Green Book

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This one is really great.

Green Book is the true story of an African-American pianist, Dr. Don Shirley (Mahershala Ali) and his trio of musicians trip through the Deep South of the United States in the 1960s.  In order to make the trip, Shirley needed a driver/bodyguard, someone who knew how to get things done and not afraid to do what was needed.

Enter Italian bouncer Tony Lip (Viggo Mortensen) who was recommended to Shirley.  Tony was a tough guy and he was a world class bulls**tter.

Tony brought Shirley ( or Doc, as he called him) through each stop of the tour, seeing first hand the cruelty of racism, the unfair treatment Doc had to endure and the remarkable talent that the pianist displayed.

There are so many moments in this movie that, much like the recent The Hate U Give, are hard to watch or that we can believe could happen in America.  As a white man, I can just look at some of the ways these people treated Doc with shock and disappointment.

The relationship between Tony and Shirley is easily the key to the movie.  Seeing these two men develop and learn about each other and develop feelings of friendship toward one another as this tour continued is easily the highlight of the movie.  Both Mahershala Ali and Viggo Mortensen are Oscar worthy in their work here and the way each man learns information about the other is a wonderful example to how we can cross race and differences with respect and honesty.

The film is not just a dramatic film though.  It actually is very funny as well.  The movie is brilliantly written and the humor comes organically with the dialogue and the situations these characters are placed in.  The moment where Tony is able to get Dr. Shirley to eat Kentucky Fried Chicken is one of the best scenes in the film.  Such a human moment that is just one example of great moments peppered throughout Green Book.

Linda Cardellini is Tony’s wife, Dolores, and, while she was not as important to the story as she could have been, her presence was absolutely felt and was a key reason the two men were able to be brought together as Shirley began helping Tony write the letters home to her.  Cardellini’s role was more than “just-the-wife” here and she does a great job.

I am sure that the movie could have been uglier as the time in the country was horrible for race relations and racism was just too prevalent, but the movie did its share to shine a light on how the tour was for these two men.  It also ended with such a strong and positive message that it shows that it is possible for racism to be overcome and to bring us together as a people.  If only there was more of that in the world, we would be so much better off.

Green Book was an outstanding time at the theater and I would recommend it to anyone.

4.75 stars

The Front Runner

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What would the world be like had Gary Hart not ruined his chance at being President in 1988?

How many dominoes would have fallen after that?  He was being perceived as the eventual winner of the election, so how would that have affected George HW Bush, Bill Clinton, Barack Obama, George W Bush, or Donald Trump.  How many of those would not have been President? Would the world have course corrected? How about major world events such as 9-11 or the wars in the Middle East?

That is an interesting story that I would love to speculate on and I’d love to see a movie that took that on as a topic, but The Front Runner is not that film.  It entails the true story about Gary Hart, Senator from Colorado, who was the Democratic front runner in 1988, but lost that spot when some of his extra-marital affairs came to light through the press.

Looking back at this story, it is amazing how different the political scene is in today’s world where we have a President who admitted to affairs and was even on tape claiming to grab women by the private parts.  That did not derail Trump’s campaign, but 1988 was a different time.

This story is told not only through the eyes of the Democratic Presidential candidate, but also through the eyes of the journalists in the press who struggled with the idea that they were breaking this information.  Again, in stark contrast to today’s news that exists on this type of sensationalism, these reporters debated about the use of this information and whether using it made them more on par with the National Enquirer, the world of tabloid journalism.

Hugh Jackman is good as Gary Hart, especially when the film shows Hart as if he were a deer in the headlights.  You can tell he never once considered the possibility that his behavior outside of his marriage and the political world would affect his race and he raged against the use of the material.  One wonders if he had raged against the reporters in the proper moments if he would have overcome the scandal. It is said in the film that the American public was behind him at the start.

Of course, now Gary Hart is a lesson for all politicians to learn from.  I’m sure that is not the legacy Hart would have preferred.

Vera Farmiga is one of the best and most under-appreciated actresses we have working today as she never seems to fail to bring her best.  I would have liked to see more of her here as Lee Hart, the put on wife of the adulterous Senator, but every scene that she appeared in was compelling.

I really believe this was a vital moment in the world of politics that changed the way things happened and that had this gone a different way, who knows what our lives would be like now.  We’ll never know for sure, but The Front Runner does an admirable job of providing the core of what politics would become.

3.2 stars

 

Harley Davidson and the Marlboro Man (1991)

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How could a movie that included Big John Studd be bad?

Pretty damn easily, I guess.

Harley Davidson & the Marlboro Man is a comedy/western/action movie featuring Don Johnson as Harley Davidson and Mickey Rourke doing his very best Bruce Willis imitation, desperately trying to keep his face from moving.

Seriously, why does Mickey Rourke only have one expression in this freaking movie?  He has the Bruce Willis smirk and it is on his face in every situation his character finds himself in.

The writing is terrible.  The story is ridiculous.  I guess there are absolutely no police officers in the city (except for the one Harley slept with).  The dialogue is laughable.

In order to save their friends’ bar, Harley Davidson and the Marlboro decide to rob a bank truck.  Unfortunately, the one bank truck they choose to rip off is loaded with drugs instead of money.  So, as any good heroes would, they contact the drug dealers and offer to sell these deadly dangerous drugs (they have been told that the drugs kill 1 out of 7 people that take them) back to them for money.  Hm, quite the heroic pair.  But they are trying to save their friends’ bar, so all bets are off.

Of course, their friends wind up dead and that sets off their eventual revenge part of the story.

My brain hurts after watching this.

The special effects in the third act confrontation are as bad as you are going to see.  The green screen is so obvious that I cannot believe anyone would have okayed the release of the scene.

Don Johnson and Mickey Rourke are good together so the film is not a total wash, but just about everything else is horrible.

Oh, but WWE Hall of Famer, the late great Big John Studd is here and it is good to see him.  He is decent for his short, smallish role.

Otherwise, this is a stupid buddy film that cannot ride on the charisma of Don Johnson and the frozen face of Mickey Rourke for long.

stale

 

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Addams Family Values (1993)

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There are not that many films that feature Thanksgiving.  Even in Addams Family Values, there is only a few scenes dealing with the first Thanksgiving at the summer camp where Wednesday (Christina Ricci) and Pugsley (Jimmy Workman) are sent.  Even so, this was a good film to revisit during the Thanksgiving Binge Watch.

Addams Family Values is the sequel to the original film which is a reboot of the old television series.  In the film, there are a bunch of plots going on all at once. The main one dealt with the black widow Debbie (Joan Cusack) trying to get Uncle Fester (Christopher Lloyd) to marry her.  She was after his money and planned on killing him once they had been hitched.

Meanwhile, Wednesday and Pugsley have been sent off to camp, thanks to the manipulations of Debbie.  The children are tormented by happiness, the fresh air of outdoors and camp counselors Gary Granger (Peter MacNicol) and Becky Martin-Granger (Christine Baranski).

This all came about after Morticia (Anjelica Huston) gave birth unexpectedly to a son for Gomez (Raul Julia) and the two other children were attempting to murder the baby.

The Addams Family became really dark in this movie, which was great.  The movie is very funny as the situations are taken to their exaggerated conclusions.

The writing is spot on and each character has their moments with sharp banter and razor wit.  Wednesday is especially sarcastic and delivers each line with perfect comedic timing.

Debbie is masterfully wicked and yet perhaps not the most evil person in the cast.  Joan Cusack is really awesome as the over-the-top nanny who is out to scam yet another rich bachelor.

Some times the story feels a tad disjointed as it jumps back and forth between scenes, but they are usually very funny and that excuses many problems a film may have.

I will say that, except for Christopher Lloyd, each cast member is beautifully cast.  Lloyd is a fine actor, but he always will be Doc Brown and he is too familiar here for me.  I did not see Uncle Fester, but instead I saw Christopher Lloyd in a bald cap.

Directed by Barry Sonnenfeld, Addams Family Values improved on the original movie because we knew these new version of the characters better.  There may have been too many stories going on, but that is not uncommon for movies.

*Snap Snap*

classic

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UHF (1989)

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We move from boxing movies to spoof with the classic “Weird Al” Yankovic film UHF on the Thanksgiving binge watch.

Yes, UHF is very silly and borderline stupid, but it is, at many times, funny and there is no doubt that EYG Hall of Famer “Weird Al” Yankovic went all in on his film.

The movie’s plot is pretty basic.  George (“Weird Al”) is a loser and can’t keep a job.  When his Uncle Harvey (Stanley Brock) wins the deed to a UHF television station in a poker game, he lets George manage the station.  George puts on the strangest array of television programs ever seen.  With the discovery of janitor extraordinaire Stanley Spadowski (Michael Richards) as charismatic kid show host, Station 62 flies to number one in the ratings, drawing the ire of evil studio executive R.J. Fletcher (Kevin McCarthy).

There are many satiric shorts throughout the film including parodies of multiple movies such as Raiders of the Lost Ark, Rambo, and Gandhi.  There are commercials on the station for Spatula City.  The game show classic Wheel of Fish added to the station’s lineup.

There is so much bizarreness in UHF that you simply have to toss away your doubts and have fun.

Anthony Geary (formerly Luke Spencer from General Hospital) also appears as Philo, a character who could be the oddest of the bunch.  Especially when we find out the truth about him.

UHF features “Weird Al” Yankovic’s parody of Money for Nothing by Dire Straits.  He turns it into Beverly Hillbillies/Money for Nothing.  We also get Al’s title track, the classic UHF over the credits.  I would have liked more music in the show, but what we got was great.

Sure this is silly.  But it is a good time, no matter what.  UHF is one of those films that people look back on in a cult status.

funtime

 

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Million Dollar Baby (2004)

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The Thanksgiving binge watch continued today with another boxing movie that was missing from my potential list of Top 10 Boxing movies (which I’ll do later this week).  Million Dollar Baby is from director Clint Eastwood and starred Eastwood along with Hilary Swank and Morgan Freeman.

Hilary Swank was Maggie Fitzgerald, a woman who hoped to have Frankie Dunn, hardened boxing trainer, trainer her to become a fighter.  Frankie was not up for the challenge at first because he did not train girls.  However, Maggie’s persistence eventually won him over and he connected with her.

Maggie took to the sport very quickly.  Once someone taught her how to use her feet and to properly breathe, she began knocking people out in the first round.  She progressed quickly, becoming a sensation.

Hilary Swank was wonderful as the down-home sweetheart Maggie, who was determined to reach her goals.  She wound up winning an Academy Award for her performance in Million Dollar Baby.  Eastwood won the Academy Award for directing and Freeman was Best Supporting Actor that year.  Million Dollar Baby was also the Best Picture winner.

I did not expect this to be as emotional of a movie as it was.  The picture really hits you with an uppercut and knocks the wind out of you, all in a flash of a second.

Great action.  Great storytelling.  Real emotion.  Million Dollar Baby is way better than I ever expected it to be.  It transcended boxing and became a movie about life and loss and pain.  Truly a moving experience.

paragon

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Raging Bull (1980)

I’m just not sure how to feel about this.

I decided to watch Raging Bull because this week’s Top 10 Show featured Boxing Movies and my list was severely lacking in some major ways.  This was one of them so I chose the Thanksgiving binge watch would start with this Scorsese classic.

However, I am just not sure how to feel.

I absolutely HATED Jake LaMotta (Robert DeNiro).  I found him so unlikable that in the first half hour or so, I considered shutting the movie off.  I did not like any of the characters on the screen, including Jake’s brother Joey (Joe Pesci) or his soon-to-be child bride Vickie (Cathy Moriarty).

But I persisted with the hope of seeing this group of people suffer from their horrible choices.  That might not be the most empathic reason to keep watching a movie, but I had to find what I could.

Along the way, I started watching the ambiance and the mood being created by Martin Scorsese and the performance of Robert DeNiro.  The film is beautifully shot, with the black and white imagery and the dreamlike state at times.  The boxing matches may not measure up to the realism of today’s standard, but they are dramatic and told a story.

I saw DeNiro take this mean, unbelievably jealous, rotten abusive human being with a violent temper and send him through the wringer, self-induced as it may have been.  Jake LaMotta had a lot to be thankful for, but he was too crazy or insecure to accept that.  He self destructed completely.  The scene of him pounding the wall of the jail cell was remarkable.

So while I never came around on Jake LaMotta as a character, the film itself won me over.  The raw feel of the characters and the amazing look of the movie makes this a classic.

vintage

Ralph Breaks the Internet

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Disney has had quite the year.  With massive hits like Avengers: Infinity War, Black Panther, Incredibles 2, Christopher Robin and the upcoming Mary Poppins Returns, the company has had a ton of success in 2018.  You can toss the sequel to the hugely popular Wreck It Ralph animated film on the pile of money as well.

Not only is this film going to make a ton of money, it is a really quality movie as well.

We find Ralph (John C. Reilly) and his best friend Vanellope (Sarah Silverman) going through their days in their video games and spending time with each other.  However, Vanellope was beginning to become bored with her repetitive existence.  When her video game get broken and the replacement part unavailable, she faces the possibility of it being unplugged forever.

Not so fast.  There is a part available on the internet site Ebay, so Ralph recruits Vanellope to come with him into the internet to attempt to purchase the replacement part before it is too late.

The friendship between Ralph and Vanellope is front and center in this movie, actually focused on the side of Vanellope more than Ralph.  One could make the argument that this is Vanellope’s movie.  She and Ralph head into the Internet and find their way into a Grand Theft Auto type game where they meet Shank (Gal Gadot) and engage in an epic animated car chase with her.  Gal Gadot is not in the film that much, but she is great as Shank when she is.

There are a lot of very clever bits throughout the movie, using the internet and its sites as fodder for jokes and character development.  Of course, the idea was done by the Emoji Movie first, but this is WAY better in their use of the Internet than that movie was.  Yes, there is product placement, but I did not hate it near as much as I did when the Emoji Movie used it.  I think the fact that everything was used for character development made this a far superior flick.

Taraji P. Henson appears as a new character named Yesss, a head algorithm and the heart and soul of the trend-making site “BuzzzTube.”  Alan Tudyk is here voicing KnowsMore, an internet search engine who appreciates the politeness of people.

As with the original, the animation is great, full of life and bright colors.  The third act was quite scary in its own right and the movie deals with some real deep themes.  It is considerably more deep than animated films such as The Grinch.  There is plenty for both adults and kids in Ralph Breaks the Internet.

There is also a powerful scene dealing with online comments that I won’t spoil but is very well done.

The guest appearance of the Disney Princesses is a highlight of the film and really cries out to be developed into more than just a cameo.  And speaking of cameos… our dearly departed master of the cameo makes a fun appearance here too.

Ralph Breaks the Internet waited six years before releasing a sequel, and it was worth the wait.  With films like this joining that growing list of great Disney successes, the studio can absolutely ignore the less than successful films (Solo, A Wrinkle in Time).

4.2 stars

 

The Immortal Hulk #9

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The Immortal Hulk #9

“The Sinners”

Writer:  Al Ewing

Artist:  Martin Simmonds and Joe Bennett

Cover Art:  Alex Ross

The Immortal Hulk has really been hitting its stride over the last several months at Marvel Comics.  It has taken a brand new take on Bruce Banner’s uglier half.  The Hulk comes out at night and it does not matter whether or not Bruce Banner has survived the day… the Immortal Hulk will come out to play.

This title, helmed by writer Al Ewing, has taken the series in an original direction.  It is a horror/Monster story and the psychological aspects of the character of the Hulk as well as the other side characters are fascinating.

This month we get a fantastic appearance form Carl “Crusher” Creel, the Absorbing Man and we get a look at this long time character in a manner that we have never seen before.  The story was told in a disjointed narrative style that worked extremely well.

And we get closer to discovering the answer to the internal torment that has been torturing the Hulk recently.

If you have not been reading this book, you need to go back, pick up the book and catch up.  It is most likely a book that would be tough to jump onto, but catching up is well worth the time and effort.

ReadIt

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Creed II

Michael B. Jordon returns to the ring as Adonis Creed, the son of legendary boxer Apollo Creed, in a film that sees him become involved with the son of the man who killed Apollo, Viktor Drago (Florian Munteanu).

The sequel to the surprise hit Creed arrives in theaters this Thanksgiving with a solid, if not quite as spectacular, film in the Rocky franchise.

Sylvester Stallone returns to his iconic role of Rocky Balboa for this sequel that deals with the once powerful Ivan Drago (Dolph Lundgren) and his son finding the perfect moment to launch an attack on the newly crowned world champion, Adonis Creed.

There are a lot of scenes that deal with the tragic events from Rocky IV back in the 1980s where Ivan Drago killed Apollo in a boxing match, a match where Rocky wanted to throw in the towel, but did not.  There are many good emotional beats coming from this event, in particular from Stallone, who had to deal with his choices for years.

We also find out that the years were not kind to Ivan Drago either as the Russian people treated him as an outcast, throwing him and his son, to the side after the crushing defeat at the hands of Balboa.

Creed II truly is what you get when you combine Rocky IV with Rocky III.  Not that combining those two films is a bad thing, but you clearly can see several of the beats of those Rocky movies in Creed II.  Some claim that the original Creed was really a remake of the first Rocky, but there were enough differences and originality that made it its own.  This one could have used a little more originality to help separate it from these past Rocky movies.

However, the film is very good anyway.  The boxing scenes at the end are excellent (though not near as great as the one shot match from Creed).  The scenes between Jordan and Stallone are some of the film’s best too.

The film goes heavily into the relationship between Creed and his wife Bianca (Tessa Thompson) and they have a great chemistry.  Their relationship is a major selling point for this movie as it is unlike most relationships in this type of movie.

I even really enjoyed the little bit of characterization that the film gave to the Dragos.  They provided just enough detail to make you see these two men as real people and not the mindless Russian monster, like Ivan Drago was portrayed as in Rocky IV.  I liked the stuff from their background.

I did find it very contrived with how the final match wound up occurring where it occurred.  I had a hard time believing that is what would actually happen and it pulled me out of the movie.  I found, as well, the final training montage to be uninspired and a basic throwback to the past Rocky movies.

However, the boxing match is outstanding, the relationships and the characters themselves are really great and every story gets wrapped up beautifully.  While this may not be quite an equal to the original Creed picture, the sequel is a fine movie in its own accord.

4.25 stars

Robin Hood (2018)

This Thanksgiving break started today and I went to a Tuesday night opening.  With the available choices of Ralph Breaks the Internet and Creed 2, you may ask, “How did you wind up at Robin Hood?”  I was asking myself that question as well.

The real answer is scheduling.  I planned out the five or so movies I need to see this break and it worked best to see the new version of Robin Hood on the Tuesday night.

And I did go into the film with as much of an open mind as I could.  In fact, about ten minutes into the film, I am making cracks in my head, but I stopped and told myself… keep an open mind, Doc.

Unfortunately, that open mind did not make this a good movie.  I really tried.

Robin of Loxley (Taron Egerton) caught the thief Marion (Eve Hewson) stealing his horses and they began a whirlwind love affair.  Until Loxley was drafted into the Crusades and had to go to war.  While at war, he tried to prevent crazy military leader Gisborne (Paul Anderson) from beheading the son of Jamie Foxx.  He failed, and wound up being shot with an arrow.  As we find out, Robin, or Rob as everyone called him for some inane reason, seemed to be immune to being shot with an arrow.  Just pull it out.

Anyway, he was sent home and Jamie Foxx followed him somehow.  He apparently knew everything about Loxley and knew of his relationship with Marion, who had believed that Rob was dead.  She moved on with Will Scarlett (Jamie Dornan) making Rob sad.

By the way, there was a scene where Marion and Rob came face to face for the first time and I swear it was a scene right out of The Princess Bride.  Rob asked her why she did not wait for him and Marion responded that he was dead.  I immediately said to myself, “Death cannot stop true love.  All it can do is delay it for awhile.”  Classic.

Back to the “story,” Jamie Foxx wants to train Rob and make him into Batman and send him against the Sheriff of Nottingham (Ben Mendelsohn) to revenge his son’s death, despite the fact that the man who actually ordered his son’s beheading was also still out there.

So Rob got himself an Arrow from the CW costume and continued his training to become a comic book archer.

This thing was hilarious throughout the film, although it had not intended to be.  Some of the dialogue was just horrendous.  The acting was fine for what they were given, but the story was thin and ridiculous and the dialogue was worse yet.

And then there was Ben Mendelsohn.  Poor Ben was just as bad as I have seen.  He was so over-the-top with EVERY line that I wondered if he was being satirical (Hint-he wasn’t).  His performance was laughable and I found him to be a total waste of a character and an actor who has skills.  Just not sure what he was going for here.

The action was okay at times, but it really did not mean anything.  Rob Hood was shot a second time (or was it third?) in the third act and it barely slowed him down.  As soon as the arrow was pulled form his shoulder, he kept going as if nothing had happened at all.

Then, again in the third act, Egerton’s role as Batman Hood is confirmed as one of the characters suddenly becomes Two-Face.  Literally, it was a near exact way that Harvey Dent became Two-Face in The Dark Knight.

Did I mention that Jamie Foxx’s character’s real name translates into “John?”

Jamie Dornan’s character waffled drastically between positions and was never truly a well crafted and realistic person.  He was just written so poorly that Dornan had no chance even with a strong performance.  He was totally inconsistent with his ideas and what happens to him makes ZERO sense.

But sense was not the main component of this movie.  Instead it took the DNA of several more successful movies, including the Nolan Batman trilogy, Princess Bride, Tolkien stuff, and mixed them together hoping to find something that would make this iteration of Robin Hood a viable franchise.  They had a solid cast, but that cast could not escape the wholesale garbage given them to act.  Ben Mendelsohn chewed the scenery every moment he was on screen, only being topped by F. Murray Abraham, whose Cardinal character was so one-note that you could not believe that the writers couldn’t give him SOMETHING to work with.

Oh, and there were a couple of times where it sounded as Mendelsohn’s Sheriff was Donald Trump.  The film took maybe one or two moments where it felt like they were gearing up to set him up as a symbol for the current US President.  Then, the film completely abandoned the point.  They also tried to get Loxley to infiltrate the inner circle of the Sheriff and the Cardinal, which worked like a charm.  Problem was the film also immediately tossed this plot point aside as well.  There was no pay off for any of that in the story.

The only good thing I can say about Robin Hood is that it is now out of the way and I can, hopefully, prepare to see the considerably better movies during the remainder of break.

0.85 stars

 

Juliet, Naked

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I had seen trailers for this movie earlier this year, but it never found ts way to any theaters in my vicinity.  However, when I saw this on iTunes, I was excited about getting a chance to see it at home.

And it was a good film.

Annie Platt (Rose Byrne) was becoming tired of her boyfriend (Chris O’Dowd) and his obsession with long absent rocker Tucker Crowe (Ethan Hawke). So when an album of Tucker’s music is unearthed and released, Annie takes the chance to write a scathing review of it.

Her boyfriend Duncan was mad at her, but she received a unexpected response.  Tucker Crowe himself read the review and agreed with her.  They then began a correspondence via e-mail and on the phone.

When she discovered that Duncan had cheated on her, their relationship ended.  However, Tucker’s minor heart attack made things even more odd.

This film is a sweet romantic comedy with a group of solid performances and a well written script.  The story itself feels a bit slight, but I did like the relationship between Rose Byrne and Ethan Hawke.  Then, Chris O’Dowd is pretty funny as the obsessed fan who finds his hero in an unexpected place.

The story of Tucker and his gaggle of children that he did not know he had was interesting, but it seemed to be over too quickly.

This is deeper than most rom-coms but, even so, there is not a huge amount of plot.  Most of the film is resolved after the hour and a half.

Rose Byrne is great.  She brings a lot of charm to the movie and the little boy who plays Tucker’s son Jackson (Azhy Robertson) was a nice addition.

Juliet, Naked is a nice film to watch on an evening when you do not have anything else to do.  It might be a bit too slight, but that does not keep it from being a suitable watch.

3.3 stars

NXT Takeover: War Games

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Hanson launches himself onto O'Reilly and sends him crashing through the hardwood!

Tower of Doom!

Ricochet hits a double rotation moonsault from the top of the cage!

Dream goes for his second Purple Rainmaker, but Ciampa rolls out of the way...

WWE Photo

Photos from WWE.com

NXT Takeover WarGames 2 happened last night and one has to wonder why this show NEVER FAILS.  No mater what NXT performers are on the card, the show just is filled with amazing action, great drama and wrestling.

We see the main roster events and they, more often than not, are nowhere near as entertaining as NXT specials.  Now, there are few NXT events on the WWE Network than WWE PPVs.  That has to be taken into account, but still.  There has not been one Takeover special that has been a disappointment.

WarGames last night was insane with Ricochet, Pete Dunn and the War Raiders defeating the Undisputed ERA after Ricochet and Dunn co-pinned Adam Cole (Bay Bay).  This followed some fantastic storytelling inside the match as well as insane spots that looked amazing.

And an argument could be made that this brilliant WarGames was the third best match on the card.

Johnny Gargano vs. Aleister Black and Tommaso Ciampa vs. Velveteen Dream were perhaps the best back-to-back singles matches in history.  Both matches would be pushing five star classics.  Johnny Gargano has been in more Match of the Year candidates than any other performer in WWE.  By far.

Ciampa is maybe the best heel going today.  The Velveteen Dream is going to be a massive star, and he is only 23 years old.

Then the show kicked off with a quick squash match for the King of the Bros, Matt Riddle.  Plus, an entertaining women’s match with Shayna Baszler vs. Kairi Sane, what more could you want?

I think a major issue with WWE is how these unbelievably entertaining and remarkably talented performers get lost when they arrive on the main roster. They obviously thrive in the world of NXT,but the main roster seems to chew them up and spit them out.  Why is that?  Is it the performers fault?  I have a feeling that is what is being said backstage, but when there are more performers who were amazing at NXT but under-performing on the main roster, shouldn’t creative have their share of the blame?

Andrade “Cien”Almas is the latest example of a man who will be in the Top 10 matches of the year list on NXT but lost in the shuffle at Smackdown.  There really can’t be that big of difference is there?

It has taken Bayley years to recover (if she has) from the disastrous run on the main roster.  She was once one of the hottest acts on NXT.

Thankfully, it looks as if the Authors of Pain have been allowed now to become what they are instead of becoming the next Ascension.

There are too many to be coincidence.  Creative is the problem.  Vince is the problem.

One day, perhaps we could have WWE giving us one success after another.  Maybe.

Until then, we are NXT.

Can You Ever Forgive Me?

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Melissa McCarthy has been in a rut for awhile now.  Most of her movie roles over the last several years were similar.  She was playing a “Melissa McCarthy” type.  In the drama St. Vincent with Bill Murray, she showed she had more acting chops than we thought, but we hadn’t seen her take this type of a role since.

Can You Ever Forgive Me is the most unlikely role Melissa McCarthy has ever taken on and she just knocks it out of the park.

Lee Israel (McCarthy) is a down on her luck author, desperately trying to complete her latest book to get some money.  She is behind on her rent.  Her cat is sick.  She is a heavy drinker.  Her agent (Jane Curtin) won’t return her phone calls.     What can she do?

When she finds a letter written by Fanny Bryce, she discovers that there is a market for old personal memorabilia of old time stars.  Lee decides that she would take advantage of this situation and forge these letters by using her own talents as a writer to make the letters very personalized.

I found this movie completely engaging and entertaining.  I thought Melissa McCarthy was astounding as Lee Israel.  The great Richard E. Grant as Jack Hock was amazing casting. The relationship between Lee and Jack was one of depth and realism.  Their friendship was uncertain but different than most you see on the screen.  Two pretty wicked people finding a fellow scammer in each other.

Despite Lee Israel being a unlikable person, you can relate to her and connect with her.  She has problems that all of us have and she is only doing what she can to try and solve them.  She makes bad choices in the long run, but you can understand why.  At first, she was just trying to get the vet to help her cat (By the way, I hated that veterinarian who is turning away this poor sick cat over 80 some dollars.  Screw you, vet).

You can tell that Lee is enjoying her success and the money that is coming with it as the whole act strokes on her ego.  McCarthy does the whole thing brilliantly.

I believe Melissa McCarthy is absolutely an Oscar worthy nominee this year as Best Actress for this role. She should be awarded for taking something different and doing it so well.  It very well could be a career resurgence.

4.85 stars

 

 

 

Instant Family

I saw a review of this movie on Collider Movie Review Talk by William Bibbiani that summed up this movie with one perfect word:  “Lovely.”

That word from Bibs was the ideal word to describe Instant Family, which has a ton of heart, some wonderful moments of emotion and some great family drama.  And it had a bunch of humor that fit right in with the tone of the film.  It was not a “Daddy’s Home” type film that is was marketed as.  It was heartfelt and the humor was real.

Pete (Mark Wahlberg) and Ellie (Rose Byrne) are a married couple that find that they are missing something and they decided to become a foster family with the idea of adopting.  After meeting a fiery teen Lizzy (Isabela Moner), Pete and Ellie are intrigued.  However, Lizzy comes along with a brother Juan (Gustavo Quiroz) and sister Lita (Julianna Gamiz) and the trio is a handful.

I truly expected this to be an entirely different type of movie, but this turned out to be an exceptional film. The acting was spot on.  Mark Wahlberg and Rose Byrne had an easy chemistry and made a real, loving couple.  Young Isabela Moner is a future star.  She was tremendous as the troubled teen.  She shone every minute she was on screen.

Octavia Spencer and Tig Notaro were great together as the social workers assigned to the case of Pete and Ellie and the kids.  They were both entertaining and funny while delivering an important message.

Of course, the message of how important it is to have foster parents is very  vital, but, at times, heavy handed in the movie.  I mean, the film ends with a web address to help provide info for those wishing to adopt children in the system.  It felt too much like an infomercial during the film.  It is not a major issue, but it was noticeable.

In the end, this was a highly entertaining and funny movie with a message worth giving.  There are strong performances and the film thankfully goes in a different path than you expect.

As Bibs said, “It was lovely.”

4.6 stars