Tag Archives: movies

Bates Motel S5 E7, E8

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Spoilers

“Inseparable”

“The Body”

So much for Chick being the author of the novel Psycho was based on. One bullet to the head from Alex Romero took care of that.

I really do not remember how this is resolved, so I cannot begin to know where this is heading. I just have two more episodes left for the season and it is thrilling. I’m sure I watched this when it was released on A & E, but I legit do not remember much of this.

These two episodes had so many massive moments that it took my breath away.

The whole scene where Norman, as Norma, attacked Dylan and Norman prevented his other side from stabbing him was insane. I was telling Dylan to get out of there, I was so worried about him. Dylan is the conscience of the story, the heart of this family. His loyalty to his brother, despite all, is amazing. I do not remember Dylan’s fate, but I really do not want him to die. I want him to go back to Seattle with Emma and raise their baby girl, Katie. I feel a foreboding that those thoughts are pipe dreams.

Alex Romero is another character that I do not want to see come to an end. I think he is going to end up dying, but his will to come back for vengeance against Norman is downright Shakespearian. Alex is so damaged that you could see the pain constantly. The look on his face as Chick was telling him about what Norman had done (digging up Norma’s body and building a ‘mausoleum’ for her int he basement freezer) was very telling. There was one shot where his face looked to be like death itself, pale and conflicted.

I kind of loved watching Norma take over control of the body of Norman only to be thwarted by the new sheriff. ‘Norma’ thought she had everything handled, but surprises kept coming.

The police discovered the body of Emma’s mother in the lake alongside the guy Romero sent to try and kill Norman.

Just two more to go…

Bates Motel S5 E2, E3, E4, E5, E6

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Spoilers

“The Convergence of Twain”

“Bad Blood”

“Hidden”

“Dreams Die First”

“Marion”

Got on a bit of a run during the final season of Bates Motel. A couple of things turned out clearer than I remembered when I first watched the series on A & E.

First, I always had an issue with the Marion Crane storyline, which began to happen this season because I had believed that this was a prequel series to the Psycho movie from Hitchcock. However, I realized that this was not the case… or at least, I think that is the case.

When Norman chained Caleb in the cellar, Chick discovered all of the secrets of Norman and his “Mother.” He saw the frozen corpse of Norma in the basement. Chick, being the opportunist he is, decided he would write this story. He got a typewriter and was taking notes on a tape recorder. He told Norman that he was writing a suspense/thriller novel that he thinks could be a good movie someday. So the show is now an inspiration for the novel/movie instead of a prequel. I like that switch, and I wonder why I did not see it last time.

Understand, it might all be for naught considering I do not remember if Chick met an end during the series. If that turns out to be the case, then perhaps I will have to adjust my thoughts.

Second was the way Dylan and Emma finally found out that Norma was dead. It was a small scene, but it was really well acted. Dylan not knowing about what was happening with Norma was one of the more frustrating parts of the season. I know why they did it, but it was tough. Of course, Dylan lost both his mother and father. The scene with Dylan and Norman on the phone was powerful considering they were just on the phone together.

Third, I was not expecting Romero to get shot, but I do now remember it happening. Buckshot from a kid’s gun. He shows how tough he continues to be. I’m not sure if the show intends for us to hope that Romero fails, but I find myself rooting for him way more than I ever root for Norman.

Five more episodes remain in the series.

Robot Dreams

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The eighth film today in the 4F binge was an animated film called Robot Dreams and it was a story of loneliness and friendship. Told without any dialogue, Robot Dreams used music and sounds to help portray the story, and it did it extremely well.

According to IMDB, “DOG lives in Manhattan and he’s tired of being alone. One day he decides to build himself a robot, a companion. Their friendship blossoms, until they become inseparable, to the rhythm of 80’s NYC. One summer night, DOG, with great sadness, is forced to abandon ROBOT at the beach. Will they ever meet again?“

There have been some amazing animated movies this year, and this is yet another. Nominated for an Academy Award this year, Robot Dreams was a sad and bittersweet story of Dog and Robot who each just seem to only have any real success in their dreams.

The film did seem a little too long, but the creativity is off the charts. The use of music is spectacular and I do love the use of “September” by Kool and the Gang throughout the film.

The ending was unexpected and a little sad. No spoilers here, but I am not sure how I feel about the end. I did not guess that it would turn out like this.

Oh, and that DUCK seems rotten. A postcard? Couldn’t she give DOG a phone call? Stop by on the way to the airport? What a quack.

Sweet and sad, Robot Dreams is a fabulous animated film.

4.3 stars

Pedro Páramo

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The longest film of the 4F so far will be Pedro Páramo, a new Mexican film dropped on Netflix. It was based on a 1955 novel of the same name by Juan Rulfo.

The film transcended the life span of the man known as Pedro Páramo, though told out of time, jumping between his youth and leading past his death. His son came back to try and find him, only to find a town full of death and loss.

There were plenty of spooky imagery in this movie, shot beautifully by director Rodrigo Prieto.

The story was quite gripping of this vile character Pedro Páramo and the sins of his life that all stemmed from his teenage loss of the woman he loved, Susana.

The movie was a little on the long side and could have shaved off 10-15 minutes to make it a little more tidy, but the nonlinear storytelling did require that there is some length to cover the plot.

The ghost town part of Comala was some of my personal favorite parts of this film. There was so much creepy in the beginning part that I would have liked more time with Juan Preciado (Tenoch Huerta) than we got. He felt to be the most tragic of the characters involved as all he did was promise his mother on her deathbed that he would go find his father, Pedro Páramo.

A very solid adaptation that should be well received across the board.

4 stars

Woman of the Hour

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I went to Netflix for the next Friday Fabulous Film Fest movie. It was a film that starred and was directed by Anna Kendrick called Woman of the Hour. It was based on a true story of a serial killer who appeared on the Dating Game in 1978.

Sheryl (Anna Kendrick) was a struggling actor whose agent booked her on the Dating Game. Little did Sheryl know that one of the bachelors she could choose from was a serial killer who had been involved in a killing spree.

It is an amazing true story. How brazen can you be as a serial killer to flaunt yourself on a national game show? He clearly felt untouchable at the time.

The film had plenty of moments of tension, especially with the scenes between Anna Kendrick and Daniel Zovatto, who played Rodney Alcala, the serial killer. It was unclear how it would turn out as the tense scene played out, and I really liked this.

Sad point was that Alcala was recognized by someone in the studio audience during the Dating Game taping and she was ignored by those in charge at the show and eventually the police. This character, Laura, played by Nicolette Robinson, added that feeling of helplessness that all of Alcala’s victims must have felt.

I enjoyed the direction by Kendrick, though my one complaint was the narrative structure was a little hard to follow. The timeline of the movie was not as clear as I would have liked it. Otherwise, this was a very engaging film.

4 stars

Piece By Piece

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The first official movie in the Friday Fantastic Film Fest is one of the strangest documentaries you are ever going to see. This movie, Piece By Piece, is the biography of music producer Pharrell Williams, but it is told as a Lego movie style.

Huh?

Honestly, this is weird.

I am not that familiar with Pharrell Williams, outside of “Happy,” but the Lego part of the film is what attracted me to see this movie. I probably would not have watched a straight up movie with interviews centered around Pharrell, but the gimmick of the Legos drew me in.

The Lego animation was original and, at times, beautifully transcendent in Piece By Piece. Even times when it did not feel like it worked for the moment, the color and the imagination shone through.

Unfortunately, the story did not match the originality of the format. The story was basically just interviews and lacked that special oomph that the visuals provided throughout. I know it was a biography, but something that was so creativity special in one aspect, was fairly mundane in the other.

I enjoyed the music, even if it wasn’t my normal type of music. It worked for me it the bits in the film.

I found the most fascinating part of the film was the post-“Happy” stuff, how the creation of one of the biggest songs in recent memory caused a challenge for the artist in ways you would never have expected.

Overall, Piece By Piece is an interesting animated film that gives some insight into an artist that I did not know much about, but I just wish the story was told in a more outside the box manner, to match the visuals.

3 stars

MCU Disney + Series, Ranked

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With the recent conclusion of Marvel Television’s Agatha All Along on Disney +, I thought it was a good time to rank the Marvel projects on the streaming service.

I chose to include the two specials along with the series for this list. I also included the animated shows that appeared on the platform since the debut of WandaVision. I took the two series that had a second season, Loki and What If…?, and I kept them together instead of ranking Loki season one and Loki season two separately.

That gives me a total of fifteen shows.

Of course, these are my opinions and art is subjective. Perhaps you have a different list and that is fine. Everyone has a right to their thoughts.

So… here we go.

#15. Secret Invasion. This is easily the show in the last position on this list. I have never disliked an MCU project as much as I disliked Secret Invasion. This show started okay, but the story just did not work despite such a strong cast. The finale of this show was perhaps the worst finale of any Marvel show and I feel as if they just want to forget this ever happened. In what could have been so great, Secret Invasion was a colossal disappointment.

#14. I Am Groot. These little animated shorts actually also had two seasons and they were fun. They were slight and unimportant to the overall MCU, but they were fun to watch and Groot is always an enjoyable character to watch.

#13. Echo. Some people disliked this show, but I thought it was pretty decent. I definitely like Echo here more than I did in Hawkeye, as she was the weakest part of that show. However, some of the scene involving Kingpin were awesome and Echo brought a corner of the MCU into the light. This was the only MCU series to drop all episodes at once in a binge format.

#12. She-Hulk: Attorney at Law. Another show that has its share of haters, but I enjoyed it a great bit. I loved the weird finale where She-Hulk destroyed the fourth wall. The Daredevil episode was a highlight. The origin episode that kicked off the series was a lot of fun with cousin Bruce. Tatiana Maslany was excellent as Jen Walters, I don’t care what the internet says.

#11. Falcon & Winter Soldier. The second of the MCU Disney + series suffered from the pandemic as it caused a chunk of the story to be re-written. What we got was a lot of fun and kept us involved in Sam and Bucky’s bromance the whole time. There were some epic action scenes in this show and the moment when John Walker used the shield to decapitate a villain was a chill-inducing moment.

#10. Guardians Christmas Special. The first of the specials, which was the Guardians of the Galaxy Christmas Special that was the bridge between the end of Endgame and Guardians Vol. 3. We learned Mantis was Peter’s sister. We learned the Guardians were the new owners of Knowhere. And we kidnapped Kevin Bacon. There were a lot of laughs and some truly warm moments between characters that we loved.

#9. What If…? Two seasons of some really great episodes. I personally loved the Doctor Strange episode from season one, the 1602 episode, the Guardians of the Multiverse crossover, the Christmas Die Hard episode with Happy, the Blade Runner-like Nebula episode, the new character Kahhori, and Zombies! The Watcher is an awesome narrator and gets involved at times too. Great animation and some wonderful writing.

#8. Werewolf by Night. The second special on the list is a wonderful tribute to the old time Universal Monsters movies as this episode is mostly in black and white. I actually have never watched the color version as I felt that was unneeded. Including Man-Thing, aka Ted, was a great use of a character we probably never expected we’d get in the MCU. The aura of the episode was so well done and the transformation of Jack Russell to the Werewolf by Night was cinematic. Excellent special.

#7. Hawkeye. This is a great series, bringing back Clint Barton while introducing Kate Bishop into the MCU. It also dealt with Natasha Romanoff’s death as her sister, Yelena came to kill Clint. The series focused on Clint’s background as Nomad and how that tied into the life of Echo. It reintroduced Wilson Fisk, aka Kingpin to the MCU. While some disliked the way Fisk was brought in, I did not have that issue. Hawkeye was a wonderful Christmas series with some of the best action in all the MCU Disney + series.

#6. Moon Knight. I think Moon Knight episode 5 is one of the best episodes of Marvel television ever. It was as emotional as you are going to get. The finale was a bit of a step down with the giant slugfest going on, which brought this down a couple of steps. Oscar Isaac gave a thrilling and outstanding performances in this series as the multiple personalities of Moon Knight.

#5. Ms. Marvel. The super hero stuff of Ms. Marvel was the weakest part of the show (except the finale, which I loved). There is no doubt the strength of this series was Kamala Khan and the Khan family. The family dynamic of this series was unlike anything we had gotten before. It was emotional, caring, loving, funny and charming as could be. It was also some of the most creative imagery of any MCU show. If the villains were a little stronger, this could have been even higher. Plus, we have our first MCU mutant.

#4. X-Men ’97. Speaking of mutants, there is no way that a sequel to a series that ended in the mid-90s was going to be anything special. However, we could see immediately that this show was going to be more than we ever thought it would be. This show did Cyclops right (unlike any of the live action versions). And Remember It with Gambit was, arguably, the best single episode of MCU TV on Disney +, animation or live action.

#3. Agatha All Along. The latest MCU series was so great, but no one thought this was needed. It was a secondary character from WandaVision and a group of other characters that were unknown. And it was wonderful. It was full of twists and turns and some exceptional acting. Again, I would say episode seven of this series could be considered one of the best episodes of Marvel TV ever. Kathryn Hahn is amazing here and the introduction of “Teen” was unbelievable.

#2. Loki. Two seasons in, Loki was amazing. I love Tom Hiddleston and his chemistry with Owen Wilson, who played Morbius, was off the chart. The show was funny, dramatic and enjoyable. The writing was extra wonderful as things truly felt planned out over the years. Loki’s end as the God of Stories was something I never thought I would see. That finale and episode four of season two were some of the best episodes ever. I almost had Loki at number one, but it was just slightly behind.

#1. WandaVision. The first is still the best. One of the most original series ever. The whole sitcom stuff in the first few episodes made us all wonder what the heck was going on. Then, things became more sinister than you would expect. People were speculating week to week, bringing into question if our expectations were the real problem. Yes, there was no Mephisto. Or Reed Richards. And Pietro turned out to be Ralph Bohner. We all had our own theories, but the show was driven by the magnificent performances and chemistry of Elizabeth Olson and Paul Bettany, as well as Kathryn Hahn. Some complained about the finale, but I do think that this was about our own expectations. WandaVision has set the bar very high and no Disney + series have been able to reach it… yet.

Music by John Williams

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John Williams is one of the masters of film music. He has had more classic scores that exist in your head than practically any composer. From the music of Star Wars to Jaws to Schindler’s List to Raiders of the Lost Ark, the themes fill you with emotions every time. And each score provides something extra to each film, something that makes the film more than it was before.

This is why John Williams has been in such demand over the last fifty years. His music brings that final oomph to a film, and it does not matter what the genre is. John Williams is capable of delivering something magical.

This weekend saw the drop of a documentary featuring the iconic composer in a film entitled, perfectly, Music by John Williams, on Disney +.

The doc does touch upon his life and family, but most of the runtime is focused on the music and the films that he scored. We hear about John Williams’s thoughts from John Williams himself, as well as from his dear friend Steven Spielberg, whom was one of his most ardent supporters.

We hear from tons of people expounding on the amazing talents that John Williams would bring to their films. We saw Ron Howard, George Lucas, J.J. Abrams, Chris Columbus, Seth MacFarlane, James mangold, Kathleen Kennedy, Chris Martin and Itzhak Perlman all provide insight into their times working with Williams in whatever capacity they could give.

One of the more powerful moments was Kate Capshaw, wife of Steven Spielberg, describing when she and Steven went to hear the score for Schindler’s List, played by Williams on the piano, and how she began crying immediately.

The amazing footage throughout was awesome, much of it coming from Spielberg’s own recordings over the year. Being able to hear the words and the thoughts of Williams about the work that he had done is truly special. I will admit that seeing the scene from E.T. where the bike flies in front of the moon brought a few tears to my eyes. It provided us with so many memories from years of amazing work.

The doc is fairly straightforward, but if anyone deserves it, John Williams is it.

4.5 stars

Here

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Robert Zemeckis, Tom Hanks and Robin Wright have reunited on screen once again for this new film called Here. Zemeckis, Hanks and Wright were all together for Forrest Gump, and now they are focusing on a specific house.

This film has a specific gimmick to it. The camera was stoic, steady and unmoving for the entire movie. There was one angle that the movie had and it told multiple stories through the life of the house (and the plot of land that it was built on) with that single shot.

The main story that was told was the life of Tom Hanks and Robin Wright. We saw Tom Hanks, who played the character Richard, grow up, fall in love, get married and become a father in this one room of this house that we see. Robin Wright played Richard’s wife Margaret and she was involved in much of the main story.

One of my favorite characters involved was Richard’s father, Al (Paul Bettany). His wife was Rose (Kelly Reilly) and they were shown throughout their lifespan inside this house.

Using these postcard like boxes, the movie transitioned between stories. Other stories included a Native American family, the man who created the La-Z Boy recliner, a recent black family, a early aviator whose wife hated the airplane, and the illegitimate son of Ben Franklin. None of these extra stories had much if any impact, outside of just continuing the life of the house. These were pauses from the Richard-Margaret family story meant to simply break from those characters.

I liked the format of this movie, but there were some issues with it. The main story had my attention every scene they had, but all of the other ones were so slight that they were a distraction. This movie did feel too long and a couple of these extra stories could have been dropped to shave off some time.

The CGI was decent in the movie, especially the de-aging of Tom Hanks and Robin Wright. Some of the background CGI was obvious, but it did not ruin anything. I did like the music of the film as it helped show us the advancement of time.

This is a interesting movie with a gimmick that I have not seen before, unless you are a fan of stage plays with the single location setting. The film was too long, but the main story was likeable because of the excellent actors.

3.5 stars

Bates Motel S5 E1

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Spoilers

“Dark Paradise”

The final season of Bates Motel got underway with a bit of a time jump. I just talked about time jumps in the Battlestar Galactica season 2 finale write up. This is another year jump.

Norman is running his hotel with ghost Norma hanging around making him breakfast. Ghost Norma is quite the helpful hand… baking, laundry, killing hitmen and helping to dispose of the body. Not sure how the physics of any of that happens.

The funniest moment in the show was when Ghost Norma grabbed Norman by the ear and dragged him up to the house to show him the body of the man she killed. All I could picture was Norman with his head tilted to the side, with no one actually pulling on his ear, but he acting as if someone was. If only someone could have seen that.

Dylan and Emma had a baby girl. Awwwww…. I did not remember that from the first time I saw this series and I thought that was great. Of course, Caleb showed up looking for some kind of connection. This story was very nicely handled and showed some emotion. Its funny that a teenage rapist who got his sister pregnant is not the worst one in the family.

One would think that after having a baby, Dylan might have reached out to his mother or brother…even once maybe. Didn’t Emma have a good relationship with both of them. Keeping them isolated does feel a bit convoluted, though I understand they would be building toward something.

Romero is beating the hell out of that punching bag in prison. He had parole denied and he apparently hired the guy that tried to kill Norman. I think Romero is meant to be seen as the bad guy, but I still feel like I understand his rage toward Norman.

They introduced a new female potential victim for Norman. Maybe she will be okay since she reminds Norman of Norma. Or maybe not. Females do not have a good track record around Norman.

Nine episodes remaining for this rewatch. I really have enjoyed revisiting this show. Freddie Highmore and Vera Farmiga have been on the top of their game every week.

Conclave

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The process of electing a new Pope is full of secrecy. That means you can tell whatever story you want about it, as this new film starring Ralph Fiennes opens wide this weekend.

This movie is based on a 2016 novel by Robert Harris. It is directed by Edward Berger, who directed the Oscar nominated All Quiet on the Western Front.

According to IMDB, “Cardinal Lawrence (Ralph Fiennes) is tasked with running this covert process after the unexpected death of the beloved Pope. Once the Catholic Church’s most powerful leaders have gathered from around the world and are locked together in the Vatican halls, Lawrence uncovers a trail of deep secrets left in the dead Pope’s wake–secrets which could shake the foundations of the Church.“

Ralph Fiennes was sensational once again as Cardinal Lawrence. He has such an understated performance that he fits into this story beautifully. He anchors the film with his work.

There are other great performances including Stanley Tucci, John Lithgow, Isabella Rossellini, Lucian Msamati and Sergio Castellitto.

There is a twist at the end of the movie that came after it seemed as if the film was over and I am not sure if it was necessary. No spoilers, of course, but this feels as if this was done to create division among viewers. I have no issues with the ending outside that I am just not sure it was important to the story.

I enjoyed the mystery aspect of the script and the film looked beautiful. Great performances scattered throughout the film. I assume this will have a huge presence at the Oscars. This was very solid.

4 stars

Venom: The Last Dance

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The final film in the trilogy featuring Tom Hardy as Eddie Brock, the man who would become Venom, was released this weekend. I have never been a big fan of the previous Venom movies, but I have enjoyed the character some so I was curious to see what Sony was going to present for us.

The first three minutes of this film was a huge exposition dump involving the scary villain known as Knull, who was being played by Andy Serkis. The problem, this reminded me of the opening to 2011’s Green Lantern with Parallax, which I thought completely failed to start off that movie. I was laughing at Parallax during that opening and the fact that this reminded me of that was a bad sign to start this movie.

Sadly, the film continued to be a mess after this beginning. It went back to the post credit scene from No Way Out, with Eddie in the bar, drunk and getting pulled back to his own universe.

Knull sent some monstrous symbiote hunters to earth in search of Venom, who was now some kind of McGuffin, and they were after him. The monsters had zero personality and was fairly boring.

The best part of all of these Venom movies are the relationship between the symbiote and Tom Hardy. Hardy is great as Eddie Brock and some of the best scenes of the film are when Eddie meets up with a hippie family with the father played by Rhys Ifans. I think more with this family on the road would have made this more enjoyable. However, what the family wound up doing did not make a lot of sense as the film moved on.

I did love the soundtrack to the film, with banger after banger throughout the movie.

Why did we need to introduce Knull in this movie. He was not used, and if this is the final Venom movie, why do we introduce Knull at all and not use him? I feel as if Sony wanted Knull to be their Thanos, but they brought him around too late if that is the case.

This movie is not horrendous, but it is just not very good. Tom Hardy is the strength, but the story around him is not good and the dialogue is weak. The other symbiotes have the “Michael Bay Transformers disease” as none of them have personality or any way to distinguish them.

Will there be more Venom movies? Who knows. Will Knull be involved with Kraven the Hunter? Doubt it. None of the Sony Spider-universe films seem to fit this concept. The final Venom movie is just not that good.

2.4 stars

Only Murders in the Building S4 E9

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Spoilers

“Escape from Planet Klongo”

After a down week for me last week, Only Murders in the Building had its penultimate episode of season four with an episode that included all of the best things that Only Murders does.

“Escape from Planet Klongo” gave us the following:

  • One of the classic Oliver and Charles arguments – this time over a Bachelor Party .
  • We got another murder- Glen Stubbins (this is the second… maybe even the third time Paul Rudd has been murdered on this show).
  • Only one major cameo – Ron Howard! Ron Howard was sensational here with Martin Short. Ron-Ron. Hilarious.
  • Project Ronkonkoma became the key point for the mystery. A movie directed by Ron Howard and one that Sazz’s protege messed up badly.
  • W.A.N.S: Whiskey, A-List Celebrities, Naughty Secret!
  • A wonderful interaction with Oliver and Charles that showed their friendship.
  • Charles and Oliver wind up as background actors as aliens- in mo-cap suits
  • A script discovered about Only Murders in the Building-The Movie, by Sazz Pataki.

And most importantly, we had a reveal. We discovered who the killer was thanks to a flashback from Ron Howard. It was Marshall, the writer of the movie. He also killed Glen Stubbins with a pillow, and he wound up alone in the apartment with Mabel.

Everything makes a lot of sense for Marshall, especially with how they showed us what happened with Sazz on Project Ronkonkoma. Sazz was writing a script that Marshall wanted to write. Then, Glen replaced him on the movie and he must have been the actual intended victim when the group of Olivers were shot a few weeks ago.

The cameras in the place must have been planted to figure out what Oliver, Charles and Mabel were like as characters. I’m not sure about the whole plot holes bit or the text messages, but I’m sure that will fall into place next week in the finale.

The limited use of cameos is in stark opposition from last week which was cameo overload. And… who knew that when you are around Ron Howard, you should never mention the fishin’ hole (from Andy Griffith). What could have happened at the fishin’ hole?

One more episode which should include a wedding (if they pull it off).

Great episode.

Bates Motel S4 E9, E10

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Spoilers

“Forever”

“Norman”

In my mind, I thought I remembered that the whole gas thing was an accident. I misremembered that because, seeing episode nine again, it was painfully clear that Norman had intended for them both to have died in that room. Had it not been for Romero, they both would be dead.

I will forever remember Alex desperately trying to give Norma CPR and holding her corpse, sobbing uncontrollably. It was a horrific punctuation to this relationship that, in very short order, became one of my favorite relationships in the history of TV.

Norman really goes crazy in the season finale as he kept waiting for Norma to tell him the plan and eventually digs her up out of her grave. We know that Norman from Psycho did dig up his mother’s corpse, although it sounded as if his relationship with his mother was considerably different than the TV show. In Psycho II, Norman says he poisoned his mother when he was young. I know that Bates Motel Norman may not be exactly the same version of Norman Bates from Psycho. Perhaps he is a multiversal variant.

The cruelty of Norman not telling Dylan about his mother was unbelievable. Yes, there were some strange coincidences with Dylan, so he remains unaware of the death. They felt a little too on the nose, but I know it works for the story.

When Norman glued Norma’s eyes open… I mean… how creepy was that. Was that Vera Farmiga being the dead body because, if so, she was brilliant.

When I originally watched this show, I really thought that these episodes ended the series, but there is a whole fifth season to go. This felt like a good wrap up for the series, at least for Norman and Norma, but there are 10 more episodes to go. The side characters all need more of a wrap up, but I could see this having been the end of Bates Motel.

Not sure I liked the Christmas lights popping on at the end of the episode though.

Kill List

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The October 10 of 13

After a poor stretch of films in The October 13, I was hoping for a really great one to balance out the list. I had been watching The Breakroom, which is a YouTube show from the New Rockstars and they gave a list of horror movies to watch before you die. One of the panelists brought up Kill List and I had never heard of it, so I hoped that it would break the unfortunate run I had been on.

It did. It was good. It was not great, but I found it a good time.

According to IMDB, “Nearly a year after a botched job, a hitman takes a new assignment with the promise of a big payoff for three killings. What starts off as an easy task soon unravels, sending the killer into the heart of darkness.“

This is a British psychological horror film directed by Ben Wheatley. It was a real slow burn, so slow that after the first act, I was afraid that this would be just another failure in the October 13. However, the film absolutely picked up and wound up with a batshit ending that tied the whole film together in a tragic tapestry.

Neil Maskell played Jay and Michael Smiley played Gal, out two lead protagonists in the film. They were partners in this hired killers job that led to them getting involved in this story. MyAnna Buring played Shel, Jay’s wife and the mother of his son Sam (Harry Simpson).

Throughout the first two parts of the film, you can see the mental instability of Jay as the killings he was hired to do became all the more brutal as they progressed. You would begin to think that the horror would come from inside Jay’s mind, but then things got considerably more real.

Hit List was not what I expected when it started, but it morphed into a wild ride that kept the tension to the final moments and a dramatic final scene.