Something Very Bad is Going to Happen E3-E4

Spoilers

“I Will Light You On Fire”

“The Witness”

Another pair of tension-filled, anxiety-creating episodes in this Netflix limited series. I have been extremely creeped out by this show, especially episode 4.

Before I go on, I want to look at episode four. We are in a flashback where we see Rachel’s very pregnant mother Alexandra and Jay, her father, recording everything on a video camera in the year 1997, and part of their trip where they were eloping was stopping for ice cream. The drive up ice cream shop had a guy at the window that scared Rachel’s mother badly. If I did not know better, I swear this character was Rick from the comic book, Ice Cream Man.

I wonder how much of an inspiration, if any at all, this character took from Rick. The character’s name was Larry and, technically, he only sold custard. I wonder if the producers changed it to custard to avoid any comparisons between Larry and Rick.

Larry could have been tied to the Larry Poole from the stories on the podcast in episode one. Producers have said that this character was just a red herring, helping to build the suspense of the episode.

The storyline of the Sorry Man has seemingly been wrapped as we discovered that Jules, as a kid, had witnessed Jay and Alexandra on their honeymoon, when she started hemorrhaging from her eyes and nose and died in Jay’s arms. Then, he cut open her stomach to pull baby Rachel out of the womb. Jules saw all this and, in his mind, made the whole thing into a serial killer thing/monster.

Episode 3 had some powerful moments too as Rachel called a “family meeting” and wanted everybody to deal with their trauma over Victoria’s upcoming death. Rachel gets called out for not being a therapist, but everyone seems to go along with what she wanted to do. So much so that Nell expressed surprise with how much Rachel is getting away with from this family. Of course, Nell just simulated drowning Jules in the bathtub before being caught by Rachel, so maybe she is not the best choice for reasonability.

So, after episode four, it seems like the story is heading in this curse way, and there are only two days until the “I dos” as the show keeps letting us know. This is the halfway point of the limited series so I wonder where this goes next.

Daily Countdown: Weird Al Songs #56.5

#56.5

Polka Power

As I was going through the list of songs on the Top 100, I discovered a mistake in the list. Instead of cutting a song that absolutely deserves its spot on the list, I decided to make this special exception for Weird Al and make it a Top 100 with 101 songs in it. Thus, Polka Power becomes the first ever 1/2 entry on our Daily Countdown lists and the only Daily Countdown Two-a-day.

Title: “Polka Power”

Album: Running With Scissors

Released: 1989

Genre: Polka/Comedy

Songs: “The Twelfth Street Rag,” “Wannabe,” “Flagpole Sitta,” “Ghetto Supastar (That Is What You Are),” “Everybody (Backstreet’s Back),” “Walkin’ On the Sun,” “Intergalactic,” “Tubthumping,” “Ray of Light,” “Push,” “Semi-Charmed Life,” “The Dope Show,” “MMMBop,” “Sex and Candy,” “Closing Time,” and “W.A.Y. Moby Polka.”

Lyrics

Yeah, well, I’ll tell ya what I want, what I really really want
(So tell us what ya want, what ya really really want)
I’ll tell ya what I want, what I really really want
(So tell us what ya want, what ya really really want)
I want to ha, I want to ha, I want to ha, I want to ha
I want to really, really, really, want to zigga zigga, ah!
If you want to be my lover, you gotta get with my friends
Make it last forever, friendship never ends
If you want to be my lover, you have got to give
Taking is too easy, but that’s the way it is.
Hey!

I’m not sick, but I’m not well.
And I’m so hot, ’cause I’m in hell.
I’m not sick, but I’m not well.
And it’s a sin to live so well.

Ghetto superstar, that is what you are,
Coming from afar, reaching for the stars.
Run away with me, to another place
We can rely on each other, uh huh
From one corner to another, uh huh

Everybody (yeah)
Rock your body (yeah)
Everybody
Rock your body right.
Backstreet’s back, all right!
All right!

So don’t delay, act now, supplies are running out
But now, if you’re still alive, six to eight years to arrive
And if you follow, there may be a tomorrow
But if the offer’s shun, you might as well be walking on the sun
Might as well be walking on the sun!

Intergalactic planetary, planetary intergalactic
Intergalactic planetary, planetary intergalactic
Intergalactic planetary, planetary intergalactic

I get knocked down, but I get up again,
You’re never gonna keep me down
I get knocked down, but I get up again
You’re never gonna keep me down
I get knocked down, but I get up again
You’re never gonna keep me down
I get knocked down, but I get up again
You’re never gonna keep me down

Quicker than a ray of light
Quicker than a ray of light
Quicker than a ray of light

I want to push you around, well I will, well I will
I want to push you down, well I will, well I will
I want to take you for granted
I want to take you for granted
Yeah, yeah, well I will

I want something else
To get me through this semi-charmed kinda life, baby baby
I want something else
I’m not listening when you say good-bye.

There’s lots of pretty, pretty ones
That want to get you high
But all the pretty, pretty ones
Will leave you low and blow your mind
We’re all stars now in the dope show
We’re all stars now in the dope show

Mmmbop, do floppa do wop
Do be dop ah
Do wap, do zap ah, do
Yeah-ee yeah
Mmmbop, do be ‘zap ah, do wop
Do be dop ah
Do wop, doom zap ah, do

I smell sex and candy here
Who’s that lounging in my chair?
Who’s that casting devious stares in my direction?
Mama, this surely is a dream
Yeah, yeah mama, this surely is a dream
Dig it, yeah mama, this surely is

Closing time
One last call for alcohol
So finish your whiskey or beer
Closing time
You don’t have to go home
But you can’t stay here
I know who I want to take me home
I know who I want to take me home
I know who I want to take me home
Take us home.

‘Cause it’s closing time!
(Yeah it’s closing time)
(We’re talkin’ ’bout closin’ time)
(It’s really closin’ time)
(Hey!)

Source: LyricFind

Sunday Morning Sidewalk #67

Spoilers

A Knight of the Seven Kingdoms

“In the Name of the Mother”

We started off with a few fleeting moments of a brutal battle, but Duncan takes a lance to his side and a blow to his head, sending him into an unconscious state and us into a flashback to Dunk as a kid.

At first, I did not want to go into the past and leave the Trial of Seven, but it did not take long before I was engaged with the story they were telling in the flashback. We met young Dunk and a girl named Rafe, stealing from a nearly dead knight whose horse had fallen on him. We learn that they are thieves, surviving by their wits. Dunk had been deserted by his mother, either from choice or by death.

I assumed that Rafe was going to meet with some kind of horrible fate since we have not mentioned her before, and, sure enough, she has her throat slashed by a crooked guard who had stolen the silver that they had “earned.” Rafe snuck the knife from the guard’s scabbard and it cost her her life.

This was where we see how Dunk meets Ser Arlan of Pennytree, who saved Dunk from the same fate as Rafe. Dunk is injured in the scrum and follows Arlan. Arlan ends up helping Dunk.

Then, the flashbacks were over as suddenly as they began, and we were right back to the Trial of Seven, where Ser Duncan fought his way through what seemed to be multiple horrific blows to force Aerion to rescind the charges and thus win the Trial of Seven.

When Baelor came into the tent to see Duncan, I knew what was going to happen. I had been spoiled about  Baelor’s death last week thanks to a Wikipedia page I was using for research. The head wound was brutal and I have no idea what will happen to Duncan in the finale.

The battle between them was brutal and hard to watch at times but unbelievably choreographed and full of emotion.

There is one more episode of the show and I am sure it will deal with the fallout of the Trial of Seven. I have really enjoyed this series so far. I hope it hits the landing.

Daily Countdown: Weird Al Songs #57

#57

The Weird Al Show

Title: “The Weird Al Show”

Written: Al Yankovic

Released: As a theme song for his 1997 Saturday morning children’s TV show.

Album: Running With Scissors

Genre: pop/rock

This fell into the top 20 of the previous list, Top 100 TV Show Themes. When I first was creating that list, I almost didn’t think about it as a theme because it was more of a song than theme. Al has used this as an intro to his concerts since.

Lyrics

Oh, this is a story ’bout a guy named Al
And he lived in a sewer with his hamster pal
But the sanitation workers really didn’t approve
So he packed up his accordion and had to move

To a city in Ohio where he lived in a tree
And he worked in a nasal decongestant factory
And he played on the company bowling team
And every single night he had a strange, recurring dream

Where he was wearing leiderhosen in a vat of sour cream
But that’s really not important to the story

Well, the very next year he met a dental hygenist
With a spatula tattoed on her arm (on her arm)
But he didn’t keep in touch, then he lost her number
Then he got himself a job on a tater tot farm

And he spent his life savings on a split-level cave
20 miles below the surface of the Earth (of the Earth)
And he really makes a mighty fine jelly bean and pickle sandwich
For what it’s worth

Then one day Al was in the forest, trying to get a tan
When he heard the tortured screaming of a funny little man
He was caught in a bear trap and Al set him free
And the guy that he rescued was as grateful as can be

And it turns out he’s a big-shot producer on TV
So he gave Al a contract and what do you know?
Now he’s got his own very Weird Al Show!

Source: LyricFind

Daily Countdown: Weird Al Songs #58

#58

Ricky

Title: “Ricky”

Written: Nicky Chinn/Mike Chapman/Al Yankovic

Album: “Weird Al” Yankovic

Released: May 3, 1983

Parody: “Mickey” by Toni Basil

Parody topic: “I Love Lucy” TV Show

Performed: “Weird Al” Yankovic and Tress MacNeille

One of my earliest introductions to Weird Al. I remember this song from not only the Dr. Demento Show, but also the morning radio station I would listen to, KIIK 104 with Spike at the Mike.

Lyrics

Hey Lucy, I’m home

Oh Ricky, you’re so fine
You’re so fine, you blow my mind
Hey Ricky, hey Ricky

Oh Lucy, you’re so fine
You’re so fine, you blow my mind
Hey Lucy, hey Lucy

Oh Ricky, you’re so fine
You play your bongos all the time
Hey Ricky, hey Ricky

Oh Lucy, you’re so fine
How I love to hear you whine
Hey Lucy

Hey Ricky
You always play your conga drums, you think you got the right
You wake up little Ricky in the middle of the night
Stop shakin’ your maraccas now and just turn out the light, Ricky

I’m sick of Fred and Ethel always coming over here
‘Cause Fred eats all our pretzel sticks, and then he spills his beer
Why don’t you serve your casserole and make them disappear, Lucy?

Oh, Ricky, what’s a girl like me supposed to do?
You really drive me wild when you sing your babalu

Oh Lucy, you’re so dizzy, don’t you have a clue
Well, here’s to you, Lucy
I love you too, Lucy, too Lucy, let’s babalu, Lucy

Hey, Ricky
You’re always playing at the Club, you never let me go
I’m begging, and I’m pleading, but you always tell me no
Oh, please, honey, please let me be in your show, Ricky

You always burn the roast and you drop the dishes too
You iron my new shirt, and you burn a hole right through
You’re such a crazy redhead, I just don’t know what to do, Lucy

Oh, Ricky
What a pity, don’t you understand
That every day’s a rerun and the laughter’s always canned

Oh, Lucy
I’m the Latin leader of the band
So here’s to you, Lucy
Let’s babalu, Lucy, too Lucy
Everybody rumba!

Ha-ha-ha-ha-ha-ha-ha-ha

Source: Musixmatch

Daily Countdown: Weird Al Songs #60

#60

NOW That’s What I Call Polka

Title: “NOW That’s What I Call Polka”

Writers:  Al Yankovic / Lee Oskar / Wayne Anthony Hector / Armando Christian Perez / Nile Rodgers / Lukasz Gottwald / Guy Manuel Homem Christo / Thomas Bangalter / Pharrell L. Williams / Jean Baptiste Kouame / Sacha Skarbek / Luiz Floriano Bonfa / William Adams / Julian C. Bunetta / Greg Errico / Jai Sang Park / Breyan Stanley Isaac / Stephan Moccio / Priscilla Renea Hamilton / Mark Foster / Kenny Oliver / Jef Martens / Edward James Drewett / Stefan Kendal Gordy / David Jamahl Listenbee / John Henry Ryan / Skyler Husten Gordy / Carly Rae Jepsen / Arthur Richardson / Ross Mac Lean / Ben Haggerty / Ryan S. Lewis / Jamie Michael Robert Sanderson / Joshua Keeler Ramsay / Maureen Anne Mcdonald / Henry Russell Walter / Erin Beck / Tavish Joseph Crowe / Walter Andre E. De Backer / Keon Yoo / George Matthew Robertson / Kesha Serbert / Keri Oscar

Album: Mandatory Fun

Released: 2014

Genre: Polka/Comedy

Medley Songs: “Wrecking Ball,” “Pumped Up Kicks,” “Best Song Ever,” “Gangham Style,” “Call Me Maybe,” “Scream & Shout,” “Somebody That I Used to Know,” “Timber,” “Sexy and I Know It,” “Thrift Shop,” “Get Lucky,” and “W.A.Y. Moby Polka.”

This polka’s title is a parody of the album series NOW That’s What I Call Music, a compilation of popular music of the past year.

Lyrics

We clawed, we chained our hearts in vain
We jumped never asking why
We kissed, I fell under your spell
A love no one could deny

Don’t you ever say I just walked away
I will always want you
I can’t live a life, running for my life
I will always want you

I came in like a wrecking ball
I never hit so hard in love
All I wanted was to break your walls
All you ever did was wreck me
Yeah, you wreck me

All the other kids with the pumped up picture
You better run, better run, outrun my gun
All the other kids with the pumped up picture
You better run, better run faster than my bullet

And we danced all night to the best song ever
We knew every line, now I can’t remember
I think it went ooh eh ooh
I think it went oohla eh ooh
I think it goes eh, eh, eh, eh, eh, eh

Eh, sexy lady
Po, po, po, po
Polka Gangnam Style
Eh, sexy lady
Po, po, po, po
Eh, eh, eh, eh, eh, eh, eh

Hey, I just met you
And this is crazy
But here’s my number
So call me, maybe
And all the other boys
Try to chase me
But here’s my number
So call me, maybe

I wanna scream and shout (hey!)
And let it all out
And scream and shout (hey!)
And let it out
We sayin’, “Ohh, wee ohh, wee oh wee oh”
We sayin’, “Ohh, wee ohh, wee oh wee oh wee ohh, wee oh wee oh”

Now you’re just somebody that I used to know
Now you’re just somebody that I used to know

It’s going down (hey!), I’m yelling timber
You better move, you better dance
Let’s make a night you won’t remember
I’ll be the one you won’t forget
(Timber! Timber!)

I’m sexy and I know it
Girl look at that body
(He’s sexy and he knows it)

I wear your grandad’s clothes
I look incredible
I’m in this big old coat
From that thrift shop down the road (Hey!)

That’s right!
(He looks incredible) I do!
(He’s in that big old coat) It’s large!
(From that thrift shop down the road) Hey, let’s go!

I’m gonna pop some tags
Only got twenty dollars in my pocket
I’m hunting, looking for a come-up
This is super awesome

She’s up all night ’til the sun
I’m up all night to get some
She’s up all night for good fun
I’m up all night to get lucky

We’re up all night ’til the sun
We’re up all night to get some
We’re up all night for good fun
We’re up all night to get lucky

We’re up all night to get lucky
We’re up all night to get lucky
We’re up all night to get lucky
We’re up all night to get lucky
We’re up all night to get lucky
We’re up all night to get lucky
We’re up all night to get lucky
Up all night to get lucky

Yes, we’re up all night to get
Lucky (we’re gonna get lucky)
Lucky (we’re gonna get lucky)
Lucky (Let’s all get lucky)
We’re up all night to get lucky! (Hey!)

Source: Musixmatch

Something Very Bad is Going to Happen E1

Spoilers

“Never Get on One Knee”

That was really creepy.

I have had this limited series, Something Very Bad is Going to Happen, on my Netflix queue for several weeks now. I had heard positives about the series that I wanted to watch it, but with the load of other TV and movies, not to mention comics and school, I was not sure when I could squeeze it into. However, I have gotten to a point where The Pitt, Invincible, Paradise, Shrinking were all done and Monarch is on its last episode. I only currently have Daredevil: Born Again and The Boys as active TV shows that I was watching, so I thought this was a good opportunity to start this show.

Man, what a creepy first episode.

It grabs you right away with a somewhat disturbing wedding and the reaction of the bride was unexpected. We then flash back five days prior to the wedding and things get even creepier.

The podcast they listened to in the car was unnerving too as it gave the story of Larry Poole, a man who sold custard and was a serial killer.

As this podcast was telling the story, we were suddenly at a rest stop and the story switched gears. Rachel and Nicky, who were the couple getting married, were driving to Nicky’s family cabin. Stopping at the rest stop, they find a baby inside a car, apparently deserted.

There were some real disturbing images at this rest stop including a dead fox in the women’s restroom. Rachel chose to go back and find a phone to call for help and Nicky would stay with the baby. This felt like a poor choice, but it is what happened.

Rachel found a bar that was mostly deserted, but the woman working there “Benjamin” was creepy and there was another man there who was apparently stalking Rachel. She ran off to her car after stabbing the man in the hand with her keys.

When she returned, the baby was gone and Nicky had been punched by the baby’s father, who thought Nicky was trying to steal the baby. The whole encounter with the parents happened off screen and something about it felt odd. There was a scream that Rachel had heard in the woods before Nicky came back.

They headed to the cabin, which is humongous. Rachel meets part of Nicky’s family when she was looking for ice for his head. Nicky’s sister, Portia, tells Rachel a story about when their brother Jules wound up lost in the woods as a child and supposedly saw the Sorry Man.

According to Jules, the Sorry Man came from Hell and murdered women by slitting them open and turning them inside out, trying to find his lost wife inside them. Rachel also mentioned a scream from the woods, which made me think about that rest stop and how the parents of that deserted baby had taken a stroll in the woods.

Things only got creepier as Rachel woke up with a bloody nose and wandered off to find Nicky’s mother who said that they would not be seeing each other very much. Rachel found a returned wedding invitation on the floor with the words “Don’t marry him” scribbled on the back.

There are so many weird and bizarre things happening that it truly did a great job of making me anxious as I watched it. The music was excellent in that manner too. I was full of suspense and I was feeling scared. Most of the time, scary things do not bother me that much, but I have to say that this really kept me on edge. I am excited to continue this limited series later in the week.

Daily Countdown: Weird Al Songs #71

#71

Polka Party

Title: “Polka Party”

Album: Polka Party

Released: 1986

Genre: Polka/Comedy

Songs: “Sledgehammer,” “Sussudio,” “Party All the Time,” “Say You, Say Me,” “Freeway of Love,” “What You Need,” “Harlem Shuffle,” “Venus,” “Nasty,” “Rock Me Amadeus,” “Shout,” “Papa Don’t Preach.”

I listened to this one forever during my college days.

Lyrics

You could have a big dipper
Going up and down all around the bends
You could have a bumper car bumping
This amusement never ends

I wanna be your sledgehammer
Why don’t you call my name?
Oh, let me be your sledgehammer
This will be my testimony, yeah, yeah

There’s a girl that’s been on my mind all the time
Su-su-sudio, oh-oh
Now she don’t even know my name
But I think she likes me just the same
Su-su-sudio, whoa-oh

And my girl wants to party all the time
Party all the time, party all the time
My girl wants to party all the time, party all the time
She parties all the time

Say you, say me
Say it for always, that’s the way it should be
Say you, say me
Say it together naturally

We’re going riding on the freeway of love
Wind’s against our back
We’re going riding on the freeway of love
In a big Cadillac

That’s why you need, ooh
That’s why this what you need, I’ll give you what you need

Yah, yah, yah, do the Harlem polka, everybody now
Yah, yah, yah, do the Harlem polka

She’s got it, yeah baby, she’s got it
Well, I’m your Venus, I’m your fire
What’s your desire?

Nasty, nasty boys don’t mean a thing
Oh, you nasty boys
Nasty, nasty boys don’t ever change
Oh, you nasty boys

I like this part

Ooh, rock me Amadeus
Ooh, rock me Amadeus
Ooh, rock me Amadeus, ooh

Shout, shout, let it all out
These are the things I can do without, come on
I’m talking to you, come on

Please papa don’t preach, I’m in trouble deep
Papa don’t preach, I’ve been losing sleep
But I’ve made up my mind, I’m keeping my baby
Oh, I’m gonna keep my baby
I’m gonna keep my baby

Keep my baby
Keep my baby
Keep my baby
Hey

Source: Musixmatch

The Pitt S2 E15

Spoilers

“9:00 PM”

Who knew that what I really needed was Santos and Mel doing karaoke?

The ending episode of season two was filled with moments that brought such humanity to the show.

Noah Wylie is an amazing actor. His performance as Robby was sensational. He goes through the wringer during this episode as many of his co-workers and friends face him down with the concerns that he is considering ending his life. At the end, it felt like a moment shared with the little baby that had been abandoned in the beginning of the season was more helpful to Robby than anything else. He spoke to the baby about all the things she will see in her life and you could tell he was also talking about himself. I know Noah Wylie is the star of this show, but that does not mean that he is free from consequences of his potential actions.

 “I got a good feeling you’re going to be just fine.” Robby said this to the baby, but was he actually talking to himself?

Babies were an important fixture of this episode as Robby and Abbot were able to team up (with a whole room full of personnel) to save a woman and her unborn baby when she was seizing from pre-eclampsia (a blood pressure disorder that can occur around 20 weeks of pregnancy). She was doing a Wild Birth, a birth without medical treatment or with the help of doctors. That sounded insane to me, but I googled it an it was a thing. The show certainly showed how these consequences could have had a tragic result.

Langdon and Robby had their conversation, but it was not what I had envisioned. I had hoped to see Robby come and tell Langdon that he respected what he has accomplished, but instead, Langdon turned it back on Robby, telling him that he needed help. It was probably a more honest interaction than the happy resolution I had in my head.

The Pitt is a fabulous show and the second season was every bit as great as the first season. There are plenty of questions going into their third season including the fate of Dr. Al-Hashimi, who Robby insisted tell the admins about her seizures.

That emergency c-section was rough to watch.

The mid-credit scene of the karaoke was life-affirming as was the ending sequence with some great fireworks. It was the 4th of July remember.

Bring on season three.

Daily Countdown: Weird Al Songs #74

#74

Gotta Boogie

Title: “Gotta Boogie”

Written: Al Yankovic

Album: “Weird Al” Yankovic

Release: 1983

Style: Dance/disco

Lots of funny puns involving boogers. What more can you ask? This was a wonderful surprise the first time hearing Weird Al’s debut album, as I do not remember hearing it on the Dr. Demento show. I did see Al perform this live in concert at one of the times I saw him play.

Lyrics

Gotta boogie
Gotta boogie
Gotta boogie
Gotta boogie
I gotta boogie (gotta boogie)
Gotta boogie (gotta boogie)
I gotta boogie (gotta boogie)
Gotta boogie on my finger and I can’t shake it off

Well, I went out to a party just the other night
I was jammin’ to the music, I was feelin’ alright
I was burning up the floor like a disco maniac
When my woman said, “Baby, why’s your hand behind you back?”

Gotta boogie (gotta boogie)
I said boogie (gotta boogie)
I gotta boogie (gotta boogie)
Gotta boogie on my finger and I can’t shake it off

I can’t pick it off (uh uh)
I can’t flick it off (uh uh)
I sure ain’t gonna lick it off (oh no)
So I guess I’m gonna have to learn to live with it

I gotta boogie (gotta boogie, uh huh, he’s gotta boogie)
I gotta boogie (gotta boogie, uh huh, he’s gotta boogie)
I gotta boogie (gotta boogie, uh huh, he’s gotta boogie)
Gotta boogie on my finger and I can’t shake it off

Gotta boogie
(Boogie)
Hey, you wanna boogie? (No man, I don’t wanna boogie)
Wanna boogie? (Get that boogie out of my face)
Do any of you wanna boogie? (No!)

Gotta boogie on my finger
Gotta boogie on my finger
Gotta boogie on my finger and I can’t shake it off

Source: Musixmatch

Daily Countdown: Weird Al Songs #75

#75

Hooked on Polkas

Title: “Hooked on Polkas”

Album: Dare to Be Stupid

Style: Polka/Comedy

Released: 1985

Songs in medley: “Twelfth Street Rag,” “State of Shock,” “Sharp Dressed Man,” “What’s Love Got to Do with It,” “Method of Modern Love,” “Owner of a Lonely Heart,” “We’re Not Gonna Take It,” “99 Luftballons” (sung in German), “Footloose,” “The Reflex,” “Bang Your Head (Metal Health),” and “Relax”.

Lyrics

You’re takin’ to me good,
Just like you know you should.
You get me on my knees,
Please, baby, please.


She looks so great, every time I see her face.
She put me in a state (ooh, state of shock)


Top coat. Top hat.
I don’t worry, ’cause my wallet’s fat.
Black shades. White glove.
Lookin’ sharp. Lookin’ for love.
They come a-runnin’ just as fast as they can,
‘Cause every girl’s crazy ’bout a sharp-dressed man, hey!

Whoo! Ah ha!


Oh, what’s love, got to do, got to do with it?
What’s love but a second-hand emotion?
What’s love got to do, got to do with it?
Who needs a heart, when a heart can be broken?


M E T H O D O F L O V E,
It’s the method of modern love.


Owner of a lonely heart.
Owner of a lonely heart,
Much better than the
Owner of a broken heart.
Owner of a lonely heart.


We’re not gonna take it. No!
We ain’t gonna take it.
We’re not gonna take it, any more.


Neun und neunzig luftballons
Auf ihrem Weg zum Horizont.
Denkst du vielleicht Grad an mich.
Dann singe ich ein Lied fur dich.


Now I gotta cut loose. Footloose.
Kick off my Sunday shoes.
Please! Louise! Pull me off-a my knees.
Jack! Get back! Come on, before we crack!
Loose! You’re blues. Ev’ry body cut footloose!


So why don’t you use it.
Try not to bruise it.
Find time, don’t lose it.


Bang your head.
Metal health’ll drive ya mad.
Bang your head.
Metal health’ll drive ya mad.


Relax, don’t do it.
When you wanna go to it.
Relax, don’t do it.
When you wanna come.
Relax, don’t do it.
When you wanna sock it to it.
Relax, don’t do it.
When you wanna come.
When you wanna come.
When you want to come.

Daily Countdown: Weird Al Songs #76

#76

The Brady Bunch

Title: “The Brady Bunch”

Written:  Ivan Doroschuk/Sherwood Schwartz/Frank De Vol/Al Yankovic

Album: “Weird Al” Yankovic In 3D

Released: 1984

Parody: “The Safety Dance” by Men Without Hats

Style: Synth-pop/new wave

Here is another song where Al dives into television, including the actual lyrics from The Brady Bunch TV show. Parodying the popular one-hit wonder, “The Safety Dance,” Al showed his versitality.

Lyrics

You can watch Mr. Rogers, you can watch Three’s Company
And you can turn on Fame or The Newlywed Game
Or The Addams Family
I say, you can watch Barney Miller, and you can watch your MTV
And you can watch ’til your eyes fall out of your head
That’ll be okay with me
And you can watch (TV!)

You can watch Johnny Carson you can watch Phil Donahue
And you can use TV Guide to help you decide with a capsulized review
Say, you can watch 60 Minutes, even Captain Kangaroo
But there’s only one set, so whatever you watch
Well, you know I gotta watch it too

Say, give it up, give it up
Television’s taking its toll
That’s enough, that’s enough
Gimme the remote control
I’ve been nice, I’ve been good
Please don’t do this to me

Turn it off, turn it off
I don’t want to have to see The Brady Bunch
Not The Brady Bunch
Well, The Brady Bunch
Yeah, The Brady Bunch

It’s the story of a lovely lady
Who was bringing up three very lovely girls
All of them had hair of gold, like their mother
The youngest one in curls
It’s a story of a man named Brady
Who was busy with three boys of his own
They were four men living all together
Yeah, but they were all alone

Until the one day, one day
When the lady met the fellow
And they knew, and they knew
It was much more than a hunch
That the group
This group must somehow form a family
That’s the way, that’s the way
That’s the way they all became The Brady Bunch

Well, The Brady Bunch
Yeah, The Brady Bunch
Well, The Brady Bunch
Oh, it’s The Brady Bunch
It’s The Brady Bunch
Oh, The Brady Bunch, yeah

Oh, The Brady Bunch
It’s The Brady Bunch
Well, it’s The Brady Bunch
Well, it’s The Brady Bunch
Well, it’s The Brady Bunch
It’s The Brady Bunch

Source: Musixmatch

The Pitt S2 E14

Spoilers

“8:00 PM”

It is the penultimate episode of The Pitt and Robby is having an existential crisis and his buddy Duke saw it and called him out. Dana seemed to be able to sense what Robby was feeling. He comment about being afraid that she wasn’t going to see him any more.

Robby is clearly losing his patience. His chewing out of a couple of paramedics over their failure for gender bias in cardiac care was anything but kind hearted. Of course, they deserved the cut down.

Going back to Robby and Duke, Robby actually admits that he was feeling as if he did not want to keep going. This stripped away the question about whether or not Robby was feeling suicidal and places our concerns over what is going to happen to Robby. Noah Wylie is the star of the show, but does that guarantee that he will be safe.

The Langdon scene with the man with the spinal injury was absolutely suspenseful and tense. Langdon had every pressure in the world in this scene and he crushes it. I hope that this is something that can get Robby to give Langdon his flowers. That scene with this victim was my favorite moment of the episode.

My least favorite… the tug of war rope imbedded in the man’s hand. Ugh… HATE IT! I loved that character, but every time they showed his hand with the rope in it… I had to grimace.

If that was not enough… Dr. Al-Hashimi brought Robby in to a room asking his opinion on a case, which turned out to be her… and we find out that she has a seizure disorder paired with viral meningitis and altered mental status. How is this going to affect things?

One more week of an amazing season.

The Boys S5 E1, E2

Spoilers

“Fifteen Inches of Sheer Dynamite”

“Teenage Kix”

The Boys are back on Amazon Prime for their final season, and all the crap is hitting the fan.

Homelander is in charge of everything. He is the top boss, the ultimate ruler. He’s ordering the president around, making him get drinks.

Yet, Homelander is not happy. Everyone is leaving him (in his own, warped mind).

Butcher is every bit as horrible of a person as Homelander. He has been pursuing the virus full scale and has gotten to a point where he had a usable version.

Kimiko (who talks now), Butcher, Starlight entered one of Vaught’s concentration camps to rescue Hughie, Frenchie and Mother’s Milk, despite knowing it was Homelander’s trap. The prison camp break was shocking. MM strangled the living penis man with his own penis. Who would ever guess that I would write that sentence.

The first episode brought a major tragedy. Homelander broke the neck of A-Train. A-Train showed up to help Starlight and the others escape by distracting Homelander. I hated A-Train for the longest time, but just when I really started to like the guy, he gets murdered.

Homelander unfreezes Soldier Boy and talks him into helping. He sent Soldier Boy after Butcher, and the confrontation led to Soldier Boy being exposed to the virus and apparently dying. Of course, at the end of episode two, Soldier Boy, in a body bag, sat up, indicating that the virus did not kill him. It sure looked like it did.

There is so much going on in the first two episodes (Ashley is vice-president and has a second head growing out of her head, giving her psychic powers, among other things). Starlight and Hughie are suffering from depression over the past year. Butcher is just off the deep end. Frenchie and Kimiko are hot and heavy. And Homelander… he is completely crazed… barely dealing with the world around him. He is obviously a metaphor for some of the current world events going on, and it is not even subtle at this point.

I have no idea where this season is heading, but I have to believe that Homelander is finally going to get his. How that is going to happen is anyone’s guess. The Boys is one of the best superhero shows on TV and literally anything could happen.

Daily Countdown: Weird Al Songs #83

#83

Theme from Rocky XIII (The Rye or the Kaiser)

Title: “Theme from Rocky XIII (The Rye or the Kaiser)”

Album: Weird Al Yankovic In 3D

Release: 1982

Written:  Jim Peterik/Frankie Sullivan/Al Yankovic

Parody: “The Eye of the Tiger” by Survivor

Style: Rock/Movie Songs

One of the more unknown Al parodies from his second major album. This is one of the early songs to show how clever Al could be with his lyrics and yet one more song that he wrote involving food.

Lyrics

Fat and weak, what a disgrace
Guess the champ got too lazy
Ain’t gonna fly now, he’s just takin’ up space
Sold his gloves, threw his eggs down the drain

But he’s no bum, he works down the street
He bought the neighborhood deli
Back on his feet, now he’s choppin’ up meat
Come inside, maybe you’ll hear him say

Try the rye or the kaiser
They’re on special tonight
If you want, you can have an appetizer
You might like our salami, and the liver’s all right
And they’d really go well with the rye
Or the kaiser

Never eats while on the job
He heard it’s good to stay hungry
But he makes a pretty mean shish kabob
Have a taste, they were made fresh today

Try the rye or the kaiser or the wheat or the white
Maybe I can suggest an appetizer
Stay away from the tuna, it smells funny tonight
But you just can’t go wrong with the rye
Or the kaiser

So today, his deli comes first
Still he dreams of his past days of glory
Goes in the back and beats up on the liverwurst
All the while you can still hear him say

It’s the rye or the kaiser, it’s the thrill of one bite
Let me please be your catering advisor
If you want substitutions, I won’t put up a fight
You can have your roast beef on the rye
Or the kaiser

The rye or the kaiser

The rye or the kaiser

The rye or the kaiser

Source: Musixmatch