National Treasure (2004)

DailyView: Day 67, Movie 113

Happy Fourth of July!

The DailyView is on the path for a star-spangled day today. I am looking at those all-American movies dealing with our country’s history or pride. First up is the Nic Cage action film, National Treasure.

Ben Gates (Nic Cage) is a historian whose family has been searching for a treasure that is at the heart of a conspiracy theory passed down throughout his family for generations. The legend included stories involving the Founding Fathers and secret societies. It has consumed much of Gates’s life searching for the treasure. When he found a certain clue, it led him to the belief that the secret of finding the treasure was to be found in invisible ink on the back of the Declaration of Independence.

National Treasure asks a lot of the viewing audience. It wants you be accept some really unrealistic situations and set ups. You have to be able to accept the irrational and improbable or else this entire movie falls apart under the weigh of the premise.

However, if you are able to look past the impossible, National Treasure provides a ton of fun and excitement. Yes, it may be a poor man’s Indiana Jones, but imitation, they say, is the sincerest form of flattery.

Of course, one of the biggest absurdities is what the Declaration of Independence goes through during the movie. To think that a document that old would be sturdy enough to take the beating that it does is difficult to look past.

As I said, National Treasure asks for its audience to look past the flaws in the plot and to focus in on the rollicking good time that it provides. And it is a good time. It may be a touch long, but it shows how important intelligence is in the world. It is not just about dumb action set pieces. It is about history and how important it is to know about the history of our country.

Nicolas Cage is great with this kind of role. He is willing to play over-the-top characters and he is very believable as a modern day treasure hunter. His sidekick, Riley (Justin Bartha) is given all of the best lines and knocks them out of the park. Jon Voight plays Ben’s father, whose life led him to disbelieve in the existence of the treasure. Sean Bean is here playing the “Belloq” (the character in opposition to Indy in Raiders of the Lost Ark) role and he does a decent job, although I do not ever really feel as if he is a match for our heroes, even when it appears that he is in control.

You can’t nitpick this film because you will be doing it all day. If you want to have a good time, shut off your brain and let the action in.

This is the smartest dumb movie you’ll ever see.

Team America: World Police (2004)

DailyView: Day 66, Movie 112

The Fourth of July is almost upon us and I will be doing some “All-American” films for the DailyView, starting tonight with the parody/spoof Team America, from the minds of the creators of South Park, Trey Parker and Matt Stone.

The movie features an animation using puppets/marionettes for the characters. It is one of the most original looking movies I have eve seen. The strings to the puppets are visible the whole time and they move in the oddest ways. It was a fascinating visual to watch.

However, I am not sure this is my form of humor. In fact, a great deal of what was done here leaned toward humor that may not be appropriate for the current world. It seems that it could even be considered racist. Again, perhaps the fact that they are parodying the terrorists, the North Koreans, the liberal actors makes this okay, but there did not seem to be much more humor than that.

Team America fights terrorists across the globe and they do so no matter what. The opening scene found Team America confronting Muslim terrorists in Paris and this led to the destruction of the Eiffel Tower and the Louvre as Team America is ignorant of their surroundings.

This story features the recruitment of an actor named Gary (Trey Parker) to pull off an undercover job among the terrorist to discover who is behind the WMD attack discovered by I.N.T.E.L.L.I.G.E.N.C.E., their computer.

The film is really savage, but, to be honest, it is savage to everyone. Nobody looks good and they all fit in with the monologue given by Gary at the end of the movie.

I realized something tonight, too. I have always hated puke scenes, and now I know it does not matter if it is a real actor puking or a puppet doing it… I don’t like it.

There were funny moments, full cringe moments, stupid moments, crude moments. It is very much like an action movie with South Park characters.

Werewolves Within

Here is one of the best movies of the year.

It is like Northern Exposure meets Twin Peaks.

Then, Sam Richardson is the lead of this movie, and he was just in Tomorrow Man, that opened this weekend and he was one of the best parts of that movie.

Sam Richardson plays Forest Ranger Finn Wheeler, who has been transferred to the little town of Beaverfield. When he arrived, he met the postal worker Cecily Moore (Milana Vayntrub) and she shows him around his new town. There are all kinds of weird and eccentric characters living in the town.

Sam Parker (Wayne Duvall) is in town trying to convince the locals to sell him their property for a pipeline and it divided the population.

However, something mysterious is happening. The generators in town have all been slashed with what looked like claw marks. The power is out everywhere, and then Finn discovered the body of one of the local residents who had been brutally killed and apparently attacked by some unknown and unidentifiable canine.

As a way of protecting themselves, the main residents came together at a bed and breakfast and decided that there was more safety in numbers and they would stay together. This did not prevent another resident from having his hand bitten off. The remaining residents became paranoid and suspicious of everyone else, and the accusations began to fly.

This is so great. The writing of the dialogue was just beautifully done, with each line having that sharp, comedic bent to it. I laughed throughout the film and much of the laughter came from the perfectly delivered dialogue. The characters were all intriguing. Some were exceptionally charming and fit well together and others were over-the-top out there and the film does a brilliant job of fitting these all together.

You would never be certain of who was doing what in the film and the mystery got around to making just about everybody in the town look suspicious. I had no idea who was guilty or even if there was an actual werewolf involved in the story. We are not even sure if this is just a cover story for whomever was pulling this off. There are a lot of red herrings, but they all fit together at the end in a nice, tight narrative.

Sam Richardson and Milana Vayntrub are great together and have a ton of chemistry. They are a couple that have a rooting interest. Milana Vayntrub is someone who I have not seen before, but she is fantastic and is on her way to being a star.

This is a great comedy/mystery film with splashes of horror/thriller. The tone is managed beautifully and the direction creates that tone with every shot. Josh Ruben directed this and he is another director who has a bright future ahead of him.

Werewolves Within is a hoot and I loved every second of the movie. It pulled me in and kept me guessing about what was going on and the pay off was well done.

5 stars

The Boss Baby: Family Business

I can’t believe it, but I really enjoyed Boss Baby: Family Business.

The sequel was both in theaters and streaming on Peacock so I was able to watch this in the comfort of my own home. My memory was not being a fan of the original Boss Baby, and the initial scores on Rotten Tomatoes had The Boss Baby: Family Business scored low so my expectations were non-existant.

Then, I watched the film and I enjoyed it. Shock.

Admittedly, the main target of this movie is for the children. It is big, bombastic, full of color and humor that would appeal to a child. and I found myself laughing at several of the liens too.

The Templeton brothers Ted (Alec Baldwin) and Tim (James Marsden) are now adults and have grown apart from one another. Ted was a successful businessman and Tim had a family of his own. However, when Tim’s youngest daughter Tina (Amy Sedaris) revealed herself as an agent for the Baby Corp and that she had a special mission that could only be completed by Tim and Ted. They were given a special formula that aged them back to the age of babies they were in the original movie and they were to infiltrate a school, led by Dr. Armstrong (Jeff Goldblum). who had a secret plan.

Sure, the plot was shaky, but kids do not care about that. It was passable enough. The animation was really good, and many of the designs of the characters and the settings were excellently presented. There was a hectic pace of the film, which both keeps you from being bored and does not allow for much development.

I enjoyed the voice work. Alec Baldwin and James Marsden in particular, and Jeff Goldblum is always welcome in whatever movie he may be in. There are voice performances from as well from Jimmy Kimmel, Eva Longoria, Arianna Greenblatt, Lisa Kudrow, and Molly K. Gray.

While this is not at the level of the Pixar or Disney animated movies, The Boss Baby: Family Business has a solid place in the animation market place and is a decent film for the whole family, with some good messages for a family to hear.

3.4 stars

Gremlins 2: The New Batch (1990)

DailyView: Day 66, Movie 111

Today’s DailyView is the sequel to one of the beloved 1980s classic films from Joe Dante, Gremlins. I will admit that I was not a big fan of Gremlins, so I have never seen Gremlins 2: The New Batch.

What I was aware of was that Gremlins 2: The New Batch takes a distinctly different tone from the original. Where as the original was more of a horror film with a touch of humor, The New Batch is a full out comedy.

Not just a comedy, but a bat shit crazy comedy. It would border more on a parody or spoof of Gremlins than a sequel. In fact, if you think about the movie as a spoof movie, it might be more acceptable. Otherwise, this is downright ridiculous and silly.

I mean… the film was interrupted by gremlins, literally, and they had wrestler Hulk Hogan, in a movie theater, chastising the gremlins for breaking the film. They do break the fourth wall several times in the movie, but none like this one. Hulk was in the theater dressed in his wrestling attire with his title belt around his waste.

It is amazing that, if playing the game Six Degrees of Kevin Bacon, there is only one step from Hulk Hogan to Christopher Lee (who is also in this movie).

Our little hero, Gizmo, found himself in New York after being taken from Mr. Wing (Keye Luke) who was guarding him. Coincidentally, he turned up in the offices of Billy (Zach Galligan) who had dealt with the gremlins in the previous film. Of course, one thing leads to another and the building is overrun with the crazed and chaotic gremlins, leading to all sort of mischief.

It is totally, utterly bizarre. They certainly threw everything that they could muster at the screen for this. There are so many weird moments that it is impossible to detail them all. I will say, some of them did work. There are some funny bits as well (especially if you look at this as a spoof movie). There are so many insane things happen though that it feels a little desperate to surpass the original.

The cast included several familiar faces including Smallville’s Lionel Luthor himself, John Glover, Phoebe Cates, Robert Prosky (who must have taken this opportunity to become the TV station owner, so he was ready for Mrs. Doubtfire), Gedde Watanabe (as Japanese stereotype #1), Dick Miller, Robert Picardo, Haviland Morris, Kathleen Freeman and Dan and Don Stanton.

It was a wild ride. A complete farce of a film. Nothing like the original. Still had some insanity that was funny.

The Tomorrow War

I was not looking forward to this Amazon Prime original film.

There were no previews or reviews before the film was released. That is a bad sign, typically.

So I watched the sci-fi future/time travel movie tonight, and… you know what… I liked it way more than I thought I was going to.

Humans from the future year 2051 come back and give a message that the human race is going to be wiped out by an alien race that will be invading the earth at some point in the future. The present day humans are the answer to the riddle so a draft is organized to send people to the future to fight.

The plot is convoluted. Some of the CGI was wonky. It feels as if it is an amalgam of plenty of other sci-fi movies that we have already seen. It was too long and crowded with ideas that may not have been fully developed.

And yet, there was something here that put the whole film together into a fun watch. Chris Pratt is great here. He brings some serious credibility to the role from his history as Star-Lord in the MCU. J.K. Simmons is here too as the estranged, conspiracy theory-spouting father of Chris Pratt. He has some of the best dialogue in the film and his chemistry with Pratt is great.

Pratt shares many scenes in the first and second acts with Yvonne Strahovski and they are great together too. It seems like you can put Pratt with most anyone and get chemistry.

Some of the action gets repetitive. There is just a bunch of gunfire at the monsters, and that gets old. There is a decent scene involving the queen of the monsters that is a little different and helps get the film going.

I think this would have been even more entertaining on the big screen, but its release on Amazon Prime prevents that. The Tomorrow War feels as if the pieces are weak, but everything pulls together and is held together by Chris Pratt and the rest of the decent cast. It is not the best sci-fi movie ever made, but it is not the worst one either. I had fun watching the movie and I did not expect to enjoy this.

3.4 stars

The Forever Purge

Gee, any political motivation behind this one?

Guns. Immigrants. Taking back the country with riots. I don’t see any connection to anything in our news right now.

I’m not opposed to having political messaging in my entertainment, because there has been political commentary in the industry since the very beginning, but rarely has it been so blatantly obvious.

The Forever Purge is the fifth of the films in the film franchise of the Purge (which also had a TV show). In this one, the Purge has returned, but instead of being one 12-hour day where there is all crime is allowed, an organized group of insurgents decide that one day is not enough and that they would fight to make the Purge an every day thing until they could purge the US of all outsiders (which of course meant non-white people).

No mention if any of these people stormed the capital in Washington.

The action took place near the border of Mexico, making the Mexican-Americans the targets of the crazed redneck/Nazis who were behind the Forever Purge, together in a group called Forever After.

Our protagonists include Adela (Ana de la Reguera) and her husband Juan (Tenoch Huerta) and Mr. Tucker (Will Patton), his sister Harper (Leven Rambin) and his pregnant wife, Cassidy Tucker (Cassidy Tucker) form a bond as a group and attempt make it to the border of Mexico because Mexico (and Canada, btw) opened their borders to American refugees. Ironic?

So there was a tremendous amount of violence and gunfire. I wonder who the target audience for this was supposed to be?

If they were going to be so political, then The Forever Purge should have dove into the issue fully, instead of taking advantage of the real life issue. This felt very exploitative and it did nothing more than indicate that the way through this problem was with more violence, in particular guns. The Purge itself in the film becomes more about the hatred of some people, the blatant racism in our world and less about the more subtle class warfare that the earlier movies featured. With it so out there, the issues are only handled on a surface level, diminishing them as a whole.

The Forever Purge is nothing more than a violent, gunfire-filled message of hate. There are so many better choices in entertainment today that if you want this, you can watch TV news.

1.5 stars

The Invitation (2015)

DailyView: Day 65, Movie 110

Here is another movie that I had never heard about. I saw a recommendation on Twitter for this movie from film critic William Bibbiani, who made mention that this movie would be leaving Netflix on July 7th. The film sounded fascinating and so it moved to the front of the list for the DailyView.

This one was intense.

Will (Logan Marshall-Green) and his new girlfriend Kira (Emayatzy Corinealdi) accepted an invitation for a dinner party from his ex-wife Eden (Tammy Blanchard). Their marriage had ended in tragedy and had caused both of them terrible pain and anguish, so returning to the house was going to be potentially triggering for Will.

Many of his old friends are in attendance at the dinner party too, trying to make the awkward situation a little more comfortable. Eden’s new husband David (Michiel Huisman) is there as well, trying to be welcoming. The entire evening is weird as Will struggled with the ghosts of the past.

Eden and David’s new friends joined the party. Pruitt (John Carroll Lynch) and Sadie (Lindsay Burdge) both had a strange presence about them and when Pruitt revealed that he had killed his wife and spent time in prison, things only became more bizarre.

After awhile, Will began to suspect that Eden and David had an ulterior motive for bringing everybody together and that it might be a sinister plan.

I found this to be really engaging and thoroughly engrossing as the film slowly built the tension with its gradual development of the story and the interactions between the different characters. We discovered bits of information as the film progressed, each nugget creating another layer of anxiety. All the while, the film continued to keep you doubting whether Will was a reliable source or was the trauma of his past causing him to be delusional.

John Carroll Lynch is wonderfully eerie in roles like this. He was brilliant in David Fincher’s Zodiac and he picks up that same type of tone here.

The pace is intentionally slow, but once it “hits the fan” it goes crazy. The final shot of the movie was creepy and spoke to the scope of what felt like a small and intimate moment in time.

I enjoyed The Invitation a lot. It was tense and nerve wracking without being terribly over-the-top. The characters were handled well considering the number of them and Will and Eden’s horrible past makes perfect sense for what was to happen.

No Sudden Move

This one was an unexpected appearance on HBO Max today. I had not heard about this, but the crime movie with the great cast including Don Cheadle and Benicio Del Toro had me intrigued. Include with that the director being Steven Soderbergh, well, I was excited.

In the end, it’s fine.

No Sudden Move had some difficulties keeping my attention through much of the first couple acts of the movie, which was a drawback. Since I was watching this at home, I had plenty of other distractions pulling my attention away and this movie did not grab me and maintain my mind. Since I watch a lot of movies at home, it is not as if it was an uncommon situation.

I do believe that this was a film that would require some focus with its crime plot. Maybe it is not fair that I review this since I was distracted several times, even though I believe that the failure to engage is a criticism that I could level at this movie.

Detroit, 1962, a group of low level criminals are hired to steal a document Unfortunately, their attempts take a bad turn and things go out of hand. Don Cheadle and Benicio Del Toro are two of the thieves that are involved here, and they did not have any clue about what they were actually stealing. This riddle was part of the mystery of the film. I like both Cheadle and Del Toro, but I had a difficult time following the choices made.

David Harbour was here and was great as he always is, but I was distracted by him because all I could do when looking at him was wonder why he was playing H.R.G from the TV show Heroes (there is a reference for anyone). There is also Noah Jupe, who is consistently excellent in his other films such as A Quiet Place and Honey Boy. I am impressed with Jupe every time I see him in a movie, even if the movie has left me wanting.

The period piece looked good and there were plenty of solid shots. The costuming was on par and the direction was top notch. I just did not connect with this movie very well.

I should really give it another shot and it is available on HBO Max, but I’m not sure if I am motivated to do that.

2.6 stars

Do the Right Thing (1989)

DailyView: Day 64, Movie 109

This was another one of the seminal films that inspired the creation of the DailyView. Spike Lee’s classic Do the Right Thing is considered his masterpiece of race relations and, sadly, it is every bit as relevant in 2021 as it was at the end of the 1980s.

The narrative structure of the movie is uncommon. To be honest, it is more of a character piece than it is a story. The film is about race and the people living in this area of New York. It bounces around to the different characters and we see about their daily lives on this day of a terrible heat wave in Brooklyn.

The plot point that leads to the third act riot was that Sal’s Pizzeria, run by Italian-American Sal (Danny Aiello), was a spot in the neighborhood that everyone went to. One particular patron, Buggin’ Out (Giancarlo Esposito) took offense to the Wall of Fame, a location in the pizzeria where there were pictures of famous people were displayed, bit there were no black people. Buggin’ Out believed that, since black people were the main customers of the store, there should be representation of famous black people on the wall as well.

This confrontation happened early in the movie but does not really carry through the whole film. It happens early and then is revisited at the end in one of the most powerful and painfully realistic scenes in movie history.

Spike Lee plays Mookie, a young man working as a delivery persona at Sal’s. If there was a main protagonist here, Mookie would be it. We get more from his point of view through the film than other characters. He is also important in the end riot scene. However, there are a ton of amazing actors involved. Sal’s son Pino is played by John Turturro, and Pino is filled with anger and racism. You can feel that Pino is on the edge the whole film. Ossie Davis is Da Mayor, an old man who wanders about the street, injecting himself into the drama, and trying to win favor of Ruby Dee’s Mother Sister. Samuel L. Jackson was the radio DJ Mister Senor Love Daddy, the voice of the goings-on. Bill Nunn is Radio Raheem, who plays a major role in the third act. Paul Benjamin, Robin Harris and Frankie Faison are the three men sitting on the street, talking about whatever random ideas that are going through their lives. We also see such notable actors as Rosie Perez, John Savage, Roger Guenveur Smith, Martin Lawrence, Rick Aiello, Joie Lee, Richard Edson, and Steve Park.

The end of the film is truly powerful and can be looked at in a variety of ways. Everyone seems to have a part in what happens, but the perception of fault can be depended on who is watching.

This is a film that is must viewing for everybody. It is an electric film.

A Dog’s Life (1918)

DailyView: Day 63, Movie 108

It is going to be a full day today, so I am returning to Charlie Chaplin for today’s DailyView to watch the 1918 silent movie classic, A Dog’s Life.

In A Dog’s Life, Charlie Chaplin is in his Tramp character again and he is hungry. So he is stealing food using his slight of hand and his slapstick style. He then rescues a stray dog, named Scraps, from a pack of other dogs and the two of them become fast friends. Charlie then gets into a story involving a pair of thieves who steal a wallet that they bury to avoid the police. Scraps finds the wallet and digs it up, and Charlie gets the money, the end result being a wild chase with the thieves.

Charlie Chaplin’s physical comedy is fully on display here, a master of the pratfall and slapstick. Being able to create such a fun and engaging story with a limited number of words written on the screen is an amazing talent. Chaplin is a genius in the simplistic storytelling that gets the message across.

Chaplin wrote and directed A Dog’s Life, which was a financial success and a huge hit, being the first film to make $1 million dollars.

Edna Purviance appears here as she does in many of Chaplin’s films, playing a love interest for the Tramp.

I am thankful that HBO Max has this list of Charlie Chaplin films available on its streaming service which has allowed me to see some historically classic films, and to have films that fit into those days where life is busy.

The Ice Road

The new Liam Neeson action movie has come out on Netflix and it is much like many of the others. Having said that, I liked this one more than some of the others.

Neeson is Mike, who, along with his mentally challenged brother Gurdy (Marcus Thomas), is hired to drive a semi truck carrying drills to help save a group of workers are trapped in a collapsed diamond mine. The problem is the only way to arrive at the camp is to travel across the frozen rivers of northern Canada, taking a chance that the heavy semi trucks would be too heavy for the trucks. Called a “suicide mission”, there turned out to be even more dangers than just the frozen water.

There were some really good and tense scenes early in the movie with the semis and the ice that made you wonder how any of these people were going to survive. Some of the creative ways to avoid their semis from sinking into the ice was cool (pun unintended).

Liam Neeson is his typical solid performer. He is playing the same character that he has played in the last several years. His relationship with his brother Gurdy, who was a US military veteran who was suffering from PTSD, did bring a different layer to Neeson’s character.

Are there things that happen that are unlikely? Of course. It is a big, dumb action movie which seems to be one of Liam Neeson’s specialties. Having this streamed on Netflix makes this worth the time. I had a decent time with The Ice Road and it was fun.

3.2 stars

The Silence (2019)

DailyView: Day 62, Movie 107

Gee, I wonder what inspired this movie?

To be fair, a Google search indicated that Netflix’s The Silence, today’s film for the DailyView, was based on a book that came out before A Quiet Place and that there was a script in place prior to the production of John Krasinski’s movie. However, I think it is a safe bet that this was put on the fast track for filming after the success of A Quiet Place, a “go Picture,” if you will.

A mysterious group of monsters, called the Vesps, suddenly show up, attracted to sound, causing panic and chaos in the country. One family tries to survive together. The father Hugh (Stanley Tucci) and his best friend Glenn (John Corbett) hope to lead the rest of Hugh’s family, including his deaf daughter Ally (Kiernan Shipka), to safety.

A poor man’s A Quiet Place.

Sadly, this movie is just a huge step down from A Quiet Place. You cannot release a film like this without expecting the comparisons, considering how many plot points they have in common. A Quiet Place had more of an intelligence behind it and featured a much more frightening tone. This one just does not reach that same level of tension, probably because we saw it before.

There are some plot points that pop up and feel as if they were just jammed into the film to attempt to build more suspense, but none of them worked well. The mother (Miranda Otto) is bitten by the creatures and need medication in order to survive. One trip to a store, setting up the natural conflict with the Vesps, led to Hugh and Ally getting what they needed and from that scene on, the mother seemed perfectly fine. There was a conflict in the third act of the film where a small cult approached the family wanting Ally. That was a problem in the third act that was shoehorned into the story and felt completely foreign. It was that old Walking Dead trope that in the post apocalyptic world, the real dangers are the other humans.

There is a silly scene with a rattlesnake. There is a moment where a family member sacrifices themselves with a scream.

Perhaps this is not a direct rip off of A Quiet Place, but since it came out afterwards, there should have been some adjustments to it because there is no comparisons that will favor The Silence.

There was a great scene with a wood chipper though.

Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006)

DailyView: Day 61, Movie 106

I have not seen Borat until today with the DailyView. I have seen the sequel: Borat Subsequent Moviefilm, which came out on Amazon last year. Borat was another one of those movies that I did not think I would enjoy, so I avoided it. I thought there were some really funny moments in the sequel so I planned on watching Borat at some point. Today turned out to be the day.

Borat (Sacha Baron Cohen) was from the country of Kazakhstan and was a journalist. He was sent to America to learn about the culture there and to bring back what he could. Once in America, Borat saw Baywatch on TV and fell in love with Pamela Anderson. He dedicated himself to travel across the country to take Pamela for his sexy time.

I will tell you that there are some parts of this movie that are absolutely hilarious. Filmed in a mockumentary style, there are a ton of vignettes that feature Borat interacting with real people in America who are unaware of what is going on. The reactions of these people to the insanity of Baron Cohen is some of the funniest parts of the movie although it is difficult to believe sometimes that they are not at least suspicious that something was going on.

There were a ton of crass and offensive jokes used in the film under the guise of Borat being from another country and the Americans not sure if he understands what he is saying. There are moments where the film steps over the line and goes too far. Several moments make the audience cringe as much as they laugh.

Early on, some of the anti-sematic jokes were out of line, but when I discovered that Sasha Baron Cohen himself was Jewish, it showed how he was using these jokes to shine a light on some of the other people’s prejudices.

I am torn about the movie because there were a lot of times where I thought it crossed a line and made fun of things that should not be made fun of. However, I did laugh at most of it. It was a funny, inappropriate film that took some real chances. There are a couple of times when it was amazing that Borat was able to get out of the situation with his life.

If you offend easily, this one is probably not for you.

The Reason I Jump

I could not believe it when I found this documentary earlier in the year.

I use the book this documentary is based on, The Reason I Jump by 13-year old teen with classic Autism, Naoki Higashida, as a source during our Overcoming Obstacles unit in my 7th grade literacy class. I found the book years ago while watching an interview with David Mitchell (who had written the forward for the book) on The Daily Show with Jon Stewart and I was intrigued by what I had heard. So I searched out the novel. It was a quick read but it was amazing. The insight given about Autism was fantastic and I immediately built the unit around it.

As I was preparing this year’s unit, I stumbled across the documentary that was based on the book and I was desperate to see it. Unfortunately, it was not available, having just been shown at some film festivals. I knew that I would keep my eyes open for the doc to become available on a source I could watch.

It is here now, on Netflix.

The documentary follows the lives of five Autistic children, using the words of Higashida as a backdrop. It is a doc that pulls back the curtain of the mysterious disorder, gives the world a chance to see what is going on inside the minds of these individuals who are mostly silent.

It shows the audience the misunderstandings engulfing Autism, including the panic attacks and the perceptions that the kids are the way they are because of some lack of mental acumen. It continues on beautifully to build empathy for the kids, instead of sympathy. When something is understood, it is considerably easier to help deal with and Autism is no different.

The cinematography of the movie is lovely, with so many amazing scenes with these children. There are shots within the documentary that are breathtaking, but yet they take on a fully different concept because of the perception of the kids involved. The children this doc is covering bring more of a depth to each scene than just the, admittedly stunning, visuals do. You can’t help but wonder what these subjects are seeing, perceiving, living.

Directed by Jerry Rothwell, Naoki Higashida is listed as a writer. The film is short, around 82 minutes, but the importance of each image cannot be overstated.

Everyone who has a connection to an Autistic person should see this doc. If you do not have a connection to an Autistic doc, you should also see this because the world could use more empathy in it today.

5 stars