Tag Archives: movies

Here

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Robert Zemeckis, Tom Hanks and Robin Wright have reunited on screen once again for this new film called Here. Zemeckis, Hanks and Wright were all together for Forrest Gump, and now they are focusing on a specific house.

This film has a specific gimmick to it. The camera was stoic, steady and unmoving for the entire movie. There was one angle that the movie had and it told multiple stories through the life of the house (and the plot of land that it was built on) with that single shot.

The main story that was told was the life of Tom Hanks and Robin Wright. We saw Tom Hanks, who played the character Richard, grow up, fall in love, get married and become a father in this one room of this house that we see. Robin Wright played Richard’s wife Margaret and she was involved in much of the main story.

One of my favorite characters involved was Richard’s father, Al (Paul Bettany). His wife was Rose (Kelly Reilly) and they were shown throughout their lifespan inside this house.

Using these postcard like boxes, the movie transitioned between stories. Other stories included a Native American family, the man who created the La-Z Boy recliner, a recent black family, a early aviator whose wife hated the airplane, and the illegitimate son of Ben Franklin. None of these extra stories had much if any impact, outside of just continuing the life of the house. These were pauses from the Richard-Margaret family story meant to simply break from those characters.

I liked the format of this movie, but there were some issues with it. The main story had my attention every scene they had, but all of the other ones were so slight that they were a distraction. This movie did feel too long and a couple of these extra stories could have been dropped to shave off some time.

The CGI was decent in the movie, especially the de-aging of Tom Hanks and Robin Wright. Some of the background CGI was obvious, but it did not ruin anything. I did like the music of the film as it helped show us the advancement of time.

This is a interesting movie with a gimmick that I have not seen before, unless you are a fan of stage plays with the single location setting. The film was too long, but the main story was likeable because of the excellent actors.

3.5 stars

Bates Motel S5 E1

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Spoilers

“Dark Paradise”

The final season of Bates Motel got underway with a bit of a time jump. I just talked about time jumps in the Battlestar Galactica season 2 finale write up. This is another year jump.

Norman is running his hotel with ghost Norma hanging around making him breakfast. Ghost Norma is quite the helpful hand… baking, laundry, killing hitmen and helping to dispose of the body. Not sure how the physics of any of that happens.

The funniest moment in the show was when Ghost Norma grabbed Norman by the ear and dragged him up to the house to show him the body of the man she killed. All I could picture was Norman with his head tilted to the side, with no one actually pulling on his ear, but he acting as if someone was. If only someone could have seen that.

Dylan and Emma had a baby girl. Awwwww…. I did not remember that from the first time I saw this series and I thought that was great. Of course, Caleb showed up looking for some kind of connection. This story was very nicely handled and showed some emotion. Its funny that a teenage rapist who got his sister pregnant is not the worst one in the family.

One would think that after having a baby, Dylan might have reached out to his mother or brother…even once maybe. Didn’t Emma have a good relationship with both of them. Keeping them isolated does feel a bit convoluted, though I understand they would be building toward something.

Romero is beating the hell out of that punching bag in prison. He had parole denied and he apparently hired the guy that tried to kill Norman. I think Romero is meant to be seen as the bad guy, but I still feel like I understand his rage toward Norman.

They introduced a new female potential victim for Norman. Maybe she will be okay since she reminds Norman of Norma. Or maybe not. Females do not have a good track record around Norman.

Nine episodes remaining for this rewatch. I really have enjoyed revisiting this show. Freddie Highmore and Vera Farmiga have been on the top of their game every week.

Conclave

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The process of electing a new Pope is full of secrecy. That means you can tell whatever story you want about it, as this new film starring Ralph Fiennes opens wide this weekend.

This movie is based on a 2016 novel by Robert Harris. It is directed by Edward Berger, who directed the Oscar nominated All Quiet on the Western Front.

According to IMDB, “Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake–secrets which could shake the foundations of the Church.“

Ralph Fiennes was sensational once again as Cardinal Lawrence. He has such an understated performance that he fits into this story beautifully. He anchors the film with his work.

There are other great performances including Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati and Sergio Castellitto.

There is a twist at the end of the movie that came after it seemed as if the film was over and I am not sure if it was necessary. No spoilers, of course, but this feels as if this was done to create division among viewers. I have no issues with the ending outside that I am just not sure it was important to the story.

I enjoyed the mystery aspect of the script and the film looked beautiful. Great performances scattered throughout the film. I assume this will have a huge presence at the Oscars. This was very solid.

4 stars

Venom: The Last Dance

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The final film in the trilogy featuring Tom Hardy as Eddie Brock, the man who would become Venom, was released this weekend. I have never been a big fan of the previous Venom movies, but I have enjoyed the character some so I was curious to see what Sony was going to present for us.

The first three minutes of this film was a huge exposition dump involving the scary villain known as Knull, who was being played by Andy Serkis. The problem, this reminded me of the opening to 2011’s Green Lantern with Parallax, which I thought completely failed to start off that movie. I was laughing at Parallax during that opening and the fact that this reminded me of that was a bad sign to start this movie.

Sadly, the film continued to be a mess after this beginning. It went back to the post credit scene from No Way Out, with Eddie in the bar, drunk and getting pulled back to his own universe.

Knull sent some monstrous symbiote hunters to earth in search of Venom, who was now some kind of McGuffin, and they were after him. The monsters had zero personality and was fairly boring.

The best part of all of these Venom movies are the relationship between the symbiote and Tom Hardy. Hardy is great as Eddie Brock and some of the best scenes of the film are when Eddie meets up with a hippie family with the father played by Rhys Ifans. I think more with this family on the road would have made this more enjoyable. However, what the family wound up doing did not make a lot of sense as the film moved on.

I did love the soundtrack to the film, with banger after banger throughout the movie.

Why did we need to introduce Knull in this movie. He was not used, and if this is the final Venom movie, why do we introduce Knull at all and not use him? I feel as if Sony wanted Knull to be their Thanos, but they brought him around too late if that is the case.

This movie is not horrendous, but it is just not very good. Tom Hardy is the strength, but the story around him is not good and the dialogue is weak. The other symbiotes have the “Michael Bay Transformers disease” as none of them have personality or any way to distinguish them.

Will there be more Venom movies? Who knows. Will Knull be involved with Kraven the Hunter? Doubt it. None of the Sony Spider-universe films seem to fit this concept. The final Venom movie is just not that good.

2.4 stars

Only Murders in the Building S4 E9

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Spoilers

“Escape from Planet Klongo”

After a down week for me last week, Only Murders in the Building had its penultimate episode of season four with an episode that included all of the best things that Only Murders does.

“Escape from Planet Klongo” gave us the following:

  • One of the classic Oliver and Charles arguments – this time over a Bachelor Party .
  • We got another murder- Glen Stubbins (this is the second… maybe even the third time Paul Rudd has been murdered on this show).
  • Only one major cameo – Ron Howard! Ron Howard was sensational here with Martin Short. Ron-Ron. Hilarious.
  • Project Ronkonkoma became the key point for the mystery. A movie directed by Ron Howard and one that Sazz’s protege messed up badly.
  • W.A.N.S: Whiskey, A-List Celebrities, Naughty Secret!
  • A wonderful interaction with Oliver and Charles that showed their friendship.
  • Charles and Oliver wind up as background actors as aliens- in mo-cap suits
  • A script discovered about Only Murders in the Building-The Movie, by Sazz Pataki.

And most importantly, we had a reveal. We discovered who the killer was thanks to a flashback from Ron Howard. It was Marshall, the writer of the movie. He also killed Glen Stubbins with a pillow, and he wound up alone in the apartment with Mabel.

Everything makes a lot of sense for Marshall, especially with how they showed us what happened with Sazz on Project Ronkonkoma. Sazz was writing a script that Marshall wanted to write. Then, Glen replaced him on the movie and he must have been the actual intended victim when the group of Olivers were shot a few weeks ago.

The cameras in the place must have been planted to figure out what Oliver, Charles and Mabel were like as characters. I’m not sure about the whole plot holes bit or the text messages, but I’m sure that will fall into place next week in the finale.

The limited use of cameos is in stark opposition from last week which was cameo overload. And… who knew that when you are around Ron Howard, you should never mention the fishin’ hole (from Andy Griffith). What could have happened at the fishin’ hole?

One more episode which should include a wedding (if they pull it off).

Great episode.

Bates Motel S4 E9, E10

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Spoilers

“Forever”

“Norman”

In my mind, I thought I remembered that the whole gas thing was an accident. I misremembered that because, seeing episode nine again, it was painfully clear that Norman had intended for them both to have died in that room. Had it not been for Romero, they both would be dead.

I will forever remember Alex desperately trying to give Norma CPR and holding her corpse, sobbing uncontrollably. It was a horrific punctuation to this relationship that, in very short order, became one of my favorite relationships in the history of TV.

Norman really goes crazy in the season finale as he kept waiting for Norma to tell him the plan and eventually digs her up out of her grave. We know that Norman from Psycho did dig up his mother’s corpse, although it sounded as if his relationship with his mother was considerably different than the TV show. In Psycho II, Norman says he poisoned his mother when he was young. I know that Bates Motel Norman may not be exactly the same version of Norman Bates from Psycho. Perhaps he is a multiversal variant.

The cruelty of Norman not telling Dylan about his mother was unbelievable. Yes, there were some strange coincidences with Dylan, so he remains unaware of the death. They felt a little too on the nose, but I know it works for the story.

When Norman glued Norma’s eyes open… I mean… how creepy was that. Was that Vera Farmiga being the dead body because, if so, she was brilliant.

When I originally watched this show, I really thought that these episodes ended the series, but there is a whole fifth season to go. This felt like a good wrap up for the series, at least for Norman and Norma, but there are 10 more episodes to go. The side characters all need more of a wrap up, but I could see this having been the end of Bates Motel.

Not sure I liked the Christmas lights popping on at the end of the episode though.

Kill List

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The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.

Smile 2

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The original movie Smile was a surprising hit a couple of years ago. With it making a lot of money, you knew that there would be a sequel. This weekend brought us Smile 2.

Skye Riley (Naomi Scott) is a hugely loved pop star who was preparing to make a return tour after being involved in a tragic accident the year before. When she was trying to get pain killers from her drug dealer friend, he brutally killed himself in front of her, transferring the parasitic demon to her. This demon goes into the victim’s head and slowly drives them crazy.

Naomi Scott does a fantastic job in this lead role. She carries so much of the movie on her shoulders, with so much fear and confusion and anger. She is easily the strength of the film.

The film keeps the audience on the edge of their seats, filled with anxiety as you want Skye to get through the problem. There may be too many jump scares in the film, but a lot of them are effective.

The film does feel too long at 2 hours and seven minutes. I think it could easily have shaved off 15-20 minutes of playtime and it would have helped the movie. However, the finish of the film was just horrifying. I really thought the final shot of the film worked very well.

Smile 2 was a worthy sequel to the huge hit. Is it better than the original, I’m going to say no, but this is very solid. Naomi Scott does tremendous work and the effects are great. The film will keep you thinking.

3.75 stars

We Live in Time

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I do love Florence Pugh and Andrew Garfield so I had planned on seeing this movie after seeing a trailer for it. However, the title was not recognizable so as I was looking at the Cinemark movie list this week, I almost missed it. I saw the title and thought, “What is that?”

After seeing the movie poster, I realized that this was the Pugh-Garfield film, and I knew I wanted to go to it.

According to IMDB, “Almut (Florence Pugh) and Tobias (Andrew Garfield) are brought together in a surprise encounter that changes their lives. Through snapshots of their life together — falling for each other, building a home, becoming a family — a difficult truth is revealed that rocks its foundation. As they embark on a path challenged by the limits of time, they learn to cherish each moment of the unconventional route their love story has taken, in filmmaker John Crowley’s decade-spanning, deeply moving romance.”

Starting off, the film’s narrative structure is told in a non-linear manner. It was as if time is not a line, but a flat plane. The film leapt around from all parts of this relationship, from where they meet to where they are giving birth. It did make following the story a little challenging for awhile until Florence Pugh cut her hair (thanks, Florence!)

The chemistry between Andrew Garfield and Florence Pugh was absolutely off the chart and this is the main reason this movie worked as well as it did. Both showed their acting chops in these roles and I loved them together. Every scene with them in it was wonderful.

The story was very emotional at several times and it worked well. The melodrama of the film was over-the-top at times, but it worked because of Garfield and Pugh. Perhaps the time jump storytelling technique kept the emotion in check.

This was a solid film with great performances.

4 stars

I Was a Teenage Zombie (1987)

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The October 9 of 13

I found this on HBO Max and, because of that, I mistakenly believed, this movie would be a good one to include for The October 13, or at least was a real movie. It was five minutes into it when I discovered that this was the most amateurish, ridiculously bad film I have seen in a long time.

When the sound quality of a film does not reach the quality level of Birdemic: Shock and Terror, you know there is something wrong.

According to IMDB, “Six high school buddies accidentally kill a drug pusher and dump his body in toxic waters. When the pusher returns as a zombie and goes on a killing spree, their only recourse is to dump the body of one of their own recently dead, and have him return as a “good” zombie to face off with the “bad” one.“

I have seen this referred to as a cult classic, but if this is a classic in any form, I have to question the choices of the viewer. I know film is subjective, but I don’t think anything should be that subjective.

The budget of this movie must have been $25 dollars and a box of donuts.

I take that back, they did have some real music involved in the film, with a soundtrack involving real bands and musicians. At times the music was played so you could not hear what was being said. Best part of the film.

I seen better acting on SNL, you know when the host clearly has not learned any lines and is just reading off the cue cards off screen.

How bad was the dialogue? I don’t know, you could barely hear it.

This was not fun. There was a time or two where I laughed at the movie. Not because it was funny, but because it was so embarrassing that the only thing you could do was laugh.

The zombie make-up was more like blackface. Or eventually green face.

Then there was a zombie rape scene. I’m not kidding. Offensive as it could be.

The quality of the movies in this year’s October 13 has been really down. With Piranha, Sorry About the Demon, and this film, I really need to find a good film for #10.

Psycho II (1983)

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The October 7 of 13

One of my favorite Alfred Hitchcock films of all time was 1960’s Psycho. Twenty three years later, there was a sequel to the film featuring the return of Anthony Perkins as Norman Bates.

Of course, I have been watching Bates Motel for the last several months, which is not necessarily canon in the Psycho universe. It gave me the opportunity to start to love the character of Norma Bates. So with this October 13, I thought it would be a good thing to watch the sequel to Psycho.

While this is nowhere near the level of the iconic original, Psycho II was not bad. Anthony Perkins was wonderful in his return to the role of Norman Bates. You could never be sure whether or not Norman had actually regained his sanity. I wasn’t sure until the very end, which was nice.

The story had an impressive twist to start off that I did not see coming. I am not sure it worked all the way through, but when we found out the surprise, it worked for most of the middle of the story.

It did feel like it went a little too long and I am not sure I loved the resolution of the film… at least part of it. No spoilers from me, but I did like the very end of the film… just not what led to it.

This was better than I expected it to be, but if you were to only watch one Psycho movie, make it the original Hitchcock classic.

Saturday Night

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Live from New York, it’s Saturday night!!!!

Jason Reitman directed this biopic of the 90-minutes before the debut of Saturday Night Live (called NBC’s Saturday Night) and the chaos that was ensuing.

Of course, as with most biopics, not everything is exactly as it happened as many details are switched or moved around for dramatic purposes.

The film follows Lorne Michaels (Gabriel LaBelle), the producer of SNL, as he moved around the studio putting out fires (both figuratively and literally), managing talent, and desperately trying to get the show ready to go at 11:30.

This is a fun film with a frantic pace leading up to the debut. It was very possible that the show was never going to happen as there was a reel of a Johnny Carson repeat waiting to roll if the show was unable to overcome the myriad of troubles.

The cast is the strongest part of the show. Gabriel LaBelle does a great job as the eyes of the audience. Corey Michael Smith is fantastic as Chevy Chase. Dylan O’Brien loses himself in the role of Dan Aykroyd. Matt Wood was very entertaining as John Belushi. Lamorne Morris was great as Garrett Morris. Rachel Sennott had a strong performance as Lorne’s wife, Rosie. Several of the cast did not have the amount of screen time as it seemed as if they deserved, in particularly the women SNL cast members.

While we see a lot of Lorne, there is an issue with the rest of the cast. If you are not aware of who these people are, there is not a lot of time spent with them. The film seems to depend on the audience knowing who Chevy Chase, John Belushi, George Carlin, Jane Curtin, Gilda Radner are coming into the film. If the viewer does not know much about SNL, they do not go into detail about these people. It does work at one level, but I did have knowledge going in.

The film depends on its energy and the nostalgia of the audience to craft together a hectic ninety minutes prior to the debut of Saturday Night. There are some very funny moments and some amazing character bits for these people whom we know as celebrities. Roles for Willem Dafoe and J.K. Simmons are exceptional and the whole cast’s performance was well done. This is a film that fans of SNL will truly appreciate.

4 stars

Super/Man: The Christopher Reeve Story

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EYG Hall of Famer Christopher Reeve, who sprang to fame playing Superman in several movies int he late 70s and early 80s, gets the biographical documentary treatment going into depth about his life, his family and the horrific tragedy that changed his perspective for the remainder of his life.

The doc interviews Reeve’s children and his ex-wife, revealing the deep relationship that Reeve had and how his time as Superman affected his career and how people’s POV changed him.

There are some amazingly personal scenes and imagery of Christopher Reeve struggling post-accident that was difficult to watch at times. The emotions were in full example and heartstrings were pulled as the story moved from pre-accident to post-accident. There were plenty of times that I teared up watching the powerfully poignant moments.

Some of the toughest scenes for me was the parts including Robin Williams. Williams and Reeve were roommates during their time at Julliard, forming a lifetime friendship. The relationship had several vital moments and it nearly broke me when it was said that had Christopher hadn’t died, Robin would be alive today. Heart-breaking.

Directors Peter Ettedgui and Ian Bonhôte painted a moving portrait of the actor and how he was able to overcome his adversity to help many individuals with their own handicaps.

4.6 stars

The Pool (2018)

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The October 4 of 13

The October 13 continued today as I pulled a film from Amazon Prime to watch. It was the Thai thriller called The Pool.

According to IMDB, “Day, an insecure art director of a commercial production company is left alone to clear up a 6-meter deep deserted pool after the shooting. He falls asleep on an inflatable raft due to an unbearable fatigue. When he wakes up again the water level has sunk so low that he cannot climb out of the pool on his own. He screams for help but the only thing that hears him is some creature from a nearby crocodile farm.“

Starting off, I have an illogical fear of alligators and crocodiles. It makes no sense, but they give me a lot of stress and anxiety. I always joke that I am never going to Florida because of the killer alligators like I saw in Crawl. It is a joke, but that movie absolutely scared me. So seeing this man vs. crocodile survival tale, I was ready to be unsettled.

I will say that there were some good moments of anxiety in the film. Day, played by Theeradej Wongpuapan, and his girlfriend Koi, played by Ratnamon Ratchiratham, made an attractive couple stalked by this angry and hungry crocodile.

However, at the end of the day, it was hard to get past one simple fact. These two are dumb as shit.

I understand some things need to be exaggerated for tension, but when characters continually do the stupidest things during a film, it just pushes the level of believability. I found myself yelling at the computer screen over and over, wanting Day to do something smart once. There were so many opportunities to do something else and he constantly chose the wrong one. It was frustrating.

Then the CGI on the crocodile was at times wonky. That can be forgiven because of budgets, but when it is combined with the dumb characters, that makes a tough combination.

And for the dog lovers out there, there is a scene with a dog that is perhaps the single most horrific scene I have ever watched anywhere. The imagery of the scene will disturbing even if you are not a big dog fan, like me, and for the dog lovers out there, you will not be prepared for the shocking moment.

I had seen this receive 97% on Rotten Tomatoes so I was hopeful this would be a hidden gem. However, looking closer, the audience score is at 53%, and I can see why that is. This had some positives, but the stupid decisions, the CGI, the crocodile, and the horrific scene near the end dropped this one down for me.

Hell House LLC (2015)

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The October 3 of 13

I watched the most recent Hell House movie, called Hell House LLC: Origins- The Carmichael Manor for this year’s June Swoon. I had no idea that this was the fourth film in a franchise. So I figured the first film of the franchise would be a good film to use for The October 13.

This was filmed in a documentary style of a supposed incident at a haunted house called Hell House opening during the Halloween season where fifteen people died in, what authorities were calling an “unknown malfunction.” The documentarian, Diane Graves (Alice Bahlke), found the sole survivor of the crew from the haunted house, Sara (Ryan Jennifer Jones), and Sara gave her several recording made by the others at the Hell House.

At this point, the movie became a combination of documentary and found footage film, and it was absolutely insane.

The footage was remarkably creepy as it showed so many frightening moments inside the Abaddon Hotel, which was deserted and had signs that there may have been a Satanic cult here at one point in its history.

As the crew worked to get their haunted house constructed inside the Abaddon Hotel, strange things began to happen, especially with some of the clown mannequins.

Some of the stuff they got on film was frustrating at times because it never seemed to matter to Hell House CEO Alex (Danny Bellini) even when his crew was clearly suffering the effects of the hotel. There was a mystery reason that Alex was so determined to stay and, though referenced, it was never revealed. I have seen speculation that it was a financial reason and I have also seen that the answer might come in the actual sequel to this. Maybe that one has to go on a watch list too.

I found this really intense and I enjoyed this whole film. The found footage was fun and filled with anxiety. Those clowns were absolutely creepy and the little things made this all the better. This was a wonderful film for The October 13.