With just today and tomorrow remaining in October, the EYG Halloween Horror Bingefest is winding down for 2020 and we are pulling out the real big guns… or at least… the big fruit.

Attack of the Killer Tomatoes was an absurd film from the late 1970s. It is a comedy. It is horror. It is a satire. It is a musical. It has pieces from all kinds of genre.

It is just terrible.

It is one of the worst movies you are going to see.

Still, it is fun watching it, picking out the most ridiculous moments in this film where tomatoes come to life and try killing off the human race.

There are scenes in this that do not feel remotely connected. There was a Hitler joke. A joke Jesus Christ doing a commercial. A meeting of generals in a tiny room. There was a Lois and Clark/Superman joke. None of these fit in with killer tomatoes.

Some of the voice overs are clearly added later. The sound was so off that it made you think they did it on purpose, that it was part of the gag. It did not have a cohesiveness to it.

There is a great theme song to this movie that I enjoyed every time I heard it on Dr. Demento when I was younger.

I shook my head as much as anything else. This has become a B-movie classic because it was so bad. It falls right in line with Birdemic, The Room and Manos: Hands of Fate.

Next up on the EYG Halloween Horror Bingefest is a film from 2001 starring Nicole Kidman called The Others.

Kidman plays a woman named Grace, who moved into an old family home near the end of World War II with her two children to await for the return of her husband (Christopher Eccleston) from the war.

Grace’s children, Anne (Alakina Mann) and Nicholas (James Bentley), were photosensitive so they needed to stay out of sunlight, requiring the curtains to remain closed. There were plenty of other rules that seemed quite strict too.

When former servants of the house arrived looking for jobs, they were hired and things begin to unravel.

The Others is a great film, filled with supernatural scares and a mystery of what is going on that keeps the viewers uncertain and off-balance.

Nicole Kidman is excellent as the controlling mother, confused and alarmed at the situation surrounding the house. She starts to believe that the house is haunted, but every attempt at finding answers is met with a new problem or hurdle.

Fionnula Flanagan (Eloise Hawking from LOST) played Mrs. Mills, one of the servants who arrived and she clearly had a secret, but is it sinister?

Along with the strong performances in the movie, The Others features a fantastic setting that helps to create a mood of fearfulness and anxiety. You are never sure exactly what is happening or how it fits together. I will say that the ending did surprise me and that is always a good sign for me.

The movie is a slow burn, but it is worth it. There are a lot of moments of nervousness and anxiety. Nicole Kidman was amazing and The Others is a cool Haunted House story.

The next film in the EYG Halloween Horror Bingefest for 2020 is a sequel to one of my all-time favorite moves.

Unfortunately, Jaws 2 comes up very short of Stephen Spielberg’s classic Jaws. While it is not bad, Jaws 2 just was never going to match up with the magic of the film that preceded it.

We return to Amity years after the arrival of the original shark and we see that life has gone on. Sheriff Brody (Roy Scheider) has gotten on with his life, Ellen (Lorraine Gary) has a successful job working for businessman Peterson (Joseph Mascolo) and the beach is alive as ever.

However, the waters are about to become dangerous once again as the arrival of another great white shark starts to cause chaos among the sailor, water skiers and dumb kids.

There are some good moments in Jaws 2. I thought the idea of Brody being crazed when the idea of a shark returning happens. He seems to be suffering from PTSD and nobody believes him. I think if this had more of a focus on Scheider and his character Brody, this could have been much more successful.

Sadly, though, the original Jaws came down to the relationship between Scheider, Richard Dreyfuss (as Hooper) and Robert Shaw (as Quint) and that dynamic was missing from this film. Instead, the film was more interested in placing a bunch of dimwit teenagers in jeopardy than creating any real characters.

The score, which was a undeniable classic in the original, was overbearing here. John Williams did both, but this time his music was simply too much, at times downright distracting.

I actually found this worse on this viewing than I had thought before. There was little new here and the sequel felt totally unnecessary. As I said, there were some good bits here and there, but the rest of it outweighed it.

As we start off the final week of the EYG Halloween Horror Bingefest, we have a movie that I had never heard of before and only found out about thanks to the podcast Critically Acclaimed, featuring critics William Bibbiani and Witney Seibold.

Theater of Blood starred the iconic horror actor of the 1950s-1970s, Vincent Price is a roll that he is clearly having a blast playing.

After losing out on a prestigious acting award, Shakespearean stage actor Edward Lionheart (Vincent Price) threw himself from a balcony into the river Thames in front of the group of self-important critics who had blasted his work in print and whom he blamed for costing him the award.

However, Lionheart did not die from his fall. Instead, he was rescued and saved by a group of vagrants and he spent two years healing.

When he was ready, he began to slay the critics, literally, in the same manner in which Shakespeare had killed some of his characters. It comes down to facing off with Peregrine Devlin (Ian Hendry), the critic who presented the actual award.

This is a horror/comedy and it delivers. Vincent Price is so over-the-top that he fits this perfectly. He provides his Shakespearean lines with gusto of an actor obsessed with the Bard. He could have been a perfect Batman villain as much of Lionheart’s story felt like a supervillain origin.

The camp factor on this is high, and very enjoyable. The British film directed by Douglas Hickox, included a large variety of well-known British actors. Some of these actors were Sir Michael Hordern, Coral Browne, Dennis Price, Jack Hawkins, Robert Morley, and Arthur Lowe.

Diana Riggs is also in the cast, giving one of her favorite performances as Lionheart’s daughter Edwina.

I suppose since I loved this, I’m safe from any retribution.

This was the strangest, most unexpected thing. I was watching the credits of the 2012 animated Frankenweenie on Disney + for the October EYG Halloween Horror Bingefest, when the screen popped up a graphic for another Frankenweenie, which appeared to be live action.

I had no idea what this was, so I decided to watch it. There was young Shelley Duvall and Daniel Stern, which immediately put an end to the idea that maybe they had done this after the animated movie.

So it was clearly something that predated the animated movie. Then I saw that Tim Burton had also directed it.

Turns out that Frankenweenie started out as a 28-minute short from Burton and that they adapted the animated movie from this short. I had no idea.

The short was fun, considerably more condensed than the 2012 film, but it did a good job of showing the relationship between Victor (Barret Oliver) and Sparky. There were a few of the scenes (like the cars hooking up their jumper cables to Sparky) were exactly the same in the animated movie.

Much like the 2012 animated movie, this is an homage to the Universal Monster Movies, particularly Frankenstein (1931). The black and white film does a great job of creating that very mood. The short also makes you feel as if you were watching those older film with the staging and the way the actors carried themselves.

This was an interesting exercise, seeing this short after seeing the animated movie. There was more depth in the animated movie, but, as a short, this brought an excellent tone and set the stage for the future movie.

Today, in order to continue the October EYG Halloween Horror Bingefest, I pulled up Disney + for a little family horror entertainment. This would be Tim Burton’s animated classic Frankenweenie.

This was a wonderful animated film, with the magic of stop animation giving us what appeared to be flawless artistic appearance of the characters and setting. The beautiful black and white filming highlighted every last piece of art that appeared on the screen making this a visually stunning film.

The story was touching and funny as well. Victor (Charlie Tahan) and his dog Sparky were inseparable until a tragic accident brought the dog’s life to an end. Engulfed in the world of science, Victor was inspired to attempt an experiment to resurrect the dog using lightning.

Clearly, the film is an homage to the 1931 film Frankenstein, as many of the iconic imagery appears in the animated movie. There is a lot of emotion here too as anyone who has lost a pet and who wished that there was something that they could do about it could feel for Victor and his plight.

The voice cast is strong. It features Catharine O’Hara, Martin Short, Martin Landau, Winona Ryder, and Atticus Shaffer. O’Hara and Short pitched in with multiple voices each.

This is a great family film with some real emotion and some powerful moments for Halloween. Frankenweenie is the type of animation that does not speak down to children, but provides them with a good story and beautiful imagery to watch.

As the October EYG Halloween Horror Bingefest continues, we revisit the fourth movie in a franchise that brings meta filmmaking to a new level. Scream 4 features Neve Campbell as the ultimate victim-turned-bad ass Sidney Prescott, and directed by horror icon Wes Craven.

Murder is the name of the game in Woodsboro once again as super survivor Sidney (Neve Campbell) returned to face off again with the next version of Ghostface. This time, Ghostface is targeting Sidney’s cousin Jill (Emma Roberts) and her friends, in order to film his murders.

The basic pattern of the film follows the original Scream, which is actually a piece of the plot of the film. Our favorite characters Dewey (David Arquette) and Gale Weathers (Courtney Cox) are married now, but that does not prevent them from being blade deep in this story.

We meet a bunch of new high school students, some of which are obsessed with movies and others who are there as red herrings to make the audience wonder if they might be the returning Ghostface. There must be something in the water at Woodsboro High to keep cranking out these weirdos.

I could understand someone saying that this movie is nothing more than repetitive, but I feel that the film uses that as a hook to the franchise. There is so much meta story telling going on in the Scream franchise that, with the inclusion of Stab, the movie-within-a-movie, it works.

You would think that, after all this time, Sidney might get herself a permit to carry a gun. Seems to me she could absolutely find an argument for why she needed one.

With the news of a fifth film coming from this franchise, you would have to argue that Scream is one of, if not the, best horror franchises of all time. While none of the sequels reach the campy goodness of the original, all three sequels are fun and entertaining, with lots of positives with them. Even the much maligned Scream 3 contains lots of positives and enjoyment to be had.

Scream has avoided the problem of being repetitive, actually turning that into a strength of the story, and we have recurring characters that we cheer for and want to see again.

Continuing with the October EYG Halloween Horror Bingefest, last night I watched the original Candyman, from the mind of Clive Barker, directed by Bernard Rose.

I had never seen Candyman and, honestly, knew very little about it going in. With that, I really enjoyed this horror film and found it to be original and very creepy.

Helen Lyle (Virginia Madsen) was a student who was preparing a college thesis on the urban legend of the Candyman, a creature who was said to arrive and murder people when the person would speak his name five times into a mirror. Helen was a true skeptic and was more interested in the psychology behind the phenomenon than the actual killer.

When it seemed as if she had proven her thesis, she made the mistake of summoning the Candyman and she found her life in a downward spiral.

The way Candyman attacked her was ingenious and very entertaining. Tony Todd brought a frightening ambiance to the character of the Candyman and the very reverence that the creature had among the neighborhood created the specific charisma of the character. The voice fit beautifully into the lexicon of the character.

Virginia Madsen is top notch as Helen, showing her growing fear and uncertainty of what is happening around her and how she just simply is never sure of what she can do.

There is a lot of blood and gore in the film but it is not done as an excuse. It has a reason for its inclusion in the story and, because of that, works well.

The music of the film helped increase the anxiety and tension that the movie was trying to build.

The ending of the movie was strong too, although the fire scene was a little confusing. I did enjoy the ironic resolution to Helen’s story.

I liked this one a lot. I am not sure why I had never seen it, or even knew much about it. One of the better horror films from the 1990s.