Tag Archives: music

Piece By Piece

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The first official movie in the Friday Fantastic Film Fest is one of the strangest documentaries you are ever going to see. This movie, Piece By Piece, is the biography of music producer Pharrell Williams, but it is told as a Lego movie style.

Huh?

Honestly, this is weird.

I am not that familiar with Pharrell Williams, outside of “Happy,” but the Lego part of the film is what attracted me to see this movie. I probably would not have watched a straight up movie with interviews centered around Pharrell, but the gimmick of the Legos drew me in.

The Lego animation was original and, at times, beautifully transcendent in Piece By Piece. Even times when it did not feel like it worked for the moment, the color and the imagination shone through.

Unfortunately, the story did not match the originality of the format. The story was basically just interviews and lacked that special oomph that the visuals provided throughout. I know it was a biography, but something that was so creativity special in one aspect, was fairly mundane in the other.

I enjoyed the music, even if it wasn’t my normal type of music. It worked for me it the bits in the film.

I found the most fascinating part of the film was the post-“Happy” stuff, how the creation of one of the biggest songs in recent memory caused a challenge for the artist in ways you would never have expected.

Overall, Piece By Piece is an interesting animated film that gives some insight into an artist that I did not know much about, but I just wish the story was told in a more outside the box manner, to match the visuals.

3 stars

Music by John Williams

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John Williams is one of the masters of film music. He has had more classic scores that exist in your head than practically any composer. From the music of Star Wars to Jaws to Schindler’s List to Raiders of the Lost Ark, the themes fill you with emotions every time. And each score provides something extra to each film, something that makes the film more than it was before.

This is why John Williams has been in such demand over the last fifty years. His music brings that final oomph to a film, and it does not matter what the genre is. John Williams is capable of delivering something magical.

This weekend saw the drop of a documentary featuring the iconic composer in a film entitled, perfectly, Music by John Williams, on Disney +.

The doc does touch upon his life and family, but most of the runtime is focused on the music and the films that he scored. We hear about John Williams’s thoughts from John Williams himself, as well as from his dear friend Steven Spielberg, whom was one of his most ardent supporters.

We hear from tons of people expounding on the amazing talents that John Williams would bring to their films. We saw Ron Howard, George Lucas, J.J. Abrams, Chris Columbus, Seth MacFarlane, James mangold, Kathleen Kennedy, Chris Martin and Itzhak Perlman all provide insight into their times working with Williams in whatever capacity they could give.

One of the more powerful moments was Kate Capshaw, wife of Steven Spielberg, describing when she and Steven went to hear the score for Schindler’s List, played by Williams on the piano, and how she began crying immediately.

The amazing footage throughout was awesome, much of it coming from Spielberg’s own recordings over the year. Being able to hear the words and the thoughts of Williams about the work that he had done is truly special. I will admit that seeing the scene from E.T. where the bike flies in front of the moon brought a few tears to my eyes. It provided us with so many memories from years of amazing work.

The doc is fairly straightforward, but if anyone deserves it, John Williams is it.

4.5 stars

Polkamania

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Whatcha gonna do, when Weird Al polkas all over you!!!!

Yes, EYG Hall of Famer Weird Al Yankovic is back with a brand new polka! The last time we had any recording by his weirdness was The Hamilton Polka in 2018. Al is back with his own level of insanity with some great songs in a polka medley.

I always wonder if I am going to know any of the songs in a polka medley since I am not as knowledgeable with recent pop hits, but there were a few here that I recognized.

Today is the 10 year anniversary of the last studio album Al released, “Mandatory Fun” and this polka celebrates that while blending together songs from the last several years into that new polka medley.

Wikipedia already had a full listing of the tracks inside Polkamania. Here they are:

  • “Bad Guy” by Billie Eilish
  • “Hello” by Adele
  • “Flowers” by Miley Cyrus
  • “We Don’t Talk About Bruno” by Lin-Manuel Miranda
  • “Vampire” by Olivia Rodrigo
  • “Old Town Road” by Lil Nas X
  • “Despacito” by Luis Fonsi feat. Daddy Yankee
  • “Shape of You” by Ed Sheeran
  • “Uptown Funk” by Mark Ronson feat. Bruno Mars
  • “WAP” by Cardi B feat. Megan Thee Stallion
  • “Thank U, Next” by Ariana Grande
  • “Shake It Off” by Taylor Swift
  • “Ear Booker Polka” by “Weird Al” Yankovic

All I can say is…. I want more!!!!

The Last Repair Shop (2023)

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June 5, 2024

It is a busy day today so I had to get the June Swoon 3 going early this morning and I had another Oscar winner on the list. This was the Oscar winner for Best Documentary Short and it was entitled The Last Repair Shop. I watched it on YouTube, but I see that it is available as well on Disney +. This is just over thirty five minutes long and is a joyous expression of love for music and for those for whom music has changed their lives.

The focus was on a instrument repair shop from Los Angeles that provided a service to the schools of the area to repair damaged or broken musical instruments for free. The film profiles four members of the shop: Dana Atkinson, Paty Moreno, Duane Michaels and Steve bagmanyan.

The film also had words from students who gave quick stories about how they wound up playing the instrument they played. The passion and the joy came through each child’s words as it helped us understand how important these musical instruments would be in their lives.

The stories were very emotional and compelling. The stories of the workers at the repair shop ranged from a man who an Armenian refugee from Azerbaijan to a woman who tried to give her children a better life in America only to struggle to a man who played on the same stage as Elvis Presley.

The film ended with a performance of a song called “The Alumni” which featured many of the voices that we heard during the film.

If you love music, or if you ever played an instrument, you will be inspired by this documentary short film. It is a love letter to music and those people who make it or allow other people to make it.

Bodkin S1 E1

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Spoilers

“One True Mystery”

“People will listen to it?“

This was the question throughout the entire first episode of Bodkin, a series from Netflix featuring Will Forte as a podcaster and Siobhán Cullen as an investigative journalist whose editor insisted on her accompanying Forte on his podcast to get her out of the way.

IMDB says, “A group of podcasters set out to investigate the mysterious disappearance of three strangers in an idyllic Irish town. But when they start to pull the strings, they find a story much bigger and stranger than they could have imagined.”

Bodkin is a dark comedy/thriller dealing with the disappearance of some people in the small Irish town of Bodkin. By the end of the first episode, I was intrigued enough to continue with this.

I definitely liked the actors. Both Siobhán Cullen and Will Forte were great and Robyn Cara as Forte’s investigator on his podcast was good too. The Irish people of the town were very quirky and mysterious.

I did not find anything downright funny, but oddball worked as a descriptor. The curiosity of what exactly was going on when Cullen’s character Dove was struck by a car was definitely interesting.

With some open spots on the schedule for TV shows, I think the seven-episode series on Netflix will work nicely.

True Detective: Night Country S4 E4

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Spoilers

“Part Four”

Night Country continues to be a creepy and, at times, devastating look at both mental illness and the effects of isolation and the lack of daylight.

This week, Navarro’s sister, diagnosed with several mental illnesses, leaves the clinic and walks into the water, drowning herself. To say that Navarro does not respond positively to the news is an understatement. She flies off the handle at the clinic and then picks a fight with a group of men who leave her bloodied and battered.

Meanwhile, things aren’t great for Danvers. Her step-daughter leaves, Danvers spends Christmas Eve alone and drunk.

Navarro is seeing some horrors and she is afraid that the mental illness ran through her family. Ghosts are everywhere here apparently.

The supernatural element of this show has really started kicking into high gear. When Otis Heiss said that they were in the “night country” now, it really felt like something creepy.

And I really feel for Navarro.

The show has been firing on all cylinders for me and, with just two episodes left, I’m excited to see the mystery of the Tsalal murder solved.

The Greatest Night in Pop

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A great new documentary arrived on Netflix that featured the story of the recording of the classic 80’s song, We are the World.

There was a lot of recorded sections of the actual archive recordings with all of the artists involved in the amazing night. Starting after the American Music Awards were done, the recording session went the rest of the night and into the morning hours. 

Lionel Richie was one of the first interviews the doc had as he was a major factor behind the creation of the song. He and Michael Jackson wrote it, despite trying to get Stevie Wonder to be a part of it.

The artists interviewed for the doc included Richie, Bruce Springsteen, Kenny Loggins, Huey Lewis, Cyndi Lauper, Smokey Robinson, and Dione Warwick.

One of the interesting tidbits in the doc included the section with Sheila E talking about Prince and the desire of the people in charge to have Prince as a part of the song. 

Watching the process of these legends of music trying to put together this epic song in the limited time they had was fascinating. Seeing Bob Dylan struggle to get the line of the song out was amazing. You had Huey Lewis and Cyndi Lauper express their doubts and insecurities over being included with people that they looked up to for their whole lives.

Another awesome moment was when Quincy Jones thanked Harry Belafonte, whose idea led to this night’s work, and the whole crew broke into a version of The Banana Boat Song. That was an excellent moment from the doc.

This was a fantastic peek behind the curtain of one of the most amazing nights in music history. 

4.3 stars

Once (2007)

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Today’s Genre-ary DailyView film is 2007’s Once, an Irish musical/drama that is about as charming and sincere of a movie that you are going to find.

According to IMDB, “An unnamed guy (Glen Hansard) is a Dublin guitarist/singer/songwriter who makes a living by fixing vacuum cleaners in his Dad’s Hoover repair shop by day, and singing and playing for money on the Dublin streets by night. An unnamed girl (Markéta Irglová) is a Czech who plays piano when she gets a chance, and does odd jobs by day and takes care of her Mom and her daughter by night. Guy meets girl and they get to know each other as the girl helps the guy put together a demo disc that he can take to London in hope of landing a music contract. During the same several day period, the guy and the girl work through their past loves, and reveal their budding love for one another, through their songs.”

This was a beautiful film. Simple and well-told, Once had an amazing group of songs performed by Glen Hansard and Markéta Irglová are wonderful together. Hansard is a more experienced actor than Irglová, but she was every bit as excellent as he was.

The music was a major star of this film. A more modern musical, part of the movie was the creation and recording of these songs but our characters. I found those moments the most intriguing. The relationship in the film between guy and girl was different and surprising.

Written and directed by John Carney, Once is real, gritty and warm. Thoroughly entertaining, Once is a low-budget success that is exceptional to watch. 

Ray (2004)

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Okay, so today I am cheating.

I watched Ray, the biopic of Ray Charles, starring Jamie Foxx, which lead to Foxx winning the Academy Award for Best Actor. However, it absolutely falls into the category that I spoke about at the beginning of the Genre-ary DailyView. It is not a musical. 

It did have musical listed on the summary for the movie, but it is one of those movies that has music in it, is even about music, but is not a musical. I did say at the beginning of this month that I might not follow that rule as I was going through it and so I have broken it.

According to IMDB, “The story of Ray Charles (played by Jamie Foxx), music legend. Told in his adult life with flashbacks to his youth we see his humble origins in Florida, his turbulent childhood, which included losing his brother and then his sight, his rise as pianist in a touring band, him writing his own songs and running his own band, and then stardom. Also includes his addiction to drugs and its affect on his working life and family life.“

Jamie Foxx is sensational as the legendary performer. He seemingly brought back to life the larger than life character of Ray Charles Robinson, better known to the world as just Ray Charles. 

The biopic sections of this movie are the best parts. Watching Foxx develop Ray through his relationships, his struggle to find the right sound, his drug habit and other problems was the standout of this film.

The music was used well, but I could have used more of it. It seemed to only give a flavor of the songs in the film. Again, another reason why I would not consider this a musical, necessarily.

I thought the weakest part of the movie were the daydreams/delusions that Ray would have flashing back to the traumatic event of his brother’s death. The appearance of water in his suitcase or on the floor were too cartoony for what the movie was trying to go for. This felt way too artsy for the story. The straight up flashbacks were considerably more powerful and more effective than that.

I do appreciate that the film did not shy away from some of the negative aspects of his life. Many of these types of musical biopics leave out major issues in favor of a more positive spin. We see Ray Charles and his drug addiction, which led to his arrest, and his extra-marital affairs, one which even gave him a son.

Along with Jamie Foxx, the strong cast included Regina King, Kerry Washington, Clifton Powell, Sharon Warren, Richard Schiff, Larenz Tate, Terrence Howard, Wendell Pierce, Bokeem Woodbine, and even Moonlighting’s Herbert Viola, Curtis Armstrong, himself. I was able to get past my dislike of that actor because of his Moonlighting role. Being fair, he did a solid job here.

This was a movie with a lot of good and some areas where I would have liked something different. Jamie Foxx is tremendous as are the rest of the cast (shout out to Kerry Washington for her role as Charles’s wife, Bee). Ray is a touch long and, not really a musical, but it is a solid film overall.

Yentl (1983)

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In my class, we are reading The Devil’s Arithmetic by Jane Yolen. There is a section in there where the main character, Hannah, tells some other Jewish girls stories about movies & TV shows she has seen. One of those she mentioned in Yentl, starring Barbra Streisand. I had never seen that and I knew it was a musical so it fit right in the Genre-ary DailyView.

However, I am not sure if the film would be considered a musical. The structure of the film is different than most musicals. Despite Streisand’s character Yentl singing in some scenes, Yentl does not sing every time. In fact, there are some songs where we see her singing and, within the same song, she is not singing any more.

Yentl (Barbra Streisand) wanted to be able to study the Talmud, a main book in Jewish theology and law, but, as a woman, she was forbidden to do so. Still, her beloved father (Nehemiah Persoff) allowed her to study is secret. When he passed away, Yentl cut off her hair and donned a disguise as a man in order to be able to continue the study. Yentl met Avigdor (Mandy Patinkin) along the way and became friends with him. Yentl fell for him despite Avigdor being in love with another.

I did not know that Mandy Patinkin was in this movie. I love him from The Princess Bride so he brings a quality to this film that may not have been there for me without him. 

Barbra Streisand did all of the music in the film and her voice is, of course, stunning. The music works very well with the story that is being told. Michael Legrand won an Oscar for his work on the score.

I did have a few problems with the film. First, and most prominently, I had a difficult time accepting Barbra Streisand as a man. He voice, her beautiful face just did not speak man to me. I also wondered about the beard that this “man” never seemed to grow and never shaved.

That just is a matter of suspending disbelief, but I had a hard time believing that Mandy Patinkin, who was close up with Barbra several times, including roughhousing with her, could not tell the difference.

The film did feel cruel at times, especially toward Hadass (Amy Irving). When she married “Anshel” (Yentl’s male name), and the story had her fall for him, that felt particularly cruel and there was no pay off for that. The film really treated Hadass in a bad way.

However, the film is decent, with some powerful songs. Patinkin is great and I feel Streisand did the best she could to make her seem to be a male. 

Viva Las Vegas (1964)

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How could you do a musical list without an entry from the King?

I have not seen very many of Elvis Presley’s movies, despite the fact that he made dozens of them. However, Viva Las Vegas worked as the musical for the Genre-ary DailyView and so we take a trip around the race track with the King.

Lucky (Elvis Presley) was in Las Vegas for a Gran Prix race, but he had yet to purchase the motor for his car. In an attempt to earn the money gambling, Lucky was very successful. Unfortunately, trying to woo a woman he met at the hotel named Rusty (Ann-Margret), he lost the money in the swimming pool. 

Since he had no money to pay off his hotel bill, Lucky had to start working as a waiter to work it off. He spent the rest of the movie either dating Rusty, singing, or working on his car. 

There was a conflict in the film that Rusty did not want him to race because she thought it was dangerous. Nothing came from this conflict, except that Lucky just ignored her and dismissed her. This only seemed to make her more agitated. 

There was a conflict with a romantic rival for Rusty’s affection, another driver who wanted Lucky to drive for him. This guy died in the race, I think. I’m not sure.

The story was thin and nonsensical. This movie survived solely on the chemistry and charisma of its two lead stars. Elvis and Ann-Margret we great together and their scenes, especially of the music and dancing, were very entertaining. The music was excellent, with Elvis performing several songs including the title track of the film. Of course, Elvis’s lip synch of the song during the Talent Show was one of the worst lip synchs I have ever seen. He had absolutely no expression as he sang that song. It really pulled me out of the movie.

It was not the worst film ever by far, and there were definitely entertaining parts to it. The thing is, there is just not enough to justify watching it. 

The Best Little Whorehouse in Texas (1982)

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Happy New Year to everyone. We start the new year off around EYG with our second annual Genre-ary DailyView. This year, the genre we are watching will be musicals, and we are starting off the month with The Best Little Whorehouse in Texas, starring Burt Reynolds and Dolly Parton. The movie was an adaptation of the stage play that came before it.

The Chicken Ranch was a legendary place in the county of Lanville, in Texas. It had been open for decades with nary a problem. When its iconic madam passed away, Miss Mona Stangley (Dolly Parton) took over. She had been in a side relationship with Sheriff Ed Earl Dodd (Burt Reynolds) for years. He would protect the Chicken Ranch and make sure things went well for Miss Mona.

When consumer advocate and television personality Melvin P. Thorpe (Dom DeLuise) started to investigate the Chicken Ranch, things got more troublesome for the ladies of the night. 

There is an overall silliness to this movie that, I think at times, overwhelms the film as a whole. Dolly Parton and Burt Reynolds are no doubt charismatic figures and carry a heavy load of the film. When they are on screen, everything is working. 

Dom DeLuise added an antagonist that you can really root against without being a true villain. He seemed to be doing what he believed was right, even if some of the things he did would not be considered right. Charles Durning had a memorable turn as the Texas Governor and provides one of the best, most ingenious songs of the film.

I did enjoy the duet between Dolly and Burt, “Sneakin’ Around” even if Reynolds’ voice could not necessarily match that of Parton. 

Jim Nabors was the narrator, Deputy Fred Wilkins, speaking directly to the camera as the film would go on. Nabors played the basic character he did in his other TV appearances.

While there is nothing amazing about the film, The Best Little Whorehouse in Texas does have some fun scenes and some decent music and dance routines. It may not be a standout of teh Genre-ary, but it was a fun way to start the month off.

2023 Music in Cinema

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Music is such an amazing feature in cinema. The use of music can make the entire experience all that much better. 

Before I jump into the movie music awards, I wanted to give a special shout out to the best music on TV this year. It came from the Hulu series Only Murders in the Building. Oliver was planning out a musical for Broadway and we get to hear and see several numbers from the show. My favorite from the four really exceptional ones was the Steve Martin song “Which of the Pickwick Triples Did It?”

Moving on to the Movies…

I want to start with the Best Song from a Movie. Honestly, some of the ones that I have chosen are not necessarily those that the Oscars may choose. I know that the one I am choosing as the winner did not make the Oscar short list. It’ll have to settle for the EYG Award. 

Songs from Movies

6. ”What Was I Made For?” Billie Eilish from Barbie.

5. ”It Never Went Away” Jon Batiste American Symphony

4. ”Scrub Scrub” Cast from Wonka

3. ”Hell No” Danielle Brooks from The Color Purple

2. ”I’m Just Ken” by Ryan Gosling from Barbie

Winner: ”Peaches” by Jack Black from Super Mario Bros.

Next up is Movie Scores

#6. Anthony Willis ”Saltburn”

#5. Kris Bowers ”The Color Purple”

#4. Jon Batiste ”American Symphony”

#3. Joe Hisaishi ”The Boy and the Heron”

#2. Ludwig Göransson ”Oppenheimer”

and the winner of EYG Score of the Year 

Daniel Pemberton ”Spider-Man: Across the Universe”

2023 Movie Musicals

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In honor of the upcoming Genre-ary DailyView starting on New Year’s Day 2024, I added a New Year in Review category: Movie Musicals.

I have always enjoyed a good musical, and there feels as if the genre has taken a turn back up over the last few years so this seems to be a good time to introduce this new award.

What is a musical? Well, I find this to be a little iffy of a definition that maybe everyone would not agree with, and that is okay. This is my site. To me, there is a difference between a movie that is a musical and a movie that features music. To me, a musical should have songs that just happen during scenes. This is Spinal Tap has a lot of music, but I do not consider that a musical. It is a movie with music. 

Having said that, a film like This is Spinal Tap could conceivably get this award, but I would consider any of the ‘pure’ musicals first. It is possible that there may be some years where there are no great musicals and I have to acquiesce to a movie with music instead. There are some examples below…

As a celebration of the musical genre, I have retrofitted the last ten years with honorary award winners (much like I did for the Christopher Reeve Comic Book Movie Award). These retro musical award winners are here:

Movie Musicals

Inside Llewyn Davis (2013), Whiplash (2014), Pitch Perfect 2 (2015), La La Land (2016), The Greatest Showman (2017), Mary Poppins Returns (2018), Rocketman (2019), Hamilton (2020), Tick, Tick… Boom! (2021), Matilda the Musical (2022)

To be fair, a few of these retro-winners would not necessarily fall into the “Movie Musical” category such as Whiplash, Inside Llewyn Davis and Pitch Perfect 2, but there were no standout musicals in those years that I could fine. Then, Mary Poppins Returns probably was selected because it was a more traditional musical over some much better Movies with music from that year. 

Anyway, for 2023:

Runners-Up: I had intended on giving this award to Wonka, but it got dethroned. It was a lot of surprising fun. Disney has a couple of entries here with Wish and The Little Mermaid, both solid musicals. Trolls back Together falls into the category and Leo was one I just watched and was surprised how much I enjoyed the music in that.

And that brings us to the winner, a film I saw TODAY…

Winner: The Color Purple

I loved this movie. It was so well done, with amazing acting across the board and some vey engaging music that had me bobbing my head and tapping my foot throughout. It came up to the final moment of my movie viewing for 2023 and ran away with this new award.