Category Archives: Doc’s Movie Reviews

My Fair Lady (1964)

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A lot of these musicals on my list are actually very long. Tonight’s Genre-ary DailyView entry is My Fair Lady, which was almost three hours. It is also a iconic classic of musicals. A multiple Oscar winner, My Fair Lady was so much fun.

Phonetics professor Henry Higgins (Rex Harrison) found a flower girl name Eliza Doolittle (Audrey Hepburn) and made a bet that he could turn her into a cultured woman of class. 

Honestly, Henry Higgins was a horrible person. He was a jerk. I am not sure that he understood why he was such a jerk. His attitude toward Eliza was shameful at a point. 

I loved the music. ”I Could Have Danced All Night” is an iconic song and is so much fun. There were some songs that I thought could have been edited out, but they were all fun anyway.

Audrey Hepburn was absolutely brilliant as Eliza. She basically played two characters, with the way she was as the flower girl at the beginning and then the refined woman at the end. Every once in a while the flower girl showed up in the refined woman, and it was great.

This is one of those films that everybody should see at some point of their lives. It was really entertaining and fun.

Night Swim

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Well, it is January. That usually means that we are up for some terrible movies that the studios want to dump. Those January horror movies are typically some of the worst of the year. However, last year, January brought us some actually really great movies including M3GAN, Plane and Missing. Perhaps the month will be turning over a new leaf.

Nice thought, but nope, not with this movie.

Night Swim is a bad horror movie that had too many laughs, unintentional of course, and suffered from some of the worst writing that you’ll see.

A family moves into a new house. Ray Waller (Wyatt Russell) was a baseball player who was diagnosed with MS so he and his wife Eve (Kerry Condon) and their two kids Izzy (Amélie Hoeferle) and Elliot (Gavin Warren) look to start over. One of the house’s biggest selling points was the swimming pool. Unfortunately, they did not know the tragedies surrounding the pool and the fact that it was haunted.

Yes, the pool was haunted. We don’t really know why or how. It was just there. And the actors had to do so many stupid things to keep the drama going. I don’t know how many times I just said, “Get out of the pool” during the film. It would have been over.

I will give credit to the four main actors. I think they did the best they could with this stinker. Wyatt Russell and Kerry Condon are both talented actors, and both kids were good. Amélie Hoeferle especially had a quality about her. It was just that the script was so dumb it did not give these actors much chance to make the material better.

The problem is that this movie was based on a live short from 2014 and it did not seem as if there was enough of a concept here to stretch it out to a 90-minute movie. 

Sadly, 2024 does not start off with a splash. More of a drip.

1.3 stars

Dicks: The Musical (2023)

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I chose not to save this on for the June Swoon and include it in the Genre-ary.

I’m not sure how I feel about that decision.

Dicks: The Musical is raucous, dirty, profane, obscene, potentially blasphemous, and offensive, but there were some scenes that were surprisingly full of heart and that may have won me over from completely crushing this movie in this review and, instead, hemming and hawing about the picture.

Two identical (that term being used in a non-identical way) twins, separated at birth, find each other and make lots of dick and sex jokes and innuendo. Then they try to reunite their parents who had each taken one of the boys to raise.

Yeah, there is not much of a plot here. 

If you like musicals and movies that are crude and profane, this is the film for you. I do like musicals, but, honestly, I have never been much of a fan of the real raucous and abrasive type of movies and this is one of the most brazen films of that type I have ever seen.

Honestly, I disliked the two main characters, Trevor (Aaron Jackson) and Craig (Josh Sharp). These characters are designed to be unlikeable, though. In that manner, they did a great job.

Their parents, Harris (Nathan Lane) and Evelyn (Megan Mullally), are definitely the best parts of the movie. Nathan Lane, in particular, really rises above the material and gives that standout performance that you expect from him. There is a joke with Megan Mullally’s character’s vagina that is borderline hilarious, yet amazingly offensive.

I did find the songs to be fun and catchy, albeit also obscene. 

I really did hate this for awhile, but by the end, I would be lying if I said that I did not have sort of a smile on my face. 

Tommy (1975)

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“Tommy, can you hear me?”

That is a repeated line throughout the rock band The Who’s film version of their rock opera Tommy. 

Tommy is a psychadelic trip of a film based on The Who’s album from 1969. 

Apparently. the film is very different than the album, with songs in different orders and others performing some of them.

The film was filled with stars including Eric Clapton, Tina Turner, Elton John, Jack Nicholson, Roger Daltrey, Keith Moon, and Pete Townshend. The music played throughout the entire film with the only dialogue being sung as well. 

It was a real bizarre film that was engaging. You had to watch this thing closely if you wanted to keep up with what was happening. ”Pinball Wizard” was easily my favorite song from the movie.

Ann-Margret played Tommy’s mother and wound up winning a Golden Globe for the role. She was also nominated for an Academy Award as Best Actress, though she did not win the award.

I did enjoy this movie, but it was not one that I would consider watching again.

Top Hat (1935)

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Today’s Genre-ary DailyView musical goes back to 1935 with the iconic pairing of Fred Astaire and Ginger Rogers.

This was a classic comedy with the old mistaken identity trope was very cute and charming. Both Astaire and Rogers were very fun to watch. Their dancing was on point every time. 

There were some iconic songs that I did not know came from this. ”Cheek to Cheek,” “Top Hat, White Tie and Tail,” and “Isn’t This a Lovely Day (To Be Caught in the Rain).”

Though Astaire and Rogers were wonderful, I do think the best comedic performance of the movie was provided by Eric Blore, who played Edward Horton’s ‘man-servant’ Bates. He was just silly enough running around the film and I laughed every time.

I also enjoyed the comedic performance of Helen Broderick, who played Madge Hardwick, too. 

This was light and fun, charming as could be. I can see why Top Hat received four Academy Award nominations, including Best Picture.

Kinky Boots: the Musical (2019)

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What a treat.

Today’s entry for the Genre-ary was a filmed version of the musical stage play, Kinky Boots. I found this on Vudu and I was curious about it. I only had a slight knowledge of this play and it surprised me how much I loved this.

Charlie Price (Killian Donnelly) took over his late father’s show factory and, in an attempt to save it, adjusted the plan of products into a niche market for kinky boots directed toward transvestites and drag queens. Charlie had been inspired by Lola (Matt Henry), a feisty drag queen that he met in London.

Based on a book by Harvey Fierstein, the music of Kinky Boots was written and scored by Cyndi Lauper. I did not know any of the songs from Kinky Boots, but they were catchy, energetic and thoroughly entertaining. 

The stage show was amazing. I especially enjoyed the “Everybody Say Yeah” routine with the choreography and the treadmills. It was spectacular.

I found myself feeling vey emotional at the end of the film too. I did not expect that and it was a welcome situation.

I would love to see more Broadway plays filmed in this format and available for those of us who are not near these productions. Kinky Boots: The Musical was a joy this morning.

The Best Little Whorehouse in Texas (1982)

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Happy New Year to everyone. We start the new year off around EYG with our second annual Genre-ary DailyView. This year, the genre we are watching will be musicals, and we are starting off the month with The Best Little Whorehouse in Texas, starring Burt Reynolds and Dolly Parton. The movie was an adaptation of the stage play that came before it.

The Chicken Ranch was a legendary place in the county of Lanville, in Texas. It had been open for decades with nary a problem. When its iconic madam passed away, Miss Mona Stangley (Dolly Parton) took over. She had been in a side relationship with Sheriff Ed Earl Dodd (Burt Reynolds) for years. He would protect the Chicken Ranch and make sure things went well for Miss Mona.

When consumer advocate and television personality Melvin P. Thorpe (Dom DeLuise) started to investigate the Chicken Ranch, things got more troublesome for the ladies of the night. 

There is an overall silliness to this movie that, I think at times, overwhelms the film as a whole. Dolly Parton and Burt Reynolds are no doubt charismatic figures and carry a heavy load of the film. When they are on screen, everything is working. 

Dom DeLuise added an antagonist that you can really root against without being a true villain. He seemed to be doing what he believed was right, even if some of the things he did would not be considered right. Charles Durning had a memorable turn as the Texas Governor and provides one of the best, most ingenious songs of the film.

I did enjoy the duet between Dolly and Burt, “Sneakin’ Around” even if Reynolds’ voice could not necessarily match that of Parton. 

Jim Nabors was the narrator, Deputy Fred Wilkins, speaking directly to the camera as the film would go on. Nabors played the basic character he did in his other TV appearances.

While there is nothing amazing about the film, The Best Little Whorehouse in Texas does have some fun scenes and some decent music and dance routines. It may not be a standout of teh Genre-ary, but it was a fun way to start the month off.

The Color Purple (2023)

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I wasn’t sure how I was going to feel about The Color Purple. I do like musicals, but I had never seen the original Color Purple (I intended to watch the 1985 film, but did not get around to it) so it was a crapshoot.

I loved this.

The performances of the actors in this movie was utterly amazing across the board. Fantasia Barrino is heartbreaking and powerful as Celie. Colman Domingo as Mister, the cruel husband of Celie, made me hate him. Taraji P. Henson as Shug Avery, the singer who got away and returned. 

But the standout of all was Danielle Brooks as Sofia. Every minute she was on screen, you could not take your eyes off of her. Her character saw every level of emotion and you could see the moments that weighed on her. Some of the things that happened to Sofia in this movie were devastating to me, as I gasped a few times. I see no way that Danielle Brooks does not receive an Academy Award nomination for this performance.

The music was very engaging and entertaining. Admittedly, I do not think there are many of the songs that are hits to listen to, but as a group of songs in a musical, they are outstanding. I was nodding my head and tapping my feet throughout the film. There may be a couple of times when the song felt like it was out of place from the emotional beat that was happening on the screen, but there were not enough of those moments to cause a problem for me.

I will admit that there were some times when I was not sure what was happening or who certain people were. For me, the transitions were not handled the best in this movie. I wondered about the passage of time because we got years listed on the screen, but the characters did not seem to have the years showing on their faces. 

However, there were so many emotional beats to the story that it had me in tears a couple of times. I was engaged with the characters and what was happening to them and I was rooting so hard for them to get what they deserved after so much tumult.

Director Blitz Bazawule brought a great eye to the shots across the runtime of the movie. Between both the dramatic sections and the musical routines, everything flowed beautifully. There was one moment of editing that the film went from black and white into color so seamlessly that it was an epic edit.

I did enjoy this musical version of The Color Purple, and I am actually pleased that I did not watch the 1985 movie prior to this because I was unsure what was coming and it made the experience all the more thrilling.

4.75 stars

Maestro

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Maestro was one of the films that I have not had a chance to see in theaters, but I knew it was coming to Netflix. It has a lot of Oscar buzz about it.

I have to say that I found the two lead performances, Bradley Cooper as Leonard Bernstein and Carey Mulligan as Felicia Montealegre, electric and amazing. Both should be contenders for an Oscar, if not some of the leading choices.

However, I found the movie itself to be fairly boring.

The film looked great. I particularly enjoyed looking at the black and white section of the film when they were in the past. Bradley Cooper did a spectacular job directing this, but I just found the film lacking in a story that engaged me for most of the movie. Late in the film with Felicia dealing with cancer, the film started to pick up for me in the story department. 

Unfortunately, even with the positives that were here, I just did not enjoy this movie much. I found it dull. There are two brilliant acting performance though and if that is enough for you, then you will enjoy Maestro. I wanted more.

2.75 stars

Doctor Who Special 4

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The fourth and final Disney + special featuring The Doctor is a Christmas special and features the brand new Doctor, Ncuti Gatwa, who appeared in Doctor Who Special 3: The Giggle. 

The other major event that occurs in this special is that there is a new companion for the Doctor is introduced. Ruby, played by Millie Gibson, has become the new companion.

By the way, this special confirms that the word “Mavity” is now canon.

Ncuti Gatwa is very charming as the Doctor and he is extremely likeable. I think they have found a very strong actor to follow David Tennant.

As for Millie Gibson, I will withhold my judgment. She was fine here, but she really does have large shoes to fill.

Looks like Dr. Who is coming to Disney + in 2024 and I may actually check it out.

3.85 stars

Leo

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When I started the animated film Leo on Netflix, I did not know it was an Adam Sandler vehicle. Sandler is not one of my favorite actors, to be honest. It seems as if most of his films are the same stupid, immature jokes and he plays the same basic character in all of them. Still, he has had some moments of excellence such as Rare Gems. It wasn’t too long into Leo that I recognized his voice work.

In this movie, Sandler gives his voice to the lizard named Leo. Turned out that all of the animals could speak. Leo, along with Squirtle (Bill Barr), were classroom pets in a 5th grade class. When Leo starts being taken home with the students, he starts talking to them, telling each that he could only speak to them and that they were special.

There are some funny moments. The film does a good job of avoiding the immature humor that I associate with Sandler. There are some heart-warming moments through as well. 

I was surprised that it turned out to be a musical. Most of the songs were catchy and some were clever lyrically. There was nothing very serious, but fun matching the film.

As I said, this was fun and enjoyable. It certainly could have been much worse. There were some childish moments, but nothing that made me cringe as an adult. 

3.75 stars

Nimona

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I am trying to catch up on some of the Netflix films that have come out in 2023 now that the year is coming to an end. I have a couple of animated films to kick off today. 

Starting off, I watched Nimona, which I had heard could be one of the nominated Oscar movies this year. I can see why.

According to Rotten Tomatoes, “When Ballister Boldheart (Riz Ahmed), a knight in a futuristic medieval world, is framed for a crime he didn’t commit, the only one who can help him prove his innocence is Nimona (Chloë Grace Moretz), a mischievous teen with a taste for mayhem — who also happens to be a shapeshifting creature Ballister has been trained to destroy. But with the entire kingdom out to get him, Nimona’s the best (or technically the only) sidekick Ballister can hope for. And as the lines between heroes, villains, and monsters start to blur, the two of them set out to wreak serious havoc — for Ballister to clear his name once and for all, and for Nimona to… just wreak serious havoc.“

The relationship between Ballister and Nimona is the strength behind this movie. They have such a wonderful connection and their lives intersected beautifully.

The animation of the movie was gorgeous, creating a great visual storytelling part of the film. The design of Nimona and her shapeshifting abilities are creative and original. Then, every time you think the story was going in a specific direction, it went differently. 

Riz Ahmed and Chloë Grace Moretz do a wonderful job creating their characters and building the connection between them. It is because of the connection that they build in the first part of the movie. 

The message of the movie was fairly straightforward though there is another theme that is more subtle too.

Nimona was an excellent animated movie that is available on Netflix. It is certainly worth the time to watch.

4.4 stars

Nyad

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I don’t know why it took me this long to watch this movie.

Nyad is a biopic of Diana Nyad, the marathon swimmer who wanted to become the first person ever to swim from Cuba to Florida. She had attempted the swim when she was 28 years old, only to fail. She then tried again, starting when she was 60 years old.

Nyad was portrayed in the film by Annette Bening, who did a remarkable job in the physical role. Nyad was accompanied by her long time friend Bonnie Stoll, played here by Jodie Foster. The film was not just a film of staying the course and never giving up, but it was also one of friendship and the trials between friends.

Bening and Foster were amazing in their roles. The whole cast did a great job, but Bening and Foster were on screen all the time and brought so much energy and ferociousness to their work, you could believe that they both were fighting for that last chance to reach their dreams.

Rhys Ifans deserves recognition too for his role as John Bartlett, the chief navigator for the mission. 

The story was one of amazing dogged determination, a woman who did not want to give up and how that determination affected, often negatively, those people around her. The stretch of the film where Nyad’s crew were dropping out on her because they were afraid she was going to die doing this was exceptional. 

Bening was not afraid to show the warts of Diana Nyad and to make her look selfish and paint her in a negative way. She felt like a real person and not just the ‘force of nature’ that they described her as several times.

I am very pleased that I finally got a chance to watch this on Netflix and I would recommend anyone who likes the reaching for the stars type of sport movie watch it as well. Either way, there are two performances that should be considered come Oscar nomination time.

4.3 stars

American Symphony

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Jon Batiste was the band director on Stephen Colbert’s The Late Show. Last year he won five Grammys including Album of the Year.

Meanwhile, his life partner (and eventual wife) Suleika Jaouad learned that her leukemia had returned. 

This documentary was truly emotional and showed such a powerful love between the two, counter-balanced with the love of the music. American Symphony gives a look at the creative process and the energy brought about by love and courage illustrating how much it can do to save a person.

Matthew Heineman, director, created an intimate picture of this relationship and the pain and power of positivity that both Jon and Suleika provide. 

This documentary is currently available on Netflix. If you are a music fan, or if you want to see a beautiful love story, I would recommend that you give this impressively personal documentary a try.

4.5 stars

Rebel Moon: Part One-A Child of Fire

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Zack Snyder is bad in just about the most Zack Snyder-like Star Wars wannabe movie on Netflix today. You should read that last line in slow motion to celebrate this movie because there is a TON of slo-mo in Rebel Moon.

According to IMDB, “When a peaceful settlement on the edge of a distant moon finds itself threatened by the armies of a tyrannical ruling force, Kora (Sofia Boutella), a mysterious stranger living among the villagers, becomes their best hope for survival. Tasked with finding trained fighters who will unite with her in making an impossible stand against the Mother World, Kora assembles a small band of warriors – outsiders, insurgents, peasants and orphans of war from different worlds who share a common need for redemption and revenge. As the shadow of an entire Realm bears down on the unlikeliest of moons, a battle over the fate of a galaxy is waged, and in the process, a new army of heroes is formed.“

This film was surprisingly boring for much of the run time. And then there was some slo-mo. Kora went out to recruit a band of characters to help protect the village in a very Seven Samurai inspiration. One problem? None of these new characters were very interesting or more than a one-dimensional archetype.

The dialogue was poorly written, and there was so much exposition when dealing with these characters. It makes this so much more dull than it needed to be. 

Typically A Zack Snyder movie looks great. This one looks great at times. It also looks badly. It is such a mishmash of special effects that you do not expect from such as visual of a director as Zack Snyder. 

The villains of this movie are basically Nazis in space. There is no nuance to any of these villains. 

There is some interesting world building in the film, but the execution of presenting it was really weak. 

This was not a good film. I am not sure if the next part of the movie will be better or just a lot of the same.

1 star