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2024 Year in Review: Top 20 Worst Films of the Year

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We are up to the big year-end movie lists, and we start off with the Top 20 Worst Films of the Year. Of course, it would be a little more accurate for me to call this My Least Favorite Films because that is what it is. Film is subjective and what I think is the worst movie, you may love. That’s fine. You have the right to your opinion.

I have all the respect in the world for the movie makers but everybody has their failures. Even the films that I hate have my respect for their efforts. Some times effort just is not enough.

I should specify as well that the star ratings that I give when I review the movies through the year are basically used as a guide. This is not place in direct order via the star ratings. Plus, movie opinions can change over time.

This was the oddest Worst Film list of all time because literally, I was considering seven movies as the #1 Worst Film of 2024. I have never had that many films in real consideration.

2024 EYG Top 20 Worst Films of the Year

#20. Venom: The Last Dance. The final of the Venom trilogy is not a very good movie. It has a lot of silliness and a waste of Knull as a villain.

#19. Monster Summer. An eighties type of monster film with Mel Gibson that is just not very good. Mel Gibson really did not fit with this movie.

#18. Afraid. AI taking over one house at a time. Killer Alexa? This is a stupid movie and John Cho has been in much better movies that are similar to this one.

#17. Trap. M. Night Shyamalan’s latest film is so full of dumb plots as a serial killer takes his daughter to a concert. The cops set up a sting operation at the concert. There are so many things that make no sense in this movie that it stretches credibility.

#16. Joker: Folie a Deux. What a step down from the first Joker. And I did not love that first film. This “musical” was such a waste of potential. This sequel seems to take a crap on the first movie too, throwing away most everything that was done well in the first one.

#15. Imaginary. There have been a ton of bad horror movies this year. This is one of them. Chauncy the Teddy Bear is causing trouble for the little kid. Terrible and not memorable.

#14. Immaculate. Sydney Sweeney did not have a good year in my opinion. She was a nun here going into an Italian convent. I did not like this one at all and it was not easy to watch, but not in the good way.

#13. The Exorcism. Russell Crowe also did not have the best year. Here, he is an actor playing a priest, dealing with an exorcism on set of a horror movie. I found this to be repetitive and boring.

#12. The Watchers. Another failed horror film. A bizarre situation that makes little sense and these characters are so unlikable that I want them to be gotten. M. Night’s daughter directed this mess.

#11. Lisa Frankenstein. I was looking forward to this comedy, but it was not funny, mean-spirited and had characters that I disliked. Cruel writing and a lack of humor does not make this worth seeing. It was quite a disappointment.

#10. The Strangers Ch. 1. Why did we need this movie? The original Strangers was a decent movie. This was just a wasted prequel with stupid characters and jump scares. And that ending…

#9. Night Swim. Here is the first film I watched in 2024. It was such a stupid movie about a haunted pool. A haunted pool? Yup. That’s what I said.

#8. The Crow. Another movie that has no reason to exist. This is such a bad idea and, what was even worse was, it was boring. The Crow did not need a reboot. This was a horrendous choice.

#7. Tarot. We are starting off with the seven films in competition for the worst film of the year. Tarot obviously deals with the deck of tarot and terrible characters that I couldn’t care less about. Completely forgettable.

#6. Kraven the Hunter. The most recent of the Sony Spider-Man without Spider-Man movies include a great cast in a terrible movie. Kraven is one of the greatest Spidey villains, but this is one of the worst super hero movies in years (although there may be a worse one upcoming).

#5. Borderline. I would have thought this was going to end up much higher than five, which tells you about the films ahead of it. Another great cast, including Oscar winners Cate Blanchett and Jamie Lee Curtis, but no story, horrible dialogue and such a flop of an adaptation. Eli Roth directed this mess.

#4. Kinds of Kindness. I had a guy on X call me names because I hated this movie. I’m sorry dude, but at least it is not my least favorite movie of the year. I found the three basic stories that made up the film to be pretentious, obnoxious and misogynistic. I hated this film.

#3. Rebel Moon Part 2: The Scargiver. I hated the first film of this series from Zack Snyder even more than Part One and I did not think that was possible. It was dull, boring and filled with characters whom I disliked. And I do not want to wait for the Director’s cut.

#2. Winnie the Pooh: Blood and Honey 2. Last year’s worst movie was this film’s first in the franchise. There was some chatter that this one was supposed to be better. Spoiler alert…it wasn’t. Although this is only the second worst film of the year, so I guess it could be considered a little better.

#1. Madame Web. Here it is… the film that survived the gauntlet of the horrible movies. This one took a C-level (more likely D level) Spider-Man character and put her in a film with horrible writing, horrible special effects, horrible villain, horrible ADR.. I could go on. Madame Web was a ridiculous film and even film star Dakota Johnson was putting it down before it had been released. Madame Web is the worst movie of this year.

2024 Year in Review: The Batman and Robin Award for Rottenness

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The Batman and Robin Award for Rottenness are the annual look at films that just were not good. Some even bad. Yes, I know that it is very difficult to make a movie, and it is something that I have never done. Nobody sets out to make a bad movie (probably) and I have all respect for the men and women who do this job.

Still there are times when the film is just rotten. These awards look at those times. They receive the coveted Batman and Robin.

Worst Movie: See the list at the end of the year. Honestly, there are about six movies competing for this title yet.

Worst Actor: Scott Chambers, Winnie the Pooh: Blood and Honey 2. Not much anyone can do when this is your script.

Worst Actress: Sofia Boutella, Rebel Moon Part Two: The Scargiver. She never had a chance. This was worse than the last one.

Worst Director: Eli Roth, Borderlands. He clearly had no idea about this video game. This film is easily one of the worst of the year and Roth had a great cast that he did nothing with.

Worst Sequel: Rebel Moon Part Two: The Scargiver. If only we got to see the Director’s edition first. I’m joking. I do not want to watch a longer version of this.

Worst CGI: Madame Web. There was not much about Madame Web that was good. CGI was no exception.

Favorite Rotten Movie: If. Ryan Reynolds’ first hit of the year wound up with a Rotten Tomatoes score of 50% making it rotten. It is a much better film than that. I liked it. I’d even recommend it.

Worst Movie I did not see: Megalopolis. It’s on the list for 2025 June Swoon.

Cashing a Paycheck: Russell Crowe, Kraven the Hunter. Fun little accent he was playing with. Not sure where he was suppsoed to be from. This guy won an Oscar.

Worst Reboot/Remake: The Crow. Why would you do this? The Crow did not need to be rebooted, and this movie did the original dirty.

Most Successful Bad Movie: Despicable Me 4. This made a ton of money dumbing down the youth of our country even more.

Worst Movie Based on a TV Show/Video Game: Borderlands. One of the worst films of the year, setting back video game adaptations just as they were making some progress.

Worst Superhero Movie: Madame Web. Why Sony why? Madame Web is, at best, a C or D level hero in the Spider-Man universe, and that is when she is with Spdier-Man.

Worst Trailer: Transformers One. Already mentioned this in the Logan “Hurt” Award. Almost made me not see the movie.

WTF: Kinds of Kindness. In risk of offending that guy on X who called me names after my review of this movie, I found this a mess.

Worst Performance by an Oscar Winner: Ariana DeBose, Kraven the Hunter. She was truly terrible in that movie after being brilliant in West Side Story.

Worst ADR: Madame Web. The villain in this movie barely moved his mouth. The voice over is noticeably bad and that should never happen.

Worst TV Show that I Watched: American Horror Story: Delicate. The second half of this season is some of the worst TV I have seen. I couldn’t wait for this one to be done.

Worst TV Finale: Grotesquerie. The final episode of this show for its first season was a jumbled mess and was simply unsatisfying.

2024 Year in Review: Best and Worst Horror Movies of 2024

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Unlike sci-fi, there has been a ton of horror movies. There are plenty to choose from for the best and worst this year.

Best Horror Movie

Previous Winners:  A Quiet Place, It, Don’t Breathe, It Follows, The Conjuring, As Above So Below, Cabin in the Woods, Doctor Sleep, Black Box, Fear Street trilogy, The Menu, A Haunting in Venice

Best Horror Movie of 2024

Runners-Up: There are some great horror movies and several of these are going to wind up in the top 10 of the Best Movies list coming soon. I was hoping to give this award to a couple of these along the way. Such as Abigail, which when I first saw it, I figured this was the winner of this award. Heck, for awhile, this had a shot to be at #1 overall on the year (Spoiler alert: It will not be). I had loved Late Night with the Devil with David Dastmalchian. I found that to be completely original and reengaged the old found footage subgenre. I placed Alien: Romulus in this category instead of Sci-Fi and it was one of my favorites of the year. Another surprise film was Heretic with Hugh Grant. That movie was another huge hit and one that I loved.

However, I just recently saw the film that needed to win this award. It will be somewhere in the top 5 of the year on the final list.

Nosferatu

This vampire movie was such an amazing feat. It was basically the story of Count Dracula, but with Count Orlok in his place. And it was beautifully shot, acted and presented. It was creepy and scary as could be. A master class of visual storytelling as well as creation of a mood.

Worst Horror Movie of 2024

Runners-Up: There were an excess of poor horror films this year. The year kicked off with one of the worst with Night Swim. Imaginary I saw plenty of trailers for, but it was terrible. Dumb bear. Tarot is in contention for one of the worst films of the year, not just horror-wise. The Strangers Ch. 1 was a unnecessary reboot that ruined the franchise immediately. The Watchers… honestly I do not remember anything about that one. The Exorcism was one more bad movie starring Russell Crowe. Not his best year ever. Immaculate was another flopper among these horror flicks.

The worst horror movie of 2024 is from the same franchise that had the worst horror movie of 2023… a sequel!

Winner: Winnie the Pooh: Blood and Honey 2

This one fooled me. I went in thinking this would be better. I had seen a couple of positive reviews and I thought it would be good campy fun. Nope. Just the same horrendous acting, violence for no reason and just lackluster storytelling. The worst horror film back to back years… has to be a record!

Getting Lost

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What a treat.

I think I had a knowledge in the back of my mind that there was a documentary in the works for LOST, but I had not gone looking for it. Then, I was on social media (I do not remember if I was on X or Facebook or Bluesky to be honest) and I found someone talking about the documentary being available on Prime for rental. I rushed over to Prime immediately to see if I could find it. And there it was.

I have to explain this. I have never been as connected to a TV program as I was with LOST. It was at the very heart of my being. When it ended, I felt like I had a hole in my heart that I just could not fill. It was a physical gap that had an emptiness about it. All these years later, I still think back on the show with so much love.

I was excited to watch this documentary and it immediately grabbed my attention. It had interviews with nearly everyone in the cast, producers, writers, fans and they were talking about all of the major aspects about LOST, from the cultural significance to the influential impact on TV to the importance of the show on people’s lives.

They talked about the pilot and how they were making the pilot without any expectation that it would ever be picked up. They talked about the Tailies, “The Constant,” Not Penny’s Boat, Charlie’s Death, “We have to go back,” Walt, the finale etc.

The documentary did not shy away from controversy either. They addressed how the finale is a divisive episode that split the community apart. They talked about the report a few years ago stating that the LOST writer’s room was filled with bullying, racism and sexism (which I had not heard about before this) and they asked Damon Lindelof about it. Matthew Fox did not appear via an interview for the doc and there was an ending moment where J.J. Abrams asked if they did not get an interview with anybody and the voice off camera said Matthew Fox. Abrams said, “Seriously? You never got Foxy? Come on, really?” and then said “That’s too bad. His loss.” I wonder if there was something contentious going on there. Dominic Monaghan apparently also declined an invitation to talk.

Filmmaker Taylor Morden included some specific details about the LOST fan community, including the podcasts that sprung up and also some of the charitable work done by the LOST community, especially dealing with cancer. There were some famous fans that were interviewed such as Samm Levine and Bobby Moynihan.

I loved this documentary. I may not be the most unbiased when it comes to my thoughts on it, but I do think that they went out of their way to include everything about the series, even the bad things.

AND IT WAS NOT PURGATORY! THEY WERE NOT DEAD ALL THE TIME!

Um.. sorry about that.

I Saw the TV Glow

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The other film I rented off Fandango at Home/Vudu was entitled I Saw the TV Glow, and Zi had heard plenty of buzz about this, in both positive and negative ways. I thought this would be a good film to give a try.

I have to say that this was very surreal, dream-like and metaphoric. It was a difficult movie to follow and so much of it was shot intentionally to create that feeling of confusion or interpretive.

According to IMDB, “Teenager Owen is just trying to make it through life in the suburbs when his classmate introduces him to a mysterious late-night TV show a vision of a supernatural world beneath their own. In the pale glow of the television, Owen’s view of reality begins to crack.”

One of the film’s main themes deal with reality and identity… who they were on the inside. I do believe that this was a metaphor showing the way some people can deny whom they are, pretending that they are something else. I have a feeling that this movie will reverberate with some people considerably more because of that theme.

I also believe that there are several ways that this movie could be interpreted and that no one way is exact. Since this narrative is not one with straight-forward situations and answers, the audience member brings a lot of what they infer with them centered around their own personal knowledge and background. That makes this material quite rich.

The film was trippy and psychedelic in the best ways. Some people are going to look upon this movie with disdain for any number of reasons, but I was fascinated with it and I was intrigued with what was happening with these characters. I’m not sure how many times I would watch this movie on rewatches, but the first time experience was worthwhile of my time.

3.6 stars

2024 Year in Review: The Gomers for the Biggest Surprise

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2024 had plenty of films that fell into the middle of the range between good and bad. Honestly, however, it had a bunch of films that were surprises too. Thus, we have this year’s Gomer Award being quite a challenge to present. There are so many potential choices.

The Gomer for the Biggest Surprise

Previous Gomer Award Winners:  The Gift, Ferdinand, Edge of Tomorrow, We’re the Millers, The Campaign, Ouija: Origin of Evil, Bumblebee, Crawl, Greenland, Free Guy, Deadstream, Totally Killer

Here are the runners-up:

First off, Late Night with the Devil from David Dastmalchian was a huge surprise because it just was something that I had not heard much from. I did hear Kevin Smith mention it on an episode of Fatman Beyond, but still. for it to be one of the best of the year, who saw that coming? Then, since I disliked the original film, who would have guessed that a new version of Roadhouse starring Jake Gyllenhaal that went immediately to streaming would be any good. It was and I couldn’t believe it. Another one that was a reboot of sort from a movie that I did not like was Twisters. No way that was a film I was going to enjoy and yet I did. Abigail was a surprise until I realized that Alishia Weir was the star. I knew it was going great after that. Hit Man was another I saw on streaming that had no right to be as good as it was. It’s the second film on the list from Glen Powell. Sharks in Paris? No way that was anything other than a member of the worst movies of the year list, right? Wrong. Under Paris was a lot of fun and way better than it should have been. Longlegs provided one of those shocking moments in the theater when you discover that Nicolas Cage was going to go over the top and still be awesome. I spoke about how much I was surprised that I enjoyed The Best Christmas Pageant Ever as I was trying to find an award for Best X-Mas Movie. Skincare? Another one that had no appeal to me that turned out to be fully entertaining. Strange Darling was weird, but really wonderfully constructed and engaging.

Yet after all of this, one film was the biggest surprise of the year. Spoiler for an upcoming Batman and Robin Award for Rottenness winner, this film one of the worst trailers of all time and nearly caused me to skip the film. Little did I know that this is probably a top 10 film of the year (certainly in consideration, at least).

Transformers One

This was an amazing movie and was one of the best animated films of the year. I never thought making Optimus and Megatron friends when they were younger would work. They weren’t Charles Xavier and Magneto, and yet this was done so well that everything made perfect sense. After so many years of utterly hating Transformers films, loving this one, especially after that horrendous trailer, was totally unexpected… and thus a Gomer winner.

PS: Interestingly enough, this is the second Transformers movie to win this award, with Bumblebee being the other. The original Transformers movies brought the bar so far down that I have trouble seeing them as a positive thing.

Carry-On

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Taron Egerton and Jason Bateman star in a New Netflix action flick called Carry-On, directed by Jaume Collet-Serra, who was known for The Shallows, Orphan, Non-Stop and Black Adam.

Carry-On is like Die Hard 2 meets Phone Booth. It is an exciting action movie with some preposterous situations that should not work. However, everything is so thrilling and dramatic that you excuse the improbable and embrace the excitement.

Egerton played Ethan Kopek, a down on his luck TSA agent whose girlfriend Nora (Sofia Carson) is pregnant. Kopek, who was denied his dream job of joining the police force, is going through the motions at his TSA job at the airport. In the wrong place at the wrong time, Kopek gets blackmailed by a man (Jason Bateman) who wants him to make sure a carry-on case gets through the security check and he says that if he does not, Nora will be killed.

Most action movies requires a lot of suspension of disbelief and this is no exception. However, the film is very exciting and everything is put together so well that even on those time when it feels like the film has stretched credibility, you are okay with it because of the well done story.

Egerton and Bateman carry on a conversation over a headpiece for much of the film and they are very engaging during this time. I did not expect Bateman to be able to play such a cold monster as he does in this film, but he does it exceedingly well. Egerton is a perfect foil for Bateman as he played the young, lacking confidence hero beautifully and we see him slowly gaining more strength as the risks pile up.

It does a good job of building the tension in each scene and the anxiety of the situations. The over the top scenes are still set up and executed well. If you have to pick apart the situations, a lot of the film would not hold up, but you could say that about most action/adventure movies, especially this type of action movie like Die Hard.

There is one scene involving a car crash that has some wonky special effects, but most of the movie is practical effects and looks pretty solid.

And I suppose we could argue about this being a Christmas movie.

Carry-On is a lot of fun and brings an electric action thriller despite some of the most implausible moments. Egerton and Bateman were excellent and carry the film on their backs.

3.75 stars

2024 Year in Review: Movie Musicals

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Okay… this is going to be an easy one I think.

We added this category recently, but backtracked to award some previous films the award.

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022), The Color Purple (2023)

We had some musicals in 2024. There was Piece by Piece, which was a musical documentary, in Lego format doing the life of Pharrell Williams. Moana 2 is a huge box office success, but, truthfully, the music just did not hit as well as the original. That’s what happens when you do not have Lin-Manuel Miranda doing your music. Speaking of Miranda, he is doing the music for the upcoming Mufasa film from Disney, and while that is probably going to be great, I do not think it will match this year’s winner. Joker: Folie à Deux was a disappointment in a lot of ways, and musically was one of them. They really did not take advantage of Lady Gaga. Mean Girls was very forgettable from way back in January. Emilia Perez was a powerful movie, but I can honestly say that much of the music in this film, I do not remember. I do not consider Bob Marley: One Love to be a musical, though I could mention it as an effective use of music.

2024 Movie Movie Musical of the Year:

Wicked

Yeah, this one was easy. This is a massive hit and a tremendous film. The rendition of “Defying Gravity” in this film is goosebump creating. Both Ariana Grande and Cynthia Erivo were stunning with their voices and made this iconic Broadway play a must see movie…even as a Part 1. Could this be foreshadowing next year’s winner too?

The Best Christmas Pageant Ever

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It was a strange path to arrive at me watching this movie. After seeing trailers, I had zero interest in going to see this Christmas movie. It looked very much like a Lifetime special and Christmas is down my list of holidays. I had pretty much decided I would not go to this.

Then I started doing the Year in Review and I realized that the only Christmas film that I had seen this year was Red One, and that was, at best, okay. It felt wrong to give it the X-Mas Movie of the Year Award so I watched an animated movie called This Christmas on Netflix. Sadly, it was just around okay too. I then looked at the Rotten Tomatoes score for The Best Christmas Pageant Ever and it was at 91% critics and 97% audience. This made me wonder if I should take this basically open weekend and go see it. It was only an hour and a half. How could that be painful? So even with a doubt in my head, I went to Cinemark this morning for a 9:15 AM showing.

This was really a good movie. I liked this way more than I ever expected.

Historically, I have not been a fan of the faith-based movies, but that is not what this is. This is a movie featuring characters who are being reminded about what Christmas means to them, and how important the Christmas story can be for them. It was about characters. And it was really well done.

Based on a popular novel, we are introduced to The Herdmans, a family of six children who were the biggest troublemakers in the town of Emmanuel. They were feared by children and adults alike.

At this time, the director of the local pageant broke both of her legs, making her unable to continue to do her duties. Grace (Judy Greer) volunteered to take over the job. Unbeknownst to her, the Herdmans decided to come and join the church’s pageant (to get the snacks they were told would come with it). The Herdmans, led by the scary Imogene (Beatrice Schneider), forced their way into the main roles of the pageant, which just happened to be the 75th Annual event.

This was well written, solidly acted and had some genuine funny moments. You can’t but help to like the antics of the Holdman kids, and you can see the diamonds in the rough beneath their surface, especially Imogene. Young Beatrice Schneider does a fantastic job in the role, bringing a humanity to this character that is gruff and unappealing on the surface.

I will admit to getting kind of emotional during the film. I was amazingly impressed with the kindness and unbelievable patience shown by Grace, who could have easily bowed to city pressure and dumped the Holdmans from the play. As a teacher, I was inspired by the way she reacted to these troublesome children and watching the Holdmans respond to the play and trying to answer the questions they naturally had (by a trip to the library) was awesome to me.

You kind of knew what the film’s resolution was going to be, but it was well constructed and still managed to tug on those heartstrings. This was one of those times where predictability was not a negative.

As a Christmas movie, this is much better than much of the sentimental slop that is out there and it gives us a chance to really question if we know the true meaning of Christmas.

4 stars

Top 6 2023 Movies in 2024: 2024 Year in Review

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Every year, EYG watch movies that are released in 2023, but we do not watch it until 2024. These film do not go on the final Best or Worst film list, so I have been giving them their own list. I did not see very many early in January (perhaps only one), but that was because I wanted to save the other films for the June Swoon.

There are six films on this list. As with the year end best and worst lists, star ratings are not the final score. They may help me generalize where they may go on the list, but it does not require me to put them in that numerical order.

Starting off…

#6. Flamin’ Hot. The story of the creation of Flamin’ Hot Cheetos and the man behind them. It was a comedic biopic with some creative adjustment… but hey, it was “based” on a true story. It was a very entertaining film.

#5. Thanksgiving. One of the big surprises in the list was this slasher movie from Eli Roth being a movie that I really enjoyed. Eli Roth has never been my favorite director, but this ne was clever and creative and well worth the watch. We just passed the holiday so it may be a perfect time for you to revisit this movie.

#4. 20 Days in Mariupol. A truly tough documentary following some media individuals through the war tarn land in Ukraine. It was real, too real at times and it was a very difficult watch. It was a very important watch too.

#3. The Zone of Interest. One of the big Oscar nominated International films from last year, The Zone of Interest focused on Auschwitz commandant Rudolf Höss and his wife Hedwig and the life they lived during the Holocaust.

#2. Anatomy of a Fall. Another Oscar nominated international film, Anatomy of a Fall told the story of a woman who was suspected of the murder of her husband, her trial, and what exactly her blind son knows. This is an extremely compelling mystery that keeps you guessing to the end.

#1. American Fiction. This was the film I watched in January because I did not want to wait until June to see it. I had heard a lot of great things about it and I was not disappointed. Jeffrey Wright is an author who, frustrated with his inability to sell a book, writes a “black” book under a pseudonym and suddenly finds a ton of success. That success made Wright all the more frustrated. This is a great movie with stunning performances and Oscar nominations, from not only Wright, but also Sterling K. Brown.

2024 Year in Review

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It is that time of the year. It is time for the 2024 EYG Year in Review!

Over the next month (or so) I will be posting the winners of the awards that we give out this time of the year every year. This is our 14th year of giving out these awards and it is one of my favorite times of the year.

There are also several lists where I list my favorite and least favorites in a plethora of categories. Everything from the world of geek culture including movies, TV shows, comic books, WWE, YouTube and so on. The biggest hole in the year in review is video games as I do not play them (for fear of never stopping).

We have the records of all of our winners from the past found on the site. I will post the records during each award post. Here is an example:

The EYG Stan Lee Movie Cameo Award

Previous winners:  Stan Lee (Big Hero 6*, Deadpool, Spider-Man: Into the Spider-Verse* ), John Cena (Daddy’s Home), Chris Evans (Thor: The Dark World, Free Guy), Sigourney Weaver (Cabin in the Woods), Hugh Jackman (X-Men: First Class), Yoda (Star Wars: The Last Jedi), J.K. Simmons (Spider-Man: Far From Home), Harrison Ford (Star Wars Episode IX: The Rise of Skywalker), Rudy Giuliani (Borat Subsequent Moviefilm), Val Kilmer (Top Gun: Maverick), Rhea Perlman (Barbie)

There are a ton of potential winners in this category for 2024 so it will be interesting who receives the Stan Lee Movie Cameo Award this year.

We will end the year in review with our typical Best Movie and Worst Movie lists. It is unclear as of yet how many each list will be. Last year I had 40 films on the Best list and only 20 films on the Worst, but I think that may not be as split this year. I know there are about 5-6 films competing for the worst film of the year spot and I am unsure which one will land in that spot.

I should say that, even if there are films on the worst list, or something receives a ‘Batman and Robin Award for Rottenness,’ I have the utmost respect for those who create movies and TV shows. I know it is an amazingly difficult job. However, I do believe it is okay to criticize or critique these projects. I will never get personal though.

And I will say this many times… this is my opinion. You may have a different opinion on some of these and that is great. I had someone on Twitter/X this year get mad at me for my review of Kinds of Kindness and was very insulting to me about it, calling me names and being disrespectful. All art is subjective and what I hate completely (like Kinds of Kindness) may be your favorite film of the year. And that is OK. To attack someone for their opinions is not OK and goes against everything that we believe at EYG.

So here we go. 2024 is almost in the books. It flew by and we look back before we look ahead.

A Real Pain

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A Real Pain is a perfect example of an independent movie.

For me, an independent movie does not have a plot, or at least one that drives most of the story. It is a film where we take some characters and drop them into situations and let them see what happens. You could define it as character based films. I don’t want to imply that I do not like that style of movie, but it is distinct.

In A Real Pain, two cousins take a trip to Poland after their beloved grandma passed away to go on a Holocaust tour and visit her childhood home.

The movie was written and directed by Jesse Eisenberg, who starred as David Kaplan. Kieran Culkin played his cousin Benji Kaplan. They both brought Oscar-worthy performances in these roles. Their performances were very important since the characters were so important to the story.

The tour of Poland and a nearby concentration camp was very powerful and the actors did a great job responding to it.

The film was only 90 minutes long, but it did feel longer than that. That is probably because of the dense material that the film featured. However, there were some really funny moments too, which you do not find too often with Holocaust films. A Real Pain is an ambitious film with great performances that had some challenging moments to watch it.

4 stars

Mad God (2021)

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The October 13 of 13

What a trip.

I went searching for a film to wrap up the October 13, which to be fair has been a touch underwhelming so far. I was really hoping to find something epic to end out the thirteen.

Well, I found something original for sure.

On AMC + on Prime, I found a stop-motion film called Mad God and it looked interesting. That would be an understatement for this.

According to IMDB, “Equipped with a gas mask and a crumbling map, the Assassin, an iron-clad humanoid, descends into a rusty, peril-laden underworld of grime, blood, and unsettling monstrosities. As the stealthy invader meanders through the labyrinthine post-apocalyptic wasteland on a mysterious mission, going deeper and deeper in the nightmarish realm, the Assassin gradually reaches his final destination: the heart of this grotesque tower of torture. But what cruel, vindictive deity allows fear and suffering to take its most complete creation further and further into despair? Only a Mad God would revel in humankind’s ordeal.”

That synopsis from IMDB is well done, but to be honest, the story is not anywhere near as straightforward as that description. I would venture to say that this film has a very limited narrative structure. The story seems secondary to the goals of this film.

Mad God has amazing, masterful stop-motion animation that creates an atmosphere unlike few movies that I have ever seen. It is frightening at times, disturbing at others. It imbues this nightmare realm with such darkness and alarming imagery that you can help but be taken aback from the visual daze.

The sound effects and score are very effective keeping you uneasy as the images build a surreal experience of monstrous creatures and violent despair.

Written and directed by stop-motion guru Phil Tippett, this passion project takes you deep into the mind of the director. And what a bizarre and warped experience it was. I usually prefer more of a story, and that is just short here, but this is an experience that I would not have passed on. I am conflicted on how I feel after watching this, which, I suppose, is a desired result.

Kill List

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The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.

Sorry About the Demon (2022)

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The October 5 of 13

So, this one was a horror comedy. I found it on Shudder, as most of the list for this The October 13 is this year. I found it to be really silly.

After dealing with a bad break-up, Will (Jon Michael Simpson) rented a house from a family. What Will did not know was the family, the Sellers, had rented him the house because they had made a deal with the demon that was in the house, Deomonous (voiced by Tony Vespe), to possess him and take his soul to Hell instead of their daughter Grace (Presley Allard).

This movie was funny at times. At least I chuckled here and there. Otherwise it was fairly messy with the plot and just silly as it can be. It was absolutely corny and silly. I am not sure if this was intended to be a parody or if it is just meant to be a horror/comedy. Either way, the film was not the worst thing I ever saw. I did not like the way it started, as it seemed fairly stupid to me. However, Jon Michael Simpson had a charm about him that made me want to keep watching, even though I wanted to stop watching at first.

Overall, it was not the worst film I have seen. It is not great, but if you are in the right mood, this could be a fun family horror/comedy for Halloween.