Zack Snyder returned to the zombie genre after his 2004 film Dawn of the Dead with a new movie arriving on Netflix after a limited theatrical run. Headlined by Dave Bautista, Army of the Dead took the zombie genre and infused it with some new ideas and added to the mythology of the living dead genre.

Scott Ward (Dave Bautista) was a medal-awarded former soldier who was involved in the walling off of Las Vegas after a horrible zombie outbreak destroyed the city. However, Scott lost his wife in the battle and became estranged with his daughter Kate (Ella Purnell) and he was working as a fry cook in a greasy diner.

Scott was approached by Japanese businessman Bly Tanaka (Hiroyuki Sanada) with an offer. Tanaka told Scott that there was a vault inside one of the casinos that contained $200 million dollars. Tanaka wanted Scott to put together a team and pull a heist in the middle of the zombie apocalypse.

Offer a cut of $50 million, Scott could not turn Tanaka down and so he went about recruiting a team to pull off the heist with the knowledge that the government was preparing to drop a nuclear warhead on Las Vegas in 32 hours.

Dave Bautista continues his improvement as a performer. He is the glue that holds together this entire film and he never allows the craziness that is going around him to interfere with the heart of the movie, which was the relationship between Scott and Kate. The father-daughter dynamic between them keeps the movie grounded while some of the most ridiculous and silly things were happening around them. Bautista has shown continuous progress with ever project he takes. Whether or not the film is a good one, Bautista gives his best effort.

Where Zack Snyder’s venture into the world of DC brought a lot of dark and morose filmmaking, the tone of this film was part of the joy of Army of the Dead. This film was big and dumb and it knew it. It embraced it. There was humor, light-hearted moments intertwisted with some real tension. Snyder does not make it all serious, nor does he take it into the world of satire. He walks a line between the two worlds expertly.

The remaining cast was all good and got time to give us enough of their characters to make them worth rooting for. Tig Notaro as helicopter pilot Marianne Peters had some great moments trying to repair the escape helicopter. Omari Hardwick and Matthias Schweighöfer made a fun pairing as they tried to navigate the hotel and the eventual vault.

I liked a lot of the additional abilities that were given to the zombies, without totally dismissing the iconic natures of them. We saw the normal stumbling and hungry zombies, but we also saw what seemed to be a more evolved zombie that was led by Zeus (Richard Cetrone), the zombie king of the intelligent, more human zombies. Admittedly, there were moments in the film that make you roll your eyes because it is just too ridiculous, but you should expect that.

The film is too long and could have been wrapped up with 20-25 minutes cut, but Zack Snyder has been making long movies recently. I guess we should be happy that it was not 4 hours worth of movie (hello Justice League). It is an enjoyable film and one of my most favorite films from Zack Snyder’s oeuvre. Dave Bautista continues the elevation of his star and, I mean, there is a zombie tiger. What more could you want?

3.75 stars

Reshoots, rewrites and delays are not always a sign of bad things to come. All movies go through these. However, in the case of the new Netflix movie, The Woman in the Window, they were a precursor of the film’s failure.

Released after a long and arduous process, The Woman in the Window wants to harken back to days of “Rear Window” but comes up short at the end.

Amy Adams plays child psychologist Dr. Anna Fox, suffering from agoraphobia and living alone in her house in New York. She is separated from her husband (Anthony Mackie) and her daughter (Mariah Bozeman) and is under doctor’s care and psychological evaluation. She takes prescription drugs to help her problems and drinks way too much.

Being stranded in her house, the only thing that she can do is to watch the neighboring buildings, keeping track of the other people’s lives. When the new family moves in across the street, she meets the 16-year-old Ethan (Fred Hechinger), a kid who has several family problems. They become friendly and Anna hopes to be able to help the boy.

Ethan seems to be afraid of his father Alistair (Gary Oldman). When Ethan’s mother Jane (Julianne Moore) stopped by for a visit, she bonded with Anna over children. Later that week, Anna witnesses the Jane she met being murdered across the street in the Russell home.

The police seemed to be uncertain about the reliability of Anna, especially when Alistair showed up with his not-so-dead wife Jane (Jennifer Jason Leigh), who was a different woman than the one Anna had spent time with that night.

From this point on, the film is really messy and is not sure what it wants to be. The central mystery is confusing, and, in the end, turns out to be a disappointing reveal. It was interesting that the film played off on Anna being an unreliable narrator, with what she sees and does being called into question.

This is a strong cast, but the material just does not reach the level that it should have. Based on a novel by A.J. Finn, there are problems with the film. Parts of the movie were not terrible, but just lacking. The third act became laughable at times, including a moment rolling down the stairs that looked nearly like a pratfall from a comedy movie. And one of the character must develop teleportation because it doesn’t make sense otherwise.

This does feel like one of those movies that could be improved by having the Rifftrax guys riffing it. Not sure if this is meant to be serious or if it is meant to be schlock, or both at times.

1.85 stars

The most recent big release from Warner Brothers to be dropped both in theaters and on HBO Max came out this weekend with the debut of Angelina Jolie’s new movie, Those Who Wish Me Dead.

Jolie is a smoke jumper who has been struggling to overcome a traumatic memory of a failed rescue attempt. She winds up in the watchtower in the forests of Montana. However, things were going to pick up as Connor (Finn Little), a boy whose father was killed by a pair of assassins, was now trying to avoid the same killers in those woods.

Ethan (Jon Bernthal), the sheriff and the boy’s uncle, is involved as well as the two assassins (Aidan Gillen, Nicholas Hoult) go to his house and terrorized his pregnant wife (Medina Senghore) in an attempt to find the boy. She turned out to be more kick ass than anyone in the movie.

Meanwhile, Jolie runs across Connor and the two of them try to hike their way out of the woods only to discover a raging forest fire, set by the assassins.

Having written those plot points, the story does sound pretty ridiculous. However, it does work better than I thought it would. It was especially touching with Connor and his father (Jake Weber). There were a few times when I felt emotionally touched by the delivery of a line from Connor, and those moments were where this film transcended itself.

I liked the relationship with Jolie and Little. They worked well together and that is vital if this was going to work at all.

The thriller aspect was limited to a couple of scenes in the film. These few moments worked well, but it was not something that carried through the run time.

This film is fine. I enjoyed watching it. I am not sure if I will remember anything about it by the end of the year. Angelina Jolie is good (but I expect her to be great in Eternals) and the rest of the cast is decent. Medina Senghore is seriously one of the standout performances in Those Who Wish Me Dead, as an unexpectedly kick ass heroine. I wanted more of her and her pregnant power.

It’s on HBO Max so watch it if you want to. I would not say go to the theater for this one since it is available to stream.

3.15 stars

The Saw franchise has never been one that I have been interested in. I have heard that the first installment was good, but I have never watched it. However, with the new film coming out now, featuring Chris Rock and Samuel L. Jackson, I found myself, at the very least, a little intrigued.

Entitled Spiral: From the Book of Saw, the new movie had moments that it was interesting, but it was pretty predictable, the dialogue was not very engaging and the story was something that has been seen before.

Detective Zeke Banks (Chris Rock) is not popular among the other police officers ever since he turned in a dirty cop years ago. Still Banks, son of former Police Chief Marcus Banks (Samuel L. Jackson), pushes on with the corrupt cops in his department.

When one of Banks’ friends on the force is murdered in a gruesome trap involving a subway train, the precinct prepared for the possibility of another Jigsaw copycat killer on the loose.

Trying to reign Banks in, Captain Angie Garza (Marisol Nichols) assigned a rookie detective William Schnek (Max Minghella) to partner with him. The pair investigated the mystery of who this copycat killer was as more police officers faced the rogue justice of Jigsaw.

I had the killer’s identity figured out early. The film kept trying to set up other possible characters as suspects, but they were all so obviously red herrings that it only left the one possibility. Even when it looked as if I was going to be wrong, I had a pretty safe feeling that I was not wrong.

Chris Rock is good here, but he is not good enough to carry this script to a positive result. Samuel L. Jackson is grossly underused. Do not go into this movie thinking that you are getting a team up between Chris Rock and Jackson, because you have very scant few scenes with them.

The kill scenes had a few interesting set ups, but they wound up feeling pretty repetitive by the end of the film, and they are short and lacking any real motivation for the audience to hope the victim survives (with one notable exception).

Approaching the Saw franchise more as a crime thriller than a gore porn/slasher film has a lot of potential, but it just feels like the writing did not live up to the idea and the execution was lacking. Chris Rock does what he can, but there is just not enough here to make an entertaining movie.

2.2 stars

One of the main reasons why I was looking for a shorter movie for today’s DailyView was that I was hoping to save some time this evening to watch the new animated movie from the producers Christopher Miller and Phil Lord, The Mitchells vs. The Machines.

There had been a lot of positive word of mouth circling around this movie over the weekend, so I was anxious to get a chance to watch it on Netflix. I am happy to say that it was a really great time filled with warmth, humor and a fantastic message about family and sacrifice.

Katie Mitchell (Abbi Jacobson) was anxious to get out of her house and head off to film school…away from her family of weirdos. Chief among them was her father Rick (Danny McBride) whom she had been clashing with on a regular basis recently. Rick is desperate to show Katie how much he loved her, but everything he tried seemed to backfire on him.

So Rick canceled her plane tickets and insisted on taking the family on a cross country drive to take her to college. Katie was anything but thrilled to spend time with Rick, her mother Linda (Maya Rudolph) and her little brother Aaron (Mike Rianda). Not to mention their squishy pug, Monchi.

Little did they know that there was a robot uprising occurring, led by angry phone app, PAL (Olivia Colman), who was feeling rejected and replaced when tech magnet Mark Bowman (Eric Andre) tried to reveal an upgrade. PAL took over the new robots and amassed an army that immediately enslaved the human race.

With plans to send the humans into space forever, PAL only had one family evade capture: the Mitchells.

This was a fantastic animated adventure with a lot of heart and some wonderful characters. Lord and Miller were involved in Spider-Man: Into the Spider-Verse and I have to say that there were many elements of The Mitchells vs. the Machines that reminded me of that Oscar winning Spidey film. There were amazing colors sprinkled throughout the film, and the originality leapt off the screen.

Katie provided a voice over that was used in just the perfect amount. Some times voice overs can be poorly executed, but this was just the right amount. She was funny and delivered us the story as they went.

Every character had their moments and brought their laughs. The individual relationships between the characters felt real despite the insane situations that they found themselves in. There is a moment in the third act where you can see why Maya Rudolph was brought in to play the wife in this family. She becomes completely wild in this moment and delivers one of the biggest laughs of the film.

The Mitchells vs. the Machines is more than your typical animated movie. It brings a creativity that you see in few animated films and, while it may not quite reach the emotional wallop of a Pixar film, it still provides you with a strong core of characters, smart writing, a colorful explosion of images and exceptional voice work, especially Olivia Colman as the evil sentient AI. This one is a film that the whole family will enjoy.

4.6 stars

Despite the fact that we are smack dab in the middle of the DailyWatch, there are still new movies being released. This week, Michael B. Jordan’s new film arrives on Amazon Prime, Tom Clancy’s Without Remorse.

John Kelly (Michael B. Jordan), a former Navy SEAL, was home after a mission in Syria that ended up with Russian military being killed. John had a happy future ahead of him as his wife was 8-months pregnant with his first daughter. However, tragedy struck as several members of his team were murdered one night. On the same night, John’a wife is killed and he is shot.

Surviving the assassination attempt, John struggles to overcome his gunshot wounds. He does so very quickly (in a montage, sort of) and then he goes out after the the members of the Russian hit squad that escaped from his home.

Okay, I’m not spending any more time on the plot of this movie because it is so convoluted and messy that it would not be worth the time. The plot of this movie is easily the weak point of Without Remorse as it feels silly and needlessly complicated.

Michael B. Jordon is great as always. He brings the necessary intensity level for this type of movie to be successful, but there just is too much mess here to make it worthwhile.

The action does not elevate the film above its level either. Last year, the Netflix film Extraction was a basic story but the action was so great that it raised the film. Not so here. In fact, several times it was very difficult to see what was going on.

There are some interesting cast members here, but none of them are able to do much more than be on the cast list. Jamie Bell, Jodie Turner-Smith, Guy Pierce, and Lauren London are here but have very little to do.

There was an interesting action scene in a prison cell, but that was the only moment that this finds something original or engaging. The ending was completely disorderly and bad. This was not up to par with other Michael B. Jordan films.

2.1 stars

Netflix has a new drama/sci-fi film on its service this weekend that has a small, but powerful cast of actors and a story that matches the skill level of the stars.

Starring Anna Kendrick, Toni Collette, Daniel Dae-Kim and Shamier Anderson, Stowaway tells the story of a three-person mission heading to Mars when it is discovered that there is an unexpected, accidental stowaway on the vessel. Unfortunately, the trip was planned out as a three-person trip and, with the existence of a fourth person, the survival of all comes into question.

The science fiction aspects of the story are minimal, but there is some great science bits. This makes one think of Gravity from a few years ago.

Strength of the film is easily the cast. Anna Kendrick does a great job as the doctor who is the voice for human life. Toni Collette is her normal wonderful self, though I though she could have used more to do in the film. She certainly takes advantage of every minute she is on screen. LOST’s Jin… aka Daniel Dae-Kim is a solid addition and I am really happy to see him here.

The film avoids diving into the clichés that you may expect to happen with this type of moral dilemma presenting a unhappy choice. I was pleased to see the film take a more realistic twist on the story.

The film looked great too. The CGI and the environment of space and inside the ship are well done and match up with anything that you might see on the big screen.

The story does drag a bit at times, in particular, early in the movie. The slow burn might be a turn off for some who expected more of an excitement filled sci-fi flick. When the film brings the anxiety though, it does so in spades.

The biggest issue I had with much of this film is that I was never quite sure what was going on. There was a lot of confusing details, but the moments between characters made these fairly unimportant.

Good acting and some dramatic tension makes Stowaway a decent sci-fi film.

3.6 stars

I was actually looking forward to the new Mortal Kombat movie. No reason. I had only a mild interest in the video game when I was younger and the other Mortal Kombat movie left a lot to be desired. There was just something about this one that intrigued me.

Now after seeing the film on HBO Max, I realized that I was fooling myself. This was terrible.

To be fair, if you are a fan of the video game, there may be more here than I think.

This version was rated R and it was extremely bloody and violent. It is some of that blood that seems to be there for no other reason than to be gory.

MMA fighter Cole Young (Lewis Tang) is a descendent to one of the greatest ninjas of all-time, Hanzo (Hiroyuki Sanada) who had been attacked and killed by Sub-Zero (Joe Taslim) in an attempt to remove the bloodline. Now, Cole is trying to gather the heroes of earth to battle against the forces of Outworld. Head of those forces, Shang Tsung (Chin Han), is trying to destroy earth’s forces before the great tournament that would put the world’s fate in balance.

This is so dumb. I will state off the bat that the movie has some good fight scenes, though I thought the blood was a distraction. The CGI was certainly better than the original movie, which had some of the worst CGI of the time. The acting was okay. I would not push it any farther than that.

The story was weak. The dialogue was terrible. We have very little connection to any of the characters outside of the fact that they had a resemblance to the characters we know from the game. The third act featured one of the sloppiest deus ex machinas that I have seen in quite awhile.

I expect that this is one of those movies, like the Fast and the Furious franchise, that everyone says you have to understand what kind of movie it is and that you should not come into Mortal Kombat expecting much. I’ve never truly understood that thinking. Either a movie is good or it is not. It is subjective so you really shouldn’t need to clarify why you like a movie when it is a piece of garbage. The new Mortal Kombat movie is garbage, but there are plenty of people who will defend it as “fun” and that this is one of those “types” of films. I wish I found much of anything in this fun so maybe I could stick my head in the sand and pretend that this is a good movie. It is not.

1.7 stars

Conflicted.

For most of the time I was watching the Canadian horror/sci-fi film, Come True, I was mesmerized. There is a lot to like here. However, the ending of this film really takes the story in directions that…one, I did not see coming and…two, make very little sense.

18-year-old runaway Sarah Dunne (Julia Sarah Stone) sets herself up for a sleep disorder study to deal with her recurring nightmares. Soon, she discovers that the sleep study has more going on than one expects.

However, that is not what this movie is about. It is about dreams and about the nightmares that frighten us all. Or is it?

Through much of the film’s run time, Come True is beautifully shot and creates a feel of a living dream by the use of lights and imagery that is in a constant haze. It really is a lovely looking movie and one that is unlike any I have seen in quite a long time.

Narratively speaking, I have no idea exactly what happened.

Perhaps that is the purpose. Dreams can be a confusing and disjointed experience and maybe that is what this film is trying to portray. It just feels as if the third act of this movie took what was developing nicely in the first hour of the film and tossed it aside for a shock ending that is meant to be smarter than it turned out to be. The last part of this movie was a real letdown.

However, the first two acts were very strong and moved things along extremely well. There were plenty of situations that may have confused you, but it felt as if there was a progression of the story, and, again, it is beautifully shot. The acting is very solid, despite the cast being a group of actors whom I had never seen before. I really liked Julia Sarah Stone in this film. She felt as if she dominated the screen when she appeared and she carried herself like a star.

The other major role here was that of Jeremy (Landon Liboiron), but, after seeing the ending of the movie, his importance in the film may be up for debate. He was believable here.

I am happy I watched this, but I cannot shake the feeling that I was thinking that this could have been a classic film, only to have it spoiled by a nonsensical ending. After the first hour or so, I was thinking that this would be somewhere in the 4.5 stars range, but it took quite a downturn in my opinion. I’d still recommend you watch it, but temper your expectations.

3.2 stars

Benedict Cumberbatch has been making a career outside of the MCU playing characters that are real life people with gigantic stories to tell. He was Stuart Couch in the Mauritanian. He was Alan Turning in The Imitation Game. He was Billy Bulger in Black Mass. Now he is Greville Wynne in The Courier.

The Courier tells the true story of a British businessman, in the heart of the Cold War, recruited by MI6 to meet with Russian informant Colonel Oleg Penkovsky (Merab Ninidze) who had vital information that dealt with world safety. Taking place around the time of the Cuban Missile Crisis, The Courier highlighted the courageous actions of two men inside the former Soviet Union leading to vital intelligence coming to the West.

The movie does a fantastic job of showing the relationship between Wynne and Oleg. Among the danger and the espionage happening, these two formed a bond of friendship that is put to the test later in the movie. It shows how two people from different background and lands can put aside any issues they may have and make a connection.

Benedict Cumberbatch is tremendous here, continuing his strong run of roles. He has shown quite admirably that he is more than just Doctor Strange or Sherlock Holmes. His well-roundedness is on display once again in these true stories.

This was a tale that I had never heard about and the drama behind the Cuban Missile Crisis is always intense and suspenseful. The world was quite literally on the brink of nuclear war and the way that informs this story is well done. The Courier provides us with an old school spy thriller feel and keeps you on the edge of your seat. Something happens in the third act that I was not expecting and I found myself completely engrossed in it.

The beginning of the movie was a little slow, but it ratcheted up quickly as it progressed. There was a sub story with both men and their individual marriages. in particular, Sheila (Jessie Buckley), wife of Greville Wynne who believed he was having another affair in his constant trips to the USSR. The relationships in The Courier are truly the main attraction of the movie.

This is a strong film with a story that is both tense and exceptional that was unknown enough to make it engaging.

4 stars

The new sci-fi film hitting the theaters this weekend is Voyagers, and the basic premise of the film is Lord of the Flies in outer space.

In order to find a new world to inhabit because the earth was dying, a group of children are bred and birthed for a specific purpose: to be the people who give birth to the kids who would reestablish humanity. Since the trip would take 86 years, they needed a multigenerational approach.

As these young kids are growing, they are being instructed and protected by Richard (Colin Ferrell). When strange noises start happening outside the spaceship, Richard and Zac (Fionn Whitehead) were going to find out what it was. However, Zac and Christopher (Tye Sheridan) had discovered that the blue liquid that the group was required to drink daily was a drug to suppress sexual feelings and other emotions and they decided to stop taking it.

Without the drug, Zac became more wild and uncontained. When tragedy struck, Zac and Christopher wound up on opposite sides among the crew.

Sela (Lily-Rose Depp) was the medical examiner and one of the group of kids was with Christopher. She was pretty good here though I was not sure the reason why she and Christopher had the connection they had.

This movie had a couple of moments and a fascinating premise, but not enough for this to be successful. The characters are dull and uninspiring. I could not get the idea of Lord of the Flies out of my head the entire time. I was connecting characters with the novel and that became a distraction for me.

Fact is the movie is pretty forgettable and there is nothing that stands out. It is lightweight and unremarkable.

2 stars

Melissa McCartney and Octavia Spencer gain super powers to try and stop a group of super powered sociopaths called the Miscreants in the new super hero farce/comedy Thunder Force, arriving on Netflix this weekend.

In the world, an event gave random people super powers, but, unfortunately, only people who were sociopaths. This was, obviously, not good for the people. Now, Emily (Octavia Spencer) is trying to fulfill her lifelong goal to find a process to grant super powers to regular people to fight the Miscreants.

Emily is preparing to undergo the process to give herself super strength and invisibility, but an old friend from high school, Lydia (Melissa McCarthy) accidentally winds up getting the initial injections for the super strength. She then has to complete the process or her body might explode.

Emily continues to give herself the invisibility and the pair become a super hero team called Thunder Force. They confront the Mayor who insists on being called “The King” (Bobby Cannavale), who was also a Miscreant. He has Miscreant henchmen Laser (Pom Klementieff) and The Crab (Jason Bateman).

This is really pretty dumb and really fairly thin. It is a super hero comedy that did not have many laughs. It was a typical Melissa McCarthy film with super powers. Characters are two-dimensional with motivations that are simple and not complicated. They spend plenty of time dealing with the normal super hero tropes of an origin film and creates a minor story.

It was harmless though. It gave me a few laughs here and there. Not enough of them to really enjoy the film or to make up for its complete lack of depth, but it was not the worst movie I have seen this year.

The film does not give its talented cast much to do but they do their best anyway. These actors, McCarthy and Spencer especially, are likable and fun to watch. They both have had much better material in the past however.

Not much to this one, but it is not offensive and moves along reasonably. Since it is on Netflix, it may be worth a lazy Saturday/Sunday watch.

2.4 stars

What is supposed to be the final season of Stranger Things should be hitting Netflix later this year, but that talented cast should be fine once it is over. Case in point, Caleb McLaughlin teams up opposite one Idris Elba in a modern Western premiering on Netflix this weekend, entitled Concrete Cowboy.

McLaughlin played Cole, the son to Elba’s Harp, who had been taken away from him as a child by Cole’s mother, was getting into trouble in Detroit. His mother chose to send Cole to Philadelphia for the summer to be with his estranged father. Harp was a member of a community of cowboys in the Philadelphia area, maintaining stables filled with horses. Money is tight, but the group of people are dedicated to the lifestyle.

Cole, however, does not find this situation to be happy, as he immediately hooks up with an old friend Smush (Jharrel Jerome). Smush is involved with street wise trouble and is looking to bring Cole in with him. Harp insists that Cole stay away from Smush, but Cole plays both sides.

Meanwhile, Cole has bonded with a horse named Boo that is a horse no one can handle.

The film is a decent story and has some powerful acting. Caleb McLaughlin really carries his work load with some more established actors. He had to bring plenty of layers of performance here, as the realm of emotion spread across the spectrum. He does a great job and he is the heart of the film.

Idris Elba had some moments, but he stands out the most with his scenes with McLaughlin, as a father who is trying his best to provide his emotional support despite not being there for the majority of his son’s life. He had plenty of problems he faced and came out of it a stronger person.

The secondary cast is fine, but few of them are memorable. Method Man, Byron Bowers and Lorraine Toussaint are here as well.

Based on the novel Ghetto Cowboys by Greg Neri, Concrete Cowboys provides a fascinating look at the urban cowboys that exist in Philadelphia and the way their lives exist. When you add the strong father-son dynamic of the story, this movie has some very strong parts. It might be a tad overlong, but the performances keep it rolling.

3.5 stars

The second film I saw at Cinemark today was the good one. This is a revenge thriller starring Bob Odenkirk (of Better Call Saul & Breaking Bad fame). Odenkirk may not seem like an actor who would fit as an action star, but he proves his worth in this movie.

Odenkirk played Hutch Mansell, a seemingly milquetoast man, who cannot even protect his family from a pair of bumbling thieves. His monotonous life has him going through the motions daily. His life is dull.

However, the break-in triggered something that Hutch had been holding inside of him for years and he went out to hunt down the thieves. Along the way, we discover that there is more to Hutch than we had expected.

A conflict with a group of drunken Russians on a bus brought out the vicious side to Hutch and put the Russians into the hospital. This drew the attention of the brother of one of the Russian, Yulian (Aleksey Serebryakov), and set up a wild revenge story.

Bob Odenkirk is great here and brings a realness to a film that desperately needs it. His deadpan reactions really work well in the violent situations that he finds himself in. Odenkirk is an Emmy Award winner and you can see how much of a range he has. How he started as a man who did not have that spark and then as he became more and more alive as the violence increased.

Christopher Lloyd has a wonderful role as Hutch’s father David. It was fun to see Lloyd here and placing him in this situation that we may not have seen him in before, much like Odenkirk, is cool.

Written by Derek Kolstad, who also wrote the first three John Wick movies, you can definitely see the similarities to the Keanu Reeves franchise. However, the use of Bob Odenkirk brings a different level to Nobody that takes the ideas that we have seen multiple times in revenge flicks and made it entertaining.

3.8 stars

I returned to Cinemark today, fully immunized, for a double header. I have not been feeling desperate to go back to the theater though. Watching at home has been pretty convenient and comfortable. However, with a light, yet extended, weekend, I had some time to head out. So I grabbed my heavy-duty mask and headed for the theater.

Of the two film I saw, one was great, one was not.

This is the not.

A hearing-impaired girl named Alice (Cricket Brown) is visited and healed by what she believed was the Holy Virgin Mary. She also gained the ability to heal others through the prayer and belief. Disgraced journalist Gerry Fenn (Jeffrey Dean Morgan) is coincidentally in the area investigating a cattle mutilation story and stumbled across an artifact that freed up a demon. Fenn connected with Alice and hoped to use her story to get back his prime job.

There are a couple of familiar faces in the church with Father Hagan (William Sadler) and Bishop Gyles (Cary Elwes). I have to say, there were two moments where I was quoting The Princess Bride because of the familiarity of the scenes. And not in a good way.

Sadly, there is a lot of dumb here. Characters who are dumb doing things that are dumb. Jeffrey Dean Morgan feels as if his character is remarkably inconsistent and has a back story that is touch on, but not developed in any way. Alice is even less of a developed character.

The whole religious line of the story is surface level at best. There might have been an idea here that the film could have said something about, but it does not. The mysterious demon was never scary and the jump scares were nothing new or original. You have seen this all over the place.

There are some seriously laughable scenes. There was one scene where one of the priests ( it was actor Diogo Morgado) was trying to light a match and the spirit/demon kept blowing it out from over his shoulder. It was hilarious. Unfortunately for the movie, it was not supposed to be funny.

There were as many eye rolls for me here as anything else. The Unholy is not a good movie.

Go listen to EYG Hall of Famers Kiss’ song Unholy. It is much more entertaining and has been going through my head since.

1.8 stars