I watched Spaceman, the third sci-fi movie of the day for me. It is also the one that I am the most conflicted about.
It is very well known that I am not a fan of Adam Sandler. However, he has had some more recent, serious movie roles that I have enjoyed, so seeing this still left me with some hope. After watching it, I am just unsure what exactly I watched.
According to Rotten Tomatoes, “Six months into a solitary research mission to the edge of the solar system, an astronaut, Jakub (Adam Sandler), realizes that the marriage he left behind might not be waiting for him when he returns to Earth. Desperate to fix things with his wife, Lenka (Carey Mulligan), he is helped by a mysterious creature from the beginning of time he finds hiding in the bowels of his ship. Hanuš (voiced by Paul Dano) works with Jakub to make sense of what went wrong before it is too late.”
This is most definitely a slow burn sci-fi movie, which I do not mind. I have always enjoyed a good slow burn character piece, and this is definitely a film that embraces the pace.
Adam Sandler does a decent job in this performance, but it does feel strange at times. I have to say, I did not realize that he was supposed to be an astronaut from the Czech Republic until midway into the film. There was not much about Adam Sandler or his performance that screamed Czech.
Then, things go really weird when the creature voiced by Paul Dano arrives and begins a deep, psychological and internal discussion about just about everything in Jakub’s life. I don’t want to spoil the creature, but your acceptance of this creature will depend if you think the film is a decent sci-fi film or a silly facade.
There are things about Paul Dano’s character that I would like to discuss, but I can not go into it without spoiling some specifics so I will not do so. Let me just state that one of the big themes of the film deals with the loneliness and isolation of Jakob and how that might affect his mental state, and I’ll leave it at that.
I went back and forth with Dano’s character, so it is the reason why I am unsure how exactly I feel about Spaceman. This is the central relationship that we focus on and I am mixed on it. I found it more interesting overall than silly, so there is that.
There was an interesting use of flashbacks to tell the story of Jakob and his life. I did enjoy the manner in which the movie displayed the flashbacks and how the story on earth maintained a different visual style than the scenes in the spaceship or from the flashbacks. I thought the direction of these scenes especially, from director Johan Renck, was solid. I am not sure that I got enough out of the scenes to understand some of the decisions made by Jakob, especially in the area of Lenka. Carey Mulligan has some good moments, but not enough of them to really matter.
I do think the film missed some opportunities to really take this into a strong character piece and deal with some heavy ideas and themes. What they did was okay, but I think there is an outline of something that could be truly good.
You should check it out on Netflix. This is one that I think you could hate, but I found enough here to be engaged by it.
It was quite a weekend for sci-fi part two films. The biggest, of course, was Dune: Part Two in theaters, but the other is a film that arrived on Netflix called Code 8: Part II.
This was a film that I had no idea even had a Part I. Apparently, this is a sequel to a sci-fi film that came out in 2019 and on Netflix in 2020 featuring Robbie and Stephen Amell.
According to IMDB, “After witnessing the murder of her brother and subsequent cover up, a teenage girl with abnormal abilities seeks the help of an ex-con (Robbie Amell) and his former partner-in-crime (Stephen Amell). Together, they face a unit of corrupt police officers who deploy advanced robotic technology to prevent themselves from being exposed.”
The mix of super powered individuals and the science fiction robotics is very intriguing with this movie and leads to some interesting scenes with the different characters. I did like the young girl, Pavani, played by Sirena Gulamgaus. I thought she pulled off her character with some gusto.
The relationship between the characters played by the Amell brothers were shaky at times. It was unclear the relationship between them and it was inconsistent. Perhaps this is a drawback to not seeing the first Code 8 movie.
The story is okay. I wouldn’t rave about it, but it does have a good flow and the idea of technology being corrupted by human is definitely a regular one in sci-fi.
I liked this film. I have seen reviews stating that this was a step down from the original, but as that is not an issue for me, I would say I liked watching this. It may not be the best Part II of the weekend, nor the best sci-fi film of the weekend, but it was a worthy watch despite that.
I have heard so many glowing reviews about Dune Part Two that I went into this movie with high expectations. I re-watched the first Dune last weekend to review what happened. I still found it to be fine. I did not love the first one.
I did not find the second Dune to be as brilliant as it seems everyone else did, but I did like it more than the first one. It is clearly a beautiful, epic science fiction film with several amazing performances. I would not be honest if I said that I wasn’t confused about some of the things that were happening here.
Denis Villeneuve completed his second film, and the second film feels like a more complete story. One of the criticisms of the first film was that it ended suddenly and did not feel like a complete end. The second film had more completion to it.
The special effects are absolutely astounding and the shots of this world were breath-taking. It is one of the most visually impressive films I have seen in years.
Timothée Chalamet and Zendaya are wonderful together, with amazing chemistry and a powerful connection. This relationship is at the center of the movie and makes the ending of the film even more difficult.
The cast is excellent. Everybody bring their A-game to this film, including Dave Bautista, Rebecca Ferguson, Javier Bardem, Josh Brolin, Florence Pugh, Christopher Walken, and Stellan Skarsgård. Special shout out to Austin Butler, who played the David Bowie role from the first film. Butler was sinister as Feyd-Rautha and he created an absolutely brilliant antagonist to Chalamet.
The fight choreography of this film was exciting and wonderful. Some of the one on one fights of this movie were dramatic and so beautifully put together. The battle scenes of the war are great and make the energy of the film elevated.
I have never really understood the world of Dune and that has been my biggest struggle of viewing the film. I wonder how much more confused I may have been had I not done the re-watch last weekend?
There are a ton of things about this movie that make it an amazing cinematic exercise, and my issues are not enough to derail this amazing piece of work.
When the trailer for Sony’s Madame Web first came out, it looked like all kinds of hot garbage. Then, there was a lot of negative reviews for the flick. I saw it today and it was absolutely one of the worst movies of this year.
Sony keeps making these Spider-Man adjacent movies and none of them seem to be good. Let’s not forget Morbius from a few years ago. Of course, Morbius is a much better movie than Madame Web.
According to IMDB, “Cassandra Webb (Dakota Johnson) is a New York metropolis paramedic who begins to demonstrate signs of clairvoyance. Forced to challenge revelations about her past, she needs to safeguard three young women from a deadly adversary who wants them destroyed.“
There are simply not much to say about this movie that is positive. I guess Adam Scott did the best he could with what he had. He played Ben Parker, who, I guess, was also a paramedic.
This movie has some of the worst, most wooden dialogue that I have ever heard in a big budget movie. In particular, the villain of this movie Ezekiel Sims, played by Tahar Rahim, had the absolute worst lines and delivery of the lines as I think I have ever seen. There was also a strange overdub of his dialogue in some scenes that did not synch up very well with his lips. Ezekiel Sims has to be considered near the top of the list for worst comic book villains of all time.
Dakota Johnson is a very great actor, but she does not look to give two craps about this. I do like the way the last scene with her in the movie (at least the way she looked).
There are so many things that are so stupid about this movie. Plot holes abound. Characters do things that do not make any sense.
So you know, there are no post credit scenes at all, so you can take off before the credits. I waited until the very end.
The three young actresses, Sydney Sweeney, Isabela Merced, and Celeste O’Connor, are implied in trailers to be spider-based super heroes and that is not true. We see them in costumes in a vision of the future, and that is all. The whole movie features these three girls as teenage girls without powers. It does feel like some false advertising.
This movie is very dull too. There is so much missing from this. All that this was for was to throw some poorly written Spider-Man Easter eggs and and a sad attempt to take advantage of the Spider-Man’s success. This is a terrible movie.
If I am being honest, I did doze off for a short time at the beginning of the new movie, Lisa Frankenstein. Sadly, I was awake for most of it.
According to IMDB, “After suffering an unspeakable tragedy, Lisa finds herself at a new school her senior year in 1989, struggling to fit in, despite her “sister” Taffy trying to get her to conform to her more typical cheerleader vibe. When a freak accident reanimates a corpse from the abandoned cemetery where she was spending time, she must keep his arrival a secret from her family and classmates, all while deciding how much she wants to help him, and at what cost.”
I really did not like Lisa Frankenstein. I found it unfunny, mean-spirited and filled with characters that I just did not like. Lisa, played very well by Kathryn Newton, was a protagonist that I found so unlikable that I did not know why I was supposed to be cheering for her. Maybe I wasn’t.
I will give the movie some credit in the fact that it did take some big swings and did not fall into the typical steps. I like the idea behind a lot of the film, but I just did not like the execution of these original ideas. I did enjoy the character of Taffy (Liza Soberano). She was a character that we have seen dozens of times and is always portrayed in a certain way, but this film took this character in a completely different direction. That was welcome and she was easily my favorite character in the movie.
Cole Sprouse was fine as the Creature. He did a solid job without any dialogue for most of the movie.
I can say that I did not think that the actors were part of my problem with this movie.
I found it to be cruel, filled with mean scenes toward the people of the film and I just did not appreciate it. I may have chuckled a few times during the movie, but, overall, the writing of it just did not inspire me in any manner.
This was another movie that I was disappointed by since I had been looking forward to seeing it since the trailers. I would say that as of February 10th, this is my least favorite movie of the year (although Madame Web is coming next week).
And so we have reached the end of the 2024 Genre-ary DailyView: Musicals. After a full month of classical musicals or stage shows shot as a film, we wrap up this year’s Genre-ary with EYG Hall of Famers Monty Python and one of their funniest, if not chaotic films, Monty Python’s Meaning of Life.
Monty Python consisted of six main individuals: Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin.
This film stitched together a series of sketches featuring the immense talents of these six men. It was shocking at times. At times it was raunchy. At times it was offensive. Above all else, it was, at all times, really funny.
Admittedly, there was a scene including vomit jokes, which I have NEVER been a fan of, but this was about as funny as I will find these scenes.
There are some absolutely brilliant songs involved too including “Every Sperm is Sacred,” “Penis Song (Not The Noël Coward Song),” “Galaxy Song,” “Christmas in Heaven,” and “Meaning of Life.” These are uproariously funny. I love “Every Sperm…” and “Penis Song.”
Some of the skits do not work as well as others, but there are so many outstanding moments that I really was pleased that I scheduled this to conclude the Genre-ary.
Today’s Genre-ary DailyView film is 2007’s Once, an Irish musical/drama that is about as charming and sincere of a movie that you are going to find.
According to IMDB, “An unnamed guy (Glen Hansard) is a Dublin guitarist/singer/songwriter who makes a living by fixing vacuum cleaners in his Dad’s Hoover repair shop by day, and singing and playing for money on the Dublin streets by night. An unnamed girl (Markéta Irglová) is a Czech who plays piano when she gets a chance, and does odd jobs by day and takes care of her Mom and her daughter by night. Guy meets girl and they get to know each other as the girl helps the guy put together a demo disc that he can take to London in hope of landing a music contract. During the same several day period, the guy and the girl work through their past loves, and reveal their budding love for one another, through their songs.”
This was a beautiful film. Simple and well-told, Once had an amazing group of songs performed by Glen Hansard and Markéta Irglová are wonderful together. Hansard is a more experienced actor than Irglová, but she was every bit as excellent as he was.
The music was a major star of this film. A more modern musical, part of the movie was the creation and recording of these songs but our characters. I found those moments the most intriguing. The relationship in the film between guy and girl was different and surprising.
Written and directed by John Carney, Once is real, gritty and warm. Thoroughly entertaining, Once is a low-budget success that is exceptional to watch.
It’s late in the day and I needed a film for the Genre-ary DailyView. The scheduled film for the day was Earth Girls are Easy.
According to IMDB, “Three furry (and funny) aliens travel around the universe in a spaceship and receive a broadcast showing human females. They are fascinated by these shapely creatures and discover that the broadcast came from Southern California on Earth. Meanwhile, Valley girl Valerie Gail feels her cold fiancé Dr. Ted Gallagher is slipping away and decides to seduce him. Instead, she catches him cheating on her with a nurse, throws him out, smashes his things and refuses to see him again. The aliens’ spaceship crash lands in Valerie’s swimming pool – putting a decided damper on her future wedding plans in Las Vegas. She brings them into her home; and the aliens prove to be quick learners and absorb American popular culture and language through television“
The movie had a surprisingly great cast including Jeff Goldblum, Geena Davis, Michael McKeon, Jim Carrey, Damon Wayans, Charles Rocket, Larry Linville, Rick Overton, and Julie Brown.
Julie Brown was introduced to me from the Dr. Demento Show with her classically inappropriate song, “The Homecoming Queen’s Got a Gun.” Brown co-wrote this movie and performed several of the songs, the title track “Earth Girls are Easy,” “I Like ’em Big and Stupid,” and “Cause I’m A Blonde.”
This film is really simple and pretty stupid. It has some funny moments, but it is so crazy that it has a hard time keeping a consistent tone.
This is harmless, but just really dumb. Jeff Goldblum is always great. Jim Carrey was great here. Otherwise, it is a basic B movie with some funny songs.
Today, for the Genre-ary DailyView, I went to Vudu and rented Shrek: The Musical. It is a recorded version of the stage show that was based on the Dreamworks movie, Shrek.
The story was fairly consistent with the Mike Myers movie. The costumes and designs of the characters and setting was fantastic and really took the stage show into an awesome look. It’s amazing with the creativity of the set designs that were able to bring this animated movie to life.
Brian d’Arcy James played Shrek the ogre and Sutton Foster played Princess Fiona. Both did an excellent job making these iconic characters their own.
The play had a whole new list of songs written for the show, although it did end with the I’m a Believer, just as the original movie did. The music was fun and clever, working very well for the story.
Daniel Breaker had a difficult job, trying to fill the shoes of Eddie Murphy as Donkey. He did a decent job in a role that was always going to be a challenge.
I really do like this type of film, showing a Broadway play as it is on the stage, much like they did with Hamilton and Kinky Boots. I would love to see more of these.
A school delay has given me the chance to do the Genre-ary DailyView this morning and the scheduled film today was the 1953 classic Gentlemen Prefer Blondes starring Marilyn Monroe and Jane Russell.
There were not as many songs as I thought there might be, but the most famous one is clearly “Diamonds are a Girl’s Best Friend,” as performed by Monroe.
The pairing of Marilyn Monroe and Jane Russell really worked well in this movie, as the entire bit depended on the chemistry between the two of them as unlikely friends. Marilyn Monroe’s character, Lorelei, loves diamonds and Russell’s Dorothy has a sarcastic head on her shoulders. The duo are the backbone of the movie.
There are some funny moments in the film, as they played the situations into fancy.
According to Rotten Tomatoes, “Lorelei Lee (Marilyn Monroe) is a beautiful showgirl engaged to be married to the wealthy Gus Esmond (Tommy Noonan), much to the disapproval of Gus’ rich father, Esmond Sr., who thinks that Lorelei is just after his money. When Lorelei goes on a cruise accompanied only by her best friend, Dorothy Shaw (Jane Russell), Esmond Sr. hires Ernie Malone (Elliott Reid), a private detective, to follow her and report any questionable behavior that would disqualify her from the marriage.“
Director Howard Hawks provides a lavish production that can just barely stand up to the power of its two leading women. Marilyn Monroe and Jane Russell are so great together and they are absolutely the reason to see this movie.
I watched Ray, the biopic of Ray Charles, starring Jamie Foxx, which lead to Foxx winning the Academy Award for Best Actor. However, it absolutely falls into the category that I spoke about at the beginning of the Genre-ary DailyView. It is not a musical.
It did have musical listed on the summary for the movie, but it is one of those movies that has music in it, is even about music, but is not a musical. I did say at the beginning of this month that I might not follow that rule as I was going through it and so I have broken it.
According to IMDB, “The story of Ray Charles (played by Jamie Foxx), music legend. Told in his adult life with flashbacks to his youth we see his humble origins in Florida, his turbulent childhood, which included losing his brother and then his sight, his rise as pianist in a touring band, him writing his own songs and running his own band, and then stardom. Also includes his addiction to drugs and its affect on his working life and family life.“
Jamie Foxx is sensational as the legendary performer. He seemingly brought back to life the larger than life character of Ray Charles Robinson, better known to the world as just Ray Charles.
The biopic sections of this movie are the best parts. Watching Foxx develop Ray through his relationships, his struggle to find the right sound, his drug habit and other problems was the standout of this film.
The music was used well, but I could have used more of it. It seemed to only give a flavor of the songs in the film. Again, another reason why I would not consider this a musical, necessarily.
I thought the weakest part of the movie were the daydreams/delusions that Ray would have flashing back to the traumatic event of his brother’s death. The appearance of water in his suitcase or on the floor were too cartoony for what the movie was trying to go for. This felt way too artsy for the story. The straight up flashbacks were considerably more powerful and more effective than that.
I do appreciate that the film did not shy away from some of the negative aspects of his life. Many of these types of musical biopics leave out major issues in favor of a more positive spin. We see Ray Charles and his drug addiction, which led to his arrest, and his extra-marital affairs, one which even gave him a son.
Along with Jamie Foxx, the strong cast included Regina King, Kerry Washington, Clifton Powell, Sharon Warren, Richard Schiff, Larenz Tate, Terrence Howard, Wendell Pierce, Bokeem Woodbine, and even Moonlighting’s Herbert Viola, Curtis Armstrong, himself. I was able to get past my dislike of that actor because of his Moonlighting role. Being fair, he did a solid job here.
This was a movie with a lot of good and some areas where I would have liked something different. Jamie Foxx is tremendous as are the rest of the cast (shout out to Kerry Washington for her role as Charles’s wife, Bee). Ray is a touch long and, not really a musical, but it is a solid film overall.
I.S.S. stands for the International Space Station, and this is a science fiction movie set aboard the Space Station. It was a cooperative venture between the United States and Russia.
Everything seemed to be going well until something happened on the earth. They could see the explosions from the space station. Then the Americans received a message from earth to take control of the I.S.S. using whatever means necessary.
I found most of the first hour fairly dull. I did not think most of these characters were developed and I did not have any connection to any of these people.
Ariana DeBose, Chris Messina, John Gallagher Jr, Maria Mashkova, Costa Ronin and Pilou Asbæk are the actors in the film and they are all fine, though not great in any stretch of imagination.
The effects of the film were pretty decent. The scenes of the explosions on earth were the coolest part. The use of the floating/lack of gravity was a cool effect too.
Other than that, I did not like much about this film.
How could you do a musical list without an entry from the King?
I have not seen very many of Elvis Presley’s movies, despite the fact that he made dozens of them. However, Viva Las Vegas worked as the musical for the Genre-ary DailyView and so we take a trip around the race track with the King.
Lucky (Elvis Presley) was in Las Vegas for a Gran Prix race, but he had yet to purchase the motor for his car. In an attempt to earn the money gambling, Lucky was very successful. Unfortunately, trying to woo a woman he met at the hotel named Rusty (Ann-Margret), he lost the money in the swimming pool.
Since he had no money to pay off his hotel bill, Lucky had to start working as a waiter to work it off. He spent the rest of the movie either dating Rusty, singing, or working on his car.
There was a conflict in the film that Rusty did not want him to race because she thought it was dangerous. Nothing came from this conflict, except that Lucky just ignored her and dismissed her. This only seemed to make her more agitated.
There was a conflict with a romantic rival for Rusty’s affection, another driver who wanted Lucky to drive for him. This guy died in the race, I think. I’m not sure.
The story was thin and nonsensical. This movie survived solely on the chemistry and charisma of its two lead stars. Elvis and Ann-Margret we great together and their scenes, especially of the music and dancing, were very entertaining. The music was excellent, with Elvis performing several songs including the title track of the film. Of course, Elvis’s lip synch of the song during the Talent Show was one of the worst lip synchs I have ever seen. He had absolutely no expression as he sang that song. It really pulled me out of the movie.
It was not the worst film ever by far, and there were definitely entertaining parts to it. The thing is, there is just not enough to justify watching it.
Well, it is January. That usually means that we are up for some terrible movies that the studios want to dump. Those January horror movies are typically some of the worst of the year. However, last year, January brought us some actually really great movies including M3GAN, Plane and Missing. Perhaps the month will be turning over a new leaf.
Nice thought, but nope, not with this movie.
Night Swim is a bad horror movie that had too many laughs, unintentional of course, and suffered from some of the worst writing that you’ll see.
A family moves into a new house. Ray Waller (Wyatt Russell) was a baseball player who was diagnosed with MS so he and his wife Eve (Kerry Condon) and their two kids Izzy (Amélie Hoeferle) and Elliot (Gavin Warren) look to start over. One of the house’s biggest selling points was the swimming pool. Unfortunately, they did not know the tragedies surrounding the pool and the fact that it was haunted.
Yes, the pool was haunted. We don’t really know why or how. It was just there. And the actors had to do so many stupid things to keep the drama going. I don’t know how many times I just said, “Get out of the pool” during the film. It would have been over.
I will give credit to the four main actors. I think they did the best they could with this stinker. Wyatt Russell and Kerry Condon are both talented actors, and both kids were good. Amélie Hoeferle especially had a quality about her. It was just that the script was so dumb it did not give these actors much chance to make the material better.
The problem is that this movie was based on a live short from 2014 and it did not seem as if there was enough of a concept here to stretch it out to a 90-minute movie.
Sadly, 2024 does not start off with a splash. More of a drip.
Here it is. The ultimate list of the Favorite movies for EYG in 2023. This is the culmination of the movie reviews we do around here. We finished the year with 154 movies reviewed in 2023, down quite a bit from 2022.
Some interesting tidbits while compiling this list. Numbers one and two were really close this year. Close enough that I considered doing a tie at number one. This is not unprecedented as it happened in 2014 with Captain America: Winter Soldier and Guardians of the Galaxy. I decided not to go that route, but the two films definitely flipped positions several times before I finally made a choice.
Another thing, this was the year where there were the most films that were all around the same level. I would say starting around #15-40, these films were all pretty close to each other. It made placing them in an order a challenging thing to do.
I have some honorable mentions as well this year. They include: Extraction 2, Pale Blue Eyes, Medusa Deluxe, and No One Will Save You. Those last three have fairly high star ratings, but honestly, a lot of these do not stick out in my mind. I also should state that I did not include the four Doctor Who specials or the Netflix Roald Dahl shorts despite my reviewing all of these for the site.
Once again, I should tell you that my star ratings are not the end all for these rankings. In fact, I know there are some five star films that are behind some others on the list. Star reviews can change and reflection can go into consideration. The star reviews are meant to help point me in the direction of a list, not cement films into place. And finally, if you disagree with my list, that is fine. I would expect there to be disagreement. This is my list and I mean no disrespect to anyone who differs from my opinion. You have the right to like or dislike anything you want.
So, let’s get started…
#40. Plane. A fun Gerard Butler action film that centers around, you guessed it, a plane. This one was better than I expected it to be.
#39. Skinamarink. One of the most inventive and creative horror movies of the year. It really defies explanation and is one of the creepiest films of the year.
#38. Still: A Michael J. Fox Movie. A documentary on the life of Michael J. Fox and his struggles with Parkinson’s Disease and how it affected his career. Very engaging.
#37. Scream VI. A decent entry in the Scream franchise, the film keeps reinventing itself and keeping the audience on its toes.
#36. Teenage Mutant Ninja Turtles: Mutant Mayhem. A solid animated movie with a new look at the Turtles. The art of the film is spectacular. A great job by the young voice actors too.
#35. Joy Ride. A raunchy film that was more than just the dirty jokes. It had heart and a lot of humor to it, deeper than the typical vulgar film.
#34. Dumb Money. An entertaining look at the GameStop Wall Street situation from the recent past. Paul Dano was solid as the lead.
#33. The Creator. A sci-fi film that received more hate than it deserved. It featured a brilliant performance from young Madeleine Yuna Voyles. I found this to be a really good film.
#32. The Equalizer 3. Denzel Washington returned for the third installment of the Equalizer franchise. This was a little different as we see the older Denzel deal with the issues with the dangers and of his age.
#31. Sisu. One of the best revenge films of the year. Sisu is a bad ass and his mostly quiet persona carried him through the film, killing Nazis.
#30. American Symphony. The documentary featuring Jon Batiste at a time in his career when he was about to compose a symphony and his partner had her cancer return. It was an emotional documentary.
#29. Poor Things. Weird movie with remarkable performances from Emma Stone, Mark Ruffalo, and Willem Dafoe. Wholly original and creative.
#28. The Little Mermaid. A decent remake of the animated classic. I actually liked the relationship with Ariel and Prince Eric better in this film than the animated one.
#27. Wonka. I wasn’t sure if I was going to like this. I was totally entertained by the film. The music was great and I thought Timothée Chalamet was a solid Willy Wonka.
#26. Saltburn. Another wild and weird film with some solid performances anchoring the story. Barry Keoghan gave a tremendous performance.
#25. Taylor Swift: The Eras Tour. A concert movie following one of the most successful tours of all-time. I am not a fan of Taylor Swift, but the music was excellent and the stage show was next level.
#24. Past Lives. A beautiful story of a pair of childhood friends/loves who find their way to each other later in life when they had moved on.
#23. The Covenant. Guy Ritchie tells the story of a soldier and an interpreter in the hills of Afghanistan, trying to get to safety. Very dramatic.
#22. Tetris. A surprisingly awesome story about the creation of the video game called Tetris and how it spread across the world. Who would have thought this would be as tense as it turned out to be.
#21. Nimona. A Netflix animated movie that really worked well. Nimona was a little girl, or at least it seemed as if she was. In truth, she was a shapeshifter seen as a monster. This had a real emotional core to it.
#20. Dungeons & Dragons: Honor Among Thieves. Probably the best version of D & D ever put to film. A great cast goes through a fun adventure with heart.
#19. Air. Another product movie that is fabulous. Tells the origin story of Jordan Air shoes and how they became the biggest shoes in the world. Another fine cast, led by Matt Damon.
#18. Nyad. One of the last films I saw this year and it was a great film of overcoming a challenge and never giving up. Amazing performances from Annette Bening and Jodie Foster.
#17. Ant Man and the Wasp: Quantumania. This film gets more hate than it deserves. Are there some iffy moments? Sure, but I found it entertaining and a solid Marvel outing. Paul Rudd is always excellent.
#16. The Blackening. A wonderfully funny satire about horror movies and racial stereotypes. A group of young people are trying to avoid being murdered by a slasher.
#15. Blackberry. Another product film, this time about the drama surrounding the production and growth of the first smart phone, as well as the collapse of it. Exceptional work from everyone involved.
#14. The Marvels. Another film that I liked a lot, but received more hate than it deserved. I loved the interaction between the three heroes, particularly Iman Vellani, who as Ms. Marvel was a joy.
#13. Totally Killer. One of the most surprising films of the year. I saw it on Prime and did not expect to enjoy it as much as I did. A cool time travel tale mixed with a serial killer mystery. Very funny and engaging.
#12. Missing. A teenage girl tries to find her mother after she disappears. She uses the internet and the world online to figure out what happened to her mother. Very dramatic and a great performance from Storm Reid.
#11. The Holdovers. A wonderful Christmas movie featuring an Oscar-worthy performance from both Paul Giamatti and Da’Vine Joy Randolph. A very human story of loss and grief and surviving. Beautifully written and constructed.
#10. The Color Purple. Officially the last new film I saw this year. An amazing musical with an emotional story. The music was awesome. The choreography was great and there were several amazing performances, especially from Danielle Brooks, Fantasia Barrino, Taraji P. Henson and Colman Domingo.
#9. A Haunting in Venice. The third and possibly best of the Hercule Poirot movies we have gotten so far. A fun horror flick with a mystery that is very engaging.
#8. Barbie. One of the biggest hits of the year. Barbie was much deeper of a movie than you would ever guess. Margot Robbie was perfect in the role and Ryan Gosling stole every scene he had as Ken. A brilliant film from director Greta Gerwig.
#7. Mission Impossible: Dead Reckoning Part 1. Tom Cruise’s Mission Impossible franchise roared back with an exciting action packed thriller with a couple of insane stunts. I enjoyed the film completely.
#6. John Wick 4. So much John Wick goodness in this movie. Long and brutal, John Wick 4 brought the franchise to an exceptional end (if it actually is the end).
#5. Oppenheimer. Christopher Nolan’s masterpiece of Robert Oppenheimer and the creation of the atomic bomb. The Oscar worthy work of Cillian Murphy, Robert Downey Jr., Emily Blunt, Florence Pugh, Josh Harnett, Matt Damon and Casey Affleck. It is an epic movie.
#4. The Iron Claw. The story of the family of the Von Erichs and the tragedies that engulfed them leads to an amazingly sad story, one that is very difficult to watch. It is heavy and rough. Powerful. You don’t have to be a wrestling fan to embrace this film.
#3. Godzilla Minus One. This is the best Godzilla movie I have ever saw. The main reason is that the time spent on the human characters made me love them. That is uncommon in Godzilla movies. Most of the time, the human characters are just in the way. Not here. Plus, Godzilla is not an anti-hero here. He is a monstrous force of nature.
#2. Guardians of the Galaxy Vol. 3. The brilliant conclusion to the Guardians trilogy from James Gunn. It was truly an emotional tale, focused mostly on Rocket and his background. Everyone got their moments in this finale and there was a great, vicious villain in the High Evolutionary. This almost was the number one movie of the year. It was really close.
#1. Spider-Man: Across the Spider-Verse. Spider-Man is my all-time favorite character and that pushed this one over the finish line. An amazing sequel to an Oscar-winning animated film, Across the Spider-Verse has great story, characters that are full of humor and drama, and an exciting and thrilling tale. Beautifully animated. It was more like art than a movie.
EYG- Embrace Your Geekness 