Tag Archives: movies

Sunday Morning Sidewalk #25

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Spoilers

“I Got It”

“Home”

Win or Lose’s final two episodes were the Sunday Morning Sidewalk this week and these episodes wrapped up the season long storyline.

Episode seven featured Kai and her overbearing dad who pushes her hard. Kai and her dad James moved into the neighborhood a year before and the softball team helped Kai become part of the community. She was really great at baseball, but the atmosphere of the Pickles made Kai want to play softball. James jumped in with both feet.

We see the drive of her father show itself in Kai as she was pushing herself to get better and wound up hurting her ankle, though she never told anyone she was hurt.

The episode ended with the championship game, getting a little further than we did last week. We see Kai at the plate after Laurie got hit by the pitch and Kai hit a big shot into the outfield, only to see that injured ankle become a problem again.

The final episode had to bring everything together that has been happening all year long and it does so really well. We focus in on Coach Dan for this episode and his own problems. Living out of his car, he spent his time at the field, grooming it for game time. There was a lot here that I could relate to as a former coach myself. As Coach Dan was watering the field, I remembered days doing the exact same thing.

Kai’s big hit split the outfield and Kai ran the bases, behind Laurie, who clearly had not done that before. Laurie scores to tie the game but Kai ends up in a run down and gets called out at home by Frank.

This set off a massive chaotic event as the crowd went wild, Coach Dan loses his temper and gets accidentally knocked into Frank the umpire. Frank throws Dan out of the game, which only caused Dan to lose it more. Dan was feeling the pressure of the parents who want to replace Dan with James next season.

Then we get:

  • Laurie trying to help calm her father down (with a remarkable imagery/metaphor)
  • Ira stops the Bleacher Creatures from stealing the cash box from the concessions. He does that by grabbing it and running away.
  • It was actually Ira’s calling for help that caused Taylor to leave the game, not the trouble with Yuwen
  • Rochelle and Vanessa finally got to the game in the middle of the chaos and jumped in to help.
  • Vanessa and Frank bond after Frank saved Vanessa’s baby from choking.
  • Taylor prevents the Bleacher Creatures from getting Ira and they return the cash box.
  • James found Kai, who was hiding after the play at home and they talk through their troubles.

After the baby was saved, this got back to reality and the chaos left the park. Dan had calmed down and apologized to Frank. Taylor, Kai and Yuwen all made up. The game moved on into extra innings.

After this we see a Pickles pizza party celebrating the end of the season. We do not know what the result of the championship game was and no one mentioned it again.

The show ended with Laurie telling her dad that she did not want to play softball any more.

This was such a wonderful show with so much heart. It gave us a ton of human emotion, wrapped within the concept of a softball game. The imagery of the show really spoke to me and the way certain emotions were displayed was remarkably creative.

This is truly some Pixar magic in a series where I did not expect that magic to be.

This ends Win or Lose for the Sunday Morning Sidewalk. Next week, we start the two episode documentary series called Kisstory, about the band Kiss. It is two episodes, both about an hour and a half long. It can be found on Hulu or Disney +.

Superman (2025)

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The DCU is finally here as James Gunn revealed his huge blockbuster to officially kick off the DC Universe films, in a reboot that has been in the planning stages for years. They started off with their classic character, Superman.

I can state, without a doubt, that James Gunn has done an amazing job with a film that soars to remarkable heights and is loaded with a ton of comic book-y fun.

It seems as if you can’t do a comic book movies these days without a ton of controversy, and Superman is not an exception. There have been complaints flying around about the use of the term immigrant in reference to Superman as well as the movie being “woke.” Despite these criticisms and talking points looking to drum up hatred, Superman (2025) is a wonderful movie and a great time in the theater.

No origins here, which is a great thing. We all know where Superman came from and how he wound up in Kansas, so why waste time showing it once again? Gunn is right in that we do not need to see baby Kal-El land, Bruce Wayne’s parents shot or Uncle Ben be killed ever again. We know these stories.

The world of this movie is fully encompassed with metahumans already and the dangers of the world are quite clearly shown.

The opening info tells us that Superman has stopped a war between a couple of countries and this is one of the big sticking points for a lot of people involved. This is the back drop of everything that goes down.

David Corenswet played Superman and he does an unbelievable job at it. He approached Superman with the right amount of heart and joy, even if he seemed to have a bit of a temper. It is really refreshing to see a Man of Steel concerned with saving people around him. There are a bunch of scenes showing that Superman cares for the people of earth, even after they turn on him.

I won’t give away why they turn on him, but it feels like it absolutely could happen in the world we live in today.

Corenswet and Rachel Brosnahan’s Lois Lane are already dating, and she knows about his true identity. There is amazing chemistry between these two and they bring sparks to the screen. Lois Lane is shown as an intelligent and strong woman who will take whatever risk she needs to take for her passions, whether that be the story she is pursuing or the man that she loved.

Superman’s iconic enemy, Lex Luthor, was played by Nicholas Hoult. This is my favorite version of Lex Luthor to ever appear in live action (or animated, btw). Hoult gave him such an evilness, but he did it without creating a cartoon. I understood Luthor’s motivations, even if they were horrendous. Nicholas Hoult was sensational in the role.

There were several other heroes appearing in the film, inside the Justice Gang, which included Guy Gardner, the Green Lantern, played with that slimy perfection by Nathan Fillion. Isabela Merced (from season two of Last of Us) as Hawkgirl, who did not have as much to do, but was pretty cool when she was involved. Mister Terrific, played by Edi Gathegi. Mister Terrific had a major part to play in this movie and he was awesome. I loved how they used these group of heroes instead of pulling out some of the more heavy hitters of the DCU.

The film looked really good, especially any scene with flight involved. The score was decent but James Gunn, who is well-known for his needle drop songs in some of his other movies, did not have many here. That did not distract me. In fact, I did not even think about it until the end credits.

When we first meet them, I was not a fan of Ma and Pa Kent (Neva Howell and Pruitt Taylor Vince), but I have to say they grew on me later in the film.

Krypto the dog was well used, even if I thought maybe he was used too much. Krypto has some solid scenes in the film. He is important and not just there to make everybody “awww” over a cute dog.

Some of the jokes did not land, which made a few scenes a touch awkward, but most of the humor worked fairly well. There were not as many jokes as some of James Gunn’s previous films, but there definitely had some humor in it.

I don’t think there is any other way to look at this other than as a triumph for James Gunn’s new rebooted DCU. Superman was colorful, exciting, dramatic, funny at times, and had so much heart that has been missing from Superman in other recent iterations. Outside of a few nitpicks (such as some of the workers at the Daily Planet… what was up with those characters?), I think this was a smashing success.

4.9 stars

F1: The Movie

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I was a week late for this one, but it was not high on my too see list because I am not much of fan of auto racing in any form. However, I knew I have enjoyed other movies centered around the sport such as Rush or Ford vs. Ferrari, and I had heard a ton of positive word of mouth, so I wanted to make sure I had the chance to see this in the theater before it became available on Apple TV +.

I went to the IMAX theater at Cinemark to see this and it was definitely worth it. The film looked amazing with sensational cinematography, had its share of exciting moments and was thrilling at times.

According to IMDB, “After a nasty incident almost ended his career, Sonny Hayes has retired from Formula One and now races a Porsche, but when an opportunity comes from the owner of a struggling team, Sonny makes a return to Formula One racing, alongside a hot new rookie teammate, but soon realizes that he can’t take the road to redemption on his own.”

I thought Brad Pitt was clearly the standout, both in the acting area as well as having the most developed character. Most of the other characters of the film were not necessarily as deep as they could have been, but the main story focused on Sonny Hayes, so it is understandable why he got the most details.

Javier Bardem is always fun, and he does a decent job with what he was given here. Damson Idris is the other main driver with Sonny, playing Joshua Pearce. Kerry Condon was fine too, having some chemistry with Brad Pitt, but, again, her character was not as fully explored as she could have been.

I do think that I had some issues with understanding what was happening during the races as there were a lot of strategies that were pulled out that perhaps a more knowledgeable racing fan might understand more than I did. It wasn’t off-putting, but there were times that I had to stop and try and figure out why they were doing what they were doing.

However, the scenes of the racing were fantastic as was the scenes of the crashes. The film was able to build my own suspense during the races as I did not know what they might be doing.

I enjoyed the music of the film, as it really helped set the mood in many cases. There were some issues that I had with the sound of the film though as some of the voice over work of the announcers was difficult to hear during the racing scenes. I have had that compliant in the IMAX theater before so it may not necessarily be the film’s fault.

Joseph Kosinski directed this film. He had directed Top Gun: Maverick and F1: The Movie shared the same kind of thrills of that movie. The film creates a wonderful world in this F1 racing film and the creative aspect of this movie is its strength. The characters are okay. The story is okay. The look is fantastic.

See this on a big screen because I think it would be the way to truly enjoy this film.

4 stars

Jurassic World: Rebirth

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The seventh film in this franchise was released on Wednesday as Jurassic World: Rebirth found its way into theaters for the Fourth of July weekend.

With Scarlet Johansson and Mahershala Ali leading the cast, Jurassic World: Rebirth resets the franchise after the seemingly final film Jurassic World: Dominion.

It is five years past the events of Jurassic World: Dominion, where it seemed as if the humans and the dinosaurs were going to be living in the same world. Turned out that was not going to work out for the dinos as they found out that living on earth was bad for them and they had to move closer to the equator.

A group of mercenaries led by Zora Bennett (Scarlet Johansson) and Duncan Kincaid (Mahershala Ali) went to the island where all the worst of the dinosaurs, the weird mutates from the science experiments were cast out in a chance find DNA of certain dino monsters that can help cure diseases.

Also, there was a family who were out sailing (I guess near the equator) and a dinosaur in the water caused their boat to capsize. They also wound up on this mutant monster island (no Godzilla or Kong to be found). The two groups cross paths at the beginning.

While there are so many problems with this movie, I’ll start with some of the good things. I thought there were some good action scenes or dinosaur chases sequences. There was a scene with a dinosaur and a inflatable raft that was fairly tense. Some of the action was pretty good.

I think Scarlett Johansson and Mahershala Ali are charismatic performers and I like cheering for them. Of course, I was cheering for them because I like them as actors, not because they have characters that I enjoyed. We’ll get back to the characters in a bit.

Unfortunately, that was about it for positives for me. I found myself bored quite a bit at the beginning of the movies. I thought these characters were all just bland and one-dimensional and if they weren’t played by familiar and likable faces, I wouldn’t care about these people at all.

The dinosaurs were not really dinosaurs. They are actually just monsters and most of the designs were okay at best. There were several times when you could easily see the green screen. Some of the monsters were cool and looked good on the screen, but just not enough. Give me more of the T-Rex instead.

The film basically had two stories crammed together in the movie that really did not have any crossover. The mercenaries after the DNA is one story and the family stranded on the island is the other. There was not enough story for either one of them, let alone for both.

There are so many moments in this movie that were basically recycled from the original three films, just tweaked a bit. There really was not anything new or original in the movie.

Rupert Friend’s character is right out of the stereotypical playbook for this type of film. You could easily see what this guy was going to do a mile away.

I’m not even going to comment on Delores.

I was very disappointed, but not surprised at Jurassic Park: Rebirths, which is more like Gareth Edwards’s Godzilla and less like Rogue One. Bringing David Koepp back in (who was a writer on the classic and iconic original Jurassic Park) did not help this franchise at all. It did have a few moments that were decent, but certainly not enough for a two hour and fifteen minute slog.

2.6 stars

Absolution

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June 30

We have arrived at the final day for the June Swoon 4: Two Day. The final movie for the 2024 films (“It’s Then, Now”) is a Liam Neeson film called Absolution that I watched on Hulu.

A lot of Liam Neeson films are similar over the last few years and they have titles that are anything but distinct. This movie had the same feel to it. The title “Absolution” seemed just as random as many of the other films. It i snot memorable.

However, Absolution does take some different steps in the story to set itself apart from “Retribution,” “The Ice Road,” “The Marksman,” “Cold Pursuit,” “The Commuter” and such.

According to IMDB, “An aging gangster attempts to reconnect with his children and rectify the mistakes in his past, but the criminal underworld won’t loosen their grip willingly.”

This summary from IMDB does not touch upon the seminal fact of the story that made this Liam Neeson performance different than all the others. Since it is not mentioned here, I will avoid spoiling it and say that this one fact really adds to the typical character that Neeson plays.

Neeson’s co-star was Yolanda Ross and she was excellent in her role. I thought the scenes with Neeson and Ross stood out from the rest of the movie and I wish there had been more of this.

I also liked the young actor Terrence Pulliam, who played Dre, Neeson’s estranged grandson. The two of them also had some good scenes that gave Neeson’s character more depth than it would have had. Pullian does not have a ton of dialogue, but he played the scenes well with his facial features and looks.

Some may think that this story was too slow, but I liked the pace of the film. It gave us a chance to get into the character Neeson was playing and connect with the choices he had made and the regrets that were swallowing him.

There was a series of weird scenes with Neeson and his father (Josh Drennan) that seemed to be in a different movie, but these scenes did not derail the film for me.

Absolution was not as bad as I thought it was going to be, and I did actually like a lot of what was there. It has a 55% critics score on Rotten Tomatoes and a shockingly low 32% audience score. I think it is much better than that.

G20

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June 29

The second film of the penultimate day of the 2025 June Swoon was on Amazon Prime and it was an action/political thriller starring Viola Davis called G20.

The G20 is is an international forum of both developing and developed countries which seeks to find solutions to global economic and financial issues. (g20.org). It stands for Group of 20.

This movie has the leaders of the G20 facing a group of terrorists who take over the G20 summit. The leaders looked to President Danielle Sutton (Viola Davis) because she had extensive military service prior to her election. Sutton helped battle the terrorists through the halls of the fictional Grand Diamont Hotel in South Africa.

There is no way around it. This movie is stupid. It is stupid in the way that what Viola Davis does would NEVER be allowed for any sitting US President to do. She is shooting weaponry, fighting hand to hand and battling the forces opposing her. Absolutely NEVER would this happen. So it is as unrealistic as any film could be. It is not unprecedented for a movie president to take on terrorists (for example Harrison Ford in Air Force One), but President Sutton does a whole lot more here.

If you can get past that and just allow the stupidity to get by you, this is not the worst movie I have seen. Silly? Yes. I do like Viola Davis and she carried herself with a swagger in this movie that made you believe that she was the most powerful person on the planet. She does a great job as action hero #1.

Our lead villain was Rutledge, played by Antony Starr. Starr is a much better villain as Homelander in the Boys. Here he feels too much like a dime store Hans Gruber from Die Hard. He had a strange plan involving the world’s currency, making him just an “exceptional thief.”

There is a fun group of ensemble cast including Anthony Anderson, Ramon Rodriguez, Marsai Martin, Elizabeth Marvel, everyone’s favorite Phil Coulson- Clark Gregg, MeeWha Alana Lee, Douglas Hodge, John Hoogenakker, Joseph Steven Yang and Theo Bongani Ndyalvane.

If you can accept this as just a dumb action movie, you might get a kick out of it. If you think of it as a political thriller that features the US president, the flaws come out pretty easily. Viola Davis is a kick ass either way.

Until Dawn

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June 26

I have been waiting for this movie to drop price on Fandango at Home before I purchased it. Then, just before the June Swoon is getting read to conclude (four days remaining) Until Dawn went on sale.

After watching it, Until Dawn was not on sale enough.

Based on a 2015 video game, Until Dawn is a survival horror film with a million jump scares and a bunch of horror tropes and cliches.

According to IMDB, “One year after her sister Melanie mysteriously disappeared, Clover and her friends head into the remote valley where she vanished in search of answers. Exploring an abandoned visitor center, they find themselves stalked by a masked killer and horrifically murdered one by one…only to wake up and find themselves back at the beginning of the same evening. Trapped in the valley, they’re forced to relive the night again and again – only each time the killer threat is different, each more terrifying than the last. Hope dwindling, the group soon realizes they have a limited number of deaths left, and the only way to escape is to survive until dawn.“

I couldn’t care any less about these characters. Because I couldn’t care less about them, I was bored as the jeopardy surrounded them. The film was chocked full of jump scares but none of them were anything but your typical jump scare. There as little thought behind them.

The concept itself had some possibility, but it also removed most of the drama, since we knew they would basically return at the end of the night. How did this work? No idea.

And the biggest crime here is that the killings were so dull, I am having trouble remembering any of them. Maybe the film just never grabbed my attention.

I did not like this one and I am glad I did not go to the theater to see it.

2 stars

Ironheart E1, E2, E3

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SPOILERS

Riri Williams returned from her appearance in Black Panther: Wakanda Forever to her own Disney + series. Six episodes total, three debuting this week and then concluding next week.

I find that a strange release schedule. After watching the first three episodes, I think this was interesting enough to spread the release out more than two weeks.

Riri winds up in a heist crew to make money after she was expelled from MIT. The crew was led by Parker Robbins, aka The Hood (Anthony Ramos). The Hood has a magical cape that gives him a variety of powers. Anthony Ramos is awesome and brought some serious chops to the show. He was especially great in episode three.

Where did he get this magical cape/hood? In the comics, this is tied to Mephisto, but will he actually make his long awaited appearance in the MCU? It seemed for sure that Mephisto was involved in WandaVision, but never arrived. There have been rumors that Mephisto would be showing up in this series, but, again with all the rumors during WandaVision, I’ll need to see Mephisto before I believe it. Mephisto was named dropped in Agatha All Along so I guess we’ll see.

Dominique Thorne is really great as Riri. The show is giving us an intriguing relationship between Riri and her AI N.A.T.A.L.I.E., based on her best friend who died in a violent shootout along with Riri’s step dad, Gary. There are questions about the AI but I really enjoyed this dynamic between these actresses. Lyric Ross played Natalie.

Alden Ehrenreich was great too as Joe McGillicuddy, who is revealed in episode three as being the son of Obadiah Stane, aka Iron Monger from the first MCU movie, Iron Man. I liked this little twist (and it was funny to have Stane’s ashes in a Ziplock bag in Joe’s kitchen).

These episodes were quite long, in comparison to some other MCU Disney + shows. Episode three was 50+ minutes long. I like that a lot more than those short 30-35 minute shows.

I liked what I saw so far. I expect next week to bring the goods even more as each episode got a little bit better this week. Episode three was definitely the strongest so far.

Nonnas

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June 23

For the second film of the day for the June Swoon, I went to my queue at Netflix for a film recently released starring Vince Vaughn. It was a comedy/drama called Nonnas.

After the death of his mother, Joe Scaravella (Vince Vaughn) impulsively decided to open an Italian restaurant on Statin Island, using real life Italian nonnas as the chefs. He wanted their homemade feel of family for the restaurant, warm and loving.

Of course, there are a bunch of troubles that spring up for Joe in his attempt to create his dream restaurant that would honor his mother.

The four women the film cast as the nonnas have a fun chemistry together and their Italian flair truly is the strength of the film. The actors included Susan Sarandon, Lorraine Bracco, Talia Shire, and Brenda Vaccaro. They were as real as you could expect, right down to some of the same stereotypical flavors. Still, I think these ladies were the best part of the film.

I did feel like I was watching a sweeter version of The Bear in movie format. Many of the challenges that we saw play out on The Bear were also on display in Nonnas and I am certain that the reason this was made was to play off the success of the FX TV show. That is not a bad thing, but it does limited anything new that we could see.

The sweetness and warmth of the script and cast go a long way here, as some of the moments were very warm-hearted. Vince Vaughn played his role beautifully, holding everything together even when things were never going to work. I do think the ending is a bit predictable, and seemed to come out of nowhere quickly, but it does work for what we get here.

This may not be the greatest film ever made, but it is a very enjoyable watch with some characters that will make you feel good and a menu that might make you hungry.

3.5 stars

Another Simple Favor

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June 22

2018 saw the release of a movie that caught the world by surprise. A Simple Favor was directed by Paul Feig and starred Blake Lively and Anna Kendrick in a black comedy/mystery that was really clever and creative. In 2025, Amazon Prime streamed a sequel to the film, Another Simple Favor trying to catch magic once again.

I will say that this sequel is not as great as A Simple Favor, but it is entertaining as well.

According to IMDB, “Stephanie Smothers and Emily Nelson reunite on the island of Capri, Italy for Emily’s extravagant wedding to a rich Italian businessman, which is interrupted by murder and betrayal.“

Stephanie (Anna Kendrick) becoming an author of true crime books and an online vlogger about other cases she investigated worked well for the character. Part of the key to the success of the original was the clever dialogue and interactions and this kept Stephanie active in that part. Then, with Emily’s unexpected return from prison and immediate reinsertion into Stephanie’s life, the film started to keep the audience on its toes with what was about to happen.

Allison Janney appeared as Emily’s Aunt Linda, and she provided her acting chops to a story that does get crazily weighed down with weird story elements.

The key to the film is the banter between Lively and Kendrick. This is the strength of the film as their dialogue is crisp and funny. Their barbs back and forth keep you guessing about what is actually going on with a convoluted story.

The story itself is really not great. It turned out to be more of a parody of the first film than anything else. There are so many bizarre choices that it made me wonder if that was the overall purpose of the sequel.

As an Amazon Prime streaming film, this is fun. A solid watch on a Sunday afternoon. There is a reason why a sequel to a surprise hit was not released in the theaters. It is because the film is not strong enough for that. However, I did enjoy this on the power of the two lead actresses, even when they are in the most ridiculous, bordering on stupid, situations.

3.2 stars

The Friend

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June 21

The second film of the June Swoon today was one I rented off Fandango at Home and I rented it because they had Bill Murray on the cover and had a decent Rotten Tomatoes score. We are under ten days now left in the June Swoon and the 2025 movies have been tough to find to watch.

According to IMDB, “Novelist and creative writing teacher Iris (Naomi Watts) finds her comfortable, solitary New York life thrown into disarray after her closest friend and mentor (Bill Murray) commits suicide and bequeaths his beloved Great Dane to her. The regal yet intractable beast, named Apollo, immediately creates problems for Iris, from furniture destruction to eviction notices, as well as more existential ones, his looming presence constantly reminding her of her friend’s choice to take his own life. Yet as Iris finds herself unexpectedly bonding to the animal, she begins to come to terms with her past, her lost friend, and her own creative inner life.“

I had no idea what this movie was about. I did not know that this was going to be a story about a girl and her dog. I’ve never been a big fan of dog movies that try to tug on the heartstrings. However, this added more to the story than just the dog. The story of Walter (Bill Murray) having committed suicide and how that affected the people around him was very interesting for me.

Naomi Watts is always great. There could have been more Bill Murray for my tastes, but I understand why that is the case with the story.

I am not a dog person, but this was a nice film. I liked the balance between the guilt and sadness of one aspect of the story and the bonding between a very charismatic dog and a human.

3 stars

I’m Still Here

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June 21

Another Academy Award winning film came next in the June Swoon. This film won the Oscar for Best International Feature Film and had received nominations for Best Picture and Best Lead Actress. I’m Still Here is a political biopic from Brazil that detailed the story of Eunice Paiva, whose husband, a former congressman, was a victim of a forced disappearance during the military dictatorship in Brazil in 1971.

Fernanda Torres did win a Golden Globe for her role as Eunice Paiva, along with the Academy Award nomination. She was a powerful force in this film, showing so much depth of her character. It could have easily degenerated into a sob story, but the strength of Eunice and her constant desire to protect her family while searching for the truth really marked her as an amazing woman. Fernanda Torres brings all of the emotion and power to the role.

The resiliency of the Torres family was on full display as they had to go through so much uncertainty after armed men came into their house and took away their father. Then, Eunice and one of her daughters were taken for “questioning” and held for an extended period of time. Such behaviors of a government is and was unacceptable and I’m Still Here makes that argument clearly.

As an audience, we are given time at the beginning to get to know Rubens Paiva and see how important he was to his family before he was removed by the military. We could see the hole that his forced disappearance put in his family and how Eunice did everything she could to fill that gap herself.

The film did have a couple of sections at the end showing the family in the future, including one in 2016 where Eunice was in a wheelchair and suffering from Alzheimer’s. There was still a powerful hope within that family, a trait that came from Eunice’s decade long fight for the truth. I am not sure if these last two scenes were really needed, but it was nice to see how these people’s lives moved on after they realized that their father was not coming back.

This is a long film, but it was worthwhile thanks to an amazing lead performance and a story that helps us understand what life under a dictatorship could be like.

28 Years Later

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I recently rewatched 28 Days Later and 28 Weeks Later, the two other films in this franchise in preparation for this new film, 28 Years Later, which reunited Danny Boyle as director and Alex Garland as a writer (they worked together on 28 Days Later). After watching 28 Years Later, I realized that I really did not need to do that homework.

28 Years Later does pick up the story of the Rage Virus, with England now being a fully isolated and quarantined. It started off with an action set featuring boy named Jimmy. After we see this, the film is set in a village on the island of Lindisfarne, where we meet Jamie (Aaron Taylor-Johnson) and his sickly wife Isla (Jodie Comer). They have a son named Spike (Alfie Williams) and Jamie is preparing to take Spike to the mainland on his first infected kill, a right of passage for the young boy.

The father-son had some harrowing adventures on the mainland and had to struggle to avoid an Alpha infected (zombie?) to make their way home.

Spike is very concerned with his mother’s mysterious illness and he takes her on a journey to the mainland in search of help for her.

This movie feel like two parts. The first part is the father-son adventure of Jamie and Spike and the second part is Spike’s adventure with his mom. Spike is 100% the main character and Aaron Taylor-Johnson disappears in the second part of the movie. Alfie Williams does an exceptional job as the main protagonist and we see Spike mature throughout the movie as he faces more and more dangers in the world. Alfie Williams has to carry way more of this film on his back than I ever thought possible and the young actor does a remarkable job of it.

Ralph Fiennes showed up eventually in a great role, but what would you expect? Ralph Fiennes is one of our greatest working actors.

The film has an old timey feel to it, which I believe is in the manner in which Danny Boyle shot the film. It was reported that he shot much of the film using iPhones and you could see the way that made the film appear. However, this film had several strange and experimental type shots that did not work as well for me. There were many film footage spliced in with the movie, which, at times, felt out of place. In particular, shots of a group of, what seemed to be knights shooting arrows in medieval times were used and I did not like that. They also inserted several flashes of infected just out of nowhere, in an attempt to make the shot feel more dreamlike. Many of these interludes felt out of place for me as well.

Without spoiling it, I was not a fan of the ending of the movie. I had not known that there was a sequel to this movie already done filming. 28 Years Later: The Bone Temple is scheduled to come out January 2026 and the ending of this movie is so much of a set up for the next movie that it is kind of irritating.

This is very much a different film than either of the first two that I think there may be some viewers who find it annoying and not what they were after. I did feel the length of the film at times and the distinctly different parts of the film did feel weird. You could almost call this an artistic vision of a zombie movie and not be too far off.

There were a lot of tense moments, but, if I am being sincere, I felt more tense watching the trailers for this movie than I did during the actual film. There were some solid emotional moments and there were some frightening scenes too, but those trailers were really good and built up a tone that the film did not sustain throughout.

Overall, I liked this movie a lot, even if I had some questions about some choices made, both in the story and in the presentation. Alfie Williams is a star in the making and he stands out here among some great actors.

3.9 stars

Elio

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The latest Pixar movie was released this weekend. It is entitled Elio and, to be honest, it was a film that I was not looking forward to because I just did not enjoy the trailers for the film. It is a brand new IP from Pixar and, while I have enjoyed most of Pixar movies, I just was not excited for this one.

After seeing this, I would say that it is a solid Pixar movie, but that I would not consider it in the top tier of the company’s oeuvre.

According to IMDB, “Elio, a space fanatic with an active imagination, finds himself on a cosmic misadventure where he must form new bonds with alien lifeforms, navigate a crisis of intergalactic proportions and somehow discover who he is truly meant to be.“

I did like the character of Elio, which was something that I worried about from the trailers. The film does a really good job of setting up Elio’s troubles and issues that lead him to look to the stars. Yonas Kibreab (who played Finn in Netflix’s adaptation of Sweet Tooth) does a solid job of voicing Elio, and I bought the relationship between him and his alien friend Glordon (voiced by Remy Edgerly). Much of the film will be centered around that relationship and if it does not work, the film will be in trouble.

The script does a good job of, while being familiar to other Pixar type films, avoiding the Pixar tropes that we have become used to over the years.

The voice cast is very good for the film including Zoe Saldana, Brad Garrett, Brendan Hunt, Jameela Jamil, Matthias Schweighöfer, and Brandon Moon.

The design of the characters and the setting is standout, creating a glorious fantasy setting for our characters to work through. It will absolutely give young children something to keep their focus on.

I do think it takes some time getting going and has characters doing things that they may not be capable of doing, but there are some good messages in the film and I do think it will be a good family watch. It certainly was better than I initially thought it would be even if it is near the bottom of the Pixar film list.

3.75 stars

The Surrender

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June 20

So I did a second Shudder movie this morning for the June Swoon. It seemed like a good double feature with In a Violent Nature, and the fact that I am going to 28 Years Later this afternoon. The Surrender fit nicely into the schedule.

According to IMDB, “When the family patriarch dies, a grieving mother and daughter risk their lives to perform a brutal resurrection ritual and bring him back from the dead.“

Colby Minifie (who plays Ashley on The Boys) starred as Megan, whose mother Barbara (Kate Burton) was helping her ailing husband Robert (Vaughn Armstrong). Robert was stricken with cancer and was in terrible shape, in pain and agony.

Colby Minifie and Kate Burton did a tremendous job together in this film, which was, at times, very difficult to watch. Their performances stood out among the best parts of the film.

In fact, I would say the first two acts of this movie were excellent. There was deep issues between the mother and daughter and the grief over what was happening to Robert, as well as his ultimate fate, were creating high levels of stress and anxiety.

However, the third act of this movie really went off the rails. The first two acts dealt with the difficulty of caring for a loved one who was desperately sick and dying and another act handled the relationship between the family members. However, it is when the supernatural things start to happen that the film ceases to work. The character development that was alive in the first two acts of the film really take a back seat to the body horror or scary circumstances that are nowhere near as intense.

With the arrival of The Man (Neil Sandilands), the film still is working because of the uncertainty and the mysterious nature of everything that he is doing with the grieving wife and daughter. After that, things just get weird and there are no explanations for what happened or why things went as they did.

This started strong but ended with a very disappointing result. I still was impressed with Colby Minifie and Kate Burton and their work in their roles. I just wish they would have been given something better to wrap the story up with.

2.6 stars