Anatomy of a Murder (1959)

DailyView: Day 74, Movie 126

I have come to really enjoy the work of actor Jimmy Stewart. I had only a limited exposure to Jimmy Stewart before I started this DailyView, but since I have added Mr. Smith Goes to Washington, The Man Who Shot Liberty Vance, and this one to my previous knowledge of Stewart’s work including Rear Window, The Man Who Knew Too Much, Vertigo, Rope, and, of course, It’s A Wonderful Life. Anatomy of a Murder fits right in with this list of classic movies from Mr. Stewart.

Directed by Otto Preminger, Anatomy of a Murder is one of the greatest courtroom drama films of all-time. The case from the film, based on a true murder, is filled with twists and keeps the audience guessing about what is truly going on.

Local Michigan attorney and recently disposed district attorney Paul Biegler (James Stewart) is approached to take the case of Frederick Manion (Ben Gazzara), a lieutenant in the army, who had been accused of murdering a bartender Barney Quill, who had supposedly raped his wife Laura (Lee Remick). Biegler knew his case was thin and that his client looked guilty, so he came up with the defense of temporary insanity.

The district attorney brings in hotshot prosecutor Claude Dancer (George C. Scott) to help with the case. Dancer tried his best to keep the reputed rape out of the trial, but once it came in, he went after Laura with a vengeance.

What I enjoyed most about the story was the way there felt as if there was something being hidden by everyone involved. I was never quite sure I knew exactly what had happened the night of the rape and eventual murder.

None of the character involved in this case, with the possible exception of Judge Weaver (Joseph N. Welch), were above reproach. Both sides of the case were shown or implied that they were coaching witnesses or downright putting witnesses into the case that were not necessarily the most honest. Laura was shown as a definite flirtatious woman who did not seem to be happy in her marriage. Manion may or may not have beaten his wife at times.

There are top line performances here including Jimmy Stewart and George C. Scott. Arthur O’Connell was an intriguing character, Parnell McCarthy, an alcoholic lawyer who teamed up with Biegler on the case. I say he is intriguing because he has little importance on the story, but he does provide an important detail for the defense.

This was a long movie, but the pacing was really solid so it seemed to pass quickly. I thought this was an exception film with a cast that took the quality material and brought it to another level.

The Devil Below

Netflix has promised to release a new movie every week to their streaming service. Unfortunately, for every Fear Street and Army of the Dead we get, there is a The Devil Below to balance it out. In fact, I would dare to say that the quality of the movies such as The Devil Below is what is the rule instead of the exception.

By that I mean that it is crappy.

A team of researchers arrive in the Appalachian country to investigate a series of coal mines that have been ablaze for decades. When the open one up, they realize quickly that they have made a mistake and have unleashed something previously contained.

BO-RING!

There is nothing here to grab your attention or to make you give a care about any of the characters here. All of the characters are lacking any depth to their character, being nothing more than one trait, a one-trick pony.

And the monsters… well, let’s just say that they resembled the Flukeman on The X-Files crossed with Audrey II, but not quite as scary. They are shot in the worst way possible, that made them more funny than frightening.

This is the type of movie that makes me not want to explore the rest of these Netflix movies.

1 star

Son

Son, the new horror film on Shudder, is really frightening.

I mean, frightening as hell.

After a terrible childhood and past, Laura (Andi Matichak) seemed to have gotten past it. She lived alone with her son David (Luke David Blumm). One night, she woke up and found a group of people in her son’s room. She ran for help, and, when she returned, they were all gone. Police detective Paul (Emile Hirsch) believed her when no one else would.

At this point, David got real sick, puking blood and going through convulsions. The doctors had no idea what was happening to him, but Laura knew that it was somehow connected to her past. When David’s illness took an unexpected turn, things became even more frightening.

Holy crap was this intense.

This is one of the better of the creepy child category of horror genre we have seen in quite awhile. I was very impressed with Luke David Blumm, who carried some powerful moments in the film with a great maturity. He and Andi Matichak had a wonderful chemistry, and you believe that she loved her son no matter what.

As the film moved on, you are never quite sure what was happening even when you see it before your eyes. With the questions of Laura’s background in play, the thought that none of it was real was a possibility, which helped bring a surreal quality to the movie.

The movie is unnerving and packed a surprisingly powerful emotional beat to it. This is one that you do not want to watch late at night in the dark if you expect to sleep. A well done, suspenseful horror film that had me not sure what was going to happen next.

4.1 stars

America: The Motion Picture

There was a joke here. It got old quickly.

It is possible that the idea here was a way to speak on the fact that Americans do not know there history. However, this is filled with crassness, crudeness, and stupidity.

George Washington (Channing Tatum) and his best friend Abe Lincoln (Will Forte) were preparing to revolt against the British. When Benedict Arnold (Andy Samberg) betrayed them, and killing Abe.

Washington compiled a team including Sam Adams (Jason Mantzoukas), a gender bent Thomas Edison (Olivia Munn), Paul Revere (Bobby Moynihan) and Geronimo (Raoul Max Trujillo) to find the Gettysburg Address and create “America” a name Lincoln gave for the new country as he died.

This film is totally batshit crazy. There is so much ridiculousness tossed into this movie because the joke is too think to stretch to a 90 minute movie. This might have been effective for an animated short, but there is not enough here to make it fun.

There was so much swearing and crude language and they tried to make that funny.

Great use of Lynyrd Skynyrd’s Freebird though.

I was looking forward to seeing this film and I was really disappointed with the results.

1.5 stars

Weekend at Bernie’s (1989)

DailyView: Day 73 Movie 125

One of the most iconic films from the late eighties is Weekend at Bernie’s, but it always looked to be too stupid to watch. Yes, it was a cultural classic, but I just did not have a lot of interest. It seemed like the right time to finally watch the film for the DailyView.

This was just too stupid for me.

Two schmucks, Richard (Jonathan Silverman) and Larry (Andrew McCarthy), discovered an error in the finances of the company they worked for worth millions of dollars. Thinking this was their big break, they took the error to their boss, Bernie Lomax (Terry Kiser). Little did they know, the error was from Bernie, who was stealing from the company. Bernie invited them to his weekend house where he planned to make it look like a murder-suicide.

However, Bernie had some trouble of his own with his mafia partner (Louis Giambalvo), whose girl (Catherine Parks) Bernie was having an affair with. He decided that Bernie needed to die instead and he sent hitman (Don Calfa) to kill him. He gives Bernie an overdose and leaves him to be discovered. Richard and Larry arrive and find Bernie dead and they decide to continue the part that arrived at Bernie’s house.

They hauled Bernie around in a ton of slapstick scenes, apparently meant to be funny.

I guess Bernie’s body does not stiffen after death.

This was so frenetic and chaotic and just downright stupid that I checked out early into the main arc of the story. I did not like either of the leads and using the dead body as a prop overstayed its welcome. I have no idea how they squeezed out a sequel to this, but I will not be finding out.

There was nothing funny here. Bernie is dead. That was the entire joke. That was not funny. I do not even remember giggling once. I disliked Weekend at Bernie’s no matter how much of a classic it is considered.

This one was DOA for me.

Till Death

Here is one of those movies from VOD that I might not have ever seen if I hadn’t had to spend most of the last year searching for movies online. I found this on Vudu, and the synopsis sounded cool. So I gave it a chance and it was a great movie that really highlights the acting chops of Megan Fox.

I know, right? Megan Fox has never been someone who I thought of when the term “acting chops” came up, but here she not only shows her kick ass tendencies, but also her skill as a thespian.

Megan Fox is Emma, a woman who had been involved in a violent encounter years before with a man named Bobby Ray (Callan Mulvey). Her husband was a successful lawyer Mark (Eoin Macken) but heir marriage was having problems. Emma was having an affair with Tom (Aml Ameen), a co-worker of Mark.

Mark set up a surprise for Emma and his anniversary, a trip to a remote lakehouse in the winter. He prepared a romantic evening, isolated with only them.

The next morning, Emma awakens to find that she is handcuffed to Mark and that he had a gun. He shoots himself in the head, with blood and brains splattering across Emma. She realized that he had removed anything that could unshackle her from him. Worse yet, she soon learns that he had hired Bobby Ray and his brother Jimmy (Jack Roth) to kill her and they were on their way.

Sure the premise is a little out there, but the performers all do a wonderful job, in particular Megan Fox, who struggles to survive with all of these hurdles tossed in her way. She shows smarts and determination, as well as a bad ass streak. The physical performance from Fox shows how much she was willing to go for it.

The film was short, and paced extremely well. There was little wasted time, especially once they arrived at the lakehouse. It was tense and taut and even clever at times.

Till Death is a solid revenge/thriller that gives us a new look at Megan Fox. It was easy to root for her and you can feel every frightening moment as she is desperately trying to save her life. Yes, there may be an unlikely situation or two, but they are worth it with the solid make up of the remainder of the film.

4 stars

Fear Street Part Two: 1978

Wow.

The second part of Netflix’s three week Fear Street trilogy was amazing. What a middle chapter of this tale being told in three movies every Friday. This cool concept is really delivering us some powerful horror.

After last week’s Fear Street Part One: 1994, Deenna (Kiana Madeira) and Josh (Benjamin Flore Jr) found themselves at the door of C. Berman (Gillian Jacobs), the survivor of the slaughter at Camp Nightwing in 1978. Deenna and Josh were looking to discover how she survived the attack by Sarah Fier and her magical killers. After some opposition, Ms. Berman finally sat down and told them the story of Camp Nightwing.

This was a great camp slasher flick. I have to say, at least in the first act, the difference for me between 1994 and 1978 was that the characters in 1994 were characters that I liked, while the campers and counselors at Camp Nightwing were characters that I was rooting to get an axe to the face. To be fair, several of those characters grew on me or showed me another side to their personality making me less anxious for them to die.

Perfect example was Alice (Ryan Simpkins), who was the one-time best friend of Cindy Berman (Emily Rudd) until Cindy “snitched” on her and got her in trouble. Alice was such a rotten person early in the movie that I just disliked her tremendously. However, as the film progressed and we discovered more about Alice and her story, she became someone I no longer wanted to get her head chopped off.

Cindy and her little sister Ziggy (Sadie Sink) were having plenty of issues with one another too. Ziggy was more rebellious and getting into trouble at the camp. We meet her getting stringed up by other campers who were joking about setting her on fire. They actually burned her with a lighter. Again, here are several characters who I would not mind seeing chopped to death.

We get more of the backstory of the curse on the town of Shadyside by the witch Sarah Fier. One of the camp nurses, whose daughter had been one of the people who were possessed and killed a bunch of people, had done research on Sarah Fier and had filled a journal with all of the details, including a map.

The killings were brutal and bloody, but, admittedly, not overly creative. The origin of the Camp Nightwing killer, who we had seen in 1994, is revealed here as Cindy’s perfect boyfriend Tommy Slater (McCabe Slye). It is awesome seeing how he became the monster that we knew he was.

The middle of the trilogy does a great job setting up next week, when we head back to 1666 for the third and final entry in the Fear Street trilogy. This one got me all the more excited for next week.

4.5 stars

Devil (2010)

DailyView: Day 72, Movie 124

I remember seeing trailers for this movie and having a laugh that they did not want to put the name of M. Night Shyamalan on the trailer. They would list something like “From the writer of The Sixth Sense” or something like that. M. Night was still pretty toxic at that point.

However, the film was a surprise for me. I enjoyed the film way more than I expected.

The basic premise is that five people are stranded together in an elevator as some magical force began to work on the building and the elevator which lead to the death of some of the passengers. A police detective (Chris Messina), who was working on a suicide case in the building already, took over the handling of the elevator case and desperately tried to save the remaining victims.

The claustrophobic setting created a great deal of tension in the elevator as you were never sure who was the one doing the killing. The movie implies that the devil can take the form of a human to punish those who deserve it, and we find that everybody in the elevator had a severely checkered past or were a downright rotten person.

Most of the cast were actors who I had not recognized or who have had roles that I was not familiar with. I recognized the Old Woman, as IMDB named her, in Jenny O’Hara and Logan Marshall-Green was a name I recognized (he played the first Shocker in Spider-Man: Homecoming). The other main actors of the film included Bokeem Woodbine, Caroline Dhavernas (from TV show Hannibal), Jacob Vargas, Geoffrey Arend, Matt Craven, Joe Cobden, and Bojana Novakovic.

It is far from a perfect film. The story is a bit conventional and there is little effects for the frights. The film does do a solid job with the low budget on creating the anxiousness of the tone.

In the end, I am happy that I gave this a chance. It was more entertaining than I thought it was going to be. Perhaps this could be considered the start of the M. Night Shyamalan resurgence with his new movie Old coming out soon.

Black Widow

It has been almost two years since the last MCU movie in theaters. Spider-Man: Far From Home came out at the end of July in 2019, a few month after the gigantic Avengers: Endgame. Little did we know that it wouldn’t be until just past the first week of July 2021 until we get another.

Sure, we have been tided over with some awesome Disney + TV shows in the meantime, but there is just something about the Marvel heroes on the big screen.

Finally, we have a new film, and it is one that has gone through a lot to make its way onto the movie screen. Black Widow was originally scheduled for May 2020, but had to be delay because of the COVID-19 pandemic. It got pushed several times and calls to just put it out on Disney + were coming from MCU-content starved fans, but Marvel Studios held off, trusting their movie. They finally set July 9th as the release date for Natasha’s first big screen stand alone epic and this time things looked good. Of course, they are also releasing it as their Premium release on the streaming site for another fee as well.

Fact is that the Black Widow has faced more than just a pandemic. Scarlett Johansson is a major star and one would think that a major star who is one of the Avengers would have received her own stand alone movie way before this, especially since the character perished in Endgame. Rumors persisted that SOME at Marvel Studios did not believe a woman could lead a major comic franchise (*cough* Ike P), and when Kevin Feige finally got total control of things at Marvel Studios, Black Widow was one of those things he wanted to get done. Unfortunately, at this point, plans were underway and it would have been difficult to toss Black Widow into the mix.

So one of the issues of Marvel Studio’s Black Widow is that it does feel as if it should have existed before this time in the MCU. That is not something the film could be blamed for, but the fact that Natasha Romanoff sacrificed herself on Vormir, does take away from much of the prequel’s punch.

Having said that, Black Widow is a rollicking good time, filled with action and wonderful characters. It is the MCU’s James Bond/Jason Bourne-type film and it holds it own with many, if not all, of these spy films.

Black Widow picks up directly after Captain America: Civil War with Natasha on the run for her actions against the Sokovia Accords. She is being pursued by ‘Thunderbolt’ Ross (William Hurt). There are some initial flashbacks to child Natasha (Ever Anderson) living in Ohio, a part of a Russian sleeper cell along with her “father” Alexi (David Harbour), “mother” Melina (Rachel Weisz) and “sister” Yelena (Violet McGraw). When the mission ended and the family had to retreat, the girls were taken by Dreykov Ray Winstone) to the Red Room to begin their training in the Widow program.

Natasha received some mail, part of which was some vials from her sister Yelena (now played by Florence Pugh), she is attacked by the mysterious Taskmaster, who had the ability to mimic any fighting style Taskmaster sees. Natasha escaped and returned to Budapest (the location she and Hawkeye talked about way back in the first Avengers movie) to search for Yelena.

Natasha found out from Yelena that the Red Room was still active and Dreykov, whom Natasha believed she had killed, was still alive and running the program. The “sisters” decided to take the Red Room down once and for all and they went to see Alexi, the Red Guardian and Melina for answers.

I loved the action sequences in this movie. There are some wonderfully designed and filmed action throughout the Black Widow. I will say that I did not love the hand-to-hand fights because the camera was just too bouncy to enjoy those. The rest of the action is filmed wonderfully. Cate Shortland directed Black Widow and, reportedly, was brought to Marvel Studios by Scarlett Johansson herself. That is quite the pat on the back for Shortland.

The relationship between Natasha and Yelena is beautifully constructed too. They have their issues. Yelena felt deserted while Natasha felt the sting of discovering that the entire family she had known was not real, that is was put together by the Russian government. Yelena and Natasha fought, both figuratively and literally, as sisters, but you could see the conflict within both of the,

Florence Pugh is a tremendous actor. She has been providing some outstanding work over the last few years and her turn as Yelena is one more triumph. David Harbour is every bit as great, promptly stealing every scene he is in. His boastful Red Guardian is a hoot and he is as compelling and real as any possible “super-solider” could be. Rachel Weisz has the least to do of the family unit, but she optimizes her screen time to be impactful.

Scarlett Johansson is so comfortable as Natasha by now, after making eight other appearances in MCU films, but she brought the fire in this movie. Her scenes with Ray Winstone were excellent and the way she handled the constant development of her past life is excellent.

I have heard some criticism that Taskmaster was a weak Marvel villain, but I think that was coming from people who expected Taskmaster to be a more vital character than what Taskmaster turned out to be. Taskmaster was more of a henchman than was expected and so did not receive as much depth as possible. However, I did enjoy the Taskmaster’s story and it fit nicely into Black Widow’s background.

The post credit scene was great, but it was exactly what I thought it was going to be. Make sure you sit through all the credits, because it sets up what is next for one certain character.

A Black Widow solo film should have happened years ago. Imagine all the great spy game action we could have gotten in the MCU with Natasha. Unfortunately, it did not and that is not a criticism for this film. Black Widow has some real connection among the characters and is filled with amazing action. Scarlett Johansson and Florence Pugh are a delight together and David Harbour has great comedic timing.

Black Widow is a fun way to welcome the MCU back to the big screen.

4.75 stars

Going in Style (1979)

DailyView: Day 71, Movies 123

I needed something to cleanse my palate after watching that atrocious Benchwarmers movie, so I picked out something with George Burns. Going in Style was a buddy film from the 1970s with George Burns, Art Carney and Lee Strasberg.

I had seen the remake of this movie a few years ago with Morgan Freeman, Alan Arkin and Michael Caine. That movie was not a very good film and was quite different from the 1979 version.

Wanting to feel young and get some excitement back into their lives, three friends, Joe (George Burns), Al (Art Carney) and Willie (Lee Strasberg) decided to rob a bank. Led by Joe, the three of them planned and executed the robbery, getting away with over 35 thousand dollars. Unfortunately, after the robbery, their age began to catch up with them.

The film is based mainly around the likeability of George Burns and Art Carney and their performances are just great in this movie. While the remake tried to bring more of a reason behind the robbery, this version’s reasoning why the three guys robbed the bank is simple and something that everyone can understand.

There is also a strong emotional beat in the movie. The three lead characters show how tight they were and how important they were with one another. Their friendship was such a vital part of the film. I was emotional with the involvement of Pete (Charles Hallahan) and his family in a couple of specific scenes. There was so much kindness in the scene that hit a note with me.

Going in Style is a solid and an enjoyable film that holds up.

The Benchwarmers (2006)

DailyView: Day 71, Movie 122

DailyView struck out today BIG TIME!

The Benchwarmers was leaving HBO Max this month so I put it on. I had not realized that this was a Rob Schneider/David Spade film. That was strike one. I started it up anyway with the hope that it might surprise me.

It didn’t.

It was mean-spirited, crude, and a total insult to the game of baseball. It tries to use an anti-bullying message to give it more depth, but it only succeeds in making further fun of the topic. It is amazing that an anti-bullying movie can be so much of a bully.

There are fart jokes, one puke joke, sex jokes. The movie is downright sophomoric and stupid. It is insulting and idiotic.

It goes into my list of most hated movies. I hated every second of this film.

Domestic Disturbance (2001)

DailyView: Day 70, Movie 121

The DailyView movie for the day is an older John Travolta movie called Domestic Disturbance that also featured Vince Vaughn in the villain role.

John Travolta played Frank Morrison, a shipbuilder, whose ex-wife Susan (Teri Polo) was getting married to a new man named Rick (Vince Vaughn) and Frank and Susan’s son Danny (Matt O’Leary) was acting out because of it. Danny had a history of bad behavior and lying when things were bothering him, so it seemed to be nothing new. However, when Danny told his father that Rick had murdered a man (Steve Buscemi), the young boy’s word comes into question.

The movie is okay. There is nothing terribly bad about it. Travolta and Vaughn do a decent job in their roles and Matt O’Leary is solid as the young boy. Issues with the movie fall into characterizations and specifics.

Vince Vaughn goes from good and decent man trying to get Danny’s approval into dirtbag murderer really quickly, and the movie does not go into much specifics about why he was the way he was. It really was jarring to go from fishing on a boat with Frank and Danny to burning the dead body of an old associate and threatening Danny with violence. Because of the rapid quick change, it hurts the overall narrative of the movie. The trope of adults not believing a child is here too, which, at first, I thought Frank was going to break. It seemed as if Travolta was going to believe Danny, but he lashed out at the boy verbally at a point showing us that he did not believe him. That was a disappointing moment of the movie.

The film implies that Frank and Susan’s marriage fell apart because of Frank’s drinking and we see one scene where Frank drinks some, but there is little else spelled out.

There are plenty of scenes that are rushed through too. The entire custody section of the film takes all of three scenes to deal with and feels as if it were tacked on for the movie to get to the conclusion.

It is amazing how Rick has been able to get by this long since he reacts in violent manners so quickly. None of the characters of the movie really feel consistent, with the exception of Danny.

This movie feels like one that could have used another trip through the editing process and a recontextualizing of how these characters are meant to be portrayed. It is not the worst movie and the actors are fine, but the the film’s overall quality is not to the point it could have been.

Loki Episode 5

SPOILERS FOR EPISODE 5 OF LOKI

Only one left.

Episode 5 out of 6 brings us into the Void, the place at the end of time where everything that is pruned goes. The best analogy I heard was from Vanessa of Late to the Party, who compared the Void to the trash icon on your computer screen. When you trash something, it goes into the file until you ultimately delete it. That is a great way to look at this.

Alioth. I was unaware of this character’s Marvel Comics background, which only makes it more cool. Yet this giant creature was a real cross between the Langoliers and the Smoke Monster from LOST. As a huge LOST fan, I immediately identified the character design that resembled Smoky and I loved it.

We see our Loki variants greeting Loki as he arrived in the Void. Kid Loki, Classic Loki (who is Richard E. Grant), Boastful Loki and Alligator Loki led Loki through the wasteland of the Void that held Easter Eggs galore… including the infamous THANOS-COPTER!!!! Thanos copter is a real thing that happening in the comics and that it existed in one of the alternate timelines is just a hoot. Also…keep your eyes peeled for Throg.

One of my favorite moments in the episode was one of the quieter parts of the episode. Richard E. Grant explained how he avoided having his neck broken by Thanos. He said that he used his illusion ability to create an image that fooled even Thanos. That was a fan theory that was floating around after Avengers: Infinity War when they were looking at possible ways that Loki could have survived. When the writers used this idea as the way Richard Grant could survive, it was fun.

The President Loki variant made his long awaited appearance too, bringing a bunch of henchmen with him. This led to one of the greatest, most chaotic moment of the series as the group of Lokis were betraying each other and battling for supremacy. In a homage to Peter Pan, Alligator Loki bit the hand off of President Loki. The scream of Prez Loki was a series highlight for sure.

At the TVA, Sylvie and Ravonna were having their confrontation and, I’m sorry, but I did not believe one word that Ravonna said. She was trying to manipulate Sylvie, to delay her long enough for the Minutemen to arrive. However, she had told Sylvie that Loki was still alive and she told her about the Void. As a way to escape, Sylvie pruned herself. That was quite a leap of faith considering Ravonna is clearly a liar. Ravonna goes to talk to Hunter B-15, who is in a special holding cell and she wanted to get whatever info she could get from her. It does feel as if Ravonna did not know that the Timekeepers were fake and she did not seem to know who was behind everything. I still got the indication that she was loyal to whoever was pulling the strings.

Back in the Void, Sylvie awakens and is found by Mobius! Mobius is alive too and this was one of the fish-pumping moments of the episode. When Mobius was pruned last week, it was one of the most difficult scenes because Owen Wilson is such a great part of this series, and to see him back was such a wonderful thing.

Our group of Lokis meet up with Sylvie and Mobius, and they come up with a plan on how to find who was behind the TVA. Sylvie had touched the monstrous Alioth and she saw past it. She believed that she could enchant it. The entire ending sequence with Sylvie and Loki working together while Richard E. Grant distracted Alioth was just tremendous. And it opened up the path to a castle, where clearly our “Wizard of Oz” would be found.

There is so much to unpack here because this episode was packed full of awesomeness and it does an amazing job setting up the confrontations for next episode. Loki and Sylvie on their way to the end of time and Mobius on his way back to the TVA for a final confrontation with Ravonna Renslayer. Mobius tells Loki that he is going to “burn it to the ground.”

The relationship between Loki and Mobius was cemented this episode too, as the two friends shared a hug before Mobius returned to the TVA. It was one of the sweetest moments of the show, and it showed the playfulness as well as Mobius, as he was hugging Loki, whispered to Sylvie that she was his favorite. It was a perfect example of the friendship formed by these two.

One more Wednesday to go. This show has been so wild that next week could bring us literally anything. I mean, we have already had an alligator Loki….

What is next? Is it … Kang?

Fear Street Part 1: 1994

Netflix has something really cool happening right now.

The Fear Street trilogy, one a week for three weeks.

Based on a book series from Goosebumps author R.L. Stine, Fear Street Part 1: 1994 is a slasher movie featuring young actors trying to survive against magically powered killers. The film is directed by Leigh Janiak, with a script co-written by Phil Graziadei and Janiak, from an original story by Kyle Killen, Graziadei, and Janiak.

1994: Shadyside, Ohio. The story shows us a group of teenagers, dealing with their own typical high school problems, trying to discover who they are and hoping to escape the small town failure of Shadyside. However, there was more to impact their lives than just high school drama. They were being pursued by an ancient evil witch, Sarah Fier, and her cadre of murderers which had been causing trouble in the town for centuries.

The legends of the town were usually dismissed as urban legends, but when Samantha (Olivia Scott Welch) accidentally stumbled across a grave, she became the target of the witch’s evil. Sam’s former girlfriend Deena (Kiana Madeira) held a lot of anger over their break up, but, along with her brother Josh (Benjamin Flores Jr) and the local high school drug suppliers Simon (Fred Hechinger) and Kate (Julia Rehwald), teamed up with Sam to try and stay alive.

This was a rousing good time and horror fans should have a lot of fun with this. There is a lot of gore and blood, but not so much as to be disturbing. The three main killers are each different and bring their own dynamic to the film and there is some extremely creepy imagery of the killers and of the witch. The design of the characters really work and create a tension that is effective in the film.

The young actors all do a fantastic job with their performances. Every one of them was believable and conveyed their emotional depth for each character. There is depth provided to them, more so than you usually see in a slasher film and that helps build the tension for the audience. You like these characters and so you are worried when they are placed in jeopardy.

There are several classic horror movies that inspire Fear Street Part 1: 1994. Scream is clearly one of them, as the cold open reminds you of that iconic opening of the first Scream movie with Drew Barrymore. There is also a major plot point here that is an allusion to Poltergeist.

Part 2 coming up is going to head to 1978 and will be dealing with a massacre at a youth camp, a well used premise for horror movies. I am anxious to see how this will tie together with what we got this week. There were multiple mentions of the camp during Part 1 and it will be a vial component to the overall story the trilogy is telling. Part 1 ended with a dramatic cliffhanger and the “To Be Continued” at the end helped to create a anxiousness to see the upcoming part 2.

4.2 stars

Adam’s Rib (1949)

DailyView: Day 69, Movie 120

One of the movies that is heading off HBO Max this month is this black and white comedic classic from 1949. Adam’s Rib stars two of Hollywood’s gigantic stars, Spencer Tracy and Katharine Hepburn in a early day of the sexual revolution.

Adam Bonner (Spencer Tracy) and Amanda Bonner (Katharine Hepburn) are a happily married couple and they are both lawyers. When a case of an unhappy wife (Judy Holliday) trying to shoot her adulterous and uncaring husband (Tom Ewell) come up, Adam becomes the prosecutor, and Amanda, seeing a case that could forward her ideas on equality of the sexes, takes the defense. As the trial becomes competitive, cracks begin to form in the marriage between the lawyers.

Tracy and Hepburn are great here. They are funny, engaging and filled with chemistry. They were a real life couple in one of the worst hidden secrets in Hollywood at the time. You can tell how strong of the feelings there are between them and it surely transfers to the screen. The movie is absolutely carried by the pair of them.

Having said that, I did have some issues with the trial in the movie. There were a lot of the witnesses that were called that did not seem to have anything to do with the case at hand. I know it was done as comedy, but some of the things from the trial did pull me out of the movie.

This movie did feel ahead of its time and does a great job showing how both similar and different men and women can be.