Hell House LLC II: The Abaddon Hotel (2018)

9 of the October 13

This is the third Hell House film that I have seen. I have not gone in any specific order. I started with the original Hell House film and then, for the October 13 for 2024, I watched the Hell House LLC: Origins film.

This, the first sequel to the original, has been on my queue on Amazon Prime for quite awhile now.

The film had some moments to it, but it was a step down from the other Hell House films that I have seen. The found footage/documentary format does work well for this series. This film added the “Morning Mysteries” talk show idea to help build the suspense of what was going on.

However, the twist at the end was laughable. There were good moments leading into this, but none of them would be as remembered as this horrific ending twist. It is perhaps one of the worst ending sequences I have seen in a long time.

Even if I had been engaged with the film up until the ending, that would have truly wrecked it. As it is, I was mildly interested in the film prior to this, but it took a major nose dive after that.

Terrifier (2016)

8 of the October 13

I have avoided the Terrifier franchise up until this point. I figured that I could include this in the October 13 this year since I found them available on Peacock. I have always enjoyed a good killer clown.

Of course, I much prefer Pennywise to Art the Clown.

I did like the design of the character of Art the Clown. He looked good. After that though, I was not much of a fan of this movie.

The biggest problem was that none of these characters, including Art, meant anything to me. There was really no story to the film. Sure, most slasher films have a limited amount of story, but there usually is something. This was lacking completely.

The killings were gruesome and had a bit of humor to them. I had to roll my eyes at the hacksaw killing because of how impossible it would be. If you know, you know. It felt as if the gore was the only thing that Terrifier had going for it.

The ending in the morgue made no sense as there had been zero hints prior that Art was anything more than just a kook in a clown mask.

While Terrifier was just 1 hour and 25 minutes long, the sequel expanded to a whopping 2 hours and 25 minutes, which will probably prevent me from watching it any time soon. The first film did not inspire me to want to invest that long into a second taste of Art the Clown.

Strange Frequencies: Taiwan Killer Hospital (2024)

7 of The October 13

For the next film in the October 13 this year, I went to Netflix for a 2024 Philippine found footage film based on a Korean film from 2018 called Gonijam: Haunted Asylum.

According to IMDB, “Reality TV stars face mounting supernatural horrors while filming at haunted Xinglin Hospital in Taiwan. As paranormal activity intensifies, group dynamics crumble and a dark force manipulates their survival choices.“

The idea of a group of online celebrities doing a livestream inside a horrendous haunted asylum and streaming their eventual deaths across the internet does not sound like a situation that is improbable. In fact, I could see something like this taking place in the world of YouTube today.

It seemed as if most of these actors were playing some form of themselves during the film. They all did an exceptional job of creating tension and anxiety through their outright terror and panic to escape the horrors that they were facing.

A few of the deaths were terrible, including the ones that were more quiet, like Zarck, who appears to have caught some kind of deadly virus and he was breaking our in scabs and growths.

While a lot of the dialogue was members of the team just calling out each other’s names (aka “ALEXA!”, “QUEN!” etc.), it built that feeling of confusion and hysteria.

This was a good use of the found footage subgenre and the movie had some interesting comments to make on the online community. The responses to the live stream on the side of the screen were very realistic.

The Devil’s Candy (2015)

6 of The October 13

I had never heard of this movie before, but after seeing Dangerous Animals, directed by Sean Byrne, I saw on his IMDB page that he had done another horror film called The Devil’s Candy. I was impressed enough with the Dangerous Animals movie, that I looked into this movie. It had a 93% on Rotten Tomatoes and was available on Shudder.

With the positives, I added it to the possible films for the October 13 this year. I just watched it and it was a frightening thriller with some solid performances.

According to IMDB, “Metal music, paint, and family are the passions of struggling painter, Jesse, who lives a happy life with his wife, and daughter. Things look brighter when Jesse finds a huge old house, in rural Texas, selling at a very low price, due to its mysterious past. They move in and Jesse converts the barn into a studio. But soon, his work starts taking on a new, darker flavour – and things get even more ominous when the hulking, unbalanced son of the former owners appears on the doorstep. Jesse’s family won’t be safe until they find a way to quiet the Devil himself.“

Pruitt Taylor Vince played Ray Smilie, who lived in the house before. His presence in the film was disturbing every second he was on screen. You felt for him at first, but that does not last long as he begins to do some horrendous things.

The tone of this movie was so uneasy, filled with tension that you were never really sure where the film was heading next and whether or not this was going to turn out to be a positive ending. I like that kind of film and the mood was truly ramped up.

Byrne does a great job directing this and you can see where his storytelling highlights the important details in the film. He is one of our new voices in horror with a couple huge successes under his belt.

Scare Me (2020)

5 of the October 13

Scare me is a comedy horror film written, directed and starring Josh Ruben, who has also directed Werewolves Within and Heart Eyes.

I do not remember where I found this film while I was compiling my possible list of the October 13 this year, but I am truly pleased that Scare Me made it. Comedy-horror is difficult to do. There are way more examples of films that try it and fail than those that are successful. Josh Ruben appears to be someone who can find that perfect mix between the genres.

Fred (Josh Ruben) rented a cabin in the Catskills with hopes of doing some writing. Fred meets Fanny (Aya Cash), who had written one of the best horror novels of all time. During a power outage, Fanny comes over to Fred’s cabin and the two of them take turns telling stories, trying to scare each other.

This was really great. It was so funny and still provided that creepy feel that you didn’t know what was next. Josh Ruben and Aya Cash worked well together, creating some compelling stories to present to each other.

Chris Redd joined in on the fun for a short while as Carlo the pizza delivery guy.

The film uses a ton of references from other horror movies including Jaws, The Shining, Misery, and Poltergeist. The movie clearly has a love for horror films and the manner in which they are created, while also messing with the tropes of the genre.

I watched Scare Me on Amazon Prime, specifically with Shudder. It was an excellent time, blending humor and horror perfectly.

House on Haunted Hill (1999)

4 of the October 13

There was a movie from 1959 called House on Haunted Hill, that starred Vincent Price. It was a fun time as five people were challenged to stay the night in a haunted house for $10,000.

Well, in 1999, the fee goes up.

It was $1,000,000 dollars in the 1999 remake, and it was at an old abandoned insane asylum.

And I would not classify this one as “fun.”

The film included  Geoffrey Rush, Famke Janssen, Taye Diggs, Ali Larter, Bridgette Wilson, Peter Gallagher, and Chris Kattan as those poor souls trying to survive the night. That’s a decent cast list of actors, but the writing was anything but good, and character development was lacking even more.

Some of the special effects were bad, although it was 1999, so you have to take that into consideration. Of course, 1999 had the Sixth Sense come out and those effects were much better.

This was nowhere near as good of a movie as the Vincent Price version, and it was the first poor movie in the October 13 for this year.

The Devil on Trial (2023)

2 of The October 13

A first for the October 13, a documentary.

Netflix’s documentary The Devil on Trial featured the supposed demonic possession of 11-year old David Glatzel. This was a case taken up by Ed and Lorraine Warren. During the exorcism, Arne Cheyenne Johnson reportedly challenged the demon, which everyone took as a bad thing.

Then, Arne Cheyenne Johnson killed his friend with a knife, and his trial was the famous “The Devil Made Me Do It” case. The judge would not allow that defense, but the doc presented that case.

I will say though that this doc was very balanced, because one of David’s brothers, Carl, provided an other side of the story. He came out and told a story about his father coming into the room, slapping David after he had been cursing at his mother, and David went and sat down. His manner of telling the events was definitely calm and convincing.

He also mentioned the belief that their mother was giving her kids and husband Sominex in their food. Again, he was very believable in the way he presented the details.

The doc presented both sides of the Warrens. The side where they have helped a lot of people and another side where they were in it to make money. I like the Warrens, but you have to wonder about their motives.

I did enjoy the doc, especially since it did not push one side or the other.

Final Destination (2000)

1 of The October 13

The first film of The October 13 for 2025 is the first Final Destination, a movie that I had never had any interest in seeing until this past year. That was when I went to see Final Destination: Bloodlines, which was just fabulous. So I figured that I could give the first film of this franchise, which has always had good word of mouth, a chance during The October 13.

I am so glad that I watched this movie, because it was just exceptional.

According to IMDB, “After getting a premonition about a plane crash on his school trip, Alex, a student, saves a few of his classmates. However, their situation gets complicated when death starts chasing them.”

The cast included Devon Sawa, Ali Larter, Kerr Smith, Kristen Cloke, Sean William Scott, Tony Todd, Daniel Roebuck, Roger Guenveur Smith, Chad Donella, and Amanda Detmer.

The film does not dive too deeply into any of the characters as they are basically fodder for death, but part of the fun is to see what is going to happen to them next. I was rooting for Devon Sawa as Alex, as he desperately tried to help the others avoid their fate.

The deaths are over-the-top for sure, but that is part of the charm of these movies. I do think Final Destination: Bloodlines is the better film, but I really did enjoy this movie.

Mad God (2021)

The October 13 of 13

What a trip.

I went searching for a film to wrap up the October 13, which to be fair has been a touch underwhelming so far. I was really hoping to find something epic to end out the thirteen.

Well, I found something original for sure.

On AMC + on Prime, I found a stop-motion film called Mad God and it looked interesting. That would be an understatement for this.

According to IMDB, “Equipped with a gas mask and a crumbling map, the Assassin, an iron-clad humanoid, descends into a rusty, peril-laden underworld of grime, blood, and unsettling monstrosities. As the stealthy invader meanders through the labyrinthine post-apocalyptic wasteland on a mysterious mission, going deeper and deeper in the nightmarish realm, the Assassin gradually reaches his final destination: the heart of this grotesque tower of torture. But what cruel, vindictive deity allows fear and suffering to take its most complete creation further and further into despair? Only a Mad God would revel in humankind’s ordeal.”

That synopsis from IMDB is well done, but to be honest, the story is not anywhere near as straightforward as that description. I would venture to say that this film has a very limited narrative structure. The story seems secondary to the goals of this film.

Mad God has amazing, masterful stop-motion animation that creates an atmosphere unlike few movies that I have ever seen. It is frightening at times, disturbing at others. It imbues this nightmare realm with such darkness and alarming imagery that you can help but be taken aback from the visual daze.

The sound effects and score are very effective keeping you uneasy as the images build a surreal experience of monstrous creatures and violent despair.

Written and directed by stop-motion guru Phil Tippett, this passion project takes you deep into the mind of the director. And what a bizarre and warped experience it was. I usually prefer more of a story, and that is just short here, but this is an experience that I would not have passed on. I am conflicted on how I feel after watching this, which, I suppose, is a desired result.

Little Evil (2017)

The October 12 of 13

Who would have guessed that one of the better films I saw during the October 13 this year would be a Netflix film from 2017?

Gary (Adam Scott) recently married Sam (Evangeline Lilly), who has had several failed marriages. The biggest reason? Her son Lucas (Owen Atlas) is the Anti-Christ and he has a tendency to bury them alive.

Gary does not know what to do. Does he try and connect with the six-year old or does he kill the boy?

This is a surprisingly funny film with some excellent horror elements to it. The old evil child has been done countless times in movies, but this has a different flavor to it. It is the Omen mixed with This is the End.

Adam Scott does a great job of providing the anchor to this ridiculous story. You never feel that this is over-the-top because he grounds it for us with his performance. Even when you think that there is no reasonable person who would stick this out, Scott is believable.

There is a unexpectedly deep cast here too with Evangeline Lilly as Lucas’s mother and we get appearances from Clancy Brown, Sally Field, Donald Faison, Tyler Labine, and Brad Williams.

The final act of the film does go a bit off the rails, but I had already been charmed by the film, particularly by Adam Scott and the weaker end did not hurt the film much.

This is a fun film for families during the spooky season even though some of the religious iconography may be too much at times.

The Changeling (1980)

The October 11 of 13

So The October 13 has been a little lower of quality than I would have preferred this year. However, we came across a good one today. The Changeling, starring George C. Scott, is one of the best haunted house movies I have seen.

The film grabs your attention immediately as it sets up the tragedy for George C. Scott’s character, composer John Russell. His wife and daughter are killed in a tragic accident and this sends him spiraling out of control. Renting a house in Seattle, John goes to hopefully work on his music.

However, once in the house, strange sounds and events started happening, leading John to investigate what had happened in the house’s past.

Honestly, the seance scene was one of the scariest seance scenes I have ever seen. The way that the psychic approached the actual execution of the seance was great. I had never seen a seance handled in this manner before and it really set the stage for the rest of the mystery that would be at the heart of the film.

There is also a horrifying scene with a young boy and a bathtub that I will not go into further description of because it is unsettling.

George C. Scott is a tremendous actor and his very presence in the film give it a credibility that a lot of these haunted house movies lack.

I am happy that this film made the October 13 list this year and I am happy that it has helped put the list back on track.

Kill List

The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.

I Was a Teenage Zombie (1987)

The October 9 of 13

I found this on HBO Max and, because of that, I mistakenly believed, this movie would be a good one to include for The October 13, or at least was a real movie. It was five minutes into it when I discovered that this was the most amateurish, ridiculously bad film I have seen in a long time.

When the sound quality of a film does not reach the quality level of Birdemic: Shock and Terror, you know there is something wrong.

According to IMDB, “Six high school buddies accidentally kill a drug pusher and dump his body in toxic waters. When the pusher returns as a zombie and goes on a killing spree, their only recourse is to dump the body of one of their own recently dead, and have him return as a “good” zombie to face off with the “bad” one.“

I have seen this referred to as a cult classic, but if this is a classic in any form, I have to question the choices of the viewer. I know film is subjective, but I don’t think anything should be that subjective.

The budget of this movie must have been $25 dollars and a box of donuts.

I take that back, they did have some real music involved in the film, with a soundtrack involving real bands and musicians. At times the music was played so you could not hear what was being said. Best part of the film.

I seen better acting on SNL, you know when the host clearly has not learned any lines and is just reading off the cue cards off screen.

How bad was the dialogue? I don’t know, you could barely hear it.

This was not fun. There was a time or two where I laughed at the movie. Not because it was funny, but because it was so embarrassing that the only thing you could do was laugh.

The zombie make-up was more like blackface. Or eventually green face.

Then there was a zombie rape scene. I’m not kidding. Offensive as it could be.

The quality of the movies in this year’s October 13 has been really down. With Piranha, Sorry About the Demon, and this film, I really need to find a good film for #10.

Piranha (1978)

The October 8 of 13

Piranha, a movie directed by Joe Dante, was a film that I never had any interest in seeing. Those type of B-movies were never in my taste. However, for the October 13, I decided to watch the original Piranha on Prime to see if it was more enjoyable than I thought.

It was pretty much what I expected.

According to IMDB, “An insurance investigator and her local guide search the Lost River Lake area to find too missing teenagers. When stumbling on an abandoned military facility, they release by accident in the river some flesh-eating piranhas that were bred to use in the Vietnam war. The piranhas are heading straight to a nearby summer resort’s lake and its guests.“

A Jaws rip-off, Piranha is a low-budget film that had some terrible special effects and the story about as simple as you could get. The acting was not very good either, especially with the secondary characters. The dialogue was atrocious for most of the film.

I have seen reviews of Piranha saying that it is a parody of Jaws or that the film was tongue-in-cheek humor. I didn’t think much of any of this film was funny, and the time when the film tried to add humor, it fell flat.

I can see why this may have become a cult classic, because there is so much awful about this that you can look at it an laugh… not with it but at it.

This would be a perfect film for Rifftrax Live as there is so much comedy to mine around what is on this screen. It was actually worse than I had thought and proved that I was right for avoiding it all these years.

Psycho II (1983)

The October 7 of 13

One of my favorite Alfred Hitchcock films of all time was 1960’s Psycho. Twenty three years later, there was a sequel to the film featuring the return of Anthony Perkins as Norman Bates.

Of course, I have been watching Bates Motel for the last several months, which is not necessarily canon in the Psycho universe. It gave me the opportunity to start to love the character of Norma Bates. So with this October 13, I thought it would be a good thing to watch the sequel to Psycho.

While this is nowhere near the level of the iconic original, Psycho II was not bad. Anthony Perkins was wonderful in his return to the role of Norman Bates. You could never be sure whether or not Norman had actually regained his sanity. I wasn’t sure until the very end, which was nice.

The story had an impressive twist to start off that I did not see coming. I am not sure it worked all the way through, but when we found out the surprise, it worked for most of the middle of the story.

It did feel like it went a little too long and I am not sure I loved the resolution of the film… at least part of it. No spoilers from me, but I did like the very end of the film… just not what led to it.

This was better than I expected it to be, but if you were to only watch one Psycho movie, make it the original Hitchcock classic.