Category Archives: Doc’s Movie Reviews

28 Years Later

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I recently rewatched 28 Days Later and 28 Weeks Later, the two other films in this franchise in preparation for this new film, 28 Years Later, which reunited Danny Boyle as director and Alex Garland as a writer (they worked together on 28 Days Later). After watching 28 Years Later, I realized that I really did not need to do that homework.

28 Years Later does pick up the story of the Rage Virus, with England now being a fully isolated and quarantined. It started off with an action set featuring boy named Jimmy. After we see this, the film is set in a village on the island of Lindisfarne, where we meet Jamie (Aaron Taylor-Johnson) and his sickly wife Isla (Jodie Comer). They have a son named Spike (Alfie Williams) and Jamie is preparing to take Spike to the mainland on his first infected kill, a right of passage for the young boy.

The father-son had some harrowing adventures on the mainland and had to struggle to avoid an Alpha infected (zombie?) to make their way home.

Spike is very concerned with his mother’s mysterious illness and he takes her on a journey to the mainland in search of help for her.

This movie feel like two parts. The first part is the father-son adventure of Jamie and Spike and the second part is Spike’s adventure with his mom. Spike is 100% the main character and Aaron Taylor-Johnson disappears in the second part of the movie. Alfie Williams does an exceptional job as the main protagonist and we see Spike mature throughout the movie as he faces more and more dangers in the world. Alfie Williams has to carry way more of this film on his back than I ever thought possible and the young actor does a remarkable job of it.

Ralph Fiennes showed up eventually in a great role, but what would you expect? Ralph Fiennes is one of our greatest working actors.

The film has an old timey feel to it, which I believe is in the manner in which Danny Boyle shot the film. It was reported that he shot much of the film using iPhones and you could see the way that made the film appear. However, this film had several strange and experimental type shots that did not work as well for me. There were many film footage spliced in with the movie, which, at times, felt out of place. In particular, shots of a group of, what seemed to be knights shooting arrows in medieval times were used and I did not like that. They also inserted several flashes of infected just out of nowhere, in an attempt to make the shot feel more dreamlike. Many of these interludes felt out of place for me as well.

Without spoiling it, I was not a fan of the ending of the movie. I had not known that there was a sequel to this movie already done filming. 28 Years Later: The Bone Temple is scheduled to come out January 2026 and the ending of this movie is so much of a set up for the next movie that it is kind of irritating.

This is very much a different film than either of the first two that I think there may be some viewers who find it annoying and not what they were after. I did feel the length of the film at times and the distinctly different parts of the film did feel weird. You could almost call this an artistic vision of a zombie movie and not be too far off.

There were a lot of tense moments, but, if I am being sincere, I felt more tense watching the trailers for this movie than I did during the actual film. There were some solid emotional moments and there were some frightening scenes too, but those trailers were really good and built up a tone that the film did not sustain throughout.

Overall, I liked this movie a lot, even if I had some questions about some choices made, both in the story and in the presentation. Alfie Williams is a star in the making and he stands out here among some great actors.

3.9 stars

Elio

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The latest Pixar movie was released this weekend. It is entitled Elio and, to be honest, it was a film that I was not looking forward to because I just did not enjoy the trailers for the film. It is a brand new IP from Pixar and, while I have enjoyed most of Pixar movies, I just was not excited for this one.

After seeing this, I would say that it is a solid Pixar movie, but that I would not consider it in the top tier of the company’s oeuvre.

According to IMDB, “Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be.“

I did like the character of Elio, which was something that I worried about from the trailers. The film does a really good job of setting up Elio’s troubles and issues that lead him to look to the stars. Yonas Kibreab (who played Finn in Netflix’s adaptation of Sweet Tooth) does a solid job of voicing Elio, and I bought the relationship between him and his alien friend Glordon (voiced by Remy Edgerly). Much of the film will be centered around that relationship and if it does not work, the film will be in trouble.

The script does a good job of, while being familiar to other Pixar type films, avoiding the Pixar tropes that we have become used to over the years.

The voice cast is very good for the film including Zoe Saldana, Brad Garrett, Brendan Hunt, Jameela Jamil, Matthias Schweighöfer, and Brandon Moon.

The design of the characters and the setting is standout, creating a glorious fantasy setting for our characters to work through. It will absolutely give young children something to keep their focus on.

I do think it takes some time getting going and has characters doing things that they may not be capable of doing, but there are some good messages in the film and I do think it will be a good family watch. It certainly was better than I initially thought it would be even if it is near the bottom of the Pixar film list.

3.75 stars

The Surrender

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June 20

So I did a second Shudder movie this morning for the June Swoon. It seemed like a good double feature with In a Violent Nature, and the fact that I am going to 28 Years Later this afternoon. The Surrender fit nicely into the schedule.

According to IMDB, “When the family patriarch dies, a grieving mother and daughter risk their lives to perform a brutal resurrection ritual and bring him back from the dead.“

Colby Minifie (who plays Ashley on The Boys) starred as Megan, whose mother Barbara (Kate Burton) was helping her ailing husband Robert (Vaughn Armstrong). Robert was stricken with cancer and was in terrible shape, in pain and agony.

Colby Minifie and Kate Burton did a tremendous job together in this film, which was, at times, very difficult to watch. Their performances stood out among the best parts of the film.

In fact, I would say the first two acts of this movie were excellent. There was deep issues between the mother and daughter and the grief over what was happening to Robert, as well as his ultimate fate, were creating high levels of stress and anxiety.

However, the third act of this movie really went off the rails. The first two acts dealt with the difficulty of caring for a loved one who was desperately sick and dying and another act handled the relationship between the family members. However, it is when the supernatural things start to happen that the film ceases to work. The character development that was alive in the first two acts of the film really take a back seat to the body horror or scary circumstances that are nowhere near as intense.

With the arrival of The Man (Neil Sandilands), the film still is working because of the uncertainty and the mysterious nature of everything that he is doing with the grieving wife and daughter. After that, things just get weird and there are no explanations for what happened or why things went as they did.

This started strong but ended with a very disappointing result. I still was impressed with Colby Minifie and Kate Burton and their work in their roles. I just wish they would have been given something better to wrap the story up with.

2.6 stars

In a Violent Nature

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June 20

In a Violent Nature is a film that I have had on my queue on Amazon Prime for quite a while. I remember seeing it playing at Cinemark, but never getting around to go to it. I also had it on a list of possible horror movies for last year’s October 13 watch, but it did not make the cut. I finally watched the slasher film for the June Swoon, and I tell you what, I was entertained.

According to IMDB, “When a locket is removed from a collapsed fire tower in the woods that entombs the rotting corpse of Johnny, a vengeful spirit spurred on by a horrific 70-year old crime, his body is resurrected and becomes hellbent on retrieving it.“

This movie was really brutal and bloody, with Johnny, played by Ry Barrett, marching through the woods in pursuit of these dumb individuals who took the locket. He found some horrific brutality to murder them as he tried to reclaim his property.

I mean… all he wanted was his locket back. These kids were basically grave robbers. You can’t blame poor Johnny for wanting to bend someone’s head through their torso.

The film is intentionally trying to keep you uneasy as much of the dialogue from the kids were off screen, and we spent most of the film from Johnny’s POV. That meant there was a ton of trudging through the woods. That is obviously meant to be unsettling as was most of the sound design of the picture. You get to a point where you are desperate for some of the sound cues to end.

The film’s pacing is very slow, again on purpose. It really does take the subgenre of slasher films in a direction that it has not gone before. I can see people not being a fan of this because of the pacing and the feel that the creators of the film were going for. Still, I found it to be entertaining and one of the better, more original slasher films we have had in awhile. In a Violent Nature was worth the long wait to finally see it.

Titan: The OceanGate Disaster

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June 19

This is the second film of the June Swoon today, and it is a second documentary. However, unlike Black Barbie, this tells the recent tale of a horrible tragedy from this decade. The documentary focuses on the disaster of OceanGate, the submersible that was intended to take people to see the remains of the Titanic, only to have its own catastrophe.

According to Netflix, “The Titan submersible’s ill-fated journey to the ruins of the Titanic dominated headlines in June 2023, yet the shocking decisions that led to the disaster have never been revealed like this. Titan: The OceanGate Disaster delves into the psyche of billionaire OceanGate CEO Stockton Rush and explores his relentless quest to bring oceanic exploration to the masses – at any cost. Through exclusive access to whistleblower testimony, pivotal audio recordings, and footage from the company’s early days, the film provides an unprecedented look at the technical challenges, moral dilemmas, and shockingly poor decisions that culminated in the catastrophic expedition. Titan examines the doomed underwater endeavor that forced the world to reconsider the price of unchecked ambition in the depths of the ocean.”

The documentary does a really great job of telling this story up until the actual journey of the Titan. The time spent with the Titan during the time before the implosion gives me a clear and obvious picture of why this tragedy occurred and why this was pushed forward. I feel as if the doc needed to focus in on the time during when the world was unsure of what was going on and were hoping that the people aboard the Titan could be saved.

There were some fascinating interviews with people who had worked on the project or who were scheduled to be in the exposition. These were all really well done. It just felt like the time about the actual submersible’s destruction was handled through box text on the screen.

The most anxious moments of the doc was the sound of the popping during some of the footage, popping sounds that were the submersible cracking. These recordings were tense and astounding.

The doc certainly sets up OceanGate CEO Stockton Rush as our film’s villain, but it would have been nice to go even deeper than what they did. I can see the arrogance and the narcissism, but I would like to know more about it than what was given. He is made out to be the bad guy here though, and he very well may have been.

Overall this was a compelling story that seemed to be missing a few specifics or some more depth that would have made this an absolutely powerhouse of a documentary. As it is, it is fine.

3.6 stars

Black Barbie: A Documentary

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June 19

It is Juneteenth and, for the June Swoon today, I am watching a documentary that debuted on June 19th last year on Netflix. It had been at SXSW film festival in 2023. Lagueria Davis is the writer/director of Black Barbie: A Documentary.

The documentary looked at the creation of and the history of the black doll and how the process of Black Barbie came to be.

According to IMDB, “Love her or hate her, almost everyone has a Barbie story. Even if they don’t have a story, there’s a story as to why they don’t have a story. In this film, we tell the story behind the first Black Barbie, because yes, she has a story too. It started with the filmmaker’s 83-year old aunt, Beulah Mae Mitchell and a seemingly simple question, ‘Why not make a Barbie that looks like me?‘”

Where as it seems like a trivial concept, the importance of black dolls, specifically Barbie, have upon the self-image and self-esteem of young black girls. Some of the most powerful comments of the film indicate how the young black girls would see themselves as ugly because of the color of their skin.

It is one more example of how important it is for play for children. How important it is for the people in the doc to have a doll that resembled them, and not just Barbie with brown skin.

Mountainhead

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June 18

HBO Max has a movie called Mountainhead on its streaming service released in 2025. I scheduled this as the second film for the June Swoon today.

Mountainhead is a dark comedy that takes four characters who are the richest men in the world, who come together for a boys’ weekend, to discuss how much money they have and how they can control the world through economic turmoil with their technology and their influence.

Steve Carell, Jason Schwartzman, Cory Michael Smith and Ramy Youssef played the four tech billionaires who are preparing their ideas for creating a Utopian society with their AI and their tech skills.

The film started off with a lot of dialogue dealing with their plans and how they can use their manipulative abilities. The second part of the movie went into a dark and possibly ridiculous plan to eliminate one of their own.

This is clearly a satire poking fun at billionaires and their narcissism. The first part of the dialogue was difficult to follow. With all of the tech terms, it could have been as if they were speaking a different language. After that, the talented actors made the film wild. Looking at it like a satire helps it our.

2.75 stars

The Last Showgirl

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June 18

Hulu was the destination this morning for today’s June Swoon entry, the independent film The Last Showgirl starring Pamela Anderson.

Pamela Anderson was most well known for her role on the television show Baywatch, a role which she parlayed into an infamous lifestyle and career. Whether fairly or not, Anderson was perceived in a manner that may not have been too positive.

However, Pamela Anderson completely dominated this role in The Last Showgirl, bringing an energy and an emotion that she has never shown before. She was a revelation.

According to IMDB, “When the glittering Las Vegas revue she has headlined for decades announces it will soon close, glamorous showgirl Shelly sets out to plan her next act. Reconciling the decisions she’s made and the community she has built, Shelly decides to repair her complicated relationship with her daughter.”

I kind of get the same kind of feeling with this movie that I had with The Wrestler. Performer, getting old, and desperately hoping to hold on to what they know best. Anderson’s character, Shelly, is less miserable than Randy “The Ram” Robinson, but she definitely has parts of her life that she looks back upon with regret.

The film has a solid cast around Pamela Anderson, including Dave Bautista, Jamie Lee Curtis, Brenda Song, Kiernan Shipka, Billie Lourd, and Jason Schwartzman.

Pamela Anderson proved that she was more than just her red bathing suit. She was compelling, passionate, emotionally-charged and carried this movie completely. She showed that she was more than what people gave her credit for back int he Baywatch days. She is an actor.

The X-Files: I Want to Believe (2008)

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I have started season 10 of The X-Files, with just 15 more episodes to complete my rewatch of the whole series. I have been working on this on and off since late 2023. With the end in sight, I thought it would be a good choice to go ahead an rewatch the second of the X-Files movies that came out in 2008, The X-Files: I Want to Believe.

According to IMDB, “Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) worked at the F.B.I. as partners, a bond between them that led to them becoming lovers. But now they’re out of the F.B.I. and have begun new careers. Scully works as a staff physician at a Catholic hospital. Her focus these days is on a young boy with an incurable brain disease. Administration wants to give up on him. Scully, who feels a special bond with the boy, does not. Meanwhile, Mulder’s focus is on clipping newspaper articles, throwing pencils into his ceiling and writing about the paranormal. Scully and Mulder are brought together as partners again when a special case requires Mulder’s expertise, and Scully is prevailed upon to convince him to help. The case involves a pedophile priest who claims he is having psychic visions regarding the whereabouts of a missing F.B.I. Agent.”

First off, I love the characters of Fox Mulder and Dana Scully. They are some of my all-time favorite TV characters. They are a major selling point for this movie, especially since I am right in continuity of the TV rewatch to where this film would take place. Seeing David Duchovny and Gillian Anderson together once again would improve any movie.

It just does seem that this movie does need that improving. The story in this film is fairly ugly and has moments where it is just not easy to follow. It is convoluted and turns into the weirdest “Frankenstein” type film, seemingly from out of nowhere. The secondary plot of the boy with the disease that Dr. Scully is trying to help despite the administration at the hospital that she works is too medical TV show for a movie like this.

Father Joe (Billy Connolly) is a bizarre choice in many ways, but I do enjoy the conflict that he throws into the mix. As a possible psychic seeing flashes of the kidnapping, that is questionable enough, but when it was revealed that he was a pedophile as well, it was a rough choice. The character is still kind of set up to be the heroic one, which did not go well for Scully and, I would guess, most of the audience. Billy Connolly is an awesome actor though and this was a solid performance.

I do wish this story had a little more construction to it, because what they gave us seemed too strung together without enough connective tissue. Still, I did enjoy seeing my two favorites back together in a movie that would be basically a “monster-of-the-week” structure from the show.

Rust

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June 17

The second June Swoon film of the day is one that had quite a tragic lead up until release. There was an accidental shooting with a gun with blanks that led to the death of the cinematographer of the film that caused a ton of negative press and a controversy in the political world. After charges were dropped against star Alec Baldwin, the decision was made to finish the film for release.

According to IMDB, “An orphaned boy of 13 left to fend for himself and his younger brother in 1880s Wyoming is sentenced to hang for the accidental killing of a local rancher. His estranged grandfather breaks him out of jail and they go on the run to Mexico.”

Ignoring the backstage drama and tragedy that engulfed the movie prior to its release, I thought Rust was a pretty decent Western. Starring Alec Baldwin as Harlan Rust and Patrick Scott McDermott as Harlan’s grandson Lucas, Rust was beautifully shot and featured some solid performances from the cast.

Alec Baldwin and Patrick Scott McDermott had a nice pairing, working very well with one another. The strength of the grandfather/grandson relationship was at the heart of this film. Harlan was a notorious criminal and killer across the Western parts of the United States during the 1880s. He arrived to save Lucas from being hanged for the accidental shooting of a man.

Lucas did not know who Harlan was and their slow development of their relationship was well done and well acted. Throw in the constant pressures and dangers of being pursued by bounty hunters and the law and Harlan and Lucas had to face plenty of obstacles.

In the genre of the Western, Rust is not going to provide anything new and special, but had everything that a Western should have.

The imagery of the Old West looked spectacular in the film and the landscapes of the time were portrayed beautifully by the filmmakers.

Over all I thought this was a decent film. It took some time to set up and would be considered a slow burn, but I was never bored and I did enjoy the central relationship at Rust’s core.

3.85 stars

Ultraman: Rising

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June 17

The June Swoon film today sees us head back to animation for a fun tryst into the world of the classic superhero character of Ultraman. Ultraman: Rising brings the character back into the present world of Kaiju fighting and worldwide threats.

The original series of Ultraman debuted in 1966 and there have been many versions of the hero over the decades. This co-production between Tsuburaya Productions, who owns the franchise, and Netflix Animation looks to reintroduce the hero to the world. And with this film, they have done a wonderful job of it.

According to IMDB, “Ken Sato, a superstar baseball player who returns to Japan to become the latest hero to carry the mantle of Ultraman. His plans go awry, however, when he is compelled to raise a newborn kaiju monster the offspring of his greatest enemy as his own child. Sato will also have to contend with his relationship with his estranged father and the schemes of the Kaiju Defense Force.“

Tying this new hero Ken Sato to Japanese baseball is a excellent idea. Shohei Ohtani is a huge draw among the MLB baseball stars worldwide and having Ken Sato in that vein should help connect this to other fans around the globe.

The designs of the characters are great, as they are all awesome to look at and engage the creativity of the viewers’ imaginations.

The CGI/animation works very well too. There is the feel of old school Japanese monster flicks as well as the current day look of a big budget animated movie. The colors are flashy and entertaining.

The story does more than the typical fighting Kaiju story as it wraps itself around the idea of fatherhood and the relationship between father and sibling, both with Ken and his father, but also Ken and Emmy, the baby Kaiju that Ultraman rescues. This is a universal theme to which everyone could relate.

The villains of the KDF are a little underdeveloped. There are some interesting things going on with the KDF, but it is really basic and surface level. There are some deeper ideas available had the film chose to develop them.

Overall, I thought Ultraman: Rising was really solid. I enjoyed the superhero action and they developed the character of Ken Sato very well. This is a fun film on Netflix.

Magazine Dreams

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June 16

Magazine Dreams was intended to be released originally in 2023, but it was pushed back, and not released until 2025. Part of the reason was said to be because of the writer’s strike, but a big reason was because of the trouble that the movie’s star, Jonathan Majors found himself in.

Jonathan Majors was in a scandal involving his girlfriend at the time who claimed that he physically assaulted her. It led to Majors losing several major projects and jobs in Hollywood, most notably the main villain role in a future Marvel Studios Avengers film.

Pushing this film back makes real sense because it has Majors playing the role of a mentally ill bodybuilder, who while on steroids, was showing violent tendencies and was involved in several scenes featuring assault.

After watching this uncomfortable movie, it makes me all the more sad that Jonathan Majors derailed his career the way he did, because he is spectacular in this role. He was so believable as a man on the very edge of losing it that it felt like he wasn’t just acting. It is so sad that it is going to be difficult to separate real life from this performance in Majors’ situation.

Without any spoilers, I am not sure that the ending worked. I am not sure that the ending was earned, meaning, I don’t think the character’s choice fit with what the film had given us. Still, the fall of this character is developed extremely well.

There felt as if there were too many storylines in the film, none of which truly pays off. I think it could have benefited from a story rewrite, focusing down some of the events that occur. However, Jonathan Majors really does step up his game.

I don’t know what Jonathan Majors’ career holds for him, but he is undeniably a brilliant actor. His performance in Magazine Dreams is top line, but my guess is that a deserved Oscar nomination will not come.

3.6 stars

The Lord of the Rings: The War of the Rohirrim

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June 16

The world of Middle Earth can hold many stories, both before and after the well known Hobbit and Lord of the Rings trilogy. The world of animation seems to fit perfectly among the setting. Unfortunately, The Lord of the Rings: The War of the Rohirrim does not take advantage of the medium to the point that it could’ve.

According to IMDB, “Set 183 years before the events chronicled in the original trilogy of films, it tells the fate of the House of Helm Hammerhand, the legendary King of Rohan. A sudden attack by Wulf, a clever and ruthless lord of Rohan, with dubious ancestry, having many ties to Dunland, he seeks vengeance for the death of his father, forces Helm and his people to make a daring last stand in the ancient stronghold of the Hornburg-a mighty fortress that will later come to be known as Helm’s Deep. Finding herself in an increasingly desperate situation, Héra, the daughter of Helm, must summon the will to lead the resistance against a deadly enemy intent on their total destruction.”

This movie is okay, but it could have been so much more. The story of Héra is one that we have seen dozens of times. Filled with cliches, there are no really good character moments or story bits. The battles are the best part of the film, but they do not hold the same oomph that they could have because these characters are not deep and do not make you invested in their story.

The animation is, at best, average. Some background scenes look good, but much of the actual character animation looked choppy and, at times, cheap. They tried to cover some animation with snow and other imagery, but it did not work.

The relationship between Héra and Wulf was touched upon, but it was not developed to an extent that I believed the eventual response. Perhaps I can see Wulf’s anger toward Helm Hammerhand, but his all-consuming hatred is unexplained. He comes off as just a one-dimensional villain.

The film is way too long too. At two hour and fourteen minutes, it way exceeds what an animated film, even an animated epic as this intended to be, should be. Still, this is not the worst film I’ve seen. It just could have been so much better.

Finger Food

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Because of the length of The Brutalist and a couple other commitments today (including Sunday Morning Sidewalk and a Dodger game), the second June Swoon film had to be a live action short. Going on YouTube, I found a neat little sci-fi/comedy bit called Finger Food.

The film starred Ali Khan, Jessica Balmer, Angus Barnett, Debbie Chazen and the scene-stealing and totally hilarious Maggie Ollerenshaw. This cast has been very active in the world of movies and shows as they all have quite a strong list of projects they had appeared in.

The synopsis of the short in the YouTube said “Jason desperately wants to be liked by his girlfriend’s parents. Things prove more difficult upon a horrifying discovery...”

This was really well done. It was laugh out loud at times and I loved the work from all of the main actors in the short. As I said, Maggie Ollerenshaw stood out as Nana, perhaps the creepiest nana of all time.

There is a moment in the short movie that you suddenly get an understanding of what might be happening involving a fly that was a shocking and sudden event that truly caught me off guard and I did not see it coming. Well done on that.

The short ended with me wanting to know so much more. The situation that Jason had found himself stuck in was unbelievable and I really would like to know what was going to happen.

4.4 stars

The Brutalist

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June 15

This is probably the biggest film during the June Swoon this year. The Brutalist is a multiple Academy Award winning epic film. It is a massive three and a half hour long with an intermission in the middle, even on HBO Max.

Adrian Brody won his second Academy Award for Best Actor for his role as László Tóth, a Hungarian-Jewish architect who immigrated to the United States after surviving a concentration camp during the Holocaust. László meets industrialist Harrison Lee Van Buren, played by Guy Pierce, who also received an Academy Award nomination for the role. He became László’s client, hiring him to design a project in honor of his dead mother.

Felicity Jones was another cast member to receive an Academy Award nomination for her role as Erzsébet Tóth, László’s wife, a journalist and a survivor of Dachau. These three performances were the backbone of the movie.

The look of the movie was amazing. The shots of the film was both wonderful and painful. There was a lot of dread in the shots. The music made this movie even more special, compelling the story to move in such a major way. Both the cinematography and the score were award Academy Award wins.

The second half of the movie does go off the tracks a bit, but that feels like it was destined to do so after such a brilliant first act. Some of the resolution of the ending seemed unsatisfying after such a commitment to the film. Without spoiling what happened, it felt as if it came out of nowhere. Still, there are some powerful ideas happening within the film.

I do think this is easily a film built on the performances, as well as the technical aspects. These are standout sections of The Brutalist.