selling the mysterious feel and the fright that this situation would entail inside a person. The story of the events really work well here, as Margot (Bridget Rose Perrotta) ties the story into her background. The film does this in a very strong manner, not bashing the audience over the head with it. In fact, it is possible that some may miss the connection to Margot if they are not paying attention.

Then, I enjoyed the way the film kind of makes this found footage/haunted house film into a sort of documentary, with a couple of people commenting about the footage that was found of these missing people.

The film goes to great lengths to build a mythology, which I can only assume included a bunch of Easter eggs from the previous three movies.

I found this extremely creepy and a little unnerving as I watched it this morning in the dark. That means this horror film did its job. I was entertained and I look forward to going back and seeing some more of this franchise.