I Lost My Body (2019)

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This past year’s Oscar nominated animated movies included one that I had not heard of before but could be found on Netflix.  Placing it on my queue, I would hope to get back to I Lost My Body, a film by Jeremy Clapin.

It truly is one of the more original animated films in a long time and a beautiful story, told through some wonderful animation.

We are following the severed hand of a young boy named Naoufel (Hakim Faris) in the hand’s attempt to find its way from the dissection lab back to the boy.  Along the way, the story is told in a series of flashbacks to prior events from the life of Naoufel.  This included his meeting and falling for Gabrielle (Victiore Du Bois), a librarian whom he meets while attempting unsuccessfully to deliver her pizza order.

The film keeps you wondering exactly what was happening and how it is happening.  You wonder what exactly has happened to Naoufel and how his hand became severed… and sentient.

While many of those questions are left for the audience to ponder, you can’t help but relate to Naoufel, whose mistakes are obvious, but done with an attempt to cure the loneliness that has plagued his life since the death of his parents.

I Lost My Body is an adult animation as there are situations and dialogue that would be too old for some children.  Still, it is a beautifully designed story and the animation is exceptional.  Especially the use of the sentient hand, which goes through so much in its hope to find its body.

I certainly can see why this was nominated for an Oscar, and I can understand those people who thought it should have won.  It is one of the most original animated films you are going to find.  Honestly, though, the ending left me a little cold and wanted for more of a resolution.  With that exception, the movie is a great experiment in storytelling and narrative.

classic

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Force Majeure (2014)

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Yesterday, I went to see the new Will Farrell/Julia Louis Dreyfus movie called Downhill.  After seeing it, I discovered that it was a remake of a Swedish film called Force Majeure from 2014.  The word was the original film was better than the remake and, when I heard it was on Hulu, I was curious to see what it was like.  How I felt about it compared to the one I saw on Sunday.

The story is the same.  A family of four go on a ski vacation in the Alps and have an intense experience with a controlled avalanche while they.  Tomas (Johannes Kuhnke), the father,  grabbed his phone and ran off instead of helping his wife and kids.  This act of survival cut his family to its core.

Some of the reactions in the movie are different than from Downhill.  There is more subtly to the performances here.  Lisa Loven Kongsli played the mother Ebba and her reaction to the event She seemed to hide it more than Julia Louis Dreyfus did, even though Ebba’s feelings come out several times.

The children in this version have some strange reactions too and I their reactions are never quite handled sufficiently.

This version was funnier than Downhill.  This one found the comedy in very European manner.  It was more subtle and more inside the situation.

I am not sure what I thought of this ending.  It really seemed to go out of the way to make it okay for Tomas at the expense of the other characters.

I found this to be a better time than Downhill, but I did not think it was remarkably better and I am just not sure how I felt about the conclusion.

tweener

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The Searchers (1956)

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This was a movie that has been on my to watch list for awhile now.  It was introduced to me by watching the Top 10 Show and hearing John Rocha speak about it being his favorite Western.  I have not seen near as many Westerns as most other genres, so I wanted to give this a go and this morning fit the time perfectly.

The Searchers starred legendary John Wayne as Ethan Edwards, a hard nosed cowboy who returned to his brother’s home from the war.  After he returned, Comanche Indians attacked the house, killing several of the women and kidnapping two girls.  Ethan and some of the other men started out after the Comanche, who were led by the mysterious Scar (Henry Brandon) in an attempt to gain revenge and save the two girls.

Ethan Edwards was anything but a straight hero.  He was violent, hard-headed and stubborn, clinging to his own thoughts even if the evidence stated differently.  However, he was also a imposing figure that could be respected for his toughness.

This is perhaps John Wayne’s greatest role and he does an admirable job bringing the layers to a character that could easily have been one-note.

Some of the humor does not fit well in the film and some of the secondary characters are superfluous, but that is a minor criticism to make when the main character is such a ripe and vital creation.

The film is beautifully shot by iconic Western director John Ford, bringing the age of the Western into a different style.

If you have not seen The Searchers, you should absolutely seek it out.  It is one of the best Westerns I have seen and was a huge inspirations for the exceptional Westerns that followed.

vintage

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Downhill

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I have never liked Will Farrell movies very much, but when I saw the trailers for the film Downhill, I thought this might be an exception.  Downhill is a remake of a Swedish film called FORCE MAJEURE, which I had never seen.  Apparently, it can be found on Hulu so I may dive into the original after I finish here.  Reportedly, those who have seen both say that the original is considerably better than the remake.

Of course, without that coloring my opinion, I was torn on this film.  There were parts that I thought were decent, but there were too many pieces that did not work.

Billie (Julia Louis-Dreyfus) and Pete (Will Farrell) Stanton are a married couple who have been having some marriage problems, mainly stemming from Pete’s father’s death.  So they decide to try and work on their marriage by heading on a ski trip to the Alps with their two sons.

Problem comes when, during a lunch at an outdoor restaurant, there was a controlled avalanche that sent snow roaring down the mountain toward the family. While Billie gripped her two sons, thinking that they were about to die, Pete grabbed his phone and ran away, leaving his family in the avalanche’s wake.  When the avalanche turned out to be way better than it appeared, Pete returned to his family, who now looked at him in a different light.

The remainder of the movie dealt with (kind of) the anger and resentment directed toward Pete and with Pete’s guilt and grief over the choices that he made.

As I said before, I do not like Will Farrell’s movies very much.  However, I will say that I think he did a really good job in this movie.  Farrell was considerably more restrained than he has been in a movie for quite awhile.  He showed the hidden feelings of Pete throughout the entire film, trying to find a reason to believe he had done the right thing.  Julia Louis-Dreyfus was excellent as Billie the wife who had her eyes opened to the man she had married and who had to struggle with the anguish of his decision.

However, there was not much chemistry between the two actors and I had a hard time buying that they were together.  The two kids (Ammon Jacob Ford & Julian Grey) were really underdeveloped and had little to do in the film outside of watching videos in their room.

The film makes you think it is a comedy because of the two lead actors involved, but there was little funny about this.  Apparently, the original film was a dark comedy, but to call this a dark comedy would not be apropos.

While the movie was only 86 minutes long, it felt considerably longer than that.  The film was awkward and uncomfortable, and not in the good way.  There is no real resolution of the story and many of the situations were left unsettled.  Though there were some good individual moments, the sum does not add up properly.

I am going to avoid making any puns using the title of the movie in this review.  Where as there were some positives here and there, Downhill was … well, you get the point.

2.6 stars

 

Sonic the Hedgehog

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There was a massive controversy online over this movie last year.  The producers of the film released an image of the character design of the beloved video game character Sonic the Hedgehog and the fans of the product lost their minds on the internet.  It looked horrible and there was a backlash against it.  The producers of the film heard the audience and their outcry and decided to do something about it, redesigning the character to make it closer to the Sega video game.  It was a shocking happening from the studio to spend that extra money to make the fans happier.

Thank goodness they did it, because that character design would have dive-bombed this movie and it would not have been able to overcome.  Because of the extra loving care, what we wound up getting was a movie that was a lot of fun and an enjoyable film to watch.

Sonic the Hedgehog (voiced by Ben Schwartz) escaped his own planet to earth after being pursued for his power.  He had golden rings that allowed him to open a portal anywhere.  Sonic made a life on earth, hidden from the view of the people.  However, an accidental release of power caused a major black out, bringing the attention of the government.  The government sent part-human, part robot Dr. Ivo Robotnik (Jim Carrey) to the small town to try and find what caused the power outage.  Sonic had to take shelter with local sheriff Tom Wachowski (James Marsden). When Robotnik and his machines arrived at Tom’s front door, Sonic and Tom had to take off to find Sonic’s lost rings in San Francisco.

Jim Carrey is just having a ball as the evil villain Dr. Robotnik.  We have not see Carrey in this type of role since the 1990s and it is downright glorious.  Carrey is over-the-top in all the best ways and commands the screen as the lead villain.

The voice work of Ben Schwartz as Sonic is note perfect.  The voice fits beautifully with the new character design.  It is a good thing that the studio redesigned Sonic because the voice used by Schwartz would not have fit with the design they originally had planned.

This is probably the most charismatic and enjoyable I have ever seen James Marsden.  As Tom, Marsden was funny, charming and totally believable.  He and Sonic shared an easy chemistry which is vitally important since it was basically a buddy road movie.  I was immediately engaged with Tom and I found him extremely easy to root for during the struggles the film dropped them in.

The story was simple and predictable, but, in this case, I do not think that is a negative.  Instead of becoming too convoluted and trying to shove too much in, Sonic the Hedgehog had one basic plot and then depended on the interactions between its main characters, Sonic and Tom, as well as Dr. Robotnik.

Sure there are plot holes here and you could pick it apart if you want to, but the story is really secondary here to the interactions of the characters.

Sonic the Hedgehog is truly a film targeted for the young viewers. and, with that in mind, it succeeds tremendously.   As a family film, Sonic is a solid watch and should not cause parents to wish they had just dropped the kids off at the theater.  I would also say that if you are a fan of Sonic from the video games or animated series, this version will be to your liking.  I know there are some Easter eggs here from the series/video game that I missed, but longtime fans should find it awesome.  This includes a post credit scene involving a character that I did not know about, but others in my theater did (as I heard them speaking the character’s name in excitement).  Reminds me of the old days when Thanos appeared in the post credit scene of the first Avengers movie and not that many viewers knew who he was.

I hope this movie makes all the money this weekend and becomes a huge hit, if only for the reason of rewarding the studio for taking the time and spending the money to make the effects right.  It was important for the film to look right and they should be rewarded for that.  As a movie, it was a good time and I had a lot of fun.

3.75 stars 

Blumhouse’s Fantasy Island

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I was a fan of the ABC TV show from the late ’70s & ’80s, Fantasy Island, that starred the iconic Ricardo Montalbán  and Hervé Villechaize as Mr. Roarke and Tattoo.  I enjoyed the series, watching every Saturday night and waiting for Tattoo to say, “Da plane, Da plane!”

So when I saw the trailers for Blumhouse’s new adaption of the former series, taking what was the ABC drama and giving it a horror twist, I was excited and looking forward to it.

Then I saw it.

It makes me sad.

A group of guests arrive on an airplane to Fantasy Island with the promise of having their personal fantasies fulfilled by Mr. Roarke (Michael Peña), the Island’s caretaker and host.  The fantasies would take a twist and become something more than what the guest believed.

The guests were played by Lucy Hale, Maggie Q, Ryan Hansen, Jimmy O. Yang and Austin Stowell.  These actors were fine.  Maggie Q was probably the best of the group.  However there were some major issues because none of these actors had characters that had any depth to them at all.  Because I knew so little about any of these characters, I had a difficult time connecting to them.  That was not the actors’ faults, but that does not change the fact that I did not care about any of these people.

The movie did not show us anything about these people prior to arriving on the Island so we only got to meet them as they stepped off the plane.  I know this was the way the TV show worked, but I think I needed something more for this.

Then, there were four active fantasies running at the same time, bouncing back and forth between them.  None of them were compelling enough to maintain momentum after switching so quickly between the stories.  These fantasies were too convoluted and hard to follow originally, and then they threw a needless twist in the film where the fantasies began to intertwine.  That made them even messier and nonsensical.

The way the story played out was completely ridiculous.  The “twist” here made zero sense and actually took the rest of the film and tossed out what had come before.  Motivations were juvenile and unbelievable.   It was not a good movie leading up to this decision, but it was so bad that it really damaged whatever good feeling there might have been here.

I had a hard time accepting Michael Peña as Rourke.  I think the film could have really made Rourke a great horror character here, but, for me, it just did not work.  And I think Michael Peña is awesome, but this was wrong casting for me. Then, I did not like the story arc the movie gave to Mr. Roarke.  This was a huge missed opportunity.

I think that is the main issue with this movie.  They had a real opportunity to make this film something special.  The TV show Fantasy Island as a horror movie is such a great concept, but the execution here is so totally blown that it is truly a disappointment.

Michael Rooker is in this movie.  He is totally wasted here as a character that is on the island and is meant to be mysterious, but his character is downright dumb and perfectly unimportant in the long run.  He had some amazing hair though.

Sadly, this was nowhere near what it could have been.  The stories did not mix well and the acting was unable to elevate the story.  I wish this was better.

1.6 stars 

Jessica Jones: Blind Spot #3

JESSICA JONES BLIND SPOT #3 (OF 6)

Jessica Jones: Blind Spot #3

Writer: Kelly Thompson

Artist:  Mattia DeIulis

Cover Art:  Valerio Giangiordano & Marcio Menyz

My friend Todd at my comic shop today, as I was picking up my Wednesday released comics, asked me which comic I was going to read first tonight.  I told Todd that I was not sure, but, after looking through the pile, I knew which one it was going to be.  It is my current favorite book being released by Marvel (Somebody is Killing the Children may be my overall favorite book currently).

Not The Immortal Hulk.  Not The Amazing Spider-Man.  Not Hawkeye: Freefall (those are all awesome, but not my choice). No, the book I chose was…

Jessica Jones: Blind Spot #3.

Yes, that is right.  I have always enjoyed the character of Jessica Jones, but she has never been one that I would have guessed would be starring in my favorite current active comic.

I love this story.  The mystery aspect of what happened when Jessica was shot in the back of the head and lived is compelling as can be.  Especially as the story continues to progress and involve other areas of the Marvel Universe.  This issue’s guest appearance from Elsa Bloodstone took a character who I never gave a second though, and it created a fascinating female character that I enjoyed reading about.

The dialogue of this book is the biggest part that I love, and that is thanks to Kelly Thompson’s wonderful writing.  There is such a clever feel to the book and Jessica’s narration keeps that tone consistent throughout.

The story took another weird twist at the end of issue three and I really want to see where this goes.  I cannot wait until the next issue come out so I can see what happens.

I love this book.  It makes me feel like I am reading Mockingbird again.  And that is as big of a compliment as I can give.

excelsior

JESSICA JONES BLIND SPOT #3 (OF 6)

EYG Top 10 Jim Carrey Movies

EYG23

Welcome back to the EYG Top 10 list.  This week’s show, in honor of the upcoming Sonic the Hedgehog movie, is the Top 10 Jim Carrey Movies.

I have never been a giant fan of Jim Carrey and there are some definite “big” ones that I do not like.  I am not a fan of any of the Ace Ventura films.  I have never seen the Truman Show.

Image result for batman forever#10.  Batman Forever.  This is right on the borderline of films.  The role of the Riddler was okay for Jim Carrey, but the Tommy Lee Jones Two Face was terrible.  This was a film that started to head Batman back toward the camp and away from the darkness.  Still, this was not the worst of the Batman films.

 

Image result for bruce almighty#9.  Bruce Almighty.  This one is fine, but another one that is not my most favorite films ever.  Jim Carrey and his interactions with “God” Morgan Freeman is fun and creative.  This one displays Carrey’s skills well and has a good message.

 

 

Image result for A christmas carol carrey#8.  A Christmas Carol.  The animated version features Carrey as Ebeneezer Scrooge as well as several of the other characters of the classic story of Charles Dickens.  This was one of the first films using the motion capture use.  Some of the characters had a really weird look to them, but the CGI was interesting.  I liked this version.  It was dark and creepy.

 

Image result for jim and andy documentary#7.  Jim & Andy: The Great Beyond.  This is a documentary on Netflix and it tells the behind the scenes story of the filming of Man on the Moon and how Jim Carrey basically became Andy Kaufman.  There are some unbelievable footage shot featuring Jim as Andy.  We saw Andy’s parents reaction to Jim playing their son.  It was surreal.

 

Image result for dumb & Dumber#6.  Dumb & Dumber.  I am not a huge fan of this movie, but I recognized that it is one of Jim Carrey’s classic films.  I don’t hate Dumb and Dumber, but there are some things that I just am not entertained from it.  The connection between Jim Carrey and Jeff Daniels is the strength of the film for me.

 

 

Image result for series of unfortunate events carrey#5.  Lemony Snicket’s A Series of Unfortunate Events.  The movie adaptation of the book series featuring the Baudelaire orphans being chased by Count Olaf, who was hoping to take their money.  Jim Carrey does a brilliant job as the evil actor.

 

 

Image result for liar liar#4.  Liar Liar.  Jim Carrey is a lawyer whose son has made a magic wish that does not allow Carrey to lie.  Hilarity ensues.  There is actually a lot of heart in this movie and the court scenes in the film are extremely funny.

 

 

Image result for The Mask cuban pete#3.  The Mask.  Stanley Ipkiss finds the mask of Loki and becomes a trickster super hero.  Jim Carrey is off the wall in the movie.  The Cuban Pete song is one of the best moments in the film.  The Mask includes the first appearance of Cameron Diaz.  And the dog was a scene stealer.

 

Image result for man on the moon jim carrey#2.  Man on the Moon.  Jim Carrey plays Andy Kaufman in a biopic about his life.  We see Andy becoming the celebrity and how he acted as if he was simply playing a prank on everyone.  The world in pro wrestling with Jerry Lawler is fascinating.  The whole Andy gets sick story is ironic and painful.  Jim Carrey totally embraces the role and kind of disappears.  Love Man on the Moon.

 

Image result for eternal sunshine of the spotless mind#1.  Eternal Sunshine of the Spotless Mind.  This film is one of the greatest and most original films of all time.  The love story with Jim Carrey and Kate Winslet was amazing.  The visual imagery of the movie was beautiful and the story of the erasing of of memories allowed some real character development.  Jim Carrey provides some of the best work of his career.  I just recently saw this movie and I am so glad that I did.

 

EYG23

The VelociPastor (2019)

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I decided to prepare for the 2020 Oscars tonight by watching a film on Amazon Prime that I had missed last year.  The film?  The VelociPastor.

Oh my god.

How exactly am I supposed to review this thing?

I mean, it could be one of the worst movie ever made, but I spent the entire film laughing my head off.  I was thoroughly entertained by the ridiculous movie.

As a critic, this is just horrendous.  As a movie fan, I loved it.

After his parents died in a car bomb, Pastor Doug Jones (Gregory James Cohan) went to China (sort of) to find his faith.  Instead of faith, he found a dying woman who gave him a dinosaur tooth.  After accidentally cutting himself with the tooth, Doug discovered that he could turn into a dinosaur.  Along with the hooker Carol (Alyssa Kempinski), Doug decided to use his new found ability to kill off the bad guys.

I knew immediately after seeing the words “VFX: Car on Fire” appeared on the screen instead of seeing the actual car on fire that this was going to be one wild ride.  And I was not wrong.

We got ninjas, completely extraneous flashbacks to the war, exploding girlfriends, rubbery heads and some of the worst acting and dialogue you are ever going to see.  And it was laugh out loud funny.  I mean, they had to do this on purpose, right?

You can’t make something this bad and not do it on purpose… right?

I cannot wait to see RiffTrax get their hands on this film because it is hilarious as it is and, when they add their own touch to it, it will be undeniably perfect.

This falls into the category of so bad it is good along with such non-classics as Birdemic: Shock and Terror, Plan 9 from Outer Space, Manos: Hands of Fate, The Room, Octaman and Samurai Cop.  Because of that, I have instituted a brand new category for Doc’s Classic Movies Reviewed.  It was a long time in coming, but this is the perfect example to kick off the category.

SoBad

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Razzies 2020

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Nominees…

WORST PICTURE
Cats
The Fanatic
The Haunting of Sharon Tate
A Madea Family Funeral
Rambo: Last Blood

WORST ACTOR
James Franco / Zeroville
David Harbour / Hellboy
Matthew McConaughey / Serenity
Sylvester Stallone / Rambo: Last Blood
John Travolta / The Fanatic & Trading Paint

WORST ACTRESS
Hilary Duff / The Haunting of Sharon Tate
Anne Hathaway / The Hustle & Serenity
Francesca Hayward / Cats
Tyler Perry / (As Medea) A Madea Family Funeral
Rebel Wilson / The Hustle

WORST SUPPORTING ACTRESS
Jessica Chastain / Dark Phoenix
Cassi Davis / A Madea Family Funeral
Judi Dench / Cats
Fenessa Pineda / Rambo: First Blood
Rebel Wilson / Cats

WORST SUPPORTING ACTOR
James Corden / Cats
Tyler Perry / A Madea Family Funeral (as “Joe”)
Tyler Perry / A Madea Family Funeral (as “Uncle Heathrow”)
Seth Rogan / Zeroville
Bruce Willis / Glass

WORST SCREEN COMBO
Any Two Half-Feline/Half-Human Hairballs / Cats
Jason Derulo & His CGI-Neutered “Bulge” / Cats
Tyler Perry & Tyler Perry (or Tyler Perry) / A Madea Family Funeral
Sylvester Stallone & His Impotent Rage / Rambo: Last Blood
John Travolta & Any Screenplay He Accepts

WORST DIRECTOR
Fred Durst / The Fanatic
James Franco / Zeroville
Adrian Grunberg / Rambo: Last Blood
Tom Hooper / Cats
Neil Marshall / Hellboy

WORST SCREENPLAY
Cats / Screenplay by Lee Hall and Tom Hooper
The Haunting of Sharon Tate / Written by Danial Farrands
Hellboy / Screenplay by Andrew Cosby
A Madea Family Funeral / Written by Tyler Perry
Rambo: Last Blood / Screenplay by Matthew Cirulnick and Sylvester Stallone

WORST REMAKE, RIP-OFF or SEQUEL
Dark Phoenix
Godzilla, King of the Monsters
Hellboy 
A Madea Family Funeral
Rambo: Last Blood

WORST RECKLESS DISREGARD for HUMAN LIFE and PUBLIC PROPERTY
(New Category for 2019)
Dragged Across Concrete
The Haunting of Sharon Tate
Hellboy 
Joker
Rambo: Last Blood

RAZZIE REDEEMER AWARD
Eddie Murphy / Dolemite Is My Name
Keanu Reeves / John Wick 3 & Toy Story 4
Adam Sandler / Uncut Gems
Jennifer Lopez / Hustlers
Will Smith / Aladdin

EYG Oscar Predictions

 

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Hey everyone.  Oscars are tomorrow night and I am going to make my official predictions.  I usually do not do very well on these so well see how it goes.  However, I do think there are several of these awards that are easy to predict this year.  I will give my “Will Win” and “Should win” picks for each category.

BEST PICTURE

“Ford v Ferrari”
“The Irishman”
“Jojo Rabbit”
“Joker”
“Little Women”
“Once Upon a Time…in Hollywood”
“Marriage Story”
“Parasite”
“1917”
Will Win:  “1917”
Should Win: “1917”
I can see Parasite pulling a shocker here, but I believe this 1917’s award to lose.  My personal favorite film here is Jojo Rabbit, but that film does not have a chance.

ACTRESS IN A SUPPORTING ROLE

Kathy Bates, “Richard Jewell”
Laura Dern, “Marriage Story”
Scarlett Johansson, “Jojo Rabbit”
Florence Pugh, “Little Women”
Margot Robbie, “Bombshell”
Will Win:  Laura Dern
Should Win:  Scarlett Johansson
Laura Dern has been winning everything leading up to the Oscars and she is fantastic in Marriage Story, but I think Scarlett Johansson is above amazing in Jojo Rabbit.  She is the heart of that film and deserves this award.  She ain’t getting it though. 

ACTOR IN A SUPPORTING ROLE

Tom Hanks, “A Beautiful Day in the Neighborhood”
Anthony Hopkins, “The Two Popes”
Al Pacino, “The Irishman”
Joe Pesci, “The Irishman”
Brad Pitt, “Once Upon a Time…in Hollywood”
Will Win:  Brad Pitt
Should Win:  Robert Downey Jr.
Brad Pitt is another near lock as he has won this everywhere.  He is very good in Once Upon a Time… in Hollywood even though I did not love that film.  Downey Jr. was not nominated, but he deserved better for his role of Tony Stark.

FOREIGN LANGUAGE FILM

South Korea, “Parasite”
Spain, “Pain and Glory”
France, “Les Misérables”
North Macedonia, “Honeyland”
Poland, “Corpus Christi”
Will Win: “Parasite”
Should Win: “Parasite.”
No brainer.   Parasite wins this going away.  It may win Best Picture.  It is not losing this one.  

DOCUMENTARY (SHORT)

“In the Absence”
“Learning to Skateboard in a Warzone (If You’re a Girl)”
“Life Overtakes Me”
“St. Louis Superman”
“Walk Run Cha-Cha”
Will Win:  “Learning to Skateboard in a Warzone (If You’re a Girl)”
Should Win:  ??????
Haven’t seen any of these so it is a total guess.  

DOCUMENTARY FEATURE

“American Factory”
“The Edge of Democracy”
“Honeyland”
“For Sama”
“The Cave”
Will Win:  “American Factory”
Should Win: ???????
Another category where I have not seen any of the nominees.  Guessing again.  

ORIGINAL SONG

“I’m Standing With You,” “Breakthrough”
“Into the Unknown,” “Frozen II”
“Stand Up,” “Harriet”
“(I’m Gonna) Love Me Again,” “Rocketman”
“I Can’t Let You Throw Yourself Away,” “Toy Story 4”
Will Win:  “(I’m Gonna) Love Me Again,” “Rocketman”
Should Win: “(I’m Gonna) Love Me Again,” “Rocketman”
Elton John and Bernie Taupin have the biggest pedigree among the writers here.  I actually like “Lost in the Woods” from Frozen II way more than “Into the Unknown.”

ANIMATED FEATURE FILM

“How to Train Your Dragon: The Hidden World”
“I Lost My Body”
“Klaus”
“Missing Link”
“Toy Story 4”
Will Win:  “Klaus”
Should Win:  “Klaus”
I heard some speculation that Klaus is picking up momentum and I hope that is true because it is the best of these movies.  Toy Story 4 is my second choice.  

ADAPTED SCREENPLAY

“The Irishman”
“Jojo Rabbit”
“Little Women”
“The Two Popes”
“Joker”
Will Win:  “The Irishman”
Should Win:  “Jojo Rabbit”
I certainly hope that I am wrong here, because I would love to see Jojo Rabbit win this award, but I am afraid the Academy can’t ignore Scorsese.

ORIGINAL SCREENPLAY

“Marriage Story”
“Once Upon a Time in Hollywood”
“Parasite”
“Knives Out”
“1917”
Will Win:  “Once Upon a Time…in Hollywood”
Should Win:  “Knives Out”
This is where the Academy will heap its love on Tarantino for this self-indulgent Hollywood flick.  I so prefer the intelligent and original Knives Out from Rian Johnson. 

ACTOR IN A LEADING ROLE

Antonio Banderas, “Pain and Glory”
Leonardo DiCaprio, “Once Upon a Time…in Hollywood”
Adam Driver, “Marriage Story”
Joaquin Phoenix, “Joker”
Jonathan Pryce, “The Two Popes”
Will Win:  Joaquin Phoenix
Should Win:  Joaquin Phoenix
An easy one.  Phoenix was transcendent as Arthur Dent, the man who would become the Joker (maybe?) 

ACTRESS IN A LEADING ROLE

Cynthia Erivo, “Harriet”
Scarlett Johansson, “Marriage Story”
Saoirse Ronan, “Little Women”
Renée Zellweger, “Judy”
Charlize Theron, “Bombshell”
Will Win:  Renee Zellweger
Should Win:  Renee Zellweger
I nearly picked Saoirse Ronan for “Should Win” but Zellweger was truly masterful as Judy Garland.  She is winning and it is the right choice.  

DIRECTOR

Martin Scorsese, “The Irishman”
Quentin Tarantino, “Once Upon a Time in Hollywood”
Bong Joon-ho, “Parasite”
Sam Mendes, “1917”
Todd Phillips, “Joker”
Will Win:  Bong Joon-ho
Should Win:  Sam Mendes
I think it is a two man race here and I can see either coming away with the win.  It might go to Bong Joon-ho since Parasite is not winning Best Picture.  A runner-up type award.

PRODUCTION DESIGN

“Once Upon a Time in Hollywood”
“The Irishman”
“1917”
“Jojo Rabbit”
“Parasite”
Will Win:  “1917”
Should Win:  “1917”
1917 will win a bunch of technical categories cause it is beautiful to look at. 

CINEMATOGRAPHY

“1917”
“Once Upon a Time in Hollywood”
“The Irishman”
“Joker”
“The Lighthouse”
Will Win:  “1917”
Should Win: “1917”
See above.  Oh, and Roger Deakins.  

COSTUME DESIGN

“Once Upon a Time… in Hollywood”
“Little Women”
“The Irishman”
“Jojo Rabbit”
“Joker”
Will Win:  “Once Upon a Time…in Hollywood”
Should Win:  “Jojo Rabbit”
Jojo Rabbit has amazing costumes and colors everywhere.  Still, I think the Academy will give love to the film about Hollywood.  Go figure. 

SOUND EDITING

“1917”
“Ford v Ferrari”
“Star Wars: The Rise of Skywalker”
“Once Upon a Time… in Hollywood”
“Joker”
Will Win:  “Ford v Ferrari”
Should Win:  “Ford v Ferrari”

SOUND MIXING

“1917”
“Ford v Ferrari”
“Once Upon a Time… in Hollywood”
“Ad Astra”
“Joker”
Will Win:  “1917”
Should Win:  “1917”
Split the sound categories between 1917 and Ford v Ferrari.  This could go eitehr way.

ANIMATED SHORT FILM

“Dcera (Daughter)”
“Hair Love”
“Kitbull”
“Memorable”
“Sister”
Will Win:  “Hair Love”
Should Win:  “Memorable”
Hair Love has some buzz, but the ending of Memorable is beautifully heart breaking.  I think I am cheering for Hair Love though.

LIVE ACTION SHORT FILM

“Brotherhood”
“Nefta Football Club”
“The Neighbors’ Window”
“Saria”
“A Sister”
Will Win:  “Saria”
Should Win:  “The Neighbors’ Window”
I think Saria wins because of it is most relevant in the world today.  I prefer either The Neighbors’ Window or Nefta Football Club.  

ORIGINAL SCORE

“1917,” Thomas Newman
“Joker,” Hildur Guðnadóttir
“Little Women,” Alexandre Desplat
“Marriage Story,” Randy Newman
“Star Wars: The Rise of Skywalker,” John Williams
Will Win:  “Joker”
Should Win:  “Joker”
The music of Joker is mesmerizing and this could become the comic book movie category as Black Panther won last year.  1917 could be the spoiler here.  

VISUAL EFFECTS

“Avengers: Endgame”
“The Lion King”
“Star Wars: The Rise of Skywalker”
“The Irishman”
“1917”
Will Win:  “The Lion King”
Should Win:   “Avengers: Endgame”
Avengers: Endgame should be honored somewhere here and the fact that it won’t be is a crime.  The fully disappointing Lion King is beautiful to look at and will win despite the lack of any expression on the lions’ faces.

FILM EDITING

“The Irishman”
“Ford v Ferrari”
“Parasite”
“Joker”
“Jojo Rabbit”
Will Win:  “The Irishman”
Should Win:  “Parasite”

MAKEUP AND HAIRSTYLING

“Bombshell”
“Joker”
“Judy”
“Maleficent: Mistress of Evil”
“1917”
Will Win:  “Bombshell”
Should Win:  “Bombshell”
Forever to be known as the Suicide Squad Award.  Bombshell transformed well known actors into FOX News people seamlessly.  
Let’s see how poorly I have done this year.  Go Avengers!!!

Oscar Shorts 2020

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I had a chance to see the five live action shorts and five animated shorts that were nominated for Oscars this year today and I enjoyed them.  I thought the animated ones were considerably better than the live actions ones although the live action shorts were decent.

This is going to be my order for these shorts.  I will also follow up each list with which one I believe is going to win the Oscar.

Best Live-Action Short Film

#5.  Brotherhood.  A man returned from fighting is Syria with ISIS and arrives into a conflict with his father.  I did not like this one much at all.  The performances were fine.

#4.  Saria.  The true story of a group of orphans from an orphanage in Guatemala that attempted to flee to the US only to be recaptured.  Two sisters, including the titular Saria, are the focus of the tale.

#3.  Nefta Football Club.  A couple of kids intercepted a shipment of drugs crossing the border by accident and they do something total unexpected with them.  I enjoyed the structure of the film and it had some wildly funny moments.  I am torn between this one being #3 or this one being #2.

#2.  A Sister.  Or Une Soeur (Belgium).  A woman calls for help in the back seat of a car and the tension is ratcheted up to an unbearable height.

Image result for the neighbors window#1.  The Neighbors’ Window.  A couple can see right into the window of their neighbors and spend time watching the life of their neighbors play out.

 

The Neighbors’ Window was the most entertaining of the five film, and had an intriguing twist at the end.  It did feel somewhat shaky at the very beginning because at first the husband seemed focused on the neighbors and then the wife got mad.  Then she became focused too.  That was a bit odd.  I really liked the Belgium film A Sister, but the ending seemed a little anticlimactic for as anxiety-ridden the film had been.  Nefta Football Club was really fun and probably has the best ending of the bunch.

However… my choice for what the Academy will give the Oscar to is…

Image result for saria oscar shortWill Win:  Saria.  This is the true story that the Oscars seem to love and the relevance in the world today will take this to the gold.

 

Best Animated Shorts.

 

#5.  Daughter.  A daughter recalls her relationship with her father in a hospital room and there is a bird involved.  The animation was interesting as the characters looked like paper mache puppets, but it got old real quickly.

#4.  Sister.  This one was actually about the Chinese plan to only allow a family to have one child.  It had some interesting moments with an annoying little girl bothering her older brother but the realization of what was happening felt preachy and fell flat for me.

#3.  Kitbull.  Charming and sweet, Kitbull is the relationship between a stray kitten and a pitbull.  This one was fun and cool to watch, but did not have that deeper message that the top two have.  This was highly entertaining though.

#2.  Memorable.  A man is losing his memory slowly.  Though never specifically stated, I immediately thought it was from Alzheimer’s Disease (though it could be another form of dementia too).  Artistically beautiful, particularly at the very end.

Image result for hair love#1.  Hair Love.  I love this short.  The story of a little black girl who needs to have her hair done and only her father can do it.  This is so charming and heart-felt.  I had used it in my class to work on inferences and it was so great.

I loved Hair Love.  One of the greatest parts of this is the normalization of the African-American father who has dreadlocks and tattoos, but is shown as any other person.  It is funny and deeply moving.  Memorable was feeling heavy-handed and manipulative to me for the first half of the short, but my opinion changed at the end with one of the most remarkably artistic and beautiful scenes as our main character tries to paint the woman who he does not remember is his wife.  It is truly a powerful moment.  Kitbull is great and you can check it out on Disney + but it does not match the top two.

Will Win: Hair Love.  I think this one has the buzz about it, but it would not surprise me if Memorable sneaks in and snatches that Oscar away.  The others are simply also-rans.

 

Timmy Failure: Mistakes Were Made

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Disney + has a brand new original movie on its streaming service that celebrates the bond between a boy and his polar bear.

Based on the best-selling book by Stephan Pastis, Timmy Failure: Mistakes Were Made is a sweet, funny family movie that is well worth the time.

Timmy Failure (Winslow Fegley) is a 5th grader who has to face the problems of any fifth grader…specifically trying to keep his detective agency afloat by taking cases, dealing with the Russians and handling his 1200 pound partner, Total, who happens to be a polar bear.

Timmy’s mother Patty (Ophelia Lovibond) is supportive of her son even when he is in trouble at school from the curmudgeony teacher Mr. Crocus (Wallace Shawn) or when he is knee deep in chaos from his investigations of his cases.

Timmy finds a confidant in school counselor Mr. Jenkins (Craig Robinson) and has to deal with classmates Molly Moskins (Chloe Coleman), Rollo Tookus (Kei) and Corrina Corrina  (Ai-Chan Carrier).

Timmy Failure: Mistakes Were made is a film that is the definition of an unreliable narrator as the film is narrated by Timmy and he sees things in a different light.  In fact, most of what Timmy relays to the audience is fabrication and imagination.  We, as the audience, can see what is really going on as Timmy tells us what he is thinking, Russian plots and fears over moving to Middle School.

I was surprised how imaginative this movie was and how much I enjoyed it.  It was funny, and I actually laughed out loud several times.  The writing was cute and the performances were all well done.  I love Wallace Shawn, of course the classic Vizzini from the Prince Bride, and he is a perfect foil for the miniature detective.

Winslow Fegley does a really good job as the titular character, bringing a distinct deadpan performance that fit perfectly in with the character.  When he was asked to do more than that, he rose to the occasion.

Of course, there is not much weight to the film, but it is not the type of film that needs weight.  And truthfully, there are some interesting ideas found in the film that you see in the background.

This film could not be a greater departure from director Tom McCarthy.  Imagine being able to put on a resume that you are the director of Spotlight and Timmy Failure: Mistakes Were Made.  Yet his style mixes very well with the zany weirdness on display in this film and inside Timmy’s fanciful imagination.

This is a movie that should be entertaining for the whole family and shows how far imagination and creativity can take you.  The deeper messages of fear of change and being abandoned are there too if you choose to look.  Timmy Failure: Mistakes Were Made does have a few mistakes, but they are overshadowed by the positive message and the engaging characters.

3.8 stars 

Birds of Prey and Fantabulous Emancipation of One Harley Quinn

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The movie with the longest title of the year so far, Birds of Prey and the Fantabulous Emancipation of One Harley Quinn, has arrived starring Margot Robbie once again as the DC villain/anti-hero, Harley Quinn.

Robbie appeared as Harley originally in the Suicide Squad a few years ago and is easily the standout of a movie that was nearly universally maligned.  The question was whether Robbie could bring the magic to Harley Quinn once again and would the movie be better?

The answer to both ends of that question is yes.

I enjoyed Birds of Prey and the Fantabulous Emancipation of One Harley Quinn very much, and, once again, Margot Robbie’s Harley Quinn is easily the standout of the film.  This time, however, there is more to enjoy and there is nothing as egregious as the Enchantress.

In this movie, Harley Quinn has broken up with her puddin’, the Joker, and she is not handling it well.  When the news gets out, the benefits of being the main squeeze of the Joker, such as a general protection it buys you, was gone and Harley was finding out that there were several people with grievances with her.

One of the people out to get Harley was one of the crimelords in Gotham named Roman Sionis (Ewan McGregor) aka Black Mask.  Sionis was also attempting to acquire a special diamond, but, unfortunately for him, it was stolen by pickpocket extraordinaire and young girl Cassandra Cain (Ella Jay Basco).   This sent Harley, as well as all of the mercenaries of Gotham, after the girl.

One of my concerns about Birds of Prey and the Fantabulous Emancipation of One Harley Quinn from the trailers was the secondary characters.  The trailers made the supporting cast seem fairly unimportant, if not, lackluster.  And truthfully, there was some of that, but I felt that Birds of Prey and the Fantabulous Emancipation of One Harley Quinn did an admirable job with the characters.  Black Canary (Jurnee Smollett-Bell) was actually very well developed and the Huntress (Mary Elizabeth Winstead) was reasonably developed, although underused.  I would have liked more from the character of Renee Montoya (Rosie Perez).

But the film is not really a Birds of Prey film, it was a Harley Quinn film, and Harley Quinn gets the bulk of the screen time.  This is the correct decision because Harley is thoroughly entertaining and wonderfully played by Margot Robbie.

The film did have a bit of an issue with Roman Sionis though.  This is not an issue with Ewan McGregor, who was great in his comedic-crazed manner.  However, the character of Roman Sionis was fairly underdeveloped.  He was a crazy villain who did things just because.  He was one-note and truly did not have motivation deeper than his own wants.  McGregor was great in the role, but his shtick did wear on a bit.  He was such a horrible person that you could not stand the guy at all.

The action was very well done.  Harley Quinn was fantastic and funny with every scene she was in.  I do have one nitpick though.  There were a couple of times when it was pretty clear that, during the fights, you could see Margot Robbie’s stunt man, who looked like he was considerably burlier than Robbie.  It happened a couple of times and was momentarily distracting.  Yes, it is not that important, but I did notice it.

Still, the star is Margot Robbie who is perfectly cast as the psychotic Harley Quinn.  We can relate to Harley despite the terrible things that she has done or is doing because Robbie infuses the character of Harley with such humanity and empathy that you can’t help but root for her.  Yes she is clearly a criminal and a murderer, but she is a beloved figure.

Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is certainly violent and earns the R rating it is given.  Though the violence never really goes too far, this is not a children’s movie which may hurt the box office for it.

DC has been very solid recently with their films.  Although it was better than some of their previous movies, I did not love Aquaman, but Shazam was great and Joker is Oscar nominated.  Toss in Wonder Woman and you have a pretty effective series of stand alone films which are much better than when they were trying to force everything into a Marvel-like shared universe.  This is the path they should continue on because they are having much more success.  Birds of Prey and the Fantabulous Emancipation of One Harley Quinn may have some story issues and the lay out of the film may be a bit clunky at times, the film is enjoyable and fun to watch.  It is colorful, filled with awesome action and some genuinely engaging characters, especially Harley Quinn herself.

4.25 stars 

Immortal Hulk: Great Power #1

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Immortal Hulk:  Great Power #1

Great Power

Writer:  Tom Taylor

Artist:  Jorge Molina

Cover Art:  Jorge Molina

I love Spider-man.  He is my favorite character ever.  I love the Immortal Hulk series that Marvel has been putting out the last few years.  Putting them together was always going to be a great issue.  This stand alone issue goes even further.

Why?  Because it is written by Tom Taylor, who just finished a run on one of the best Spider-Man titles ever, Friendly Neighborhood Spider-Man.  I am not sure I have ever read a writer who gets Spider-Man more than Tom does.  That shines through in this issue as well as it did in that series.  Then, throw in the Hulk goodness and you’ve got yourself a fantastic story.

Spider-man gets turned into the Hulk.  It is amazing.  There is an epic cameo from Loki as well, playing the basic Loki character we got in the recent Loki series.

It is kind of funny how every time Spidey turned into Hulk, his one eye piece gets broken.  There is a running joke about pants that is just laugh out loud funny and a joke that you may not think about.

I truly thought this was fun and dramatic.  I would read anything Tom Taylor writes that has Spider-Man in it.  This was great.

excelsior

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