Category Archives: The June Swoon

El Conde (2023)

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June 23, 2024

Today’s June Swoon entry is a piece of historical fiction blended into a vampire tale that received an Academy Award nomination for Best Cinematography this past Oscars.

El Conde tells the story of Chile’s brutal dictator Augusto Pinochet (Jaime Vadell) as a 250-year old vampire who arrived at a point that he wanted to die. His sycophant children came to see him, with the hope that they would receive their inheritance. When they were unsure of the plans of their father, they hired a nun named Carmen (Paula Luchsinger) to find the missing fortune, although Carmen has ideas of her own to put into place.

The film is a black comedic satire of not only the vampire movies, but also of the political world of the time. One only needs to wait to discover the mother of Augusto Pinochet is to understand that.

There are some really gross moments in the film, but everything is shot in black and white which makes it more artistic. Again, to avoid spoilers, the use of a blender definitely stands out as one of the creepier aspects of the film.

The film may drag on a bit, but it does have its funny moments and makes the most of its gimmick. The performances are decent and the film looks amazing. El Conde is available for streaming on Netflix.

The ABCs of Book Banning (2023)

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June 22, 2024

It is another busy day, so I made time this morning for another Oscar nominated documentary short film, and it is one whose topic is close t my heart. The ABCs of Book Banning is a look at some of the books that have been banned, challenged or restricted in schools across the country and the thoughts from children about the banning.

The film showed many books and gave excerpts from them in order to show a type of book that seemed to be banned more than others. A high percentage of these books appear to be about those segments of society that are different from the “normal” public. Black & Jewish history, those dealing with LGBTQ + community, those dealing with power for women… these are the majority of the books shown.

The film began with 100-year old Grace Lin speaking to a school board about the banning of books and how it went against everything that she believed and that her husband, who died in World War II, fought for.

The most effective part of the film was the comments made by the children. These kids were asked about the books. These children were very well spoken and convincing.

The slideshow-like was less effective, basically just showing images of the banned books and animating some for illustration. I saw several books that I have on my own shelf show up on the screen, including EYG Hall of Fame graphic novel Maus.

This film does feel slight and does not go into the specifics of the topic. I do not have a problem with the film stating that they wanted to give voice to the one side of this issue since the voice for the banning has been so loud, but I needed more substance to it.

I am totally opposed to the idea of book banning and find the act repulsive. This is not quite as powerful as I would have liked.

My Big Fat Greek Wedding 3 (2023)

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June 21, 2024

The next movie in the June Swoon 3 is the third film in a sequel called My Big Fat Greek Wedding 3.

This really feels like a sitcom that has done that special episode that sends the family to a vacation spot and they go on location to film. You know, like the Brady Bunch in Hawaii or the Grand Canyon, Happy Days in Los Angeles with shark jumping, or Blossom in Paris.

The plot of the film centers around a family reunion in Greece after the death of Toula’s (Nia Vardalos) father. However, most of the film just has a bunch of individual moments among the run time for the different characters. These conflicts through the film appeared, were mostly solved easily and then the film moved on. Just like a sitcom.

There are a few giggles throughout, but most of the film’s humor is at that ‘bad-sitcom’ level. Most of them fall flat.

I do like Andrea Martin and Maria Vacratsis and their little old Greek women characters. They had the best one liners and, if something was funny, it usually came from them.

There was some beautiful exterior shots of Greece. It’s like a postcard for tourists.

There is not much here for a movie. It feels very disposable and fluffy. Nothing of substance here.

All of Us Strangers (2023)

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June 20, 2024

All of Us Strangers is the next film on the schedule for the June Swoon 3, and it is a lovely movie that deals with deep seeded loss and grief, while not falling into the trap of making the film maudlin or depressing.

Adam Scott gives a tremendous performance as Adam, a screenwriter who has a chance encounter with Harry (Paul Mescal) at his apartment building. Harry was drunk and looking for someone to spend time with, but Adam rejects him. Then, Adam goes to see and spend time with his parents (Claire Foy and Jamie Bell) at his childhood home. The only drawback… Adam’s parents died in a tragic car crash when he was a little boy.

As the audience member, you are never quite sure through the run of the film what was going on. Was this a ghost story? Was this all invented inside Adam’s mind? What exactly was happening? The uncertainty of the film played well as you connect with Adam and feel the pain that his unresolved grief was causing in him.

The film was beautifully shot. Andrew Haigh was the director and he did a fantastic job constructing the scenes, such as the trip to the night club, which had a dream-like aesthetic to it. It helped to create the mood of the piece, keeping the magical feel of the film while still rooting everything in the loneliness and grief felt by Adam.

I also thought the ending of the film was wonderfully constructed. While I had an idea by this point of what was going on, the actual truth of the story was unexpected and fit amazingly in the structure of the story. The very end was a lovely design to express such a hope of the world.

The four main actors: Adam Scott, Paul Mescal, Claire Foy and Jamie Bell are astonishing in these performances and their interactions with the others. The performances are the best part of the film, but far from the only parts that make this a beautiful film.

Shortcomings (2023)

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June 19, 2023

The directorial debut by Randall Park is today’s entry in the June Swoon 3. It is an unconventional rom-com called Shortcomings.

According to IMDB, “Ben, a struggling filmmaker, lives in Berkeley, California, with his girlfriend, Miko, who works for a local Asian American film festival. When he’s not managing an arthouse movie theater as his day job, Ben spends his time obsessing over unavailable blonde women, watching Criterion Collection DVDs, and eating in diners with his best friend Alice, a queer grad student with a serial dating habit. When Miko moves to New York for an internship, Ben is left to his own devices, and begins to explore what he thinks he might want.”

This was an interesting film. Usually, I have problems when the protagonist is such an unlikable character, and Ben (Justin H. Min) is absolutely in that category. He is opinionated, mouthy, rude and arrogant. It seems like every scene he is in, all I want to do is yell at him to shut up. Yet, there was something about Ben that was appealing. Don’t get me wrong, I was cheering actively for him to understand what a jerk he was being, but I was also ready to support him learning from the events of the film and adjusting his behavior.

I have to say, I did like this conclusion to the movie. It felt real and played with all of the conventions of the rom-com.

The movie had some great laughs in in, although nothing that was going to be over the top hilarious. The situations are where the humor came from and they all worked very well. Probably the one moment that stood out was when actor Jacob Batalon joked about loving the Spider-Man movies, considering he played Ned in the MCU Spider-Man movies

Sherry Cola played Alice, Ben’s friend, and she was the standout performance for me in the movie. She had an Awkwafina type vibe about her and she was both funny and an excellent ‘straight-man’ character.

I found this to be very entertaining and a creative way to take the rom-com genre in a new way.

Eileen (2023)

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June 18, 2023

The June Swoon 3 film for the day was on Hulu and it was called Eileen.

It was another movie that I had a difficult time getting involved with as the first part of the film did not seem to have much of a story or progression. Then, the ending was disturbing and shifted everything in a completely different, nonsensical, direction.

According to IMDB, “The stagnant waters of Eileen’s dull, stifled life as a solitary worker at a juvenile detention center in 1960s Boston, are unexpectedly disrupted when the institution brings in a new psychologist, the vibrant Rebecca. The fervent enthusiasm that blossoms between the two women almost immediately gives way to a closer relationship, until their fragile connection takes a dramatic turn.“

There were some solid performances in the film from both Thomasin McKenzie and Anne Hathaway. Their performances were not an issue for the movie.

Nothing happened in the first hour of the film that would set up the finale, that seems to take the characters involved in a totally different direction. From what we had seen before, I did not buy the end result as anything more than just shock value. Then, it simply ended.

I found this one really disappointing as it sounded very intriguing. The film was based on the 2015 novel of the same name.

Flamin’ Hot (2023)

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June 17, 2024

This is another Oscar nominated film from 2023 that I missed. Flamin’ Hot received an Oscar nomination for Best Song, which was quite an accomplishment for this biopic about Richard Montañez and the beginning of the Flamin’ Hot Cheetos.

I will address the controversy off the top. As I was researching the film, I discovered that a report from the LA Times indicated that Richard Montañez did not have any direct involvement in the creation of Flamin’ Hot Cheetos, and that the film was inaccurate. I won’t lie, when I first saw this, it did affect my thoughts on the film, but, the more I thought about it, the more I let that go. This is not a documentary. I know plenty of biopics that have exaggerated or downright made things up. So the accuracy or lack thereof of Flamin’ Hot, as a movie, will not go into my consideration of the film.

And, when it comes to my consideration of the movie, I loved it very much.

This was the first time directorial feature from director Eva Longoria, well known actor from Desperate Housewives among other shows. Longoria does a tremendous job of telling this story with a very distinct voice and a humorous touch.

Some of the scenes of Richard’s narration, which remind me of Luis (Michael Pena) from Ant Man, are very funny and show how the mind works in many ways.

Jesse Garcia played Richard Montañez and he has a natural charm in doing so. You can’t be help to root for him as an underdog, looking to escape the life of crime that threatened to ruin his life.

Two distinguished actors had supporting roles in Flamin’ Hot that gave the movie even more credibility. Bennis Haysbert played Clarence Baker (whose middle name is Charisma) as one of Montañez’s co-workers, and Tony Shalhoub, the star of Monk, appeared as Roger Enrico, the CEO of Frito Lays. Both actors are excellent as always and their roles do a great job of elevating the performance of Jesse Garcia.

The tone of this movie was very light and engaging, as Richard told the story of his life. The film’s focus was on the character of Richard Montañez, not specifically on the Cheetos.

This was an easy, enjoyable watch and worth the time. It is currently streaming on Hulu and Disney +.

Ferrari (2023)

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June 16, 2023

The June Swoon 3 continues this Father’s Day with a biopic from last about Enzo Ferrari directed by Michael Mann.

According to IMDB, “Set during the summer of 1957. Ex-racecar driver, Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing ten years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another. He decides to counter his losses by rolling the dice on one race – 1,000 miles across Italy, the iconic Mille Migl!“

I have to say that I had a difficult time getting into this movie. I just did not relate to Ferrari and what he was going through and I found it to be fairly dull for a good chunk of the movie. Adam Driver is an excellent actor, but I just did not find his performance here electric.

That does not go for Penelope Cruz, however. She was amazing in her role as Ferrari’s grieving wife Laura. Every moment Cruz is on screen, she is totally vibrant and dominant. Penelope Cruz is absolutely the best part of this movie.

The racing screens were decent too. The couple of crash sequences were terrifying and filled the film with stakes. The second half of Ferrari was more interesting to me, even if I was not engaged with the character of Enzo Ferrari.

The film did feel long to me, which only played into my lack of engagement with the movie.

Again, Penelope Cruz is exceptional in her performance and electrifies everything around her. Unfortunately, that electricity does not crossover to the rest of the film.

Anyone But You (2023)

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June 15, 2023

One of the bigger rom coms from 2023 is the entry for the June Swoon 3 today. Anyone But You was a very successful film, coming seemingly from nowhere. I would not be opposed if it were sent back there.

According to IMDB, “In the aftermath of a captivating first encounter, Bea and Ben discover that their initial fiery passion has inexplicably dwindled to frosty misunderstanding. However, fate intervenes: Thrown together again at a dreamy Australian wedding, they opt for a charade of coupledom. But sparks reignite amid the sun-kissed scenery, forcing them to confront their true feelings and embrace a second chance at love.“

Okay, so this is really dumb. It is the essence of a disposable film that means nothing. The plot is a poor soap opera story that I have literally seen before.

The only thing that makes this stand out is the arrival of two of the hotter stars in Glen Powell and Sydney Sweeney.

Both of them have better films ahead of them. They are clearly charming and attractive. They have some comedic timing that would probably work much better with a better script.

The Retirement Plan (2023)

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June 14, 2024

Today’s June Swoon 3 entry is an action film featuring Nic Cage in all his Nic Cage-ness, and it is a a lot ridiculous fun.

According to IMDB, “In The Retirement Plan, when Ashley (Ashley Greene) and her young daughter Sarah (Thalia Campbell) get caught up in a criminal enterprise that puts their lives at risk, she turns to the only person who can help – her estranged father Matt (Nicolas Cage), currently living the life of a retired beach bum in the Cayman Islands. Their reunion is fleeting as they are soon tracked down on the island by crime boss Donnie (Jackie Earle Haley) and his lieutenant Bobo (Ron Perlman). As Ashley, Sarah and Matt become entangled in an increasingly dangerous web, Ashley quickly learns her father had a secret past that she knew nothing about and that there is more to her father than meets the eye.”

Is this movie more convoluted than it needed to be? Absolutely. It felt pretty messy in a lot of ways. Does it require a suspension of disbelief? 100%. Perhaps more than most movies. None of that ruins this film from being a hoot. It knows the type of movie it is and Nic Cage is totally in for a ridiculous good time.

I did like the little girl Sarah, played by Thalia Campbell, and her relationship with her kidnapper Bobo, played by Ron Perlman. I really thought this was going to go in one direction, but it takes a different path, which I found refreshing.

The action is great, if not difficult to believe. There just felt as if there were too many threads getting pulled and it was unnecessary.

I am not sure I liked the way the film wrapped up either. I think I would have preferred for the end of the third act to feel less like it was nothing more than a deus ex machina.

Still, if you love Nic Cage, this will be fun. I wish Thalia Campbell’s role would have been more in the second half of the movie because she was one of the standouts in the first half.

The Royal Hotel (2023)

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This morning’s June Swoon entry comes from Australia and I found it on Hulu. It was called The Royal Hotel.

According to IMDB, “Hanna (Julia Garner) and Liv (Jessica Henwick) are best friends backpacking in Australia. After they run out of money, Liv, looking for an adventure, convinces Hanna to take a temporary live-in job behind the bar of a pub called ‘The Royal Hotel’ in a remote Outback mining town. Bar owner Billy and a host of locals give the girls a riotous introduction to Down Under drinking culture, but soon Hanna and Liv find themselves trapped in an unnerving situation that rapidly leaps out of their control.“

Now, that is what the synopsis on IMDB says, but that is not what this movie is like. It is listed as a psychological thriller, but there is nothing psychological about it and very little thriller.

It takes way too long for anything to happen. We spend way too much time with the drunken reprobates in the bar without any sort of character development.

The ending sequence was just nonsensical and does not wrap anything up outside of the basic result.

This was very boring for most of the film and anything that it tried at the end did not work at all. I was very disappointed with this one.

Origin (2023)

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June 11, 2024

The format of today’s June Swoon 3 is one unlike I have seen before and it takes a revolutionary director in order to make this work. Ava DuVernay is just such a director.

Origin adapts the book Caste: The Origins of Our Discontents by Isabel Wilkerson, a book that laid out the idea that racism in the United States is a part of the concept of caste system, connecting racism in America to the attempted extermination of Jewish people by the Nazis, the caste system of India as well as other atrocities across the globe.

Such an undertaking was going to be difficult to attain, but DuVernay skillfully weaves the information, at times, in a documentary style, while mixing it with the drama of Isabel Wilkerson’s life during this stretch of working on the book when she lost her husband, mother and cousin.

The combination of docudrama is a difficult one to reach, but DuVernay does a masterful job of making this fully engaging while providing ideas that challenge the thoughts of a generation.

The lead role of the film was played by Aunjanue Ellis-Taylor, showcasing an emotional arc for Isabel Wilkerson from early on in the film when she lost her husband, Brett (Jon Bernthal). The use of flashbacks and memories throughout the movie helped us see important aspects of Wilkerson’s life and relationships with her family and friends. Ellis-Taylor made these life moments extremely relatable and touching as we see her deal with loss and pain, as well as a love of life.

The film may be a little long, but there are so many great moments throughout that help us see the central point being made by the film. There are stories that are told such as the tale of Al Bright, a young boy whose baseball team just wanted to swim together as a celebration for a big win, but who was denied because he was black. Another story told the tale of a German Nazi and a Jewish woman’s relationship that broke all the rules of Nazi Germany and led her her eventual encampment at a concentration camp. These stories are important to the overall narrative of the piece and help highlight the concept of the book being written.

You wouldn’t think that a film could be made about a journalist writing a book about the caste system, but Ava DuVernay accomplished just that and it was compelling and amazing, even if it could be tough to watch at times.

You can watch Origin currently on Disney +/Hulu.

The Book of Clarence (2023)

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June 10, 2024

It was Netflix again for this June Swoon as I pulled up The Book of Clarence, a retelling f the story of the crucifixion through the eyes of a down-on-his-luck loser named Clarence.

According to IMDB, “Struggling to find a better life, Clarence (LaKeith Stanfield) is captivated by the power of the rising Messiah and soon risks everything to carve a path to a divine existence.“

This movie was very up and down for me. The biggest issue I had with it was that it lacked a consistent tone. There were deadly serious scenes that were well done, particularly with the strength of LaKeith Stanfield’s performance, but other scenes that felt like it was pulled right out of a Monty Python skit. I was not sure if this was meant to be a serious movie or a satire. Or was it meant to be some kind of amalgam between the two? This uncertainty hurt this film in my eyes.

As I mentioned, the performance of LaKeith Stanfield was excellent, as he went from a disbeliever to one who exceeded belief. Stanfield was believable in every moment he was on screen and he gave the film a credibility that I do not think it would have had if it were another actor in this potentially divisive role.

There is an excellent cast in this movie including Benedict Cumberbatch (whole role felt as if it were one of the most satirical of them all), Omar Sy, Anna Diop, RJ Cyler, David Oyelowo, Alfre Woodard, Caleb McLaughlin, James McAvoy, Nicholas Pinnock, Marianne-Jean Baptiste, Teyana Taylor and Michael Ward.

I can see this film stirring up the audience, depending on who was watching. For me, there are some good ideas in here, but the film can’t decide what exactly it wants to be, and that demeans the positives that are here.

Run Rabbit Run (2023)

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June 9, 2024

Another horror movie highlights today’s June Swoon as I watched the Australian film Run Rabbit Run on Netflix.

Run Rabbit Run is more of a psychological thriller than it is a horror film as there are not many scares and it really does focus on the mental state of the characters involved. It was effective in this manner as I felt a connection with the two lead characters as they went through their memories of tragic events from the past.

However, it does take a while to get rolling. The film seemed a bit long and the pacing was not the best. Some of the beats felt as if they were repeated during the story and it seemed that this could have been a tighter film with some of this narrowed down.

The lead performances are the reason to watch Run Rabbit Run. Sarah Snook played Sarah, the mother whose past was coming back to cause trouble with her daughter. The daughter, Mia, was played well by young actor Lily LaTorre. She provided many of the film’s creepiest moments as she was seemingly being possessed by the spirit of Alice, Sarah’s missing sister.

These performances overcame the weaknesses in the plot, which included a predictable outcome, and made this a film I would say that I enjoyed watching. It is not a perfect horror movie, but it does enough things well that make it interesting.

Rustin (2023)

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June 8, 2024

I have yet another Oscar nominated film for the June Swoon 3 today. This nomination went to Colman Domingo for Best Actor in Motion Picture. He did not win the Oscar, but he gave an electric performance that carried an average film to new heights.

There have been a lot of examples of an amazing lead performance elevating a movie before. Rustin is just the latest example in a long line. Many of these tend to be biopics. This is yet another.

Bayard Rustin was a leader in the Civil Rights movement and a driving force behind the 1963 March on Washington. He was also an openly gay man. His leadership and charisma shone through the struggles his life presented to him.

Colman Domingo is absolutely amazing in this film and he overshadows the rest of the movie. Without him, this movie would be considerably lesser. The way the film is present is fairly pedestrian outside of the main performance.

There is a solid cast supporting Domingo including Chris Rock, Gus Halper, Jeffrey Wright, Ami Ameen, Glynn Turman, Johnny Ramey, CCH Pounder, Michael Potts, Jordan-Amanda Hall, and Lilli Kay.

But Domingo leads the way, bringing to life this man who had such a hand in creating this seminal point in history. He is a name that is not as well known as Dr. King or John Lewis, but he should be.