The Stranger (1946)

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Orson Welles directed this film coming on the heels of the end of World War II that deals with the escape and pursuit of Nazi war criminals.

This film noir style movie is taut and exciting and full of strong work from Edward G. Robinson, Loretta Young and Welles.

Robinson played Mr. Wilson, an investigator from the United Nations War Crimes Commission who was in search of Nazi war criminal, Franz Kindler (Orson Welles).  Kindler had escaped and had established a new identity for himself in the United States.

The only hope Wilson had was to release Kindler’s associate Meinike (Konstantin Shayne) in the hopes that he might lead the way to Kindler.  Meinike does, but Wilson loses him.

Kindler’s new identity is that of Charles Rankin, a prep school teacher who has an obsession with maintaining and repairing clocks.  Rankin was preparing to marry Mary Longstreet (Loretta Young).  Meinike stopped by their home prior to the wedding.

Meinike wanted Rankin to confess and turn himself in, but instead, Rankin strangled him and buried the body.

Things began to unravel for Rankin and he started plotting to murder Mary.

The conclusion to the film was exciting and well done as the final confrontation involved the bell tower that Rankin had been helping restore.

The film contains the first documentary footage of the Holocaust.

classic

 

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LOST S6 E17 “The End”

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Thanks to Vincent, Jack did not have to die alone.  I hadn’t thought about that until this rewatch so the heart of the scene really hit me even harder.

There was a lot of backlash against “The End” because of the fact that it did not come right out and answer every little question that the series posed (although I could argue that MOST if not almost all of the questions can be answered from what we know) and because some people did not understand the ending.

It became popular to say that the Island was a purgatory and that all of the Oceanic 815 passengers died in the original plane crash.  People used the final scene as evidence since they were all dead there.  These people did not watch this show very closely or had preconceived thoughts that could be altered.

In the finale, Christian Shephard specifically said that everything that happened, happened.  He said that the people were dead, some before Jack and some long after Jack.  That seemed clear to me.  They did not die in the plane crash and everything that happened from season 1-6 actually happened.

The confusion comes from people not understanding the flash-sideways world.  Christian answered this as well when he said that this place was a place they all made up together to find one another.  It also seems that some of them can spend longer times in the flash-sideways world because they are not ready to move on.  It would take some of the sting out of Jin and Sun’s death if they were able to spend time with Ji Yeong in the flash-sideways since time is not an issue here.

If you understood what happened, it was a beautiful ending to a story that was about the survivors of Oceanic Flight 815.  It was not a story about the Island or the mythology of the Island (though that was used to tell the survivors’ stories).  The story was what happened to the survivors and that was covered very well.

The battle between Jack and Smokie ended quicker than I expected, but it was emotionally compelling,and Kate getting a chance to “saved you a bullet” was a nice call back to earlier in the episode.

Everything with Hurley and Jack was heart-wrenching.  Jack knew what was going to happen and Hurley could not accept it (even though I think he knew as well).

I had a memory of a scene that I missed in the rewatch of the finale.  I remember Richard noticing that he had a grey hair forming.  My memory was this happened on the Ajira airplane, but I missed it in the rewatch.  That was one of my favorite little character moments so I hope it didn’t get edited out.

It was awesome to see the group reunited in the church afterwards, though I wondered about Miles and Faraday and Charlotte.  At least Miles should have made the cut as he spent three years in the Dharma Initiative with Sawyer and Jin.  Helen was not there with John Locke, but most of the memories with Helen came from the flash-sideways.  No Mr. Eko or Ana-Lucia (although it was nice to see her in the flash-sideways as the cop willing to take Hurley’s bribe money).  Lapidus wasn’t there either.

The heart of the Island with the giant cork was a bit hokey, but a lot of science fiction can be hokey.  It is more of a figurative metaphor than anything else.  It is the last thing that Jack needed to do for the Island.

The End was a beautifully written and acted episode and a fitting conclusion to the best show on television.  I am always so disappointed when people claim that LOST fell by the side in its later seasons.  If you have patience and if you understand what the show is about, there is so much here for you to love.  I had a hole in my heart for years after the show ended and I was reminded how wonderful this was watching these episodes over the last month or so.

Namaste

 

2018 Eisner Award Winners

 

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Best Short Story
”A Life in Comics: The Graphic Adventures of Karen Green,” by Nick Sousanis, in Columbia Magazine(Summer 2017)

Best Single Issue/One-Shot
Hellboy: Krampusnacht, by Mike Mignola and Adam Hughes (Dark Horse)

Best Continuing Series
Monstress, by Marjorie Liu and Sana Takeda (Image)

Image result for black panther world of wakandaBest Limited Series
Black Panther: World of Wakanda, by Roxane Gay, Ta-Nehisi Coates, and Alitha E. Martinez (Marvel)

Best New Series
Black Bolt, by Saladin Ahmed and Christian Ward (Marvel)

Best Publication for Early Readers (up to age 8)
Good Night, Planet, by Liniers (Toon Books)

Best Publication for Kids (ages 9–12)
The Tea Dragon Society, by Katie O’Neill (Oni)

Best Publication for Teens (ages 13-17)
Monstress, by Marjorie Liu and Sana Takeda (Image)

Best Humor Publication
Baking with Kafka, by Tom Gauld (Drawn & Quarterly)

Best Anthology
Elements: Fire, A Comic Anthology by Creators of Color, edited by Taneka Stotts (Beyond Press)

Best Reality-Based Work
Spinning, by Tillie Walden (First Second)

Image result for my favorite thing is monstersBest Graphic Album—New
My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)

Best Graphic Album—Reprint
Boundless, by Jillian Tamaki (Drawn & Quarterly)

Best Adaptation from Another Medium
Kindred, by Octavia Butler, adapted by Damian Duffy and John Jennings (Abrams ComicArts)

Best U.S. Edition of International Material
Run for It: Stories of Slaves Who Fought for the Freedom, by Marcelo D’Salete, translated by Andrea Rosenberg (Fantagraphics)

Best U.S. Edition of International Material—Asia
My Brother’s Husband, vol. 1, by Gengoroh Tagame, translated by Anne Ishii (Pantheon)

Best Archival Collection/Project—Strips
Celebrating Snoopy, by Charles M. Schulz, edited by Alexis E. Fajardo and Dorothy O’Brien (Andrews McMeel)

Best Archival Collection/Project—Comic Books
Akira 35th Anniversary Edition, by Katsuhiro Otomo, edited by Haruko Hashimoto, Ajani Oloye, and Lauren Scanlan (Kodansha)

Best Writer
Tom King, Batman, Batman Annual No. 2, Batman/Elmer Fudd Special No. 1, Mister Miracle (DC)
Marjorie Liu, Monstress (Image)

Best Writer/Artist
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Best Penciller/Inker or Penciller/Inker Team
Mitch Gerads, Mister Miracle (DC)

Related imageBest Painter/Multimedia Artist (interior art)
Sana Takeda, Monstress (Image)

Best Cover Artist
Sana Takeda, Monstress (Image)

Best Coloring
Emil Ferris, My Favorite Thing Is Monsters (Fantagraphics)

Best Lettering
Stan Sakai, Usagi Yojimbo, Groo: Slay of the Gods (Dark Horse)

Best Comics-Related Periodical/Journalism
The Comics Journal, edited by Dan Nadel, Timothy Hodler, and Tucker Stone, tcj.com (Fantagraphics)

Best Comics-Related Book
How to Read Nancy: The Elements of Comics in Three Easy Panels, by Paul Karasik and Mark Newgarden (Fantagraphics)

Best Academic/Scholarly Work
Latinx Superheroes in Mainstream Comics, by Frederick Luis Aldama (University of Arizona Press)

Best Publication Design
Akira 35th Anniversary Edition, designed by Phil Balsman, Akira Saito (Veia), NORMA Editorial, and MASH•ROOM (Kodansha)

Best Digital Comic
Harvey Kurtzman’s Marley’s Ghost, by Harvey Kurtzman, Josh O’Neill, Shannon Wheeler, and Gideon Kendall (comiXology Originals/Kitchen, Lind & Associates)

Best Webcomic
The Tea Dragon Society, by Katie O’Neill, teadragonsociety.com (Oni Press)

The Bill Finger Excellence in Comics Writing Award
Joye Murchison Kelly, Dorothy Woolfolk

The Bob Clampett Humanitarian Award
Frederick Joseph, Comics4Kids

The Will Eisner Spirit of Comics Retailer Award
Norma Comics, Barcelona, Spain

The Russ Manning Promising Newcomer Award
Hamish Steele, Pantheon (Nobrow)
Pablo Tunica, TMNT Universe (IDW)

Hall of Fame Carol Kalish, Jackie Ormes, Charles Addams, Karen Berger, Dave Gibbons, Rumiko Takahashi

LOST S6 E16 “What They Died For”

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Some really great character moments as the show barrelled toward the finish line.  We get a new Island Protector and we find out why the other candidates had to die.

Kate was very emotional when she confronted the ghost of Jacob about the reason Jin, Sun and Sayid died.  He did not make excuses or platitudes.  He did not dodge the question either.  He admitted to his mistake, the one that he has been trying to fix ever since.  It was the mistake we saw happen in “Across the Sea” where Jacob sent his brother down the hole to the heart of the Island and the Smoke Monster was created.  Jacob knew that the Monster was going to try and find a way to kill him and that he would one day succeed, so he had to find someone to replace him.

He claimed that Kate’s name is scratched off the wall simply because she became a mother (to Aaron), but that meant nothing more than a chalk mark on a wall.  He said the job was hers if she wanted it.  I liked how straightforward Jacob was in this moment and one wonders how well things would go if he had been as straightforward as this for his entire reign as Island Protector.  He did learn the secretive and manipulative manners from Mother and he would not have had any other examples.

Sawyer got mad at Jacob for playing with their lives and Jacob responded with the fact that none of the people he brought to the Island were happy or knew where they were.  They were lonely and lost and Jacob gave them an opportunity to find themselves and their purpose on the Island.

Jack stepped forward and agreed to take on Jacob’s responsibility and there was a ceremony with water from the stream.  Jacob repeated the “Now you are like me” line that Mother used.  Hurley said he was just glad it was not him, a line that even on my first viewing way back when, I took as foreshadowing.

While Ghost Jacob was doing his thing, John Locke arrived in New Otherton and crushed the heck out of Richard, knocking him into the jungle.  Dead?  Ben immediately took his place at Smokie’s side answering any question he wanted to know.  Specifically, where was Charles Widmore.  Widmore and Chloe were hiding in Ben’s closet and Ben was happy to share.

Locke went down to the hidden room with Ben, killed Chloe immediately and started asking Widmore questions.  Apparently, Jacob had returned to speak to Widmore recently and told him how to find the Island, refocusing his cynosure.  He was now concerned with Locke instead of Ben.  Locke told Widmore that if he did not tell him everything, the first thing he will do off the Island is kill Penny.  As Widmore was whispering to Locke, Ben shot Widmore to death saying that Charles did not get to save his daughter.

The whole situation with Charles only brought back the memories of Alex and her fate.  Miles had run into where Richard had buried her as they returned, causing him to pause.  Ben thanked Richard for burying her.

Desmond got out of the well apparently because when Locke and Ben arrived t kill him, he was gone.  Locke was happy though because he decided he was going to use Desmond to help destroy the Island.

 

Sorry to Bother You

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Mind… blown.

Boots Riley is the writer/director of this movie and it is his first feature film.  Riley is a rapper/activist who apparently has some serious opinions to share.  You can tell because he spares no topic in the satire called Sorry To Bother You.

The film stars Lakeith Stanfield as Cassius Green who is in desperate need for a job so he applies at a telemarketing company.  He struggles with the job until co-worker Danny Glover drops a hint for him.  He says to use his “white voice.”  The white voice was something that Cassius could do tremendously well and it made him unbelievably successful at the company.  In fact, he is promoted to the position of “powercaller” upstairs.  His new massive success gets him invited to a high brow party thrown by CEO Steve Lift (Armie Hammer) where everything explodes.

That’s about all I can tell you because if I were to spoil this movie, you would not believe me.  The film was rocking along until that party and then EVERYTHING WENT NUTS!  And that is in a good way.

This film is satirizing all kinds of topics from the world today:  racial tensions, unions, fake celebrities, Americans’ viewing habits, large companies, SPIN controlling the thoughts of people, Capitalism,  art, relationships, the news media… there is probably more here, but it is all just blasting at you that it is hard to remember them all.  That might be a bit of a problem for the film where if they had focused on one or two, the message might have been clearer.

However, the presentation of this was just so amazingly provided that I almost wouldn’t want it any different.  I heard a lot of critics compare this to the film Swiss Army Man, and that tone/feeling of this movie does bring that to mind.  I loved Swiss Army Man, by the way so that is a huge compliment from me.  However, I know that Swiss Army Man was and I would expect Sorry to Bother You will be polarizing for the public because the ideas are presented in a manner in which they are not expecting.  I found it remarkably original and courageous, but many may find it pretentious.

Tessa Thompson is here as well, playing Cassius’s girlfriend, Detroit.  She is a great character as well, who takes a stand for the working people, though may not necessarily be as much of a supporter as she thinks she is.

There are scenes in this movie that you will not believe that you are seeing in a regular film.  It is so over-the-top that I left the theater with the letters WTF stuck in my head.  I loved a movie was able to create that uncertainty in me and do it with a creative manner than I had never seen before.  Honest to God, the film started in one path and suddenly changed paths midway through.  I did not see it coming and it was wonderful.  There were scenes that I could not believe I was laughing at.

Great performances from all the cast, including some great cameos and voice overs, unbelievable twists and turns, and a satire over just about everything that can be satirized.  Sorry To Bother You is a great film that takes HUGE risks and I hope it pays off.

4.8 stars

 

LOST S6 E15 “Across the Sea”

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This is one of those totally divisive episodes of LOST that I loved.  “Across the Sea” was a great origin story of the Smoke Monster and it lent us a look at Jacob and his brother, along with the crazy Mother.

Allison Janney starred in this episode as Mother.  A woman who was already on the Island as the Protector when a ship crash landed on the shore and a pregnant woman came stumbling into the jungle. Mother helped the woman give birth to twins- she only had one name, Jacob- and then Mother killed her.

We saw how the Man in Black and Jacob developed over the years.  The Boy in Black discovered that he was from another land after conferring with the ghost of his birth mother.  He was already curious about what was out across the sea.

Jacob and the Boy in Black discovered the others from the ship and went to Mother.  Mother took them to the heart of the Island, the glowing light.  She said it must be protected above all else and that one of the boys were destined to take her place as protector of the Island.  On the way, she told them that they could never hurt each other.

The Boy in Black decided to leave and he wanted his brother Jacob t go with him, but Jacob refused and they started to fight.  The Boy in Black left to go with the other people.  Jacob stayed with Mother.

Mother eventually took Jacob and made him protector, despite Jacob not really wanting the job.  After drinking some wine, Mother said “Now you and I are the same.” Mother stopped the Man in Black from building the donkey wheel.  Then she went and killed the other people.  The Man in Black, angry from the betrayal, stabbed Mother with a knife (without letting her speak) and she died, thanking him.

Jacob arrived and was angry at his brother.  Jacob took the Man in Black to the light and knocked him out.  Mother had once warned him never to go down in the hole because that would be much worse than dying.  Jacob threw him into the water and it took him into the hole.  A few seconds later, the Smoke Monster roared from the hole.

Jacob found the body of his brother nearby and he took him and Mother to the caves and set them inside.  That made Mother and the Man in Black the skeletons that were found in the first season, Adam and Eve.

A major question in this episode… how did Mother kill all of those other people?  I believe that she was able to do that because she was already a Smoke Monster. She spoke about that hole being worse than death because she knows first hand.

Plus, if the Man in Black was the Adam skeleton, that means the Man in Black that we have been seeing since is actually not Jacob’s brother.  This means though that apparently the rules still apply as the Man in Black was unable to kill Jacob on his own.  However, Smokie retained the memories of the Man in Black which makes one wonder if he has all of Locke’s memories as well.  How about Christian or Yemi?  There is evidence that might support that as a fact.

Sure there are plenty of questions raised by this episode, but they’re the type that do not require an answer.  I actually like the uncertainty better.

Why is there so much hatred over this episode?  I think some probably hated the placement of the episode, the third to last episode of the series.  That is important though with how much the heart of the Island will play in the finale.  Some people hate when episodes raise questions and do not answer them.  I already said that does not bother me.  I can come up with solutions for everything.  I think some of the answers that were presented were just not the ones people wanted or that they disagreed with.

Any way, I really enjoyed “Across the Sea” and look forward to the final three hours of LOST.

LOST S6 E14 “The Candidate”

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*cries*

*sob*

*sniffle*

The death of Jin and Sun was absolutely traumatic and yet beautiful.  Jin refusing to leave the side of his beloved Sun even one more was heartbreaking.  The imagery was gorgeous and yet horrible as the last picture we had of these two were being pulled apart.  Ji Yeon is now destined to grow up never to know her parents.

Wow.  I remember never expecting this.  After so much time apart, doing everything imaginable to reunite with one another, the show gave us an episode to see the Kwons together only to literally blow them apart.

The Kwons’ death tells us one thing.  The Man in Black/Locke is not the hero of this story.  He is ultimate evil.  He planned out getting all remaining candidates together on the submarine so they could kill each other.  The bomb was the perfect way to do it.  Jack knew that nothing was going to happen, but everything this season was leading to this moment.

We already saw dynamite fizzle away with jack around it back with Richard.  Jack totally believed that this bomb would be no different.  He had complete faith that the Island would not let them die…or that Locke was unable to do it himself.  Jack inferred, reasonably and correctly so, that if Locke could have killed them all, why hadn’t he done it already?  I have no doubt that the bomb would not have gone off if they had let it run down to 0:00.

The problem was that Sawyer had his hands on the wires, and the last time he trusted Jack with a decision of this magnitude, Juliet died.  Sawyer went ahead with Jack’s crazy scheme with Jughead, and it cost him the love of his life.  Sawyer wasn’t going to do that again.  By pulling the wires, Sawyer effectively was the person killing the candidates, not Locke.  Technicality but it feels like technicalities are vital to the Island and to Jacob’s rules.

Sawyer’s actions do give Sayid a chance to redeem himself from his trip to the Dark Side.  Sayid’s noble sacrifice reminded us all of one thing.  Despite the terrible things that Sayid had done over his lifetime, deep down he was a good man.  It is something that Sayid has been trying to reach since day one on the Island and with his final sacrifice, he was purged of his wrongdoings.

Remember, Sayid had not chosen to go to the Dark Side.  He had been shot and dipped in the Temple pool, which had been corrupted by Jacob’s death.  Sayid was literally infected by the Man in Black and it took him a long time to find his way out of the darkness.  Sayid’s choice was not, “I’m going to sacrifice myself and then I’ll be redeemed.”  Instead, it was “I am expendable because I am already dead inside” and by that, he becomes a hero again.

Jack, Hurley, Kate, along with an unconscious Sawyer, wash up on the beach in the lowest moment for all of them perhaps in the entire series.  They feel defeated and are grieving the loss of three friends (Lapidus is not dead yet!).

Such an emotional powerhouse of an episode that showed us the true extent of the characters, especially the Man in Black.  Last post I talked about how the Man in Black was honest and forthright and hated secrets.  Well, toss that all out the window because he is the monster that we always thought he was when the first sounds of the monster echoed across the beach.

If only we had an episode that told us the origin of the Man in Black…..

 

LOST S6 E13 “The Last Recruit”

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It was late last night that I watched this episode.  I had done it without writing the “Everybody Loves Hugo” post either because things are coming to an end and I am excited about the next episode.  That means these cliffhangers are doing their job.  If it hadn’t been so late last night, I would have gone on to the next LOST episode.  I almost did it anyway.

The interactions between Jack and the Locke/Man in Black are wonderful, and almost complete opposite of the conversations once held between Jack and our real John Locke.  Fascinating how much faith the “Man of Science” has in the Island now in comparison to before.

John seems completely reasonable about just wanting to leave the Island.  He is also very much straight forward with people and tells it like it is.  He is not in for secrets (although he does have his share).  This is very anti-Jacob and most likely that is the reason why Locke/Man in Black is that way.

We got the reunion of Jack and Claire, twice.  Once on the Island and once in the flash-sideways.  This is the first time that the brother-sister pair saw each other since the reveal came out.  It surprised me that Jack was willing to leave Claire behind when the big jailbreak happened, but I liked that Claire decided to follow along and showed how hurt she was by their betrayal.  Having Kate talk Claire down was a nice touch as well.

Jack and Sawyer had one more run in on the boat, and Jack decided that he needed to stay on the Island so, in a moment that mirrored Sawyer’s leap from the helicopter, Jack jumped from the boat and swam back to the Island, once again confusing Kate to no end.

And then….. FINALLY….

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Jin and Sun are reunited.  After many seasons and 30 years of time travel, Jin and Sun are in each other’s arms again.  It is short lived as Widmore’s forces showed up and apparently received orders to execute the group, but that does not make the moment any less sweet.

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With the war now under way, and Widmore’s bombs being tossed toward Locke’s group, John is able to save Jack and get him away from the shelling.  One wonders where the kids are (still with Cindy?)

“You’re with me now” John said eerily.

As I said, I would have watched another if the time had not been so late and I am very excited about revisiting the final four episodes of the series.

LOST S6 E12 “Everybody Loves Hugo”

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The show is into overdrive right now as things are speeding along to the finale.

We get a flash-sideways for Hugo, the most successful businessman in the flash-sideways world.  He donates to charity.  He buys businesses and provides jobs.  He is a sweetheart that receives awards galore.  Everybody loves Hugo.

But Hugo’s mother wants him to have a girlfriend.  She’s never happy.  Setting Hugo up with a blind date leads to a chance encounter with a distinctly out to lunch, figuratively and literally, Libby. Libby has memories of Hugo from another time and she was hoping that he had the same memories which would make her not crazy.  Hurley did not share the memories and Dr. Brooks redirected Libby back to the van to return her to the institution.

Hugo can’t get Libby out of his head so he goes to see her.  She seems considerably less cray-cray in this conversation than at the restaurant so Hugo asks her out on a date.  They wind up on a beach having a picnic, a picnic they did not get to have on the Island and they share a kiss, which triggered Hugo’s memories.

Hugo’s flash-sideways was a sweet one, with Desmond floating around keeping an eye on them like a guardian angel.  Of course, Desmond is anything but a guardian angel for Locke as he runs him down with his car after school one day.

Before leaving the flash-sideways world I want to have a shout out to Samm Levine, actor and former Movie Trivia Schmoedown Champion and Team Champion, who made an uncredited appearance here as Mr. Cluck’s worker.  It was cool to see a younger Samm Levine show up on LOST.

On the Island, Hugo was starting to show some real chops as well.  It is important to know that Hurley could be a person who takes over for Jacob.  He has never been one to lead the group, always blending into the background.  Here, Hurley is taking steps to be in charge.  At first, the information came form the dead- as Hugo sees and converses with Micahel, but eventually, Hugo makes his own choices.  Even Jack is following Hurley.  Hurley blowing up the Black Rock so Richard cannot use the dynamite on the airplane was a shocking moment as was Hurley’s decision that their next move was to go see Locke.  In grand LOST fashion, any decisions by leaders tends to split the group in half and Richard, Miles, and Ben take off on their own.

Michael, by the way, is stranded on the Island as a ghost, and he explains that the whispers are the restless spirits of the Island.  This explanation did not feel right, though I do like the idea that Michael is still being punished for his crimes.  The whispers always seemed to have something to do with the Others so there felt like there needed to be something else.  Perhaps the Others always stirred up the restless spirits because a bunch of them are from the Dharma Initiative and the Others were responsible for their deaths in a mass murder moment.

And there was an intense stare down as Jack and Locke come face to face once again.

Lots of other cool/shocking things this episode too:

  • Ilana blew up in a very Arzt manner.  It was a perfect ending to a character that never felt like she belonged.  Ben’s comment about how the Island was done with her was chilling as well.
  • Locke tossed Desmond down a well.  Locke certainly looked nervous around Desmond, whereas Desmond seemed perfectly calm.  That calmness, the lack of fear, really spooked Smokie.
  • The Island boy continued to taunt Smokie.  Desmond can see him as well.

LOST S6 E11 “Happily Ever After”

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I love Desmond-centric episodes.  They never fail to be awesome.

Desmond is such an important character in the world of LOST that when he was dragged out of that locked room on the sub, you knew things were going to pick up.

Of course, throwing him into that electromagnet turbine sure seemed an easy way to make this trip to the Island a short one for everybody’s favorite Scot.  However, Desmond showed once again that he was special, shaking off the blast as if it were nothing.

Whatever Widmore’s plans for Desmond are, it seemed that Des doesn’t mind any more.  The flash-sideways world, including his meeting with Penny, apparently has bolstered his confidence.

Love is becoming a major theme in this flash-sideways universe, and it is somehow connected to death.  Charlie’s near death experience on the plane led to him seeing flashes of Claire.  And Desmond’s car crash, thanks to Charlie, made him start remembering some important details.

But shaking hands with Penny, his constant, sent Desmond right back to the Island and the “real” world.

So when Desmond came back to consciousness with Penny, he had some kind of epiphany involving the others on the Oceanic 815 and he wanted a list.

It was great seeing Charlie and Daniel again this episode.  They have been missed.  It also seemed as if that tricky Eloise (Hawkins) Widmore knows more than she is letting on.

So now with Sayid having Desmond, who knows what is coming next.

LOST S6 E10 “The Package”

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It always seems that LOST follows up an exceptional episode with an average to below average one.  It happened with The Constant, Flashes Before Your Eyes, The Man from Tallahassee and now it has happened with Ab Aeterno.

“The Package” was a story following Sun and Jin in the flash-sideways world.  Couple of interesting tidbits.  They are not married.  Keemy and Mikhail are connected.  We find out how Jin got in that freezer.  Keemy was supposed to kill Jin for Paik (and Jin thanked him for it).

On Island, Sun hit her head running from Locke and she suddenly forgot how to speak English.  My guess is that her slash-sideways world was bleeding through here, but it felt like a bit of unimportant, maybe even lazy writing.

Jin is snatched by Widmore’s group, apparently to show him pictures of Ji Yeon.  Widmore wants more than that.

Locke has a confrontation with Widmore.  Widmore seems to be on Team keep Smokie on the Island, but I can not see him as a hero.  Especially after they bring out a drugged up Desmond from the sub.  Kidnapping?

Sayid told Locke that he feels nothing.  No anger.  No joy.  Nothing.  Almost as if he is dead.

Richard came back and told the group that they had to destroy the airplane to keep the Smoke Monster on the Island.

It felt like a place holder of an episode, that just dropped a few ideas and put things into place for what is coming.

LOST S6 E9 “Ab Aeterno”

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One of the best LOST episodes of the series features the long argued back story of the ageless one, Richard Alpert, once known as Ricardo.

Ricardo started his story at Tenerife, Canary Islands in 1867 with an adult aged Ricardo trying to save his dying wife Isabella.  We now know the age of Richard Alpert.  Ricardo, a poor man with little means, scraped together everything they had and went on horseback for a doctor.  He was told in no uncertain terms that he did not have enough money for the medication Isabella needed.  In a struggle over the medication, the doctor is accidentally killed.  Ricardo rushes back to his wife with the medication only to fins that he was too late and she had died.

Ricardo was sent to prison and was going to be hanged, but when it is revealed that Ricardo was teaching himself English, he be came more valuable and he was given to a ship’s captain to travel to the New World.

Ricardo was chained with the other slaves in the Black Rock, which gets caught up in a storm and crashes onto the Island, right through the statue of Taweret.

The Smoke Monster eventually showed up and killed the Black Rock crew (not before Captain Magnus Hanso stabbed all of the slaves with his sword…except Richard, of course.

The Man in Black attempts to manipulate Richard with visions of his dead wife Isabella and he sends Richard after Jacob with a knife using the same instructions that Dogen had told to Sayid when he sent him after Locke.

Richard does not come even close to killing Jacob as he is easily disarmed.  Richard believed that he was dead and they were in Hell, repeating a fan favorite theory about the Island.  Jacob repeatedly dunked Richard’s head into the water on the beachside until Richard claimed to want to live.

Jacob would make Richard immortal and use him as a second hand man for years.

Present day, we know that Richard had lost his faith in Jacob and had seen his life as a wasted time, becoming suicidal.  He left he beach to go and join Locke’s group, but Hurley followed him.  Richard was mad that Hurley came up to him, but Hurley was talking to Isabella.

The scenes between Richard and Isabella were beautifully done and really helped to understand the character of Richard.  Richard had always been a enigma since his introduction but this laid everything out for him.  Isabella is able to refocus and save Richard from doing something stupid.

 

Unfriended: Dark Web

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This was the third sequel of the day, and actually, probably the best movie that I saw today.  Still, Unfriended: Dark Web left me feeling unsatisfied and a little unhappy.

Mathias (Colin Woodell) had found a laptop at a cafe in the lost and found and, since it was a better version than his own, he took it.  He had been working on a new app to help with sign language so he could communicate better online with his deaf girlfriend Amaya (Stephanie Nogueras).  He gets online with a bunch of his friends for their “game night” and soon strange things begin to happen and, before long, everyone is in danger from the mysterious original owner of the laptop.

I have to say that the set up of this film was excellent.  The use of the online tools such as Facebook messaging to create tension and fear are used brilliantly.  The technological aspects of the story really add to the confusion and uncertainty of the situation.  Who hasn’t been online when something strange was going on that you couldn’t explain.

And I really liked the characters here.  Sure they are basic stereotypes, but each actor involved does a decent job of working with what they have been given.  There is enough character development for each person that it matters to you when they are placed in jeopardy… at least most of them.  Each performance was adequate and did not draw away from the story.

The villains are mysterious and are not supernatural in nature, which is a good choice.  Unfortunately, there is not enough about them and they end up being more of a plot point than characters.  The effects they have when they are seen on camera is fun.

I just did not like the situation these characters were placed in and I was not happy with the resolution of the movie.  The ending did seem to take a smaller, tighter story and blow it up to an illogical conclusion.

There was a style to the set up of the film and the execution of the online aspects of Unfriended: Dark Web, but the story seemed to become too large and all encompassing.  It worked considerably better when the threats seemed more personal, more directed.  As he film grew in improbability, the less it worked as a narrative.

2.8 stars

The Equalizer 2

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Denzel Washington had never done a sequel before.  That is an amazing fact in the world that we live in.  It seems as if everything is a sequel these days.  Well, that streak was broken with The Equalizer 2, which does not live up to the original film.

Robert McCall (Denzel Washington) is one of those guys who just is out to help people.  And he does it in a real bad ass way.  Denzel is really good in this role and it is cool seeing him being the warrior that this character is.

Unfortunately, the story is scattered too much and the first hour or so of The Equalizer 2 is deadly dull.  Then it seemed as if the second half of the film tried to make up for the boredom by going way over the top in violence and stupid action movie cliches and situations.

McCall has a friend (Melissa Leo) who winds up a victim of a violent death (although my favorite part of the beginning of the movie was when she was being attacked and she was fighting back.  She was a force of nature).  This send McCall out for not only justice but revenge.

There were too many sub plots in this movie and I did not care much about them.  The best one involved a young kid (Ashton Sanders) and his painting, but he becomes way too involved in the silly third act battle.

In that third act, I thought the villains did so many stupid things that they deserved what was coming to them.

Director Antoine Fuqua and Denzel Washington have worked together several other times (4, I believe) but this is not the strongest of the occasions.  Again, it is not terrible overall, but it is not that good either.  Certainly not in Denzel Washington level.

2.6 stars

Mamma Mia: Here We Go Again

So saccharine sweet that I may have a toothache.

I watched the original Mamma Mia about a month or so ago because I knew this was coming out and I was not overly impressed.  I liked some of the music, but the film itself was not anything that appealed to me.

I had wondered how they were going to do the sequel since they used all of ABBA’s hits in the original.  Was it just going to be a rehash of the same songs?  Well, there were only a few of the songs from the first film used again (Dancing Queen, Fernando, Mamma Mia) and they used a bunch of lower tiered ABBA songs.  The problem with that is the lower tiered ABBA songs were not very good.  I would go as far as to say that several of the songs involved in Here We Go Again were cringe-worthy.

The best moments were certainly the big productions, which were the songs that had been done before.  The Dancing Queen sequence was excellent.  Mamma Mia was done very well.

The story had two parts to it.  Donna’s (Meryl Streep) daughter Sophie (Amanda Seyfried) has taken over the hotel on the island and is planning a huge reopening party.  The second part is the origin story of how young Donna (Lily James) found the island and how she became pregnant with Sophie.

The film cast thee young versions (Jeremy Irvine, Josh Dylan, Hugh Skinner) of the three fathers (Pierce Brosnan, Stellan Skarsgård, Colin Firth) to tell the story of how Donna met each man.

I will say that I think Lily James is a star.  There is something about her that is undeniably watchable and her very screen presence helps the film’s early story tremendously.  She has that “it” factor.  Unfortunately, the material here does not give her much to do.

There is absolutely zero stakes for the movie.  There is almost no conflict there either.  A rainstorm causes some of the most trouble for the movie, but it is resolved easily.

I also enjoyed the younger versions of Tanya (Jessica Keenan Wynn) and Rosie (Alexa Davies) who do a great job of capturing young versions of Christine Baranski and Julie Walters.

It’s not as if the movie was dreadful, because it is not.  It just seemed to be pretty unnecessary and lacking in anything that would be considered deep. The music was not as good as the first time (thankfully, Pierce Brosnan was kept to minimal singing) and the only parts that stood out was when they did the music from the first.  Cher’s appearance was short and predictable.  You saw just about everything from Cher in the trailers (except for a couple of songs she sang).

Deep cut ABBA fans might really enjoy this, but a causal ABBA fan will find most of these songs lacking and there is not much more to the film besides the music.

2.5 stars