The F**k-It List

The F**k-It List (2020) - IMDb

I am not sure that there could be a bigger example of white privilege out there than this new movie on Netflix.  The F**k-It List has come out in the most unlikely time in the history of our society and gives a big F**k-It to everybody.

I mean… high school senior Brett Blackmore (Eli Brown) is the soon-to-be valedictorian of his senior class and has spent his entire educational career studying and placing his nose to the proverbial grindstone to get ahead.  His friends pick on him for his single-mindedness but it does not affect his choices and he was having great success as he had been accepted to 7 out of the 8 Ivy League colleges, with Harvard only placing him on the waiting list.

However, when he was talked into attending senior prank night, things get out of hand.  Several of his friends accidentally unloose a gas main (very easily, for a very expensive looking high school administration building) and they run to get Brett to fix things.  Brett realizes quickly that there is not much that can be done and they get out of the building, moments before it explodes.

The few cameras that survived the massive explosion gave authorities a picture of Brett running through the halls of the building prior to its ignition.   Brett takes full responsibility for the explosion (despite him not being responsible at all) and his potential future opportunities went up in flames with the building.

After this, he unintentionally posts a video to social media of a rant of his saying that he felt free and that he was creating a f**k-it list.  This video, of course, goes viral and suddenly Brett is a social media superstar inspiring other kids to take the attitude of f**k-it.

Brett’s parents (Jerry O’Connell and Natalie Zea) are shocked by their son’s behavior but continue to let him do whatever he wanted to do.  The film wants you to believe that Brett’s entire life was ruined, but watching him think about his life options while floating on a device in their pool kind of defeats that purpose.

The parents are shown to be totally tone deaf to their son and utterly privileged in their thought process as they tried to use their money to get Brett into college.  In fact, the parents here could be the worst characters in the movie as they even cooked up a scheme for the mom to do “whatever” one of the Harvard board members wanted, going more than implying that she would have sex with him to get Brett into the college.

Then, perhaps I missed it, but the fact that Brett took the full blame for the accidental explosion was never referenced by his friends again, even when Brett, who was not allowed to graduate, comes to see them at the graduation ceremony.  If they did express their gratitude to him, it was certainly subtle enough that I did not catch it.

Eli Brown and Madison Iseman, who played Kayla Pierce, Brett’s longtime crush, are both solid and even charming at times, which takes the coming of age story to a little higher level.  The movie’s problem is that it never sets Brett up to feel as if he were ever in jeopardy.  He looked to be nothing more than angry about having mom and dad push him to academic excellence for his youth. Kayla has a more interesting back story which is the strongest part of the film.

At one point in the movie, Brett tells his father, who is preparing to tell his son something he had done as a child,” not to claim that he knows kids because “he was one once”  and that “nobody’s had it like we do these days.”  Could he be a little more pretentious?

The film wants to pretend that it has some deeper message about school and about money, but it is nothing more than surface level at best.  The F**k-It List is the worst of the entitled world these days.  But hey, just float in your pool.  It helps.

2.2 stars 

Eisner Award winners 2020 SDCC at home

 

The Eisner Awards were presented at the San Diego Comic Con at home edition, on YouTube.  The Eisner Awards are present to the top in the area of comics publishing.  Winner listed in red below….

 

Best Short Story
  • “Hot Comb,” by Ebony Flowers, in Hot Comb (Drawn & Quarterly)
  • “How to Draw a Horse,” by Emma Hunsinger, The New Yorker
  • “The Menopause,” by Mira Jacob, The Believer
  • “Who Gets Called an ‘Unfit’ Mother?” by Miriam Libicki, The Nib
  • “You’re Not Going to Believe What I’m About to Tell You,” by Matthew Inman, The Oatmeal

Best Single Issue/One-Shot
  • Coin-Op No. 8: Infatuation, by Peter and Maria Hoey (Coin-Op Books)
  • The Freak, by Matt Lesniewski (AdHouse)
  • Minotäar, by Lissa Treiman (Shortbox)
  • Our Favorite Thing Is My Favorite Thing Is Monsters, by Emil Ferris (Fantagraphics)
  • Sobek, by James Stokoe (Shortbox)

Best Continuing Series
  • Bitter Root, by David Walker, Chuck Brown, and Sanford Greene (Image)
  • Criminal, by Ed Brubaker and Sean Phillips (Image)
  • Crowded, by Christopher Sebela, Ro Stein, and Ted Brandt (Image)
  • Daredevil, by Chip Zdarsky and Marco Checchetto (Marvel)
  • The Dreaming, by Simon Spurrier, Bilquis Evely et al. (DC)
  • Immortal Hulk, by Al Ewing, Joe Bennett, and Ruy José et al. (Marvel)

Best Limited Series
  • Ascender, by Jeff Lemire and Dustin Nguyen (Image)
  • Ghost Tree, by Bobby Curnow and Simon Gane (IDW)
  • Little Bird by Darcy Van Poelgeest and Ian Bertram (Image)
  • Naomi by Brian Michael Bendis, David Walker, and Jamal Campbell (DC)
  • Sentient, by Jeff Lemire and Gabriel Walta (TKO)

Best New Series
  • Doctor Doom, by Christopher Cantwell and Salvador Larocca (Marvel)
  • Invisible Kingdom, by G. Willow Wilson and Christian Ward (Berger Books/Dark Horse)
  • Once & Future, by Kieron Gillen and Dan Mora (BOOM! Studios)
  • Something Is Killing the Children, by James Tynion IV and Werther Dell’Edera (BOOM! Studios)
  • Undiscovered Country, by Scott Snyder, Charles Soule, Giuseppe Camuncoli, and Daniele Orlandini (Image)

Best Publication for Early Readers
  • Comics: Easy as ABC, by Ivan Brunetti (TOON)
  • Kitten Construction Company: A Bridge Too Fur, by John Patrick Green (First Second/Macmillan)
  • The Pigeon HAS to Go to School! by Mo Willems (Hyperion Books)
  • A Trip to the Top of the Volcano with Mouse, by Frank Viva (TOON)
  • ¡Vamos! Let’s Go to the Market, by Raúl the Third (Versify/Houghton Mifflin Harcourt)
  • Who Wet My Pants? by Bob Shea and Zachariah Ohora (Little, Brown)

Best Publication for Kids
  • Akissi: More Tales of Mischief, by Marguerite Abouet and Mathieu Sapin (Flying Eye/Nobrow)
  • Dog Man: For Whom the Ball Rolls, by Dav Pilkey (Scholastic Graphix)
  • Guts, by Raina Telgemeier (Scholastic Graphix)
  • New Kid, by Jerry Craft (Quill Tree/HarperCollins)
  • This Was Our Pact, by Ryan Andrews (First Second/Macmillan)
  • The Wolf in Underpants, by Wilfrid Lupano, Mayana Itoïz, and Paul Cauuet (Graphic Universe/Lerner Publishing Group)

Best Publication for Teens
  • Harley Quinn: Breaking Glass, by Mariko Tamaki and Steve Pugh (DC)
  • Hot Comb, by Ebony Flowers (Drawn & Quarterly)
  • Kiss Number 8, by Colleen AF Venable and Ellen T. Crenshaw (First Second/Macmillan)
  • Laura Dean Keeps Breaking Up with Me, by Mariko Tamaki and Rosemary Valero-O’Connell (First Second/Macmillan)
  • Penny Nichols, by MK Reed, Greg Means, and Matt Wiegle (Top Shelf)

Best Humor Publication
  • Anatomy of Authors, by Dave Kellett (SheldonComics.com)
  • Death Wins a Goldfish, by Brian Rea (Chronicle Books)
  • Minotäar, by Lissa Treiman (Shortbox)
  • Sobek, by James Stokoe (Shortbox)
  • The Way of the Househusband, vol. 1, by Kousuke Oono, translation by Sheldon Drzka (VIZ Media)
  • Wondermark: Friends You Can Ride On, by David Malki (Wondermark)

Best Anthology
  • ABC of Typography, by David Rault (SelfMade Hero)
  • Baltic Comics Anthology š! #34-37, edited by David Schilter, Sanita Muižniece et al. (kuš!)
  • Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival, edited by Diane Noomin (Abrams)
  • Kramer’s Ergot #10, edited by Sammy Harkham (Fantagraphics)
  • The Nib #2–4, edited by Matt Bors (Nib)

Best Reality-Based Work
  • Good Talk: A Memoir in Conversations, by Mira Jacob (One World/Random House)
  • Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)
  • Kid Gloves: Nine Months of Careful Chaos, by Lucy Knisley (First Second/Macmillan)
  • Moonbound: Apollo 11 and the Dream of Spaceflight, by Jonathan Fetter-Vorm (Hill & Wang)
  • My Solo Exchange Diary, vol. 2(sequel to My Lesbian Experience with Loneliness), by Nagata Kabi, translation by Jocelyne Allen (Seven Seas)
  • They Called Us Enemy, by George Takei, Justin Eisinger, Steven Scott, and Harmony Becker (Top Shelf)

Best Graphic Album—New
  • Are You Listening? by Tillie Walden (First Second/Macmillan)
  • Bezimena, by Nina Bunjevac (Fantagraphics)
  • BTTM FDRS, by Ezra Claytan Daniels and Ben Passmore (Fantagraphics)
  • Life on the Moon, by Robert Grossman (Yoe Books/IDW)
  • New World, by David Jesus Vignolli (Archaia/BOOM!)
  • Reincarnation Stories, by Kim Deitch (Fantagraphics)

Best Graphic Album—Reprint
  • Bad Weekend by Ed Brubaker and Sean Phillips (Image)
  • Clyde Fans, by Seth (Drawn & Quarterly)
  • Cover, vol. 1, by Brian Michael Bendis and David Mack (DC/Jinxworld)
  • Glenn Ganges: The River at Night, by Kevin Huizenga (Drawn & Quarterly)
  • LaGuardia, by Nnedi Okorafor and Tana Ford (Berger Books/Dark Horse)
  • Rusty Brown, by Chris Ware (Pantheon)

Best Adaptation from Another Medium
  • Giraffes on Horseback Salad: Salvador Dali, the Marx Brothers, and the Strangest Movie Never Made, by Josh Frank, Tim Hedecker, and Manuela Pertega (Quirk Books)
  • The Giver, by Lois Lowry and P. Craig Russell, (HMH Books for Young Readers)
  • The Handmaid’s Tale: The Graphic Novel, by Margaret Atwood, adapted by Renee Nault (Nan A. Talese)
  • HP Lovecraft’s At the Mountains of Madness, vols. 1–2adapted by Gou Tanabe, translation by Zack Davisson (Dark Horse Manga)
  • The Seventh Voyage, by Stanislaw Lem, adapted by Jon Muth, translation by Michael Kandel (Scholastic Graphix)
  • Snow, Glass, Apples, by Neil Gaiman and Colleen Doran (Dark Horse Books)

Best U.S. Edition of International Material
  • Diabolical Summer, by Thierry Smolderen and Alexandre Clerisse, translation by Edward Gauvin (IDW)
  • Gramercy Park, by Timothée de Fombelle and Christian Cailleaux, translation by Edward Gauvin (EuroComics/IDW)
  • The House, by Paco Roca, translation by Andrea Rosenberg (Fantagraphics)
  • Maggy Garrisson, by Lewis Trondheim and Stéphane Oiry, translation byEmma Wilson (SelfMadeHero)
  • Stay, by Lewis Trondheim and Hubert Chevillard, translation by Mike Kennedy (Magnetic Press)
  • Wrath of Fantômas, by Olivier Bouquet and Julie Rocheleau, translation by Edward Gauvin (Titan)

Best U.S. Edition of International Material—Asia
  • BEASTARS, by Paru Itagaki, translation by Tomo Kimura(VIZ Media)
  • Cats of the Louvre, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)
  • Grass, by Keum Suk Gendry-Kim, translation by Janet Hong (Drawn & Quarterly)
  • Magic Knight Rayearth 25th Anniversary Edition, by CLAMP, translation by Melissa Tanaka (Kodansha)
  • The Poe Clan, by Moto Hagio, translation by Rachel Thorn (Fantagraphics)
  • Witch Hat Atelier, by Kamome Shirahama, translation by Stephen Kohler (Kodansha)

Best Archival Collection/Project—Strips
  • Cham: The Best Comic Strips and Graphic Novelettes, 1839–1862, by David Kunzle (University Press of Mississippi)
  • Ed Leffingwell’s Little Joe, by Harold Gray, edited by Peter Maresca and Sammy Harkham (Sunday Press Books)
  • The George Herriman Library: Krazy & Ignatz 1916–1918, edited by R.J. Casey(Fantagraphics)
  • Krazy Kat: The Complete Color Sundays, by George Herriman, edited by Alexander Braun (TASCHEN)
  • Madness in Crowds: The Teeming Mind of Harrison Cady, by Violet and Denis Kitchen (Beehive Books)
  • PogoVol. 6: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Best Archival Collection/Project—Comic Books
  • Alay-Oop,by William Gropper (New York Review Comics)
  • The Complete Crepax, vol. 5: American Stories, edited by Kristy Valenti(Fantagraphics)
  • Jack Kirby’s Dingbat Love, edited by John Morrow (TwoMorrows)
  • Moonshadow: The Definitive Edition, by J. M. DeMatteis, Jon J Muth, George Pratt, Kent Williams, and others (Dark Horse Books)
  • Stan Sakai’s Usagi Yojimbo: The Complete Grasscutter Artist Select, by Stan Sakai, edited by Scott Dunbier (IDW)
  • That Miyoko Asagaya Feeling, by Shinichi Abe, translation by Ryan Holmberg, edited by Mitsuhiro Asakawa (Black Hook Press)

Best Writer
  • Bobby Curnow, Ghost Tree (IDW)
  • MK Reed and Greg Means, Penny Nichols (Top Shelf)
  • Mariko Tamaki, Harley Quinn: Breaking Glass (DC); Laura Dean Keeps Breaking Up with Me (First Second/Macmillan); Archie (Archie)
  • Lewis Trondheim, Stay (Magnetic Press); MaggyGarrisson (SelfMadeHero)
  • G. Willow Wilson, Invisible Kingdom (Berger Books/Dark Horse); Ms. Marvel (Marvel)
  • Chip Zdarsky, White Trees (Image); Daredevil, Spider-Man: Life Story (Marvel); Afterlift (comiXology Originals)

Best Writer/Artist
  • Nina Bunjevac, Bezimena (Fantagraphics)
  • Mira Jacob, Good Talk (Random House); “The Menopause” in The Believer (June 1, 2019)
  • Keum Suk Gendry-Kim, Grass (Drawn & Quarterly)
  • James Stokoe, Sobek (Shortbox)
  • Raina Telgemeier, Guts (Scholastic Graphix)
  • Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Penciller/Inker or Penciller/Inker Team
  • Ian Bertram, Little Bird (Image)
  • Colleen Doran, Snow, Glass, Apples (Dark Horse)
  • Bilquis Evely, The Dreaming (DC)
  • Simon Gane, Ghost Tree (IDW)
  • Steve Pugh, Harley Quinn: Breaking Glass (DC)
  • Rosemary Valero-O’Connell, Laura Dean Keeps Breaking Up with Me (First Second/Macmillan)

Best Painter/Digital Artist
  • Didier Cassegrain, Black Water Lilies (Europe Comics)
  • Alexandre Clarisse, Diabolical Summer (IDW)
  • David Mack, Cover (DC)
  • Léa Mazé, Elma, A Bear’s Life, vol. 1: The Great Journey (Europe Comics)
  • Julie Rocheleau, Wrath of Fantômas (Titan)
  • Christian Ward, Invisible Kingdom (Berger Books/Dark Horse)

Best Cover Artist
  • Jen Bartel, Blackbird  (Image Comics)
  • Francesco Francavilla, Archie, Archie 1955, Archie Vs. Predator II, Cosmo (Archie)
  • David Mack, American Gods, Fight Club 3 (Dark Horse); Cover (DC)
  • Emma Rios, Pretty Deadly (Image)
  • Julian Totino Tedesco, Daredevil (Marvel)
  • Christian Ward, Machine Gun Wizards (Dark Horse), Invisible Kingdom (Berger Books/Dark Horse)

Best Coloring
  • Lorena Alvarez, Hicotea (Nobrow)
  • Jean-Francois Beaulieu, Middlewest, Outpost Zero (Image)
  • Matt Hollingsworth, Batman: Curse of the White Knight, Batman White Knight Presents Von Freeze (DC); Little Bird, November (Image)
  • Molly Mendoza, Skip (Nobrow)
  • Dave Stewart, Black Hammer, B.P.R.D.: The Devil You Know, Hellboy and the BPRD(Dark Horse); Gideon Falls (Image); Silver Surfer Black, Spider-Man (Marvel)

Best Lettering
  • Deron Bennett, Batgirl, Green Arrow, Justice League, Martian Manhunter (DC); Canto (IDW); Assassin Nation, Excellence (Skybound/Image); To Drink and To Eat, vol. 1 (Lion Forge); Resonant (Vault)
  • Jim Campbell, Black BadgeCoda (BOOM Studios); Giant DaysLumberjanes: The Shape of Friendship (BOOM Box!); Rocko’s Modern Afterlife (KaBOOM!); At the End of Your Tether (Lion Forge); Blade Runner 2019 (Titan); Mall, The Plot, Wasted Space (Vault)
  • Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Heroes in Crisis, Superman: Up in the Sky, Superman’s Pal Jimmy Olsen (DC);Bitter Root, Pretty Deadly, Moonstruck, Redlands, The Wicked + The Divine (Image); Reaver  (Skybound/Image); Daredevil, Ghost-Spider, Silver Surfer Black, Superior Spider-Man, Venom (Marvel)
  • Emilie Plateau, Colored: The Unsung Life of Claudette Colvin (Europe Comics)
  • Stan Sakai, Usagi Yojimbo (IDW)
  • Tillie Walden, Are You Listening? (First Second/Macmillan)

Best Comics-Related Periodical/Journalism
  • Comic Riffs blog, by Michael Cavna
  • The Comics Journal, edited by Gary Groth, RJ Casey, and Kristy Valenti(Fantagraphics)
  • Hogan’s Alley, edited by Tom Heintjes (Hogan’s Alley)
  • Inks: The Journal of the Comics Studies Society, edited by Qiana Whitted(Ohio State University Press)
  • LAAB Magazine, vol. 4: This Was Your Life, edited by Ronald Wimberly and Josh O’Neill (Beehive Books)
  • Women Write About Comics, edited by Nola Pfau and Wendy Browne

Best Comics-Related Book
  • The Art of Nothing: 25 Years of Mutts and the Art of Patrick McDonnell(Abrams)
  • The Book of Weirdo, by Jon B. Cooke (Last Gasp)
  • Grunt: The Art and Unpublished Comics of James Stokoe (Dark Horse)
  • Logo a Gogo: Branding Pop Culture, by Rian Hughes (Korero Press)
  • Making Comics, by Lynda Barry (Drawn & Quarterly)
  • Screwball! The Cartoonists Who Made the Funnies Funny, by Paul Tumey (Library of American Comics/IDW)

Best Academic/Scholarly Work
  • The Art of Pere Joan: Space, Landscape, and Comics Form, by Benjamin Fraser (University of Texas Press)
  • The Comics of Rutu Modan: War, Love, and Secrets, by Kevin Haworth (University Press of Mississippi)
  • EC Comics: Race, Shock, and Social Protest, by Qiana Whitted (Rutgers University Press)
  • The Peanuts Papers: Writers and Cartoonists on Charlie Brown, Snoopy & the Gang, and the Meaning of Life, edited by Andrew Blauner (Library of America)
  • Producing Mass Entertainment: The Serial Life of the Yellow Kid, by Christina Meyer (Ohio State University Press)
  • Women’s Manga in Asia and Beyond: Uniting Different Cultures and Identities, edited by Fusami Ogi et al. (Palgrave Macmillan)

Best Publication Design
  • Grunt: The Art and Unpublished Comics of James Stokoe, designed by Ethan Kimberling (Dark Horse)
  • Krazy Kat: The Complete Color Sundays, by George Herriman, designed by Anna-Tina Kessler (TASCHEN)
  • Logo a Gogo, designed by Rian Hughes (Korero Press)
  • Madness in Crowds: The Teeming Mind of Harrison Cady, designed by Paul Kopple and Alex Bruce (Beehive Books)
  • Making Comics, designed by Lynda Barry (Drawn & Quarterly)
  • Rusty Brown, designed by Chris Ware (Pantheon)

Best Digital Comic
  • Afterlift, by Chip Zdarsky and Jason Loo (comiXology Originals)
  • Black Water Lilies, by Michel Bussi, adapted by Frédéric Duval and Didier Cassegrain, translated by Edward Gauvin (Europe Comics)
  • Colored: The Unsung Life of Claudette Colvin, by Tania de Montaigne, adapted by Emilie Plateau, translated by Montana Kane (Europe Comics)
  • Elma, A Bear’s Life, vol. 1: The Great Journey, by Ingrid Chabbert and Léa Mazé, translated by Jenny Aufiery (Europe Comics)
  • Mare Internum, by Der-shing Helmer (comiXology; gumroad.com/l/MIPDF)
  • Tales from Behind the Window, by Edanur Kuntman, translated by Cem Ulgen (Europe Comics)

Best Webcomic
  • Cabramatta, by Matt Huynh
  • Chuckwagon at the End of the World, by Erik Lundy
  • The Eyes, by Javi de Castro
  • Fried Rice Comic, by Erica Eng
  •  reMIND, by Jason Brubaker
  • Third Shift Society, by Meredith Moriarty

 

Empyre: Avengers #1

Empyre: Avengers (2020) #1 | Comic Issues | Marvel

Empyre: Avengers #1

Seeds of Conflict

Writer:  Jim Zub

Artist:  Carlos Magno

Cover Art:  Steve McNiven & Morry Hollowell

Marvel Comics newest gigantic crossover event is Empyre and, as most of these type of events, there are a ton of secondary issues outside of the actual Empyre limited series.  Exactly how many issues are unknown because I have heard some of them may have been cancelled because of the COVID-19 outbreak.

The fact that some of the issues can be cancelled in this story and not have them affect the overall event tells you something about a lot of these tie-in issues.  They are not necessarily important to the story.

However, there are positives to Empyre: Avengers that, while may not be vital to the story, make for a nice side tale worth reading.

This takes place within the continuity of the Empyre saga and I very much liked the group of characters that are involved.  By doing this, we get a more detailed look at these characters.

There are two prongs to the story.  My favorite part was seeing Brother Voodoo, Ka-Zar, Scarlet Witch, Black Knight and Zabu return to the Savage Land to face off with the the Cotati. In the Savage Land, we get a couple of cool cameos that could lead to some excitement next issue.  The other prong of the story was less interesting which included Quicksilver, Mockingbird and Wonder Man who wind up stuck in the middle between the forces of the Kree/Skull alliance and the Cotati.  There is a short third part involving Vision, Luke Cage and Doctor Nemesis too, but this was a very little piece of the book.

The deep roster of characters allow this book to focus in on other Avengers besides just Cap and Iron Man.

While the book may not be relevant for the overall story of Empyre, I did like the pieces that they are telling us of the outlier of the tale.

ReadIt

Empyre: Avengers (2020) #1 | Comic Issues | Marvel

X-Men + Fantastic Four #4

X-Men + Fantastic Four #4

Welcome to the New World:  The Might of Latveria has been Unleashed

Writer:  Chip Zdarsky

Artist:  Terry Dodson

Cover Art:  Terry Dodson & Rachel Dodson

This is one of the many mini series/regular series that have suffered because of COVID-19.  It has been such a long time since we saw the first three issues of this series that it really made this climactic chapter in this mini series feel like an after thought, and that is too bad since I had really been enjoying this series up to this point.

Everybody is trying to get their hands on Franklin Richards for their own reasons.  The series does a good job of presenting the different sides to the argument over Franklin whether it is the plans of Dr. Doom or the X-Men or Franklin’s parents.

I have to say that the art of this book has not been my favorite so far (in particular the faces of the characters), but I really think this issue stepped it up.  Some of the art here is so wonderful, especially with the images of Franklin and his power, so it helps the issue.

However, the ending scene (which I will not spoil) with Professor X and Magneto doing something that made me reconsider those two characters and their motivation.

The series also seemed to wrap up pretty easily.  Made me think about those sitcoms that introduce the story and it gets wrapped up in the half hour.  The characters’ changed their minds quickly.

The series was a decent overall read, and , if you did not have the months in between, I think it would have been all the better.  The minor quips I have are nothing major, but the final issue was not as great as my memory told me about the previous issues.

Itsfine

 

Daredevil #21

Preview: Daredevil #21 | Graphic Policy

Daredevil #21

Truth/Dare Part 1

Writer:  Chip Zdarsky

Artist:  Marco Checchetto

Cover Art:  Marco Checchetto & Erick Arciniega

The Daredevil series has been such high quality during this recent run by writer Chip Zdarsky and this week’s Daredevil #21 is a good example of why.  If you are being honest, nothing actually happened in this book.  And yet, it was thoroughly compelling and engaging.  I found myself turning the pages with a renewed vigor.

The battle of Hell’s Kitchen is over and now the fall out happens. Daredevil decides that he must turn himself into the police to face the consequences of his actions.  This issue is going from the end of the battle to DD turning himself in.  While there was not much plot-wise involved here, there was a bunch of remarkable character beats for Daredevil and the others involved.

There is a tense scene between Daredevil and Spider-man (with a great throwback to the previous cameo with the Wall-Crawler).  There are some amazing scenes with DD and Foggy.  Detective Cole North has become a top notch character in this arc and he continues as a fantastic piece.  DA Hochberg and Daredevil have an amazing interaction too.

Then the comic begins a new arc that is perhaps going to be one of the most intriguing and potentially influential plot in a superhero comic.  I am very excited about where this comic is headed.

Marco Checcetto’s art in this book is fabulous.  There are so many panels that jump off of each page.  His work truly sets up the tone of this book and helps with the enjoyment of the book.

Daredevil #21 felt like a transition, but it was a transition at the highest level you can get.

excelsior

Preview: Daredevil #21 | Graphic Policy

 

Spirited Away (2002)

Amazon.com: Spirited Away Poster Movie E 11x17 Rumi H?ragi Miyu ...

Ever since I began this journey through the catalog of Studio Ghibli films, I have been looking forward to one particular film.  Spirited Away has been spoken of with such reverence that I have really anticipated reaching the film in the watch.  Today was the day.

I was very excited to watch Spirited Away this morning, though I did approach it with some trepidation.  The word of mouth had been so overwhelmingly positive that it threatened to raise my anticipation levels too high.  Would Hayao Miyazaki’s reputed classic be able to reach the levels of my expectation?  It would not be the first movie that I went into with high expectations only to come out shrugging my shoulders.

That was not the case.  Spirited Away is a masterpiece.

During her families move, unhappy 10-year old Chichiro and her parents got lost and discovered a deserted amusement park.  Before too long, Chichiro learned that there was more to the amusement park than you could see.  There was magic and a world of amazing creatures.  Chichiro investigates the area as her parents hungrily eats food at a local establishment.  When she meets a young boy named Haku, she is warned that she and her parents need to get out of the place before nightfall.  Rushing back to them, Chichiro finds that she was too late and that her parents had been transformed into pigs, forcing the young girl into a world of mystery.

As with all Studio Ghibli films, the animation here is amazing, but this film takes it to another level.  The character design on every creature, character or setting is utterly breathtaking and is filled with such specific details and stunning imagery.  The characters creation informs you about the characters brilliantly, presenting both sides to these complex characters.

There are some of the best characters that I have seen yet in this series of movies, including the bathhouse owner Yubaba is a marvelous construction of imagination and creativity.  Haku and his other part fits right in with the Japanese ideals and he is a beautiful design.  Lin is another great character who helps Sen, the name given to Chichiro by Yubaba as a way to control her.  No-Face is a spirit that comes into the bathhouse and seems to be a kindly spirit…until he was not.  That moment when No-Face turns completely shocked me and created a remarkable uneasiness in my mind.

Spirited Away reminded me immediately of The Wizard of Oz, as that film seems to share many of the same themes.  Both have a young girl as the main protagonist.  This young girl finds her way to an odd and magical world where she is just trying to return to her own life, trying to avoid the witch who has power around the land.  I have also seen people understandably connected it to Alice in Wonderland.  I saw Dan Murrell review this film and he said that the parents into pig scene reminded him of the kid turns into a donkey scene from Pinocchio.   These nods to the classics of children’s fantasy and literature create a richness in the story telling that helps flesh out everything for Spirited Away.

I love the character arc for Chichiro, as she starts as a fearful and depressed girl who whined a lot into a brave and heroic figure you goes out of her way to help the people that she cares about.  You can see how Sen grows with each situation she finds herself in.

For such a hyped film, Spirited Away paid off big time.  I loved this so much and it was a masterful animated movie like few that have ever came out.  A beautiful epic.

paragon

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My Neighbors the Yamadas (1999)

My Neighbors the Yamadas (1999) - Posters — The Movie Database (TMDb)

The next film in the Studio Ghibli list of films is My Neighbors the Yamadas.

I have to say, this one is an odd one.  It is not a typical narrative.  It is actually a group of vignettes that are strung together about the same group of characters.  The family includes Takashi and Matsuko (the father and mother), Shige (Matsuko’s mother), Noboru (aged approximately 13, the son), Nonoko (aged approximately 5, the daughter), and Pochi (the family dog).

The animation of the film is different than any of the previous Studio Ghibli films.  This has a very stylized comic strip feel to it, with a soft look and fewer details.  It was a very interesting animation to watch.

However, I have to say that I did have trouble staying interested in the film as the shorter vignettes failed to catch and maintain my attention.  There were some funny moments that made me laugh, but I just could not get into the film.

Still, there was one vignette where they sing the song “Que Sera, Sera (Whatever Will Be, Will Be)” that I enjoyed a great deal.  There were a couple of the shorts that were better at drawing my attention, but, unfortunately, overall I could not keep the focus on the film.

There are definitely some great parts of the film, but I failed at engaging myself into the overall movie despite them.  Perhaps this is a film to revisit down the road because there were some good aspects to My Neighbors the Yamadas.

Underwhelming

My Neighbors the Yamadas (1999) - Posters — The Movie Database (TMDb)

Kiss Kiss Bang Bang (2005)

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Shane Black directed this comedy/mystery film starring Robert Downey Jr, who was on the cusp of his major come back from his own personal demons, and Val Kilmer.

The film featured several techniques of storytelling that you do not see that often in major movies.  In particular, the breaking of the fourth wall with Robert Downey Jr’s character being the narrator and going through certain tropes of a detective/mystery movie and calling them to light.  This is the type of technique that could get old, but Kiss Kiss Bang Bang does it extremely well.

Harry (Robert Downey Jr), a small time thief, winds up accidentally in an audition for an acting role, a part of a detective.  The studio sends him for detective training with a real detective Perry (Val Kilmer), but the constantly unlucky Harry winds up in the middle of a murder mystery that reunites him with his old crush from high school, Harmony (Michelle Monaghan).

The plot of the movie is simply there to place these three characters into certain situations and to create the mood of a film noir.  Once there, they are masterfully funny and engaging.  Robert Downey Jr. shows the skills that would provide him the opportunity to become Tony Stark in the MCU.  He is quick-witted, snarky and snippy and very intelligent, even if the character he is playing is not quite so bright.

As I stated, I loved the technique of the narration and how RDJ would speak about individual specifics on a movie, pointing out when there are examples of that in the film that you, as an audience member, was watching.  It worked mainly because of the sarcastic nature of Downey Jr and the clever writing of Shane Black.

I enjoyed Kiss Kiss Bang Bang a lot.  This is a clever, intelligent film with a great chemistry between its stars.  This is well worth the watch.

vintage

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Princess Mononoke (1997)

Princess Mononoke at Regal Kaufman Astoria 14 - This is Astoria

Hayao Miyazaki returns to head up the next Studio Ghibli film and this is one of the studio’s most popular and well-known films.  Princess Mononoke is one of the first films people cite when speaking about the animation giant and it is well deserved.  The film is truly a grandiose, fantasy epic that spirals through the forests of Japan.

A small village in Japan is attacked by a demon boar.  The village’s last prince, Ashitaka, killed it, but, in the processes, was cursed by the creature.  The curse covered Ashitaka’s arm and threatened to creep across his whole body and kill him from within.

The young hero set off from his village in the hopes of finding aid from the Great Forest Spirit.  On his quest, he comes across a settlement called Irontown, led by Lady Eboshi, who was responsible for causing the boar to become a demon.

During his struggles, Ashitaka encountered the Wolf god Moro, and her adopted human daughter San.

Princess Mononoke is an amazing story filled with drama, tension and heroic actions.  Ashitaka and San are both positive and powerful models of heroism, whether or not they were on the same side.  Ashitaka’s message of trying to convince the humans and the forest to live in peace placed him in the center of the struggles of all of the forces, and he bravely did what he could to make it happen.

One of my favorite parts of this film was the fact that there was no one portrayed as evil.  These were deep and three dimensional characters who had clear and understandable motives for why they were acting as they were.  In fact, even the film’s main antagonist, Lady Eboshi, could not be considered a villain.  She committed many acts that could be considered wrong, but you understood her reasons and thus made her more human.  Just about all of the characters in the film that could be considered the “bad guys” have motivation that you can buy.  The only group that is not truly given a deeper meaning is the samurais.

Have I mentioned before how much I love the animation and the imagery used in these Studio Ghibli films?  Princess Mononoke is not an exception.  It is beautifully rendered and provide a stunning visual experience.

The only criticism I may have its that the movie is quite long for an animated movie, but it does flow well and, perhaps, the length is just one more way that Princess Mononoke breaks the expectations of animated movies.  It is an epic for sure and should be viewed as one.

paragon

Princess Mononoke at Regal Kaufman Astoria 14 - This is Astoria

Whisper of the Heart (1995)

Whisper of the Heart (1995) - IMDb

The Studio Ghibli movies got back on the right track for me with Whisper of the Heart after a couple of lesser offerings in the oeuvre of the studio.  The previous two films were not at the level that most of the prior movies had been, but Whisper of the Heart has reclaimed that Studio Ghibli magic.

Fourteen year old Shizuku is a student who loves to read.  She checks out many books from the library and, on the index card, she discovered that a boy named Seiji checked out all the same books.  The romantic in her wonders if this boy is the one she is meant to love.

On a bus, she sees a cat that she befriends and follows to an antique shop.  She meets the old man who runs the shop and he introduces her to a statue called The Baron.

This movie is a coming of age tale of the young girl and her imagination and the young boy who is following his dream of becoming a violin maker.  There are plenty of moments of typical school shenanigans, but the key point of the film is the relationship between these two main characters.  There is a real feeling to the film that brings its own magic to the story.

Of course, the animation is beautiful and the imagery in the film can be breathtaking.

One of the weird things about this movie was the use of the lyrics from the song “Country Road” by John Denver.  The song was meant to have been written by Shizuku in the story, and it worked.  It was strange though.

Whisper of the Heart was sweet and romantic.  The two characters are developed extremely well and they are easy to root for.  This was a really good film.

goodstuff

Whisper of the Heart (1995) - IMDb

Pom Poko (1994)

Pom Poko Movie Home Decorative Painting White Kraft Paper Poster ...

Continuing to move along in the Studio Ghibli films, I have come across Pom Poko.

Pom Poko tells the story of “raccoons” ( which apparently is an inaccurate description of these creatures, known in Japanese folklore as tanuki (though the film’s English dub referred to them as raccoons and that will be how I refer to them).  These raccoons lived in a forest and began to struggle against the humans and their suburban development in the land.  The raccoons had the ability to transform themselves into any kind of objects and they used this ability to try and scare the humans off.

Of course the animation in the movie is great, as it seems that all of the Studio Ghibli are.

After that, though, I did not find myself a fan of this one.  The comedy/drama film was odd, very strange.  There was bizarre story elements and the raccoons really were trippy.  There is a heavy theme of environmentalism, which was hardly subtle.

The film was narrated throughout the movie and I found that distracting in many ways.  The voice was unemotional and told the events in a detached manner.  For a film with so many fantastical elements, the spoken narration was very much out of place.

None of the characters spoke to me.  They were either unmemorable or so over-the-top that they did not fit in.  We did not have a main protagonist, as the characters continually switched from point of view.

Honestly, this one was not one of my favorites.  I feel as if there were way too many problems in the style or the construction of this story and that it simply does not live up to the beautiful animation in the film.  Pom Poko was difficult to watch and dragged on for much of the film.

meh

Pom Poko Movie Home Decorative Painting White Kraft Paper Poster ...

Wag the Dog (1997)

Amazon.com: Wag the Dog Poster D 27x40 Dustin Hoffman Robert De ...

This past week, the topic on the Top 10 Show with John Rocha and Matt Knost was Best films of 1997.  During that show and my research to construct my own top 10 list, the movie Wag the Dog showed up.  I had not seen this film in a long time and I wanted to watch it again because I had remembered enjoying it.  Now that I have seen it once again, I truly loved the movie.

It certainly speaks to the unbelievable world of presidential politics and the ways that the media could be manipulated to tell the narrative that a campaign may want told.

In order to help change the topic of a sex scandal a few days prior to a presidential election, Conrad Brean (Robert DeNiro), a spin doctor, approached Hollywood producer Stanley Motss (Dustin Hoffman) for help in spinning a yarn about a war that they would create on their own.

Wag the Dog was extremely funny, but there is an underlying anxiety that makes one think that this is the type of situations that actually happen in the world.  Perhaps not at the level that they show in the movie, but the effort to change a certain topic or to distract from one story by having something else for the media to talk about seems to happen all the time today.

Robert DeNiro is amazing in this film.  Dustin Hoffman matches him with each scene.  Anne Heche has another side to the puzzle as Winifred Ames, an aide on the campaign.  These three create an amazing group of characters that are totally funny in situations that sure seemed to be anything but.

Woody Harrelson’s portrayal as Sgt. William Schumann, a supposed hero who turns out to be anything but one, is maybe the funniest point of the film.

The film’s pace is beautiful, nothing being wasted.  Wag the Dog is just around 90 minutes and every scene works.  Director Barry Levinson does a wonderful job creating the story and getting the images that are being created by the characters to show a nation.

The movie is a dark comedy that is extremely funny, but it speaks a truth that might make you question anything you see on the news or that comes out of the mouth of politicians.

vintage

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Captain Marvel #17

Captain Marvel (2019-) #17 - Comics by comiXology

Captain Marvel #17

Game Night

Writer:  Kelly Thompson

Artist:  Francesco Manna

Cover Art:  Pepe Larraz & Marte Gracia

The recent issues of Captain Marvel have not been my favorite among the books I buy.  It has been awhile since I have truly enjoyed the issues of Captain Marvel.  The Star stuff was fine.  The Captain Marvel kills the Avengers left me wanting.  It is a title that has been low on my list for a time now.

Then, they come up with issue #18.

Yes, it feels like a filler.  It will not be setting up any long term story arcs.  However, some times you need these types of issues to keep your comic fresh.

And how fresh was it?  Who could have anticipated Carol inviting Kamala Khan over for “game night” which was poker with Logan, Monica Rambeau, Jessica Drew, and Hazmat?  Whereas the others wanted to play poker (a longtime standby for Marvel heroes), the innocence of Ms. Marvel brought a different idea.

Escape room!

Is the set up coincidental?  Sure.  Of course the escape room they go to is run by a wannabe super villain.  But the plot contrivances aside, I loved this book.

The main part of the story that I loved was the interactions with the six main heroes in the story.  Wolverine’s reaction to the idea and attempt to get out of going.  Carol trying to make Kamala happy.  The running joke with Jessica Drew and her sweatpants (in fact, Jessica Drew is becoming one of my favorite Marvel characters because of her wit and humor).

The characterizations here are spot on and the escape room concept brought fun with just enough menace to keep you guessing.

The world of Marvel Comics has been too many wide spread crossovers with massive universal stakes.  Some quieter, lighter, more fun books keeps the balance nicely.

Awesomeness

Captain Marvel (2019-) #17 - Comics by comiXology

2020 iWolverine #1

2020 iWolverine (2020) #1 | Comic Issues | Marvel

2020 iWolverine #1

Writer:  Larry Hama

Artist:  Roland Boschi

Cover Art:  Juan Jose Ryp & Jesus Aburtov

The COVID-19 quarantine affected comics books dramatically.  One of the biggest things is that we did not see issues of continuing stories and when we finally came back to it, it was hard to get back into some of them.  The Iron Man 2020 crossover is one of those.

Honestly, the Iron Man 2020 story has not been one that I have loved as is and then I had a several month break.  The momentum of this story stopped significantly.

iWolverine does not reclaim that momentum that had been lost.

It is a robot Logan in Madripoor.  That is about it.  Oh, there is a little girl robot too that has a stupid speech impediment.  She started off as a head (which I already saw in The Runaways).  Boring.

Not sure if this was meant to be a joke.  There is a #2 on this coming later, but I won’t be buying it.

skipIt

2020 iWolverine (2020) #1 | Comic Issues | Marvel

 

EYG Top 10 Movies of 1997

EYG23

Back again to contribute my list to the Top 10 Show list.  This week, they chose a random year and listed their top ten movies from that year.  The episode featured Top 10 Movies of 1997.

When I was going over the list, I noticed that there are some holes in my own viewing from this year.  I have not seen L.A. Confidential, which was very high on both Matt and John’s lists.  There were some others that I have not seen:  Grosse Point Blank, Princess Mononoke (which is on the list to see), and a few others.  So my list will be different from John and Matt.

There are also some really great movies that I saw and liked, but did not make my top ten.  You can see those in the honorable mention section.

 

Amazon.com: Watch Wag The Dog | Prime Video#10.  Wag the Dog.  Interestingly enough, this was number ten on both Matt and John’s list.  I have not seen this movie in quite awhile and listening to the guys talk about it, I added it to my list of movies to rewatch.  It feels like it is an important film to understand with the state of our political system today.

 

 

Scream 2' (1997) | Film Review | Ready Steady Cut#9.  Scream 2.  Scream was such a revelation in the world of horror/comedy.  The sequel does a really great job of building on the success of the first film and bringing something original.  They brought another level of meta into the franchise with the introduction of the film “Stab” as a center piece of the plot.  This is cleverly written and constructed, with the central mystery effective in keeping the crowd guessing.

 

As Good as It Gets movie review (1997) | Roger Ebert#8.  As Good as it Gets.  The film starring Jack Nicholson as an obsessive-compulsive author who is very mean spirited.  He gets roped into dog sitting his neighbor’s, who has been attacked and cannot take care of himself, dog.  This is the first step in sanding off the rough edges of this rotten man.  I rewatched this recently and I did not find it as charming as I did when it first came out, but it does provide a great performance  from Nicholson, as well as Greg Kinnear and Helen Hunt.

 

Waiting for Guffman (Blu-ray) : DVD Talk Review of the Blu-ray#7.  Waiting for Guffman.  Christopher Guest’s excellent mockumentary on the celebration surrounding the sesquicentennial of town Blaine, Mo with the creation of a musical “Red, White and Blaine.”  The arrival of former Broadway director Corky St. Clair brings a new level of excitement.  Waiting for Guffman brings together the troupe of improvisational actors that Christopher Guest has used before and gave them an amazing opportunity to show how talented they were.

 

Liar Liar' Review: 1997 Movie | Hollywood Reporter#6.  Liar Liar.  This was one of my favorite Jim Carrey comedic performances.  I was never a huge fan of his early films, but Liar Liar tapped into a sweet spot.  I enjoyed the story, which uses that magical lesson type plot that worked for Big.  Some of the court scenes are simply hilarious and the sweet relationship between Carrey and his son (who had appeared on General Hospital before this) gave this movie its heart.

 

Hercules' Live-Action Film in Development at Disney, Russo ...#5.  Hercules.  The Disney animated film may have been overshadowed by some of the other big time films coming out from the House of Mouse, but Hercules holds its own in comparison.  Taking the classic myth of the mighty Hercules and adapting it into the Disney family is a great idea.  Matt and John mentioned in their discussion of this film the classic villain that was Hades.  James Woods does an amazing job in this movie.

 

A sequel to Air Force One is in the early stages of development ...#4.  Air Force One.  Get off my plane!  Harrison Ford as the President of the United States sells itself.  Then throw in the villainous Gary Oldman as a Russian bent on taking over the plane and how could you fail.  1997 seemed to be a pretty good year for Oldman, who will appear on this list again soon.  This is just a great action film.

 

Men in Black (1997)#3.  Men in Black.  The best of this film franchise, Men in Black had two great leads in will Smith and Tommy Lee Jones and used their chemistry to great levels.  Sadly, none of the other MiB sequels came anywhere close to this.  Not only do we get Jones and Smith, but there is a fantastic villainous turn from Vincent D’onofrio as Bug, one of the most disturbing villains you are going to get in a comedy/adventure film.  Him wearing an Edgar suit… come on.

 

14 Wicked Smart Facts About Good Will Hunting | Mental Floss#2.  Good Will Hunting.  This is a great film.  An Oscar winning script from Matt Damon and Ben Affleck.  It includes a seminal performance from Robin Williams.  The late, great Williams gave us a performance that was quiet and, very much, unlike his typical chaotic tornado-like work.  The film was based int he dialogue between characters and gave us a fantastic character-based story with a ton of real heart.

 

Little-known sci-fi fact: The Fifth Element's three original stars#1.  The Fifth Element.  One of my favorite films around, this Bruce Willis vehicle was an amazing, over-the-top film with insanity everywhere.  It was funny, exciting, and creative as could be.  This was still in the point where I loved Bruce Willis and everything about The Fifth Element worked for me. It is magnificently quotable.    I am a meat popsicleLeeloo Dallas MultipassChicken…good.  Just some of the quotes that I use on a regular basis in my real life.  Gary Oldman appears here too in a fantastic villainous role as Jean-Baptiste Emanuel Zorg, an antagonist that can build the tension without ever meeting the protagonist.  Milla Jovovich is transcendent as Leeloo.  Chris Tucker brings a wild humor to Ruby Rod.  The late, great Ian Holm is wonderful here too.  I love the Fifth Element.

 

Honorable Mentions:  Okay, there may be some controversy with the films I left off the list, but that is okay.  This is my list.  Feel free to make your own.  Donnie Brosco was the film I dropped off when I realized that I had forgotten As Good as it Gets.  I loved Donnie Brosco, but I have only seen it once and that was what cost it the spot.  I wanted to include The Game with Michael Douglas, but it did not reach the list either.  Austin Powers, International Man of Mystery is decent, but I never loved that film.  Boogie Nights is another that is a great film, but I do not go back to often.  I know it was high on Matt and John’s lists.  Demi Moore’s G.I. Jane was a strong film that I considered as well.

EYG23