Arco (2025)

June 13

Day 13

Last year when the Academy Award nominations came out, there was one film among the Best Animated Feature category that I had never heard of before. It was a French film called Arco. I placed it on the list for the June Swoon 5 immediately.

I found it streaming on Hulu and watched it this morning with the English dubbed version. I typically am not a fan of the dubbed version, preferring the original voices. However, since it was an animated film, I decided it would not be as jarring as a live action dubbed film would be. Plus, the voice cast seemed very impressive with Will Farrell, Juliano Krue Valdi (who played young Michael Jackson in the biopic film, Michael), Mark Ruffalo, Natalie Portman, Andy Samberg, Flea, and America Ferrera.

According to IMDB, “In 2075, a girl witnesses a mysterious boy in a rainbow suit fall from the sky. He comes from an idyllic far future where time travel is possible. She shelters him and will do whatever it takes to help him return to his time.”

The voice of Iris, the young girl who discovered Arco, was done by Romy Fay, a talented voice actor and singer-songwriter.

The film has several underlying themes in the story that kind of take a back seat to the lost in time aspect for Arco and iris. Some of the characters do not have the depth that they required, but they do seem to work together to form a tapestry of color and creativity. The imagery of the rainbows are lovely and the friendship between Arco and Iris is sweet, even if the backdrop of the world is horrific.

The oddball trio, led by the voice of Will Farrell, feels like something right out of anime. In fact, this reminded me of a Studio Ghibli film, only considerably shorter.

Arco was an enjoyable enough film that had a good message with some amazing visuals. I can see why it received an Oscar nomination.

Merrily We Roll Along (2025)

June 12

Day 12

I repeat what I said earlier this week, I wish there were more examples of films like this. Not just adaptations of Broadway plays into film versions, but the actual play recorded live and put on the screen.

Earlier in the June Swoon 5, I watched Good Night, and Good Luck: Live From Broadway, which was starring George Clooney and it was awesome to see it in the way that it was shown on the Broadway stage. Today, I added another stage play filmed as it was to the list.

Merrily We Roll Along was a Tony-winning Broadway musical from Stephen Sondheim, including Tony-winning performances from Jonathan Groff and Daniel Radcliffe. It was available on Netflix and it has been waiting on my queue for June to begin.

According to IMDB, “Spanning three decades, the turbulent relationship between a composer and his two lifelong friends, a writer and a lyricist and playwright.”

The story is told in reverse chronological order, as we start at the point where the relationship between Franklin (Groff), Charley (Radcliffe) and Mary (Lindsay Mendez) was collapsing and we travel back over two decades through the play. It was a remarkable technique as it would make every scene from the past both hopeful and sad at the same time.

Jonathan Groff was sensational as the lead role of Franklin Shepard. His voice, as we have known from his roles in Frozen and Hamilton, is sublime. I did not know, however, that Daniel Radcliffe, our forever Harry Potter, could sing like he does here. In fact, one of my favorite songs was early in the play and I thought to myself, “Well, there’s why he won the Tony.”

The story itself was woven together beautifully, as it is not just writing the story normally and then reversing it. The foreshadowing from the scene of the past take on a new life in this order, meaning even more to the audience than if it were told in a typical structure.

I want more Broadway plays to be shot on film and shown nationwide, and with the proliferation of the streaming services out there, I wouldn’t think that there would be a lack of a forum for presentation.

Disclosure Day

Steven Spielberg is back in the director’s chair for the new film, Disclosure Day, which brings Spielberg back to a topic that he seems to love… aliens.

Some of Spielberg’s greatest movies of all time have aliens at the center, from Close Encounters of the Third Kind to E.T.: The Extra-Terrestrial to War of the Worlds. Now he is back with Disclosure Day, a film starring Emily Blunt and Josh O’Connor.

This sci-fi film had just about everything that I would have wanted in it. Josh O’Connor played a man named Daniel Kellner, who had been working for the people trying to keep the existence of aliens hidden, but he had a change of heart, stealing away data proving the truth behind aliens and the government’s knowledge and involvement. Daniel was on the run, hoping to be able to show the data to the public.

Meanwhile, Emily Blunt, who played Margaret Fairchild, a weather girl in Kansas City, suddenly begins t show abilities that she had never had before. Speaking languages she did not know and knowing information about people she had never met before. When she started speaking in a strange language on live TV, things got weird for her.

Emily Blunt is absolutely on fire in this film. Her performance might just be arguably the greatest performance of her career, despite having plenty of banger performances to choose from. Emily Blunt takes the story to another level every second that she is on screen and she elevated the whole script. I truly believe that she should be nominated for Best Actress at the Academy Awards next year from this work.

The rest of the cast is great, albeit looking a little less in comparison to Blunt. Josh O’Connor has been doing amazing work recently, including his great performance in the last Knives Out film. We also have Colman Domingo, Wyatt Russell, Elizabeth Marvel, Eve Hewson, and Jeremy Shamos.

Then there was the film’s main antagonist, Colin Firth. Firth played Noah, who was the agent with the top secret government agency trying to keep things under wrap, and he pursued Margaret and Daniel across the midwest.

I would not define this movie as an action movie, but they had some really good action, which included a scene with a train that was as good of an action sequence as you are going to see in any movie.

This film saw Spielberg beg the legendary John Williams, 94 years old, to come out of retirement to score Disclosure Day. Williams provided yet another amazing score for Spielberg, capping off an unbelievable career.

The movie might be a touch too long, but I do like how it took its time to develop the story and not just throw out everything about what was happening. The central mystery is handled well and kept me hooked from the beginning. The ending of the film has had some detractors, but I think it worked well. If anything, I wanted a little more before the screen went to black. I found the ending of the film to be quite an emotional moment.

Steven Spielberg is one of the greatest directors of all time, and a member of the EYG Hall of Fame. His latest film recaptured some of the magic from his earlier filmography, especially feeling connected to films like Close Encounters. I saw this in IMAX and I found that to be a great viewing experience. I would recommend seeing this on a big screen while it is in the theater.

4.6 stars

Bambi: The Reckoning (2025)

June 11

Day 11

I have had a pretty good run with the 2026 June Swoon 5. Ten really good, enjoyable movies so far. It is sad that had to come to an end, but I kind of expected it.

I have three movies I am going to today at Cinemark and so I needed a shorter movie. I just did a short yesterday and I wanted to avoid another right now. I found a film on Peacock that was only 1 hour and 20 minutes, that would work for the schedule. Unfortunately, it was Bambi: The Reckoning.

I have seen several of these movies. Winnie the Pooh: Blood and Honey, Winnie the Pooh: Blood and Honey 2, and Screamboat. Of those, I did not hate Screamboat as much as I hated the Winnie the Pooh movies, but it was not good by any stretch.

I gave it my best shot to come into this movie with an open mind, but that was wiped away early on.

According to IMDB, “A car wreck strands a mother and son in the deep woods where a mutated, vengeful deer stalks them. As local hunters and an obsessive grandmother converge, the forest becomes a bloody arena for a grieving creature’s primal rage.”

The writing on this is atrocious. I’m not sure that there is one redeeming character in the film. I was openly rooting for Bambi to kill these miserable excuses for human beings. Funnily enough, Bambi did not directly kill several of them.

The dialogue was basically yelling other characters’ names.

When most of these kills are funnier than scarier, you know you’ve got a problem. My favorite was the guy who got dragged behind a van as they were trying to escape from Bambi. What a completely random death.

There are some unintendedly funny moments and so little made sense. I could not bring myself to give this the “So Bad, It’s Good” ranking because there was just nothing good about it. Maybe if the RiffTrax crew would riff this, there might be something worth the time.

This may not sink to the depths of Winnie the Pooh: Blood and Honey or its sequel, but it was nowhere near Screamboat. That is saying something.

The Pout-Pout Fish

The animated film The Pout-Pout Fish dropped on Amazon Prime recently. It was one of the films I did not see in the theaters, so I streamed it on Prime.

I’ll get this out of the way. The animation was excellent. It looked great, and the designs of the fish were clever and fun.

That was about all I liked about this one.

According to IMDB, “Living on a rundown shipwreck, Mr. Fish one day discovers a hyperactive young sea dragon Pip – who had mistaken his home for a junkyard – pilfering his belongings. The heated argument that ensues leaves both their houses in ruin. But there is hope. Embarking on a seemingly impossible quest in search of the mythical “Shimmer” to grant them a wish, there’s only one problem: someone else is on the hunt.

I am afraid that this movie just never hit with me. I had a lot of trouble with some of the physics of the story. It seemed like they forgot at times that there was water around everyone. Things seemed to fall like they would without water and it bugged me.

Then, the character of Pip was just about as annoying as I have ever heard in animation. I was done with this character very early as well.

The film was very predictable and overall bland. Nick Offerman, who I have always enjoyed, just did not seem to fit the voice of the character of Mr. Fish.

I thought the trio of pink dolphins (voiced by Amy Sedaris) were the best part of the film, because you do not usually see dolphins as antagonists.

This one was a disappointment. I did not enjoy watching it and it felt like it took forever, even though it wasn’t that long time wise. I thought the ending was okay, but by that point, I was checked out.

2.2 stars

John Candy: I Like Me (2025)

June 7

Day 7

Today’s June Swoon 5 film was a documentary on Amazon Prime from last year that looked at the life and career of one of the most beloved actors/comedians of the past forty years, John Candy.

The doc started off with Bill Murray trying to come up with something bad to say about John Candy, and wishing the producers luck in their investigation to find some dirt on the man. It was a real funny kick off to the show and did a great job of pointing out how universally beloved men John Candy was.

There were a litany of stars who had nothing but amazing things to say about John Candy including Tom Hanks, Dan Aykroyd, Catherine O’Hara, Macaulay Culkin, Martin Short, Eugene Levy, Dave Thomas, Andrea Martin, Steve Martin, Conan O’Brien, and Mel Brooks.

The doc does a great job of outlining how the death of John Candy’s father (when John was 5 years old) affected him as an adult, and how his behavior of drinking, smoking, eating led to his early death at 43.

It also showed what a lovely human being John Candy was and how much success he had as an actor, starting off with SCTV and ending as a movie star.

The doc also talked with John Candy’s family, his wife, his brothers, his son, and his daughter. They talked about the close relationship John Candy had developed with John Hughes, and how Candy wound up in 9 films from the director.

I liked John Candy, but I would never say that I was a huge fan of his, but I found myself tearing up at the end of the documentary, which tells you how well director Colin Hanks and the rest did with this doc. The story of them closing down a freeway in LA for John Candy’s funeral procession was amazing.

The doc is available on Amazon Prime and it moves at a brisk clip, moving through his way-too-short life and career. It is wonderful when you can look back on a person’s career and see only the good.

Masters of the Universe

“By the power of Grayskull…I have the Power!”

The new version of He-Man and the Masters of the Universe came out this weekend, an IP that has been redone several times, both in live action and animation.

According to IMDB, “A young man on Earth discovers a fabulous secret legacy as the prince of an alien planet, and must recover a magic sword and return home to protect his kingdom.

I was never a big fan of He-Man, although I did not dislike the IP. I watched the Kevin Smith animated versions on Netflix.

This movie was not my favorite. I had several problems with the film which I will go into later. However, it was not a total loss as there were some things I liked.

First off, I thought Nicholas Galitzine did a great job as Prince Adam. I may not necessarily like how they had him playing the role, but I do think he did a great job in the role. He had a Chris Hemsworth vibe to him.

Jared Leto, whose had some questionable roles, was an outstanding Skeletor. Again, there are some of the writing that did not work well, but Leto stood out among the cast.

There was some good action, especially in the later stages of the film. I enjoyed the finale of the third act, action-wise.

There were a lot of issues though. The biggest one is the tone. This is meant to be too humorous, kind of in the veins of a Thor: Love and Thunder. There were several times when there was a good scene, some times even an emotional scene, but it did not get a chance to settle in because there was a joke coming after.

And for a film that wanted the humor to be so front and center, the film was not very funny. I am not sure I laughed at all, certainly not more than a giggle here and there, and I found myself rolling my eyes more than anything else. I’m not opposed to a healthy dose of humor in my action movies, but the humor needs to be doled out in proper doses and in the correct moments. This film did not do that.

The earth section of this film could have easily been removed, because it did nothing and it was just a way to extend the run time. I really did not like the roommate character in this, and I wonder why people did not have this guy committed with his talk about swords and other planets. And there was a monster that showed up on earth and knocked away by an Amazon truck. This is an Amazon film. Brought me memories of War of the Worlds. Amazon is clearly the biggest heroes in all movies.

And, boy was there an obvious Coca-Cola product placement too. I laughed audibly at this.

There are a ton of secondary characters that were just here to stand in the background and not have any sort of story to them. Alison Brie as Evil-Lyn was a total waste, as was Morena Baccarin as the Sorceress.

It is not the worst movie to watch, but I did find myself bored in a good chunk of the film and very noticeably, not laughing. The last third of the film was better and one would wish it was the style the whole film would have taken.

2.5 stars

Good Night, and Good Luck: Live From Broadway (2005)

June 5

Day 5

I wish we got more of this.

This was originally a live broadcast of the Broadway play, Good Night and Good Luck on CNN and CNN International. I wish that there were more examples of this form, movie recorded as the Broadway play, so we could get more of an exposure to this type of entertainment.

I have been excited to see this since I put it on the Netflix queue and i figured the June Swoon 5 would be a perfect place for it.

This play showed the lead up and eventual confrontation between the junior senator from Wisconsin, Joseph McCarthy and CBS newsman Edward R. Murrow, as well as the journalists and news people behind the scenes at CBS.

I found this to be completely enthralling and totally thrilling. The play used videos of Joseph McCarthy as well as other important people of the time to help illuminate the story.

George Clooney starred as Murrow and he was excellent. A personal favorite of mine was also here, Clark Gregg, who was well known as Agent Coulson in the MCU. He played newscaster Don Hollenbeck. There was a scene in this play between Clooney and Gregg that was just amazing and showed off Gregg’s skills tremendously.

Glenn Fleschler played Fred Friendly and his relationship with Murrow was another part of this story. It was some of the best dialogue you will hear and consistently was both funny and poignant.

The only thing that was distracting for me was that fact that every time the character of Joe Wershba, played by Carter Hudson, spoke, it sounded like John Ratzenberger. That did not take away from his strong performance in the play, but it was something that I thought of every time he spoke.

I wish there were more of these type of films. Not just adaptations of stage plays, but actual stage plays as they are presented on Broadway. I would definitely go see something like this in a theater.

Rental Family (2025)

June 4

Day 4

So the June Swoon film for the day is Rental Family, a film featuring Brendan Fraser. It was one that I thought about going to the theater to see, but it did not work out. I decided that I would save this one for June Swoon.

According to IMDB, “An American actor in Tokyo struggling to find purpose lands an unusual gig: working for a Japanese “rental family” agency, playing stand-in roles for strangers. He rediscovers purpose, belonging, and the beauty of human connection.”

I am torn on this movie. Not because I did not enjoy it, because this was a beautiful movie filled with emotion and lovely exteriors and great performances. The problem I had was with the central concept of the idea of rental family, not the movie but the business that Shinji Tada (Takehiro Hira) was running. He would send actors into situations to play relatives or friends or whatever to people who are emotionally challenged.

For example, in this film, Brendan Fraser played an actor named Phillip who was struggling with his career. He moved to Japan several years before and he joined in the company where he is sent into a situation where he was pretending to be the absentee father of a little girl, Mia (Shannon Mahina Gorman). He was hired by her mother to help her get into a specific school.

The problem is they do not tell Mia that he is pretending and they pretend that he is her long, lost father, and they told Phillip that he needed to not get close to her. How is he supposed to do that, get to know her and not get close to her.

It just felt gross. I felt that these characters were so emotionally manipulated in this that it, as I said, felt gross.

However, so much of the movie is so wonderful that I kind of held my nose and moved along. To be fair, I think that it is gross is meant to be part of the themes of the film.

There is another storyline where Phillip is pretending to be a journalist interviewing a big time former actor Kikuo Hasegawa (Akira Emoto) which was a beautiful tale of friendship and life.

I loved the relationships Phillip developed with both Mia and Kikuo, which made his constant lies all the harder to watch. You can tell from Fraser’s excellent performance how the lies were affecting him as well.

While I had trouble with the concept of the film, everything else was amazing. I loved the story, the characters, the performances, the relationships and the chorography. Rental Family was an outstanding movie that made me feel icky at a few times.

Widow’s Bay S1 E8

Spoilers

“Your Baggage”

With the corpse of Richard Warren officially gone, everything in Widow’s Bay is all peaches and flowers, right?

Maybe not.

Tom went to his house to deal with his son, Evan, who had all the pictures of his mom and wanted answers. Tom gave them to him, even though he did not want to do so. The father and son had some moments together when Tom gave Evan Red Sox tickets, signaling that they could leave the island.

We all knew that last week was too good to be true and, when Wyck showed up at Toms door with the message that it was not yet over, Tom’s face revealed how crushed he was, certainly because he was just making plans with his son to go to Boston for the weekend.

While this was going down, Patricia was being chased by the Boogeyman, the serial killer who killed a bunch of high school girls years before, and who tormented Patricia (though no one believed that this happened).

The Boogeyman pursued Patricia across Widow’s Bay in grand Michael Myers fashion. Patricia eventually dowsed him with gasoline and set him on fire. Unfortunately, the gas station attendant put him out with a fire extinguisher, thinking that he was doing the right thing. He learned his error as the Boogeyman grabbed him by the throat and threw him away violently.

Luckily, Patricia was able to shot him twice with a shotgun, but not before the former sheriff Bechir got slashed with a knife by the killer.

It was hilarious as Patricia kept the gun trained on the Boogeyman’s head the whole time, on the ambulance, in the morgue, as he went into the crematorium, and until he was nothing but ashes. That was really funny, but I would have shot him in the head immediately when he was down. Patricia was dedicated in making sure this killer was not coming back.

There are two more episodes in the first season of this awesome series. All eight episodes so far can be streamed on Apple TV +.

Malcolm in the Middle: Life’s Still Unfair

Spoilers

I used to like Malcolm in the Middle, though I never would say that I loved it. It was something that I watched when it was originally on ABC. I knew that there was going to be a new series featuring the returning cast on Hulu/Disney + and i was somewhat interested, but I had not gone out of my way to watch it. It came out in April and I saw it on Disney + a few times, but just never got around to watching it.

Finally, tonight I had an open evening and with only four episodes of the show to watch, I decided that I would finally watch it.

Overall, I am glad I did. However, I would not say that I loved it. There were parts that bugged me, and I am not sure I would have continued if it were a longer series. I do think that this was just the right amount of episodes at four.

The show did tell a specific story centered around Lois and Hal’s 40th wedding anniversary. Again, parts of the storyline was great and other parts were cringe. The final episode had a spectacular conclusion that was emotional and heartfelt and made everything else feel better.

I want to say immediately that I really found Leah, the daughter of Malcolm, played by Keeley Karsten, to be remarkably charming and a perfect fit for the role. The show cleverly gave Leah the ability to talk to the screen like Malcolm could do, narrating much of what was going on. It is obviously a trait passed along from father to daughter.

It was very funny, and well in character, that Malcolm had not ever told Hal and Lois that he had had a daughter, and so when they crashed his home because Malcolm had been avoiding the question about attending Lois & Hal’s big party, all of Malcolm’s lies came crashing down.

I am not sure how I felt about the whole Hal story arc of these episodes, but there is no denying that he came out a better person in the end. I was torn about the whole drug trip he went on (reminded me very much of the trip taken by Mayor Tom on Widow’s Bay), but there were some very funny moments within it.

I was sure that the role of Francis had been recast, but, according to IMDB, it was Christopher Masterson playing the role. I was shocked. I thought that the recast was very similar to Francis, but that it was clearly not him. I was in err on that. Turned out the only recast of the kids was Dewey, who was now played by Caleb Ellsworth-Clark instead of Erik Per Sullivan.

Jane Kaczmarek was giving me Candace Bergen feels as she returned to her multiple Emmy nominated role. You’ve got to appreciate how committed Bryan Cranston is to playing Hal, because he is clearly willing to do anything. They really work together as well.

I was very much split on the Malcolm/Lois confrontation in the men’s room. The toilet humor just did not work for me. I have never been a fan of this style of humor. I thought the writing of the scene between the two characters was outstanding though.

Some of the other characters from the show looked rough. I am not sure if that was intended or if the actors had had tough lives. I would hate to speculate on any of them. I am glad that they were here.

The revival of this show was hit and miss for me, but I am glad that I watched it and I might even watch another show, if they did any more.

Toy Story 3 (2010)

I finished off the original Toy Story trilogy tonight by watching Toy Story 3 on Disney +. Toy Story 3 is one of my all-time favorite animated films. It is top 3 for sure, if not number one. It had been too long since I have seen it. After the viewing tonight, I can say with certainty that this remains an all-time classic.

Andy has grown up and is about to head off to college, which means that he has to make a decision about what he is going to do with his toys. When they accidentally get thrown out, the toys decide to get themselves donated to a daycare. However, the daycare turned out to be nowhere near as awesome as they thought it would be.

There are a couple of reasons why I loved this movie as much as I did. First up was the arrival of what I consider one of the greatest Disney villains of all time in Lots-o’-Huggin’ Bear, voiced by the iconic Ned Beatty. Lotso was such an evil character, but I could completely understand his story. I thought his origin story, which was told in flashbacks, was just perfection. Everything that Lotso did was relatable because of the trauma of being lost and replaced. It turned him bitter and angry, something that he never got over.

The second thing that made me love this movie was one of the most dramatic and suspenseful scenes you are going to get in any movie, let alone a Pixar kids movie. The scene where Woody, Buzz and all of the others were in the incinerator, slowly moving toward the flames. When I first saw that scene in the theaters, I actually couldn’t believe what I was seeing. I couldn’t see a way out for them and I truly thought that the film was going to send them all to a fiery grave. This time, I saw the foreshadowing with the little aliens on how they get rescued, but when I first saw this in 2010, I was sure they were all goners. It was one of the most effective scenes I had ever scene and one of Pixar’s greatest.

Thirdly, the final scene with Andy and Bonnie was spectacular, filled with real emotions, that couldn’t help but bring tears to my eyes. It was so beautifully written that you just can’t help it.

Another brilliant scene was the escape plan organized by Woody to get out of the daycare. The plan revealed some amazing skills for the different toys involved. Everybody had an important role to play and the ending of it with the confrontation with Lotso was such an amazing moment.

Buzz getting turned back into the Space Ranger and then eventually to the Spanish version was hilarious. Tim Allen does a great job voicing that character. It was wonderful to get the voices back for Joan Cusack, Don Rickles, John Ratzenberger, Wallace Shawn, Estelle Harris, Jodie Benson, Laurie Metcalf, and John Morris.

We got some new voices too. Michael Keaton joined the cast as Ken, Barbie’s boy toy. Blake Clark replaced Jim Varney as Slinky Dog after Varney’s death in 2000.

This is a masterpiece of a film, filled with heart, emotion and a connection to one’s things that everyone can relate to. Toy Story 3 is easily my favorite of all the Toy Story movies and right up there with Into the Spider-Verse and Inside Out.

Spider-Noir S1 E4, E5, E6

Spoilers

“A Mistake I’ll Never Make Again”

“Betrayal”

“Nightmare on a Gurney”

I watched the next three episodes of the Amazon Prime series, Spider Noir. I loved the first three episodes of this pulpy-fun and we jump right back into the action.

When episode three left off, Silvermane was shooting someone, and it turned out to be just another guy with Winston.

We are introduced to another ex-army platoon guy, who turns out to be a low-level villain from Marvel Comics named Megawatt. The Spider fought him in public and does defeat him.

We are introduced to actress Amy Aquino’s character, Dr. Faber. She was the connection between the four villains, as she treated them all just before their powers manifested. She was a decent person who made some bad choices trying to save her son, who was another person in the experiment.

We get an origin of The Spider, and see how he is connected to Sandman, Tombstone, and Megawatt. It was one of the scarier moments of horror in the show as Ben got bit by a transformed man-spider.

The third episode, “Nightmare on a Gurney,” felt very much like a sci-fi, B-movie, crazy scientist noir. The show has been great, using all noir tropes in the different episodes.

An interesting point mentioned in that third episode included Faber’s son telling Ben Reilly that they were looking for the Spider, but he had changed his name, so they could not find him. Could Ben have been originally Peter Parker and changed his name to Ben Reilly. We know they could not use the name Peter Parker because of rights and technicalities, but this way covers the base.

Ben Reilly has been playing this character as anything but a hero. He is downright selfish, but it feels as if that came form Ruby’s death more than anything else.

Nic Cage is spectacular in his Cage-i-ness. Brendon Gleeson has been doing a great job bringing the sinister to Silvermane.

This has been great. I can’t wait to watch episodes 7 & 8.

Toy Story 2 (1999)

I have not seen Toy Story 2 very many times. Of the three original Toy Story movies, Toy Story 2 was my least favorite. That is not saying that is was a bad movie. In fact, it is a sensational film, but the other two Toy Story films are just so exceptional.

I did a rewatch of Toy Story 2 tonight and I found it much the same way. It is extremely clever and well-written. I laughed out loud multiple times.

According to IMDB, “When Woody is stolen by a toy collector, Buzz and his friends set out on a rescue mission to save Woody before he becomes a museum toy property with his roundup gang Jessie, Prospector, and Bullseye.

All of our favorite voices are back including Tom Hanks, Tim Allen, Don Rickles, John Ratzenberger, Jim Varney, Wallace Shawn, Annie Potts, Laurie Metcalf, and John Morris. The voice cast had several huge additions with Joan Cusack as Jessie, Kelsey Grammar as the Prospector, Wayne Knight as the toy collector Al, Jodie Benson as Barbie, Andrew Stanton as Zurg, and Estelle Harris as Mrs. Potato Head.

The idea that Woody was a rare and popular toy that completed the set was a fun way to take the story. It brought us Jessie and Woody’s horse, Bullseye. I could relate to the collector part of the story, and I would have loved to have seen Al arrive in Japan only to find Woody gone.

I was not a fan of the musical song detailing Jessie’s origin. That felt too overly sentimental and manipulative on the emotions. It felt like the movie could have done this in a much more effective way. That was the one spot in the film where I thought the story took a dip.

Toy Story 2 is still on the lower end of the three original Toy Story movies for me (although it would be ahead of Toy Story 4 as of now). Though it was my least favorite of the three, does not mean it is not a spectacular movie with amazing CGI, clever writing, amazing characters and funny lines.

Next up will be Toy Story 3… one of my favorite animated movies of all time.

Exit 8

Exit 8 was another film that I could have seen in the theater, but could not make it fit the schedule. So I rented it today on Fandango at Home. The Japanese sci-fi/thriller is one of the best movies that I have seen in 2026.

According to IMDB, “A man trapped in a endless sterile subway passageway sets out to find Exit 8. The rules of his quest are simple: do not overlook anything out of the ordinary. If you discover an anomaly, turn back immediately. If you don’t, carry on. Then leave from Exit 8. But even a single oversight will send him back to the beginning. Will he ever reach his goal and escape this infinite corridor?

This movie engaged me so much, I was literally yelling at my computer screen, wanting the characters to follow my instructions. It was a simple set up with a complex morality tale. I absolutely loved this film and the experience of watching it.

The film was in Japanese, but the dialogue was limited, which made it a breeze to follow along with the subtitles.

Kazunari Ninomiya was our main protagonist whose point of view we start with in the very beginning of the movie. His eyes were literally the camera to the scenes we were watching. However, that does not last long as the POV switched once he was inside the subway corridor.

There was also the “Walking Man,” played by Yamato Kochi and the Boy, played by Naru Asanuma. The young actor does a sensational job with nearly zero dialogue. To be honest, I am not sure I understood the Walking Man’s role in this narrative, but that did not stop me from being invested in the characer.

Based on a video game, Exit 8 had me looking for every little detail and found me frustrated when the characters did not see the same.

The ending of the film had me screaming out loud, first in desperation and then in joyousness. It was beautifully shot and made me extremely happy.

I loved this movie. I did not expect that this was going to be one of the best movies I would see in 2026, but I am so pleased that I took the chance with a Japanese film.

5 stars