Ghostlight

June 7

This was another movie that I never would have heard of if not for Dan Murrell, online critic, who put Ghostlight on his best of 2024 list. After hearing that, I added it to the June Swoon list.

Thank you, Dan. This was a sensational movie, one of the best that I have seen over the last year or so.

According to IMDB, “When a construction worker unexpectedly joins a local theater’s production of Romeo and Juliet, the drama onstage starts to mirror his own life.”

This script was beautifully constructed and the story told in a wonderful manner. Pieces of the story were given as the film progressed. We knew some of the things that happened, but they hold on to the overall events for the stretch. The writing was layered and worked so well that you could feel everything going on.

The performances were out of this world. Interestingly, the actors who played Dan and Sharon Mueller, Keith Kupferer and Tara Mallen, are married in real life, and their on-screen daughter Daisy was played by their real life daughter Katherine Mallen Kupferer. All of this made this feel real and all three of them knocked this out of the park.

I had immediate connection to this movie because I know kids like Daisy, who came out immediately with curse words and anger. I wanted to know more about what was going on, and these characters were so well done that everything was awesome.

I watched the movie on Amazon Prime and, I am not sure if this was the way it was supposed to go, but the very end felt like Prime cut off too soon. Maybe that was how the film ended, which, if so, it felt like I needed one more scene.

That was the only problem that I had with this film. It is one of the best movies I have seen in awhile. The story was small and emotional with the feeling of reality truly cutting deep. Ghostlight was great. If I were giving star ratings for these June Swoon movies, this would be five stars.

The Phoenician Scheme

Man, who could possibly guess who directed this movie?

I am being sarcastic because this movie is about as much of a Wes Anderson movie as you are ever going to see. There are traits about a movie directed by Wes Anderson and this provided just about every one of them.

For me, Wes Anderson movies are hit or miss. I loved Moonrise Kingdom, The Grand Budapest Hotel, The Royal Tenenbaums, and Rushmore. Asteroid City and The French Dispatch are examples of Wes Anderson movies I could do withotu.

The Phoenician Scheme was a lot of fun and I found it to be totally funny.

According to IMDB, “Wealthy businessman Zsa-zsa Korda appoints his only daughter, a nun, as sole heir to his estate. As Korda embarks on a new enterprise, they soon become the target of scheming tycoons, foreign terrorists and determined assassins.

I think what made this work for me was the comic timing of Benicio Del Toro, who played Zsa-zsa Korda. He had chemistry with every actor he interacted with and he delivered these eccentric lines of dialogue with just the right amount of sincerity that made it really funny.

While there was no sign of Edward Norton, the Anderson cast of actors that appear in a lot of his movies were here too including Michael Cera, Benedict Cumberbatch, Willem Dafoe, F. Murray Abraham, Scarlet Johansson, and Bill Murray. You could add some other great actors such as Riz Ahmed, Tom Hanks, Bryan Cranston, Jeffrey Wright, Rupert Friend, Steven Park, and Richard Ayoade.

Along with all of these established veterans, starring opposite Del Toro was Mia Threapleton. Threapleton, who is Kate Winslet’s daughter, showed that she is anything but a “nepo baby” as she was outstanding in her role as Liesl. She exuded the tone of a Wes Anderson movie perfectly, really helping set up Del Toro’s lines and scenes.

The dialogue was rich and exciting in this film. I really enjoyed just listening to the actors deliver these lines and how they were able to play off of each other. The dialogue helped balance out the craziness that was going on in each scene.

If you do not enjoy Wes Anderson movies, this one is not for you. However, I found this to be very enjoyable and humorous.

4 stars

Screamboat

June 4

When I saw this for rent on Vudu, I expected it to be another film in the same vein as Winnie the Pooh: Blood and Honey. It had two movies and both were in the top 5 worst movies of their respective years. Taking the Steamboat Willie cartoon from public domain felt like the same kind of sad and pathetic attempt.

Make no mistake, this is a terrible movie….

But…

I don’t know… I guess I came in with the expectations of Winnie the Pooh: Blood and Honey, but Screamboat was better than that. It’s not good. Just better than Blood and Honey.

According to IMDB, “A seemingly routine late-night ferry ride in New York City descends into chaos when an ordinary mouse undergoes a terrifying transformation. This mutated creature unleashes a reign of terror upon the unsuspecting passengers, forcing them to fight for their survival. As the body count rises, the remaining survivors must band together to find a way to escape the deadly vessel and confront the monstrous threat

The piece that felt better than Blood and Honey was this had a satiric side to it. The Steamboat Willie character itself had some funny parts. He would whistle just before killing his victim, much like Mickey would in the original Steamboat Willie animated movie. I kind of liked the backstory of Steamboat Willie, involving the man known as Walt. Some of the kills were sufficiently gross. There were a couple of characters that I wanted to survive the trip on the ferry.

What was bad about the film? Oh, let’s see… the acting, the dialogue was horrendous. Most of these characters were one-dimensional and there were these “bad girls” that I really wanted to get killed by the mouse. I was cheering for Willie when they did. The characters did some really stupid things and made some really stupid choices. Plenty of the choices made no sense. Of course, stupid characters are not uncommon for some horror films, especially the slasher ones. A couple of the deaths of our main characters felt underwhelming.

If I am being honest, there are some funny moments in the movie and they actually felt like they were intended it to be funny. There was one line of dialogue that made me laugh out loud. One character fired a flare gun at Willie and said “Say cheese, mother f@#$%.” I thought that was exceptionally funny.

This is nowhere as bad as either of the two Winnie the Pooh: Blood and Honey movies and if you want a stupid movie to watch that has some dumb laughs and a murderous version of Mickey Mouse, you could do worse than this movie. Just know what kind of movie this is and do not expect much, and you might even have a passable time.

2.1 stars

Flow

Today’s entry in the June Swoon is an Academy Award winner, and you can see why. Flow won the Oscar for the Best Animated Feature at the 2025 Academy Awards, knocking off such luminaries as Wild Robot, Inside Out 2 and Wallace & Gromit: Vengeance Most Fowl.

Flow follows the life of a dark grey cat that was living in a forest. A massive flood swept through the land, leading the cat to struggle to survive in a variety of ways.

During the film, the cat meets up with a group of different animals that form a sort of crew, especially while they were on a felucca. The cat joined up with a yellow Labrador Retriever, a ring-tailed lemur, a capybara and a secretary bird.

These animals were not anthropomorphic. They acted like the individual animals would act. The dog was playful and clearly looking to please. The lemur was a thief, collecting trinkets and shiny objects. The capybara, which is a type of rodent, laid around. There were some moments where it felt as if the animal characters transcended their natures and became something more.

The cat served as the POV of the film, as we see things through its eyes. The survival instincts of the cat was on display throughout the film in such a harrowing instance that you could not help but root for these animals.

I am a cat lover and so it was very easy to get into Flow. There were multiple perilous events along the path of this adventure that placed the cat in jeopardy. The whole showdown with the flock of secretary birds was tense and frightening.

There were a couple of scenes that went past just survival and looked at themes of life and death. One, involving the secretary bird, was a lovely moment that leaves you to deduce what exactly had occurred. There was a second scene involving a mutated whale that had saved the cat from drowning earlier in the movie. This scene was heartbreaking.

Flow was beautifully animated with such amazing visuals across the board. The artistic mastery created an incredible tone throughout Flow and some of the visuals with the cat and fish in the water was astounding.

With no dialogue, Flow was able to tell this story through some amazing characters and some fantastic music. According to Wikipedia, the cat of sound designer Gurwal Coïc-Gallas provided the meows for the cat in the movie, which I thought was a funny piece of trivia. It also provided that realistic sound that enhanced the viewing treat.

While I am not sure if I would have given Flow the Oscar over The Wild Robot, there can be no denying that this is a masterful animated film full of life and love and friendship.

Into the Deep

June 2

I have been a fan of shark movies. Sadly, most of them are terrible. There are some exceptions. So when I spotted Into the Deep on Disney +, I thought this would be a good option for the June Swoon 4: Two A Day.

It gave me hope when I saw that Richard Dreyfuss was among the cast of this movie. Dreyfuss starred in the greatest shark movie of all time (heck, one of the greatest movies of all time) Jaws. How could we go wrong?

We could go wrong in so many ways.

Into the Deep was horrible. Just a waste of an hour and a half. After the first five minutes, I had an idea of what kind of movie this was going to be.

According to IMDB, “Pirates on the hunt for sunken drugs kidnap a boat of tourists and force them to dive into shark infested waters to retrieve the contraband.”

That sounds exciting. That was not the basis behind this story. I mean, it was there, but the execution of that storyline was so inept that it was laughable.

The acting was just bad. The dialogue was unnatural. It made no sense. The story was so coincidental and haphazard that it could not be believed. None of the characters felt like real people.

The shark attacks looked ridiculous. It looked like a shark just shaking a hunk of bloody meat. The images of the sharks in the water were impressive as they just swam around. Other than that, there just was not much of anything.

The overall production of the movie felt cheap. The sound was terrible. With the exception of the beauty of the water shots, there was not much to make this stand out among shark films, let alone other movies.

There are so many better movies on Disney +. Take your time and watch those. This was terrible in every way.

1 star

Karate Kid: Legends

I have been a fan of the Karate Kid movies, particularly the first two, and the Cobra Kai TV show, so I am the type of person this is directed towards, and because of that, I probably liked this more than someone else might have.

According to IMDB, “When kung fu prodigy Li Fong (Ben Wang) relocates to New York City with his mother to attend a prestigious new school, he finds solace in a new friendship with a classmate and her father. But his newfound peace is short-lived after he attracts unwanted attention from a formidable local karate champion. Driven by a desire to defend himself, Li embarks on a journey to enter the ultimate karate competition. Guided by the wisdom of his kung fu teacher, Mr. Han (Jackie Chan), and the legendary Karate Kid, Daniel LaRusso (Ralph Macchio), Li merges their unique styles to prepare for an epic martial arts showdown.

Starting off, this is absolutely the same story, including several specific details, as the first Karate Kid movie. I was sitting in the theater and every time something specific would happen, my mind would connect it to the same bit from the first flick. The story could have been something more than what we got.

Ben Wang was a charming lead as Li Fong. I liked him, even if he was just replaying the Daniel LaRusso role from the first film. I liked the chemistry between Jackie Chan and Ralph Macchio, though I do wonder why they were constantly arguing about the different moves. It also felt a little awkward with how Mr. Han and Daniel LaRusso came together.

I did like the first part of the movie as we spent some time with Li Fong. However, the second part, the 5 Burrough tournament, felt extremely rushed.

The fighting scenes were great. I loved the mix between karate and kung fu. I also enjoyed the boxing scenes with Joshua Jackson. Jackson played Victor, the father of Mia (Sadie Stanley). I really liked both of these characters, especially Victor who felt like something different than other films.

I enjoyed the idea of this film, but, make no mistake, there are a ton of problems with it. It is not a good movie, but I did come out of it with a smile.

2.75 stars

By the way: The mid credit scene was the best scene of the movie. It happens right away so you shouldn’t miss it, but it was worth the time.

Bring Her Back

I guess I really didn’t need to sleep tonight.

The internet was out when I got home from my last day of school, so, instead of just being mad at Mediacom, I decided to go to a movie. I had the tickets for tomorrow purchased and I know there was one film that I was going to see later next week. I went tonight instead.

Bring Her Back, the latest movie from directors Danny and Michael Philippou, the directors of 2022 Talk to Me, was one of the most disturbing and unsettling films I have seen in a long time.

This film avoided many of the horror tropes. There were no jump scares. It covered multiple types of horror, from body horror to psychological horror.

Step siblings are sent to a new foster home after their father died. It does not take long to realize that something was off about this situation.

There is no doubt that this is a movie that will be triggering for some. It is one of those horror movies that stuns you so much that you just want to go sit in silence and deconstruct.

Bring Her Back is a slow burn, but it does move well and never is without a healthy dose of tension and anxiety. There were times when I was grimacing, disturbed and looking away. There are some scenes that were very difficult to get through.

Sally Hawkins played Laura, the foster mother, who was extremely creepy, even in the moments when she seemed as if she was a loving individual. Hawkins was truly exceptional in this performance, which could have been too over the top, but turned out strong.

The kids in the movie do a great job too. Billy Barratt played the oldest kid, Andy, who had plenty of background troubles. Sora Wong played Piper in her debut. Wong, just like the character she played, Piper, is partially blind. She was remarkable and made everything work so well. Jonah Wren Phillips played Oliver, the boy Laura had already been fostering. All three of these kids did an amazing job, and they all had a different type of character to play.

I have to say, I was not completely clear about the demon aspect of this movie. It was a bit confusing, but you just accept that there is something supernatural going on and don’t question it too much.

This is going to be one of those movies that I will recommend, but never want to watch again. I squirmed in my seat several times during this uncomfortable movie. A24 has become known as a super horror film studio and they have yet another one. This is also a very different of sort of horror film than the Philippou brothers made previously.

There will be plenty of people who hate this movie. I was tense the whole time. My teeth were gritted several times. The film is remarkably well constructed and made. I understand if someone hated this movie. I don’t ever want to watch it again. But it absolutely did what it was trying to do.

3.8 stars

Mission: Impossible-The Final Reckoning

I have been a big fan of the recent Mission: Impossible franchise, so I was looking forward to the final film, and, like everyone I wanted to see Tom Cruise running and doing a massive stunt. Well, he ran throughout the movie but his massive stunt did not come until late in the movie… and it was a long movie.

I do think the last hour or so of Mission: Impossible-The Final Reckoning was sensational. The problem was that the film was almost three hours long.

The first hour and a half of the movie was so packed with exposition and flashes to previous movies that I was getting a little bored, and that is something that a Mission: Impossible movie should never be.

Tom Cruise was great as Ethan Hunt. You can tell how comfortable he is with the character. His stunt work in the final confrontation of the movie is typically stunning. It was good to see the return of Ving Rhames and Simon Pegg as the team that has backed Ethan for so many missions. Hayley Atwell is back from the last film and she has decent chemistry with Cruise. Rolf Saxon and Lucy Tulugarjuk appear in the film as a couple of characters who become two of my favorites from the film.

Esai Morales is not my favorite character in the film. I do not think he worked as the villain of this movie. I think he was better in the previous film and his transfer over to this one was not great.

I did not love the final scene of the movie either. I wanted some more resolution for the characters than what was done. Perhaps that is in case this is not the final MI movie.

I do not think this was a fantastic finale of this franchise, but it was still a solid action movie. The last hour or so of the movie was really great and engaging. The first hour and a half spent way too much time explaining things and trying to set things up. Mission: Impossible-The Final Reckoning was a touch underwhelming, but that is probably because the franchise had been so sensational for the last five or six movies that you do not expect it to only be okay.

3.5 stars

Lilo & Stitch (2025)

As I was sitting in the theater with the credits rolling, I heard a family coming down the steps. The mom asked the little boy what he thought of his first movie, to which he responded with an enthusiastic ‘great.’ I sat there thinking how cool that was. I do not remember what my own first movie in theater was, but I know how the experience can be such an enjoyable moment.

I just recently rewatched the 2002 animated movie Lilo & Stitch to prepare for the remake and I thought that was an enjoyable watch though I would not say that I found it a Disney all-time classic.

The Disney live action remakes have been largely not some of my favorite films with a few exceptions on the list. This film is one that I think would be a decent film, especially for a family viewing experience, much like the little boy whose first theater movie was this.

I do wonder if this film has a real purpose for existing outside of $$$. Now, to be fair, all movies are looking to make money, but there have been some of these Disney remakes that just do not feel as if they have any soul, any real magic that the animated films had in excess.

Still, I do think that, for the most part, the 2025 Lilo & Stitch was fine. There were some plot and character adjustments from the animated movie, but nothing that jumped out at me.

The CGI Stitch was well done and worked as a character, which was vital if you wanted this movie to work. Voiced by the original voice actor, Chris Sanders, Stitch was every bit the rapscallion that he was in the animated movie. Young Maia Kealoha made her acting debut as Lilo, and she did a decent job. Some of the trailers for the film did not highlight the strongest aspects of Maia’s work so to see it in context made it work so much more. Again, if Lilo did not work, this movie would have flopped.

The comedic pairing of Billy Magnussen and Zach Galifianakis as Pleakley and Jumba was good casting as they played off each other quite well. I did miss the voice of the late David Ogden Stiers from the animated film. Sydney Agudong played the role of Lilo’s sister Nani and I thought she was wonderful. She had a film presence that stood out on the screen. Courtney B. Vance, Amy Hill, Tia Carrere, Hannah Waddingham, and Kaipo Dudoit added to the ensemble of the film.

In the end, this was a fine film that did its job, basically. I am sure that there will be plenty of children who see this movie as their first ever movie in a theater and that is a wonderful thing. This would be a good film for that honor.

3.4 stars

Ender’s Game (2013)

With the school year coming to an end, we decided to show a movie at the end of the most recent unit we have been working on. It was a sci-fi/space adventure unit and it actually had a possible “long” read offered of Orson Scott Card’s novel, Ender’s Game. We decided to show the movie to the seventh graders.

I hadn’t seen Ender’s Game since it was in the theaters back in 2013, so I was excited to get a chance to see it again. I remember liking it, but not loving it.

The cast of this film was extraordinary, starting with Asa Butterfield as Ender and Harrison Ford as Colonel Graff. These two had tremendous chemistry and carried much of the film. The actresses that played Valentine and Petra drove me nuts at first because I knew I recognized them but I just could not place their youthful faces. After a check on IMDB, I realized that Valentine was Abigail Breslin and Petra was Hailee Steinfeld. They were both great. The movie also included Ben Kingsley, Nonso Anozie and Viola Davis. Great actors in this film.

The special effects and the shots were spectacular as well. It looked beautiful and stunning at every moment. The animation of the mind game was a little uncanny valley, but it was supposed to be, showing the difference between this game world and the real world.

I did have some problems, basically with the script. It felt like there were too many moments that were rushed, as if they needed to cut things out to fit it in the film, and because of that, some scenes which were meant to be more impactful, ended up less so than it could have been.

One example was a scene between Ender and Sgt. Dap (Nonso Anozie) where Ender was being a particularly annoying child. Dap screamed at him to shut up and that he would never salute Ender. Then it felt like ten minutes later that Dap was doing that very thing. It was meant to be a powerful moment, but Ender did not seem to have earned that salute in any way, so the powerful moment felt a bit flat.

The conclusion of the film is sensational and Asa Butterfield is excellent at this moment. The eyes of Butterfield were remarkable, constantly right on the verge of being filled with tears while reflecting the light perfectly. The close-up visuals of Ender always worked.

The message is not ignored in Ender’s Game and, in fact, could be argued that it is as important to the film as anything else.

The students of my class seemed to enjoy the film, as every class that I showed this to asked if there was a sequel. I pointed out the book series while telling them that this was the only movie. One girl told me that she wanted Ender and Petra to get married… that she shipped them.

In the end, the film was pretty good. Yes, I think some of the writing needed some work and some of the moments did not feel as earned as it should have, but Ender’s Game was still a fun time among sci-fi films made for both kids and adults.

Final Destination: Bloodlines

I never knew that Rube Goldberg was such a sicko.

The series of horror movies in the Final Destination franchise are films that I have not see before. It just did not feel like the type of film that was going to appeal to me. So I was not anxious to see the Final Destination: Bloodlines film out this weekend.

I have to say, I liked this way more than i ever believed I would.

According to IMDB, “A teenage girl has recurring nightmares of a tower collapse in the 1960s. She discovers that these nightmares are a premonition she inherited from her grandmother. The grandmother predicted the collapse of the building and saved a group of people from death. Decades later, the granddaughter begins to have visions of her family members dying. She realizes that there is a sequence and must fight to prevent Death from reclaiming her family’s bloodline.”

I really enjoyed the set up for the movie. The opening did a great job of baiting the hook for the audience and it left a huge question in my mind immediately. The set piece with the collapsing restaurant was thrilling and extremely suspenseful. I loved the mystery aspect of the film as our characters tried their best to prevent Death from claiming their family.

The tone of this film worked really well even though it felt like it was all over the place. The kills were, at the same time, grisly and funny. I’m not sure how it could work that I was laughing while I was repelling in disgust. The intricate ways that the victims died made me think of the old Rube Goldberg drawing of complicated inventions to do simple things. In this case, the simple thing was driving something threw someone’s head (or other various body parts).

The film looked great and, as I said, the kills were excellent. I was invested in the group finding a way to prevent their own deaths and thus cheat Death.

Kaitlyn Santa Juana was our lead protagonist, Stefani, and I thought she did a wonderful job. The whole film, I felt as if I had seen her before, but I just could not place it. However, looking on IMDB after the film, I could not find a credit on her list that I would have known her from. She was on the CW series The Flash, but only two episodes and I did not watch that series much any way. I did thin she was a compelling lead so I was impressed with her performance, even if I thought I knew her.

I thought the film does an exceptional job developing characters connected to Stefani. They were more than just the typical horror movie canon fodder characters. They had depth to them and they had emotional beats that work very well in making them be characters that we want to see escape, not just get killed off.

There is also a small cameo from the late Tony Todd. I am not sure if this is his final film, but if it is, he has a strong one to end on.

Perhaps I have to add some of the Final Destination movies to my list of films for the October 13 this year as I enjoyed this one a lot and if this represents what the franchise is about, I am up for some more.

4.1 stars

Clown in a Cornfield

I saw this listed at Cinemark and my mind immediately went to movies like Winnie the Pooh: Blood and Honey. Clown in a cornfield? It seemed so ridiculous. However, the reviews were mostly positive, surprising me. I decided to give it a chance.

According to IMBD (by way of Bloody Disgusting), “Quinn Maybrook and her father have moved to tiny, boring Kettle Springs, to find a fresh start, But what they don’t know is that ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out as quick as they can. Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.” Synopsis from Bloody Disgusting

I was torn by this movie. There were parts that I thought were really dumb and, if you excuse the pun, corny. However, it was heads and shoulders above the type of movies that I expected it to be lke.

The film did start off by introducing a group of young teen characters that I hated and led me to look forward to seeing them killed by a clown. As the film progressed, I learned that the unlikable characters were part of the story, not just a slasher movie trope. I started to believe that the writing was more clever than I initially thought.

The story had some interesting moments, but was very messy in a lot of spots. I am not sure everything came together well. There were some holes in the story, especially the ending. Without spoiling anything, something at the end confused me so much that I was questioning myself that I must have missed something.

Clown in a Cornfield is not a bad film. It was an enjoyable enough watch as it moved along quickly. I think I went in with low expectations and I had a good enough time with it. I did like how the film changed up several of the expected horror tropes. This was fun at times.

3 stars

Thunderbolts *

The newest Marvel Studios film arrived in theaters tonight and took a risk. It featured a group of b-list characters from other films and TV shows and put them front and center. And it was glorious.

Yelena (Florence Pugh) was feeling alone and depressed with the state of her life. She was tired of just receiving another mission from Valentina Allegra de Fontaine (Julia Louis-Dreyfus). When Yelena accepted one final mission for Valentina, things go astray. She met up with a group of ragtag mercs including John Walker (Wyatt Russell), Ghost (Hannah John-Kamen), and Taskmaster (Olga Kurylenko) who all had missions to eliminate the others.

However, while they were there, they also met Bob (Lewis Pullman), a mysterious figure that did not remember why he was there.

Add Bucky Barnes (Sebastian Stan) and Red Guardian (David Harbour) and the Thunderbolts are together.

This was great. It felt like a different style of Marvel movie. Sure there was action, and it was great, but the writing and the story was rich and complex. We saw details behind these characters that you do not usually see in the MCU. These people were broken and they were going through the motions trying to find a purpose.

The allegory for mental health is clear as several of these characters could be considered depressed from the way their lives have gone. It really is a well balanced story, with character development, humor, action, and some of the best chemistry the MCU has seen in awhile.

This cast is just tremendous with the material they were given. Florence Pugh is a movie star. She is such an amazing actor and this is an amazing performance. I understood everything that she was feeling and Pugh was able to show the whole range of emotions for the sister of the Black Widow. Lewis Pullman is exceptional as Bob, aka Sentry. He is one of the most original characters in the MCU and I think the future is really bright for him.

David Harbour is unbelievable in this film. He provides some of the best comedic lines of the film, but there is an argument to be made that he is also the heart of the Thunderbolts. He is not just a buffoon. He is more than that.

Julia Louis-Dreyfus got some very meaty stuff to do in this film. This is easily the best she has done since entering the MCU in The Falcon and Winter Soldier on Disney +. I would also say that Wyatt Russell’s work as John Walker really built on the job he did on that TV show.

It was over a two-hour movie, but, for me, it flew by. I could not believe that we were arriving in the final scenes of the movie as it just did not feel like that much time had passes. It was wonderfully directed and paced by Jake Schreier, who directed the Netflix series Beef.

The final act of the film was considerably different than the normal MCU film and I found it to be extremely emotional. I loved how they wrapped up this story.

There are two post credit scenes that you must not skip. The first one was a fun scene but the second one elicited applause from my audience.

I love the Thunderbolts* (and the meaning of the asterisk is revealed) and this was such a great film. These characters are nowhere near the peak Marvel characters, but it goes to show you that if you have good writing and a great cast, you can accomplish anything. This is a fabulous film that I am excited to see again.

5 stars

By the way, the IMAX theater I was in had a countdown before the movie like it always did, except this one was all about the Fantastic Four, including the music from the trailer. I literally had goosebumps when the countdown finished and all it included was the numbers 10 to 1. It was special.

Light & Magic S2 E2

Spoilers

“There Must Be A Better Way…”

The second episode of the second season of Light & Magic on Disney + featured heavily on the transition from practical effects to that of digital recording and the way in which ILM lead the way in the field of digital special effects.

It started out talking about the elephant in the room, Jar Jar Binks.

Jar Jar is one of the most hated of Star Wars characters among a certain section of the fandom, but the doc looked at the creation of the character. They spoke to Jar Jar actor, Ahmed Best, who was not taking the criticism and anger of the character well. The comments of Jar Jar being a racist character or filled of racist tropes was difficult for him to hear. It got so bad that he told a story about him going on a bridge in New York with the intent of “showing them” how much it affected him. This story of a man having suicidal thoughts over the creation of a movie character was very powerful as was the resolution of the story. It made me think about my own feelings toward Jar Jar.

I was impressed with how much of the negative thoughts and criticisms this doc dealt with. They could have easily brushed that under the rug, but the doc still showed the push back ILM received for its motion capture and digital film from the movie society in general.

The doc spent some time showing how they were involved in the creation of digital tornados for films such as Jumanji and Twister as well as the massive wave from A Perfect Storm.

They spent a good deal of time telling about how they transitioned from Yoda being a puppet as he was in the original trilogy to more of a digital character and then eventually to a point where Yoda could have a lightsaber fight with Count Dooku in Attack of the Clones. One of the more fascinating parts of that section of the show was seeing how Frank Oz, who was puppeteering and voice Yoda, went through so much trouble and challenges with this extremely heavy puppet that he had to hold up with his right arm.

There is one more episode of season two to go. My guess is that it will focus in on Revenge of the Sith.

The Legend of Ochi

A24 is an active and extremely busy movie studio, releasing all kinds of different movies. One of the newest releases from the studio is a fantasy/adventure that plays like a fairy tail in The Legend of Ochi.

Shot on location in Romania, The Legend of Ochi looks beautiful and the creatures known as the ochi are amazingly constructed in one of the best uses of practical effects in years. The creatures, in particular our little lead character, are marvelous and shows that you can still create something stunning and effective without a bunch of CGI.

According to IMBD, “A young girl named Yuri is raised to fear the reclusive forest creatures known as the ochi. However, when she discovers a baby ochi left behind by its pack, she embarks on a perilous journey to reunite the creature with its family. As Yuri ventures deeper into the forest, she faces dangerous challenges and learns valuable lessons about courage, friendship, and the importance of protecting nature.”

The performance of young actor Helena Zengel is very impressive as Yuri and she effectively carries the bulk of this film on her shoulders. She does an admirable job interacting with the puppet ochi as it travels around on her back and in her company.

There are two well known faces involved in the film. Willem Dafoe played Yuri’s father Maxim and Finn Wolfhard is Petro, a boy who is taken in by her father. Dafoe is his usually wonderful self as this father whose anger about his life is transferred into his hatred for these ochi creatures. He trained these children that are in his care as a military unit to hunt the ochi.

I did like the background story of Maxim and I thought his arc of the movie was very soldi. He had some great scenes with Emily Watson, who played Dasha, Yuri’s absent mother.

There are some weird things happening here, but it had that ET feel combined with a A24 horror film. The Legend of Ochi was a fun film with a nice story.

3.8 stars