Category Archives: Doc’s Movie Reviews

Road Diary: Bruce Springsteen and the E Street Band

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We have another documentary for the 4F as I am on Hulu/Disney + watching Road Diary, following a recent return tour from Bruce Springsteen and the E Street Band.

Honestly, I am not a huge fan of Bruce Springsteen. I do not mind his music, but I am just not as familiar to it than I am in some other music. Because of this, I was not as filled with joy and wonder as some might be.

Having said that, there are some cool moments of watching how this band of musicians can come together after five years of inactivity and create a tour of American music.

Listening to the E Street Band discuss their music making as well as Bruce and his mastery of the form is interesting. I did not know that Steven Van Zandt was in the E Street Band. Van Zandt is a musician I had heard of and the only other musician I was aware of in the E Street Band was the late Clarence Clemons. It was intriguing to discover that Clemons’ nephew, Jake, replaced Clarence in the band.

I feel as if you are a Bruce Springsteen fan, this would be like candy to you. For me, it was an okay look at a powerful musician who I have had a healthy respect for over many years.

3 stars

Don’t Move

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The next film of the 4F is once again on Netflix. It is produced by Sam Raimi and is another tense thriller with a fun hook. It was called Don’t Move and it was a surprisingly entertaining film.

According to IMDB, “The grieving Iris (Kelsey Asbille) wakes up early in the morning and goes to the memorial in the park where her beloved son Mateo died falling off a cliff. She is thinking in committing suicide jumping off the same cliff when the young man Richard (Finn Wittrock) dissuades her. She returns to the parking lot with Richard, and he kidnaps her. He injects a substance that will shut down her body in twenty minutes, but she succeeds in forcing him to crash his car into a tree and to flee to a river.”

I was impressed with how this film was able to build as much anxiety in so many different situations considering the main protagonist was unable to move, speak or do much of anything. I guess it was lucky that this substance she was injected by did not stop the muscles that were required for Iris to breathe, even though it basically shut down everything else. Minor gripe I guess. You have to ignore certain details for this movie to work.

However, if you can get past some of the logic leaps here, Don’t Move makes for a decent thriller with a villain worth hating. This villain, played by Finn Wittrock, does a good job of portraying this monstrous person who has a secret life. I would have liked to have known more about his background with his wife and daughter. How did the mysterious Chloe fit in?

Either way, there is enough good work here to recommend this as a fun, leisurely Netflix watch. It may not hold up to a ton of scrutiny, but it is a fun “watch it on the couch” flick.

3.2 stars

Woman of the Hour

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I went to Netflix for the next Friday Fabulous Film Fest movie. It was a film that starred and was directed by Anna Kendrick called Woman of the Hour. It was based on a true story of a serial killer who appeared on the Dating Game in 1978.

Sheryl (Anna Kendrick) was a struggling actor whose agent booked her on the Dating Game. Little did Sheryl know that one of the bachelors she could choose from was a serial killer who had been involved in a killing spree.

It is an amazing true story. How brazen can you be as a serial killer to flaunt yourself on a national game show? He clearly felt untouchable at the time.

The film had plenty of moments of tension, especially with the scenes between Anna Kendrick and Daniel Zovatto, who played Rodney Alcala, the serial killer. It was unclear how it would turn out as the tense scene played out, and I really liked this.

Sad point was that Alcala was recognized by someone in the studio audience during the Dating Game taping and she was ignored by those in charge at the show and eventually the police. This character, Laura, played by Nicolette Robinson, added that feeling of helplessness that all of Alcala’s victims must have felt.

I enjoyed the direction by Kendrick, though my one complaint was the narrative structure was a little hard to follow. The timeline of the movie was not as clear as I would have liked it. Otherwise, this was a very engaging film.

4 stars

Piece By Piece

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The first official movie in the Friday Fantastic Film Fest is one of the strangest documentaries you are ever going to see. This movie, Piece By Piece, is the biography of music producer Pharrell Williams, but it is told as a Lego movie style.

Huh?

Honestly, this is weird.

I am not that familiar with Pharrell Williams, outside of “Happy,” but the Lego part of the film is what attracted me to see this movie. I probably would not have watched a straight up movie with interviews centered around Pharrell, but the gimmick of the Legos drew me in.

The Lego animation was original and, at times, beautifully transcendent in Piece By Piece. Even times when it did not feel like it worked for the moment, the color and the imagination shone through.

Unfortunately, the story did not match the originality of the format. The story was basically just interviews and lacked that special oomph that the visuals provided throughout. I know it was a biography, but something that was so creativity special in one aspect, was fairly mundane in the other.

I enjoyed the music, even if it wasn’t my normal type of music. It worked for me it the bits in the film.

I found the most fascinating part of the film was the post-“Happy” stuff, how the creation of one of the biggest songs in recent memory caused a challenge for the artist in ways you would never have expected.

Overall, Piece By Piece is an interesting animated film that gives some insight into an artist that I did not know much about, but I just wish the story was told in a more outside the box manner, to match the visuals.

3 stars

The Substance

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Very disturbing.

I have never been a big fan of body horror films, but The Substance has a few things going for it that a typical body horror film does not have. Namely, one Demi Moore providing one of the best, albeit horrific, performances of her career.

According to IMDB, “Have you ever dreamt of a better version of yourself? You. Only better in every way. Seriously. You’ve got to try this new product. It’s called The Substance. It changed my life. It generates another you. A new, younger, more beautiful, more perfect, you. And there’s only one rule: You share time. One week for you. One week for the new you. Seven days each. A perfect balance. Easy. Right? If you respect the balance… what could possibly go wrong?”

The dialogue was limited, but the performance from Demi Moore was so great. It was impressive how much she was able to emote from her face and her reactions.

The effects are unbelievably creepy and frightening. The imagery of the movie is horrific and mostly practical.

I do think the ending was not good. The last fifteen or twenty minutes felt truly more silly than most of the film and did drag down my feelings overall. Most of the movie was really good and creepy. It just did not finish well. However. Demi Moore should be recognized for an astounding performance.

3.8 stars

Brats

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Next up on the Pre-Show 4F Binge is a documentary on Hulu that took a look back to the 1980s and a group of actors who had been dubbed as the Brat Pack.

One of the actors of the 1980s who had been included in the Brat Pack was Andrew McCarthy and McCarthy was the director and driving influence behind the documentary.

McCarthy was looking to discuss with the group of actors the feelings of the name of the Brat Pack and how it influenced their careers.

McCarthy traveled around to try and talk to the other “members” of the Brat Pack, including Rob Lowe, Demi Moore, Ally Sheedy, Emilio Estevez, Jon Cryer, Leah Thompson. He tried to talk to Molly Ringwald and Judd Nelson, but they seemed to rebut him not wanting to look back.

The term “Brat Pack” was dubbed in a magazine article about Emilio Estevez written by David Blum, and the actors really took the name negatively. One of my favorite parts of the doc was when McCarthy went and spoke to David Blum. There was a feel of tension between them and Blum was seemed very arrogant in this interview.

The discussion with Emilio Estevez was also amazing. He looked so much like his father during the interview that it was wild.

This was amazing as it felt like a big therapy session for Andrew McCarthy as he talked through his anxieties and memories of his past with others who could relate to the feelings that he was having.

I wouldn’t say that I was a big fan of any of these actors, but I found it utterly fascinating to watch how they worked through their own issues over a named given to them when they were young and hot actors and how the negative feel of it affected them.

3.7 stars

The 4:30 Movie

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The pre-showings of the 4F kicked off with Kevin Smith’s latest film, The 4:30 Movie.

This is a cute coming-of-age movie that feels fairly biographical as the filmmaker leans into a young kid who loves movies and is obsessed with a girl. The boy, played by Austin Zajur, and his friends try to sneak into a rated R movie and deal with their friendship.

This is a cute film. There is a sweetness to it, even though there are several moments of Kevin Smith’s raunchy writing that feels in contrast to the film.

The film features several of Smith’s usual cast members including Ralph Garman, Justin Long, Harley Quinn Smith, Ming Chen, Rosario Dawson, Jason Mewes, Jason Biggs, Diedrich Bader, Jason Lee, and his wife Jennifer Smith.

It also features Ken Jeong, Sam Richardson, Method Man, Kate Micucci, Reed Northrup, Nicholas Cirillo, and Logic.

The three young boys are kind of obnoxious in much of the film, but there are some real solid relationships and the chemistry between Austin Zajur and Siena Agudong was real and very easy. They carry this movie with their scenes and their dialogue.

Overall, a nice little film to kick off the pre-show 4F.

3.5 stars

Music by John Williams

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John Williams is one of the masters of film music. He has had more classic scores that exist in your head than practically any composer. From the music of Star Wars to Jaws to Schindler’s List to Raiders of the Lost Ark, the themes fill you with emotions every time. And each score provides something extra to each film, something that makes the film more than it was before.

This is why John Williams has been in such demand over the last fifty years. His music brings that final oomph to a film, and it does not matter what the genre is. John Williams is capable of delivering something magical.

This weekend saw the drop of a documentary featuring the iconic composer in a film entitled, perfectly, Music by John Williams, on Disney +.

The doc does touch upon his life and family, but most of the runtime is focused on the music and the films that he scored. We hear about John Williams’s thoughts from John Williams himself, as well as from his dear friend Steven Spielberg, whom was one of his most ardent supporters.

We hear from tons of people expounding on the amazing talents that John Williams would bring to their films. We saw Ron Howard, George Lucas, J.J. Abrams, Chris Columbus, Seth MacFarlane, James mangold, Kathleen Kennedy, Chris Martin and Itzhak Perlman all provide insight into their times working with Williams in whatever capacity they could give.

One of the more powerful moments was Kate Capshaw, wife of Steven Spielberg, describing when she and Steven went to hear the score for Schindler’s List, played by Williams on the piano, and how she began crying immediately.

The amazing footage throughout was awesome, much of it coming from Spielberg’s own recordings over the year. Being able to hear the words and the thoughts of Williams about the work that he had done is truly special. I will admit that seeing the scene from E.T. where the bike flies in front of the moon brought a few tears to my eyes. It provided us with so many memories from years of amazing work.

The doc is fairly straightforward, but if anyone deserves it, John Williams is it.

4.5 stars

Here

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Robert Zemeckis, Tom Hanks and Robin Wright have reunited on screen once again for this new film called Here. Zemeckis, Hanks and Wright were all together for Forrest Gump, and now they are focusing on a specific house.

This film has a specific gimmick to it. The camera was stoic, steady and unmoving for the entire movie. There was one angle that the movie had and it told multiple stories through the life of the house (and the plot of land that it was built on) with that single shot.

The main story that was told was the life of Tom Hanks and Robin Wright. We saw Tom Hanks, who played the character Richard, grow up, fall in love, get married and become a father in this one room of this house that we see. Robin Wright played Richard’s wife Margaret and she was involved in much of the main story.

One of my favorite characters involved was Richard’s father, Al (Paul Bettany). His wife was Rose (Kelly Reilly) and they were shown throughout their lifespan inside this house.

Using these postcard like boxes, the movie transitioned between stories. Other stories included a Native American family, the man who created the La-Z Boy recliner, a recent black family, a early aviator whose wife hated the airplane, and the illegitimate son of Ben Franklin. None of these extra stories had much if any impact, outside of just continuing the life of the house. These were pauses from the Richard-Margaret family story meant to simply break from those characters.

I liked the format of this movie, but there were some issues with it. The main story had my attention every scene they had, but all of the other ones were so slight that they were a distraction. This movie did feel too long and a couple of these extra stories could have been dropped to shave off some time.

The CGI was decent in the movie, especially the de-aging of Tom Hanks and Robin Wright. Some of the background CGI was obvious, but it did not ruin anything. I did like the music of the film as it helped show us the advancement of time.

This is a interesting movie with a gimmick that I have not seen before, unless you are a fan of stage plays with the single location setting. The film was too long, but the main story was likeable because of the excellent actors.

3.5 stars

Mad God (2021)

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The October 13 of 13

What a trip.

I went searching for a film to wrap up the October 13, which to be fair has been a touch underwhelming so far. I was really hoping to find something epic to end out the thirteen.

Well, I found something original for sure.

On AMC + on Prime, I found a stop-motion film called Mad God and it looked interesting. That would be an understatement for this.

According to IMDB, “Equipped with a gas mask and a crumbling map, the Assassin, an iron-clad humanoid, descends into a rusty, peril-laden underworld of grime, blood, and unsettling monstrosities. As the stealthy invader meanders through the labyrinthine post-apocalyptic wasteland on a mysterious mission, going deeper and deeper in the nightmarish realm, the Assassin gradually reaches his final destination: the heart of this grotesque tower of torture. But what cruel, vindictive deity allows fear and suffering to take its most complete creation further and further into despair? Only a Mad God would revel in humankind’s ordeal.”

That synopsis from IMDB is well done, but to be honest, the story is not anywhere near as straightforward as that description. I would venture to say that this film has a very limited narrative structure. The story seems secondary to the goals of this film.

Mad God has amazing, masterful stop-motion animation that creates an atmosphere unlike few movies that I have ever seen. It is frightening at times, disturbing at others. It imbues this nightmare realm with such darkness and alarming imagery that you can help but be taken aback from the visual daze.

The sound effects and score are very effective keeping you uneasy as the images build a surreal experience of monstrous creatures and violent despair.

Written and directed by stop-motion guru Phil Tippett, this passion project takes you deep into the mind of the director. And what a bizarre and warped experience it was. I usually prefer more of a story, and that is just short here, but this is an experience that I would not have passed on. I am conflicted on how I feel after watching this, which, I suppose, is a desired result.

Conclave

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The process of electing a new Pope is full of secrecy. That means you can tell whatever story you want about it, as this new film starring Ralph Fiennes opens wide this weekend.

This movie is based on a 2016 novel by Robert Harris. It is directed by Edward Berger, who directed the Oscar nominated All Quiet on the Western Front.

According to IMDB, “Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake–secrets which could shake the foundations of the Church.“

Ralph Fiennes was sensational once again as Cardinal Lawrence. He has such an understated performance that he fits into this story beautifully. He anchors the film with his work.

There are other great performances including Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati and Sergio Castellitto.

There is a twist at the end of the movie that came after it seemed as if the film was over and I am not sure if it was necessary. No spoilers, of course, but this feels as if this was done to create division among viewers. I have no issues with the ending outside that I am just not sure it was important to the story.

I enjoyed the mystery aspect of the script and the film looked beautiful. Great performances scattered throughout the film. I assume this will have a huge presence at the Oscars. This was very solid.

4 stars

Venom: The Last Dance

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The final film in the trilogy featuring Tom Hardy as Eddie Brock, the man who would become Venom, was released this weekend. I have never been a big fan of the previous Venom movies, but I have enjoyed the character some so I was curious to see what Sony was going to present for us.

The first three minutes of this film was a huge exposition dump involving the scary villain known as Knull, who was being played by Andy Serkis. The problem, this reminded me of the opening to 2011’s Green Lantern with Parallax, which I thought completely failed to start off that movie. I was laughing at Parallax during that opening and the fact that this reminded me of that was a bad sign to start this movie.

Sadly, the film continued to be a mess after this beginning. It went back to the post credit scene from No Way Out, with Eddie in the bar, drunk and getting pulled back to his own universe.

Knull sent some monstrous symbiote hunters to earth in search of Venom, who was now some kind of McGuffin, and they were after him. The monsters had zero personality and was fairly boring.

The best part of all of these Venom movies are the relationship between the symbiote and Tom Hardy. Hardy is great as Eddie Brock and some of the best scenes of the film are when Eddie meets up with a hippie family with the father played by Rhys Ifans. I think more with this family on the road would have made this more enjoyable. However, what the family wound up doing did not make a lot of sense as the film moved on.

I did love the soundtrack to the film, with banger after banger throughout the movie.

Why did we need to introduce Knull in this movie. He was not used, and if this is the final Venom movie, why do we introduce Knull at all and not use him? I feel as if Sony wanted Knull to be their Thanos, but they brought him around too late if that is the case.

This movie is not horrendous, but it is just not very good. Tom Hardy is the strength, but the story around him is not good and the dialogue is weak. The other symbiotes have the “Michael Bay Transformers disease” as none of them have personality or any way to distinguish them.

Will there be more Venom movies? Who knows. Will Knull be involved with Kraven the Hunter? Doubt it. None of the Sony Spider-universe films seem to fit this concept. The final Venom movie is just not that good.

2.4 stars

Little Evil (2017)

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The October 12 of 13

Who would have guessed that one of the better films I saw during the October 13 this year would be a Netflix film from 2017?

Gary (Adam Scott) recently married Sam (Evangeline Lilly), who has had several failed marriages. The biggest reason? Her son Lucas (Owen Atlas) is the Anti-Christ and he has a tendency to bury them alive.

Gary does not know what to do. Does he try and connect with the six-year old or does he kill the boy?

This is a surprisingly funny film with some excellent horror elements to it. The old evil child has been done countless times in movies, but this has a different flavor to it. It is the Omen mixed with This is the End.

Adam Scott does a great job of providing the anchor to this ridiculous story. You never feel that this is over-the-top because he grounds it for us with his performance. Even when you think that there is no reasonable person who would stick this out, Scott is believable.

There is a unexpectedly deep cast here too with Evangeline Lilly as Lucas’s mother and we get appearances from Clancy Brown, Sally Field, Donald Faison, Tyler Labine, and Brad Williams.

The final act of the film does go a bit off the rails, but I had already been charmed by the film, particularly by Adam Scott and the weaker end did not hurt the film much.

This is a fun film for families during the spooky season even though some of the religious iconography may be too much at times.

The Changeling (1980)

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The October 11 of 13

So The October 13 has been a little lower of quality than I would have preferred this year. However, we came across a good one today. The Changeling, starring George C. Scott, is one of the best haunted house movies I have seen.

The film grabs your attention immediately as it sets up the tragedy for George C. Scott’s character, composer John Russell. His wife and daughter are killed in a tragic accident and this sends him spiraling out of control. Renting a house in Seattle, John goes to hopefully work on his music.

However, once in the house, strange sounds and events started happening, leading John to investigate what had happened in the house’s past.

Honestly, the seance scene was one of the scariest seance scenes I have ever seen. The way that the psychic approached the actual execution of the seance was great. I had never seen a seance handled in this manner before and it really set the stage for the rest of the mystery that would be at the heart of the film.

There is also a horrifying scene with a young boy and a bathtub that I will not go into further description of because it is unsettling.

George C. Scott is a tremendous actor and his very presence in the film give it a credibility that a lot of these haunted house movies lack.

I am happy that this film made the October 13 list this year and I am happy that it has helped put the list back on track.

Kill List

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The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.