The third episode of Bates Motel shows that there is something off about young Norman Bates. He blacked out during school, he took a belt from the rapist Norma killed and kept it as a memento, and seemed to not remember when he attacked Dylan from episode two.
The mental illness showed its ugly head early in this series. We all know where Norman Bates ends up, and it makes sense that he would have these issues as a young man. But you wouldn’t have guessed that he would be as likable as Freddie Highmore made him.
Norma is in full manipulation mode, but she has apparently gotten herself involved with Deputy Zack Shelby, who discovered the belt under Norman’s bed and took it before Sheriff Romero saw it. However, Norman, who had a delusion that Norma told him to take care of the belt, sneaking into Shelby’s house to search for the belt, discovered something shocking. A girl chained up in Shelby’s basement.
We get a touch of a relationship between Norman and Dylan. The step-brothers had a minor scene that told a lot. It hinted to Dylan that maybe something was not right with Norman.
Emma got a glimpse at Norman’s darker side when he rebuked her decision to go to the police with the journal with the artist renditions of the Chinese woman in it. Norman was fairly scary when he snipped at Emma that he did not want the police involved.
Bates Motel has been great in these first few episodes as we watch the creation of an iconic movie villain.
I started this episode on Tuesday night. However, we had a horrible storm go through my city, knocking out my internet access (and the power for a time). I was about halfway through the episode when the internet went down. With the normally busy Wednesday, I did not get back to this episode until tonight when I was able to finish it up on Hulu.
“Unusual Suspects” was a back story of the Lone Gunmen, how they came to be together and how they ended up meeting Mulder.
This was also a crossover episode with NBC’s series Homicide: Life on the Street with a guest appearance from Richard Belzer as Detective John Munch.
The idea for the Lone Gunmen focused episode came about when David Duchovny and Gillian Anderson needed time to finish the X-Files movie.
X made a “return” in this flashback episode, as one of the men behind the problem at the center of this episode, which helped cement the paranoia of the trio.
However, I am not sure why X allowed the Lone Gunmen to live at the end of the episode after they saw as much as they saw. I can understand why he let Mulder live, but why them?
This episode was fine, but it does suffer from the same issue as many of these kind of shows, that place secondary characters in their own lead episodes. Much like the Miss Dipesto episodes of Moonlighting, these episode was fine, but was missing something. In this episode, what was missing was Scully.
As I said, this episode was okay, but just not to the level I am used to for the X-Files.
Welcome back to the Favorite Comic Covers of the Week here at EYG. This week is another first. Last week, we had three variant covers receive the three medals for the first time. This week there is another first. Two of the three medalists are the same comic, one with the regular cover, and one with a variant.
Here are this week’s finalists!
Bronze Medalist
Spider-Gwen: The Ghost Spider #1
Regular cover
Cover art by Mark Brooks
Gwen Stacy comes to 616 universe for good. And O.B. from Loki TV series is there. Lots of fun and a fun cover to boot.
Silver Medalist
Sam and Twitch Case Files #3
Cover Art by Jonathan Glapion
A clever and attractive cover with the frame of Sam Burke making up the cityscape. The red, black and touch of white made this an extremely intriguing cover and gives you a look inside what the story and character are about.
Gold Medalist
Spider-Gwen: The Ghost Spider #1
Variant Cover
Cover Art by Ernanda Souza
A beautiful foil cover, listed at the cover D. The gold and pink swirls behind Gwen really pop on the foil cover and you can never go wrong with the always awesome Spider-Gwen costume.
Man, Freddie Highmore can give some death stares unlike anyone else. His eyes are amazingly creepy and, at times, simply frightening. You can see the insanity inside them, making him a great Norman Bates.
Norma’s first son and Norman’s half-brother Dylan arrived at the beginning of episode, creating tension within the Bates family. He had so much anger directed toward Norma, who he did not call Mom, but by her actual name, and the tension between him and Norman was obvious. Dylan’s anger toward Norma boiled over as Norman tried to defend his mother’s honor.
Vera Farmiga played Norma with such a depth that elevated this character into one of the most compelling character on the show. She is so mysterious and enigmatic. You are never quite sure what she is thinking behind each stare. When she was questioning Emma about her disease, I could not tell if she was interested because she was being empathic or if she was saying it to let Norman hear about the things about her cystic fibrosis because she was jealous of any other girl who might have a connection to Norman.
Romero continued to be suspicious of Norma after they found the truck of Keith Summers and a witness had said that Keith was seen arguing with Norma and Norman at the Hotel. Norma is cool as can be during the interactions, hiding the real anxiety beneath the surface. Keith was the man who raped Norma and whom she killed and dumped in the lake. Some of the word play between Norma and Romero was well written and jumped off the screen.
The town that they have moved to is shown to be a darker place than Norma had expected, with a deep criminal underground involved.
After episode number two, the storytelling is excellent. They bring up storylines that continue to service these characters while focusing on the unhealthy relationship between mother and son. A relationship that we know will end up in tragedy.
This was a tremendous surprise on YouTube. The Middle Aged Dad Jam Band doing a cover of “Scenes from an Italian Restaurant” with EYG Hall of Famer Weird Al Yankovic on accordian.
Whoa. I had forgotten how much I loved this series.
I needed a new series to rewatch and I came across Bates Motel on Amazon Prime. I used to love this show when it was on A & E, but rewatching this first episode reminded me how amazing this show was.
Norma Bates and her son Norman leave Arizona to get a new start six months after her husband died. They wind up at an iconic house and motel from the movie, Psycho.
The idea of having a show that took place as a prequel to Alfred Hitchcock’s classic Psycho was a great idea and the execution was even better.
Freddie Highmore and Vera Farmiga are absolutely brilliant as son and mother in this remarkable series. They both totally embody these characters and you just ache for them, especially knowing their ultimate fates.
The first episode pulled no punches either as there is a brutal scene where Norma is raped by the motel’s disgruntled former owner and an equally brutal scene where Norma stabbed said rapist to death with a butcher’s knife.
You can’t help but root for these people as Highmore and Farmiga are absolutely exceptional. You can see the mental illness that takes root inside Norman. Just a glance in his eyes tells so much about his lack of stability.
I loved the inclusion of Richard of LOST, Nestor Carbonell as Sheriff Alex Romero. He is an excellent actor and he brings Alex alive. He creates a totally different character than Richard of LOST and that is a tough thing to do. Admittedly, he does not appear to be that quick in the opener as he takes a pee beside the shower where the dead body of the rapist was hidden. That’s okay. Just prevents Norma from having to kill a couple of more.
This was a fantastic show and I am really looking forward to rewatching the entire run over the next few months.
Welcome. This is the first ever EYG Podcast. I am a teacher at a middle school and we do a weekly squad. My squad was the Actor’s Guild and we would do some improv and acting exercises.
Then I took a class for license renewal that dealt with podcasts in the classroom, and i was inspired. I decided that the Actor’s Guild could do a podcast. I would write up a ficitonal “true crime” type story and we would record it.
I set the podcast in my ficitonal setting of Dalton hill, which is one of the books that I have written. We then spent our time in squads working on recording these scenes.
I am very please with how it came out. A goal was to get this on Spotify, and I am proud to announce that epiosode one is live on Spotify.
We are not professionals and a lot of the voices are kids, so there are some stumbles and some errors, but I am overall very pleased. If we had more time allotted to the recording, we could have really done a fabulous job.
There will be six episodes of this podcast, entitled “The Detetcive Daniel Prophet Podcast” being released over the next few months. I am very proud of these kids and I am proud of the podcast, warts and all.
He had to testify because they had stipulated the fact that Bob had written the cadaver note and Bob had to explain that for the jury. Because he had to explain that fact that he wound up admitted to, Bob was able to be cross-examined by the prosecutor John Lewin.
Lewin planned on showing the jury that Bob was a liar… perhaps even pathological. Lewin picked his testimony apart. Bob had told a story of how he would play Uno and throw the frisbee with his mom, brother and father. Lewin pointed out that Uno was created in 1971 and frisbees were created in 1958 and Bob’s mom died in 1950. This showed clearly that those ‘memories’ were not true.
Nine days of cross-examination. Whoa.
Lewin got Bob to admit that he had lied about some things during his testimony and that if he had killed Susan, he would lie about it.
Those words are shocking.
The trial started really strong for Bob and it took a major downswing.
When they played the “Killed them all, of course” clip from the first Jinx show, it was an amazing moment. Bob said that he had said that he muttered the words “They will all think that I” ahead of those five words. However, they did not let that stand.
Another amazing moment was when Bob, who was saying things that he would lie about, said that he would lie about where Kathie was buried. The prosecutor jumped on that phrasing immediately and it sounded terrible.
The verdict came in: Guilty. Durst was not there at the time because he had been exposed to Covid.
Shockingly, since Bob was not there, someone had to tell him that he had been convicted. But none of his own lawyers did it. They left town imediately.
It was Bob’s current wife, Debbie’s lawyer who told him.
I wanted to do a rewatch of the 1996 film Twister starring Helen Hunt and Bill Paxton since there is the movie Twisters, which I do not know if it is a sequel, reboot or continuation, coming out this summer. I rented it on Amazon Prime tonight and gave it a rewatch.
I was not a fan of Twister the first time I watched it back in the 90s. I did not see it in a theater so it must have been a rental. I remember thinking it was pretty dumb.
I do not think my opinion of the film changed much after watching it in 2024.
According to IMDB, “TV weatherman Bill Harding (Bill Paxton) is trying to get his tornado-hunter wife, Jo (Helen Hunt), to sign divorce papers so he can marry his girlfriend Melissa (Jami Gertz). But Mother Nature, in the form of a series of intense storms sweeping across Oklahoma, has other plans. Soon the three have joined the team of stormchasers as they attempt to insert a revolutionary measuring device into the very heart of several extremely violent tornados.“
One of my biggest problems was the lack of any real characters. There was near zero development among any of the characters. A slight attempt was made to give Jo a background with a childhood trauma, but it was barely touched upon in the movie and the few times that it felt like it was handled, it was tossed in with little to no explanation.
The rest of the cast was just people to read the doppler and yell “Yahoo” as the tornados whipped.
Admittedly, the special effects looked pretty good for the mid-90s, although the flying cow was unintentionally funny. However, watching Bill and Jo running through the fields towards a barn with all kinds of things flying past them made me wonder why the tornado was unable to pick them up as it was pulling fences out of the ground.
The story is basically going between different tornados and trying to release this new device and failing. There is not much, if any, real human conflict. They gave them a rival tornado chaser, played by Westley himself, Cary Elwes, but that character was as one-dimensional as you could get.
I did not recognize the late, great Phillip Seymour Hoffman in his role as Dusty, the oddball who yells a lot. Alan Ruck from Ferris Buhler’s Day Off and Jeremy Davies, who would play Faraday on LOST, were here too in unimportant background character roles.
I do like Helen Hunt and Bill Paxton as leads, and their chemistry did make up for the lack of plotline between the couple. I did feel bad for the fiancé Melissa because you could tell that she never stood a chance. I did like how they wrapped up her story though, with her just realizing the truth and breaking it off like an adult.
Some of the tornado sequences became kind of boring after awhile since there was little else to keep me engaged. The final tornado was better than some of the others, but it was also a big chunk of the time I was rolling my eyes at this movie.
It is a watchable movie, but you have to shut down your brain and just watch the spectacle around it to enjoy it.
With a lazy Sunday on record, I decided that I wanted to go ahead and finish the X-Files season four, knowing that there were three episodes remaining.
However, when I arrived at the season four finale I discovered that it was going to be a three part arc and it was Redux, which I remembered when it first aired as a very key episode. So with nothing else planned, I decided to go ahead and watch the five episode stretch for the day.
The first two episodes of the day, “Elegy” and “Demons,” were both solid episodes. “Demons” especially was a favorite episode as the inner mind of Mulder was explored and the memories of the incident with his sister was examined with a cool new twist.
Of course, the whole Samantha situation is redefined again during the Redux episodes as the Cigarette Smoking Man, in an attempt to tempt Mulder to the dark side, brought Mulder’s sister (or what he claimed was Samantha) to meet her brother. There have been several answers to what had happened to Mulder’s sister, so I remember not believing that this was her when I first saw the episode.
The reshaping of the concept of the series, with Mulder convinced that the government had been orchestrating a hoax with UFOs the whole time and had played Mulder and Scully for fools taking center stage.
Of course, it also saw the end of the Scully cancer storyline. The script does a fine job of keeping the reason Scully’s cancer went into remission debatable. There is the microchip that they reinserted in her neck, her faith returning, as well as the doctor trying to get her body to fight against the disease.
The whole Scully cancer arc was up and down. There were a bunch of episodes that basically ignored the fact, but the resolution of it was well done. The tension with Scully’s brother added some real anxiety to the scenes, especially those with him and Mulder.
CSM was shot and killed at the end of the episode, but it was not a satisfying moment for a couple of reasons. One, because it was not Mulder doing it. It was from a hitman. And two, because there was no body and he was clearly not dead. No body, no death.
Mulder calling out Blevins as the mole inside the FBI was a truly dramatic scene. David Duchovny and Gillian Anderson both had some great scenes in these episodes, in particularly in “Demons” and in “Redux Part II”.
I chose to finish this series up this morning with the final four episodes on Netflix. I found Bodkin to be a fairly enjoyable romp that had moments of messiness. Still, I think the strength of the show was the characters and the shades of grey that they all displayed.
The mystery of what happened to the missing kids from 25 years prior is dealt with by the sixth episode, where we basically knew everything that we needed to know. It would lead into a climatic confrontation with all the forces in episode seven.
Honestly, episode seven was convoluted and, as I already mentioned, messy. Still, I think the show stuck to our characters, Dove, Gilbert and Emmy, and provided a satisfactory end to the series.
I did like how the mystery itself played out. When we discovered that one of the bodies in the trunk of the car that had been sunk in the bog was not Fiona, that took the tale in a different direction… back to the Yoga-using nuns.
The mystery aspect of the story did blend together very well, with all of the different tentacles of the story fitting together well.
Then there was the eels.
Apparently, eel smuggling is a major crime in Northern Europe and the producers, after discovering this, felt as if they had to include this bizarre fact in their series. It did work with Seamus, as he was known to be a major smuggler from his past.
And when Seamus discovered that he was the father to Sean, who was the son of Fiona, who died in childbirth and was buried by the nuns, things got really chaotic.
It all took place on the night of Samhain and the big celebration going on in Bodkin. And a bomb? Yes, a bomb. This is the part of the story that felt over-the-top and messy as everything is set up for a major showdown.
Overall, I enjoyed this series. It was passable entertainment, and it was carried by the three main characters. I especially liked how none of them were necessarily great people. Dove, in particular, would be clearly defined as an arse.
Three very different episodes this season and this was just suspenseful as it could be. I have to take a moment to catch my breath.
“Boom” was so different than “Space Babies” and “The Devil’s Chord” and it shows how flexible the series can be. It can be silly with fart jokes, or over the top with music numbers or absolutely nail-biting with tension.
The Doctor spent nearly this entire episode standing on a land mine, part of the time on one foot. Ruby is absolutely a boss here and her near death brings such a dramatic moment filled with unbelievable stakes.
There are so many messages in this episode dealing with religion, religious wars, and faith. The use of the term “thoughts and prayers” speaks to the uselessness of the statement. There were also a major father theme working its way through the episode and helped with the finale.
This film was promoted, seemingly, as a prequel to the original The Strangers, which was a surprise classic. However, it does not feel like a prequel when you watch it. Worse yet, this feels like a terrible movie.
The Strangers: Chapter 1 takes all the worst parts of the horror/thriller movie genre and highlights them through a ninety minute film that felt considerably longer.
The worst parts of horror? Jump scares. There are plenty. Characters being stupid? Check. I do not know how many times one of the Strangers appeared directly behind the character, particularly Maya (Madelaine Petsch), and was not seen, and was gone when she turned back. That is a scene that is overused in horror films and had to have happened in this movie ten times at least.
There were several times that I had to laugh out loud at what was happening in the movie, and it was not a scene that was intended to be a laugh moment.
I honestly would say that there was not one moment in the film that was an original idea. I think every last bit was from films that were much better. Now I understand that there have been a lot of horror films and it might be getting difficult to find things that have not been done before. So I would guess that you should just write something clever or create some suspense instead of just relying on the tropes.
The following may be considered a spoiler….
By the way, the ending of the film was quite a cop out. TO BE CONTINUED? I mean, really? My guess is, after watching this thing, we won’t have to worry about a Chapter 2.
End of Spoiler
So far this year, there are four films that are in contention for the worst film of the year and I am not sure which one will take that ‘crown.’ The Strangers: Chapter 1 is not at that level, but it is not too far off either.