Hayao Miyazaki returns to head up the next Studio Ghibli film and this is one of the studio’s most popular and well-known films.  Princess Mononoke is one of the first films people cite when speaking about the animation giant and it is well deserved.  The film is truly a grandiose, fantasy epic that spirals through the forests of Japan.

A small village in Japan is attacked by a demon boar.  The village’s last prince, Ashitaka, killed it, but, in the processes, was cursed by the creature.  The curse covered Ashitaka’s arm and threatened to creep across his whole body and kill him from within.

The young hero set off from his village in the hopes of finding aid from the Great Forest Spirit.  On his quest, he comes across a settlement called Irontown, led by Lady Eboshi, who was responsible for causing the boar to become a demon.

During his struggles, Ashitaka encountered the Wolf god Moro, and her adopted human daughter San.

Princess Mononoke is an amazing story filled with drama, tension and heroic actions.  Ashitaka and San are both positive and powerful models of heroism, whether or not they were on the same side.  Ashitaka’s message of trying to convince the humans and the forest to live in peace placed him in the center of the struggles of all of the forces, and he bravely did what he could to make it happen.

One of my favorite parts of this film was the fact that there was no one portrayed as evil.  These were deep and three dimensional characters who had clear and understandable motives for why they were acting as they were.  In fact, even the film’s main antagonist, Lady Eboshi, could not be considered a villain.  She committed many acts that could be considered wrong, but you understood her reasons and thus made her more human.  Just about all of the characters in the film that could be considered the “bad guys” have motivation that you can buy.  The only group that is not truly given a deeper meaning is the samurais.

Have I mentioned before how much I love the animation and the imagery used in these Studio Ghibli films?  Princess Mononoke is not an exception.  It is beautifully rendered and provide a stunning visual experience.

The only criticism I may have its that the movie is quite long for an animated movie, but it does flow well and, perhaps, the length is just one more way that Princess Mononoke breaks the expectations of animated movies.  It is an epic for sure and should be viewed as one.

The Studio Ghibli movies got back on the right track for me with Whisper of the Heart after a couple of lesser offerings in the oeuvre of the studio.  The previous two films were not at the level that most of the prior movies had been, but Whisper of the Heart has reclaimed that Studio Ghibli magic.

Fourteen year old Shizuku is a student who loves to read.  She checks out many books from the library and, on the index card, she discovered that a boy named Seiji checked out all the same books.  The romantic in her wonders if this boy is the one she is meant to love.

On a bus, she sees a cat that she befriends and follows to an antique shop.  She meets the old man who runs the shop and he introduces her to a statue called The Baron.

This movie is a coming of age tale of the young girl and her imagination and the young boy who is following his dream of becoming a violin maker.  There are plenty of moments of typical school shenanigans, but the key point of the film is the relationship between these two main characters.  There is a real feeling to the film that brings its own magic to the story.

Of course, the animation is beautiful and the imagery in the film can be breathtaking.

One of the weird things about this movie was the use of the lyrics from the song “Country Road” by John Denver.  The song was meant to have been written by Shizuku in the story, and it worked.  It was strange though.

Whisper of the Heart was sweet and romantic.  The two characters are developed extremely well and they are easy to root for.  This was a really good film.

Continuing to move along in the Studio Ghibli films, I have come across Pom Poko.

Pom Poko tells the story of “raccoons” ( which apparently is an inaccurate description of these creatures, known in Japanese folklore as tanuki (though the film’s English dub referred to them as raccoons and that will be how I refer to them).  These raccoons lived in a forest and began to struggle against the humans and their suburban development in the land.  The raccoons had the ability to transform themselves into any kind of objects and they used this ability to try and scare the humans off.

Of course the animation in the movie is great, as it seems that all of the Studio Ghibli are.

After that, though, I did not find myself a fan of this one.  The comedy/drama film was odd, very strange.  There was bizarre story elements and the raccoons really were trippy.  There is a heavy theme of environmentalism, which was hardly subtle.

The film was narrated throughout the movie and I found that distracting in many ways.  The voice was unemotional and told the events in a detached manner.  For a film with so many fantastical elements, the spoken narration was very much out of place.

None of the characters spoke to me.  They were either unmemorable or so over-the-top that they did not fit in.  We did not have a main protagonist, as the characters continually switched from point of view.

Honestly, this one was not one of my favorites.  I feel as if there were way too many problems in the style or the construction of this story and that it simply does not live up to the beautiful animation in the film.  Pom Poko was difficult to watch and dragged on for much of the film.

This past week, the topic on the Top 10 Show with John Rocha and Matt Knost was Best films of 1997.  During that show and my research to construct my own top 10 list, the movie Wag the Dog showed up.  I had not seen this film in a long time and I wanted to watch it again because I had remembered enjoying it.  Now that I have seen it once again, I truly loved the movie.

It certainly speaks to the unbelievable world of presidential politics and the ways that the media could be manipulated to tell the narrative that a campaign may want told.

In order to help change the topic of a sex scandal a few days prior to a presidential election, Conrad Brean (Robert DeNiro), a spin doctor, approached Hollywood producer Stanley Motss (Dustin Hoffman) for help in spinning a yarn about a war that they would create on their own.

Wag the Dog was extremely funny, but there is an underlying anxiety that makes one think that this is the type of situations that actually happen in the world.  Perhaps not at the level that they show in the movie, but the effort to change a certain topic or to distract from one story by having something else for the media to talk about seems to happen all the time today.

Robert DeNiro is amazing in this film.  Dustin Hoffman matches him with each scene.  Anne Heche has another side to the puzzle as Winifred Ames, an aide on the campaign.  These three create an amazing group of characters that are totally funny in situations that sure seemed to be anything but.

Woody Harrelson’s portrayal as Sgt. William Schumann, a supposed hero who turns out to be anything but one, is maybe the funniest point of the film.

The film’s pace is beautiful, nothing being wasted.  Wag the Dog is just around 90 minutes and every scene works.  Director Barry Levinson does a wonderful job creating the story and getting the images that are being created by the characters to show a nation.

The movie is a dark comedy that is extremely funny, but it speaks a truth that might make you question anything you see on the news or that comes out of the mouth of politicians.

Christopher Guest directed movies are different than the usual movie you see.  The group of comedic performers he has on hand include remarkably talented improvisational actors/comedians who are quick on their feet and can create stories on the spot.  There have been several Christopher Guest films in this style and Best n Show was one of the best.

Best in Show brings a group of eccentric characters and their dogs, invading the Mayflower Kennel Club Dog Show for the annual Best in Show dog show.

The troupe that has been in several other Christopher Guest films included Michael McKeon, Eugene Levy, Parker Posey, Catherine O’Hara, Bob Balaban, John Michael Higgins, Don Lake, Jennifer Coolidge, Jane Lynch, Larry Miller, Ed Begley Jr., Linda Kash, and the recently deceased Fred Willard.  This group of actors have been in several other films of the same sort (from Waiting for Guffman to A Mighty Wind to For Your Consideration and even the Rob Reiner directed This is Spinal Tap).  In these films, the actors are giving information about their characters, but not a written script to follow.  The dialogue is created by the actors as they play off each other in a style of creativity unlike most films you see.

Filmed as it is a “mockumentary,” Best in Show follows these bizarre dog owners and their potentially zany behaviors during this high-pressure world of show dogs.  It is a hilariously funny film with these actors bringing the crazy.

There are also several beautiful dogs involved and dog owners would probably love this movie.

The late Fred Willard is amazing here as one of the announcers at the Mayflower Kennel Club Dog Show.  It gives him a great platform to provide his quick-wit and sharp humor.

Best in Show is a great film and it flies by quickly.  The pacing is great and the film is just laugh out loud funny.

Blindspotting had been placed on my “to watch” list for the summer after I saw Dan Murrell’s video featuring all of his blu-rays.  It sounded interesting, but it was not until I watched Hamilton on Disney + and was awed by the performance of Daveed Diggs as Thomas Jefferson that this film bumped to the front of the list.

Long time friends Daveed Diggs and Rafael Casal wrote and starred in this film that dealt with some big time racial issues as well as a friendship and how far a friendship can be pushed.

Collin (Daveed Diggs) has just gotten out of prison and is on probation.  He met up with his lifelong friend Miles (Rafael Casal), whose volatile nature threatened to place Collin back in trouble.

When Collin witnessed a police shooting, the pressures of his life began to engulf him.

Daveed Diggs is a superstar in the making.  He is just spontaneous, quick-witted, charismatic and simply glows on the screen.  He is one of those actors who you cannot wait for what he does next and his performance here is powerful and poignant.

The story has so much going on that you can feel the weight each moment places on Collin.  As an audience member, you can sense how each situation drags Collin down more and more.  You are just as frustrated with Miles because you see how destructive he can be, but you know the connection between them is special.

There are some uncomfortable moments that range from feeling uncertain to downright fearful and these moments work extremely well.  You are never quite sure what was going to happen next and, while you are on this path, you are remarkably entertained.

I’m not sure how I missed this film in 2018 because I thought it was fantastic.  I remember seeing trailers for this, but it is possible that it did not come to any of the local theaters I attended.  Either way, if you have a chance to watch this, the film is tremendous and amazingly relevant.