The DC animated movies had been very successful over the years, though recently, they have not been as good the last few years. However, this one, featuring Jonathan Kent and Damian Wayne, is one of the best.
Voice Cast: Jack Dylan Grazer, Jack Griffo, Laura Bailey, Troy Baker, Darin De Paul, Tom Kenney, Nolan North, Zeno Robinson, Myrna Velasco, and Travis Willingham.
The Agents of Shield completed their final mission together and I wrapped up the rewatch of the Marvel show this afternoon. Agents of Shield was my favorite TV show for quite a few years after LOST left the air and I was always mad that they were so disrespected among the MCU. Agents of Shield was a consistently entertaining and exciting hour of TV with some of the best characters you would find.
The whole timeline mess was handled very smoothly with the use of the Quantum Realm to travel between the timelines. Fitz’s return to the show in episode 12 was amazing and gave us that one thing that was missing in this season, which was otherwise near perfect.
The Daisy and Sousa relationship developed beautifully and made sense for both characters. Coulson’s LMD questions about himself led to his own path at the end. May becoming one with her own empathy, and then making that be the weapon that brings the conflict with the Chronicoms to a close, was a great arc for this character and she still gets to deliver the bad ass line, “The Calvary” in response to Sibyl’s question, “What comes next?” May crashing in through a glass ceiling was epic.
It was great that the finale was able to see all of the team working together to accomplish their plan.
I do love that the team ended up, supposedly, in the timeline of the 616 universe. They all could be brought back to the MCU if they wanted. Quake, Yo Yo, Coulson, May all could have roles in a new MCU.
It was also nice to see that the show did not just forget Piper and Flint. In fact, they placed them in an important moment in the finale.
The whole time travel element of this show was done extremely well, and Fitz explained it perfectly. The TVA’s absence was a thing (of course, the TVA does not get introduced until many years later), but one could imaging that time is at any point.
Bringing Kora to Daisy, as sisters, did not seem like it was going to work out, but, in the end, she was a nice addition to the team. Deke finally wound up with the respect that he deserved and, apparently, the new director of Shield in the timeline where he stayed to save the others.
I had forgotten about Fitz and Simmons little daughter and it was a fun surprise when we were introduced to the daughter, Alya.
The use of a young John Garrett was clever too, and the bullet to his head immediately after teleporting the team out of the Lighthouse was both funny and appropriate. James Paxton did an excellent job playing this unhinged version of John Garrett, who was originally played during season one & two by his father, Bill Paxton.
Watching Coulson fly away in Lola at the end of the final episode was both thrilling and perfectly designed as a conclusion.
This was such a fabulous series that does not get the appreciation that it deserved. The chemistry among the stars was one of the key components of the success and why this show worked. In seven seasons, the show went against Hydra, went to another planet, into the future, into the past, prevented an alien invasion, went into a fake world, met up with Asgardians, a Ghost Rider, and a bunch of Kree. Agents of Shield is one of my favorite shows of all time.
It is time for the EYG Comic Cavalcade. We are all the way up to #211. Wow.
This week, I went to In This Issue on Thursday to kill some time before heading over to Cinemark and, one of the things I grabbed there was, Amazing Spider-Man #107. It was a splurge, but it was something I wanted. I also grabbed a variant cover of ASM #573 featuring Steven Colbert swinging around holding Spidey. I am continuing to work on getting the ASM series. I am down to three issues missing from Vol. 2.
When I picked up Starhenge: Book Two last week, I realized that this series was needing me to read a previous series. So I ordered Book One: The Dragon and the Boar off eBay. I have not gotten around to reading them yet, but it is on the list for this summer. Hopefully, I can read them before the next issue of Book Two comes out.
Comic of the Week
Operation: Iron Coffin #1
Dracula killing Nazis? How awesome is that. There is actually more to this than just that simple premise. Dracula is in a bargain for his life. He made a deal with the devil to return to earth to kill all of the vampires that he sired in exchange for his own resurrection. Of course, the Devil is never a straight shooter, as he pulled an Angel (from Buffy the Vampire Slayer) trick and gave Dracula back his empathy.
The first issue was filled with some awesome material and the cover art led to this issue winning a bronze medal this week.
Books this Week:
Black Cat #12. “Between a Glock and a Hard Place” Written by G. Willow Wilson with art by Andres Genolet. Cover art was done by Josemaria Casanovas. The team-up/fight between Felicia and the Punisher has been extremely entertaining. Even if the way they brought them into the same orbit was odd, the results have been spectacular. G. Willow Wilson, who wrote so many classic Ms. Marvel issues, has a great grasp on Felicia Hardy and her life as the Black Cat.
White Boat #3. Written by Scott Snyder with art and cover art by Francesco Francavilla. I had picked up the first two issues of White Boat together about a year and a half ago. I remembering being extremely enthusiastic about the two issues of the DSTLRY book. Then, it never came out. It was finally released this past Wednesday and I barely remembered anything about it. I sure hope that if DSTLRY is putting out series again, that they are not taking months and months between release.
Fury of Firestorm #4. “The Fury- Part 4” Written by Jeff Lemire and art by Rafael Latorre. Cover art was done by Rafael Latorre and Marcelo Maiolo. I also grabbed a variant cover by Mark Spears as well. Truth is coming out as Firehawk confronted Professor Stein over his morally questionable hand in the creation of Firestorm and herself. The Fury of Firestorm has been an excellent book so far and I am looking forward to the finale coming soon.
Clayface: Celebrity Dirt #1. Written by Jude Ellison with art and cover art by Fran Galan. I grabbed a variant cover by Dave Johnson (Silver Medalist). With a DC Studios movie coming out in October, Clayface gets his own mini-series. The book focuses on identity and looked at who this Clayface actually is. The issue includes some body horror, which is something that the upcoming film will be rumored to include.
Daredevil #4. “Tomorrow’s Devil-Part 4” Written by Stephanie Phillips with art and cover art by Lee Garbett. Stephanie Phillips has been kicking butt in this new run on Daredevil. Daredevil faces off with The Owl to get info on the new threat, Omen. I laughed out loud when DD mentioned the name Omen, and The Owl said “You named him?”
Exquisite Corpses: Rascal Randy #1. Written by Tyler Boss with art by Dylan Burnett. Cover A art was done by Dylan Burnett. Cover B art was done by Tyler Boss and Cover F art was done by Javier Pulido (Gold Medalist). The first spin off of the classic limited series Exquisite Corpses finds the stands this week with an origin story of Rascal Randy.
Wolverine #23. “Power Grab” Written by Saladin Ahmed with art by Julius Ohta. Cover art was done by Dan Panosian. Wolverine faces off with the Taskmaster, who now has Wolvie’s healing factor. Who is behind the power switch? We find out this issue. Can Logan switch his power back before it is too late?
Uncanny X-Men #31. “The Devil I Know” Written by Gail Simone with art by Jim Towe & David Baldeon. Cover art was done by Luciano Vecchio & Matthew Wilson. This is the continuation of the story arc “Mars Needs Mutants.” We get a bunch of the Brood arriving to mess up a student dance. The Outliers remain some of my favorite new characters in all of Marvel.
Bleeding Hearts #6. Written by Deniz Camp with art and cover art by Stipan Morian. I also picked up Cover B with art by Ariel Olivetti. Big events happening in the zombie hunt as Poke and Mush have their big one-on-one conversation and Poke revealed to him that he has a beating heart. Mush did not take it well. This was the end of the first arc of this book, but there are plenty more stories to tell with these characters as Poke is reunited with Rabbit.
Witness Point #1. Written by Heath Corson with art and cover art by Soo Lee. I thought this was written by Nathan Fillion, but it seemed as if he was part of the creators for the book. A murder in a small town normally would not draw the attention of the FBI, but, what if, this was a murder that took place in a small town where a bunch of witness protection witnesses are being housed? That might make a huge change. This is an intriguing Dark Horse book.
Transformers #34. Written by Robert Kirkman with art by Jason Howard. Cover art was done by David Nakayama. The Combaticons launch an assault on the Autobots while Optimus is having a face-to-face discussion about the future with General Flagg. Flagg also gets into a fight with Doctor Henri Arkeville.
Absolute Catwoman #2. “The Yarn- Chapter Two” Written by Scott Snyder & Che Grayson. Art and cover art was done by Bengal. Catwoman sets up an auction to try and trap the thieves who stole from her. It brings her back into contact with her old crew, The Calicos.
Showdown #2. Written by Dave Wielgosz and illustrated by Tadd Galusha. Cover art was done by Steve Lieber & Dillon Shook. This issue follows Harvey Harlowe as he wades through the horrible state of his life. He was blamed for the death of Trish’s little brother and we get to see how he prepared for his showdown with Trish.
Zorro’s Legacy #1. “Dead or Alive” Written by Dan Abnett with pencils by Aaron Lopresti. Cover art was done by Aaron Lopresti & Walter Pereyra. It is present day and the mantel of Zorro has been picked up by Donny De La Vega, a relative of the original Zorro. However, when Donny was badly injured in a battle, his nephew David, who had been training with him and insisting Donny use more up to date weaponry, stepped into the role as a new Zorro for the new world. This gives us a darker, more vengeful Zorro than we have ever seen before.
Baby Garfield #4. “Baby Garfield’s First Bath” written by Ben Clayton and art by Olivia Amoah and “Baby Garfield’s First Road Trip” written by Annie Nishida and art by Kay Davault. Cover art was done by Agnes Esposito. This is the final issue of the four part Baby Garfield series from Boom! that I never would have guessed that I would have enjoyed. But I did enjoy it quite a bit.
Ben 10 #3. “Man of Action” Written by Joe Casey with art and cover art by Robert Carey. The US Army is chasing Ben in his different form and, meanwhile, another alien is landing on the earth in the form of Crab, who is an alien bounty hunter. Things look difficult for Ben and his family.
Altered States: Warlords #2. Written by David Avallone with art by Mariano Benitez-Chapo. Cover art was done by Joseph Michael Linsner. I also picked up the cover D with cosplay by Jacqueline Goehner. While it seemed as if Red Sonja was a goner, John Carter has arrived on Mars. He has a plan on how to rescue Red Sonja.
Barbara Gordon: Breakout #3. “What Am I Missing?” Written by Mariko Tamaki and art by Amancay Nahuelpan. Cover art was done by Karl Kerschl. This issue splits the story into two, with a flashback to Batgirl, Nightwing, Batwoman and Huntress on a mission and the current timeline with Barbara undercover in a prison. Things have gone very poorly for Barbara in the present.
The Rocketeer: Infiltrator #1. Written by Gabriel Hardman with art by Dean Kotz. Cover B art was done by Dave Stevens. I picked this book up off the shelf the other day. I have always enjoyed the character of Rocketeer, but I have not picked up many of his comics over the years. With this one at a number one, I grabbed it to see what it was like. I liked what I saw as we got some Rocketeer under cover at a Nazi movie set.
From Parts Unknown #3. Written by Adriano Ariganello with art and cover art by Daniel Caval. Whoa! Pro wrestling vampires are not an original thought, but they are the only ones that are real. And who saw the end of this issue coming? Not me. I have found this wrestling/horror amalgam book from Pesto Comics extremely fun and engaging.
Seven Wives #2. Written by Zoe Tunnell with art by Tesslyn Bergin-Dicoi. Cover art was done by Keyla Valerio. The murder of Matthew Dunn remains unsolved as Detectives Aguilar and Halwell are trying to figure out what has happened, and how did Dunn’s seven wives play into the case.
Dispatched #1. Written by B. Clay Moore and illustrated by Daniel Gete. Cover art was done by Daniel Gete & Lee Loughridge. Morgan Powers is living under a government-issued alias and he is now a delivery driver. However, his next delivery has more trouble than anticipated. Dispatched has a distinct Die Hard vibe and I was into the first issue. Daniel is a unlikely hero and he struggled with PTSD from his past.
Absolute Batman #22. “The Crooked House” Written by Scott Snyder with art by Werther Dell’Edera. Cover art was done by Nick Dragotta & Frank Martin. Cover C art was done by Brett Bean. Batman and Harley are forced to work together to try and avoid the Robins, who were in pursuit of them. Oh, and the Scarecrow is here too.
Tyler Rake: An Extraction Story #3. Written by Ande Parks and illustrated by Ronan Cliquet. Cover art was done by Declan Shalvey. Tyler Rake is back, heading into what seems like an impossible situation in an attempt to free an individual. Tyler Rake was hiding out, hoping just to live his life, when the government arrived, forcing him back into action.
The Twilight Zone #9. “A Day in the Day in the Life” Written, art and cover art by Juni Ba. This issue of the anthology series was not my favorite one. The art and design of the book is spectacular, but I just could not get into the story.
Vampyrates! #1. Written by Fred Van Lente and illustrated by Luca Pizzari. Cover art was done by Luca Pizzari & Adam Guzowski. I also picked up the Luca Pizzari unlimited virgin cover that supposedly glows-in-the-dark. Vampires and pirates! I mean… am I at the center of that Venn diagram, or what? This was a wild first issue and it sure sets up for a fun run at Boom! Studios.
Speed Racer #10. Written by David Pepose and art by Davide Tinto. Cover art was done by Alessio Zonno. Speed is out of his mind from the V-gas. He is angry and out of control and he is heading into a race through the center of a volcano. Is this the end for Speed Racer, or should all of the other racers look out for themselves?
Circuit Breaker: Adversary of the Daleks #1. Written by Dulce M. Montoya & Dan Watters with art by Roberta Ingranata. Cover art was done by Jay Anacleto. I don’t know where this version of the Doctor came from but she is not any type of Doctor we have seen before. She is bad tempered and snippy. She seems to not care for anyone or anything. Plus, she does not remember much of her Time Lord past. She does not even know the Daleks.
Other Books this Week: Blood & Thunder #15, The Seasons #11, Jeff The Land Shark: Superstar #1, It’s Symbie #1, Fantastic Four: First Foes- Shalla Bal #1, X-Men ’97 Season 2 #2, Did You Hear About Mimi Green? #2, and Strength and Ash #2
Quick Hits: Wanda continues to be a kick ass Sorceress Supreme in Sorcerer Supreme #8. She is off in search of the Extinction King and she is being accompanied by the Sorcerer Supreme of the Quantum Realm. Will sparks fly for the magicians? Bad Idea dropped a one shot called Dingoliath #1 which focused upon a giant monster. This was an easy read as much of the story was told visually. Star Crossed #1 is the new series from Dark Horse written by Mark Millar. The universe’s two best thieves are being pursued by everyone after a brazen robbery. I picked up MASK #2, even though I got a preview copy of this very issue in a blind bag last month. I grabbed a book called Calexit: Say Goodbye to Hollywood #1 but it had the inside cover saying that there were several previous issues that were before. I’m not sure yet if I am going to find these on eBay or just go with this book. Innards #2 shows us the terrors of deep-Earth mining and give us some insight into Boo Wright. I was excited to see Aladdin #1 from Dynamite, but I was not into this book. These Disney Dynamite books are strange. The books that I do not think I will care about grab my interest and those that I feel like are hit for me are not. The team up in Conan & Dragonero #3 continues as they fight a dragon. Just Brutal #4 sets our kids up to face their destiny… but are they ready? W0rldtr33 #21 keeps building intrigue as I am never quite sure what is going on. Hank Howard: Pizza Detective- The Inside Job #1 is a one-shot book from Bad Idea that has several Hank Howard short stories. The, the black and white reprints of Daniel Warren Johnson’s wrestling book Do A Power Bomb! #1 came out this week.
Another strong run of four episodes of the Muppet Show consistently amaze me. I mentioned this earlier, but the material on the Muppet Show is so far advanced for a kids program that it goes to show you that you do not have to play down to kids.
In these four episodes, we got a song from Ben Vereen, Mister Cellophane, out of the Broadway play Chicago. Rowlf played a classical piano piece by Beethoven called Für Elise. The classic song Tenderly was performed in a distinctly rock format by Dr. Teeth and the Electric Mayhem.
Crazy Harry was all over these episodes. He was the running gag in the Ben Vereen episode, constantly blowing things up when someone made a comment connected to explosions.
Veterinarian’s Hospital was on all these episodes. This is a classic bit that the Muppet Show made famous with Rowlf, Miss Piggy and Janice. They told some terrible jokes and laughed at them all.
The Candice Bergen episode featured some of the songs I remember on here including “Put Another Log on the Fire” and Piggy’s “What Now My Love.” Candice Bergen was not singing, and I was thinking, “Oh so she is not a singer so they are not making her sing” and then she did “You’ve Got to Have Friends.”
Piggy tried to make Kermit jealous by pretending to have a relationship with Avery Schreiber, which seemed to work until Scooter let the cat out of the bag. During this, we learn Miss Piggy’s true name, Pigathias- which means “River of Passion.” Other running jokes included Fozzie trapped in a box, Fozzie doing the “I’ve got a ____ for Kermit the Frog” bit, and Hilda worried about her age and appearance.
Sweetums made several appearances in this block of episodes including where he ate Candice Bergen’s camera and had an insult-off with Sir Avery (Schreiber).
Things are really cruising in The Boroughs. Some shocking revelations in episode 5.
I love how our protagonists have found each other and immediately shared truths. No hem and hawing around. Just, “Hey this happened to us…what about you.”
Sam, Wally and Judy had come from the tunnels beneath the Boroughs where they had killed a monster. They hear Art being attacked by Annaliese, who has some kind of monstrous form. Paz and Renee are kidnapped by Hank and taken out to the desert to be murdered. They are able to escape and, in the process, killed Hank as Renee’s car drove off a cliff. Somehow, I do not think that Hank is dead-dead.
The episode ended with Annaliese coming back to Blaine and them sharing some kind of weird, slimy bath to heal her gunshot wound from Judy. Then, Blaine showed up to catch the squad of monster hunters at an isolated restaurant.
We learned what Paz saw before he was assaulted by Hank in the basement of the police hq. He told the group that he saw a bunch of monsters caged up. He said it was sad. The group pieced together that they use the monster’s blood to feed on to keep them young, allowing the monsters to feed on the residents for them to stay alive. Circle of life.
Three more episodes as the mythology of the Boroughs is being revealed slowly. Should be a big time showdown next week. My guess is that Blaine is going to make it seem as if these old people need to be admitted because they are losing their grip. He already was setting the foundation of this by talking to Sam’s daughter about his bizarre recent behavior.
It has been a long time since I have seen this movie, but I might go out on a line and say that this is the best version of Robin Hood ever to make the big screen. It was the first Disney animated film made after the death of Walt Disney.
Voice cast: Brian Bedford, Phil Harris, Peter Ustinov, Pat Buttram, Monica Evans, Terry-Thomas, Roger Miller, Carole Shelley, George Lindsey, Andy Devine, Ken Curtis, and (uncredited) Mel Blanc.
Two timelines underway. Present day sees Juliette taking some steps to try and recover her memory, including secretly spitting out the “vitamins” she is given at the end of the day. We also hear from the Algorithm that there is a plan to place vitamin D in the water supply, and that the Algorithm is worried that Juliette, which currently acts as a calming trait to the people of the silo, will someday outlive her usefulness.
In the past, we focus more on Daniel and his sister Charlotte. Reporter Helen used her sneakiness to get Charlotte alone so she could ask her some questions. More of the mission to Turkmenistan was revealed as we learn it was not really about nuclear sites.
Juliette went to the cafeteria and saw the same constellation she saw previously with Lukas Kyle.
The whole water supply storyline feels like a classic villain plot. I would assume that the Algorithm wants to keep the memories of the people of the silo in check as well, to maintain the balance that it wanted.
Camille has stepped right into the shoes of the antagonist of this series, taking Bernard’s spot without missing a beat. There are so many threads hanging in the present day that she is keeping tied that it really feels like things could unravel at any moment.
I hope we can get this shell of a person that is currently Juliette and get back the powerhouse that she was prior to the events of her return.
Silo is some great sci-fi storytelling on Apple TV +.
The Rotten Tomatoes score as of this writing sits at 71% critics and 81% audience. Some of my favorite online reviewers enjoyed the movie.
I hated it.
This one was just not for me.
According to IMDB, “After the loss of her husband, a woman seeks solace with her in-laws. As one by one they transform into deadites, she comes to discover that the vows she took in life – survive even in death.“
This was just a brutal film, filled with nastiness, anger and cruelty, that had remarkably graphic gore and blood, but, for me, it was lacking that fun, humorous aspects of previous Evil Dead films in the franchise. This is officially the sixth Evil Dead film in the franchise and some of them prior I enjoyed. This one just felt like a sludge to get through and when they did add in the humor element, it never felt like it fit.
This felt overlong and replaced the parts of the story, which was the human interactions, with silliness and over-the-top violence.
Clearly, there will be horror fans and fans of the franchise that will love this movie. It just was not the film for me.
I was bored through much of the film and I just wanted it to be over. There was a moment about two-thirds into the movie that I considered walking out and going home, but I stuck it out until the end ( I did leave midway through the mid-credit scene. I said, out loud, “Oh, there’s more.”). I’m not sure between Scary Movie (which I saw on Thursday) and this film, which one I would agree to watch again. With a gun to my head…. ugh, choices…
Disney has been doing live-action remakes of their animated movies for decades now, but the most recent push of this trend started with Alice in Wonderland in 2010. Since then, we have gotten Maleficent, Cinderella, The Jungle Book, The Lion King (although it is technically all animated), Beauty and the Beast, Dumbo, Aladdin, The Little Mermaid, Mulan, Snow White, and Lilo & Stitch. This weekend, the most recent of the animated movies to receive this treatment debuted in theaters.
Moana, the animated series was released in 2016, and just under ten years later, the live-action film was made and released.
I did not watch the original animated Moana before going to see the new live-action film, which was probably a good idea. I believe if I had watched the animation, I would have not enjoyed the live action version at all. Fact is that the Moana live action is a complete recreation of the 2016 animated version with almost nothing new, and it would have stood out even more had I watched the animated movie in preparation for the new film.
Another problem with the film is that the look of the new film is nowhere near as vibrant and magical as the animated film. This looked like they had a lot of the live action actors filming in front of a green screen or an animated background, which you can see easily. The best section of the film was in the middle of Dwayne Johnson’s song “You’re Welcome” when they animated everything.
Catherine Laga’aia as Moana was probably my favorite part of the film as I thought she was lovely and I could not take my eyes off her. Her performance was solid, and I believe she has potential to be much better in future projects. Laga’aia had a presence on screen that really worked for me.
Dwayne Johnson, who I love so much, felt much more underwhelming than he did in the animated movie. There were times when he was noticeably more thick in the waist and torso area than he was in other moments of the film making me think they did some CGI with him, or perhaps put a muscle suit on him. It was noticeable, and not in a good way.
The songs were all decent, except for “Shiny” by Jemaine Clement as Tamatoa. I thought that sounded terrible, so bad that I wondered if it was the theater’s sound system that was causing the problem. The other songs sounded fine so I am not sure why this standout song sounded so poor to me.
I did enjoy the live action dance sequences showing off Polynesian culture, especially in the opening scenes. I wish the backgrounds would have helped amplify the beauty of the dance, but it did not help it at all.
While it sounds like I did not enjoy this movie, I did like it. It is the same movie as 2016’s Moana, and I loved that movie. It does feel like the same movie, but with less of that Disney magic. If you have never seen the animated movie, this would be a sufficient remake, but if you have Disney + and have never seen the animated movie, watch that version.
Here is the first film from the EYG Hall of Fame studio, Studio Ghibli, from EYG HoF director Hayao Miyazaki. It is a story of a pilot in World War I who has been cursed by being turned into an anthropomorphic pig. Yup, a pig. It is surprisingly more deeper than you would think.
Voice cast: (English dubbing)- Michael Keaton, Cary Elwes, Kimberly Williams-Paisley, Susan Egan, David Ogden Stiers, Tom Kenny, Brad Garrett, Bill Fagerbakke, Kevin Michael Richardson, and Frank Welker.
Animation Style: 70% of the movie is traditional hand-drawn art, and 30% is computer animation.
Treasure Planet is one of the hidden Disney classics that many people have not seen. It flopped at the box office, but it is a tremendous film. Based on the Robert Louis Stevenson novel, Treasure Island, the film featured characters based on Jim Hawkins and John Silver.
Voice cast: Joseph Gordon-Levitt, Brian Murray, David Hyde Pierce, Emma Thompson, Martin Short, Roscoe Lee Browne, Laurie Metcalf, Tony Jay, Peter Cullen, Jane Carr and Mike McShane.
After a terrible movie at first, the afternoon picked up dramatically with the extremely funny and truly unexpected film starring Seth Rogen, Olivia Wilde, Edward Norton and Penelope Cruz called The Invite.
Olivia Wilde directed this film from A24 that went in a way that I had not expected.
According to IMDB, “Joe and Angela’s marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places.”
The Invite was funny, intelligent, well-written and shocking. The film, basically, took four characters and put them together in an apartment and they carried this film through an amazing film. It feels like a stage play in this way.
Seth Rogen, Olivia Wilde, Edward Norton and Penelope Cruz are absolutely wonderful and they share an amazing chemistry. They bounced back and forth between these characters and the intelligent dialogue was fabulous.
I was very surprised at some of the stuff that they went into during these conversations. I did not expect the way this went. It was funny and turned into a serious film as well. All four of these actors showed a great range in the film and delivered.
I was fully engaged with this movie and I was thoroughly entertained by these talented actors and writers. I was looking forward to this movie and it came through big time.
I was going to see The Invite at 4 PM today at Cinemark, but I wanted to do a movie in the afternoon to watch to waste the time. The movie that fit into that window the best was a movie that has been out for several weeks, but I had not seen. It was the new film from the Wayans Brothers, Scary Movie.
I was not sure if this was a movie that I wanted to see, because it just did not feel like it was a film that was in my wheelhouse. I had nearly gone a different time, but it just did not work out. So today would be the day for me to see the film from a previous franchise, returned to the public’s eye.
I definitely found a movie to waste my time with.
I hated the newest Scary Movie. Truly hated it.
The film parodied a bunch of horror movies over the last few years, specifically Scream as they used the Ghostface killer from that franchise. However, they also poked fun at It Follows, K-Pop Demon Hunters, M3GAN, Nosferatu, White Chicks, Sinners, Get Out, Wednesday (TV show on Netflix), Smile, The Substance, Terrifier 3, and several more. The problem was that none of the parodies had any cleverness to it and the writing was just poor.
The film was just drug jokes, dropping the n-word, sex jokes, and killing a bunch of people. None of them were funny at all. The only pieces that made me smile a bit were the meta jokes or the breaking of the fourth wall. However, they overdid these too.
I did not laugh at this movie and that is a sin for a comedy, especially a spoof film that has all kinds of leeway to be ridiculous. I was hoping that I would enjoy this with the return of the Wayans, but it was clear that I was just not going to.
I wanted to give this episode its own post since my memory of it was that it was a great episode. I am underestimating it, because this is, by far, my favorite episode of Agents of Shield from the entire seven season run.
Season seven has been using some overall themes for the previous episodes. Their first trip into the past was played like an old school b-movie type sci-fi. We got the black and white noir episode. There was the 1970s action show (which had to have an influence on WandaVision) and the 1980s sci-fi type film including max Headroom (which Coulson hilariously namedrops in this episode).
This one was Groundhogs Day mixed with Doctor Who. The thing was, it was so much more than just re-using the trope of repeating the day over and again.
It took the situation and gave us remarkable humor, much of it coming from the exquisite Clark Gregg as Phil Coulson, the LMD. It gave us a fantastic mystery about who was preventing the implant from being removed from Jemma Simmons’s head. It forwards the relationship between Daisy and Sousa. And it provided the most selfless self-sacrifice I have seen in ages with Enoch’s removal of a part from his own Chronicom body, leading to his death.
The episode is featured around Daisy, who was inside a healing pod at the beginning. She goes about the process of discovering that the Zephyr was trapped in a timestorm and was in danger of being wiped out of existence. The episode was wild, and then took another major step when she went to activate Couslon, who was recharging. He filled her in that this was not the first time that she had come to activate him and that she had died.
The frustration and annoyance of Coulson was extremely funny and delivered so perfectly by Gregg. It played right into the feelings that Coulson was having last episode where his predicament as an LMD was starting to get to him. The show added the character growth of Coulson into a list of amazing stuff this episode addressed.
Enoch was another standout of the episode. We discovered that he was the one killing the crew members to prevent the implant from being removed from Simmons’s head, and there were some of the best scenes of the episode as the team confronted Enoch and he fought back in the most amazing and hilarious ways. We did not see much, if any, of the actual fight, just the aftermath with the team scattered across the floor. They added the line “Deke’s dead” in one of them and it was such a gas.
Each time loop brought the Zephyr closer to the center of the timestorm, providing real jeopardy for the team and not just the trial and error until they figured it out. They did not have unlimited time. Time was ticking away.
There were two outstanding monologues during the episode. The first was Daniel Sousa’s explanation of why he stayed with Daisy as she slept. His explanation of wanting to be near “…people like Diasy” was such an awesome character moment and made allusions back to his time with Agent Carter, who he was clearly referencing. The second monologue was Enoch’s dying words, spoken to Coulson and Daisy, after he had pulled his electrochron displacement mechanism from out of his chest. I had tears during this moment. Who knew that I would have become so connected to this robot who was introduced in season five as a Chronicom sent to retrieve the team? Watching Enoch slowly succumb was heartbreaking and painful, while providing important healing for Coulson and Daisy. Joel Stoffer brought his amazing character to life here and you couldn’t have asked for a better heroic send off for Enoch than what he got.
Elizabeth Henstridge, who played Simmons, was the first time director of this episode, which was just a remarkable feat. She provided an exciting and energetic show despite many scenes needing to be repetitive because of the episode’s hook. Every time we got a repeat scene, something new was added. I have to shout out the entire cast as well as they had to repeat lines and adjust to the situation and they all did it wonderfully well.
I love this episode and I would put it at the top of the MCU TV show episodes along with Agatha All Along’s “Death’s Hand in Mine,” Moon Knight’s “Asylum,” WandaVision’s “We Interrupt This Program” and “Previously On,” and Loki’s “Journey Into Mystery” and “Glorious Purpose.”
EYG- Embrace Your Geekness 