Iron Man 3 (2013)

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Now, in the EYG MCU Rewatched, we come to, easily, the most divisive film in the MCU library.  Iron Man 3 has people who love it and people who hate it.  Shane Black created a film that took chances and felt different than other Marvel films.

The biggest issue that the haters have with Shane Black’s vision was the handling of the Mandarin.  The film introduces the beloved and iconic Iron Man villain as a terrorist played by Sir Ben Kingsley.  However, in a move that showed how many guts Marvel Studios have, they took Kingsley and made him NOT the Mandarin but an actor playing a facade of the Mandarin.

If you like or did not mind that twist, then you probably enjoyed Iron Man 3.  However, if you did not like this twist, then you did not like the movie.  And if you hated it… well, you get the idea.

I will admit that my first impression was negative.  Then upon second viewing, it did not bother me at all.

The film takes the events of The Avengers and builds on it.  Tony Stark (Robert Downey Jr) is dealing with PTSD from his trip into the wormhole and that is a fascinating topic to look at in a super hero movie.

Black also spent way more time with Tony Stark outside of the armor than in.  That was another risky venture that should be admired.

Unfortunately, the film’s third act fall apart, and I don’t mean with the Mandarin twist.  The story becomes convoluted and the whole battle with Killian is disappointing.

There are a lot of great things with the third installment of Iron Man, both highs and lows.  Either way, it does not deserve the amount of vitriol that it sometimes receives.

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Marvel’s The Avengers (2012)

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The EYG MCU Rewatch has hit a milestone.  After five films setting up the characters, Marvel Studios brought them all together in a crossover event unlike any Hollywood had ever seen.  In an unprecedented move, Marvel Studios combined the heroes into a super hero team known as the Avengers.

Captain America, Iron Man, The Incredible Hulk, Thor, Black Widow and Hawkeye had all been introduced prior to the film, whether in their own film or as a guest star, and now the team-up of all movie team ups brought them together.

Marvel’s The Avengers was inducted into the EYG Hall of Fame in 2012.

The question about whether or not director/writer Joss Whedon was going to be able to provide proper screen time for his large cast of heroes was a huge point of contention before the film was released.  One of the elements of The Avengers was that each hero had his/her moment to shine.  Hawkeye (Jeremy Renner) may have been the one to suffer because of the plot point of Loki (Tom Hiddleston) taking control of Hawkeye’s mind.  Other than that, the members of the Avengers (and Fury, Coulson, Loki) all had their moments.

There are so many awesome parts of the Avengers including the Thor/Iron Man/Cap fight, the Hulk and Thor, the Hulk rag-dolling Loki, Stark and Cap, Stark and Banner, the Battle of New York, the death of Coulson and so on.

The success of The Avengers really started Marvel Studios rolling.  This was the first film released by Marvel Studios after the purchase by Disney and made the Mouse over a billion and a half dollars at the box office.

The Alan Silvestri score is outstanding as well, punctuating each moment of power and drama with sound and fury.

And even with all of the pomp and circumstance of the movie, they did not forget that the Marvel movies are about character, first and foremost.  The film found moments for character growth for everybody.  We learned more about the relationship between Natasha and Clint.  We see Stark’s continued evolution.  The relationship between Thor and Loki gets its moment.  And Phil Coulson is unexpectedly vital to the film.

The Avengers is still one of the great event films of all time and was a tribute to planning and execution.  Many studios tried to copy the idea of Marvel Studios but few could succeed.  Marvel Studios did and The Avengers is the first jewel in the crown.

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Captain America: The First Avenger (2011)

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The fifth movie of the Marvel Cinematic Universe is Captain America: The First Avenger, another film that posed a unique series of challenges for Marvel Studios.

First, Captain America was such a straight-laced character that he can be considered boring.  The boy scout characters can be difficult to relate to and Cap has had that issue in the comic books.

Second, the casting of Chris Evans was a shock and caused a stir.  Chris Evans was in the Tim Story Fantastic Four movies as Johnny Storm and he was perfectly cast as the Human Torch.  There was no way he could play Johnny Storm and still work as Steve Rogers.

Finally, this was the last film before the epic team up of the Avengers and if this film did not work, it would have really given the crossover event a black eye and hurt the momentum of phase one.

Throw in the fact that Captain America: The First Avenger was a period piece from World War II, well, there were a ton of things working against this movie.

In the end, it was my favorite movie of 2011.

Director Joe Johnston found a way to make Steve Rogers the underdog and he made him unbelievably relatable.  Chris Evans turned out to be the perfect Steve Rogers in every way and the movie kept the momentum going toward Avengers.

There are so many scenes showing how Chris Evans perfectly encapsulated Steve Rogers:  the scene in the alley where he delivers the classic line, “I could do this all day,” the scene where he throws himself onto the grenade, the scene where he captures the flag, his scenes with Peggy Carter (Hayley Atwell), among many others.  I was very worried about Chris Evans, but I was convinced early in the film that they had made the right choice.  Now, of course, I can’t think of anyone else ever playing Cap.

The skinny Chris Evans was a bit awkward, but you get used to the CGI as the film progressed, and, of course, this is only until the Super Soldier Experiment.

Hugo Weaving was great as the Red Skull, though there could have been much more done with the character.  It is unfortunate that Weaving was not a fan of the character.  Tommy Lee Jones and Hayley Atwell make wonderful supporting characters here.  Dominic Cooper brought the film a young Howard Stark, a role he would bring back several times.

Then, went I had heard rumors of Cap joining the USO in the film, I thought this was the worst idea possible.  And yet, “The Star Spangled Man” song is one of the greatest moments in the MCU.

The film made Bucky Barnes an adult and a friend of Steve and gave the role to Sebastian Stan (who, of course, would eventually become the Winter Soldier).  Every choice the film made to adjust the comic lore to a cinematic one worked.

I loved The First Avenger.  This was one of the best MCU origin stories and just about everything worked with it.

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The Curse of La Llorona

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I was a bit surprised by this film as well.

One, I did not know that this was taking place in the Conjuring Universe of horror films that has been set up over the last few years with the Conjuring films, Annabelle and the Nun.

Two, I did not expect to like this movie much because I had heard a bunch of negative word of mouth surrounding it.

However, I liked The Curse of La Llorona more than I thought I would.

Yes, it is a predictable film and there is not much original that we saw here.  Yes, the plot is the basic haunted house plot that we get in most of this genre of films.  Yes, there are some stupid choices made during the third act that put a damper on what was happening (especially that back door bit).

I still found myself enjoying this movie.

I have always liked movies with kids in the action and I was very impressed with the young boy Roman Christou, making his feature film debut.  Christou, as Chris, was given a lot of heavy lifting to do with the story and he had a lot of emotions to play and I found him remarkably compelling.  I also thought Linda Cardellini was great as the mother Anna, who had to battle this horrible spirit to try and save her children.

The film started well and I liked the way Anna started off as a child endangerment social worker but I am not sure the film took that to the possibilities that it could have.

I was also not a huge fan of the character Rafael (Raymond Cruz).  They tried to use him to insert some humor into the story with some witty one-liners, but every line that was supposed to elicit laughter instead elicited groans and eye rolls.

Still, for whatever reason, much of what they did worked for me and the stuff that did not work, did not negatively reflect on my thoughts of the film.

It’s not a must see film, but if you do go, you should be fine.

3.25 stars 

Penguins

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I always know what the Disneynature films are going to be like, and I have liked most of the ones that I have seen.

Then I saw Penguins.

I don’t know exactly what made me hate this much as I did, but I wanted this film done with as soon as it started and the 70+ minutes of the film felt like two hours.

Now, I’ll get the positives out of the way quickly.  The shots of Antarctica and the environment around the penguins are unbelievably tremendous.  They are beautiful imagery from the opening shots through the entire film.  The other thing I loved was the whole leopard seal stuff where the penguin pretends to be dead and the seal stops trying to eat it.  That was fascinating to me.

But with every great shot or intriguing nature fact presented, we got this stupid personification of one of these penguins they named Steve and the voice over gave Steve the thoughts,  choices and emotions of humans.  I hated that.  Every time the voice over, done by Ed Helms, was given in Steve’s “point of view” made me want to throw my Avengers popcorn tin at the screen.  It was so cringeworthy for me that it ruined everything else.

Maybe it was just the day or the moment, but I hated this movie.  The score is higher than you might think but that is for the beautiful visuals.

2.4 stars

Thor (2011)

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The next film of the EYG MCU Rewatch is one of the biggest risks the MCU took.  After a hugely successful Iron Man, a fun-if-not-successful Incredible Hulk, and a messy Iron Man 2, Marvel Studios had their next tentpole film Thor.

Thor was a character that was not very well known and was going to be a difficult translation from the comic page to the cinematic screen.  Again, had this film flopped, the entire tapestry that was being laid out would have been in danger of unraveling.

Instead, the film, directed by actor/director Kenneth Branagh, was great and worked beautifully.  And this was another step in the direction of the formation of the Avengers.

The best thing that this movie did was the casting of two of the main characters.  In the great history of casting for the MCU, there were some early missteps.  The casting of Chris Hemsworth as Thor and Tom Hiddleston as Loki were as perfect of a casting job as could be.  No one could have played Thor and his half-brother Loki better than Hemsworth and Hiddleston.  The chemistry between them was off the charts and they were the personification of the characters they were playing, portraying the complex and difficult relationship between them.

The fantasy elements of the story worked very well, and showed the strength of Kenneth Branagh as a storyteller.  They also fit surprisingly well inside the MCU, which up to this point was a world bathed in technology over magic.  The movie Thor seamlessly blended the two together.

Not that everything worked perfectly in Thor.  Jane Foster, played by Natalie Portman, was a disaster.  She did not have the chemistry with Hemsworth that she needed and turned into a damsel in distress.  Portman did not ever fully embrace that role and it was severely under written.  The Thor/Jane Foster dynamic was far below the Tony Stark/Pepper Potts relationship and was the second relationship in a row (Banner/Betty Ross) that did not work.

Sir Anthony Hopkins appeared as Odin in a wonderful bit of casting.  Idris Elba was overlooked as Heimdall.  Rene Russo was Lady Frigga, Thor and Loki’s mother, but she was a small part.  The Warriors Three and Lady Sif (Jaime Alexander) are never really developed.  Agent Coulson continues to be the glue that holds these films together.

In the end, it really comes down to the Thor-Loki dynamic and, because of that, this film works so well.  It introduces us to Thor and sends us on the path toward The Avengers.  The character of Thor goes through a strong character arc and will become even deeper over his subsequent film appearances.

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Iron Man 2 (2010)

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The third movie of the Marvel Cinematic Universe is the first sequel.  Iron Man 2 came out quickly and it showed some early issues.  However, Iron Man 2 was a film that Marvel Studios learned a lot from.

Iron Man 2 was not terrible, but there are definite problems with the film.  The film is too full of world building.  The movie would have been a better film if it had been streamlined.  There are too many threadlines going through the film.  The Whiplash story.  The palladium poisoning.  Tony’s drinking issue.   Tony’s daddy issue.  The introduction of the Black Widow.  The US Government’s attempts to confiscate the Iron Man “weapon.”  Hammer Industries.  SHIELD.

There could have been two really good movies with all of this, but crammed together felt messy.  Marvel Studio learned their lesson from this film and did not repeat those mistakes as the franchise continued.  The lesson… do not put world building ahead of the story or the characters.  I supposed Iron Man 2 is a necessary evil.

Not to say that the film is bad.  There are some wonderful, winning moments. Heck, we get to hear Clark Gregg’s Agent Coulson say to Tony Stark, “…I will taze you and watch Super Nanny while you drool into the carpet.”

Iron Man 2 has some great action and introduces us to the War Machine (Don Cheadle).  I know some were unhappy with Terrence Howard being replaced as James Rhodes, but I am a fan of Don Cheadle since the Picket Fences days so I was ready to accept him immediately.

The good in Iron Man 2 outweighs the bad, but just barely.  It is still a fun movie to watch because, not in smart part, of Robert Downey Jr. as Tony Stark.  He is as witty and entertaining as he has ever been.  He is also growing into the role of Stark.  You can see the character beginning to develop into what we know him as today.  Tony Stark is the heart of the film and, because of him, this film is fun, despite its flaws.

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The Incredible Hulk (2008)

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Marvel Studios followed up the smash hit Iron Man with the lesser successful film featuring the Emerald Giant, The Incredible Hulk, and it was released by Universal Pictures.

The Incredible Hulk had several challenges facing it.  First, it was coming off the tails of Hulk, the Ang Lee film with the Hulk dogs, Nick Nolte as Banner’s daddy who turns into the Absorbing Man, and an unexpectedly dumb story.  Second, the Hulk, as a character, is notoriously difficult because when you get someone that strong, it is a challenge for the audience to relate to him.  Third, while Edward Norton was fine as Bruce Banner, there was just something about him that did not scream a good fit.  Maybe that is because, in retrospect, when we think back, we have to remember that we wound up with a perfect Bruce Banner with the casting of Mark Ruffalo.

However, with all of this going against it, The Incredible Hulk is still a fine film and a solid second movie in the Marvel Cinematic Universe, which we were still not sure that we had.  Now a days, this film feels like an outlier in the 21 film series, and feels more like a stand alone film than a franchise film.  There are some hints of ties to the greater MCU, including the arrival of Tony Stark in the post credit scene.  There is a connection to the Super Soldier program that becomes important in Captain America, too.

The Bruce Banner/US Army/Emil Blonsky(Tim Roth) footrace through Rocinha, Rio de Janeiro is excellent and the first arrival of the Hulk really drives home the fact that he is an unstoppable force of anger and power.

There were some solid antagonists in this film, especially William Hurt’s Thaddeus “Thunderbolt” Ross. who would continue into the Avengers movies as a thorn in the team’s side.  Emil Blonsky’s transformation into the Abomination is well done, but the film does seem to miss the boat on the origin of the Leader, who has never been seen since.

I am also not a big fan of Liv Tyler’s rendition of Betty Ross as I did not feel that she brought much chemistry to the role of Bruce Banner’s great love.  I do not think it is coincidental that she has never returned to the MCU and that they even went as far as pairing Banner with Black Widow.

I enjoyed a lot of the nods and winks back to the 1970s CBS TV series with Bill Bixby and Lou Ferrigno, both making cameos, in a way.  Ferrigno was in the movie, while a scene from The Courtship of Eddie’s Father played featuring Bixby, who died in 1993.  There was a fun use of the end theme from the series too, a recognizable piano score that was always sad and highlighted what a tragic life Bruce Banner (David Banner in the TV show) had.

I enjoyed how the film used their opening credits to recount an origin that many people already knew and not have to waste time on it, though I am not sure why they did not choose to use an origin closer to the comic.  It actually seemed closer to the TV series origin.  The montage, though, was a good way to process a ton of material in a quick way and get the audience into the story.

The Incredible Hulk may not be as great as most of the MCU films, but it is better than it gets credit for and it works as a Hulk movie, which is difficult to say.

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Iron Man (2008)

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In honor of the upcoming Avengers: Endgame, the conclusion of a 22-movie arc that is unprecedented in the world of movies, I am beginning the great Marvel Cinematic Universe Movie Re-Watch leading up to Endgame’s release on April 25th. The MCU is unlike anything that has happened before and the re-watch for the Doc’s Classic Movies Reviewed section at EYG is going to be a chore.  But I am looking forward to the challenge.

We start, by following order of release, with 2008’s Iron Man.  The film that kicked the whole thing off.  Directed by Jon Favreau, and with the MCU just a pipe dream yet, Iron Man took talented and troubled Robert Downey Jr. and cast him in the role he was born to play.  You did not know before we saw the film that RDJ was perfect as the billionaire playboy.  In fact, one could argue that this film would not have worked nearly as well as it did without the quipping, funny, fully-human Robert Downey Jr. as Tony Stark.  With Downey Jr.’s spotted past, the casting was a risk, but it was a risk that paid off royally for everyone involved.

Watching Iron Man, the film is different than the current MCU formula, much darker than I remembered it.  Though you could see the Marvel formula developing as the film progressed.  Iron Man was pre-Marvel Studios (officially) and there is a look to the film that feels more like a smaller independent film than a big budget blockbuster.

One of the best parts of the film was the beginning of the on-screen relationship between Tony Stark and Pepper Potts (Gwyneth Paltrow).  The first couple in the MCU, Tony and Pepper have chemistry unlike few couples in the franchise.  Watching this pairing develop over the movies has been joyous, and seeing the origin of the match is great.  Of course, we did not see when they meet for the first time, but the film introduces the relationship in such a wonderful manner that you knew they were soulmates even when they did not.

Obadiah Stane was an underrated villain in the MCU hierarchy of villains.  As the opposite of the hero, Stane was the first of that archetype that filled MCU movies.  However, this villain is played by the always epic Jeff Bridges.  He does transition into Iron Monger a bit too quickly in the third act, but other than that, Iron Monger is way better of a villain than he gets credit for.

Terrence Howard appeared as James “Rhodey” Rhodes in this film before being replaced by Don Cheadle in Iron Man 2.  Howard was fine as Rhodey in the minimal screen time that he received, but apparently there was some behind the scenes issues that led to the change.

Iron Man was not just about a super hero in a metal suit.  It is about character, which is why these Marvel movies have been so successful.  It introduces us to characters who we fall in love with and then give us reasons to root for them.  Tony Stark could easily be a one-note character but he is deep and driven and amazingly human.  The character drama is at the heart of all of these movies, and clearly on display in Iron Man.

Iron Man also features some tense situation.  I was so worried when Pepper and Obadiah are in Tony’s office, I was so scared that something would happen to Pepper and that made me anxious.  Seeing how she is saved by Phil Coulson is cool too, with as much history as we have with that character.

It is mind boggling to think how important this film was, because, if Iron Man did not work, if it were a flop or critically panned, we would not have gotten the franchise that has entertained us for the last 10 years.  Everything that happened in Iron Man gave us the road map to what we have now and have seeds that will be paid off inside Avengers; Endgame.

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Little

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Big this ain’t.

Little is the newest body swap film that sees mean boss lady Jordan Sanders, played by Regina King, magically get turned into a 13-year old girl, played wonderfully by Marsai Martin.  Jordan tries to navigate her life as a 38 year old CEO as a 13 year old.  Her assistant April (Issa Rae), despite the cruel manner in which she is treated by Jordan, is standing by her side as the only person who knows the truth.

Gee, I wonder how this is going to play out?

Regina King is so over the top mean that I really did not care about her back story or the reason that she became this way as a child.  She was simply a cruel and wicked person.  I am not sure that there was enough shown to her over the movie to make me believe that she learned her lesson.

Easily the best part of the movie though was the performance of young Jordan, Marsai Martin.  Martin commanded the screen and she is an absolute star in the making.  I can’t wait for her to get a role that is actually worth her time for her to show us what she is capable of doing as a young actress.

Everything else was stupid, cliched and not funny.  It kind of reminded me of What Men Want, a film earlier this year that took the same premise of a previous film (What Women Want) and put a female protagonist in the lead role.  That would be fine if the film is well done, but that film did not reach the Mel Gibson movie and this film is nowhere near as magical as Big.

And it all falls down to the script because the cast seemed ready to make this work.

Personally, I have a major problem with the school scenes in this film.  As a middle school teacher, I wondered why the teachers seemed to be missing from this film.  Outside of Justin Hartley, who was used as someone to be googled at here in the metoo movement times, there were no teachers in any of the assembly scenes where all the trouble went down.  Either in the scene at the beginning where Jordan’s life took a turn to the end dance scene that we see in the trailers, there are no teachers around. That always pulls me out of the film because I know that those stereotypical bully girls did their nastiness right out in front of everyone and no teacher came to her.  Same thing with the lunch room scenes.  It was not realistic and, when your main part of the story is about the de-aging of a character, the rest of the film needs to be based in reality.  This wrecked these scenes for me.

There was little to love in Little and, outside of a confident performance from Martin, this film is very forgettable.

2.35 stars

Missing Link

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Stop-motion animation studio, Laika, has had some wonderful films.  Para-Norman, Kubo and the Two Strings, Coraline and Boxtrolls all were certain levels of successful.  The company’s fifth film is out this weekend with the charming Missing Link, a film featuring the discovery of a Sasquatch voiced by Zach Galifianakis.

Adventurer and myth and monster investigator Sir Lionel Frost (Hugh Jackman) follows a tip that leads him to a major discovery, the legendary Sasquatch is real and living in the Pacific Northwest.  Surprised by the beast’s ability to talk, Frost offers to help the Sasquatch (nicknamed Mr. Link, by Frost) find his way to the Himalayas to meet with his cousins, the Yetis.

Meanwhile, villainous Lord Piggot-Dunceby (Stephen Fry) wants to prevent Frost from proving the existence of the Sasquatch and, thus, proving him wrong.

While this is a nice film with solid voice acting, especially from Jackman and Galifianakis, the story is fairly simply, especially when compared to some of the other work in Laika’s library.  That does not demean this film at all, as Missing Link is an enjoyable movie.  It just is not quite as great as some of the others stop-motion classics from Laika.

The animation is, once again, beautiful.  The stop-motion mastery is on display and shows the specific details that goes lovingly into each frame.  The designs of the characters are top notch as well, especially the design of Mr. Link.

I was not a huge fan of the character of Adelina Fortnight (Zoe Saldana).  While Saldana does a solid job voicing the character, I did not find her inclusion to be one of significance and was there simply to provide a foil for Jackman or a female counterpoint.

The film is fast paced and has some very funny moments.  The film is solid and enjoyable, even if it is at the bottom of the Laika playlist.

3.8 stars

The Mustang

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A boy and his horse…

Or…

A felon and his Philly…

The Mustang is a film starring Matthias Schoenaerts as Roman Coleman, a prisoner in a jail in Nevada who is having troubles with other inmates and winds up participating in a rehabilitation therapy program involving the training of wild mustangs.  In this, Roman bonds with a particular difficult mustang after the program’s head trainer (Bruce Dern) picked him out.

The performances of this movie were fantastic.  Matthias Schoenaerts, Bruce Dern, Jason Mitchell (who played another prisoner in the training program) were standouts, bringing a great deal of emotion and depth to this story. The story could have devolved into the sappy and sweet nature of other type of animals and owners stories, but The Mustang avoids those cliches.

Many of the actors involved in this movie were actually real-life prisoners from the same type of program as shown in the movie and you would not know.  Unlike Clint Eastwood’s 15:17 to Paris, these non-professionals are managed by the actual actors and are kept to a minimum.  Because of that, they really help solidify the story.

There is a side arc with Roman’s daughter, played by Gideon Adlon, that is surprisingly effective considering the limited amount of screen time it received.

French actress Laure de Clermont-Tonnerre made her directorial debut in this movie and she does a tremendous job.  There is a real feel to this and it avoided the typical type of claptrap that these films usually take.  There is a typical redemption story at the heart of the film, but they do so much with it that you do not notice that that part of the story does tend to be predictable.

The Mustang is full of amazing acting and some wonderfully shot scenes, as well as some surprisingly violent and emotional moments.  You cheer for Roman even after you find out what horrible thing had landed him behind bars in the first place.  Bruce Dern remains as a national treasure.

3.75 stars

Hellboy (2019)

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I had heard that the new version of Hellboy, starring David Harbour as Hellboy, was getting terrible reviews. In fact, I had heard that the film was at 9% on Rotten Tomatoes (as of this writing it stands at 15%).  This was a bad sign and, I was not that much of a fan of Hellboy already, but I went in with an open mind in my attempt to review it.

I will say that I did not think that the new Hellboy was anywhere near as bad as 15% on Rotten Tomatoes.  I would guess it should be around 30%.  Of course that means the film was not good.  I did not think it was as horrid as many of the reviews did, but it was a long way from good.

The reboot of the Guillermo del Toro films really had some moments that lacked anything special.  There were some decent moments as well, but they were few and far between.

Hellboy is a half-demon who was brought to the world as a child by Nazis in an attempt to destroy it only to be taken and saved by Professor Broom (Ian McShane), who raised Hellboy as his own.  He would become a paranormal investigator with the BPRD (Bureau for Paranormal Research and Defense).

Unfortunately, one of the most dangerous witches of the past, The Blood Queen (Milla Jovovich) is trying to be resurrected by the forces of evil and Hellboy is needed to stop her.  Joined by Alice (Sasha Lane) and Ben Daimio (Daniel Dae Kim), Hellboy goes to great lengths to prevent the end of it all.

I found much of this movie downright boring.  It was a long movie already and the boring parts made it feel even longer still.  It was not a well put together or paced film and the CGI, most of the time, looked cheap.

David Harbour was fine as Hellboy, but I got conflicting tones from him.  Very few of the jokes dropped by Hellboy worked and several of them were eye rollers.  Hellboy looked better than most of the CGI though, as much of what was on Harbour was practical make-up.

The film was violent, which is not a terrible thing, but there just did not seem to be much art to it.  Basically there was blood splatter and they cut off some heads.  Honestly, every time SPOILERS the blood Queen’s head was chopped off, it was simply hilarious.  I don’t think that was their intended reaction, but it was very funny.

I disliked the story telling gimmick they used multiple times as several different characters provided voice-overs with flashbacks detailing an important part of their past. This was always exposition heavy and added to the dullness of the story.  It certainly did not pop as some of the better scenes did.

Based on Mike Mignola’s graphic novels, Hellboy does not feel like a super hero movie.  It actually feels more like a horror movie, but not a very good one.

2.1 stars

The Legend of Boggy Creek (1972)

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I have been looking for this movie for awhile.  It is a notorious movie filmed as if it were a documentary, and claims to be based on a true story, but it embellishes some of the stories of the Fouke Monster, a hairy man-like creature that lives in the swamp area of Boggy Creek near Fouke, Arkansas.

Some believers think that the Fouke Monster is related to the Sasquatch, but the film draws some notable differences, such as the number of toes.  The Fouke Monster is also shown to be fairly violent and reactive, whereas Sasquatch is usually shown as shy and reclusive.

There are some real-life people from Fouke in the movie, as they dramatize the legends of the creature that floated around the area since the 1950’s.  The acting certainly showed that in the film, but the ambiance of the “documentary” kept it from feeling too bad.  I get a better feel of this movie than I did with Birdemic or Manos.

The film actually does a decent job of creating mood and a feel of dread as the film progressed.  Everything from the music to the bouncy camera work created an atmosphere that was surprisingly effective.  The movie was put together by the community to take advantage of the news of the Fouke Monster.

I can see why this movie has become a cult classic, because there is a homemade charm to it.  Yes, the lack of real actors or any sort of FX budget hurts the movie, but it does an admirable job of overcoming its weaknesses.

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The Best of Enemies

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Another movie based on a true story that features the strife between the races came out this weekend called The Best of Enemies, with Sam Rockwell, who seems to be making his career on playing racists, and Taraji P. Henson.

The story of C.P. Ellis (Sam Rockwell), the local president of the Klu Klux Klan, and Ann Atwater (Taraji P. Henson), local civil rights activist, come together in Durham, North Carolina to deal with the issue of school integration in 1971.

After a black school was burned in a fire, the question of where the black children would go to school caught the attention of Atwater and the NAACP.  A judge, unwilling to make a controversial decision, ordered the locals to go through a charrette, or a summit, led by African-American Bill Riddick (Babou Ceesay), where both sides of the issue would come together to voice their thoughts.

Both Sam Rockwell and Taraji P. Henson were excellent in their roles. They felt like real people and not just the Hollywood version of these characters.  The performances of the film were the strongest part.  Another shout out should go to Anne Heche, who played C.P. Ellis’s wife, Mary, who had some short, but important character moments.

The film was predictable, but that is not always a bad thing.  Here, since this is a true story, you can forgive the predictability of the film.

The biggest issue I had with the movie was that I did not quite buy the turn around by C.P.  He went from a man who hated the black people, going as far as to shoot up the house of a woman reportedly dating a black man, to a man who doesn’t hate black people.  While there are some of the plot points that are used that are meant to change C.P.’s mind, I just did not find them convincing.

The film seems interested in the Klansmen more than anything else.  It is clear that these Klansmen did not see themselves as the villains of this movie, and there is something interesting in seeing what is a “good” man in an organization that deals with hate, but that was not handled enough here to make it a theme.

I will say that the emotional wallop is not as powerful as it is played on screen, but there are some fine scenes with Henson and Rockwell.  I think that this would be more believable if we saw some questions in C.P.’s mind prior to duking it out with Atwater over integration. He just seemed too opposed to be swayed as he was.  Not too bad overall, but not a must see.

3.15 stars