I am going to be perfectly honest. I had heard so many amazing things about The Haunting of Hill House before I started it during the Sunday Morning Sidewalk, and it has been disappointing. Yes, I have enjoyed the show so far, but it was not the epic that I was expecting.
Then, there was episode six, “Two Storms.”
Now I see what everyone else was talking about.
What an episode. This one blew all of the previous episodes away. It had tension, it had character reveals, it had story beats and it had some of the best direction/shots of the show.
There were multiple, long one-shots of scenes as the camera follows the grieving Crain family around the funeral parlor. Technically, this is a master class of direction from series runner Mike Flanagan. Whenever the one-shot would end, the transitions were spectacular, and we would be back into another oner. The design of the plan for each shot is unbelievable and executed perfectly.
The surviving Crain kids and their father finally are all together in the present day as a thunderstorm raged outside the funeral parlor. The show gave us a flashback to another storm that occurred with the Crain family while they lived at Hill House and they paralleled the two storms with a narratively striking purpose. We got to see some major effects that the house had on both Nell and Olivia. Nell’s disappearance and Olivia’s encounter with the spirits were chilling.
Chilling is a good way to describe many of the moments from this episode, including the appearance of the bent-neck woman at the family visitation. There was no jump scares here. The scenes transcended jump scares. They were done so spectacularly that you couldn’t help but be disquieted.
The character development was wonderful too, as secrets came out. The alcohol flowed freely (which I thought was incredibly selfish by every kid, considering Luke was there, clean and sober, watching his siblings all slapping back vodka) and the tongues were sharp. Fueled by their loss and grief, the kids and Hugh said some dramatically hurtful things to each other as truth came to the surface. Hugh seemed to be talking to himself, convincing Steven about the mental illness he believed ran in his family, but I believe it was clear that he was talking to Olivia’s spirit.
The concept of Nell and Olivia NOT having killed themselves, and, instead, being killed by the house came up and it triggered the resentment of the others for Steven’s book. They shared moments that we had seen over the first five episodes in the kids individual focused episodes that showed how much these siblings were not as close as they may have thought.
This episode elevated the entire series to a new level, one that makes me understand the fervor over this show that had seemed good, but not exceptional before this. I can’t wait to see where the show goes from here.
In 1966, ABC broadcast a TV show starring the Caped Crusaders from DC Comics. Batman and Robin made their return to the public eye with this action/comedy series.
Batman was played by Adam West and Robin was played by Burt Ward, and they were the way that the Dynamic Duo was seen until the Batman ’89 movie where they gave batman an update.
The show was one of the earliest show I can remember being obsessed with. Each episode was similar as Batman and Robin would face a villain from Batman’s extensive rogue’s gallery and get captured at the end of the episode and placed in some kind of dasterdly death trap. The next episode would resolve that trap and would wrap up the villain. The villains became iconic too as we got the Joker, Penguin, Catwoman, Riddler, King Tut, Mad Hatter, among others.
When I was young, I always bugged my mom to make me a mask like Robin. I was a Robin fan as a youth. Looking back, whenever they had the big fights, Robin would have to fight the big bad villain and Batman would punch out the hoodlums. I was always surrpised how underappreciated Robin felt.
I was, of course, watching reruns of the show. I would always look forward to Batgirl episodes starring Yvonne Craig, who was added as a character in the third and final season.
My friends and I would use the term “Batman Leap” which was when one of us would make an illogical leap to answer a question or solve a problem… something that made no sense, much like Batman and Robin would do on the series. Glu Glutton’s Glue Factory being a prime example.
The campy nature of the show appealed to many, but typecast the actors involved for decades.
Either way, I loved the 1906s Batman series, and it belongs on this list.
So… what’s next on the list? We’ll find out… Same Bat-Time, Same Bat-Channel!
I had wanted to see Kiss of the Spider Woman in the theater when it was at Cinemark, but the schedule did not permit it and it was gone before the following week. It was one of the big financial flops of the year, but I was still interested so as soon as it could be rented on Fandango at Home (aka Vudu), I watched it.
I loved the film.
This musical drama was based upon a 1992 stage show and a 1976 novel, but I had no background on any previous adaptations. I came into this with a fresh eye.
Set in Argentina in 1983, the film had a backdrop of a revolution that would be called the Dirty War, where the military junta seized control of Argentina. This was set at the tail end of the time period.
According to IMDB, “Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.“
Diego Luna played Valentin and Tonatiuh played Luis Molina, and the film was carried by them. The movie split the musical away from the prison scenes, which kept the prison more realistic and gritty. The musical parts were in technicolor and were big, bombastic Hollywood fare. Ity created quite a distinct contrast between the different sections of th efilm.
Diego Luna was tremendous as Valentin, the political activist who Molina was sent to spy on.
Jennifer Lopez played Ingrid Luna, the actress who played Aurora and The Spider Woman in the recounted movie that Molina shared with Valentin. Lopez brings a level of credibility that this film required.
The music was catchy, but honestly, I do not think that I would recall any of the songs, which is not a good thing for a musical. Still, the music was entertaining during the watch of the film. I won’t be purchasing the soundtrack on Apple Music, but I think it worked for the film.
I thought this was a great film with some really strong performances.
Episode three of the new IT series on HBO Max is a banger.
We get some more psychic “shining” from Dick Hallorann, who we know ages up to work at the Outlook Hotel (and get an axe in his chest from Jack). The scene of him in the helicopter, flying over Derry and having psychic images of Pennywise in his forms, was exciting. Admittedly, as he was opening the cargo door of the copter, I never thought he’d fall out or die from that because I knew he had to be a part of the Shining eventually. Still, it was a tense moment.
Shawshank was mentioned too, which is part of the Stephen King shared universe. I do love how there are Easter eggs from other films in Derry. I’m sure there are some other hints out there that I do not recognize.
Ronnie’s father has something he is not telling anyone. It feels as if it is something that could work as an alibi, but he does not want to let that info out. Curious.
The flashback to the 1908 incident with Pennywise was scary. Frank and Rose’s interactions with the creature in the woods, a lookalike for the slender man from the carnival, was intense. Frank running from the creature only to be saved by Rose, wielding the slingshot that Frank had given to her (and Frank’s father had given to him). It was an exciting cold open showing what this episode would bring.
It was not as intense as when Ronnie, Lilly, Will, and Rich went into a graveyard to try and summon the monster that had attacked our departed friends from episode one in order to get pictures of it. I am not sure they could have come up with a more dangerous plan if they had tried. They were really fortunate to escape that event with their lives.
We end the episode with a pic of Pennywise as Will said of the photo he took, “It’s… a clown.”
It has been a long time since I have been as disturbed by a film as I was by Strange Harvest, a film I rented on Fandango at Home (Vudu). This would have worked really well for the October 13, although I did not watch it until November.
This movie was filmed in the “True Crime” style documentary, though the story was fictional. I would call it a “mockumentary” though that term leads me to picture something funny like This is Spinal Tap, and there was nothing funny about Strange Harvest.
The film followed the story of the serial killer who became known as Mr. Shiny, and his multiple murders over several years. The main “talking heads” of the horror mockumentary were Detective Joe Kirby (Peter Zizzo) and Detective Lexi Taylor (Terri Apple). They provided most of the narrative for the fake documentary.
This feels like a real documentary, which I think is why it hit so hard. There is a “Blair Witch” tone to it which adds to the mood of this film. Up until the ending of the doc, this could be a true story.
Mr. Shiny is a combination of the Zodiac Killer and an H.P. Lovecraft character. When we learn of his identity as Leslie Sykes (Jesse J. Clarkson), the character becomes even more frightening than he did before. Jesse Clarkson does an amazing job of creating an eerie, creepy, sinister character who is more like a ghost than a human for much of the film.
This is definitely one of the most scary films I have seen in a long time. I am still feeling disconcerted and unquieted as I write this. I may go from here and jump into my bed and hide beneath my covers. Strange Harvest was an excellent experience.
You see the contrast between episodes here amazingly well.
Episode 11 featured the Lennon Sisters and episode 12 featured Zsa Zsa Gabor.
In episode 11, there was a limited amount of comedy bits, with the main one being what seemed to be similar to the Muppet Show’s At the Dance skit where members of Sha Na Na danced with the Lennon Sisters and the camera followed them to each couple to tell a bad joke. That was a decent little use of the comedy (though that laugh track is still just obnoxious).
Also in episode 11, they did multiple songs including Rockin’ Robin, Runaround Sue, Tonight You Belong to Me (with the Lennon Sisters on the stage), The Great Pretender and a tribute to Elvis (interestingly, they never used the word Presley. I wonder if it was a rights thing.) in that tribute they did three songs, Heartbreak Hotel, Love Me Tender and Hound Dog.
Honestly, episode 11 may have been my favorite one so far.
Then, episode 12 was an over-reliance on the comedy bits. Way too many of them because none of them were funny. Plus, the songs were limited to Sha-Boom and 16 Candles. They did a comedy bit featuring The Lion Sleeps Tonight with Sha Na Na dressed up as cannibals.
Episode 12 may have been my least favorite so far.
When the show focused on the music, it was outstanding. When they pushed the comedy, especially without the guys in the band, it flopped. The comedy bit with The Lion Sleeps Tonight was just too long and, again, not funny.
They have so many great singers in Sha Na Na, I want them to play more music and I believe it worked much better when the special guest star(s) were musical too. I have nothing against Zsa Zsa, but her bits were just not as entertaining as the Lennon Sisters singing.
Forty-five years ago today, I woke up at my friend Jeff’s house after we went trick or treating and spent the night reading his comics. Jeff had a “folder” at Comic World in Dubuque and he had a bunch of X-Men and Avengers. It was the next day that I decided that I would begin to collect comics too.
Of course, there were years where I did not buy many books. Specifically during the college years and immediate years after when I subbed. I just did not have enough money for the hobby. However, I always considered myself a comic collector. I have always considered November 1st as my anniversary. Now a days, I buy a bunch of books a month.
This month is the fifth week of the month, which generally means a lower amount of books. I still was able to get a group of solid comics.
Books this week:
Sleep #6. Written, drawn and cover art by Zander Cannon. Jonathan found a way for him to contain the shocking transformation… or so it seemed. It was a fascinating issue as Jonathan seemed to be protecting Tabby. There was also a post credit scene. Very cool. Two more issues in this book which has been so great.
Black Cat #3. “III: Word Gets Around.” Written by G. Willow Wilson and art by Gleb Melnikov. Cover art was done by Adam Hughes (Bronze medalist). Lots of cool cameos in the newly super heroic Black Cat. Ms. Marvel, Sandman… Cat has to face off with Tombstone.
Feral #17. “Onslaught” Written by Tony Fleecs and art by Trish Forstner & Tonbe Rodriguez. Cover art was done by Trish Forstner (Gold Medlaist), I was talking to another Comic World customer who told me that his girlfriend read Feral and described it as a cross between Lion King and Walking Dead. It is a perfect example. This issue really feel like a Walking Dead book with cats. I love the horror movie homage covers for this book.
Undeadpool #1. Written by Tim Seeley with art by Carlos Magno. Cover art was done by E.M. Gist. It is the Age of Revelation and X Years Later… Wade Wilson has an all new way about him as the X-virus changed him into an undead zombie-like being, but he still had his narration skills. Undeadpool is another cool concept in the current Marvel storyline.
X-Vengers #1. Written by Jason Loo and penciled by Sergio Davila. Cover art was done by Mike McKone & Morry Hollowell. The Age of Revelation moves along X Years Later with a different variation of the Avengers. Dani Moonstar has cap’s shield, Shang Chi, Cannonball, Hawkeye (with multiple arms), Vision, Water Widow (yes, it is Natasha), and Variable Man (Scott Lang, thank you). Seeing how the X-Virus affected the heroes of the Marvel Universe is fascinating.
Cloak or Dagger #1. Written by Justina Ireland with art by Lorenzo Tammetta. Cover art was done by Mike McKone & Rachelle Rosenberg. In the Age of Revelation, X Years Later… Tyrone and Tandy are married, but they can only exist on the same plane of existence at the same time very a very short time. They tag each other out like they are in a WWE tag team. Cloak & Dagger have been a favorite of mine for awhile now and I am glad they get a book in this new adventure.
Expatriate X-Men #1. Written by Eve L. Ewing and art by Francesco Mortarino. Cover art by Francesco Mortarino & Raul Angulo. Ms. Marvel is leading a group of X-Men featuring a bunch I am not as familiar with including Rift, Bronze and Melee… with a connection to Mystique.
Return to Sleepy Hollow #1. Written by Casey Gilly and art and cover art by Savanna Mayer. Ichabod Crane is back in Sleepy Hollow to investigate a new murder. This is apparently a follow up to the movie Sleepy Hollow.
Runaways #5. “Think of the Children” Part Five. Written by Rainbow Rowell and art by Elena Casagrande & Roberta Ingranata. Cover art is done by Stephanie Hans. The storyline with the Runaways and the Doombot’s identity crisis is wrapped up here. I really love these characters and hope they return again.
Stake Presents: Jessamy #1. Written by David A. Byrne and illustrated and cover art by Francesca Fantini (Silver Medalist). I had no idea what this book was about when I spotted it on the shelf. The cover was what attracted me to the book. It was not a book that I found that intriguing after reading it, but it is a beautiful looking book. More vampire stuff.
Teenage Mutant Ninja Turtles Annual 2025. Written by Kenny Porter and art by Michael Shelfer. Cover art by Mateus Santolouco. The annual that is like the end of the Jason Aaron run of TMNT, but without Jason Aaron. I found myself less than interested in this annual which may not be a good sign for this book moving forward with Jason Aaron gone.
Absolute Batman Annual 2025 #1. Written and art by Daniel Warren Johnson with cover art by Daniel Warren Johnson and Mike Spicer. However, this Absolute Batman annual really kicked some ass. Some of the best imagery from the series yet. This was excellent.
Rocketfellers #10. Written by Peter J. Tomasi and art and cover art by Francis Manapul. It is Halloween for the Rocketfellers and they allow the kids to go trick or treating before they attempt to get away. Aunt Raina finds them and chases them away.
Mortal Thor #3. “The Father of Lies.” Written by Al Ewing and art by Pasqual Ferry. Cover art by Alex Ross. The Serpents attack Sigmund at his construction site. Not a good idea for them. Sigmund is a real bad ass with that little hammer. It is a really violent book.
All-New Spider-Gwen: Ghost Spider #3. Written by Stephanie Phillips and art by Paolo Villanelli. Cover art by David Marquez & Federico Blee. Ghost Spider showed up to battle her old symbiote. Flash Thompson has returned as Agent Anti-Venom. I am very happy that Gwen’s symbiote and weird powers are gone and she is back to the regular Spider-Gwen.
The Beauty #1. Written by Jeremy Haun & Jason A. Hurley and art by Emanuela Lupacchino. Cover art by Jeremy Haun & Nick Filardi. New book from Ignition Comics. There is a new STD disease, but it is one that people want to be infected by because it turned the infected into their most beautiful selves. This was a great new series.
Moonshine Bigfoot #4. Written by Mike Marlow & Zach Howard and pencils by Steve Ellis. Cover art by Steve Ellis & Zach Howard. Moonshine Bigfoot’s first arc is all done with this. The book really does feel like a Dukes of Hazzard cross with the X-Files. I have enjoyed Moonshine Bigfoot.
Supernatural #1. Written by Greg Pak and art by Eder Messias. Clayton Crain did the cover art. I never watched this TV show, despite it having been on TV for like 125 years. I was curious about the book because Dynamite has done some really good stuff lately. I will say that I did like the book, but I was not blown away by it. I am not sure if I enjoyed it enough to add this to a pull list with my other massive list of books. Fans of the show should enjoy this.
Sam and Twitch: Case Files #19. Script by Thomas Healy and art by Von Randal. Cover art was done by Federico Sabbatini. There is a new arc for Sam and Twitch with a story in the past of Sam which is coming back around today. I liked this new issue quite a bit.
Death of the Silver Surfer #5. “Farewells” Written by Greg Pak and pencils by Sumit Kumar with Tiago Palma. Cover art was done by Frank D’Armata. Not sure how I felt about this. Is this a future event or is it in continuity? A new Silver Surfer is out there.
Voyeur #1-2. Written by Leah Williams and illustrated by David Baldeón. Covers were done by Joelle Jones. I saw issue to on the stand on Thursday. I was not sure when issue one came out, but I was able to pick it up too. I had the ashcan of the book and I was wanting to pick it up. Love this issue. The first two issues show the same events in different POV (which always reminds me of LOST). Good stuff so far.
Blue Palo Verde #5. Written by Ray Fawkes and art by Rimanti. I have to say, I loved this book at the beginning, but it feels like it fell off hard. I was not as interested in the conclusion as it went way weirder than I expected.
Star Wars: Han Solo- Hunt for the Falcon #2. Written by Rodney Barnes and art by Ramon Rosanas. Ramon Rosanas and GURU-eFX did the cover art. Han and Chewy continue to try and find the missing Millennium Falcon.
Other books this week: Rivals: King in Black #1, Emma Frost: White Queen #5, Nights #16, Toxie Team-Up #5, and the Treat or Read Comics (X-Men ’97 #1, Godzilla vs. Fantastic Four #1, Venom: Lethal Protector, and Hallowed Hauntings #1).
Quick Hits: I picked up the Universal Monsters: Dracula Black & White Special. I have the issues from Image, but this looked so beautiful that I needed to pick it up. The Phantom #2 came out this week with a fun adventure that felt very much like a Phantom book. Battleworld #2 brought a bunch of heroes from across the time frame. Keensport’s book Don’t Run With Scissors #4 concluded with one of the oddest ending possible. Sonja Reborn #3 and Conan: Scourge of the Serpent #2 both have classic characters thrown into different situations. Another book with the question about where the continuity falls is Imperial #4, which ends that little series. I don’t know if it is the actually happening. I know that other Marvel books seem to have ties to it even though I don’t know how Hulk could be involved if this is current continuity. It hurts my head when I think about it. Thanks a lot Hickman. Then, Blink and You’ll Miss It #3 is fairly confusing too.
After the ending of LOST, I had a huge gap in my heart and I was not interested in replacing it with another TV show. I did not watch much TV after LOST left. I did not watch The Walking Dead’s first season because of that. I had heard some good word of mouth about the comic book adaptation, so I decided I would catch up on the first, short season.
It was so wonderful, it helped in the recovery from post-LOST life.
Few shows have generated the anguish that The Walking Dead has over its eleven seasons. I will be honest, I did not watch much of the last few years of the show. There was onlky so much pain one could take.
I remember the spot that began my end with this show. It was Glen. I am not sure that any TV death has ever been as emptying as when Negan smashed Lucille, his baseball bat, into Glen’s skull, as he did in the comics, it was horrific and left me feeling hollow. I knew it was done brilliantly well and created all kinds of story, but the fact was that Glen’s death was the slow end for me.
Before that though, The Walking Dead was so amazing. It had so many unbelievable moments. Shane and his craziness. Carol telling Lizzie to look at the flowers before shooting her in the head. Daryl Dixon and his overall awesomeness. Rick screaming for Carl.
One of the best additions in the later part of the show was Michonne, played by Danai Gurira. Michonne and her katana was so bad ass. I also enjoyed her eventual relationship with Rick, which I saw more of in the spin of featuring those two characters, The Ones Who Lived.
The Walking Dead took advantage of the resurgence of zombies, leading the way among pop culture in presenting some of the most frightening moments featuring the monsters. However, the show never justbecame about the zombies, or Walkers as they dubbed them. The show was about the relationships between and the choices made by the survivors, and proved consistently that the humans might be the real monsters in a zombie apocalypse.
I loved IT. I loved the original TV show miniseries starring Tim Curry and the 2017 movie. The second part of the movie was not as strong, but I am a fan of Pennywise the Dancing Clown.
So when I heard that there was a series in the works for HBO Max set in Derry in prior years when Pennywise would terrorize the children of Derry, I was all in.
While we did not see Pennywise in this first episode, it was anything but lacking. In fact, I found it shocking and, somewhat, upsetting.
They set up a group of kids, much like the “losers” from the film, and gave them a mission. Find Matty, the boy who we meet at the beginning who wound up with a weird family in an attempt to leave Derry.
These kids included Teddy, Phil, Lilly, Phil’s little sister Susie and Veronica. They were trying to solve the mystery of Matty’s disappearance after Lilly heard him speaking to her out of her pipes in her bathtub.
Shockingly, Lilly and Veronica were the only two to survive the encounter at the end of the episode. I couldn’t believe it because it sure seemed as of Teddy and Phil were being set up as the main characters of this show. I couldn’t believe what I was seeing and I was sure something would happen to save them, even after seeing their blood splatter and Teddy actually being slammed face first into the projector room glass.
I am sad that they are gone, because I really liked them. I saw an interview with director Andy Muschietti who said they wanted to show that no one was safe in this setting. He did that for sure.
We’ll see where this goes from here. I thought this pilot episode was really good and it definitely defied what I expected to see.
I had never heard of this movie before, but after seeing Dangerous Animals, directed by Sean Byrne, I saw on his IMDB page that he had done another horror film called The Devil’s Candy. I was impressed enough with the Dangerous Animals movie, that I looked into this movie. It had a 93% on Rotten Tomatoes and was available on Shudder.
With the positives, I added it to the possible films for the October 13 this year. I just watched it and it was a frightening thriller with some solid performances.
According to IMDB, “Metal music, paint, and family are the passions of struggling painter, Jesse, who lives a happy life with his wife, and daughter. Things look brighter when Jesse finds a huge old house, in rural Texas, selling at a very low price, due to its mysterious past. They move in and Jesse converts the barn into a studio. But soon, his work starts taking on a new, darker flavour – and things get even more ominous when the hulking, unbalanced son of the former owners appears on the doorstep. Jesse’s family won’t be safe until they find a way to quiet the Devil himself.“
Pruitt Taylor Vince played Ray Smilie, who lived in the house before. His presence in the film was disturbing every second he was on screen. You felt for him at first, but that does not last long as he begins to do some horrendous things.
The tone of this movie was so uneasy, filled with tension that you were never really sure where the film was heading next and whether or not this was going to turn out to be a positive ending. I like that kind of film and the mood was truly ramped up.
Byrne does a great job directing this and you can see where his storytelling highlights the important details in the film. He is one of our new voices in horror with a couple huge successes under his belt.
We start a new series this week for the Sunday Morning Sidewalk, and, in honor of the creepy season, I chose The Haunting of Hill House.
What a great start to this series.
I have to say, I think this series does an admirable job of introducing these characters to the viewers. With so many major characters, it can be difficult to know who is who. Then, not only do we met these people in the present day, but also in flashbacks to the time they lived in Hill House. It could easily be very confusing, but I have to say that the show did a solid job of connecting the characters from the past and the present. It did require my attention though.
The show does an especially good job with Steven, as we see him both as a young boy, the oldest of the kids and his protective nature, and an older man, skeptical and struggling.
Then, Nell and the moment at the end was an amazing shock. When Nell stood in that apartment staring blankly at Steven, I knew what was going on (I mean, when you title the episode “Steven Sees a Ghost” and he hasn’t up to this point, well, it is not rocket science), but it did not make it any less impactful.
The middle two girls are the characters that I got the least from during this episode, and I hope they will come into focus more are the series progresses. Luke is a fascinating character and I feel like I have a good grasp on him even with the limited amount of screen time he received.
The father has clearly been affected dramatically and I feel as if we are going to dive deeper into the mother’s suicide in Hill House.
I am intrigued by the mysterious events that the show has introduced to us and, with the mind of writer-director Mike Flanagan, who also was the force behind Doctor Sleep, Gerald’s Game, and The Life of Chuck, I believe this could lead to something special.
This series is loosely based on the novel of the same name from 1959 by Shirley Jackson.
So there was probably few major blockbusters this year that I was looking forward to less than Tron: Ares. I was not a fan of either of the previous films, Tron and Tron: Legacy, though, to be fair, I would be hard pressed to tell you much of anything about those previous movies because it has been a long time since I watched them. I did walk into the movie with as open of a mind as I could, but I was not anticipating it.
I disliked this movie a lot.
There were two things that I thought were really great. First, the soundtrack/score of the film, done by Nine Inch Nails, was sensational and worked so well for the world of this movie. I had questioned the choice of Nine Inch Nails, but they absolutely ruled here.
The second thing that I can say positively about Tron: Ares is the visual effects are amazing. It looks great, although perhaps there were some scenes when the visual effects were too much because it overpowered what was happening in the scene. For the most part, the action with these effects were top notch.
That is where I draw the line for my positives.
The story of the movie was so basic that it was as if it weren’t even there. Jared Leto was fine, but he did not have to do anything really challenging. The rest of the actors felt as if they were not necessary. So many of the other actors had virtually nothing to do, including Greta Lee and Even Peters, who I usually love. Peters, especially, felt like nothing more than a one note villain that could have been so much more.
There were nothing that really tied this movie to anything that happened in previous films, outside of a forced cameo from Jeff Bridges. That is fine, but it felt as if it went out of the way to avoid the previous films.
I was bored for much of the film and, if I did not have the score to entertain me, I may have fallen asleep. There were no characters worth my time and the story was nothing more than searching for the latest MacGuffin.
I was anxious for this movie to get over with for much of the two hour run time. I did not enjoy my time in the theater with Tron: Ares.
Our fifth series for the Sunday Morning Sidewalk ended today with the tenth and final episode of HBO’s Lovecraft Country.
I wonder what H.P. Lovecraft would have thought about this series?
I did not see the ending of this show coming. I was very surprised with the death of Atticus in that ceremony, and the victory at the end, bonding Christina from using magic… and all white people… was a cool end.
I especially liked the use of Ji-ah in the finale. I have been wondering the purpose of this character for much of the series and to have that pay off in such a meaningful way makes me feel positive.
Of course, we had the best scene of the series in this episode too. Atticus, Leti, Montrose, Ji-ah, Hippolyta, and Diana were in the car, driving to Ardham, when the song “Sh-Boom” comes on the radio. Diana starts to sing along with the song and, before too long, the entire carload was joining in. It was my favorite moment of the series, giving us a flash of innocence and joy before the final spell.
Couple of things: Ruby’s death off-screen was a bit of a waste, I think, just for the surprise twist of Christina being one step ahead. Then, I am not sure how I feel about Diana crushing Christina’s throat with her bionic arm at the very end.
There felt to be a bunch of dangling threads or things that happened over the course of the show that felt insignificant. Why did Hippolyta have to go on her adventure through time?
Lovecraft Country, for me, was very up and down. Some weeks the show was tremendous, but I do think it lacked a comprehensive vision of what story they wanted to tell. It had some real highs and some lows too, all capsulized in this final epsiode.
Next week, in honor of the month of Halloween, we start the sixth series in the Sunday Morning Sidewalk. It will be Netflix’s series, The Haunting of Hill House.
I am finally getting caught up with most of the TV shows and that meant that I got to Amazon Prime’s Gen V.
The spin-off of The Boys had a surprisingly good season one and this new season leads right into some of the major events going on in that series.
First of all, we had to deal with the real life loss of actor Chance Perdomo, who played Andre in season one, was killed in a motorcycle accident in 2024. Andre was a major character among the ensemble of Gen V so decisions had to be made. The show decided against recasting the role and decided instead to kill the character off-screen. While it was an uncomfortable idea, the death of Andre provided motivation for several of the characters to move forward.
We have a new Dean of Godolkin University and he is the new big bad of season two. Cypher is very mysterious and manipulative.
I do love how the group is kind of getting back together, even after the horrible things that they have done to each other. It sure looked like, after episode one, that Jordan had killed Cate. I am glad Cate survived as the entire event has led to a tentative reunion between Cate, Marie, Jordan, and Emma.
Gen V continues to have the same kind of shocking moments that are typical on The Boys, and the characters from The Boys are referenced constantly Starlight even made a cameo in one of the episodes, trying to recruit Marie to help her out. She mentioned one of the mysteries of the season, which was Odessa. It appeared as if Odessa was Marie, but that has all been questionable.
Episodes will release every Wednesday, so I will be watching them when I can. This kick off has been very enjoyable so far and I am deeply invested in the mysteries of the show. I am curious to see how this show will eventually play into the final season of The Boys.
I was on Twitter/X a few days ago and I came across a Tweet by Jon “Bowzer” Bausman stating that the full episodes of the Sha Na Na TV series was going to be available on YouTube soon. I was excited to hear this as this was a big part of my childhood. I loved Sha Na Na and they turned out to be my first ever concert at Five Flags Center in Dubuque.
I have spent years watching musical clips from the show on YouTube and the news about the full episodes was great. I figured I could make this one of my rewatches here at EYG.
I went to YouTube and searched for Sha Na Na series and I found a playlist from pattyoc01, who had been one of the prolific posters of the Sha Na Na clips over the years. The playlist had all of the episodes on it.
I have a feeling this may not have been what Jon Bausman meant when he posted his tweet. I have a suspicion that a more clean and professional version may be coming in the future. However, I was excited to start the rewatch so I dove into the pilot (listed as episode 0) and the first two episodes of the series.
Sha Na Na consisted of the following group members on the show: Bowzer, Johnny, Screamin’ Scott, Santini, Denny, Lennie, Donny, Dirty Dan, Chico, and Jocko.
The musical numbers are far and away the best part of these first three episodes. The comedy on the show was, at best, iffy. Some of it was groan-inducing. I saw another tweet from Bausman stating that he knew the humor of the first season was not the beat, but he felt the following seasons got more clever.
I was always focused on whether they were lip synching the music. I know that they had done, at least for the stage songs, live singing with the instrumental and the back up singing being pre-taped. You could usually tell from the powerhouse vocals of Johnny Contardo. Some of the street songs or comedy sketch bits (such as the Monster Mash bit in the pilot) were clearly being lip synched. It was obvious that Bernadette Peters was not singing live in episode two either. It was not a major issue, but I am more impressed when they let their vocals come through.
A great example of this was in the third episode where five of the group’s best singers, Johnny, Bowzer, Donny, Lennie and Santini sang an a cappella doo wop version of “I Wonder Why.” This was an amazing performance with these five really blending their voices into a fantastic harmony.
Other songs performed in this first three episodes included Blue Moon, Teenager in Love, Yakkety Yak, Tell Laura I Love Her, Rama Lama Ding Dong, Personality, Little Darlin’, and Runaway.
Along with Bernadette Peters in episode two, Rita Moreno and Frank Gorshin guest starred in the other two episodes however whatever Gorshin did seemed to be cut from the episode on YouTube. This is another reason why I think this may not be the collection that Bausman was referring to in his tweet.
I have to say that this is a bizarre series as the show constantly tells you as an audience member that Sha Na Na is terrible. The show puts down their music, their intelligence and everything else. You would think that they shouldn’t be downgrading their stars, even if it is nothing more than a running joke. It is clear that these ten men are remarkably talented (although they may not have been the greatest dancers ever to grace the screen).
Seeing this show once again gives me a huge feeling of nostalgia. I forgot this show when compiling my Top 100 TV Shows list that I am currently counting down with the Daily Countdown on EYG. This should have probably had a spot on that list.
For the first three episodes… Goodnight sweetheart, well it’s time to go…
EYG- Embrace Your Geekness 