There are arguments to be made that this animated version of the Dark Knight is the best Batman film ever made.  I do not think I would go that far, but it is certainly one of the most respected and entertaining Batman movies available.

The animated movie, in the vein of the Batman: The Animated Series cartoon, gives us the best example of the World’s Greatest Detective, a moniker that belongs to the Caped Crusader, though we’ve never really seen that on the big screen.  Rumors have it that the upcoming Matt Reeve’s directed The Batman is going to give us the detective which would be very cool.

In this film, crime bosses in Gotham are being killed by a shadowy, mysterious figure in a black cloak.  The police and the criminals assume it is Batman doing the deeds, but, in truth, it is a person named Phantasm, who has arrived in Gotham with an unknown motivation.  Of course, this brings the Phantasm into conflict with Batman and they wind up facing off with the Clown Prince of Crime, the Joker, as well.

EYG Hall of Famers Kevin Conroy and Mark Hamill reprise their roles as Batman and the Joker, bringing the perfect blend of voice work.  Dana Delany plays Bruce Wayne’s old flame Andrea.  Stacy Keach voices Andrea’s father, Carl Beaumont.

The movie has a theme running through it focusing on revenge and how it can poison a soul.  This is an intriguing idea to deal with when looking at Batman, since an argument can be made that Bruce Wayne falls into that category.  Comparing Bruce to the Phantasm is a well done tag and carries through the film.

I remember being surprised the first time I saw this movie years ago when the reveal came on the identity of the Phantasm, so the film does a good job with that.  I do believe that if I was watching it for the first time now, I would have spotted it before the reveal.

The animation has style, but it is the choppy, 90s-like animation of the cartoon.  If there is a weakness of this film, the animation would be it.  However, at the time, this was acceptable and does not pull me out of the movie.

The back story of how Bruce Wayne takes up the costume is very well done and fits with this narrative.  Although the film adds Andrea into the mix for storyline purposes, it does not detract from our Dark Knight’s arrival.  In fact, it gives Bruce another conflict within him to struggle with.

This is a great Batman movie, for sure, although it is not my favorite ever.  It is a solid story with very good pacing that shows Batman in the style that he really should be shown.

Ever since I began this journey through the catalog of Studio Ghibli films, I have been looking forward to one particular film.  Spirited Away has been spoken of with such reverence that I have really anticipated reaching the film in the watch.  Today was the day.

I was very excited to watch Spirited Away this morning, though I did approach it with some trepidation.  The word of mouth had been so overwhelmingly positive that it threatened to raise my anticipation levels too high.  Would Hayao Miyazaki’s reputed classic be able to reach the levels of my expectation?  It would not be the first movie that I went into with high expectations only to come out shrugging my shoulders.

That was not the case.  Spirited Away is a masterpiece.

During her families move, unhappy 10-year old Chichiro and her parents got lost and discovered a deserted amusement park.  Before too long, Chichiro learned that there was more to the amusement park than you could see.  There was magic and a world of amazing creatures.  Chichiro investigates the area as her parents hungrily eats food at a local establishment.  When she meets a young boy named Haku, she is warned that she and her parents need to get out of the place before nightfall.  Rushing back to them, Chichiro finds that she was too late and that her parents had been transformed into pigs, forcing the young girl into a world of mystery.

As with all Studio Ghibli films, the animation here is amazing, but this film takes it to another level.  The character design on every creature, character or setting is utterly breathtaking and is filled with such specific details and stunning imagery.  The characters creation informs you about the characters brilliantly, presenting both sides to these complex characters.

There are some of the best characters that I have seen yet in this series of movies, including the bathhouse owner Yubaba is a marvelous construction of imagination and creativity.  Haku and his other part fits right in with the Japanese ideals and he is a beautiful design.  Lin is another great character who helps Sen, the name given to Chichiro by Yubaba as a way to control her.  No-Face is a spirit that comes into the bathhouse and seems to be a kindly spirit…until he was not.  That moment when No-Face turns completely shocked me and created a remarkable uneasiness in my mind.

Spirited Away reminded me immediately of The Wizard of Oz, as that film seems to share many of the same themes.  Both have a young girl as the main protagonist.  This young girl finds her way to an odd and magical world where she is just trying to return to her own life, trying to avoid the witch who has power around the land.  I have also seen people understandably connected it to Alice in Wonderland.  I saw Dan Murrell review this film and he said that the parents into pig scene reminded him of the kid turns into a donkey scene from Pinocchio.   These nods to the classics of children’s fantasy and literature create a richness in the story telling that helps flesh out everything for Spirited Away.

I love the character arc for Chichiro, as she starts as a fearful and depressed girl who whined a lot into a brave and heroic figure you goes out of her way to help the people that she cares about.  You can see how Sen grows with each situation she finds herself in.

For such a hyped film, Spirited Away paid off big time.  I loved this so much and it was a masterful animated movie like few that have ever came out.  A beautiful epic.

The next film in the Studio Ghibli list of films is My Neighbors the Yamadas.

I have to say, this one is an odd one.  It is not a typical narrative.  It is actually a group of vignettes that are strung together about the same group of characters.  The family includes Takashi and Matsuko (the father and mother), Shige (Matsuko’s mother), Noboru (aged approximately 13, the son), Nonoko (aged approximately 5, the daughter), and Pochi (the family dog).

The animation of the film is different than any of the previous Studio Ghibli films.  This has a very stylized comic strip feel to it, with a soft look and fewer details.  It was a very interesting animation to watch.

However, I have to say that I did have trouble staying interested in the film as the shorter vignettes failed to catch and maintain my attention.  There were some funny moments that made me laugh, but I just could not get into the film.

Still, there was one vignette where they sing the song “Que Sera, Sera (Whatever Will Be, Will Be)” that I enjoyed a great deal.  There were a couple of the shorts that were better at drawing my attention, but, unfortunately, overall I could not keep the focus on the film.

There are definitely some great parts of the film, but I failed at engaging myself into the overall movie despite them.  Perhaps this is a film to revisit down the road because there were some good aspects to My Neighbors the Yamadas.

Shane Black directed this comedy/mystery film starring Robert Downey Jr, who was on the cusp of his major come back from his own personal demons, and Val Kilmer.

The film featured several techniques of storytelling that you do not see that often in major movies.  In particular, the breaking of the fourth wall with Robert Downey Jr’s character being the narrator and going through certain tropes of a detective/mystery movie and calling them to light.  This is the type of technique that could get old, but Kiss Kiss Bang Bang does it extremely well.

Harry (Robert Downey Jr), a small time thief, winds up accidentally in an audition for an acting role, a part of a detective.  The studio sends him for detective training with a real detective Perry (Val Kilmer), but the constantly unlucky Harry winds up in the middle of a murder mystery that reunites him with his old crush from high school, Harmony (Michelle Monaghan).

The plot of the movie is simply there to place these three characters into certain situations and to create the mood of a film noir.  Once there, they are masterfully funny and engaging.  Robert Downey Jr. shows the skills that would provide him the opportunity to become Tony Stark in the MCU.  He is quick-witted, snarky and snippy and very intelligent, even if the character he is playing is not quite so bright.

As I stated, I loved the technique of the narration and how RDJ would speak about individual specifics on a movie, pointing out when there are examples of that in the film that you, as an audience member, was watching.  It worked mainly because of the sarcastic nature of Downey Jr and the clever writing of Shane Black.

I enjoyed Kiss Kiss Bang Bang a lot.  This is a clever, intelligent film with a great chemistry between its stars.  This is well worth the watch.

Hayao Miyazaki returns to head up the next Studio Ghibli film and this is one of the studio’s most popular and well-known films.  Princess Mononoke is one of the first films people cite when speaking about the animation giant and it is well deserved.  The film is truly a grandiose, fantasy epic that spirals through the forests of Japan.

A small village in Japan is attacked by a demon boar.  The village’s last prince, Ashitaka, killed it, but, in the processes, was cursed by the creature.  The curse covered Ashitaka’s arm and threatened to creep across his whole body and kill him from within.

The young hero set off from his village in the hopes of finding aid from the Great Forest Spirit.  On his quest, he comes across a settlement called Irontown, led by Lady Eboshi, who was responsible for causing the boar to become a demon.

During his struggles, Ashitaka encountered the Wolf god Moro, and her adopted human daughter San.

Princess Mononoke is an amazing story filled with drama, tension and heroic actions.  Ashitaka and San are both positive and powerful models of heroism, whether or not they were on the same side.  Ashitaka’s message of trying to convince the humans and the forest to live in peace placed him in the center of the struggles of all of the forces, and he bravely did what he could to make it happen.

One of my favorite parts of this film was the fact that there was no one portrayed as evil.  These were deep and three dimensional characters who had clear and understandable motives for why they were acting as they were.  In fact, even the film’s main antagonist, Lady Eboshi, could not be considered a villain.  She committed many acts that could be considered wrong, but you understood her reasons and thus made her more human.  Just about all of the characters in the film that could be considered the “bad guys” have motivation that you can buy.  The only group that is not truly given a deeper meaning is the samurais.

Have I mentioned before how much I love the animation and the imagery used in these Studio Ghibli films?  Princess Mononoke is not an exception.  It is beautifully rendered and provide a stunning visual experience.

The only criticism I may have its that the movie is quite long for an animated movie, but it does flow well and, perhaps, the length is just one more way that Princess Mononoke breaks the expectations of animated movies.  It is an epic for sure and should be viewed as one.

The Studio Ghibli movies got back on the right track for me with Whisper of the Heart after a couple of lesser offerings in the oeuvre of the studio.  The previous two films were not at the level that most of the prior movies had been, but Whisper of the Heart has reclaimed that Studio Ghibli magic.

Fourteen year old Shizuku is a student who loves to read.  She checks out many books from the library and, on the index card, she discovered that a boy named Seiji checked out all the same books.  The romantic in her wonders if this boy is the one she is meant to love.

On a bus, she sees a cat that she befriends and follows to an antique shop.  She meets the old man who runs the shop and he introduces her to a statue called The Baron.

This movie is a coming of age tale of the young girl and her imagination and the young boy who is following his dream of becoming a violin maker.  There are plenty of moments of typical school shenanigans, but the key point of the film is the relationship between these two main characters.  There is a real feeling to the film that brings its own magic to the story.

Of course, the animation is beautiful and the imagery in the film can be breathtaking.

One of the weird things about this movie was the use of the lyrics from the song “Country Road” by John Denver.  The song was meant to have been written by Shizuku in the story, and it worked.  It was strange though.

Whisper of the Heart was sweet and romantic.  The two characters are developed extremely well and they are easy to root for.  This was a really good film.

Continuing to move along in the Studio Ghibli films, I have come across Pom Poko.

Pom Poko tells the story of “raccoons” ( which apparently is an inaccurate description of these creatures, known in Japanese folklore as tanuki (though the film’s English dub referred to them as raccoons and that will be how I refer to them).  These raccoons lived in a forest and began to struggle against the humans and their suburban development in the land.  The raccoons had the ability to transform themselves into any kind of objects and they used this ability to try and scare the humans off.

Of course the animation in the movie is great, as it seems that all of the Studio Ghibli are.

After that, though, I did not find myself a fan of this one.  The comedy/drama film was odd, very strange.  There was bizarre story elements and the raccoons really were trippy.  There is a heavy theme of environmentalism, which was hardly subtle.

The film was narrated throughout the movie and I found that distracting in many ways.  The voice was unemotional and told the events in a detached manner.  For a film with so many fantastical elements, the spoken narration was very much out of place.

None of the characters spoke to me.  They were either unmemorable or so over-the-top that they did not fit in.  We did not have a main protagonist, as the characters continually switched from point of view.

Honestly, this one was not one of my favorites.  I feel as if there were way too many problems in the style or the construction of this story and that it simply does not live up to the beautiful animation in the film.  Pom Poko was difficult to watch and dragged on for much of the film.

This past week, the topic on the Top 10 Show with John Rocha and Matt Knost was Best films of 1997.  During that show and my research to construct my own top 10 list, the movie Wag the Dog showed up.  I had not seen this film in a long time and I wanted to watch it again because I had remembered enjoying it.  Now that I have seen it once again, I truly loved the movie.

It certainly speaks to the unbelievable world of presidential politics and the ways that the media could be manipulated to tell the narrative that a campaign may want told.

In order to help change the topic of a sex scandal a few days prior to a presidential election, Conrad Brean (Robert DeNiro), a spin doctor, approached Hollywood producer Stanley Motss (Dustin Hoffman) for help in spinning a yarn about a war that they would create on their own.

Wag the Dog was extremely funny, but there is an underlying anxiety that makes one think that this is the type of situations that actually happen in the world.  Perhaps not at the level that they show in the movie, but the effort to change a certain topic or to distract from one story by having something else for the media to talk about seems to happen all the time today.

Robert DeNiro is amazing in this film.  Dustin Hoffman matches him with each scene.  Anne Heche has another side to the puzzle as Winifred Ames, an aide on the campaign.  These three create an amazing group of characters that are totally funny in situations that sure seemed to be anything but.

Woody Harrelson’s portrayal as Sgt. William Schumann, a supposed hero who turns out to be anything but one, is maybe the funniest point of the film.

The film’s pace is beautiful, nothing being wasted.  Wag the Dog is just around 90 minutes and every scene works.  Director Barry Levinson does a wonderful job creating the story and getting the images that are being created by the characters to show a nation.

The movie is a dark comedy that is extremely funny, but it speaks a truth that might make you question anything you see on the news or that comes out of the mouth of politicians.