Tag Archives: reviews

The X-Files: I Want to Believe (2008)

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I have started season 10 of The X-Files, with just 15 more episodes to complete my rewatch of the whole series. I have been working on this on and off since late 2023. With the end in sight, I thought it would be a good choice to go ahead an rewatch the second of the X-Files movies that came out in 2008, The X-Files: I Want to Believe.

According to IMDB, “Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) worked at the F.B.I. as partners, a bond between them that led to them becoming lovers. But now they’re out of the F.B.I. and have begun new careers. Scully works as a staff physician at a Catholic hospital. Her focus these days is on a young boy with an incurable brain disease. Administration wants to give up on him. Scully, who feels a special bond with the boy, does not. Meanwhile, Mulder’s focus is on clipping newspaper articles, throwing pencils into his ceiling and writing about the paranormal. Scully and Mulder are brought together as partners again when a special case requires Mulder’s expertise, and Scully is prevailed upon to convince him to help. The case involves a pedophile priest who claims he is having psychic visions regarding the whereabouts of a missing F.B.I. Agent.”

First off, I love the characters of Fox Mulder and Dana Scully. They are some of my all-time favorite TV characters. They are a major selling point for this movie, especially since I am right in continuity of the TV rewatch to where this film would take place. Seeing David Duchovny and Gillian Anderson together once again would improve any movie.

It just does seem that this movie does need that improving. The story in this film is fairly ugly and has moments where it is just not easy to follow. It is convoluted and turns into the weirdest “Frankenstein” type film, seemingly from out of nowhere. The secondary plot of the boy with the disease that Dr. Scully is trying to help despite the administration at the hospital that she works is too medical TV show for a movie like this.

Father Joe (Billy Connolly) is a bizarre choice in many ways, but I do enjoy the conflict that he throws into the mix. As a possible psychic seeing flashes of the kidnapping, that is questionable enough, but when it was revealed that he was a pedophile as well, it was a rough choice. The character is still kind of set up to be the heroic one, which did not go well for Scully and, I would guess, most of the audience. Billy Connolly is an awesome actor though and this was a solid performance.

I do wish this story had a little more construction to it, because what they gave us seemed too strung together without enough connective tissue. Still, I did enjoy seeing my two favorites back together in a movie that would be basically a “monster-of-the-week” structure from the show.

Ultraman: Rising

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June 17

The June Swoon film today sees us head back to animation for a fun tryst into the world of the classic superhero character of Ultraman. Ultraman: Rising brings the character back into the present world of Kaiju fighting and worldwide threats.

The original series of Ultraman debuted in 1966 and there have been many versions of the hero over the decades. This co-production between Tsuburaya Productions, who owns the franchise, and Netflix Animation looks to reintroduce the hero to the world. And with this film, they have done a wonderful job of it.

According to IMDB, “Ken Sato, a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. His plans go awry, however, when he is compelled to raise a newborn kaiju monster the offspring of his greatest enemy as his own child. Sato will also have to contend with his relationship with his estranged father and the schemes of the Kaiju Defense Force.“

Tying this new hero Ken Sato to Japanese baseball is a excellent idea. Shohei Ohtani is a huge draw among the MLB baseball stars worldwide and having Ken Sato in that vein should help connect this to other fans around the globe.

The designs of the characters are great, as they are all awesome to look at and engage the creativity of the viewers’ imaginations.

The CGI/animation works very well too. There is the feel of old school Japanese monster flicks as well as the current day look of a big budget animated movie. The colors are flashy and entertaining.

The story does more than the typical fighting Kaiju story as it wraps itself around the idea of fatherhood and the relationship between father and sibling, both with Ken and his father, but also Ken and Emmy, the baby Kaiju that Ultraman rescues. This is a universal theme to which everyone could relate.

The villains of the KDF are a little underdeveloped. There are some interesting things going on with the KDF, but it is really basic and surface level. There are some deeper ideas available had the film chose to develop them.

Overall, I thought Ultraman: Rising was really solid. I enjoyed the superhero action and they developed the character of Ken Sato very well. This is a fun film on Netflix.

The X-Files S9 E17, E18, E19, E20

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Spoilers

The final season of The X-Files in its original run was season nine. The show returned for two shortened seasons after that, but this was the final four episodes of The X-Files

“Release”

The show is clearly beginning to wrap things up for the original run and one of the dangling mysteries of the last few years was what had actually happened to Agent Doggett’s son. Well, this episode provided some closure to that story as we get the man who had killed him and the reason why the boy was killed. The only piece of the story that was left dangling was the fate of Brad Follmer, as played by Cary Elwes. We learn that Brad has been taking money from the mob and he wound up shooting the actual killer at the end. We never see Elwes again in the series so it is unclear what exactly happened to him.

“Sunshine Days”

Here’s the story, of a lovely lady, who was bringing up three very lovely girls…..

Yeah, this was a weird episode. Of course, Ben Linus was here. That always throws me off somewhat. Michael Emerson is an awesome actor, but he will always be Ben Linus to me. Then, the fascination with the Brady Bunch was a strange choice, right down to naming Emerson’s character Oliver Martin, in reference to Cousin Oliver.

The overall story of this episode was flat and I did not find it very compelling. I did like seeing Ben Linus again.

“The Truth Part 1 and Part 2”

This was the two part series finale, again of the original run of X-Files episodes and saw the return of David Duchovny as Fox Mulder. Duchovny had been gone the entire season and had agreed to return for this final wrap up.

The military had decided to put Mulder on trial for the murder of Knowle Rohrer, the “super soldier” who had been running around, surviving death several times over the last few seasons of the show. Of course, this was all part of the government conspiracy that the show had been investigating for the last nine seasons.

The military trial of Mulder was a sham, of course, as one of the men who sat in judgment was one of the aliens, The Toothpick Man (Alan Dale, also a LOST alum, playing Charles Widmore). These two episodes featured the return of multiple characters from the nine years, including  Marita Covarrubias (Laurie Holden), Gibson Praise (Jeff Gulka) and Jeffrey Spender (Chris Owens), all of whom testified in the trial. We also had a group of ghosts appear to Mulder in visions such as Alex Krycek (Nicholas Lea) and X (Steven Williams) as well as the Lone Gunmen.

Of course, the final return was that of the “Wise Man” who Mulder and Scully go to for answers at the end, and it turned out to be the Cigarette Smoking Man (William B. Davis) himself. Seeing that rotten bastard again did not make things great and neither did seeing him burned to death as I know he returned in the later seasons of the show. I have no idea how he survived this time, but seeing him alive really was a smack to the face.

They dropped a date: December 22, 2012, which is supposedly the date of the alien invasion.

I do not know what was to become of Doggett and Reyes as they drove off into the distance. Reyes has never won my favor in this series, but her final repose after testifying just about won me over. Another plot line that was never dealt with was the supposed feelings that Doggett had for Reyes. A few episodes again, there was a huge deal about how much they loved each other, but it was never mentioned again.

Deputy Director Alvin Kersh was also a bizarre character, as he seemed to be leading the trial against Mulder, going as far as suppressing evidence that proved Mulder innocent. Kersh looked to be fully opposed t Mulder, though he does help Mulder and Scully escape from captivity when Skinner and Doggett break him out. This is yet another character that is unclear of his motives and weakens the story.

Mulder and Scully end up together, snuggling on a bed somewhere, still holding out hope.

I am not sure how I feel about the conclusion of the show. This finale did not really wrap anything up and only served to leave plenty of things dangling or unanswered. Every question does not have to be answered in a finale for me, but it felt as if they brought up a major storyline in the last episode. I know it is dealt with in the future episodes, but we did not know that at the time.

Season ten only has six episodes to it and it will be next.

Magazine Dreams

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June 16

Magazine Dreams was intended to be released originally in 2023, but it was pushed back, and not released until 2025. Part of the reason was said to be because of the writer’s strike, but a big reason was because of the trouble that the movie’s star, Jonathan Majors found himself in.

Jonathan Majors was in a scandal involving his girlfriend at the time who claimed that he physically assaulted her. It led to Majors losing several major projects and jobs in Hollywood, most notably the main villain role in a future Marvel Studios Avengers film.

Pushing this film back makes real sense because it has Majors playing the role of a mentally ill bodybuilder, who while on steroids, was showing violent tendencies and was involved in several scenes featuring assault.

After watching this uncomfortable movie, it makes me all the more sad that Jonathan Majors derailed his career the way he did, because he is spectacular in this role. He was so believable as a man on the very edge of losing it that it felt like he wasn’t just acting. It is so sad that it is going to be difficult to separate real life from this performance in Majors’ situation.

Without any spoilers, I am not sure that the ending worked. I am not sure that the ending was earned, meaning, I don’t think the character’s choice fit with what the film had given us. Still, the fall of this character is developed extremely well.

There felt as if there were too many storylines in the film, none of which truly pays off. I think it could have benefited from a story rewrite, focusing down some of the events that occur. However, Jonathan Majors really does step up his game.

I don’t know what Jonathan Majors’ career holds for him, but he is undeniably a brilliant actor. His performance in Magazine Dreams is top line, but my guess is that a deserved Oscar nomination will not come.

3.6 stars

Sunday Morning Sidewalk #21

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Spoilers

“Dream of a Thousand Cats”; “Calliope”

The second round of Sunday Morning Sidewalk came to an end this morning with the final episode of season one on Netflix. It looks like there will be a second season of the show, despite the word of cancellations over the issues Neil Gaiman has had. Either way, the Sunday Morning Sidewalk comes to the end.

Last week’s episode sure felt like a finale, and when I saw this episode, it makes it even more so. This week, there are two separate stories in the hour of the show that are completely separate from almost everything that happened in that first season.

It started out with an animated section called “Dream of a Thousand Cats” and it brings all the cats in a certain area to come and hear the message of a Siamese cat whose story tells of different time of cats and humans.

The animation was great and it really kind of reminded me of a couple of comic books that I have purchased the last couple of year. One was called Feral and the other Animal Pound. Both of these comics are told from the POV of animals, in many cases specifically cats, in their voices.

“Calliope” is the second part of the episode and it is live action. It has a minor connection to the season as they mentioned how Morpheus had been captured, connecting it to the way that Calliope, a muse, was bonded to humans. Specially humans who are trying to write books.

I wonder if these were also based on a comic issue because it does feel as if it could have been one of those filler issues that turn out so good.

With this episode, The Sandman ends and requires that there will be a new Sunday Morning Sidewalk show next week. So far, we have done HBO’s Band of Brothers and Netflix’s The Sandman. Starting next Sunday, I will be doing Pixar’s Win or Lose on Disney +. These episodes are shorter, so I am doing two episodes a week.

Warfare

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June 11

This was brutal.

Warfare was written by Ray Mendoza and Alex Garland based on Mendoza’s experiences during the Iraq war. It followed the events of a failed US Navy Seal mission from November 2006 after the Battle of Ramadi.

The script was created through testimony of the platoon members and is told only using their memories. The film is told in real time and is one of the most realistic war films that I have ever seen. This felt more like we had a window into this gunfight than anything that had been recreated by Hollywood magic.

I wish I had seen this on a bigger screen than on my home TV, because I feel as if this is more than a movie, it’s an experience. I can’t imagine what this experience would have been like in IMAX or on a bigger screen with a better sound system.

The sound of the movie was one of the most haunting aspects of it. Everything from the bombs and the bullets being used to the silence emphasizing the screams of pain from the injured. When the silence goes from all encompassing to visceral screams of the wounded, it is a powerful and suspenseful moment. The screams cut deep into the viewer and beginning with the silence makes it all the more impactful.

There is almost no plot and very little characterization. Despite that, the events that take place place a strain on the audience as it feels very real.

The ensemble cast included some of the best young actors around, but it is never apparent that these actors are doing anything but surviving a firefight. The actors include  D’Pharaoh Woon-A-Tai , Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Joseph Quinn, Charles Melton, Noah Centineo, and Michael Gandolfini. 

The amazing technical work of this film is masterful. The realness of the film cannot be denied. This is one of those tough to watch films that you need to see, once at least. It may not be a film you revisit.

4.5 stars

My Dead Friend Zoe

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June 11

The film for today on the June Swoon is film I saw on Fandango called My Dead Friend Zoe. It was a film that I had never heard of before, but the timing fit for today so I gave it a chance.

The film deals with grief, loss, PTSD and the military as well as the challenges of a family dynamic between people who struggle to relate.

According to IMDB, “MY DEAD FRIEND ZOE is a dark comedy drama that follows the journey of Merit (Sonequa Martin-Green), a U.S. Army Afghanistan veteran who is at odds with her family thanks to the presence of Zoe (Natalie Morales), her dead best friend from the Army. Despite the persistence of her VA group counselor (Morgan Freeman), the tough love of her mother (Gloria Reuben) and the levity of an unexpected love interest, Merit’s cozy-dysfunctional friendship with Zoe keeps the duo insulated from the world. That is until Merit’s estranged grandfather (Ed Harris) — holed up at the family’s ancestral lake house — begins to lose his way and needs the one thing he refuses… help. At its core, this is a buddy film about a complicated friendship, a divided family, and the complex ways in which we process grief.“

This is a very deep character study about life after loss and how individuals need help getting through the pain of life and loss. There is a bit of a twist at the end of the movie that recontextualizes the idea of the story, but the fact is that it is still dealing with the loss of an important person in your life.

There are strong performances in the film, especially that of Sonequa Martin-Green and Ed Harris. Two veterans, both with their own pain from loss, trying to get through their lives. Morgan Freeman is always a great addition to a cast, even if he may not have as much to do in this one.

My Dead Friend Zoe may be a touch long, but the character study of Merit, in particular, is full of important little steps and that is a realistic tale. This was based on a true story and it was a very powerful film that lets you think about other people in a different light.

The X-Files S9 E12, E13, E14, E15, E16

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Spoilers

I watched a series of X-Files episodes during the ninth season this afternoon. I’m hoping to wrap up the rewatch of the X-Files this summer, and this was a big step in that direction.

“Underneath”

I found this episode was similar to many other episodes this season. I realized this watching this episode. This season, Doggett, Reyes and Scully rarely actually investigated an X-Files. The cases that they were investigating coincidentally become X-Files, but they were not brought in because of their expertise in the X-Files. This episode did have a neat story about a serial killer who had a different personality.

“Improbable”

And as soon as I was coming up with my theory about cases not being X-Files, episode 13 had Scully come into the X-Files office and Monica laid out the case on the overhead projector just like Mulder used to do. Burt Reynolds guest starred in this episode as, I guess, God. I found this to be a silly episode involving some numerology. This serial killer was killing people based on this numerology, though that was never really explained.

“Scary Monsters”

I think this was my favorite of the run of episodes, although there were plenty of weirdness and silliness here too. A boy who can project some kind of images, making people believe they were seeing or feeling things that they were not. Agent Leyla Harrison returned from an episode from a previous season trying to recruit Scully first and then Doggett and Reyes to look at a case that she claimed was an X-File. Scully’s end of the case was particularly enjoyable as she was given the comedic aspects of the episode, including an autopsy that she wound up performing on a cat. There were a bunch of allusions made by Agent Harrison to previous X-Files episodes, which were fun little tidbits.

“Jump the Shark”

This felt like a final wrap up of the Lone Gunmen spin-off series that lasted 13-episodes on FOX. The show brought back former Man in Black, Morris Fletcher, played by Michael McKeon, from episode “Dreamland” from season six. This led to the Lone Gunmen sacrificing their lives to prevent a release of a virus. I remember being shocked and angry when the Lone Gunmen died in this episode.

I do hate the term “Jump the Shark” which this episode was named after. The term is based after a Happy Days episode where the Fonz legitimately jumped a shark on water skis. The term has come to mean when a TV show has peaked and is in decline. The reason I hated the term was that people started to use it any time that they did not like something that was on a show. It was one of the first comments that would lead to such a negative discourse on the internet.

If this would be the end of the Lone Gunman, there should have been more Scully in the episode. She only had a small bit at the funeral at the end. She said how important they were to her, and I would have liked to have seen more of that during this episode.

“William”

This episode was directed by David Duchovny and dealt with the baby of Scully, William. There was a burnt man who was captured and Doggett believed that this was Mulder. The show made it seem like this burnt man was Mulder, but Scully never believed that was the truth. It turned out that it was Jeffrey Spender, Mulder’s half-brother and the son of Cigarette Smoking Man who was supposedly killed by CSM. That was a good twist. It was all about getting to William and make him human. That was a bizarre storyline element that did not make much sense.

However, I do think that the idea that Scully put William up for adoption to keep him safe from the aliens and anyone else makes a lot of sense and it put a period on the William story for now. I know William returns later in the newer seasons, but this worked well for this season.

The X-Files S9 E11

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Spoilers

“Audrey Pauley”

This was a strange episode.

Monica gets involved in a car crash where a drunk driver hit her and she is taken t the hospital. There it appears that she is brain dead, though her body is still functioning. John refuses to accept the evidence before his eyes, despite the fact that everyone, including Scully, does not believe him. Monica is actually in a deserted hospital and she can only see a few other people there.

One of the people in the mysterious hospital was named Audrey and she was able to be in both the mysterious hospital and the real world. Turned out that she somehow created the mysterious hospital (along with a tiny dollhouse type of hospital) in her mind, I guess. The form this takes is not overly clear, nor how or why she was able to do this.

Another issue was the doctor, played by Jack Blessing, who was known as Mr. MacGillicuddy on Moonlighting, was poisoning patients and putting them into these brain dead situations to… I don’t know… help them die after that? MacGillicuddy’s motives were not explored too deeply. However, he did kill off a nurse who saw him give a shot that was not on the charts, and, eventually, Audrey. I don’t know why MacGillicuddy took such a dark turn after Moonlighting went off the air. Heck, if I remember Moonlighting, I think MacGillicuddy died in the last episode. Maybe he was in this mysterious hospital then.

I’m kidding of course. There is just so much unexplained, even for an X-Files episode, that I had some trouble buying it. It also does not help that Monica is one of my least favorite characters on the show. I was impressed with Robert Patrick’s performance. He brought some solid work grieving the woman that he loved.

Admittedly, the love Doggett felt for Monica seemed to be fast tracked here. I got some implication that they had feelings for one another, but nothing to this extent until this episode. Still, I can let that slide. I do have an issue with Doggett not telling Scully what he thought was happening. He said once that Scully would think he was crazy… but he should know by now that Scully always listened to crazy theories and never outright dismissed them. You would think that John would know that by now.

Overall, there were some interesting ideas here, and some solid to great performances. There are just too many things lacking in my opinion for this to be anything but a mid episode.

The Phoenician Scheme

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Man, who could possibly guess who directed this movie?

I am being sarcastic because this movie is about as much of a Wes Anderson movie as you are ever going to see. There are traits about a movie directed by Wes Anderson and this provided just about every one of them.

For me, Wes Anderson movies are hit or miss. I loved Moonrise Kingdom, The Grand Budapest Hotel, The Royal Tenenbaums, and Rushmore. Asteroid City and The French Dispatch are examples of Wes Anderson movies I could do withotu.

The Phoenician Scheme was a lot of fun and I found it to be totally funny.

According to IMDB, “Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.“

I think what made this work for me was the comic timing of Benicio Del Toro, who played Zsa-zsa Korda. He had chemistry with every actor he interacted with and he delivered these eccentric lines of dialogue with just the right amount of sincerity that made it really funny.

While there was no sign of Edward Norton, the Anderson cast of actors that appear in a lot of his movies were here too including Michael Cera, Benedict Cumberbatch, Willem Dafoe, F. Murray Abraham, Scarlet Johansson, and Bill Murray. You could add some other great actors such as Riz Ahmed, Tom Hanks, Bryan Cranston, Jeffrey Wright, Rupert Friend, Steven Park, and Richard Ayoade.

Along with all of these established veterans, starring opposite Del Toro was Mia Threapleton. Threapleton, who is Kate Winslet’s daughter, showed that she is anything but a “nepo baby” as she was outstanding in her role as Liesl. She exuded the tone of a Wes Anderson movie perfectly, really helping set up Del Toro’s lines and scenes.

The dialogue was rich and exciting in this film. I really enjoyed just listening to the actors deliver these lines and how they were able to play off of each other. The dialogue helped balance out the craziness that was going on in each scene.

If you do not enjoy Wes Anderson movies, this one is not for you. However, I found this to be very enjoyable and humorous.

4 stars

Flow

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Today’s entry in the June Swoon is an Academy Award winner, and you can see why. Flow won the Oscar for the Best Animated Feature at the 2025 Academy Awards, knocking off such luminaries as Wild Robot, Inside Out 2 and Wallace & Gromit: Vengeance Most Fowl.

Flow follows the life of a dark grey cat that was living in a forest. A massive flood swept through the land, leading the cat to struggle to survive in a variety of ways.

During the film, the cat meets up with a group of different animals that form a sort of crew, especially while they were on a felucca. The cat joined up with a yellow Labrador Retriever, a ring-tailed lemur, a capybara and a secretary bird.

These animals were not anthropomorphic. They acted like the individual animals would act. The dog was playful and clearly looking to please. The lemur was a thief, collecting trinkets and shiny objects. The capybara, which is a type of rodent, laid around. There were some moments where it felt as if the animal characters transcended their natures and became something more.

The cat served as the POV of the film, as we see things through its eyes. The survival instincts of the cat was on display throughout the film in such a harrowing instance that you could not help but root for these animals.

I am a cat lover and so it was very easy to get into Flow. There were multiple perilous events along the path of this adventure that placed the cat in jeopardy. The whole showdown with the flock of secretary birds was tense and frightening.

There were a couple of scenes that went past just survival and looked at themes of life and death. One, involving the secretary bird, was a lovely moment that leaves you to deduce what exactly had occurred. There was a second scene involving a mutated whale that had saved the cat from drowning earlier in the movie. This scene was heartbreaking.

Flow was beautifully animated with such amazing visuals across the board. The artistic mastery created an incredible tone throughout Flow and some of the visuals with the cat and fish in the water was astounding.

With no dialogue, Flow was able to tell this story through some amazing characters and some fantastic music. According to Wikipedia, the cat of sound designer Gurwal Coïc-Gallas provided the meows for the cat in the movie, which I thought was a funny piece of trivia. It also provided that realistic sound that enhanced the viewing treat.

While I am not sure if I would have given Flow the Oscar over The Wild Robot, there can be no denying that this is a masterful animated film full of life and love and friendship.

Bring Her Back

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I guess I really didn’t need to sleep tonight.

The internet was out when I got home from my last day of school, so, instead of just being mad at Mediacom, I decided to go to a movie. I had the tickets for tomorrow purchased and I know there was one film that I was going to see later next week. I went tonight instead.

Bring Her Back, the latest movie from directors Danny and Michael Philippou, the directors of 2022 Talk to Me, was one of the most disturbing and unsettling films I have seen in a long time.

This film avoided many of the horror tropes. There were no jump scares. It covered multiple types of horror, from body horror to psychological horror.

Step siblings are sent to a new foster home after their father died. It does not take long to realize that something was off about this situation.

There is no doubt that this is a movie that will be triggering for some. It is one of those horror movies that stuns you so much that you just want to go sit in silence and deconstruct.

Bring Her Back is a slow burn, but it does move well and never is without a healthy dose of tension and anxiety. There were times when I was grimacing, disturbed and looking away. There are some scenes that were very difficult to get through.

Sally Hawkins played Laura, the foster mother, who was extremely creepy, even in the moments when she seemed as if she was a loving individual. Hawkins was truly exceptional in this performance, which could have been too over the top, but turned out strong.

The kids in the movie do a great job too. Billy Barratt played the oldest kid, Andy, who had plenty of background troubles. Sora Wong played Piper in her debut. Wong, just like the character she played, Piper, is partially blind. She was remarkable and made everything work so well. Jonah Wren Phillips played Oliver, the boy Laura had already been fostering. All three of these kids did an amazing job, and they all had a different type of character to play.

I have to say, I was not completely clear about the demon aspect of this movie. It was a bit confusing, but you just accept that there is something supernatural going on and don’t question it too much.

This is going to be one of those movies that I will recommend, but never want to watch again. I squirmed in my seat several times during this uncomfortable movie. A24 has become known as a super horror film studio and they have yet another one. This is also a very different of sort of horror film than the Philippou brothers made previously.

There will be plenty of people who hate this movie. I was tense the whole time. My teeth were gritted several times. The film is remarkably well constructed and made. I understand if someone hated this movie. I don’t ever want to watch it again. But it absolutely did what it was trying to do.

3.8 stars

The Last of Us S2 E7

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Spoilers

“Convergence”

“You wasted it!”

What an end to the second season of The Last of Us. Abby comes face to face with Ellie and it sure seemed as if Abby shoots Ellie.

Ellie killed a couple of Abby’s group earlier, including Mel, a pregnant woman, and it was clear that it hit Ellie hard. Mel became collateral damage in this revenge and that shook Ellie to her core.

With the screen going to black when the shots are fired, we have no idea what happened to Ellie. Most series I would say that it was obvious that she would be fine, that it was someone else’s gun going off, but about a month ago, the show killed Joel so I would not put anything past it.

It did end the season with the idea that the show was going to switch POV to Abby as the episode ended with a chyron stating “Seattle Day One” on the screen after we saw Abby in the Wolves’ stadium. I do not know how excited I am in seeing the POV of Abby in this whole thing. I hate this character of Abby and I do not want to have my opinion changed on her. I am not interested in a redemption arc for her, seeing everything that she has been through. She killed Joel and she killed Jesse. I am sad for the loss of Jesse, by the way. I should have known earlier in the episode when Jesse said that he was not dying that it was just foreshadowing the end.

By the way, the short time that Ellie was on Scar Island with the Seraphites was utterly frightening. I was not sure how Ellie was getting out of that situation as the noose was around her neck and she was just about dangling off the ground. She was seconds away from being gutted like a deer by the Seraphites. Thankfully, an alarm goes off, preventing the scarred psychos from completing their ritual. Ellie has that luck roll working for her.

The shots of Ellie on the water in the thunderstorm was amazing scenes. The power of the storm was clear and the danger that Ellie was willing to put herself in to satisfy her own selfish vengeance is fully realized.

I was not sure that this was the finale of the season, and it left off at a horrible moment. Then, Abby seemingly the focus of the third season, at least at first does not make me anxious for the show to return. It is absolutely a quality show, but I worry that it may push some viewers, particularly those that are not the game players, away.

Sunday Morning Sidewalk #18

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Spoilers

“Playing House”

Last week, I was not very interested in the new story arc that The Sandman was starting off. This week, I am all in.

Funny how a week can change things. The whole story of Rose Walker and her search for his brother Jed was not catching my attention. I theorized last week when Rose showed up in the Dreaming at Morpheus’s throne room, business might be picking up and I was right. Right now I am fully engaged with this story of a sister trying to reunite with her brother.

We got more abut Jed’s life, trapped in a basement as his cruel foster father collected $800 checks every month and how Jed escaped into his dreams, with the aid of one of Morpheus’s missing nightmares, Gault, to become a super hero called The Sandman. Perhaps it was this dream that grabbed my attention, but, whatever it was, I thought this was so much more entertaining and gripping than it was last week.

The Corinthian was back again, being brutal and vicious in the most gentlemanly manner. When he showed up to take Jed, it was both a happy moment and one of anxiety. One thing is for sure, I was happy with the fates of the foster parents. They deserved every bit of what they got.

It seems more and more to me that Morpheus is not the hero of this story. On the surface, it appeared as if he wanted to help Rose find Jed, but it appeared that he only cared about retrieving Gault. His punishment of Gault was over the top too. I have to not think about Morpheus as a hero and instead thing of him like a force of nature. He is much like Galactus. Galactus consumes planets, but he is a necessary cog in the universe’s life span even if his actions could, at times, seem villainous.

The Lyta/Hector storyline still does not intrigue me near as much as the main story with Rose, but the dream baby does have some interest.

I am looking forward to next week’s installment, which is episode nine of eleven. We are coming to the end of the second program in the Sunday Morning Sidewalk series. I am actively looking for the third TV show to include after The Sandman concludes in three weeks.

Lilo & Stitch (2025)

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As I was sitting in the theater with the credits rolling, I heard a family coming down the steps. The mom asked the little boy what he thought of his first movie, to which he responded with an enthusiastic ‘great.’ I sat there thinking how cool that was. I do not remember what my own first movie in theater was, but I know how the experience can be such an enjoyable moment.

I just recently rewatched the 2002 animated movie Lilo & Stitch to prepare for the remake and I thought that was an enjoyable watch though I would not say that I found it a Disney all-time classic.

The Disney live action remakes have been largely not some of my favorite films with a few exceptions on the list. This film is one that I think would be a decent film, especially for a family viewing experience, much like the little boy whose first theater movie was this.

I do wonder if this film has a real purpose for existing outside of $$$. Now, to be fair, all movies are looking to make money, but there have been some of these Disney remakes that just do not feel as if they have any soul, any real magic that the animated films had in excess.

Still, I do think that, for the most part, the 2025 Lilo & Stitch was fine. There were some plot and character adjustments from the animated movie, but nothing that jumped out at me.

The CGI Stitch was well done and worked as a character, which was vital if you wanted this movie to work. Voiced by the original voice actor, Chris Sanders, Stitch was every bit the rapscallion that he was in the animated movie. Young Maia Kealoha made her acting debut as Lilo, and she did a decent job. Some of the trailers for the film did not highlight the strongest aspects of Maia’s work so to see it in context made it work so much more. Again, if Lilo did not work, this movie would have flopped.

The comedic pairing of Billy Magnussen and Zach Galifianakis as Pleakley and Jumba was good casting as they played off each other quite well. I did miss the voice of the late David Ogden Stiers from the animated film. Sydney Agudong played the role of Lilo’s sister Nani and I thought she was wonderful. She had a film presence that stood out on the screen. Courtney B. Vance, Amy Hill, Tia Carrere, Hannah Waddingham, and Kaipo Dudoit added to the ensemble of the film.

In the end, this was a fine film that did its job, basically. I am sure that there will be plenty of children who see this movie as their first ever movie in a theater and that is a wonderful thing. This would be a good film for that honor.

3.4 stars