Locked

I had not heard about this movie until I saw a mention of it on TikTok. Starring Bill Skarsgård and Anthony Hopkins, this reminded me quite a bit of Phone Booth, with Colin Farrell, but with a car.

Eddie Barrish (Bill Skarsgård) was a man struggling to get his life on track. His van was in the shop and he did not have the money to pay to get it fixed and he could not keep his promises to pick up his daughter, Sarah (Ashley Cartwright) after school.

In an attempt to get the money he needed, Eddie was in search of a car that might be open where he could steal the money he needed. He was not stealing cars, just looking for stuff he could steal inside.

When he comes across a wealthy looking car unlocked in a parking lot, Eddie thinks he has struck it rich. That is until he realizes that he can not get back out of the car. He is locked inside. And a phone line from the car is ringing, demanding that he answer it.

When Eddie can’t take the ring any longer, he answers the phone to discover that the car’s owner, William (Anthony Hopkins) is on the other end and this car was a trap to punish anyone trying to rob it. William then tortures Eddie for several days in several hard to buy scenarios in an attempt for justice. Eddie does not know how deep the anger goes inside William.

I am of two minds with this one. While I like the idea and the execution, some of the things going down are hard to accept as possible. The electrified seats, the bullet proof glass, and the cameras everywhere were all accepted as part of the trap. I kept thinking that there had to be a way out of this car and that made it tough for me to accept the premise.

Bill Skarsgård, however, does a fantastic job as Eddie. Eddie goes through the ringer here, both physically and emotionally. This is one of the rare films that Bill Skarsgård has done where we can see his face, and he does not disappoint. His character is filled with all kinds of emotion and guilt over the life that he has chosen and his own failures as a man and a father. He clearly loves his daughter, even while letting her down consistently.

There just felt like there was something that did not work in this movie for me, and, I can’t believe I’m going to say this, but I think it was Anthony Hopkins. He is a master at acting, but I just did not feel like he was cast properly in this role. I found his dialogue to be clunky and all over the place, lacking that taut delivery of some of his other classic villains. The film want this to be a morality tale, but it takes too long to get to the reasoning behind the trap and I found Hopkins to be more annoying than sinister.

The drama is well done and the scenes with the car in motion are both ridiculous and suspenseful at the same time. There is a scene with a slow motion deflecting bullet that is kind of laughable, but most of the action is good.

I do think the performance of Bill Skarsgård is worth the price of admission alone. Locked felt too long, even at just over 90 minutes, but what worked in the film worked well.

3 stars

Disney’s Snow White (2025)

I have found most of the “live-action” Disney remakes to fall into the “meh/it’s okay” category. There have been a couple of good ones, some bad ones, but mostly average to below average. Snow White had been receiving a lot of bad word of mouth and online hate, so my expectations were extremely low.

I did not think it was as bad of a film from what I had heard. It’s not a great movie, and it might be pushing it to call it good as well, but I did not see the reason for all of the hatred this film has received.

The classic story is retold as Snow White was shown as a youngster with wonderful parents, the king and queen. Tragedy struck leaving the king alone. Gal Gadot arrived and married the king. When he went to war, the king did not return and Gadot became the Queen, aka the Evil Queen.

Snow White tried to help her people, but the Evil Queen sent the Huntsman out with her to kill Snow White. He could not do it and let her escape into the woods where she discovered the Dwarves.

Rachel Zegler was good as Snow White. I would go as far as to say that she was the best part of the film. The film had some heart and it told the story well. I thought most of the music was catchy or nice to listen to, even though I doubt I would remember them tomorrow and none of them are songs that I would buy on Apple Music.

The Dwarves were not one of my favorite parts. I thought they looked terrible, creepy as all get out as they were all CGI. The animals looked better, but the Dwarves just had that weird look on their faces all the time.

I did not think Gal Gadot made a good Evil Queen. This is the type of role that she would not handle well. She looked amazing, though.

The overall look of the film was not great. It felt fake and much of the CGI was disappointing. The background was not as beautiful and elegant as it should have been and I am not sure where they spent the reported 250 million dollar budget.

So while this was nowhere near as bad as the internet wants you to believe, I would still place it firmly in that Disney Live Action “meh” category I talked about earlier. I am not sure that there was a real reason (outside of making money) for this film to have been remade.

2.8 stars

The Leftovers S1 E1

Spoilers

“Pilot”

I needed some more TV shows to watch. Of course, I have a bunch of shows that I watch during the week, such as Daredevil: Born Again, The White Lotus and Yellowjackets. However, with the rewatch/new watch shows, I have finished Battlestar Galactica, Bates Motel, Dark Matter and others leaving me just The X-Files to watch. I decided it was time to dip into the queue and see what series I could add to the X-Files.

I have been interested in The Leftovers for awhile now. I have heard positive word of mouth about the series, and it did not hurt that it was from Damon Lindelof, one of the driving forces behind LOST, my favorite show of all time.

The Leftovers has been on my MAX list for awhile now and I thought this was the perfect time to start this show.

My first thoughts was that the Russo Brothers must have taken inspiration from this show for Avengers: Endgame, because there were so many early episode similarities. The disappearance of the people from the earth right down to the THREE YEARS LATER that came on the screen. (Yes, Endgame was FIVE YEARS LATER, but that is semantics).

The world we were being introduced to had that same grim feel that Endgame had in its first moments where we see the post blip. This was with only 2% of the population of earth disappearing. I can’t imagine how that would feel, when people you know were just gone, with no explanation. Avengers: Endgame could blame Thanos. Where were the answers for these people?

The pilot began to introduce us to characters, and getting to know a large ensemble is a challenging task. This show did it very well as I was engaged with everyone as the episode progressed. There were plenty of mysteries and untold stories that will be revealed, I’m sure. The trauma from everyone in this town was obvious.

There are three seasons of The Leftovers with 28 episodes overall. There were several moments in the pilot that caused me to shout out. I am sure that this will live up to the hype.

The Electric State

What do you expect for a budget of $320 million? A good movie?

The Electric State, based on a 2018 graphic novel, is one of the most expensive Netflix movies ever made, and to be fair, you can see the money on the screen with some tremendous special effects. However, there is not much of anything else in the film and it just lacked any kind of heart, any type of spark.

Joe and Anthony Russo directed the film, reteaming with writers Christopher Markus and Stephen McFeely from their MCU days. They worked together on Captain America: Winter Soldier, Captain America: Civil War, Avengers: Infinity War and Avengers: Endgame. Those are classic Marvel films. This one is not those.

According to IMDB, “With humans isolated in their VR helmets and a continuing battle against a strange breed of monstruous drones in the wake of a technological meltdown, a teenage girl named Michelle and a robot travel the West Coast of the U.S in search of the girl’s missing brother.

One thing for sure, this movie has an astounding cast. Starring Millie Bobby Brown and Chris Pratt, the film also featured either live action or voice over performances from Stanley Tucci, Woody Norman, Woody Harrelson, Alan Tudyk, Jason Alexander, Holly Hunter, Tuc Watkins, Giancarlo Esposito, Ke Huy Quan, Colman Domingo, Anthony Mackie, Hank Azaria, Rob Gronkowski, Brian Cox, Jenny Slate, Greg Cromer, and Kurt Loder.

Despite the loaded cast, this movie was a slog, taking pieces that we have seen from other films and mashing them together into a lesser contraption.

I immediately was pulled out when one of the characters was Mister Peanut. Yes, Mister Peanut from Planters. The character design of the robots, almost all of the robots, was so childish and cartoonish that I had no connection to them at all.

The biggest problem with that is that the robots did not fit with the tone being set up in this movie. Had this been a satire or a straight up action/comedy, maybe these robots would have worked, but this movie tried to be a serious film with sprinkling of humor throughout, and it did not work. Had this movie really embraced the ridiculousness of the film, it might have been a much better movie.

While there is a great cast, there is not any characters with any depth to them at all. They are all, with the possible exception of Millie Bobby Brown, one-dimensional characters that lack any real development through the film. Chris Pratt played the same character that he has played in many different movies. How are you supposed to give character development to Mister Peanut?

Electric State missed the mark badly. It had a chance to do something new and different, but slipped back into the most cliched story you could expect and just could not nail the tone. It tried to be too many different things and failed at all of them. A real disappointment. Hope the Russos do a better job with Avengers: Doomsday and Avengers: Secret Wars over the next few years.

1.2 stars

Sunday Morning Sidewalk #8

Spoilers

“The Last Patrol”

I enjoyed this episode because it felt a little different than some of the others.

One of the biggest reasons I liked this one so much is that there was less of the war time action involved. Don’t misunderstand me. I think the war action has been great in the series so far, but a little less in this episode fits with the narrative and allows for character growth for several characters. Would I have wanted the same amount of action in the previous episodes? No, I would not, but this gives a bit of a different look.

The POV of this episode was heavily featured by Private Webster, who had been with Easy Company during D-Day and other early offensives, but had missed Bastogne since he was recovering in the hospital. However, when he returned, Easy Company had been through the ringer in Bastogne and Webster found them considerably different than he remembered.

The company did not accept Webster’s return easily either. Since he missed Bastogne, they saw him now as nothing more than a replacement and they shunned him.

We also met a new character named Lt. Jones, fresh out of West Point. He was another character the hardened soldiers had a difficult time connecting to and Jones was desperate for experience in battle as the war did seem to be slowly coming to an end.

A dangerous patrol was sent out across the rover to attempt to capture some German prisoners that they could gather info from. The mission was not well received by Easy Company since the soldiers were beginning to believe that they might make it out of the war alive.

The character development included Sgt. Malarky, who had lost most of his friends at Bastogne and was extremely burned out. Webster was able to convince the brass to give Malarky this mission off because he needed the time.

After coming back from the mission with only one casualty, Lt. Col. Sink ordered the men to return for another patrol. This one would be more dangerous since they would have to go further into the city. Captain Winters met with the men and basically told them to get a good nights sleep and then report to him in the morning that they had completed the mission but were unable to attain any more German prisoners. Winters took the unneeded order and made a judgment call about the viability and importance of it. He weighed the lives of his men ahead of any miniscule benefits that might come from executing the patrol.

The end of the episode indicated that Easy Company would be soon heading into Germany.

The Day the Earth Blew Up: A Looney Tunes Movie

I do love the Looney Tunes. However, to be fair, Bugs Bunny is my favorite character. I was wearing my Bugs Bunny shirt when I went to see the new WB Animation movie The Day the Earth Blew Up: A Looney Tunes Movie. I knew that Daffy Duck and Porky Pig were the leads of the flick, but I was still hoping for a Bugs Bunny cameo. Unfortunately that did not happen.

Despite the disappointment over the lack of the rascally rabbit, I had fun with the feature-length animated film. There were some moments that I did not love, but, for the most part, this was a good time and the Looney Tunes remain a classic cartoon.

According to IMDB, “Porky and Daffy, the classic animated odd couple, turn into unlikely heroes when their antics at the local bubble gum factory uncover a secret alien mind control plot. Against all odds, the two are determined to save their town (and the world!)…that is if they don’t drive each other crazy in the process.”

The early years with Daffy and Porky being raised by Farmer Jim were wonderful. The way the movie presented Farmer Jim was something special. I found every minute of Farmer Jim to be hilarious, and the different animation style on the character was perfect.

The film really is of two parts. The first part is dealing with the dangerous chewing gum, and the second part switches things up and has to deal with a planet wide emergency, both situations featured Daffy and Porky smack dab in the middle.

The voice acting was solid from a group of voice over actors that may not be known names, but who had plenty of experience to bring great work. They include Eric Bauza (both Porky and Daffy), Candi Milo, Peter MacNicol, Fred Tatasciore, Laraine Newman, Wayne Knight, Ruth Clampett, Kimberly Brooks, Keith Ferguson, and Peter Browngardt.

The Looney Tunes certainly have a place in today’s animated films and this should show that. I want Bugs Bunny next time, though.

3.75 stars

Novocaine

The new action/comedy Novocaine was released this week starring The Boys star Jack Quaid. Quaid played a character that could not feel any pain and winds up in the middle of a bank robbery.

This movie was extremely violent and Jack Quaid does a wonderful job as our lead protagonist. It was impressive how much you could relate to Quaid’s character Nate Caine considering he had this ability to not feel any pain. Everything that Nate said made sense to me and I could understand why he made the choices that he made.

Amber Midthunder played Nate’s love interest, Sherry. They had great chemistry in the film and you could believe that Nate goes to the extremes that he does when Sherry gets snatched by the bank robbers.

There were some truly brutal moments in the film, bad enough that some of them reminded me of the animated Invincible, and if you know anything about that show, you know that it is very gory and bloody. Novocaine seemed to take inspiration with some of the things that they did to Nate or the others in the cast.

It was funny several times when Nate would be injured and he would not feel anything. This is a SPOILER if you have not seen the trailers, but Jack took a swinging spiked ball to the back and just looked at it and said what was that. I t was funny.

Some parts of the story require suspension of disbelief, but I do not have a problem with that when you have a character who can not feel pain. The writers used this in several very interesting ways, in ways that I never would have thought about.

Jacob Batalon, who played Ned in the MCU Spider-Man movies, played Nate’s online gamer buddy, and, though he spent much of the time in the movie on the phone where we do not see him, his presence is welcome and his comedic timing is excellent. He worked very well with Jack Quaid despite not sharing much screentime together.

Novocaine was an enjoyable film with plenty of comedy and plenty of violent action. It feels a little long, but there are many great moments inside of the 110 minutes.

3.8 stars

Mickey 17

Academy Award winning director/writer Bong Joon Ho (Parasite, Snowpiercer, Okja) is back with his new film released this weekend after several delays, Mickey 17, based on a novel named Mickey 7 by Edward Ashton. Mickey 17 is a mix of sci-fi/dark comedy/drama/satire/fantasy-adventure. Unfortunately, these genres are not combined well and are at odds with the others more times than not.

Mickey 17 tells the story of a man named Mickey Barnes (Robert Pattinson), who, in order to escape earth and a loan shark who is after him, volunteers to be an expendable, a person they give the bad jobs to and, if something tragic happens, they clone the expendable and replace his memories.

Which is where the 17 comes from in the title. The seventeenth version of Mickey is the one we are with during the brunt of the beginning of the film. Then something unexpected happened and they wind up creating Mickey 18, even though Mickey 17 was not yet dead.

While I feel that there were several problems with the movie, I did not hate this. In fact, I am kind of on the fence about it. Some of the stronger parts of the film is certainly the performance of Robert Pattinson. His work as both Mickeys was extremely strong, as he was able to create two distinct characters, even though they were meant to be the same person. I am not sure why Mickey 18 turned out to be as different from Mickey 17 as he did, which was something the film did not go into.

The first part of the film was very intriguing. I liked the sci-fi elements to the story, especially the ones between 17 and 18 in the early part of the film.

The film looked great. The CGI was spectacular and you could see the wonderful eye of director Bong Joon Ho.

However, the film was not that funny, with most of the humor falling flat. I did not enjoy the performance of Mark Ruffalo, who was clearly doing a satirical take on Donald Trump. I am not a Trump fan, and I believe there is plenty of area available for parody, but this was just so over-the-top and blatant that it lacked any subtlety at all. Plus the character played by Ruffalo is such a one-note villain that it felt too cartoonish for the rest of the film. Toni Collette, who played the wife of Ruffalo’s character, was better, but she was similarly one dimensional. Her whole obsession with “sauce” made little sense in the overall film.

Several characters and moments were introduced only to never really have a payoff. I love Steven Yeun (Walking Dead), but his character was inconsistent for me and his storyline felt like it was added to get Steven Yeun into the movie. It felt like it could have been removed completely without any massive change to the story.

It was also 2 hours and 17 minutes long, which is not a bad thing necessarily, but it did feel its length during the film. The last part of the movie was chaotic and strange and I am not sure how well it worked. I do like the big swings with the oddity of a film that this is, but it just did not feel to be a cohesive narrative with a consistent tone.

I think some of the ideas in Mickey 17 are extremely great and could have made a better movie than what this turned out to be. For me, I came out of the theater with a meh feel after having some high hopes heading in. As I said, it is not a bad movie. It does not come anywhere near Parasite or Snowpiercer.

2.9 stars

Dog Man

With a day off school for weather, I had a chance to watch Dog Man on Fandango at Home (Vudu). Dog Man was a movie that I was avoiding at the theaters because it just did not look like something that would intrigue me. The trailers did nothing for the film in my opinion and, even after some positive reviews, I did not care to watch it.

So when I rented Dog Man, I was not especially anxious to see it.

I have to say, this was a movie that I found much more enjoyable than I ever expected it to be.

The film kicked off with the origin of Dog Man, and set up his rivalry with the evil cat, Petey (Pete Davidson). With pressure from Chief (Lil Rel Howery) and the Mayor (Cheri Oteri), Dog Man was chasing Petey, and every time Dog Man would catch him, Petey would escape from the Cat Prison. Everything changed when Petey decided to clone himself.

The script of this movie was pretty good, as it told the story of what was going on, but also reveled in a ton of meta filmmaking. There were tons of jokes about the movie, the style, the animation, and about the tropes that were actually quite funny. They were jokes that worked much better in context than they did during the trailers, which always seemed to be painfully unfunny.

The look of the animation was original and creative. I thought this looked really good and kept my focus on the screen.

I am sure that the target audience for this movie, of which I am not one, would find this incredibly entertaining. I would go as far as to say that I was entertained as well. This had some jokes for me as an adult mixed in with the jokes for the youth. They worked well together.

It is very sweet, maybe even too sweet at times.

I am happy that I was able to watch Dog Man. It was much better than I thought it would be. I would highly recommend it to any families out there looking for some funny family fare that everyone will enjoy.

3.6 stars

Oscar Winners

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

2025 Oscar Live-action and Animated Shorts

I was able to see the five Academy Award nominated Live-action shorts and the five animated shorts today at Cinemark. I look forward to this every year, getting the chance to see these well deserving films. I was under a time constraint today thanks to the WWE Elimination Chamber, but it was able to fit nicely in.

Live-Action Shorts.

I am going to list these in order of my favorite. I will also give you which one I think will win the Oscar. Spoiler, my favorite animation short is not the one that I am predicting will win the Academy Award.

#5. The Man Who Could Not Remain Silent. From Croatia. Honestly, this was my least favorite of the films I saw today. It felt like it was doing something special, but it just seemed to end and I did not like the conclusion of the film.

#4. Anuja. India. I liked this short. The actress playing Anuja does a great job with the talented young girl, but the ending of this one was left fairly uncertain and I wanted more closure.

#3. I’m Not a Robot. Netherlands/Belgium. This sci-fi short was very clever. Started off with some good humor, but developed into an obsession. I did not know that the CAPTCHA could identify robots in other ways. This was an enjoyable short.

#2. The Last Ranger. South Africa. A remarkably powerful short film detailing poachers targeting rhino horns. There are some really emotional moments in this short and the performance by Liyabona Mroqoza is riveting. I just about put this at number one, but…

#1. A Lien. USA. Man this was a tough short to watch. A young couple and their daughter heads down to have the husband’s green card meeting and ICE is there. The emotion, the fear, the anger and frustration jumps off the screen in this short.

A Lien gets my pick as the winner for the Academy Award for Best Live-Action Short.

Animated Shorts

I did enjoy the Live-Action shorts overall more than the Animated ones, but these were all pretty decent too.

#5. Wander to Wonder. Netherlands/Belgium/France. This was such a bizarre short. Wander to Wonder was a kiddie show at one point but things have become really dark. It was truly disturbing and weird.

#4. Beautiful Men. Netherlands/Belgium/France. Three brothers who were hoping to get a hair transplant surgery, have to face their problems and their insecurities. I thought this was a good short with some solid characteristic development.

#3. Magic Candies. Japan. This one felt like it was just too long. There was a scene in this film, where the young boy had some magic candy and it led to a nice moment with his father. That should have been the end, but then the short continued on. It just went too long for me. The first fifteen minutes or so were really great.

#2. Yuck!. France. This is the sweetest of the animated films as the whole thing was based around a first kiss. This was a nice animated short.

#1. In the Shadow of the Cypress. Iran. This was my favorite animated short. I loved the animation and I thought this story was the deepest. There was a lot of emotion. The father, daughter and a whale. I loved this whole thing.

However, my pick to win the Oscar is Magic Candies. I just have a feeling this is what the Academy will do. I hope In the Shadow of the Cypress wins, but I do not think it will.

Last Breath

During this year’s Genre-ary, I watched 30 documentaries. One of them was a documentary called Last Breath, and it told the story of a deep sea diver Chris Lemons who, after an accident, was stranded underwater. Real footage from the actual event made that documentary thrilling.

But, as I was preparing to watch that doc, I realized that I had seen a trailer that had Woody Harrelson in it telling the same story. Sure enough, there was a new movie coming out with the same title, based on the true story.

According to IMDB, Last Breath was “A heart-pounding film that follows seasoned deep-sea divers as they battle the raging elements to rescue their crew mate trapped hundreds of feet below the ocean’s surface. Based on a true story, LAST BREATH is an electrifying story about teamwork, resilience, and a race against time to do the impossible.

Chris Lemons (Finn Cole), Duncan Allock (Woody Harrelson), and Dave Yuasa (Simu Liu) were sent on a mission to repair a pipeline off the coast of Scotland. A terrible storm messed with the ship above the water, causing problems for the divers beneath the water. Chris’s lifeline broke, leaving him stuck in the cold, dark water.

The race against time, equipment and weather created amazing tension and anxiety. I did know the outcome of the story because I had seen the documentary, but I was still fully engaged in the story. I did wish that I hadn’t seen the documentary as I was watching the movie.

Woody Harrelson and Simu Liu had amazing performances as did all of the other actors in the film. Some of the other top performances in the film included Cliff Curtis, MyAnna Buring, Mark Bonnar, Bobby Rainsbury, and, of course, Finn Cole.

The sound editing of the film was sensational too. The shots of the ship in the storm sounded unbelievably great. The effects were tremendous and really worked well.

This is a very solid film with great performances, especially from Harrelson, and amazing technical artistry. Watch this film and then watch the Netflix documentary and you will be amazed with this sotry.

4 stars

Oscar Picks from EYG

Here are my official Academy Award picks for the Sunday night awards. I am not seeing the short films until tomorrow so I will be skipping that pick as of now.

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

I’ll pick the other two tomorrow after I see the live action and animated shorts.

Oscar Nominees

Best Picture 
Anora
The Brutalist 
A Complete Unknown 
Conclave
Dune: Part Two 
Emilia Pérez
I’m Still Here
Nickel Boys
The Substance 
Wicked

Actor in a Leading Role
Adrien Brody, The Brutalist
Timothée Chalamet, A Complete Unknown
Colman Domingo, Sing Sing
Ralph Fiennes, Conclave
Sebastian Stan, The Apprentice

Actress in a Leading Role
Cynthia Erivo, Wicked
Karla Sofía Gascón, Emilia Pérez
Mikey Madison, Anora
Demi Moore, The Substance
Fernanda Torres, I’m Still Here

Actor in a Supporting Role
Yura Borisov, Anora
Kieran Culkin, A Real Pain 
Edward Norton, A Complete Unknown 
Guy Pearce, The Brutalist 
Jeremy Strong, The Apprentice

Actress in a Supporting Role
Monica Barbaro, A Complete Unknown
Ariana Grande, Wicked
Felicity Jones, The Brutalist
Isabella Rossellini, Conclave
Zoe Saldaña, Emilia Pérez

Animated Feature Film
Flow 
Inside Out 2 
Memoir of a Snail 
Wallace & Gromit: Vengeance Most Fowl 
The Wild Robot

Documentary Feature Film
Black Box Diaries
No Other Land
Porcelain War
Soundtrack to a Coup d’Etat
Sugarcane

International Feature Film
I’m Still Here
The Girl with the Needle
Emilia Pérez
The Seed of the Sacred Fig
Flow

Directing
Sean Baker, Anora
Brady Corbet,  The Brutalist
James Mangold, A Complete Unknown
Jacques Audiard, Emilia Pérez
Coralie Fargeat, The Substance

Cinematography
Lol Crawley, The Brutalist
Greig Fraser, Dune: Part Two
Paul Guilhaume, Emilia Pérez
Ed Lachman, Maria
Jarin Blaschke, Nosferatu

Writing (Original Screenplay)
Anora 
The Brutalist  
A Real Pain   
September 5 
The Substance 

Writing (Adapted Screenplay)
A Complete Unknown
Conclave
Emilia Pérez
Nickel Boys
Sing Sing

Film Editing
Anora
The Brutalist
Conclave
Emilia Pérez
Wicked

Music (Original Song)
“El Mal” from Emilia Pérez
“The Journey” from The Six Triple Eight
“Like a Bird” from Sing Sing
“Mi Camino” from Emilia Pérez
“Never Too Late” from Elton John: Never Too Late

Music (Original Score)
The Brutalist
Conclave
Emilia Pérez
Wicked
The Wild Robot

Sound
A Complete Unknown 
Dune: Part Two 
Emilia Pérez
Wicked 
The Wild Robot

Production Design
The Brutalist
Conclave
Dune: Part Two
Nosferatu
Wicked

Visual Effects
Alien: Romulus
Better Man
Dune: Part Two
Kingdom of the Planet of the Apes
Wicked

Makeup and Hairstyling
A Different Man 
Emilia Pérez
Nosferatu
The Substance 
Wicked

Costume Design
Arianne Phillips, A Complete Unknown
Lisy Christl, Conclave
Janty Yates and Dave Crossman, Gladiator II
Linda Muir, Nosferatu
Paul Tazewell, Wicked

Best Animated Short
Beautiful Men
In the Shadow of the Cypress
Magic Candles
Wander to Wonder
Yuck!

Best Documentary Short
Death by Numbers
I am Ready, Warden
Incident
Instruments of a Beating Heart
The Only Girl in the Orchestra

Best Live-Action Short
A Lien
Anuja
I’m Not a Robot
The Last Ranger
The Man Who Could Not Remain Silent

Elevation (2024)

I came across this movie on MAX and, while it was listed as a 2025 film, everywhere else had it as a 2024 release. Had I know that, I could have saved this for the June Swoon, but I do think I have plenty of films available for that. I decided to list this under the “classics” instead of 2025 for that reason.

Anthony Mackie played Will, who lived with his son Hunter (Danny Boyd, Jr.) in the Rocky Mountains. Humanity has been destroyed by these creatures that suddenly just popped up from out of nowhere. Fortunately, the creatures could not go past 8,000 feet elevation.

Hunter was sick and needed certain materials that could only be found in the hospital, which meant Will had to go down the mountain to try and find more. He was accompanied by two women, Nina (Morena Baccarin) and Katie (Maddie Hasson).

I really like Anthony Mackie. He is a star and you can see how he commands the screen in a film like this. Sadly, I do not think the film matches up to the strength of Mackie’s screen presence.

The writing is, at best, passable. The story depends way too much on exposition which can become repetitive and dull. The story is full of contrivances and coincidences that really damages the plot.

Nina and Katie started out really hating one another. There was clearly conflicts between the two women, but that conflict disappeared in what seemed no time, without any true resolution. The relationship between them felt forced and had no basis in reality. I know that the film has giant sci-fi monsters running around, which is why the central relationships have to have a dose of realism if the film is to work. These three characters are lacking in that area.

This felt like a poor man’s The Last of Us, mixed with a little bit of A Quiet Place. It was just not at a level of either of those franchises. Anthony Mackie is great and he is doing everything he could to elevate this script, but there is only so much he can do.