DailyView: Day 151, Movie 232

As I was going through the movies available on my streaming services, I came across a movie that I had not heard of before, despite it starring Kurt Russell. It was called Breakdown and it sounded like a typical action/adventure movie, which appealed to me this lazy Sunday afternoon.

It turned out to be quite a thrilling ride.

Kurt Russell played Jeff Taylor, who, along with his wife Amy (Kathleen Quinlan), were traveling across country, preparing to move. When they encounter some car trouble, Amy accepts a ride with a trucker (J.T. Walsh) to go and call for a tow. However, Jeff is able to get the car running and goes to where the trucker said he would drop off Amy. She was nowhere to be found. Jeff becomes desperate and, after finding the trucker again, he is shocked when he denies ever stopping to help them.

Where is Amy and what has happened to her? Who is involved in her disappearance?

I really enjoyed this movie a lot. Yes, it has the typical action/adventure logic stretches, but there is nothing in the film that takes me out of the film, and it is certainly carried by the frenetic performance of Kurt Russell. You completely buy the desperation of his character as everything he tries seems to turn up nothing. Finally, when the answer is presented, the film bumps up into an even more thrilling spectacle.

The antagonists of the film do a great job of creating slimeballs that you can really hate, even though we see a second side of J.T. Walsh’s character in the third act that humanizes him a touch. The standout of the lowlifes is LOST’s own Mr. Friendly, M.C. Gainey as Earl. This guy is the first face of the problems that Jeff and Amy have to face and Gainey just thrives in the movie.

The tension amps up through the movie and the pay off in the third act is tremendous. The concluding scene on a bridge is dramatic as could be, even if it is hard to believe. By this point, you are happy to accept what happens because you are so into the action.

A lot of fun and filled with excitement.

DailyView: Day 151, Movie 231

The fifth film in the Basil Rathbone/Nigel Bruce series of Sherlock Holmes movies popped up on my list in YouTube after I finished watching And Then There Was None, and I decided that I would watch this film. I have always been a fan of Sherlock Holmes in many of his iterations, but I have not seen any of the Basil Rathbone films making this a perfect film for the DailyView.

In Sherlock Holmes in Washington, the iconic detective travels to Washington, D.C. in pursuit of a document that would cause major disruption if it fell into the wrong hands. The British agent who was transporting the film in Washington aboard a train passed it off to Nancy Partridge (Marjorie Lord), an unwitting American woman, just prior to his own abduction by German spies.

Sherlock Holmes was recruited by the British government to find the document and see what had happened to the agent.

Basil Rathbone made a very solid Sherlock Holmes and Nigel Bruce performed a role as the comedic relief as Dr. Watson. They were excellent together and you could tell that they were very comfortable in their roles by this point in the series. The rest of the cast are basically there to play off of our two main leads and to fill the time until Sherlock’s deductive reasoning wins the day. I do wish Rathbone would have worn the classic Holmes deerstalker cap during the movie, but that is a minor complaint.

The story was simple and fairly straight forward. We knew where the document was from the beginning and it was more of a interest to see if anyone would realize where it was as it made its way around to plenty of the extras during the film. Our villain, Richard Stanley (aka Heinrich Hinkel), played by George Zucco, was not the brightest bulb around and did not really pose much of a threat to Sherlock or Watson.

The film is short and well paced. Rathbone and Bruce are naturals by this point and their performances were dependable. Holmes is our hero again and spends time gazing at the American monuments and quoting Winston Churchill. This is an entertaining way to spend an hour and change.

DailyView: Day 151, Movie 230

I was on YouTube this morning and I came across a free film based on an Agatha Christie novel. And Then There Were None is a 1945 black and white film which lays out one of the classic mystery tropes of a group of people staying together in an isolated mansion and having them being bumped off one at a time.

Ten strangers are invited to an isolated island by a mysterious couple named Owens. Turns out that each person has some hidden secret that has led to someone in their lives dying. As the guests begin dying, they realize that they are being targeted by Mr. U.N. Owen in retribution of their crimes. The killer was following the nursery rhyme “Ten Little Indians.”

The cast included Barry Fitzgerald, Walter Huston, Louis Hayward, Roland Young, Jane Duprez, Mischa Auer, Judith Anderson, C. Aubrey Smith, Richard Haydn and Queenie Leonard.

It was a fascinating mystery. It was determined early on that the ten characters were alone on the island and that it meant that one of them was the murderer. As the characters slowly bit the dust, the list of possible suspects dwindled. I must say that I had no idea where the film was heading as each victim turned up. I kept thinking that there would be a twist and we would find out that they were not alone on the island after all. There as a twist, but that was not the one that would come.

I kept waiting for the guests to analyze that nursey rhyme and discover what the next victim’s fate would be, but, despite referencing the poem, they never did that.

In the end, the killer’s motive was thin, but the mystery was compelling and kept me in suspense, wondering where it was going next. I had a decent time with it and I would say that any fan of Agatha Christie or this type of whodunnit would find this a good watch.

DailyView: Day 150, Movie 229

Whoa.

I have heard about The Raid: Redemption for years as being one of the greatest action films in recent memory, but I had not watched it before. Once again, the subtitles and reading the movie is something that I have to be in the proper mood to do. I have rarely been disappointed when I have done it though. It always feels like as the film is underway, you do not even realize that you are reading it anymore. You kind of lose yourself into the story. That happened again with The Raid: Redemption, but the story was not the main standout of this film.

Rama (Iko Uwais) was a rookie on an elite team of commandos that are launching an assault on an apartment building controlled by the brutal crime lord called Tama (Ray Sahetapy). Organized by Lieutenant Wahyu (Pierre Gruno), this S.W.A.T. team headed into the building only to find that the place was filled with killers and thugs loyal to Tama, and that Wahyu had an ulterior motive than law and order.

The team had to do whatever they could to survive the trap and to attempt to escape with their lives.

The film started off with more gunfight than I thought there would be. At first, I was a little disappointed because there is less originality or impressiveness involved with guns, and I had heard the action was exceptional. I had anticipated it being more of a hand-to-hand/martial arts movie and that is not how it started. However, it absolutely became that as the film progressed.

Once it got into the martial arts of the film and started to use the guns in a more minimal manner, this absolutely took off, action-wise. Iko Uwais was utterly amazing in his stunt work, as was several of his opponents. In particular, the battle with Rama, Mad Dog (Yayan Ruhian), and Andi (Donny Alamsyah) was brutal and breathtaking. The beauty of this fighting is an art form and the film does an amazing job of following the action, allowing the audience to see what is happening. So many martial arts films use the shaky cam or film in ways that make it difficult to see, but The Raid: Redemption does not shy from that. The violence is right in your face and it is a spectacle to see.

They did not avoid the blood or the gruesome results of the brutality either, although I do have to wonder how these men continued on after so many destructive encounters. Rama, especially, has some kind of unbelievable endurance to keep going despite what had to be multiple concussions.

Rama had something to focus on though as the film gave him a wife with a baby on the way and he used that as an inspiration to keep going. Still, I wonder how he could possibly be walking still, but that is real life intruding upon the fantasy, and the fantasy is incredible.

The story is simple, but this is the type of movie that you are not watching for a deep, in-depth plot. There was enough plot to keep things moving and it did have a twist or two, but it knew what kind of movie it was and what the major selling point was going to be. You’ve got to appreciate that.

The Raid: Redemption is an artistic masterpiece of martial arts violence and a brutal look at the violence surrounding it. You are sucked into the action, especially when the major amount of gunfire in the first act or so is reduced into more of a one-on-one (or one-on-many) struggle. It has some of the best action you are going to see anywhere and the story is just enough to keep you invested. This is a great film.

DailyView: Day 150, Movie 228

On the 150th day of the DailyView, we travel back to the mid-`950s for a noir/thriller starring Robert Wagner and Joanne Woodward.

Manipulative and ambitious, University student Bud Corliss (Robert Wagner) was dating fellow student Dorothy Kingship (Joanne Woodward) in order to get closer to her wealthy father, Leo Kingship (George Macready) and his mining business. However, when Dorothy announced to him that she was pregnant out of wedlock, Corliss was afraid that she would be disinherited and he would miss out on the opportunity to get what he wanted.

He planned to murder Dorothy and make it look like a suicide. When his first attempt failed, he manipulated her to the roof of a building and shoved her off.

Though the police were convinced of her suicide (thanks to a note that Corliss had sent to her sister), Dorothy’s sister Ellen (Virginia Leith) was not convinced. She began to investigate the supposed suicide on her own and she believed she had found a potential suspect. Corliss followed her and arranged things to make it look like the suspects she had found was, in fact, the killer, who he shot and made look as if the man had killed himself.

Soon afterwards, Corliss ingrained himself into Ellen’s life, still looking to get involved in her father’s mining business.

This was a solid thriller with a lead villain that was seemed to be several steps ahead of everybody else. Robert Wagner played the slimy creep to perfection. Every move he made was designed to show what a letch this character was.

The third act reveal was excellent, with Ellen taking a step to become more of a character than she had been before. She was not just another fool to buy into his BS. Virginia Leith is strong in these moments when she was finding out the truth, harkening back to the strong woman she was prior to meeting Corliss.

Well written and acted, A Kiss Before Dying works on all levels and provides us with a protagonist that is not someone to root for.

DailyView: Day 149, Movie 227

I came across this film on Amazon Prime, The Girl Who Lives Down the Lane, and it sounded interesting. Then I started it and I saw Jodie Foster listed which surprised me, followed by Martin Sheen. I had never heard of this movie so I was shocked to see such big names attached to it.

There was some real creepiness in this movie, coming in several different areas. Not only is Martin Sheen’s character Frank just about as horrendous of a human being as you are going to find, Jodie Foster’s 13-year old Rynn Jacobs is calculatingly cold.

Rynn lived alone in a high class Quebec city, pretending that her father was living with her. The local residents were interested in the little girl and her mysteriously absent father. Predator Frank Hallet (Martin Sheen) was an adult who started to clearly approach Rynn with inappropriate thoughts in mind. Frank’s mother Cora (Alexis Smith) seemed to target Rynn in an effort to find out the truth of the little girl.

What they discover was not what they expected.

The film is totally uneasy. Not one of the characters feel like a good person. Rynn is a liar and has a darkness about her, but she was the best of the characters. Frank is such a monumental a-hole that you absolutely hope he will wind up getting his. The finale of the movie was satisfying.

The performances are all fantastic. These actors bring their best work to make you feel downright icky about them.

This won several Saturn Awards and is considered one of the best horror films. However, it feels more like a thriller than a horror movie. It was a controversial film, but I enjoyed it a lot.

DailyView: Day 148, Movie 226

I watched the first season of HBO’s Westworld just like most everyone else did. It was a great TV series that I lost interest in after that opening season. At the time, I was unaware that there was a movie that the show was originally based on. As it is leaving HBO Max this month, I figured this was as good as any time to watch the 1973 sci-fi thriller that lead to the series.

Westworld is one of three vacation locations (along with Medieval World and Roman World) in the high tech amusement park known as Delos. Visitors get an opportunity to live out their fantasies in one of the settings while knowing that they are totally safe. Remarkably realistic robots played the parts of everything else in the world and were programmed to never hurt the guests. However, malfunctions began to ravage the park, allowing the robots to run wild.

I was surprised to see Yul Brynner as one of the gunslinger robots who continued to be involved in the lives of the protagonists, Martin (Richard Benjamin) and Blane (James Brolin). When the Gunslinger becomes the hunter, Westworld really takes off.

While there is not a lot of characterization with the characters, the uncertainty of the story carried the film to a satisfying conclusion.

Directed by Michael Crichton, the premise of Westworld is awesome and the themes of voyeurism and privilege really pop in the film, setting up an even more investigation into them during the series.

This is a nicely paced film that feels like both a Western and a Sci-fi mash-up. It is an engaging movie and it is entertaining to watch.

DailyView: Day 147, Movie 225

The ninth sequel to Friday the 13th takes the indestructible kill machine, Jason Voorhees, into the future, to the year 2455 giving him an all new crew of idiots to slaughter.

Cryogenically frozen, along with scientist Rowan (Lexa Doig), a group in the future discovered them and brought them back. not knowing what they were unleashing. Jason romped through most of the crew on this spaceship as he finds ways to upgrade from the old school slasher.

This is such a dumb movie.

I suppose you could say… “what do you expect?”… but I am not confident that the question allows this type of terrible to be made. The crew is absolute zero in characters. I can hardly remember any of them outside of Rowan and Sgt. Brodski (Peter Mensah). The rest of the characters are faceless or total copies of other, better characters.

Oh there was the female robot who had sex with one of the crew to become a kick ass murder bot. She wound up a head in one of the silliest sexual innuendo.

This is one of the stupidest movies I have seen in awhile, but I can’t deny that it held my attention. It was stupid entertainment and I did not hate myself for watching it. It is leaving HBO Max this month and I am happy I saw this slasher/sci-fi mash-up. It is not doubt a terrible movie, but I can see its appeal in brainless cinema. But do not misunderstand me… this is a bad, bad movie.

DailyView: Day 146, Movie 224

I was listening to this week’s Top 10 Show with John Rocha and Matt Knost and their topic was Top 10 films with robots. On Matt’s list at #10 was an animated movie called Robots. I had heard of the film before but I had not seen it, and Matt talked about it with such positivity as well as mentioning that Robin Williams, one of my all-time favorite people, voiced one of the characters. I decided this would be the choice for the DailyView today.

In a world of all robots, young Rodney Copperbottom (Ewan McGregor) is hoping to become a great inventor, just like his idol, the beloved robot Bigwell (Mel Brooks). However, Bigwell has disappeared and his company was being taken over by Ratchet (Greg Kinnear), whose plan was to force everyone to buy upgrades instead of spare parts. Rodney, after meeting a friend Fender (Robin Williams) and his family, started searching for the missing genius.

While the story of this movie is a bit lackluster, there is no denying that the voice cast is superb and the animation is beautiful. I found myself laughing quite a lot, especially hearing the fantastic work of Robin Williams once again.

Beside Williams, McGregor, Brooks and Kinnear, the voice cast is packed. There is Halle Berry, Drew Carey, Paula Abdul, Jim Broadbent, Terry Bradshaw, Amanda Bynes, Jennifer Coolidge, Will Denton, Paul Giamatti, Lucille Bliss, James Earl Jones, Jay Leno, Al Roker, Stanley Tucci, and Dianne Wiest,

This was a fun film. There is enough here for both kids and their parents, and with Robin Williams providing a voice, what more could you ask for?

DailyView: Day 145, Movie 223

The Limey falls into a typical revenge genre. A vengeful father coming after those people he blames for the death of his daughter. We’ve seen that many times. Still, it is something that we can all relate to and understand. When it is done well, it can be very entertaining. The Limey is very entertaining.

The strongest part of the film is easily the two main leads. Terence Stamp with his steely and cold career criminal life and the slimy record producer played by Peter Fonda. These two bring such a strength to their characters that you are fully engaged in their story.

The action is solid too and not over used. The violence is well used and fits in what they are trying to do. The third act confrontation is well planned out as all of the pieces that have been floating around the film cross into a satisfying conclusion.

Directed by Steven Soderbergh, The Limey is a straightforward film with some well timed shots and some cool visuals. Terence Stamp is awesome, but not superhuman, which some times the protagonists in these types of movies become. I liked how he showed his humanity and his weaknesses without sacrificing his bad ass statis.

The Limey was quick and smart. It did not waste time and worked extremely well.

DailyView: Day 144, Movie 222

To wrap up the International Talk Like a Pirate Day DailyView, I decided to watch the Disney classic Treasure Island, an adaptation of one of the greatest of all pirate novels ever written. Treasure Island, written in 1883, by Robert Louis Stevenson, has been adapted plenty of times over the years, but this 1950 version is perhaps the best ever (outside of Muppet Treasure Island, of course).

Captain Billy Bones (Finlay Currie), drunk on rum and in fear for his life, brought Captain Flint’s treasure map to Jim Hawkins (Bobby Driscoll). a young boy who worked at his mother’s inn. Before his death, Billy Bones passed the map on to Jim, but not before warning Jim to beware of the one-legged man. Jim gave the map to Squire Trelawney (Walter Fitzgerald). Trelawney organized a secret trip to go find the treasure. He hired Captain Smollett (Basil Sydney) to take charge of the vessel, but his cautiousness of crew selection made Trelawney anxious. Trelawney hired the ship’s cook, Long John Silver (Robert Newton) and asked for his help to fill out the crew.

As the ship sailed toward the island, Silver showed himself to be the mutinous traitor, a part of Flint’s original crew, and in it for the treasure himself.

This is a great adaptation. There is a ton of drama and exciting moments and Robert Newton as Long John Silver was fantastic. He brought the energy to the entire movie and it was successful because of his performance. The performance of Bobby Driscoll was solid too, and his connection with Silver was true and worked well. You have to believe in the connection between them if the story is to work.

There is no better example of the pirate life in cinema than Treasure Island. Everything after this came because of the Stevenson novel, and the fact that there is at least this excellent adaptation, is a great thing.

DailyView: Day 144, Movie 221

Ahoy, me mateys! I be hopin’ that ye would be enjoyin’ International Talk Like a Pirate Day! How better to be celebratin’ the special occasion than by singin’ a song! Aye! and toss in some dancin’ as well and you have got yerselves a debauchery. Yo ho ho!

To be fillin’ this perscription be the 1983 movie that was based on the Broadway musical, Pirates of Penzance.

Frederic (Rex Smith) has left his band of pirates, led by the Pirate King (Kevin Klein), and has fallen in love with sweet innocent Mabel Stanley (Linda Ronstadt). However, his crew has followed him to the land and has attempted to abscond with Mabel’s sisters. After quick thinking from their father, Major General Stanley (George Rose), the priates were prevented from running off with the women.

Shiver me timbers! Kevin Klein as the scallywag Pirate King is utterly brilliant. The dance moves that he perform are crisp, clean and beautifully executed. He carries himself with a aura of excellence that I was not expectin’. Every step in the finale was something special.

The angelic voice of Linda Ronstadt carried much of the tunes from the Gilbert and Sullivan comedic opera that the film and the Broadway play were based, but ye should not be overlookin’ the contributions of Angela Lansbury as Ruth. Lansbury dove into the role and added some real hutzpah to the cast. Her experience in musical theater shined through.

The film was shot with a background much like the theater, instead of the more realistic setting. It made the film feel more like a theatrical experience than a cinematic one and it worked for this film.

Aye, The Pirates of Penzance was a lot of fun and had plenty of laugh out loud moments. An outstandin’ performance from Kevin Klein among others in the cast brought this adaptation to life, and the music is updated wonderfully, giving some wondrous musical interludes.

Aye, this movie be quite the booty, a treasure to behold. Savvy? Yo ho, yo ho….

DailyView: Day 143, Movie 220

The next film I looked at in celebration of tomorrow’s Talk Like a Pirate Day was a documentary found on Disney + from a few years ago. It was a National Geographic film that detailed the story of the infamous pirate city of Port Royal that sunk into the ocean in the 17th century.

Port Royal, which was the city used at the beginning of The Pirates of the Caribbean film to introduce Johnny Depp’s Captain Jack Sparrow, was known as the ‘wickedest city on earth.’ It was a British port that was designed to protect the Kingston Bay area from the Spanish. The doc revealed that there was a deal in place between England and the pirates to split the treasure of attacks on Spanish vessels.

However, the power of Mother Nature took over as the city was sunk beneath the ocean by the combination of a massive earthquake, powerful quicksand and a series of tsunamis.

Marine archaeologist Jon Henderson went to the area, using the most cutting edge science and technology, to attempt to piece together what caused the sinking of Port Royal and to see what they could find beneath the surface of the ocean.

It is a fascinating documentary, dealing with the discovery of many parts of the city that remained in tact beneath the waves. They carefully investigated the area and uncovered some fascinating info that helped them make their hypotheses on what happened to this city. Mixed with the historical accounts from maps and survivor’s testimony, the doc does a solid job of laying out the details of the apocalyptic event.

I would have liked more of the historical information connecting the city to the pirates. Was there well known real life pirates involved here and did any of them reach their fate during the destruction of Port Royal?

Still, it is an easy watch filled with a lot of good information and intriguing use of new technology. The 47 minute film flew by and was paced extremely well.

DailyView: Day 143, Movie 219

Tomorrow is International Talk Like a Pirate Day and to celebrate at EYG and the DailyView, I am going to be watching several classic films with a pirate theme. Starting off tonight, I watched the live action 2003 version of Peter Pan, with one of the greatest and most iconic villainous pirates of all time, Captain Hook.

Peter Pan has not had many good movies, outside of the original Disney animated classic. In fact, most adaptations of the boy who would not grow up fell desperately short. However, this 2003 version was able to capture much of the magic of the original one and managed to bring the book to life.

Telling the classic story, Peter Pan (Jeremy Sumpter) took the Darling children, Wendy (Rachel Hurd-Wood), John (Harry Newell) and Michael (Freddie Popplewell) to Never Never Land and introduced them to an adventure facing off with Captain James Hook (Jason Isaacs) and his crew of buccaneers. With the aid of The Lost Boys and Tinkerbell (Ludivine Sagnier), Wendy and Peter face off with the pirates.

Jeremy Sumpter does a good job as the title character and Rachel Hurd-Wood is excellent as Wendy. These two characters must work if this story is to be any good at all. Jason Isaacs is very compelling and sinister as James Hook, the opposite side of the coin to Peter Pan. Isaacs, who also portrayed Wendy’s uptight father, brings a surprisingly deep performance for a character that could be very one-note.

There are some wonderful imagery in the film as well. Some of the shots are beautiful and do stand the test of time. The giant crocodile is a cool visual as are the scenes of flying through the London nighttime sky.

This is way better than Hook or that atrocity Pan (with Hugh Jackman as Hook). One of the better versions of Peter Pan.

DailyView: Day 143, Movie 218

“Good morning, and in case I don’t see ya, good afternoon, good evening, and good night!”

Way back at the beginning of 2021, WandaVision was a huge hit on Disney + and there had been a bunch of comparisons to some aspects of The Truman Show. So when I started the DailyView, The Truman Show was one of the first films on the list to watch. It got ignored and passed by for 142 days, but here on day 143, it was finally time to watch the Jim Carrey vehicle.

What took me so long?

The Truman Show was a remarkable movie that I thoroughly enjoyed from the very beginning to the uplifting and powerful end, and I could definitely see why some people made comparisons to WandaVision, even though the specifics of the two worlds-within-a-world ended up differently.

Truman Burbank (Jim Carrey) was living a normal, typical life, filled with the daily drama of the real world. Little did he know, the real world was a long way away. He had a marriage with Meryl (Laura Linney) and they were contemplating having a baby, his mother (Holland Taylor) was caring and dedicated, and his job at the insurance company was thriving. It seemed as if everyone knew who Truman was.

How true that statement would be.

Unbeknownst to Truman, his entire life had been orchestrated since birth as a reality TV show and broadcast, 24 hours a day, to the viewing public. Directed and controlled by Christof (Ed Harris), the entire world of The Truman Show was populated by actors and extras to maintain the illusion of a real life. However, as some of the cracks began to show, Truman became paranoid about how the world of Seahaven Island seemed to center around him. Afraid of water since the accidental drowning of his father (Brian Delate), living on an island isolated Truman inside the TV dome.

Jim Carrey is outstanding in this role as he appeared to be losing his grip on his mental state, but is dedicated to finding the truth as the world watched along breathlessly on TV. Carrey displayed the full range of his ability and he carved out more than just the comedic roles for his career, despite there being some comedy in The Truman Show as well.

This movie was filled with such creativity and originality, even over twenty years later, that it was a joy to watch. The plot was intricately developed, and yet was simple to follow. The performances were top notch and the special effects were perfect. I was extremely impressed with The Truman Show.