It’s a cold, cold night… and the wind was blowing through the poplar tree…
That was something my dad would say on cold nights. And we are in a stretch now that is really cold. So cold that school has been canceled for tomorrow. That gives me a chance to get these new comics read. Since I got new comics the last two days, it is time for the Favorite Comic Covers of the week!
Also Rans: Terrorbytes #4, Bloodland #1, The Beauty #3, The New Avengers #8 (VARIANT), and Rogue #1.
Bronze Medalist
Mortal Thor #6
Cover art by Alex Ross
Alex Ross is a former winner of the Comic Cover Artist of the Year and he has consistently given us class covers, such as this Thor cover with the Cobra on it. It is a classic Alex Ross cover!
Silver Medalist
Amazing Spider-Man #20
Amazing Vision Variant
Cover art by Lee Bermejo
This a cool cover (even though Juggernaut is not in this issue). Bermejo has become one of the best Spidey variant artist around as this is a beautiful action moment between the two characters.
Gold Medalist
Captain America #6
Variant Foil
Cover art by Ivan Tao
I have been ignoring foil covers lately, but I could not pass this one by. It is so beautiful, especially the big, silver star on the chest of Captain America. This foil is a masterpiece.
I do love Steve Martin. One of the first films of this Genre-ary was Steve Martin in The Jerk. That was really funny. Cheaper by the Dozen, not so much.
According to IMDB, “With his wife on a book tour, Tom Baker finds his life turned upside down when he agrees to care for his twelve children while simultaneously also coaching his new football team.”
Wow. These kids were brats. That might be harsh, but why not try some discipline? They can’t have all suddenly turned into evil little harpies because they moved away. Both Steve martin and Bonnie Hunt also showed they couldn’t have been good parents because good parents do not just become selfish ones.
There is really not much of a plot in this movie and these kids were acting like a nightmare. None of it made much sense to me, and the idea of this many kids is just insane.
There were a couple giggles during the movie, but the most laughs I had were from the end credit bloopers.
Steve Martin and Bonnie Hunt led the cast which included Tom Welling, Hilary Duff, Alan Ruck, Richard Jenkins, Kevin G. Schmidt, Piper Perabo, Jacob Smith, Morgan York, Liliana Mumy, Forrest Landis, Blake Woodruff, Brent Kinsman, Shane Kinsman, Wayne Knight, and Ashton Kutcher. There was a cameo from Regis Philbin and Kelly Ripa as well.
This felt more like a sitcom than a feature length film. I was also not sure about the message of the film… outside of the “Do you really want children?” one.
I did not hate the film, but there were so many things about it that made me wonder.
Frasier is one of the most successful spin offs of the TV era. The theme song included metaphors for the people who would call into Frasier’s radio show, without any direct references to psychology. It is a fun, jazzy type of song that worked well for the character and the show.
Last year’s Documentary of the Year at the EYG Year in Review was the first season of WWE Unreal on Netflix. Unreal season two just dropped the other day on the streaming service and it continues to be a fascinating show to watch.
One of the things that is most intriguing is how several of the big individuals featured on this show has specifically spoken out about how tough it is for them to deal with the idea of Unreal. Seth Rollins, CM Punk, Paul Heyman, Cody Rhodes have all spoken on how “old school” they were and how difficult it was for them as performers to accept the idea of Unreal. After years of protecting the secrets of the business, it comes as a hard thing for them to show so much from behind the curtain.
Yet, they were all right there, front and center during this five episode series.
The path from Wrestlemania to SummerSlam was winding, and that was the period of time this show followed. There was a major event that happened during that time… Seth Rollins blew out his knee on Saturday Night’s Main Event. Or did he?
Watching how this secret was worked behind the scenes, with few people actually being “smartened” up about it was amazing. The lengths that they went to in order to fool the world was tremendous. The long term storytelling of the work was next level and to hear the actual moment when it was brainstormed in a creative meeting was something that I did not expect to hear.
The words of Seth and his wife, Becky Lynch, punctuated the storyline. Becky telling how much she hated having to lie to everyone for months, and even confronting Triple H in the ring at one point, chastising him for making her lie, was so fabulous.
Becky Lynch was a definite star of this series. Her moments were engaging, entertaining and emotional. When she was telling the story about returning to the arena where he father had seen her before he died was very powerful.
I especially enjoy hearing the agents such as Michael Hayes, Chris Park, Shane Helms, Jason Jordan etc. and how they work a match backstage. This is one of the best parts of this series.
They also showed moments where the action in the ring did not go the way it was supposed to and we saw the aftermath: from LA Knight not executing the closing sequence in the Money in the Bank ladder match as it was planned to Lara Valkyria’s flubs during the no holds barred match with Becky at SummerSlam. It is a peak behind the curtain which can explain some questions. You may not have noticed anything wring with the ending of the MitB match, but you now can see perhaps why it has taken LA Knight a long time to reach the level the fans want him at.
The stories of Jelly Roll and his path to his first match, R-Truth and his subsequent release and return, Chelsea Green and her rise and fall of a US Champion, Naomi’s new character as a heel, Rhea Ripley and Iyo Sky, the arrival of Penta, among other stories that were highlighted here made this quite the variety.
They announced that Unreal will be coming back in the summer to do a set of episodes dealing with the last few months of John Cena’s career. Sounds great.
The Sea of Monsters came to a conclusion with the second season of the Disney + show. Percy, Annabeth and Grover make their way back to camp in an attempt to stop Luke from burning the camp to the ground.
Of course, Percy wound up getting his ass kicked by Luke.
I am not sure how I felt about this final battle. It felt as if it had gaps in the story that just did not make sense or seemed to happen off screen. The ending of the whole thing felt a little anticlimactic.
I did like the use of Tyson saving Percy like a Deus ex machina. Percy really got brutally battered. I am not sure whether or not using the Fleece on the tree was a good thing. It brought back Thalia, but the end of that battle was lacking in my opinion.
I really enjoy Walker Scobell in this role. I think he does an admirable job as Percy Jackson. I enjoy the chemistry between the three main characters. Luke makes an interesting villain.
We got a new Zeus after the death of Lance Reddick. It was Courtney B. Vance, but he did not seem like Courtney B. Vance. I did not recognize him until I looked up the actor playing the role.
Honestly, I felt this episode was a touch of a letdown after a solid season. I am still anxious to see a season three, which is supposedly being filmed right now.
I needed a film short tonight and so I went to YouTube to search up something and I found just the thing. I have had Abbott & Costello, Buster Keaton, Charlie Chaplin and the Three Stooges so far in this Genre-ary, but a comedy month is not complete with a little bit of Laurel and Hardy.
Stan Laurel and Oliver Hardy are comedic geniuses in the early days of film. Their slapstick performances rivaled the very best of the genre, and their characters were even more developed than some of their contemporaries.
In this short, Laurel and Hardy are trying to get to sleep on a cold, wintry night, but Laurel’s hiccups kept Hardy awake and was causing the dog to bark. They knew that they were not supposed to have a dog, and so they were panicking when their dog-hating landlord came knocking on their door.
Their physical comedy was tremendous as they were trying to get back into the house with the dog. It is an impressive feat with how they worked together.
The short ended with a shocking event that caught me off guard. Something that might have been considered funnier at the time than it is today.
With the exception of the ending, this was a hoot. These old short films concentrated on the laughs and never fail to provide them.
There is both a Japanese and English version of the song.
Another show that I did not watch much as it always felt like the show was targeting a younger audience than I was. However, there is no denying that the theme song goes hard.
Last year, I decided to do a special Saturday where I watched a bunch of Adam Sandler movies that I had not seen before. I am not a fan of Adam Sandler, but I wanted to give it a chance. Most of the films were bad, but there were a couple decent/passable ones. One of the films that I did not hate was Netflix’s Murder Mystery with Adam Sandler and Jennifer Aniston. So with the Genre-ary in full swing, I decided that it would be a good time to watch the sequel, Murder Mystery 2.
This film is comparable to the first film. It had funny moments that I actually laughed out loud. Sandler and Aniston have great chemistry. I wish their chemistry transferred into a better movie. They could be wonderful together. As of right now, I would say that they were …ok.
According to IMDB, “Full-time detectives Nick and Audrey are struggling to get their private eye agency off the ground. They find themselves at the center of international abduction when their friend Maharaja is kidnapped at his own lavish wedding.”
Now, the story is quite silly with ridiculous situations. But after the last film, I came to expect it. This is a film that I can’t take serious but that was kind of stupid fun.
I smiled and laughed a lot during the film. It was similar to the first film and it was worth the time I spent to watch it. It was only 90 minutes and it flied quickly by. It had good pacing and several other characters that were fairly one dimensional, but fun.
This is not a good movie, but it is not bad either. It was okay.
This theme is full of energy and excitement and fits the 1994 animated Spider-Man beautifully. Not only the great guitar work by Aerosmith’s lead guitarist, Joe Perry, but the robotic, electronic “Spider-Man” and “Radioactive” repeated throughout the theme.
I have been meaning to watch The Rip, a new movie on Netflix starring Matt Damon and Ben Affleck, this entire weekend, but something else would seem to take precedent. Finally, Monday night I was able to get the movie watched.
I loved this movie.
Wow, this was great. It was exciting, thrilling, and the uncertainty of the story really amped up the tension.
According to IMDB, “A group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the huge seizure, making them question who to rely on.”
A rip is taking seized cash or drugs during a raid and this movie is supposedly based on real events in the Miami area. That might be a bit of a stretch, but it was a great story.
I love the way the story developed and how this solid cast approached each scene. Along with Affleck and Damon, the film featured Steven Yeun, Teyana Taylor (who will most likely receive an Oscar nom later this week for One Battle After Another), Kyle Chandler, Sasha Calle, Catalina Sandino Moreno, Scott Adkins, Nestor Carbonell, Lina Esco and Sal Lopez.
This was a smart film, which I always appreciate. Many films of this type would turn into nothing more than a firefight or an action spectacular, and, while there were action scenes in The Rip, it was not the focus of the movie. The action was well done but it all had a purpose.
The story kept you off balance, but every specific detail is paid off in the end, nicely blending together in a weave.
I liked this way more than the typical Netflix action movie and, along with the awesome Knives Out film from 2025, it gives me hope that the streamer will continue to put forth movies that were worthy of wacthing.
I hope everyone is having a great MLK Day. I know not everyone is off work today, but my school is still off, so this has given me a chance to get this finished after yet another busy weekend.
I have been picking up a bunch of Marvel Team-Ups recently. The ones I got this week include #5, 6, 16, 17, 22, 23, 25, 26, 27, 55,57, 64, 66, 68,72, 73 and 86.
Books this week:
Uncanny X-Men #22. “No Clean Hands” Written b y Gail Simone and art by David Marquez. Cover art was done by David Marquez & Matthew Wilson. Mutina is back and wanting to join the X-Men. Yes, it may not be the most heroic reason and it sure seemed as if Wolverine and Nightcrawler have a different mind about that.
Where Does the Rainbow End? #1. Written by Francesca Perillo and art and cover art by Stefano Cardoselli. New book from Mad Cave. A new futuristic story involving robots and humans and how they now interact with one another.
Like a Bell in the Month of May #1. Written by Dustin Victor and art by Metro Catpiss. This was a book I picked up at In This Issue in Bettendorf. The owner of the shop told me that this was a couple of local creators who did this book. I thought it was cool so I picked it up. It is a weird story. It felt as if there was a page missing or something. I am still happy to have picked it up.
Avengers #34. “Heroes” Written by Jed MacKay with art by Farid Karami. Cover art was done by Russell Dauterman & Rachelle Rosenberg. I also picked up variant covers by Leonardo Romero and one by CAFU. This is Legacy number 800 for the Avengers. However, this issue felt a little lesser than I expected. It felt more like one of those clip show episodes of a TV show that reviewed previous episodes.
The Ultimates #20. Written by Deniz Camp with art by Phil Noto. Cover art was done by Dike Ruan & Moreno Dinisio. We get a bunch of the new Ultimate Vision and Nick Fury as we are moving toward the end of the Ultimates Universe.
Amazing Spider-Man: Torn #4. Written by J. Michael Straczynski and art by Pere Perez. Cover art by Humberto Ramos & Edgar Delgado. There is a scene in this book that I absolutely loved and felt vintage Spider-Man. When Spidey finds Evangeline sitting on a construction site, what follows is perfection.
Dungeons of Doom #1. Written by Phillip Kennedy Johnson & Benjamin Percy with art by Justin Mason, Robert Gill, Carlos Magno, George Jeanty & Karl Story. The aftermath of the death of Doctor Doom rages on in the Marvel Universe and we get a bunch of people looking to take advantage of the situation.
DC KO #3. “No Mercy” Written by Scott Snyder and Joshua Williamson with art by Javi Fernandez and Xermánico. Cover art was done by Javi Fernandez & Alejandro Sanchez. It is tag team time as the remaining competitors get to choose a defeated champion as their partner… and no one chose Batman.
Black Cat #6. “Night Court” Written by G. Willow Wilson and art by Andres Genolet. Cover art was done by Adam Hughes. Black Cat needs help so she goes in search of Daredevil so he could help her find…. Matt Murdock? She needs him to help defend her in the court of vampires.
Geiger #20. Written by Geoff Johns and art by Gary Frank. Cover art was done by Gary Frank. I also grabbed the Wicked homage cover by Sean Von Gorman (Gold Medalist). The Northerner is here and looking for help from Geiger… and he’s not too anxious to join in.
Doctor Strange #2. Written by Derek Landy and artist is Ivan Fiorelli. Cover art was done by Alex Horley. Doctor Strange and Angela are running around the world of Asgard. I have to say that I was not as into this issue as I expected.
Sai: Dimensional Rivals #1. Storytellers included Peach Momoko, Iban Coello, Stan Sakai with Emi Fuji. Cover art was done by Peach Momoko. Sai is around the dimensions with different artists. Some of the work of this book was fabulous and I especially loved the black and white pages. This is an intriguing book that I am interested in continuing.
Minor Arcana #13. Written, illustrated and cover art by Jeff Lemire. Theresa heads to another fortune teller with some specific questions. The fortune teller is out of C.A.N.O.E. (Clairvoyant Association of Northern Occultists & Esoterics).
Alice Forever After #1. Written and cover art by Dan Panosian and illustrated Dan Panosian (London part) and Giorgio Spalletta (Wonderland part). A new series set in Wonderland with the characters of Alice in Wonderland. Where is the White Rabbit?
Space Ghost #7. Written by David Pepose and art by Jonathan Lau. Cover art was done by Francesco Mattina. Space Ghost takes on the Anti Matter Man. Can our hero stop him? Doesn’t seem like it.
Crownsville #3. Written by Rodney Barnes and illustrated by Elia Bonetti. Cover art was done by Jason Shawn Alexander. We got ghosts! Crownsville has been a fabulous book so far and the story of this haunted asylum is really creepy.
Axi-Cab #1. Written by Philip Nelson and art and cover art by Cee Raygun. There are two actual stories in this book, first one entitled “The Warden’s Last Ride” and the second one being “In the Air Tonight.” A murderous cab drives around looking for justice or vengeance. Another new horror story that was pretty good.
G.I. Joe #17. Written by Joshua Williamson and art and cover art by Tom Reilly. The Dreadnok War closes with an unlikely alliance between the Dreadnoks and Cobra Commander. Plus, a shocking final page of this story.
Transformers #28. Written by Robert Kirkman and art by Dan Mora. Cover art was done by David Nakayama. Man… Megatron is just absolutely brutal in this issue. The last few pages of this issue show how monstrous Megatron can be.
Other Books this week: Knull #1, Good as Dead #4, Logan: Black, White & Blood #1 (Silver Medalist), Luna Snow: World Tour #1, and Blood & Thunder #9.
Quick Hits: So Battleworld #5 finished this series off with a really weird final page. Is it meant to be a tease for another Battleworld series?? Teenage Mutant Ninja Turtles #14 is hopefully my final issue of this series. I have had some books ordered before I wanted to cancel the book so I needed to buy them (store policy). It did have a nice cover. The penultimate issue of this series is Die!Namite: Blood Red #4. Still fun with the group of female comic stars. C.O.R.T: Children of the Round Table #5 brings our heroes into more training and prepping them of the final issue. Things are getting strange with The Last Day of H.P. Lovecraft #3. I picked up Peter Cannon: Thunderbolt #2 off eBay since I missed it when it was out. Silver medalist cover this week went to Wonder Woman: Black and Gold 2026 Special #1. Finally, this week we got It Killed Everyone But Me #5, which I actually have not had a chance to read yet.
I came back for Sha Na Na on YouTube and we got some issues with the recordings. Now, the recordings were loaded up from old VHS tapes, so the quality has always been iffy, but this was the first time when whole songs were cut out, specifically in episode 15. In the comments, the channel’s owner, pattyoc01, stated that it was because of YouTube needing to cut some out for copyright reasons.
Another issue came in this group of episodes with number 19. On the playlist, #19 is listed as starring Jimmie Rodgers. However, on the YouTube list, it was just a repeat of S2 E18 with the Ronnettes. Not sure what happened with that.
Another funny thing was at the end of episode 18, there was a brand new “Goodnight Sweetheart” closing. You can tell because the camera was closer to each member and Jocko had his mustache shaved off as he has had for most of the two seasons of the show. However, oddly enough, episodes 20-21 both had the old closing version, making me wonder if this playlist was in actual release order.
Interesting guest stars on these episodes. Dick Clark appeared as the only non-singing guest, but he certainly has big ties to music. They played some Rate the Music, like they did on American Bandstand in the old days. This was a fun use of Dick Clark. There was an appearance by Jan and Dean, who performed on the actual stage. They had a performance by someone named Johnny Tillotson, who I had never heard of before. He did Poetry in Motion, which I knew well, but I always thought it was by Buddy Holly, or someone like that. Del Shannon was on and he sang Runaway, of course. Trini Lopez sang La Bamba as The Angels did My Boyfriend’s Back.
There was a fun duet between Johnny and Pamela Myers, who plays Ginger. She sings every once in awhile and their version of Hey Paula was well done.
I really enjoyed the comedy bit with Bowzer playing “Sven Bowzer” in an opera with Dirty Dan as the reporter. I actually laughed several times during this section.
There are some of my favorite Sha Na Na songs on these episodes. Johnny singing Roy Orbison’s Cryin’, Tell Laura I Love Her ( also by Johnny), Screamin’ Scott leading the Sha Na Na sing along with the song Don’t You Just Know It, So In Love, and Peggy Sue.
Speaking of Peggy Sue, they did an homage to Buddy Holly on episode 18 with them doing four separate songs. They did this instead of the comedy bit and I think they should have done something like this more often. I know they had done an Elvis one previously.
Three more episodes in season two to go. Even with the quality and the copyright issues, I am pleased that I am able to revisit these shows.
In honor of Martin Luthor King Day, I scheduled Spike Lee’s film Bamboozled for the Genre-ary. It was quite the satire.
According to IMDB, “A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.“
The idea of this movie was used recently in the film American Fiction starring Jeffrey Wright. The thing is that this was so much more satirical than I ever expected.
Damon Wayans played Pierre Delacroix, a highly educated and uptight TV writer whose pitches were being rejected by his boss, Thomas Dunwitty (Michael Rapaport). Delacroix decided to provide a protest by presenting a minstrel variety show embracing all of the negative stereotypes associated with blacks. He intended on the show being rejected and leading to his own firing to escape the contract that he signed.
The problem was that the show became a huge hit by the public and the critics. Delacroix became enthralled by the success, losing himself in the racism.
There are so many shocking moments throughout Bamboozled that it is a difficult movie to watch. It is a powerful dismissal of the manner of television and its portrayal of African-Americans over the years. Admittedly, Bamboozled is not subtle in its satire, which may make it too cartoonish at times.
The ending was extremely tough to watch as everything came to a head. The idea that this movie had times that were difficult to watch was clearly done on purpose. It was meant to shake up the idea of racial stereotypes and racism inside the entertainment industry as well as throughout history, and Spike Lee definitely reached that level.
This is one of those movies that I enjoyed, but will probably never want to watch again. I do think it is a worthwhile show and some of the big ideas are necessary to today’s world.
Here is another show that I watched occasionally in reruns, but whose theme song I can catch myself singing randomly. It’s a silly concept for a show, and the theme song fits that silliness beautifully. I love the internal rhyme scheme with “horse” and “of course.”
EYG- Embrace Your Geekness 