Batman/Superman #9

BATMAN SUPERMAN #9

Batman/Superman #9

“Atomic, Part One”

Writer:  Joshua Williamson

Artist:  Clayton Henry

Cover Art:  Clayton Henry & Alejandro Sanchez

I had gotten the Batman/Superman series originally because of two things.  One, I liked the Batman Who Laughs villain that started the first story arc.  Two, I thought it was just a mini-series and that once that Batman Who Laughs story was over, the series would be done too.

That has turned out to be not the case.

Then, I have to say, that the last couple of issues of Batman/Superman have been fairly unimpressive, if not boring.  I did not like #8 at all.  Even though I have always enjoyed these two iconic characters together in whatever medium I saw them in, I was most likely preparing to let this series go.

Then I read issue #9.

I am back in.  Big time.  I loved this issue.

The arrival of the Atomic Skull was not that big of a deal to me.  I do not think I have ever seen this character before.  But the way this story began, with this Skull looking for Batman.  The interactions with Batman and the surprise (and gorgeously drawn) two page splash at the very center of the book.  I was already invested with the mystery, but this just was jaw dropping.

Loved how Superman is used here.  Dropping in from an attempted date with Lois, he and Batman have immediate chemistry with one another and work so well together.  The comic has done an admirable job of showing the contrast between the two of them.

Then with the appearance of the main villain for this story arc was unexpected and welcomed.

Superman/Batman was heading toward me dropping it.  Now, I am really looking forward to the next issue.

Awesomeness

BATMAN SUPERMAN #9

Dead Day #1

TOP 5 NEW COMICS FOR 05/27/20 - DEAD DAY & ROGUE PLANET - Fox ...

Dead Day #1

“Chapter One”

Writer:  Ryan Parrott

Artist:  Evgeniy Bornyakov

Cover Art:  Andy Clarke & Jose Villarrubia

Here is another book that I snatched today with there being no Marvel books released.  This was from a comic company called Aftershock, a company I legit never heard of before.

Dead Day #1 is a new take on the zombie story and I have to say it was interesting.  It was kind of like The Walking Dead meets The Purge meets This is Us.

In this issue, we are introduced to Dead Day, a new holiday where deceased people return from the grave from sunset to sunrise and return to see their loved ones.  However, there was a distinct mood of the story that makes you feel as if there is more nefarious activities were going to happen than just a happy family reunion.

The also show us that some people are called Revivalists and have something to do with the whole Dead Day stuff, though it was, as of yet, unclear exactly what was their role.  They are referred to as cultists at one point of the comic, so clearly, there is more to come on this.

This is another of those type of futuristic books that may lead to a dystopian future.  There have been a bunch of those recently.  Perhaps it is just too much with the way the world is right now, but I was interested in what was happening.  I liked the characters I was being introduced to, but they did seem pretty typical.

This one I am torn on.  I might like to see a few more issues to see where this is going.  I do like the set up .

tryit

TOP 5 NEW COMICS FOR 05/27/20 - DEAD DAY & ROGUE PLANET - Fox ...

Nancy Drew & The Hardy Boys: The Death of Nancy Drew #1

Comic Book Preview - The Death of Nancy Drew #1

Nancy Drew & The Hardy Boys:  The Death of Nancy Drew #1

“Part One”

Writer:  Anthony Del Col

Artist:  Joe Eisma

Cover Art:  Joe Eisma

No Marvel Comics this week and a limited number of DC Comics (or at least, limited in what I purchase). so when I found this one on the shelf, I grabbed it.

I was a fan of the Hardy Boys when I was a kid.  I read most of their novels and even watched the TV series.  I was not as much of a fan of Nancy Drew, but I did read her too.  I always enjoyed the crossovers.  I was actually excited seeing the cover of the first issue.

The Death of Nancy Drew Part One?  Cool.  I love a good mystery.  I have to say, without spoiling, my first thought was that there was no way that Nancy was actually dead.  I will not reveal any specifics shown in this issue that may or may not answer that query, but my own doubt came through.

The ambiance of the comic stands out above all else.  The feel of the issue, following Joe Hardy on his grief-induced investigation into the seemingly accidental death of Nancy Drew works very well.  Joe narrates the story, providing us with glimpses into his own mind and his feeling of loss.  Through this we see the relationship with his brother Frank Hardy, and we get glimpses at how this character is now being portrayed.

I liked the way these characters are shown and I hope this book continues to deliver as much as this first issue does.  I was fully invested in the comic and I am anxious to see where it takes this story next.

The art is great.  It fits the tone of the book perfectly and the cover of issue #1 is a beautiful piece of art from Joe Eisma.

I hope this series can continue to grown and not just play upon my feelings of nostalgia from three characters I grew up reading.

excelsior

Comic Book Preview - The Death of Nancy Drew #1

#BlackoutTuesday

Anna Deavere Smith Previews 'Notes From the Field' – Variety

On Tuesday, I participated in #BlackoutTuesday, an online movement I saw Monday night.  Kristian Harloff had posted that shows on his YouTube network, including SEN Live and the Movie Trivia Schmoedown, would go dark Tuesday out of respect for what was going on in the world over the last week.  Upon further investigation on my behalf, I discovered that there were plenty others joining in on #BlackoutTuesday.  

I decided to join in.  I have been watching in horror the events unfolding in Minneapolis and across the U.S. in response to the death of George Floyd and I thought this was a good way to join in.

Tuesday would see me go silent on social media for the day.  That meant no Twitter, Facebook, EYG, Snapchat, TikTok or Hero Games FOrums for twenty-four hours.  That is a chunk of what I do on a normal day.

NOTES FROM THE FIELD – ANNA DEAVERE SMITH PROJECTSHowever, going silent on social media, despite how much time I may spend there in a typical day, means very little.  It meant I couldn’t see the latest insane Donald Trump tweet or the newest TikTok dance.  So what?  The fact was that going social media silent did nothing.  Instead of being silent, I needed to expand my knowledge.  I needed to educate myself.

As a white guy, I would never claim to understand the fears and horrors faced by the black community on a daily basis.  The idea of having to explain to your children about ways that you need to speak to the police, not out of respect but out of fear for your life, is completely foreign to me.  So it was important that #BlackoutTuesday was not just a day off from social media, but that I would spend my day learning.  But how?

That Tuesday morning, I was watching Morning Joe on MSNBC and they had a guest named Anna Deavere Smith, an actress whom I remembered from the movie The American President, speaking about the re-released of an HBO documentary/one-woman-show from 2018 called Notes from the Field.  It was based on a play written and performed in 2015 by Smith.  It discussed issues of race with Smith adapting a series of real-life characters during the show.  Morning Joe host Mika Brzezinski said that the award-winning show would be back on HBO and available on VOD.

Playwright and Actress Anna Deavere Smith's 'Notes From the Field ...And I found my way.

I went to Vudu this afternoon and found the video and rented it.  It was an amazing film.  Anna Deavere Smith was just astounding, showing great range embodying each real life character in each section of the story.  Through her singular monologues, Smith revealed the tragic circumstances of each story.  The presentation of the stories were aided by a stand up bass, some artistic background sets and some horrifying pieces of video featuring the real life people involved in each story.

The stories included examples of police brutality with black suspects.  It spoke about the School-to-prison pipeline and the struggles of children within the classroom.  The story included the tale of Rep. John Lewis and a powerful experience of forgiveness.

Notes from the Field was emotional, powerful and devastating.  It also showed the humanity and empathy of the human beings that Anna Deavere Smith portrayed.  It truly is a must see film.

We cannot let this point in history get away from us.  This must lead to changes to our system, a chance to begin the healing, not just closing our eyes and hoping that everything goes back to normal.  We must not let it go.  This must be a time for the history books.

I should specify that I know that every police officer is not racist.  My best friend for 35 years is a police officer.  There are plenty of good men and women in the police.  It is the system that is the problem.  It must be fixed from within.  This feels like the moment.

 

EYG Top 10 Coming of Age Movies Re-List

relist

The final Re-List episode by the Top 10 guys was loaded up this morning.  It is a sad day as I have truly enjoyed these and I desperately wanted to participate.  Sadly, that was not to be.

The final episode list for the Re-List (re re re re-list!) was Top 10 Coming of Age Movies.  This was clearly a loaded category as 3 films in my top 5 were not even mentioned by either of the two participants on the Re-List this week.

According to Wikipedia,  “a coming-of-age story is a genre of literature, film, and video that focuses on the growth of a protagonist from youth to adulthood (“coming of age”).” There could be some arguments over when some movies are considered coming of age movies or not.  For example, Star Wars: A New Hope was included on one of the lists on the Re-List, but I have eliminated that as a possibility.  I could see an argument for it as Luke was certainly childish when we first meet him on Tatooine.  I just do not think there is enough of a focus on that to classify the film as a coming-of-age movie.  E.T. The Extra-Terrestrial was another included that I just did not think worked for the list, despite the fact that I think it is a beautiful film.

So… for the final Re-List….

 

The Way Way Back (2013) - Rotten Tomatoes#10.  The Way, Way Back.  I saw this in the theaters and did not expect much from it.  However, it was such a great film.  Starring Liam James, Sam Rockwell, Steve Carell, Toni Collette, Allison Janney, Amanda Peetm Rob Corddry and Maya Rudolph, among others.  The story focuses on the young boy who is struggling to find his voice over a summer where he goes with his mother and her new boyfriend at a beach house.  He goes to work at a local pool and he meets Sam Rockwell, someone he ends up looking up to.  It is a very enjoyable film with some funny moments.

 

Ferris Bueller's Day Off movie review (1986) | Roger Ebert#9.  Ferris Bueller’s Day Off.  This film would be higher up the list, but I had some questions about how much of a coming-of-age movie it actually was.  Maybe if you are looking at Cameron as your protagonist it fits.  However, this John Hughes classic was on the show’s list and I found it on many lists during my research, so I decided to include it.  No doubt that it is an absolute awesome movie.

 

Slice of Southern life#8.  Mud.  Two young boys meet up with Mud, played by Matthew McConaughey, who is hiding out on an island in an old, broken down boat.  Being chased by bounty hunters, Mud needs the help of the boys to get away and accomplish what he had come to the area to do.  Great performances, especially from young Tye Sheridan as Ellis.

 

Tom Hanks' 'Big' is returning to theaters for 30th anniversary#7.  Big.  Penny Marshall’s classic film about a 12-year-old boy who wishes to be “big” and he magically gets turned into a 30-year-old man.  The coming of age here is seen as the man, played brilliantly by Tom Hanks, goes about grown up life through the mind and the eyes of a little boy.  A movie full of charm and magic.

 

Elsie Fisher | Movie Reviews Simbasible#6.  Eighth Grade.  A powerful movie that, as a middle school teacher, found completely relatable and realistic.  The first time I saw the scene of Elsie Fisher in the backseat with that teen boy, I was totally frightened for her.  I had so much anxiety and tension… proving how effective this movie was in setting up its situations.  Amazing how much director Bo Burnham got inside the mind of 8th grade kids.

 

Karate Kid" (HD) -- Best scene -- 'Crane Kick' (1984, original ...#5.  The Karate Kid.  The story of Daniel LaRusso, an East coast kid who, because of his mother’s job, had to move out West to California.  He had trouble making friends and wound up on the opposite side of a group of bullies.  The answer?  Karate tournament, of course!  The relationship between Daniel and Mr. Miyagi is the cornerstone of this movie and the performances of Ralph Macchio and Pat Morita carry this film right up until that crane kick to the chin.  Banzai, Daniel-san! Banzai!

 

Sing Street - NYT Watching#4.  Sing Street.  Another movie that caught me completely off-guard with how utterly brilliant it was.  Stemming from money problems, Cosmo had to go to a new school and he had trouble blending in.  In order to impress a beautiful girl, he said that he was in a band.  The problem?  He was not in a band.   The creation of the band and the relationship he had with the girl was beautiful and deep.  The music was criminally overlooked too.

 

IT Movie Producer on Chapter 2, Beverly, and Stephen King | Collider#3.  It.  Though it is known as a horror movie, the Stephen King classic focuses on the Loser’s Club, a group of outcasts teens who have to band together to fight off a killer clown.  The key element to the success of this film was the interaction of the group of kids.  They were real and relatable, even when they are doing supernatural things.  The key to the movie is the relationship with them and how they have to bond together and unite to stop Pennywise.  The sequel was just nowhere near as good as this film.

 

Into the Spider-Verse” Is Comic Book Perfection | The Cornell ...#2.  Spider-Man: Into the Spider-Verse.  Miles Morales gets bitten by a radioactive spider and winds up in the same place as this dimension’s Spider-Man, just as he is fighting to the death with the Kingpin.  Miles has to face the new powers that he is discovering and has to become the hero within to step up and save his world.  The hero’s journey that Miles goes on is beautifully written and perfectly punctuated by another Spider-man, Spider-Gwen, Spider-Ham, Spider-Man Noir and Penny Parker.  Such a beautiful animated film.  I love Spider-Man and I love this version.

 

62. Stand by Me (1986) | Wonders in the Dark#1.  Stand By Me.  One of the greatest Stephen King adaptations around and a film filled with fun, emotional beats and kids going through some powerfully dramatic moments.  Even still, they are able to view these moments through the vision of teenage boys.  The four actors involved in this film are perfectly cast and make such an amazing group that they play off each character brilliantly.  Each boy brings something different to the group and each boy has his own distinct character.  No time was skipped to develop each kid and the film benefits from that.  There are several moments here that bring tears to my eyes and the ending is both tragic and uplifting at the same time.  Stand By Me is a classic.

 

Honorable Mention:  As I said, there were a bunch that were fighting for that final spot.  Love, Simon is a wonderful story from a couple of years ago.  Edge of Seventeen had a great performance at its lead (plus Woody Harrelson is a too-relatable teacher role).  The Breakfast Club was one I wanted to make the list, but I just had to cut it.  The Sandlot is another one that is so great but just came up short.  The surprisingly good Good Boys was considered.  Disney’s Moana was wonderful.  There could be many Disney animated films considered, which was part of the reason why I eliminated MoanaLady Bird was a film a lot of people loved, but I thought was just okay.

relist

The Social Network (2010)

The Social Network movie poster #706038 - MoviePosters2.com

One of the online movie pundits I like made a comparison of The Social Network to Citizen Kane, format-wise.  I made that decision that I wanted to watch them together to see how I felt about that idea.

I had seen The Social Network before, but I had never seen Citizen Kane.  Touching on the idea of the comparison, I do see some connection between the way the story is told with the non-linear storytelling format (though honestly, the flashbacks feel more like the main story than flashbacks), the main protagonist having negative qualities, and Rooney Mara (who played Erica Albright in Social Network) is comparative to Rosebud in Citizen Kane.  There are other connections, but it would take me diving deeper into both movies to really do that analysis justice.

The Social Network is the story of Mark Zuckerberg (Jesse Eisenberg) and the founding of Facebook.  We meet Mark as he is breaking up with the aforementioned Erica (Rooney Mara).  Actually, it was Erica who did the breaking up and it sent Mark on this path toward Facebook.  He went back to his room and started blogging negative things about her, showing his true troll side.  This led to an idea to compare other female students at Harvard.

The comparison website had a huge response and that drew the attention of Cameron and Tyler Winklevoss (both played by Armie Hammer), rowers and legacy students at Harvard.  The brothers approached Zuckerberg with an idea about a social network and they wanted him to write code.  Zuckerberg agreed, taking the idea to another level.

With the monetary investment of his best friend Eduardo (Andrew Garfield), Marc went to town.

Directed by David Fincher, The Social Network just pops with the writing of Aaron Sorkin.  The combination of these talented individuals really provided an amazing product that gave these great actors some fantastic material.  Performances here were just astounding as well.  Jesse Eisenberg, Armie Hammer, Andrew Garfield were all great and it is most likely the best performance in the career of Justin Timberlake.

The film does a great job of showing the character of Mark Zuckerberg and how he was desperate for a connection, yet unable to connect.  The irony of having a person who has so much trouble with the relationships in his life being the driving force behind a platform that is meant to connect to other people is unbelievable.

I did not think originally that this would be a great movie.  I felt that this would be dull, but it is anything but.  I liked it the first time I saw it and this time was even more as I appreciated the technical aspects of the film this time more.  The Social Network is an exceptional film.

vintage

The Social Network movie poster #706038 - MoviePosters2.com

 

Citizen Kane (1941)

Citizen Kane - Regular | Mad Duck Posters

Universally recognized as one of the greatest movies ever made, Citizen Kane is, as movie pundit Scott Mantz might say, the Citizen Kane of movies.

Citizen Kane is one of those experience movies that anybody who considers themselves a cinephile must experience.  Starring the director Orson Welles, Citizen Kane is a movie that has an amazing relevance to today’s world, almost 80 years later.

Charles Foster Kane (Orson Welles) was a newspaper magnet and one of the country’s richest men.  Upon his death, he became even bigger news, and journalists searched for a hook for their audiences, in their attempt to discover something new about the millionaire.  A group of reporters focused in on a riddle… the last word spoken by Kane was “Rosebud” and no one knew why.  This mystery sent the reporters on a journey into the past of Charles Foster Kane searching for a clue to the true meaning of that allusion.

I had never watched Citizen Kane before, but I knew the answer to the riddle of :What was Rosebud.”  It is one of the most iconic movie images ever put to screen.  I knew about that allusion for decades.  Heck, the first place I ever heard of it was from the Dr. Demento Show and the song “The Homecoming Queen’s Got a Gun” by Julie Brown.  It was a pop culture symbol that everyone knew.  That speaks to the successful nature of the film.

This movie was filmed in ways that would inspire directors and creators for years.  In fact, many of the styles used to film here may not seem special when viewed today, but were, in actuality, influential to the film industry when Orson Welles did it.  Techniques such as “deep focus” which is a technique that allows the filmmaker to keep objects in the foreground and in the distant background in focus at the same time.  Images in the film are utter masterpieces of composition and imagination. They literally teach classes on the imagery found in Citizen Kane.

The story telling of the film was ahead of its time as well.  The film starts off with the death of the main protagonist in Charles Foster Kane, setting up the film’s main mystery with the “Rosebud” utterance.  Then the film is told in flashbacks to the different stages of Kane’s life, and it was not even chronological at this point.  Yet the story is so well constructed that you are never confused about where in the story you are and what place in Kane’s life you are watching.  The use of the news reel right after Kane’s death provides us with exposition in a manner that is both effective and entertaining.

I also found a disturbing comparison between Charles Foster Kane and another of our major public figures in today’s world.  Another multi-millionaire narcissist with delusions of grandeur.

I avoided Citizen Kane for the longest time because I thought I might be bored by it.  Au contraire… I found it completely compelling and fascinating.  The tale of the life of this man and his hopes and his desires, along with a longing for what was and what could have been.  Devastating.  This is an amazing debut from Orson Welles and it had to be difficult for him to manage expectations after the first film you make is one of the most revered films in movie history.

A true masterpiece.

paragon

Citizen Kane - Regular | Mad Duck Posters

The Vast of Night

The Vast of Night” Poster and Trailer are Here! – Craig Zablo

I found a new film that appeared on Amazon Prime today called The Vast of Night.  That was a title that was intriguing and I was not sure what it meant.

It is the 1950’s in a small town in New Mexico.  The young teenager Fay (Sierra McCormick) went to her job at the telephone switchboard, walking with local radio DJ Everett (Jake Horowitz) on the way.  As she was switching calls, Fay hears a strange noise come across the radio.  This same sound came across the phone lines.  Curious, she called Everett at the radio station and they began an investigation into the mysterious sound.

I was really engaged in the story.  There was not a lot of action, so there are going to be people who think it is boring.  However, I found the dialogue and the monologues spoken by the characters to be compelling and thoroughly entertaining.  The monologues are delivered with a remarkable mood that creates a wonderfully creepy tone.

The film has an independent feel that, while may make the third act revelation a tad cheap looking, work for most of this movie.  The low budget look adds to the aura of the film and gives us the tone of the 1950’s movies.

Performances are solid from a group of actors who I had never seen before.  Jake Horowitz was a standout as the DJ.  These actors delivered strong performances and created their specific and developed characters mostly through their dialogue.

There was also a fascinating framing mechanism used in the film where the film made it look like it was a Twilight Zone-like show.  The use of the old fashion TV screen as a transition technique helped make this feel like that anthology show.  It fed right into the mood of the film.

If you are into old time movies and are nostalgic for the old sci-fi films of the 1950’s, you’ll probably get a kick out of this.  It is a slow burn, but it is worth the time.

4 stars 

The Wretched

Movie Review - The Wretched (2020)

This is the number one movie in the U.S. Box Office this week.

Strange, I know.  This is a horror movie that is being shown in a few of the drive-in theaters and the handful theaters of brick and mortar that are open.  I heard about this film being top of the box office from Dam Murrell’s YouTube show Charts with Dan.

Now, of course, we are not talking about massive amounts of money here.  Most of the theaters in the country are still closed down.  According to the last Box Office Mojo website, last week The Wretched made $216, 000.

Then, I found the film on Vudu and I rented it.

In The Wretched, a troubled teen Ben (John-Paul Howard) goes with his father Liam (Jamison Jones).  His parents were getting a divorce and it was causing serious problems for him.  However, it is not long after when he realizes that something strange was happening at their neighbor’s house.  There is a 1000-year old witch posing as the mother next door and making people forget about children.

I liked this movie for the most part.  The young actors are all solid and there is a tension in the plot that creates a anxiety in the viewers minds.  They play upon the uncertainty of what was happening and the creepiness of the witch.

There are some horror tropes that are in heavy use here.  One is the father who does not believe his child.  I can understand why he may not, but it is something that happens regularly in horror.  Now, to be fair, Liam actually comes around pretty quickly after Ben tells him about the witch, and, at least, there have not been a ton of mysterious things happening that the father just ignores.  Still, it is something that happens regularly.

I was very disappointed with the ending of the film too.  The last scene of the film truly takes the film off its rails and wastes everything that came before it.  Again, the twist end is a horror trope that this film applies.  I did not like the ending.

The rest of the film was pretty decent.  I have seen better horror movies, but for a small film, this is much better than many horror movies.  Despite the by the numbers plot, if you can find it, it is worth a watch, especially if you enjoy horror.

3.1 stars

The Amazing Spider-Man #43

Amazing Spider-Man (2018-) #43 - Marvel Comics

The Amazing Spider-Man #43

“True Companions Part Three

Writer:  Nick Spencer

Artist:  Ryan Ottley

Cover Art:  Ryan Ottley & Nathan Fairbairn

The third part of True Companions has finally come out after weeks of waiting and the story has added something to the lore of Spider-Man.  A pet?

Nick Spencer’s current run on The Amazing Spider-Man has been solid, especially with the use of the Spider-Man secondary crew.  The increased role of Boomerang in Spider-man/Peter Parker’s life has been enjoyable to watch.  The return of Mary Jane to the narrative has been extremely welcome (though I worry about what is to come for the pair) and the use of Mayor Fisk, who has been all over the Marvel books lately, trying to get on Spidey’s “good side” is a cool bit of juxtaposition.

Now we bring on Gog.  We had an entire origin issue dedicated to Gog, which tells you that there may be some plans for Gog.

The best part of this issue is how the Spider-man character shines through every moment of the book.  Spencer does a great job of showing us what Spidey would do in each situation, and how the character would react.  This was one of the first times since the switch that I really felt as if Spidey was done right.  Not taking anything away from the rest of the run, but, after Tom Taylor, most would be seen as lesser.

However, this really gives me hope that there are great things on the horizon for Peter Parker and his alter ego.

ReadIt

Amazing Spider-Man (2018-) #43 - Marvel Comics

Avengers #33

Avengers (2018-) #33 - Marvel Comics

Avengers #33

“Moon Knight vs. The Avengers”

The Age of Khonshu Part One

Writer:  Jason Aaron

Artist:  Javier Garron

Cover Art:  Matteo Scalera & Rachelle Rosenberg

The Avengers return to start up a new arc featuring The Moon Knight called The Age of Khonshu.  Everyone’s favorite split personality hero is back and he is taking on the heavy hitters in an attempt to become Earth’s Mightiest Hero and he is well on his way.

Moon Knight has become a dangerous foe and, beneath the light of the Supermoon, Moon Knight has put a plan from Khonshu in play.

While my first thought of placing Moon Knight into this situation was negative, I must say that I enjoyed the execution of the story.  The art is excellent and the individual battles between Moon Knight and the separate Avengers were intriguing.  There is clearly a mystery going on here and what the motives of Moon Knight and Khonshu are still up in the air.

However, this does have the same general feel to it as did the previous story arc from the Captain Marvel series as Carol had to fight and “kill” off the Avengers to fool the villain of the series.  That was not my favorite arc of the Captain Marvel series, but this one has started off better than that did.

The first part of this arc has, at the very least, hooked me enough that I am interested in seeing where it goes.  I have always enjoyed Moon Knight so it is nice to see him get his time in the sun (or Moonlight as the case may be).

tryit

 

Avengers (2018-) #33 - Marvel Comics

Beetlejuice (1988)

Amazon.com: (27x40) Beetlejuice - Michael Keaton Movie Poster by ...

Beetlejuice

Beetlejuice

Beetle….

Wait.  I should be more careful.

One of the most original and fun movies of the 1980’s was the Michael Keaton starring vehicle, Beetlejuice.

A young couple Adam (Alec Baldwin) and Barbara (Geena Davis) purchased a new house and moved in.  Unfortunately, soon after, they were killed in a car wreck only to discover that they were now stuck in the house as ghosts.  They could not leave and could not be seen.  Then, the house was sold to a pretentious couple Charles (Jeffrey Jones) and Delia (Catherine O’Hara), who, along with their depressed daughter Lydia (Winona Ryder), arrived in the house, ready to renovate everything.

Adam and Barbara decide that they would use their ghostly powers to scare them out of the house, but Adam and Barbara discovered quickly that they were not the scary types.  Desperate, they found help from a spirit who they could only summon by saying his name three times:  Beetlejuice (Michael Keaton).

This film is one of the greats form the 1980’s as it blends some exceptional humor with some dark monstrous images.  The entire “Day-O” sequence of the film is just one of the most memorable musical moments in movies.

Michael Keaton is just tremendous as the troublesome Beetlejuice, funny, witty and rotten to the core.  You could tell immediately that Beetlejuice was not going to be helpful in the long run.

There are some great cast members here.  Moving past the main actors, Catherine O’Hara and Jeffrey Jones are fantastic as the snooty new owners of the house.  We get Glenn Shadix as Otho, Robert Goulet, Dick Cavett, Susan Kellerman, and Annie McEnroe playing smaller, but entertaining characters.

The special effects are a little dated, but for 1988, they were not terrible.  This could be updated in this area.  There have been rumors of a Beetlejuice 2 which would feature Michael Keaton returning.  Keaton is masterful in this role and I would love to see what he had to add to the story.

Beetlejuice is a classic movie that is a load of fun.

vintage

Amazon.com: (27x40) Beetlejuice - Michael Keaton Movie Poster by ...

 

EYG Top 10 Fictional Movie Presidents

EYG23

Good morning.  It is time once again for the Top 10 Show.  This week’s show is Top 10 Fictional Movie Presidents.  I liked this topic because it goes into a different level that they can count down.  Characters instead of just movies.  This helps spice up the topics and there are some movies here that have not been mentioned much, if ever.

I was able to get to around 13 choices too, with the top 3 or so being clear choices for me.

Of course, the title is “fictional movie presidents” which eliminates such possible choices as Jed Bartlett (West Wing), David Palmer (24) or Tom Kirkman (Designated Survivor).  These would all have made a Top 10 fictional presidents list if TV was included.  It is not so they are not.

 

Seven Crazy Political Figures in Movies | All That's Epic ...#10.  President Hathaway (Stephen Colbert), Monsters vs. Aliens.  One of two animated presidents on my list, Stephen Colbert is just fantastic as the president in this movie.  He was so awkward and odd and Colbert’s voice work is exceptional.  The character uses the look of Colbert as well and provides us with some of the best laughs in the movie.

 

Top 10 Presidents in Film | Best For Film#9.  President Arnold Schwarzenegger (Harry Shearer), The Simpsons Movie.  Yes, Arnold is a real person, but I would say, since this is not even Arnold doing the voice, this counts.  Harry Shearer voices the actor turned president from the Simpsons Movie and he does a wonderful job.  Shearer is amazingly talented, doing several of the voices in the Simpsons anyway and being Derek Smalls from Spinal Tap.  I have to say though this may not be quite as funny as it was with whom we have as president right now.

 

Angel Has Fallen Movie Review#8.  President Trumbell (Morgan Freeman), Angel has Fallen.  The third film in this franchise provides what I think was the best president (no offense to Benjamin Asher).  Morgan Freeman is just so presidential.  I believe that he is the president and that he has complete confidence in Mike Banning.  Morgan Freeman is epic in everything he does.

 

Why President Whitmore in 'Independence Day' Is America's Worst ...#7.  Thomas J. Whitmore (Bill Pullman), Independence Day.  One of the more iconic speeches given by a fictional presidents was given before Bill Pullman hopped into his plane to fight off aliens.  I have this guy down the list a bit because I am not a huge fan of the character and the speech itself is overrated.  I actually agree with Matt Knost on this as he had Whitmore down his list as well.  I believe he belongs on this list, but #7 seems to be a good fit.

 

President Jack Stanton#6.  President Jack Stanton (John Travolta), Primary Colors.  Reportedly based on President Bill Clinton, this film does an amazing job of showing some of the shady maneuvers that he may have used, while also showing what a good man he was.  He wanted to help people.  He was full of empathy for his constituents.  John Travolta was great in the role even though it did not seem to be the right choice at first.  One could wonder how much of this film was actually fictional…

 

 

Framing Blackness on Twitter: "Tom Lister, Jr. as President ...#5.  President Lindberg (Tommy “Tiny” Lister), The Fifth Element.  As a wrestling fan, I recognized him as Zeus.  So I loved it when he appeared in The Fifth Element.  He showed some skill (much more than he did as Zeus) and some comedic timing.  I am not sure if he was officially the “President of the United States” because the film is not specific and it is a futuristic story, but he made the Top 10 Show’s list, so he is certainly making mine.

 

Dave: The President We Need Right Now - Solzy at the Movies#4.  Dave Kovic (Kevin Kline), Dave.  One of the first ones that popped into my head when the topic came up, Kevin Kline is outstanding as the presidential look-a-like who has to step into the job completely.  Dave is a fun and sweet film, despite the film being very implausible.

 

 

Dramatic Monologue for Men - Michael Douglas as President Andrew ...#3.  President Andrew Shepherd (Michael Douglas), The American President.  One of my favorite romantic comedies of all time, Michael Douglas has amazing chemistry with Annette Bening.  However, my absolute favorite part is when President Shepherd walked out to the briefing and delivered the most kick-ass monologue in presidential movie history.  It is what any or all presidents should aspire to and I just loved the honesty from this character.  I could see it being replayed constantly on FOX News being taken out of context.  Amazing work here.

 

Air Force One (1997): President James Marshall | Best Movie ...#2.  President James Marshall (Harrison Ford), Air Force One.  I mean… Harrison Ford as President of the United States?  How much better could it be?  Just take him and point him at our enemies and let him kick some ass.  He also delivered one of the most epic quotes in presidential movie history with “GET OFF MY PLANE!”  Most presidents are reduced to being protected by Secret Service.  Nobody needs to protect Harrison Ford.

 

That Dr. Strangelove scene where the U.S. President phones Russia ...#1.  President Merkin Muffley (Peter Sellers), Dr. Strangelove.  The EYG Hall of Famer Peter Sellers played three separate characters in Dr. Strangelove, including the President of the United States.  He does so with such a perfect dull tone that you could absolutely picture him in this position.  His phone conversations with the Russian leader Dmitri is comedy gold.  Sellers delivers each line with the proper amount of dry humor and apprehension that drives home the humor.  He also has to deal with the craziness of George C. Scott and the “evil?” genius Dr. Strangelove.  Muffley had his hands full, no doubt.  Maybe that is why the world gets blown up.

 

Honorable Mentions:  I had to drop one off the list when I decided to include Arnold on the list.  That one was President Allen Richmond (Gene Hackman) from Absolute Power.  I already mentioned President Benjamin Asher (Aaron Eckhart) from Olympus has Fallen and London has Fallen.  Jamie Foxx was decent as President James Sawyer in White House Down.  

 

EYG23

Chronicle (2012)

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What happens when the found footage genre meets the super hero origin story?

Well, if you are Josh Trank, you have Chronicle.

I should rephrase what I stated, because, truthfully, Chronicle is not a super HERO origin story as much as it is a super VILLAIN origin story.

Three high school kids (Alex Russell, Dane DeHaan, Michael B. Jordan) come across a weird hatch in the ground outside of the party they were at.  The “radiation” from the strangeness gave them telekinesis powers.  It started as a fun time, but soon their powers started to lead to deeper troubles.

Dane DeHaan’s character Andrew was abused and tormented and that brought an anger to him and, once he gained his powers, suddenly had the power that he lacked to defend himself.

Andrew’s cousin Matt (Alex Russell) tried to get Andrew past his loathing of others and focus on the positives, but Matt’s good intentions did not seem to Andrew to be sincere.

The film was extremely realistic.  What I mean by that is, if this was actually happening to these high school aged boys, this is how things would go.  They would use their new skills in ways that are meant to make them more popular or to have fun and, when they realized that these powers made them dangerous, they would make a decision.  Andrew and Matt are the proverbial both sides of the same coin story that we see in comics on a regular basis.

The found footage technique worked really well in this film.  Found footage had been starting to show its failings about this time, but Chronicle was able to show a different way to approach the genre.  It allowed the characters to go deep inside themselves and show the sides that they may not have shown in a regular film.

Despite Andrew’s constant anger and his poor reactions, you feel bad for him.  He is relatable with the troubles that he faced.  We can all relate to being teased in school, being awkward around others, facing parental issues.  These are the traits that make him human, while his powers are what makes him fantastical.

This was an excellent use of found footage and presented us with some dark images and sad moments in the lives of these boys. Chronicle was a really well done film.

vintage

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Captain Phillips (2013)

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This was one of my favorite movies from 2013.  In fact, looking back at the top 15 list from that year, Captain Phillips was number one.

Captain Richard Phillips (Tom Hanks), captain of the U.S. container ship Maersk Alabama, and, in 2009, his ship was hijacked by Somali pirates, led by a young man named Muse (Barkhad Abdi).  Phillips is then taken hostage on the ship’s lifeboat as the pirates try desperately to return to Somalia.

Tom Hanks is masterful in this performance, a performance sadly ignored by the Academy voters, and shows every range of the spectrum of emotion.  He goes from fear to anger to frustration.

Yet, the final 5 minutes of screen time for Tom Hanks, when Captain Phillips is safe and be examined on the navy ship, may be the greatest piece of acting I have ever seen.  Phillips is in shock and Hanks completely delivers that feel.  It is heartbreaking, completely raw and as powerful as you could imagine.

This is based on a true story and just watching the anguish and total uncertainty Captain Phillips is amazing at the resiliency of the human spirit.

However, the film does not just focus on Captain Phillip’s strength, but the emotions of Muse and his own fears and anxieties connected to what he was trying to accomplish.  He was desperate in his own way and reacted in a different way.  For much of the movie, there was almost like a chess game going on with Phillips and Muse.

The film is utterly tense and keeps your stomach churning, as if you were actually on the water.  I loved Captain Phillips when I saw it in 2013, and I loved it about as much this time through.

paragon

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