2024 Year in Review: Best Documentary

I do enjoy a good documentary. I am going to have a list of top ten documentaries for the year. Nine of them are movie format and one is a weekly series. There were a lot of weekly series that intrigued me, but it is harder to fit those into the schedule than straight movies.

I am also going to officially announce here that in January, for the annual Genre-ary DailyView, where I watch a movie that I have not seen in a certain genre every day for the whole month. This is the third year for the Genre-ary (we have had sci-fi and musicals) and in 2025, the topic for Genre-ary is Documentaries. This starts on Wednesday, January 1st.

Best Documentary

Previous Winners:  Won’t You Be My Neighbor?, My Scientology Movie, Tickled, Finding Neverland, Tiger King, The Beatles: Get Back, Lights & Magic, Still: A Michael J. Fox Movie

Here are the top 10 docs of 2024.

#10. Elton John: Never Too Late. A look at Elton John’s life and his music. Found on Disney +.

#9. Blink. An emotional story of a family who had 3 out of 4 of their children who had a genetic disorder that would eventual lead them to lose their sight. Their family went on a trip across the planet to give the kids experiences they could always remember.

#8. Brats. I saw this on Hulu this year and it was all about the group of young actors from the 1980s called the Brat Pack and how that nomenclature affected their careers.

#7. Music by John Williams. Another Disney + doc on a famous figure, looking at the life of the iconic composer John Williams and all his amazing movie music.

#6. Bray Wyatt: Becoming Immortal. The WWE documentary on Bray Wyatt, who just passed away. The emotional doc spoke to his friends and his family, including brother Bo Dallas.

#5. Beatles ’64. Another Disney + doc, this time looking at the Beatles from 1964, the year they arrived in the United States.

#4. The Greatest Night in Pop. A Netflix doc that details the events of the night where the song “We Are the World” was recorded. Amazing footage from the actual night.

#3. The Jinx: Part Two. The one series on this list, and one that I considered to make the winner. I enjoyed this weekly series on MAX that followed the rest of the story of killer Robert Durst.

#2. Jim Henson Idea Man. This is the fifth doc from Disney + on this list. Ron Howard directed this documentary on the Muppet creator Jim Henson. Very emotional and a great look on one of the most creative men in entertainment.

#1. Super/Man: The Christopher Reeve Story. The doc on Christopher Reeve is powerful, emotional, and shows us what a hero Chris Reeve was, before and after he played Superman.

Elton John: Never Too Late

Elton John is one of the greatest musicians from the 1970s and early ’80s, and there have been several versions about his life from A Life in Song to Rocketman. The latest Elton John documentary came to Disney + this month called Elton John: Never Too Late.

Fans of Elton John should love this documentary. The music is a highlight as they use some of his greatest songs as a soundtrack for the doc. There are moments in Elton John’s life that could have had more details developed within the doc.

Some of my own personal favorite parts of the doc included the section involving John Lennon, the details surrounding Elton John’s suicide attempt and his initial relationship with Bernie Taupin.

I also enjoyed how the doc used animated sections to visualize a series of interviews or tape recording that were used in the doc for the first time. Some of the pain from Elton John’s life was tough to hear and I appreciate how he was willing to go into the story for the doc.

I did enjoy the new song, ‘Never Too Late’ with Brandi Carlile, that played over the credits of the documentary.

This was an engaging documentary, but it could have gone into more depth than it did. However, it does touch on some things that are intriguing and the music is fantastic.

3.85 stars

2024 Year in Review: Movie Musicals

Okay… this is going to be an easy one I think.

We added this category recently, but backtracked to award some previous films the award.

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022), The Color Purple (2023)

We had some musicals in 2024. There was Piece by Piece, which was a musical documentary, in Lego format doing the life of Pharrell Williams. Moana 2 is a huge box office success, but, truthfully, the music just did not hit as well as the original. That’s what happens when you do not have Lin-Manuel Miranda doing your music. Speaking of Miranda, he is doing the music for the upcoming Mufasa film from Disney, and while that is probably going to be great, I do not think it will match this year’s winner. Joker: Folie à Deux was a disappointment in a lot of ways, and musically was one of them. They really did not take advantage of Lady Gaga. Mean Girls was very forgettable from way back in January. Emilia Perez was a powerful movie, but I can honestly say that much of the music in this film, I do not remember. I do not consider Bob Marley: One Love to be a musical, though I could mention it as an effective use of music.

2024 Movie Movie Musical of the Year:

Wicked

Yeah, this one was easy. This is a massive hit and a tremendous film. The rendition of “Defying Gravity” in this film is goosebump creating. Both Ariana Grande and Cynthia Erivo were stunning with their voices and made this iconic Broadway play a must see movie…even as a Part 1. Could this be foreshadowing next year’s winner too?

Beatles ’64

There is a brand new documentary on Disney + that dropped today featuring the Beatles. There have been several docs about the Beatles over the last few years and this one looks specifically at the year 1964, the year the Beatles came to the shores of the USA.

Told through the perspective of many of the people who saw the Beatles during this time as well as several behind the scenes interviews with the Beatles themselves, Beatles ’64 is a documentary that will be loved by the fans of the Fab Four.

It was cool to see the images of the younger Beatles, before they found their way to the music of the later sixties.

The music of the doc was great. “Love Me Do,” “I Wanna Hold Your Hand,” “She Loves You,” “This Boy,” and “Roll Over Beethoven” were some of the songs we heard during the doc, including the performance on the Ed Sullivan Show.

It is amazing that the Beatles have enough popularity even today to support yet another documentary focused on them. And that there is enough material on them to fill yet another entertaining doc.

4 stars

Road Diary: Bruce Springsteen and the E Street Band

We have another documentary for the 4F as I am on Hulu/Disney + watching Road Diary, following a recent return tour from Bruce Springsteen and the E Street Band.

Honestly, I am not a huge fan of Bruce Springsteen. I do not mind his music, but I am just not as familiar to it than I am in some other music. Because of this, I was not as filled with joy and wonder as some might be.

Having said that, there are some cool moments of watching how this band of musicians can come together after five years of inactivity and create a tour of American music.

Listening to the E Street Band discuss their music making as well as Bruce and his mastery of the form is interesting. I did not know that Steven Van Zandt was in the E Street Band. Van Zandt is a musician I had heard of and the only other musician I was aware of in the E Street Band was the late Clarence Clemons. It was intriguing to discover that Clemons’ nephew, Jake, replaced Clarence in the band.

I feel as if you are a Bruce Springsteen fan, this would be like candy to you. For me, it was an okay look at a powerful musician who I have had a healthy respect for over many years.

3 stars

Piece By Piece

The first official movie in the Friday Fantastic Film Fest is one of the strangest documentaries you are ever going to see. This movie, Piece By Piece, is the biography of music producer Pharrell Williams, but it is told as a Lego movie style.

Huh?

Honestly, this is weird.

I am not that familiar with Pharrell Williams, outside of “Happy,” but the Lego part of the film is what attracted me to see this movie. I probably would not have watched a straight up movie with interviews centered around Pharrell, but the gimmick of the Legos drew me in.

The Lego animation was original and, at times, beautifully transcendent in Piece By Piece. Even times when it did not feel like it worked for the moment, the color and the imagination shone through.

Unfortunately, the story did not match the originality of the format. The story was basically just interviews and lacked that special oomph that the visuals provided throughout. I know it was a biography, but something that was so creativity special in one aspect, was fairly mundane in the other.

I enjoyed the music, even if it wasn’t my normal type of music. It worked for me it the bits in the film.

I found the most fascinating part of the film was the post-“Happy” stuff, how the creation of one of the biggest songs in recent memory caused a challenge for the artist in ways you would never have expected.

Overall, Piece By Piece is an interesting animated film that gives some insight into an artist that I did not know much about, but I just wish the story was told in a more outside the box manner, to match the visuals.

3 stars

Music by John Williams

John Williams is one of the masters of film music. He has had more classic scores that exist in your head than practically any composer. From the music of Star Wars to Jaws to Schindler’s List to Raiders of the Lost Ark, the themes fill you with emotions every time. And each score provides something extra to each film, something that makes the film more than it was before.

This is why John Williams has been in such demand over the last fifty years. His music brings that final oomph to a film, and it does not matter what the genre is. John Williams is capable of delivering something magical.

This weekend saw the drop of a documentary featuring the iconic composer in a film entitled, perfectly, Music by John Williams, on Disney +.

The doc does touch upon his life and family, but most of the runtime is focused on the music and the films that he scored. We hear about John Williams’s thoughts from John Williams himself, as well as from his dear friend Steven Spielberg, whom was one of his most ardent supporters.

We hear from tons of people expounding on the amazing talents that John Williams would bring to their films. We saw Ron Howard, George Lucas, J.J. Abrams, Chris Columbus, Seth MacFarlane, James mangold, Kathleen Kennedy, Chris Martin and Itzhak Perlman all provide insight into their times working with Williams in whatever capacity they could give.

One of the more powerful moments was Kate Capshaw, wife of Steven Spielberg, describing when she and Steven went to hear the score for Schindler’s List, played by Williams on the piano, and how she began crying immediately.

The amazing footage throughout was awesome, much of it coming from Spielberg’s own recordings over the year. Being able to hear the words and the thoughts of Williams about the work that he had done is truly special. I will admit that seeing the scene from E.T. where the bike flies in front of the moon brought a few tears to my eyes. It provided us with so many memories from years of amazing work.

The doc is fairly straightforward, but if anyone deserves it, John Williams is it.

4.5 stars

Polkamania

Whatcha gonna do, when Weird Al polkas all over you!!!!

Yes, EYG Hall of Famer Weird Al Yankovic is back with a brand new polka! The last time we had any recording by his weirdness was The Hamilton Polka in 2018. Al is back with his own level of insanity with some great songs in a polka medley.

I always wonder if I am going to know any of the songs in a polka medley since I am not as knowledgeable with recent pop hits, but there were a few here that I recognized.

Today is the 10 year anniversary of the last studio album Al released, “Mandatory Fun” and this polka celebrates that while blending together songs from the last several years into that new polka medley.

Wikipedia already had a full listing of the tracks inside Polkamania. Here they are:

  • “Bad Guy” by Billie Eilish
  • “Hello” by Adele
  • “Flowers” by Miley Cyrus
  • “We Don’t Talk About Bruno” by Lin-Manuel Miranda
  • “Vampire” by Olivia Rodrigo
  • “Old Town Road” by Lil Nas X
  • “Despacito” by Luis Fonsi feat. Daddy Yankee
  • “Shape of You” by Ed Sheeran
  • “Uptown Funk” by Mark Ronson feat. Bruno Mars
  • “WAP” by Cardi B feat. Megan Thee Stallion
  • “Thank U, Next” by Ariana Grande
  • “Shake It Off” by Taylor Swift
  • “Ear Booker Polka” by “Weird Al” Yankovic

All I can say is…. I want more!!!!

The Last Repair Shop (2023)

June 5, 2024

It is a busy day today so I had to get the June Swoon 3 going early this morning and I had another Oscar winner on the list. This was the Oscar winner for Best Documentary Short and it was entitled The Last Repair Shop. I watched it on YouTube, but I see that it is available as well on Disney +. This is just over thirty five minutes long and is a joyous expression of love for music and for those for whom music has changed their lives.

The focus was on a instrument repair shop from Los Angeles that provided a service to the schools of the area to repair damaged or broken musical instruments for free. The film profiles four members of the shop: Dana Atkinson, Paty Moreno, Duane Michaels and Steve bagmanyan.

The film also had words from students who gave quick stories about how they wound up playing the instrument they played. The passion and the joy came through each child’s words as it helped us understand how important these musical instruments would be in their lives.

The stories were very emotional and compelling. The stories of the workers at the repair shop ranged from a man who an Armenian refugee from Azerbaijan to a woman who tried to give her children a better life in America only to struggle to a man who played on the same stage as Elvis Presley.

The film ended with a performance of a song called “The Alumni” which featured many of the voices that we heard during the film.

If you love music, or if you ever played an instrument, you will be inspired by this documentary short film. It is a love letter to music and those people who make it or allow other people to make it.

Bodkin S1 E1

Spoilers

“One True Mystery”

People will listen to it?

This was the question throughout the entire first episode of Bodkin, a series from Netflix featuring Will Forte as a podcaster and Siobhán Cullen as an investigative journalist whose editor insisted on her accompanying Forte on his podcast to get her out of the way.

IMDB says, “A group of podcasters set out to investigate the mysterious disappearance of three strangers in an idyllic Irish town. But when they start to pull the strings, they find a story much bigger and stranger than they could have imagined.”

Bodkin is a dark comedy/thriller dealing with the disappearance of some people in the small Irish town of Bodkin. By the end of the first episode, I was intrigued enough to continue with this.

I definitely liked the actors. Both Siobhán Cullen and Will Forte were great and Robyn Cara as Forte’s investigator on his podcast was good too. The Irish people of the town were very quirky and mysterious.

I did not find anything downright funny, but oddball worked as a descriptor. The curiosity of what exactly was going on when Cullen’s character Dove was struck by a car was definitely interesting.

With some open spots on the schedule for TV shows, I think the seven-episode series on Netflix will work nicely.

True Detective: Night Country S4 E4

Spoilers

“Part Four”

Night Country continues to be a creepy and, at times, devastating look at both mental illness and the effects of isolation and the lack of daylight.

This week, Navarro’s sister, diagnosed with several mental illnesses, leaves the clinic and walks into the water, drowning herself. To say that Navarro does not respond positively to the news is an understatement. She flies off the handle at the clinic and then picks a fight with a group of men who leave her bloodied and battered.

Meanwhile, things aren’t great for Danvers. Her step-daughter leaves, Danvers spends Christmas Eve alone and drunk.

Navarro is seeing some horrors and she is afraid that the mental illness ran through her family. Ghosts are everywhere here apparently.

The supernatural element of this show has really started kicking into high gear. When Otis Heiss said that they were in the “night country” now, it really felt like something creepy.

And I really feel for Navarro.

The show has been firing on all cylinders for me and, with just two episodes left, I’m excited to see the mystery of the Tsalal murder solved.

The Greatest Night in Pop

A great new documentary arrived on Netflix that featured the story of the recording of the classic 80’s song, We are the World.

There was a lot of recorded sections of the actual archive recordings with all of the artists involved in the amazing night. Starting after the American Music Awards were done, the recording session went the rest of the night and into the morning hours. 

Lionel Richie was one of the first interviews the doc had as he was a major factor behind the creation of the song. He and Michael Jackson wrote it, despite trying to get Stevie Wonder to be a part of it.

The artists interviewed for the doc included Richie, Bruce Springsteen, Kenny Loggins, Huey Lewis, Cyndi Lauper, Smokey Robinson, and Dione Warwick.

One of the interesting tidbits in the doc included the section with Sheila E talking about Prince and the desire of the people in charge to have Prince as a part of the song. 

Watching the process of these legends of music trying to put together this epic song in the limited time they had was fascinating. Seeing Bob Dylan struggle to get the line of the song out was amazing. You had Huey Lewis and Cyndi Lauper express their doubts and insecurities over being included with people that they looked up to for their whole lives.

Another awesome moment was when Quincy Jones thanked Harry Belafonte, whose idea led to this night’s work, and the whole crew broke into a version of The Banana Boat Song. That was an excellent moment from the doc.

This was a fantastic peek behind the curtain of one of the most amazing nights in music history. 

4.3 stars

Once (2007)

Today’s Genre-ary DailyView film is 2007’s Once, an Irish musical/drama that is about as charming and sincere of a movie that you are going to find.

According to IMDB, “An unnamed guy (Glen Hansard) is a Dublin guitarist/singer/songwriter who makes a living by fixing vacuum cleaners in his Dad’s Hoover repair shop by day, and singing and playing for money on the Dublin streets by night. An unnamed girl (Markéta Irglová) is a Czech who plays piano when she gets a chance, and does odd jobs by day and takes care of her Mom and her daughter by night. Guy meets girl and they get to know each other as the girl helps the guy put together a demo disc that he can take to London in hope of landing a music contract. During the same several day period, the guy and the girl work through their past loves, and reveal their budding love for one another, through their songs.”

This was a beautiful film. Simple and well-told, Once had an amazing group of songs performed by Glen Hansard and Markéta Irglová are wonderful together. Hansard is a more experienced actor than Irglová, but she was every bit as excellent as he was.

The music was a major star of this film. A more modern musical, part of the movie was the creation and recording of these songs but our characters. I found those moments the most intriguing. The relationship in the film between guy and girl was different and surprising.

Written and directed by John Carney, Once is real, gritty and warm. Thoroughly entertaining, Once is a low-budget success that is exceptional to watch. 

Ray (2004)

Okay, so today I am cheating.

I watched Ray, the biopic of Ray Charles, starring Jamie Foxx, which lead to Foxx winning the Academy Award for Best Actor. However, it absolutely falls into the category that I spoke about at the beginning of the Genre-ary DailyView. It is not a musical. 

It did have musical listed on the summary for the movie, but it is one of those movies that has music in it, is even about music, but is not a musical. I did say at the beginning of this month that I might not follow that rule as I was going through it and so I have broken it.

According to IMDB, “The story of Ray Charles (played by Jamie Foxx), music legend. Told in his adult life with flashbacks to his youth we see his humble origins in Florida, his turbulent childhood, which included losing his brother and then his sight, his rise as pianist in a touring band, him writing his own songs and running his own band, and then stardom. Also includes his addiction to drugs and its affect on his working life and family life.

Jamie Foxx is sensational as the legendary performer. He seemingly brought back to life the larger than life character of Ray Charles Robinson, better known to the world as just Ray Charles. 

The biopic sections of this movie are the best parts. Watching Foxx develop Ray through his relationships, his struggle to find the right sound, his drug habit and other problems was the standout of this film.

The music was used well, but I could have used more of it. It seemed to only give a flavor of the songs in the film. Again, another reason why I would not consider this a musical, necessarily.

I thought the weakest part of the movie were the daydreams/delusions that Ray would have flashing back to the traumatic event of his brother’s death. The appearance of water in his suitcase or on the floor were too cartoony for what the movie was trying to go for. This felt way too artsy for the story. The straight up flashbacks were considerably more powerful and more effective than that.

I do appreciate that the film did not shy away from some of the negative aspects of his life. Many of these types of musical biopics leave out major issues in favor of a more positive spin. We see Ray Charles and his drug addiction, which led to his arrest, and his extra-marital affairs, one which even gave him a son.

Along with Jamie Foxx, the strong cast included Regina King, Kerry Washington, Clifton Powell, Sharon Warren, Richard Schiff, Larenz Tate, Terrence Howard, Wendell Pierce, Bokeem Woodbine, and even Moonlighting’s Herbert Viola, Curtis Armstrong, himself. I was able to get past my dislike of that actor because of his Moonlighting role. Being fair, he did a solid job here.

This was a movie with a lot of good and some areas where I would have liked something different. Jamie Foxx is tremendous as are the rest of the cast (shout out to Kerry Washington for her role as Charles’s wife, Bee). Ray is a touch long and, not really a musical, but it is a solid film overall.

Yentl (1983)

In my class, we are reading The Devil’s Arithmetic by Jane Yolen. There is a section in there where the main character, Hannah, tells some other Jewish girls stories about movies & TV shows she has seen. One of those she mentioned in Yentl, starring Barbra Streisand. I had never seen that and I knew it was a musical so it fit right in the Genre-ary DailyView.

However, I am not sure if the film would be considered a musical. The structure of the film is different than most musicals. Despite Streisand’s character Yentl singing in some scenes, Yentl does not sing every time. In fact, there are some songs where we see her singing and, within the same song, she is not singing any more.

Yentl (Barbra Streisand) wanted to be able to study the Talmud, a main book in Jewish theology and law, but, as a woman, she was forbidden to do so. Still, her beloved father (Nehemiah Persoff) allowed her to study is secret. When he passed away, Yentl cut off her hair and donned a disguise as a man in order to be able to continue the study. Yentl met Avigdor (Mandy Patinkin) along the way and became friends with him. Yentl fell for him despite Avigdor being in love with another.

I did not know that Mandy Patinkin was in this movie. I love him from The Princess Bride so he brings a quality to this film that may not have been there for me without him. 

Barbra Streisand did all of the music in the film and her voice is, of course, stunning. The music works very well with the story that is being told. Michael Legrand won an Oscar for his work on the score.

I did have a few problems with the film. First, and most prominently, I had a difficult time accepting Barbra Streisand as a man. He voice, her beautiful face just did not speak man to me. I also wondered about the beard that this “man” never seemed to grow and never shaved.

That just is a matter of suspending disbelief, but I had a hard time believing that Mandy Patinkin, who was close up with Barbra several times, including roughhousing with her, could not tell the difference.

The film did feel cruel at times, especially toward Hadass (Amy Irving). When she married “Anshel” (Yentl’s male name), and the story had her fall for him, that felt particularly cruel and there was no pay off for that. The film really treated Hadass in a bad way.

However, the film is decent, with some powerful songs. Patinkin is great and I feel Streisand did the best she could to make her seem to be a male.