The Conjuring (2013)

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The  next film in the New Year’s Eve/Day Binge-a Thon is the first movie that I have already seen.  It is the horror movie known as The Conjuring.

The Conjuring was one of the big screen films that led the Renaissance of horror that we have been enjoying the last several years.  Creative and original horror movies such as Get Out, A Quiet Place, Don’t Breathe etc owe their success, to some extent, to The Conjuring.

Vera Farmiga and Patrick Wilson star as Lorreinne and Ed Warren, a husband/wife combination of paranormal investigators.  The Warrens are real people and the story of The Conjuring is based on the Warrens’ case files.  It is a “true” story.

The movie is great.  It is nerve wracking and tense.  The Warrens make a fantastic protagonist pair and you find it very easy to root for them.  They are heroically putting themselves in the crossfire of the demons that are tormenting the family living in the house.  There is a creepy backstory involving a witch that was hanged and her vengeance which is downright frightening.  The imagery of the creature and the way it starts by messing with the family before escalating the terror and the violence.

Director James Wan creates a beautifully scary tone that sticks with you after the film finishes.  The story is well developed and complex.  It involves not only the family living in the house, but also the Warrens’ own daughter.

Vera Farmiga is an outstanding actor and she never fails to create a strong character in her films.  She provides Lorraine with a soul and emotions unlike many in horror movies.

The Conjuring has inspired not only its own direct sequel, but also spin off films The Nun and two Annabelle movies.  The creepy doll debuted in this movie.

The horror genre certainly received quite the jump scare jolt from this exceptional film.

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12 Angry Men (1957)

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The next film in the 2018/19 EYG New Year’s Eve/Day Binge-a-Thon is an Academy Award nominated film from 1957 that featured 12 men and one small room and none of that changed for over 90 minutes.  12 Angry Men showed some powerful actors and what they can do to create tense atmosphere with dialogue and characterization.

In fact, we get some impressive characterization without even learning their names, so to speak, settling for “Juror#4” and “Juror #7.”

Henry Fonda was the lone dissenting vote on a trial that we had not seen.  11 votes for guilty against a defendant that we do not meet.  We learn more about the trial as the jury deliberates and, in that process, we learn more about each man.

Themes of racism, ageism, judgement by appearance all come up and are handled deftly and subtly as the group continued their contentious debate.

Henry Fonda was great in his role as Juror#8.  We got nuanced performances from Lee J. Cobb, Jack Klugman, E.G. Marshall, Ed Begley and Jack Warden.

We have seen this trope in dramas for years, but this is where that very trope began.  The performances were rock solid.  It is amazing that director Sydney Lumet could create such a tone in his film in one location without any changes at all.  The film is wonderful.

It is a simple film with nothing truly simple about it. If you look close, you can see the depth of character, story and dialogue.

paragon

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Deep Blue Sea (1999)

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So the third movie in the 2018/19 New Year’s Eve/Day Binge-a-Thon is a campy film from 1999 called Deep Blue Sea, starring Thomas Jane, LL Cool J, Samuel L. Jackson and Saffron Burrows among others.

Deep Blue Sea has the benefit of one of the most shocking, iconic and awesome scenes in movie history.  SPOILERS if you do not know the scene to which I refer.  Samuel L. Jackson getting surprised by a giant leaping shark that grabs him before he can say “mother f#$*er” and eats him up.  I haven’t seen this in a long time and that scene is the one that sticks out as all kind of awesomeness.  No one saw it coming.  Sam Jackson was a star and here he was getting devoured early in the film.  It was a great moment.

Unfortunately, the rest of the movie happened.

Everything else was so ridiculous and filled with camp that Deep Blue Sea can only be called a Jaws-rip-off and a waste of time.

We will give the film a break on the CGI, which was horrible (even though other films of the time were doing much better work with the special effects), but you cannot give them a break on the script.   LL Cool J, to avoid the shark, climbed into the over, which gets turned on by the shark.  To avoid being asphyxiated by the gas, he uses his metal ax to chop through the top of the over, creating an escape path (not creating nay sparks at all).  Then, he gets out, swims to the other end of the room while the shark is still attacking the oven, pulls out a lighter, lights it, tosses it across the room (and does not put out the little flame on it) and blows the room up.  LL Cool J survives the blast of fire though.

Deep Blue Sea could be seen as some in the “So bad it is good” category and I would not argue that.  If you are in the mood for some stupid humans taking on some genetically altered brainiac sharks, then Deep Blue Sea may provide you with a  lot of fun.  It is a bad movie though.

meh

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Batman: Bad Blood(2016)

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The next movie in the 2018/19 New Year’s Eve/Day Binge-a-Thon is a direct to video DC Animation that is currently available on Netflix.  Batman: Bad Blood brings a group of the “Bat-Family” into the world of animation for the first time.

These character receiving their debut here include Batwoman (Yvonne Strzechowski) and Batwing (Gaius Charles). joining Batman (Jason O’Mara), Nightwing (Sean Maher) and Damien Wayne’s version of Robin (Stuart Allan).

This story takes several story arcs from the Batman series of comic and kind of crams them together into a story where Batman disappears and is presumed dead and Nightwing steps into the cowl as a replacement.  Meanwhile, Talia al Ghul (Morena Baccarin) has assembled a group of B-list Bat-villains behind a character named The Heretic (Travis Willingham).

The DC Universe animated movies are always fairly entertaining and this one is no exception.  However, there are a lot of story beats here that are underdeveloped, cast aside, or just not worth the screen time.  It feels as if they tried to cram too much into this 72 minutes and the whole film suffered for it.

With the success of Into the Spider-verse, Warner Brothers should really consider taking some money and investing it into some of these DC animations because if this had better animation and a tighter story, there is no reason why they could not have the same kind of success Sony has found with Miles Morales.

However, I have seen much better DC Animation that Batman: Bad Blood.  It is an enjoyable watch, but fails to take anything to another level.  There are considerably more engaging and compelling Batman animated films out there (Sub Zero, Batman Beyond: Return of the Joker, Mask of the Phantasm, etc).

Batman: Bad Blood is fine, just not remarkable.

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Shaun of the Dead (2004)

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We officially kick off the 2018-19 New Year’s Eve/Day Binge-a-Thon with a movie that I have never seen from the horror/comedy genre that is considered a classic by many.  Shaun of the Dead  is Edgar Wright’s first part of the Three Flavours Cornetto trilogy featuring Nick Frost and Simon Pegg.

I have never been much for this type of movie…or so I thought.  Shaun of the Dead was a rip-roaring good time with consistent moments where I laughed out loud.  It was fresh, clever and just a hoot.

Shaun (Simon Pegg) appears to be quite the loser.  His girlfriend (Kate Ashfield) has broken up with him, he constantly fights with his step-dad (Bill Nighy), and his best friend Ed is a slob and a lazy parasite (Nick Frost).  Meanwhile, zombies are appearing everywhere and his life goes from trying to get by to trying to survive.

I enjoyed this movie tremendously.  It was extremely funny and surprisingly emotional.  The scenes with Shaun and his Mum (Phyllis McMahon) were unexpectedly touching and poignant, as was his scenes with his step-dad Philip.

This is a comedy, but it was made and can be watched as a horror movie.  The zombies are not just a joke, they are a distinct danger and had many really anxiety-ridden shots in the film.  You feel the panic of the main characters, even if you are laughing at the execution of the story.  It blends the two genres beautifully.

The relationship between Shaun and Liz was good too and felt real despite the unreal circumstances in which we see it develop.  The strains on their relationship started well before the zombies and fit right into character traits of the two characters.

I was not a fan of At the World’s End, which is the third film in the Cornetto trilogy. but the first film is wonderful and I am a big fan of Shaun of the Dead.

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It’s A Wonderful Life (1946)

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Here in the Pre-2018/19 New Year’s Eve/Day Binge-a-Thon, I have begun a tad early.  Every year there are Christmas lists that have It’s A Wonderful Life on them, including the Top 10 Show’s Top 10 Christmas villains from last week) and I have honestly never been that interested in watching it.

I mean, I have seen a few scenes here and there and I have a knowledge of Frank Capra’s story that has become a cultural zeitgeist in our society.  I’ve seen parodies or homages to this movie over the years, everywhere from Moonlighting to Buffy the Vampire Slayer to Mork and Mindy.  I just have never seen the actual movie.

That is until tonight.

I am here to say that I now understand.  I am a convert to this wonderful movie, starring James Stewart as George Bailey, a good man who finds himself down on his luck and in a near suicidal state when the angel Clarence (Henry Travers) arrives to show him what life was like had George never been born.

I had no idea how much of this movie was spent with the characters of George Bailey and the people of his life.  The whole “George wishes he was never born” is fully in the third act and It’s A Wonderful Life spends most of the movie showing us who George Bailey is and how he came to be on that bridge considering throwing himself into the raging river.

The fact that this movie takes its time to reach that moment really helps to build a connection with the character of George Bailey so that you are invested in the magic that comes in the third act.  I have to say that I was tearing up with the very end of the film and I had a huge smile on my face as it was developing.

Donna Reed does a fabulous job as George’s wife Mary, the woman who is completely dedicated to George despite many chances of finding more.  Of course, the idea that George is really the richest man comes from what he has in his life, not because of the money and Mary is a perfect example of that.

It really isn’t that much of a Christmas movie either.  Honestly, only the end scenes happen at Christmas.  Heck, Die Hard is more of a Christmas movie than this is.

I am pleased that I finally took the time to watch this classic of cinema and to see just what everybody else was talking about.  This is an iconic film of tremendous value and I enjoyed it totally.

paragon

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Miracle

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“Do you believe in miracles? Yes!”

It is one of the most iconic and recognizable sports calls in history, from out of the mouth of Al Michaels and it perfectly summed up the feeling going on in 1980 as the USA Hockey Team, stiff underdogs, defeated what was the most dominant and unbeatable hockey team in the world, the Soviet Union.  The “Miracle on Ice,” as if became to be known, is one of the most amazing moments in US sports ever.

The movie that follows this team to that iconic victory may not be as stunning as that game, but it does a great job of showing us the effort and the agony the men of that hockey team put themselves through to compete in the Winter Olympics in Lake Placid.

Head Coach Herb Brooks (Kurt Russell) compiled a team of players, not on who was the best players, but on who could form together to become a team.  His coaching techniques could be seen as inappropriate, but the players wound up buying into the psychological methods employed by Brooks.  He was able to inspire these men to give their absolute everything and he demanded that nothing short of that was acceptable.

The scene of the players being “conditioned” after a tie prior to the Olympics is one of the hardest scenes to watch in the movie.  I’m not sure that this kind of coaching style would fly in the world of athletics these days.

The movie is your basic sports biopic with the same typical sport beats that a sports movie uses.  It is not like the movie does anything original or special in the telling of the story.  Kurt Russell is solid as Herb Brooks and Noah Emmerich as assistant coach Craig Patrick provides the counterbalance to the apparent insanity shown by Brooks.

What makes this different from other sports biopics is that the film has the benefit of being about one of the most inspiring and goosebump raising events in sports history.  The call from Al Michaels is amazing and I dare any true American to watch this without, at the very least, swelling up with national pride.  I had tears in my eyes as the games vs. the Soviets came to its conclusion and you cannot help but be affected.  It is such a powerful moment that it helps elevate the film prior to it.

Kurt Russell and the game are the stars of this movie and it is well worth the time to watch it despite being fairly common in way of movie.

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Shadow of a Doubt (1943)

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I was watching Screen Junkies the other day and the panel was answering questions from the audience.  One of the questions led Dan Murrell to answer Shadow of a Doubt, a film by Alfred Hitchcock.  I had never heard of that movie before and Dan spoke about how much he liked it and gave a quick synopsis.  I have been building up my Hitchcock list this past year so I scribbled the title down.

Now that I am on the precipice of the 2018/19 New Year’s Eve/Day Binge-a-Thon, I figured I would kick it off with this film.

On of the writers on Shadow of a Doubt was famous Pulitzer Prize winning playwright Thornton Wilder, most well known for the play, Our Town.  It turns out that Alfred Hitchcock himself in several interviews named Shadow of a Doubt as his favorite movie that he had made.  I can certainly see why.

The film looked at life in a small town with a group of characters that seem to come directly from it.  Uncle Charlie (Joseph Cotten) never truly fit in the scene, but it was an effective hiding place for the man running from his past actions.  His namesake, Charlie (Teresa Wright) was sweet and innocent and looked up to her uncle like few others. Because of the closeness of the pair, Charlie discovered what Uncle Charlie was attempting to hide, changing her perspective on him.

Hitchcock is a master of anxiety and suspense and Shadow of a Doubt is never lacking as you are always unsure what exactly Uncle Charlie is planning or intending to do.  I have to say, I kept expecting some kind of twist that he wasn’t actually Uncle Charlie.  I picked up on some dialogue that sounded as if that was being foreshadowed.  However, it turned out that I was incorrect on that.

There were solid performances, including by Joseph Cotten who was typically an actor seen in the positive roles and the protagonists instead of the antagonists.  He is intimidating with his secrecy and his glances.

Shadow of a Doubt was another great Hitchcock film that I am glad was recommended by Dan Murrell.  It had the feel and look of a classic.

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Fantastic Four#5

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Fantastic Four#5

Writer: Dan Slott

Cover Art:  Esad Ribic

 

“4 Minute Warning”

Artist:  Aaron Kuder

 

“Change Partners”

Artist:  Michael Allred

 

“Guys’ Night Out”

Artist: Adam Hughes

 

The wedding of Benjamin J. Grimm and Alicia Masters.  After literally decades of a relationship, The Thing finally ties the knot with the love of his life, Alicia.  No Skrulls.  No super heroes.  No super hero shenanigans.

The issue has a distinct special feel to it as there are three sections by different artists, all written by Dan Slott.  The oversized issue would represent the 650th issue of Fantastic Four, if we counted things like Marvel does.

This was a really fun issue with a ton of reminders of who these characters are and why we loved them for so many years.  We get Mr. Fantastic focused on a project, ignoring everything else.  Susan being the strong center of the Four that she is.  Johnny Storm feeling some anxiety about his own lack of successful relationships.  Franklin feeling his teenage angst by changing his hair color.  Spider-man wanting t come to the wedding and give a speech.

Poor Spidey.  He was told no capes by Ben because super heroes and weddings lead to shenanigans.  Ben said it was small…family only.  Spidey certainly should be considered family.  I guess he was always closer to Johnny, but still…

Fantastic Four#5 is a great trip down memory lane and gives us a wedding long overdue.

Congrats to Ben and Alicia.

ReadIt

 

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Most anticipated in 2019

In no particular order (except the first one I list), these are the movies that I am anticipating the most from 2019.

Avengers: Endgame.  This one is an obvious one.  I cannot wait to see how the MCU continues after the snap and the first teaser trailer really did a great job of stoking that flame of my anticipation.

Captain Marvel.  The first female MCU led film features Carol Danvers and should lead directly into the Endgame.  I love Brie Larson and this looks tremendous.

Shazam.  Honestly, this has made me pretty excited about this film.  It looks like a film unlike the others in the DC Movie Universe and hopefully this will find that proper tone.

It: Chapter Two.  The return of Pennywise and the conclusion of the Stephen King It remake.  If this is anything like the first film, we are in for something great.

Lion King.  Live action is a relative term when looking at the new Lion King, but the film is astonishing in its CGI.  One of the greatest animated films of all time getting the Jon Favreau treatment.

Dumbo.  Everything about this looks great.  Dumbo may not be the favorite animated movie, but this live action adaptation looks to be checking all the boxes.

Spider-man: Far From Home.  Do you think this has any chance of being anywhere near as good as Into the Spider-verse?  Never doubt the MCU.

Brightburn.  Produced by James Gunn, this looks to be an evil Superman story and how awesome would that be?  That first trailer was off the charts.

Glass.  The sequel to Split and Unbreakable is just a few weeks away and could be January’s biggest hit.

Toy Story 4.  Not sure I needed this or wanted this, but it is coming anyway so I expect it will be brilliant, just like the others.

Star Wars Episode IX.  We do not know a title yet, but I can’t wait to see how the Star Wars fans will react.  Hopefully there won’t be near the vitriol as there was with the Last Jedi or Solo.

Godzilla: King of the Monsters.  I’ll be Godzilla’s pet.  The trailers for this look amazing.  Can’t wait.

Joker.  This looks fascinating and, if done right, could really be a fantastic film.  It could be a car wreck too.  Great cast.

2019

Welcome to Marwen

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I went into Welcome with Marwen expecting it to be bad because of the critical scores that I have heard about it.  Rotten Tomatoes score was low (27%) and the audience score was in the 50s.  I also was not a huge fan of the trailers so I had pushed off seeing it until today.

This is why you should always make your own mind up.

I thought Welcome to Marwen was way better than I expected and I enjoyed the film.  Now, there are some issues that I will get to, but this is, in no way, a film that I would expect to be at 27% on Rotten Tomatoes.

Welcome to Marwen tells the story of artist Mark Hogancamp (Steve Carell) who had been attacked at a bar one night three years before because, while drunk, he had told a gang of thugs that he liked to wear women’s shoes.  They savagely beat him within an inch of his life and left him for dead.  Mark had lost all his memories from before the attack and could no longer draw with his hand.  So he took up photography and used dolls to tell his story about the Belgian town of Marwen, set in World War II.

However, the dolls he had in these photos represented people that he knew in the town he lived in, mostly women and the villainous Nazis were the thugs who had attacked him.   Every time these Nazis would be killed in his photos, they would come back.

When beautiful new neighbor Nicol (Leslie Mann), “Nicole but without the ‘e'”, moved in, Mark got a crush and introduced a new redhead doll into the mix.

The movie is the story of how Mark was able to overcome the attack and to gain a modicum of his life back.  The dolls’ adventures were shown on screen via motion capture in some real creative ways.  The connections between the story of Hogie and the Women of Marwen in World War II echoed the real life of Mark.  It was not very subtle.

Steve Carell was great again in this role. He has become a consistent performer, delivering strong work in every role he takes.  There was an innocence about Mark that helped get him past the panic attacks and the memories that he did have.

Now, yes, I do believe that the women in Marwen were too accepting and, I personally, if I were Nicol, the introduction of the red head doll named Nicol as Hogie’s love interest, should have set off some alarms.  In fact, I think that she was just not creeped out enough about this man she just met and his strange obsession with the toys.  Maybe it speaks to the strength of her character, but it did not feel realistic.

You would think that as soon as the doll Hogie and the doll Nicol were being set up kissing, she may have wanted to have a talk with him about where they stood.

There is also a weird feel when watching the film because I am not sure that the movie specifically knows what it wants to present.  Still, I found myself liking this more than I thought I would.  Perhaps the lowered expectations paid off again.  I thought Welcome to Marwen, despite its flaws, has some wonderful scenes and gives a tale of a man overcoming his fears and his obstacles.  That is a lesson that we need to hear more.

Remember, make up your own mind.  It does not matter what anyone else says.

3.4 stars

EYG Top 30 BEST Movies of 2018

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Okay, here is the list.  The Top 30 best movies of the year.  It was a really good year in movies too as, after I had narrowed my list down, I had 38 films to choose from and it was really tough to cut off some of the bottom of the list.  There were some films that are now in the honorable mentions that I wanted in the Top 30.

There were also some in the 20s that I would have guessed would have been higher up the list, but had slipped down. That was because there were some great films that moved up the list.

Remember, as I said with the worst list, my original star ratings are tossed out for the final list.  They help me choose the films at first, but after that, they do not matter.   The thing is film is subjective and sometimes a movie, on retrospect and reflection, become better or worse from my initial thought.

Again, it depends on if I had seen a specific movie.  There are some new films such as Stan & Ollie or If Beale Street Could Talk that I haven’t seen yet.  They’ll probably wind up on next year’s Best 2018 in 19 list.

Honorable MentionsVice, Teen Titans Go to the Movies, Roma, RBG, Ralph Breaks the Internet, Other Side of the Wind, A Simple Favor, Blockers, Bumblebee

Top 30 Best Films of 2018

#30.  Tag.  I fought to keep this one on the list because I really enjoyed it.  I loved the premise of a group of friends playing a game of tag and the heights that they take it to keep playing.  It was creative and funny and I wanted it in the Top 30.

#29.  Love, Simon.  Another one that held on to the list from the onslaught of those films dropped is this great coming of age story of a young gay boy finding a way to come out of the closet.  It is funny, touching and remarkably creative.  A wonderful coming of age film.

#28.  Incredibles 2. The is one that slipped way down the list from where I thought it might be, but as I compiled it, there were films that I just wanted to be higher than this one.  It is still great and one of the best animated films of the year from Pixar.   The Jack-Jack vs. the raccoon scene is one of the year’s best.

#27.  Creed II.  This is another one that I would have guessed ended higher than it did.  I loved it and thought it was a worthy sequel to Creed.  I loved the inclusion of the Drago family and I loved how the film gave them personality outside of Russian killers.  Creed II was a great film.

#26.  Blackkklansman.  It is a running theme of movies in the twenties that I would have thought would rank higher.  I loved Blackkklansman a lot and found Spike Lee’s new film to be funny, poignant and full of important messages.  Just goes to show how good of a year in cinema is was.

#25.  Paddington 2.  Paddington returns for more fun.  In the original, I thought there was no way Paddington would be a good movie and then it turned out great.  I thought that the sequel had no chance of being a good sequel and it was great.  I should stop underestimating the goodness of Paddington.

#24.  Overlord.  This is a film that, on original score, was a little lower than some, but, in retrospect, really raises its stock.  I really enjoyed this film and its creativity and its use of Nazis and Zombies in ways that we hadn’t seen before.  It knew exactly what kind of film it was and that is important.

#23.  Deadpool 2. I think my memories of this was damaged by Once Upon A Deadpool because I liked this a lot, and it wound up lower than I expected.  The new film highlighted the weaker parts of this movie and put them in the front of my brain.  The rated R version is a good movie.

#22.  Instant Family. One of the bigger surprises of the year, I went to Instant Family expecting something like Daddy’s Home. but I got a film with much more heart, humor and with something to say about adoption. Way better than I thought it would be.

#21.  First Man.  People were divisive over First Man for some reason. Some thought they should have had more about the moon landing, but I found this biopic about Neil Armstrong to be extremely compelling as it was.  Claire Foy was amazing in her supporting role.

#20.  A Star is Born.  Another one that has dropped down the list but that I loved when I first saw it.  Bradley Cooper and Lady Gaga are great together with amazing chemistry and there is fantastic musical performances.

#19.  The Hate U Give.  Just a fabulous film about a really important topic told in a dramatic manner.  Based on a classic novel, The Hate U Give speaks to the racial problems in the country in a real and vital way.  From this movie, Amandla Stenberg is a actress to keep your eyes on.

#18.  American Animals.  Based on a true story, American Animals tells us about four friends who attempt one of the audacious art thefts ever by stealing expensive and rare books from a library.  The interactions between the four men are truly some of the best of the year.

#17.  Game Night.  I actually left this off and thought about it when William Bibbiani mentioned it on his Critically Acclaimed podcast.  I thought this was unbelievably funny and featured great performances from Jason Bateman and Rachel McAdams.  I’m glad I was listening to that show because this belongs on my list.

#16. Eighth Grade.  Bo Burnham’s directorial debut was one of the most real films of the year. I have seen students exactly like the characters in this movie in my job as a middle school teacher.  It was amazingly realistic.  And the scene in the back of the car was one of the most anxiety-filled scenes of the year.

#15.  Bad Times at the El Royale.  Another that I thought might make my top ten, but wound up outside it, I loved this film.  It had great performances from Chris Hemsworth, Jeff Bridges and our Batman and Robin Award for Rotteness winner for Worst Actress Dakota Johnson (for Fifty Shades Freed) which goes to show you how material can change an actor’s performance.

#14.  The Ballad of Buster Scruggs.  This is the Coen Brothers new film and it has a series of Western shorts that are remarkably entertaining and fun.  The six stories are all very different, but all share that ironic end that the Coen Brothers are so well known for.  This is a great watch on Netflix.

#13.  Can You Ever Forgive Me? Melissa McCarthy in the true story of former writer Lee Israel, who wound up selling letters, supposedly from famous authors and celebrities, that she forged.  McCarthy is great in this role, but the film is nearly stolen by Richard E. Grant.  Their chemistry was tremendous and made you really root for these two despite their criminal enterprise.

#12.  Sorry to Bother You.  This was the biggest WTF movie of the year.  I came out of this shocked and amazed at what this film accomplished and out of my mind that the movie went there.  Another one that I would have liked to put higher, but I just didn’t.  It is going to have to settle with being just outside the Top 10.  This had great work from Lakeith Stanfield.

#11.  Green Book.  Another one that I would have absolutely said would make the Top 10, but now ends at number eleven.  Viggo Mortensen and Mahershala Ali are amazing together as a pianist and his driver on tour in the south during the Civil Rights movement.  The film was a feel good film and some people felt that they should have done more about the dark hatred in the south.  I am trying to judge the film by what it is, not what it should have been and Green Book is an awesome movie.

#10.  Ant Man & the Wasp.  Another entertaining rendition with Scott Lang and Hope Van Dyne.  The pair are trying to save Hope’s mother Janet from the Quantum Realm and they are having conflict with the villain Ghost, who wants the Quantum Realm for other reasons.  Features a great post credit scene that helps set up Avengers: Endgame.

#9.  Mission Impossible: Fallout. The Mission Impossible movies just keep bringing the action and the excitement.  This film even left in the scene where Tom Cruise, doing his own stunts, really injured his foot.  Mission Impossible keeps ramping up the action to a breakneck pace and a high energy finale.

#8.  Mary Poppins Returns.  I loved everything about the Mary Poppins sequel.  The music, the story, Emily Blunt, the rest of the cast, the dances.  It was magical.  I did not think this was necessarily needed but it was certainly welcomed.

#7.  Black Panther.  Marvel’s cultural hit that made more money domestically than any movie this year (even more than Infinity War).  The movie has a chance to be nominated for an Oscar in Best Picture too.  Black Panther was an important movie in many ways for Marvel and for a section of the movie going public that had not seen itself represented in a significant way on the big screen before.  Certainly not in a lead character/big budget way.

#6.  Searching.  John Cho is masterful here as a father whose daughter has disappeared and he goes through her computer trying to find clues on her social media accounts to where she has gone.  For a film that you see only though the camera on a computer screen, this is one of the most tension filled movies of the year.

#5.  A Quiet Place.  Shhhh.  My movie theater was nearly dead silent during this movie because it felt that if you made any noise, you would regret it.  A Quiet Place is tense, anxiety-ridden and I haven’t had quite an experience like it in the movies before.  John Krasinski directs and stars in the movie and does a fantastic job.

#4.  Bohemian Rhapsody. This is another film that people criticized for what it wasn’t.  Some wanted this to be more of a darker look at the life of Freddie Mercury and his sexual orientation and when that was not the focus of the movie, they complained.  Instead, I loved the movie for the awesome music and the fun look at one of the best films of all time.  Maybe there is another movie some day to satisfy the ones who want darkness, but for me, this rocked me.  And Rami Malek completely transformed into Freddie Mercury.  I hope the Academy recognizes his performance.

#3.  Spider-man: Into the Spider-verse.  The best animated movie of the year, and perhaps the best animated movie of the last several years.  Miles Morales is brought forth in this Sony animated film and it is good.  The animation is like art.  The background is so beautiful and stunning, but that is not the only thing.  It has a fantastic story with great characters that have relationships that you care about and a villain that you can understand.  There are surprises and twists.  There is Spider-Ham and Spider-man Noir, for goodness sake. Great voice cast.  Animation unlike anything you have ever seen before.  Capturing the perfect essence of Spider-man.  A heartbreaking Stan Lee cameo.  There is so much here that makes this one of, if not THE, best Spider-man movie ever.

#2.  Won’t You Be My Neighbor.  I have never been affected by a movie so much.  Especially from a documentary of a man who is so good of a person as Fred Rogers.  There was no surprise twist.  There was no shine thrown at Mr. Rogers.  And yet, I am crying in the car on the way home.  Never before did that happen.  I think part of it was that I wished that we had someone like Fred Rogers in the world today.  The world desperately needs Fred Rogers today and we will never have another.  The bravery and the balls of this man was on display every episode.  The scenes of him in Congress arguing for money for PBS is just amazing and it is difficult to believe, in our world of partisan politics, it was even possible.  Won’t You Be My Neighbor does everything beautifully and it makes me long for days past.

#1. Avengers: Infinity War.  A decade of MCU films led to this point and Marvel Studios had the guts to do something unexpected.  It killed off half of the universe and ended the movie with Thanos victorious and living on a planet as Farmer Thanos, retired and raising crops.  What?  I can still remember the gasps from the crowd as characters such as Black Panther, Bucky, and Spider-man (in the most emotional moment of the whole movie) went to dust.  But there was more to this than just that.  You got a great interaction between Thor and his “sweet rabbit” Rocket.  The scene where Thor talks about what he has lost shows the strength of Chris Hemsworth as an actor and how much he understands this character.  We get a return of Captain America in a kick ass fashion.  Tony Stark and Stephen Strange banter than was anything but playful.  Gamora’s surprise death at her father’s hands.  The return of the Red Skull.  There are just so many moments in Infinity War that makes this an epic worthy of ten years lead up with 19 movies that we may never see anything like it again.  At least, until April 26, 2019.

EYG Top 25 WORST Movies of 2018

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Here it is.  The Top 25 WORST Movies of 2018.  I was uncertain what was going to be number one on this list until just recently when one film leaped dramatically to the top of the list.

As always, when I compile these lists, my original star rating/score is only one of the considerations I take to determine the final placement.  Movies change over time.  Some get better and some get worse upon reflection.  Those star ratings are only used to help formulate a general placement.

As all movies are subjective, you may disagree with some of my choices.  That is fine.  I wouldn’t expect anything less.  This is my list.

And, of course, I do not include those films that I have not seen.  One major film was missing: Gotti.  It never came around here in the cinema and I just did not want to pay for it on streaming services or iTunes.  So if it is a terrible movie and you do not see it here, I may not have seen it.

Dishonorable MentionNight School, Red Sparrow, Goosebumps 2: Haunted Halloween, Jurassic World: Fallen Kingdom.

Top 25 Worst Movies of 2018

#25.  Fantastic Beasts: The Crimes of Grindelwald.  Confusing and dull.  Worst than the original that I did not like that much.

#24.  The Predator.  Wow, when you hear Shane Black was doing a new Predator movie, you start to expect goodness.  Unfortunately there is no goodness to be had.

#23.  Mile 22.  Mark Wahlberg plays a rotten person who is a big time jerk, but you are supposed to cheer for him on this mission to take this guy to the airport, 22 miles away.  I hated the character and the film was pretty dull as well.

#22.  Nobody’s Fool.  Tiffany Haddish in a unfunny comedy that spiraled off into way too many directions.  Whoopi Goldberg gives a good performance in this stinker.

#21.  Mortal Engines.  London on wheels!  A sci-fi futuristic movie that is way too boring despite some interesting concepts.  The characters are wastes and I did not care for much of anything.

#20.  The Darkest Minds.  They are not the X-Men!  A YA adaptation of a young group of heroes with powers that are being chased by the government because they were dangers.  The film is bad and truly wishes for it to be full of mutants.

#19.  Forever My Girl.  Sappy film about a country music star who comes back home to discover that his old girlfriend had given birth to his daughter and never told him.  Predictable and cruel-spirited.

#18.  Dog Days.  Manipulation using dogs is not a new concept and this won’t be the last time we see it. There are like five or six stories going on in this movie and have characters that have no chance of being real.  The dialogue is ridiculous.  So is the movie.

#17.  Gringo.  David Oyelowo is Harold and he is a middle management man and he is sent to Mexico by his crooked bosses on business.  While there, David gets kidnapped and it becomes a slapstick “comedy.”  Stupid and unfunny.

#16.  Best F(r)iends.  As a movie this is really bad, but it falls into the category, like The Room, of Tommy Wiseau films so bad it is fun.  The second part of this movie (yes, it was two parts) was shown this year and it was amazingly head-shakingly bad.

#15.  Death Wish.  Bruce Willis, on full auto pilot, in a remake that had no need to be done of a film that the original was not one of my favorites anyway.  This came out in a time when the gun violence may not be the best message to provide.

#14.  Blumhouse’s Truth or Dare.  One of the bad horror movies of the year.  There is so many dumb things going on here that it is hard to even put it into words.  Don’t play truth or dare because you will die.  The characters are so stupid it is hard to care if any of them survived.

#13.  Winchester.  Another bad horror movie, this time about the real haunted Winchester mansion.  The awesome Helen Mirren is here but totally wasted as Sarah Winchester and the scares are lesser than it should be.  A film that could have been so much better than it was.

#12.  The 15:17 to Paris.  Clint Eastwood cast the real life people who were involved in this incident as the leads of his film.  These people may be heroes, but they are not actors.  The story itself is strung out too long and then Eastwood wants to focus on the characters and asks too much.  Pretty boring.

#11.  Hotel Transylvania 3.  I am not a fan of Adam Sandler films and this just falls into the same category as the others.  It is predictable and stupid.  I suppose it might be fine for the young children, but I like the animation that raises the level for kids instead of playing down to them.

#10.  Fifty Shades Freed.  The final film of the trilogy and I had to debate if I wanted to go to it.  I decided to finish the trilogy instead of skipping this.  This was bad, but on the positive, it was not the worst of the three.  It was much better than the last one.

#9.  Nutcracker and the Four Realms.  This was so boring.  It had one of the classic stories of Christmastime and it had to try to make it into a fantasy film in the vein of Narnia or Alice in Wonderland.  Terrible.

#8.  Slenderman.  Beware the Slenderman, because there will be a jump scare.  It is not that scary and it is a huge step down from the documentary of the real life situation that was way more tense and suspenseful than this film was.

#7.  The Possession of Hannah Grace.  A dead body creeping around a morgue and it really does not have anything to do with a possession outside of the first scene.  A less creepy version of The Autopsy of Jane Doe.

#6.  The Hurricane Heist.  A group of stupid people decided to use a hurricane to cover their robbery.  There are so many plot holes in this film that you have to suspend disbelief so much that it is hard to do.  This was very dumb.

#5.  The Nun.  A spin off from the Conjuring series, but it is so bad.  Similar to the first Annabelle movie, the Nun is a poor film with dumb people doing dumb things.  We really do not see the Nun that much and it is not that scary.  Since it made money and we will certainly see a sequel, hopefully the sequel to this will be as good as the sequel to Annabelle was.

#4.  Early Man.  I hated this movie ten minutes in.  I regretted my decision to go to it immediately and I waited for the animated movie to end. It was an early year leader for the worst film of the year.  Soccer playing cavemen. Ugh

#3.  Action Point.  Johnny Knoxville doing his stupid Jack-Ass routine in a scripted film where he is trying to re-open an old amusement park.  The incompetent and immature characters were our heroes here and I really just wanted it to be over.

#2.  Robin Hood.  Or should we call him “Rob?”  Taron Egerton is the new Rob and his story is terrible.  Jamie Foxx is collecting a paycheck.  Ben Mendelsohn is over acting as the Sheriff of Nottingham to an nth degree.  This was Robin Hood as a war movie and the fact that we got a machine gun bow and arrow should tell you all you need to know.

And the worst movie of 2018….

#1.  Holmes and Watson.  I just saw this movie with Will Ferrell and John C. Reilly just the other day and it immediately sprung to the top of this list.  It was so terrible that Columbia kept the screenings away from critics so that they would not be able to tell the public how bad it is.  It currently sits at 9% on Rotten Tomatoes and, even more telling, has 27% of audience score.  There have been stories of people walking out of Holmes and Watson showings.  It is so unfunny and ridiculous (and not in the good way).  It screws with iconic characters and damages them.  There was a moment during the film that I was thinking that I might give this zero stars.  I wrote in my review that the best part of the film was my bathroom break.  Holmes and Watson is so bad I have it in the same category as Movie 43, Batman and Robin and Transformers: The Last Knight.  Easily the worst of the year.

2018 The Strangelove- Best Actor

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In honor of EYG Hall of Famer Peter Sellers, we named the Best Actor category The Strangelove.  We have some great nominees this year for the prestigious award.

Previous WinnersJames McAvoy (Split), Denzel Washington (Fences), Bryan Cranston (Trumbo), Michael Keaton (Birdman), Tom Hanks (Captain Phillips), Daniel Day-Lewis (Lincoln), Ryan Gosling (Drive)

 

#10.  Steve Carell (Beautiful Boy)

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#9.  John David Washington (BlackKKlansman)

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#8.  Chadwick Boseman (Black Panther)

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#7.  John Krasinski (A Quiet Place)

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#6.  John Cho (Searching)

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#5.  Josh Brolin (Avengers: Infinity War)

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#4.  Christian Bale (Vice)

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#3.  Bradley Cooper (A Star is Born)

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#2.  Viggo Mortensen (Green Book)

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And the WINNER of the 2018 Strangelove Award for Best Actor goes to…

 

#1. Rami Malek (Bohemian Rhapsody)

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Five of these top ten actors are playing real people.  Rami Malek completely becomes Freddie Mercury.  It was not just an impression of the rock star, but Malek is absolutely amazing.  The Live Aid scene would have been enough.  Christian Bale has every little motion or twitch for Dick Chaney down to a tee.  Viggo Mortensen as Tony Lip brought a true humanity to what could have been a stereotypical character.  Steve Carell is being overshadowed by his scene mate Timothee Chalamet in many people’s eyes, but his performance as the father in Beautiful Boy is just as tragic.  John David Washington stepped out of the “Denzel’s son” shadow with a wonderful dramatic and comedic performance in Blackkklansman Josh Brolin is not getting enough credit for what he did with Thanos in Avengers: Infinity War.  He brought the Mad Titan to life and yet created someone that you could relate to despite his psychosis.  John Krasinski‘s scene in A Quiet Place with his kids and the monsters is one of the scariest and heartbreaking scenes of the year.  It brought tears to my eyes.  John Cho was so outstanding in a film that caught everyone off guard.  Searching really is a fantastic film anchored by his stunning work.  Chadwick Boseman became T’Challa and led the world to the theater to see Black PantherBradley Cooper is a front runner for the Oscar and he does a great job singing, playing guitar, acting and directing this movie.  He was a real quadruple threat.

 

Strangelove

 

 

2018 Liz Award- Best Actress

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This might be the most difficult list of all of these because there are so many amazing performances from lead actresses this year.  Let’s see how this goes…

Previous Winners:  Frances McDormand (3 Billboards Outside of Ebbing, Missouri), Viola Davis (Fences), Charlize Theron (Mad Max: Fury Road), Rosemund Pike (Gone Girl), Sandra Bullock (Gravity), Berenice Bejo (The Artist), Michelle Williams (My Week with Marilyn)

 

#10.  Claire Foy (Unseen)

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#9.  Saoirse Ronan (Mary, Queen of Scots)

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#8.  Amandla Stenberg (The Hate U Give)

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#7.  Elsie Fisher (Eighth Grade)

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#6.  Melissa McCarthy (Can You Ever Forgive Me?)

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#5. Emily Blunt (Mary Poppins Returns)

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#4.  Lady Gaga (A Star is Born)

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#3.  Olivia Colman (The Favourite)

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#2.  Toni Collette (Hereditary)

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And the 2018 Liz Award for Best Actress goes to….

 

#1.  Yalitza Aparicio (Roma)

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What a great year for female leads.  I can remember years where I struggled to find 5 for this category and now I bet I could have kept going.  Yalitza Aparicio blew me away with her soulful performance in Roma.  Watching some of those horrific scenes dealing with her pregnancy were just heart-wrenching.  Lady Gaga is fresh and epic in A Star is Born and she does more than just play herself as some critics claim.  Toni Collette should not be overlooked when come Oscar time as she was just transcendent in Hereditary.  Great year for Emily Blunt and she capped it off as the iconic Mary Poppins.  I really considered Olivia Colman for the win in this category after seeing The Favourite.  Her performance elevated that movie.  Two great young actresses arrived this year with Elsie Fisher and Amandla StenbergMelissa McCarthy showed us she could do more than dumb comedies.  Her turn as Lee Israel was note perfect.  I felt that Saoirse Ronan was the clear reason to see Mary, Queen of ScotsClaire Foy had a great year too as she was a huge surprise in the great Unseen.

 

The Liz